September 2, 2024 • 61 mins
B-Side Video Rentals Podcast Review: Vicious Lips (1986) Dir. Albert Pyun
Created & Written by: Jeremy Briggs & Jenny Wenger
Editor: Genevieve Marie
Producers: Jeremy Briggs, Jenny Wenger & Genevieve Marie
"Vicious Lips" IMDb: https://www.imdb.com/title/tt0163375/
Created & Written by: Jeremy Briggs & Jenny Wenger
Editor: Genevieve Marie
Producers: Jeremy Briggs, Jenny Wenger & Genevieve Marie
"Vicious Lips" IMDb: https://www.imdb.com/title/tt0163375/
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
It's Friday, February twentieth, nineteen eighty seven. You're browsing the
shelves at B side Video Rentals, desperately seeking a film
to match your mood. Suddenly you come across a box
featuring four futuristic women dressed in what can only be
described as space bikinis and armed with machine guns. Their
(00:35):
spaceship crashed on a rocky planet, provides a dramatic back drup.
In the foreground, a hulking, muscle bound monster extends its
claws towards them. The tagline in the box's top right
corner reads, They're lost am loosen outer Space. You can't
(00:55):
help but be drawn in by the title vicious lips
(01:30):
oil jum to B Sad Video Rentals. I'm Jeremy Briggs.
Speaker 2 (01:35):
And I'm Jenny Winger.
Speaker 1 (01:38):
What's that? Jenny?
Speaker 3 (01:39):
You know?
Speaker 2 (01:40):
I got blue washad on one. It's gotta be a
good fucking day.
Speaker 1 (01:44):
We both wearing blue eyes at on one are the oppens.
Speaker 2 (01:49):
Today's a good day, that is it.
Speaker 1 (01:52):
I've got myself a drink.
Speaker 2 (01:57):
At Tea because I am of the soap community. Otherwise
I would have a scotch of some kind or a whiskey.
Speaker 1 (02:03):
Oh, I've got gin and tonic with a pepper corn
and fused gin.
Speaker 2 (02:10):
With pepper corn and fused gin corn. That's so fancy
of you, friend.
Speaker 1 (02:17):
I'm out of beer in Scotch, so you know you
make do with what you got.
Speaker 2 (02:21):
Well, I think it's that time.
Speaker 1 (02:24):
Is it that time already?
Speaker 2 (02:25):
I think it is the news. It's time for the news.
Speaker 4 (02:31):
February twentieth, nineteen eighty seven, and these so you're not
so current events.
Speaker 1 (02:41):
The finale of the fourteen hour mini series America with
a k which depicts a fictional rush and takeover of America,
was expected to be the most watched show of the night,
but was outshown by the Miss USA pageant When asked
for the reasoning Americans.
Speaker 5 (03:01):
Kitties.
Speaker 2 (03:02):
Heillia Ron Darling, a right handed pitcher for the Mets,
has won his bid in a salary arbitration and has
officially joined the millionaire club by sleeping with a millionaire.
Six Florida residents have been indicted in a scheme to
distribute one million counterfeit birth control pills. Authorities became suspicious
(03:23):
because they were orange tic TACs.
Speaker 1 (03:27):
I mean they kept me from getting laid Ray yeah, great,
good job.
Speaker 2 (03:30):
I guess we can cross Orange tiktoks out of possible sponsors.
Speaker 1 (03:33):
Sharemy oh sorry. A seven year old boy whose liver
transplant funds were stolen received a thousand dollars personal check
from President Reagan today. And what White House officials are
calling definitely not a publicity stunt.
Speaker 2 (03:51):
And what can you do with one thousand dollars? It's
like a slap in the face.
Speaker 1 (03:55):
That's just the first incision. A clue to the cause
of Alzheimer's was reported by researchers in Boston, who say
that they have strong evidence that it's hereditary and caused
by a certain gene, which leaves the rest of us
speculating is it Hackman or Wilder?
Speaker 2 (04:15):
Both great genes, great genes. Anti nuclear protesters will no
longer be allowed to demonstrate on a section of the
Nevada test site due to growing incidents of civil disobedience,
leaving protesters uncertain about how they'll receive their daily dose
of radiation poisoning.
Speaker 1 (04:34):
First of all, I don't know if I should make
fun of you for the flub or for saying Nevada.
Speaker 2 (04:40):
Ooh listen, I'm from Tennessee and I've been made fun
of for the way I say everything, so like I
try to say it the fonsiest way I come. A
bill requiring employers to give new parents eighteen weeks of
unpaid leave received its first Senate hearing today, debating over
the need for a national policy and const learning about
(05:00):
an undue burden on small businesses, Small businesses, What about
how hard it is on that pussy? Oh my god, Jenny,
I love saying pussy.
Speaker 1 (05:11):
Oh my god. A team of oceanographers has piloted a
small submarine into the eye of an underwater volcano near
Hawaii and reports finding a strange new world, which happens
to me every time I look into my own butthole.
Speaker 2 (05:30):
Jeremy, Oh my god.
Speaker 1 (05:33):
I can't, I can't even. According to a draft report
requested by Congress, the Department of Defense conducted a pilot
program using polygraphs incorrectly, making it impossible to judge the
validity of the testing to detect lies. After every question,
the examiner said.
Speaker 2 (05:54):
Girl, girl, come on solid right. A Soviet sailor defected
in Sweden yesterday. The twenty eight year old man has
a wife and a three year old son still in
the Soviet Union, but told Swedish police that he didn't
care for the Soviet system and that he truly hated
his wife and kid. Democratic congreg Democratic congressional leaders said
(06:20):
today that they expect Congress to approve legislation raising the
minimum wage from three dollars and thirty five cents an
hour this year, saying that people can't work from your peanuts,
they might be a logic.
Speaker 1 (06:34):
A captain of the Gambino family is being held without
bail on federal murder for higher charges involving the shooting
of a defendant in the Pizza Connection drug trial. When
questioned by authorities, the capo said, we don't like rats
and that chucky cheese.
Speaker 2 (06:52):
Why he's a he's a ratify of a saw one.
Speaker 1 (06:55):
An outbreak of cholera was responsible for the deaths of
some fifteen hundred birds in the Wildlife Sanctuary in Nevada,
but officials still have no clue what killed more than
three million small fish, So looks like we got away
with it, Jenny.
Speaker 2 (07:15):
President Reagan lifted economic sanctions against Poland today, calling it
a reward for the release of the political prisoners. Shortly after,
Reagan was seen patting several pollocks on the head, like
the good little boys they are.
Speaker 1 (07:27):
Oliver Stone's Vietnam War drama Platoon earned twelve point nine
million last week, more than doubling the box office of
the second place film, Outrageous Fortune, a Disney comedy starring
Bette Midler and Shelley Long. Disney had hoped to dethrone
the war film, but knew it was a Shelley Long shot.
Speaker 2 (07:48):
Love a play on words.
Speaker 1 (07:51):
And those who were your not so current events.
Speaker 2 (07:55):
Yeah, I mean, so the same shifts still happening.
Speaker 1 (07:58):
You know. Yep. So let's see here. Let's talk about
our film today. What's the film we're talking today?
Speaker 2 (08:08):
Vicious Lips my nickname from college.
Speaker 1 (08:14):
Let's talk about that poster first that we discussed at
the very beginning.
Speaker 2 (08:18):
All the elements were there.
Speaker 1 (08:19):
Could that really sum up the film at all?
Speaker 2 (08:24):
I Mean the thing that I like is like when
the representation, the promo representation of a movie doesn't prepare
you at all for what you're going to experience.
Speaker 1 (08:34):
I wanted more space bikinis, thank you.
Speaker 2 (08:37):
First of all, the opener was a really fast moving opener.
Speaker 1 (08:40):
Oh well, we're going straight into the opener. I want
to talk up a little bit before we get into
the opener.
Speaker 2 (08:44):
Oh, okay, share your thoughts, Jeremy.
Speaker 1 (08:49):
Well, so apparently this film was executive produced by Charles Bann.
Did you know that?
Speaker 2 (08:55):
No, I didn't. I don't do research. I just enjoy.
Speaker 1 (09:00):
Well, according to him, he had the poster and the
title of the film and that was it. Well, he
gave it to Albert Pune, who wrote and directed the script. Who.
We will talk more about Albert Pune in the future
because we're definitely going to be doing more of his films.
He's got a solid name, he does, and he has
(09:20):
a solid, solid red. His most famous film is The
Sword and the Sorcerer. He also did junk Claude Van
Damn Cyborg and a Van dam sequel, Kickboxer two with
Sasha Mitchell, who played Cody on Step by Step. Oh right,
you'm a kung fu guy. Fun fact. Albert Pune also
(09:45):
he had two aliases that he pseudonyms, if you will.
He did poor real names. He was Hannah Blue and
Kitty Chalmers.
Speaker 2 (09:57):
So he did porn.
Speaker 1 (10:00):
Apparently.
Speaker 2 (10:02):
Yeah, those are interesting choices. What did he use those
aliases for?
Speaker 1 (10:07):
I don't know. I will have to do more research.
Speaker 2 (10:09):
Into that well way to bring it up curious.
Speaker 1 (10:13):
Well, I just looked at it. He went with Kitty Chalmers,
like your your pseudonym is Kitty Mark. People are gonna
like this movie if they think it was written by Kitty.
Speaker 2 (10:25):
Oh yeah.
Speaker 1 (10:25):
The song Reach for Your Dreams? Yes, Holy hell. I
loved it.
Speaker 2 (10:30):
I loved it right. I have like watch it several
times because I would just start acting like I was
in a music video and I'm like, oh shit, I'm
supposed to absorb this.
Speaker 1 (10:40):
That song was like it just set me in a mood.
I was like, I am going to love this movie.
Speaker 2 (10:46):
Yeah, so good.
Speaker 1 (10:48):
And then we get into the Futuristic Club, our first
scene with Maxine, Maxine's radioactive dreams with the.
Speaker 2 (10:58):
Oily shirt list Trudy guy. Yeah, he was very oily.
Speaker 1 (11:03):
Was he oily enough? I don't know. But then like
Maxine was just so big. Yeah, she was cool. She
was like she was like Angelicie Houston and Captain Eo.
She was like that big.
Speaker 2 (11:15):
She was stope and her acting was ten out of
ten recommend It's so huge. Yeah.
Speaker 1 (11:23):
But like immediately I was like, oh again, I'm going
to love this film.
Speaker 2 (11:30):
Yes, And I'll tell you it goes to Maddie, whose
laugh got more and more obnoxious as the film went on. Yes,
oh my god, my man. I was like, this can't
be real, Like he had to have lost a bet,
and they're like, how much weirder can you make it?
As we go on.
Speaker 1 (11:50):
The thing I love about Maddie Maddie Asher is his name. Yeah,
I'd like I could not separate him from like, exactly
the talent manager of Vicious Lips, which is the name
of a band which we have not gotten into. He
reminded me like he should be in a movie playing
Jeremy Piven's little brother who's like super obnoxious. Yes, absolutely,
(12:13):
Jeremy Piven plays that like very kind of borderline obnoxious character. Yeah,
and to just give him a little brother, that's way.
Speaker 2 (12:22):
He's like the man on the bully team.
Speaker 1 (12:25):
Right.
Speaker 2 (12:27):
But what I like is Okay, So we meet the
lead singer of the band for a moment as she's quitting,
and my favorite thing about her is as she calls
him a little toad as she's I was like, I
have got to start using that insult.
Speaker 1 (12:42):
Well, the best thing about her is that she quits
and dies any second later. I quit stump, stomp, stop.
She's dead.
Speaker 2 (12:53):
Yeah, yeah, And it's like as long as her scream
was youd think she could have gotten out of the way.
It's like she fruz to the side, keep moving and
you will live.
Speaker 1 (13:08):
We just introduced the singer dying, right, so they have
to find a new singer, because.
Speaker 2 (13:13):
So what does he do besides you go to a
high school talent show. It just happens to be going on.
Speaker 1 (13:19):
It's going on, And the best thing that happens at
the talent show is they find Judy Jetson.
Speaker 2 (13:25):
Yes, and I love it, Like, Okay, first of all,
it's like when you watch say by the Bell and
it's obviously like dubbed someone else's singing, and Elizabeth Berkley
is just so it's very obvious about but I love it. It
sounds great and they're like, okay, shut up, get out
of here.
Speaker 1 (13:42):
He tells me about her performance at the at the
talent show. Is she talked? You hear her speak and
then she sings and it's like her speaking voice is
like kind of high pitch. He's in there and it's
this deep, sultry like is that a man or a woman?
Like really going guttural. It was like it was such
(14:05):
a jarring, like whoa no. Yes. Fun fact about that
is there were actually two two different people singing those voices. Yeah,
I mean obviously different people.
Speaker 2 (14:17):
The one that opened was not the one that sings
like the rock ballad that they practice on the shuttle
lingth No.
Speaker 1 (14:24):
That's a different one. Yeah. I have her in my
notes somewhere.
Speaker 2 (14:27):
So yeah. And they're like, oh, it'll be fine, No one,
those are.
Speaker 1 (14:32):
Two separate singing voices.
Speaker 2 (14:34):
Someone must have had an awkward moment with her after
the original singer, and they're like, look, we're just replacing her.
I found somebody who sounds just like her and.
Speaker 1 (14:42):
Then it's just like her. Guys, trust me. So he
immediately sees her. Mattie Asher, the band manager, sees her
and is like, this is my girl. I'm going to
convince her. We got to go to the Dream, which
is the Maxine's club place they're playing. It's Maxie means
like one of her offshoots on a different planet. Did
(15:02):
we mention we're in space?
Speaker 2 (15:04):
We're in space and it's not even just a different planets.
It says I'm a galaxy away. So I get in
the future, you're balancing galaxies.
Speaker 1 (15:13):
He and he says to her, we got to get
to the dream, and she goes, huh, and then she
faints for some reason. She just faints and then there's
a like a subliminal flash on the screen that says
it's just like and then we cut to the streets.
Speaker 2 (15:31):
So you know, we all know and love Total Recall.
This film was before Total Recall. And we see a
three titty lady.
Speaker 1 (15:39):
Three titty lady. I mean, here's the thing, or a
triple titty trollop is what I like to call.
Speaker 2 (15:48):
A T shirt.
Speaker 1 (15:51):
Actually, So, after Albert Pune did his The Sword and
the Sorcerer film, he was initially attached to helm Total Recall.
Speaker 2 (16:02):
Wow, so it could have been his idea.
Speaker 1 (16:05):
It was nineteen eighty three when he was approached to
do Total Recall and it didn't come out till I
think eighty six or eighty seven.
Speaker 2 (16:12):
I was just looking at my Total Recall poster.
Speaker 1 (16:14):
I just thought that was very interesting that he was attacked.
Speaker 2 (16:17):
That is very good, Triple city Tarlop. He has made
the world a better place, I think. So sure. First
of all, hold on, I wanted to do you know
how many times. I had to pause it and re
listen to find out that her name was actually Judy
jets And I'm like, is this a joke? Because this
is before the Jetsons too.
Speaker 1 (16:38):
It's up before the Jetsons. The Jetsons was like in
the sixties.
Speaker 2 (16:41):
Were they really? I watched that as a child, so well,
I like because it was it was really did reruns?
Speaker 1 (16:49):
Girl? Have you heard of him? Well?
Speaker 2 (16:51):
Look, I was from Tennessee and I just didn't know
what was going on with that box about.
Speaker 1 (16:57):
In nineteen sixty two?
Speaker 2 (16:59):
Did they really?
Speaker 1 (17:00):
Wow?
Speaker 2 (17:01):
They really called a lot of things the Jetsons.
Speaker 1 (17:04):
Yeah, like flying cars.
Speaker 2 (17:06):
Yeah, so so okay, so then that makes sense. But
then that makes me sad for him, Like he can
think of a three titted lady. But then he's like, oh,
it's a futuristic chick. Let's he just call her Judy Jetson.
Speaker 1 (17:20):
So Maddi esher and Judy Jetson and they get to
the gig and meet the rest of the band Breeze,
sin Wndsy, Crodo and Menda. I don't know how to
pronounce you u Eu, but they all have last names.
Speaker 2 (17:37):
I don't know how to pronounce Nevada, So don't look
at me. I'm scared of pronouncing things. So this is
the perfect medium for me.
Speaker 1 (17:48):
From people that live in Nevada. When they hear Nevada,
they freak out. It's just something inside of us explodes.
Speaker 2 (17:54):
Yeah, well you're here for that team, and I'm here
for the oldies. Who got Why are you saying it?
Speaker 1 (18:01):
Who's to say?
Speaker 2 (18:03):
Who's to say everything?
Speaker 1 (18:07):
You know, it's all, it's all relative.
Speaker 2 (18:11):
So my next note says, is it the ball go? Yes,
the peating Tom lost an eyeball, ha ha. But then
a guy throws his food at the teen girls for
no fucking reason at all.
Speaker 1 (18:26):
It's just to tell you that this is a skeazy
joint that they're playing in that he loses an eyeball,
and it's like, oh.
Speaker 2 (18:35):
Well, shouldn't have gone out.
Speaker 1 (18:40):
She does not have a practice with them. She's taken
straight from her show to this show and they're on
in ten minutes. Yeah, and she crushes the song.
Speaker 2 (18:52):
Crushes it like she's in singing her whole life, and
the other girl's like, she's okay.
Speaker 1 (19:00):
This song is called save Me, and she just it's
not as good as the opener. No, but it's a
good song. Yeah, I'm on board with it.
Speaker 2 (19:09):
Yeah.
Speaker 1 (19:10):
And during this call, Maddie, the manager gets a call
from Maxine More to go. This is where she says,
we gotta go. I need you tomorrow night got away.
I see it in Yeah.
Speaker 2 (19:29):
So he's gonna make it happen. But what he has
to do is he has to cut their first gig
with this new singer, and they don't even finish a
whole song basically, and he's like, we're leaving, We're done,
And then they have to go and steal a shuttle.
Speaker 1 (19:45):
They get off, and this poor girl, Judy jetson, she
gets off, she had less than ten minutes to arse
with these people, gets off, and then immediately drama starts
with her.
Speaker 2 (19:58):
Yeah.
Speaker 1 (20:00):
Amanda is like, you're not coming with us, Yeah, you're okay.
Speaker 2 (20:05):
I guess if we can't find a good voice, I
guess you can tag along and fill in just in case.
Just horrible to.
Speaker 1 (20:14):
Her, just awful. And I can't, for the life of
me figure out what the point of them. No, it's
like it's just girl drama.
Speaker 2 (20:25):
Yeah. And and let's all remember that their lead singer
and friend was just killed in the streets and they
don't like Judy's name, so they tell her, oh, this
is the name that's on all the posters, so it's
your name. Now, okay, they.
Speaker 1 (20:44):
Don't have any transportation, do they.
Speaker 2 (20:47):
They don't, so they have to steal a ship. But
dunt dund yes, and it happens to be carrying a
vicious woman killer.
Speaker 1 (20:58):
Oh, a woman killer.
Speaker 2 (21:00):
He's killed many women.
Speaker 1 (21:02):
Not only has he killed many women, he's killed over
five thousand women.
Speaker 2 (21:09):
Yes, that's a big number.
Speaker 1 (21:12):
He's killed five thousand women. Good thing he's in a
titanium cage. There's no way he'll escape unless crash.
Speaker 2 (21:20):
The ship looks dope as fuck, though, like those graphits,
they were really ahead of their time.
Speaker 1 (21:28):
So we cut to a rock and montage. At this point,
the band snooping around the little ship right set to
the song Lost in the Ocean of Stars.
Speaker 2 (21:40):
Oh that's so good. It gives me tingles. And another
one that they're like very judgmental about the song is
that the one she sings?
Speaker 1 (21:50):
Well, this is this is the No, that's not the
one she sings. That's the one where where they're like
searching through the and they get the map of the
the ship that they stole and they're like, what's over here?
What's over here?
Speaker 2 (22:03):
Yeah, And that's the part where I was like, Oh,
they're going to let this woman killer loose.
Speaker 1 (22:10):
And not yet, but I thought that's what I thought,
you thought.
Speaker 2 (22:15):
I got very anxious, but they let it.
Speaker 1 (22:18):
It was so tense that that rocking montage was in
at Home.
Speaker 2 (22:22):
Woman, I was afraid.
Speaker 1 (22:26):
Five thousand can you believe it? And ending during this
rock and montage, we have a silly, silly joke where
Maddie Asher is at the helm reading a book or
something and it's like a flashing sign that's like warning, warning, warning,
(22:48):
meteors coming at you, and he doesn't hear it because
the the red alert is no more than just text
on like a scrolling screen. That's it. There's no there's
no noise, there's no flashing lights to get you.
Speaker 2 (23:06):
Growing up in the South, when we were watching TV
and the tornado winnings just used to scroll across the top,
it's like, oh, your trailer might be lifted in a moment, so.
Speaker 1 (23:18):
That gets you know. The The little gag is that
it keeps saying wilder things like you're all gonna die,
I'm not gonna spoil the actual joke, because for all
those that are really rareing to see it, this one
will get you.
Speaker 2 (23:38):
And of course, what's the bitch girl's name? Is it
Amanda or.
Speaker 1 (23:44):
It's Manda, no a, just Manda with an extra ag.
Speaker 2 (23:49):
Yeah, still being a bitch for no reason.
Speaker 1 (23:52):
Completely, But like this, this joke, this scrolling joke. Could
you imagine being in the writer's room on this one
or just like right it with a friend. This was
a forty five minute laughing session.
Speaker 2 (24:04):
Oh my god, it's gonna be you know when.
Speaker 1 (24:09):
You like do that and you just you laugh for
hours and then you actually do it in front of people.
Speaker 2 (24:14):
Which was most of our sketches at Groundlings just dies
in front of them.
Speaker 1 (24:21):
You're like, well, I thought it was fun.
Speaker 2 (24:25):
Yeah, I have PTSD even from doing stand up about
that stuff. Like I would be like, people are gonna
love this.
Speaker 1 (24:34):
People are gonna love it. They don't weird.
Speaker 2 (24:37):
Then they just yell from the audience, show us your pussy.
Speaker 1 (24:43):
Oh my god. That well, you take this opportunity to
apologize for doing it.
Speaker 2 (24:51):
You know, I've been waiting. The whole reason I asked
you to do a podcast with me is hoping I
would buy apology.
Speaker 1 (24:58):
Are aforementioned and af foreshadowed.
Speaker 2 (25:01):
Crash Land happens and they're on a desert planet. It
would appear.
Speaker 1 (25:09):
Because they couldn't afford anything else.
Speaker 2 (25:10):
That's easy, And I love that our Judy Jetson lead
say your gal, she sees something running in the sand.
But it's like that running gag of oh my god,
look at this and they all look like there's nothing there,
you crazy bitch.
Speaker 1 (25:27):
There's something on the wing this whole crash And then
everything gets tense and they're all yelling.
Speaker 2 (25:33):
Back and forth that Maddie's us laugh.
Speaker 1 (25:39):
That leads to my favorite line. So they're all like,
who should go out there and go find help? And
everybody's like, well, Maddie should do it. Maddie should do it.
And his my favorite line delivered by Maddie Asher, just
because I'm the only man here doesn't mean I have
to play mister a hero with big balls.
Speaker 2 (25:58):
And then he tells that one girl, you're you're more
of a man than most of the men I know,
you know, like, okay.
Speaker 1 (26:08):
Were Now we're finally starting to get more cuts of
the killer in the titanium cage still trapped.
Speaker 2 (26:16):
Yeah, like they made you think for a moment the
door was going to be opened, and then it's slammed.
Speaker 1 (26:21):
It's not. Yeah.
Speaker 2 (26:23):
And then while this is happening, Maddie goes out, and
this is one of my favorite scenes. It's the babes.
The hot babes find Maddie.
Speaker 1 (26:37):
How could that not be? Could that not be? Anyone's
great boobs? For no reason? I'm sorry? Will you asked?
Did we meet our boot quota yet? Well, we got
the triple titties. I think that's all we've got. We
got to throw in some babes.
Speaker 2 (26:55):
With booms, babes with boobs dragging Mattie through the desert.
It reminds me a lot of like Monty Python Brian,
just because boobs boobs, Like, we're here for the action,
but we forgot our bras.
Speaker 1 (27:11):
Once he's off, then we kind of break off into
two groups. Of course, Amanda and Brie go off and
Judy heads out with Windsay, and what do they do?
Speaker 2 (27:22):
Let that fucking maniac loose?
Speaker 1 (27:25):
No? Not yet, not yet, we think they will, but no,
they get high off a space.
Speaker 2 (27:33):
Pose one hit and she's like hallucinating.
Speaker 1 (27:37):
I really wish they would have It's taken a little
more time with with coming up with the name of
the space weed, like they could have done better. It's
just like, oh, what is it. It's what did they
call it? It's a Martian.
Speaker 2 (27:55):
Well you know what they called the coffee job job.
Speaker 1 (27:58):
It's a total zoom.
Speaker 2 (28:01):
They really I cut it short with naming things.
Speaker 1 (28:05):
I just wanted a milk kid to be like, we're
sniffing the star dust. We're a couple of cosmopots, cosmopods.
I just wanted they could be just sitting around me, like,
come on, we're gonna get bombed off our asteroids, you know,
bad jokes like that. They could have called it vapors
(28:28):
of uranus.
Speaker 6 (28:29):
Oh my god, I can't step smoking the vapors of uranus.
Speaker 2 (28:34):
I love it. But we're not even in the same
galaxy as uranus.
Speaker 1 (28:42):
Fair enough, fair enough.
Speaker 2 (28:45):
So then the maniac is really loose.
Speaker 1 (28:49):
It doesn't. This is where you are one hundred percent
think she is, because Judy Jetson goes, she takes one
hit and then wanders. She's like, er, I'm so stoned,
and this is where I want to discuss said speculation.
(29:11):
So Judy is blitzed, right, She's completely blitzed. And she
just wanders the hallways, and I just want to know
as what she was told by the director, because this
was not a scripted scene at all. It just says, Okay,
you're stoned. Now you're gonna go find the the monster. Right,
(29:36):
You're just but you're stoned and this is an accident.
Speaker 2 (29:40):
Did you're sexy?
Speaker 1 (29:43):
Remember that you're sexy? Because she's just like she even
points out because I think, you know, as an actor
being put in those situations, it's like, Okay, you're stoned
and you're wandering through this place and we're gonna build
up some tension.
Speaker 2 (29:58):
Go great, like as an actor. Also, I was on
a set one time and I was playing like a
nineteen it was like nineteen, late nineteen thirties, nineteen forties
nurse and they told me, oh, just improv trying to
find things. And I'm like, do you think I'm an expert?
Speaker 1 (30:20):
Well, this is a scareble oh for sets.
Speaker 2 (30:25):
And I'm an expert at this stuff. And then I'm like, Kepta, oh,
we'll try these, We'll try those. Yeah. Like it's like
I hate when that happens to me. And so there
is that look on her face that I get a
lot of times when people ask me to do things
like that where you could just tell She's like, is
that it? Can you say? Cut?
Speaker 3 (30:46):
Yeah?
Speaker 1 (30:47):
Are we still going? We're going way longer than I
thought we were gonna go, but we're gonna just keep in.
We're just gonna stay in. It's Albert, It's Albert Pugh
and going like, stay in it, stay in it.
Speaker 2 (31:01):
It's just one of her worst nightmares. I'd like, I
would rather let the monster out and let him kill me.
Speaker 1 (31:07):
It's like and she knows, you know, the actress is like,
this is so stupid. You could see it because she
straight says, what am I even doing down here? I'm
so stupid. You're like what?
Speaker 2 (31:24):
And that like is perfect, you know, that's her calling
for help from him. Please just say cut. I've done enough.
Speaker 1 (31:33):
We go to the door, she's about to open the
door when magically she's interrupted by one of her friends.
Money you doing?
Speaker 2 (31:44):
And it's like they could care less about her this
whole time, and then all of a sudden they give
a fuck where she is.
Speaker 1 (31:50):
And so we have like that where we think you're
building up the tension of the maniac getting loose. Yeah,
and he doesn't get once again foiled.
Speaker 2 (32:04):
Yeah, when he finally does get loose, it feels a
little anticlimactic because it's like, for sure the other times were.
Speaker 1 (32:16):
Because we've been geezed.
Speaker 2 (32:18):
So so my notes on like after he gets out
of road that was a really low point.
Speaker 1 (32:26):
But before he even gets out, we have one of
probably my favorite scene in the film other than you know.
Speaker 6 (32:35):
The conversation about the conversation, Oh, it's my favorite conversation.
Speaker 2 (32:46):
Getting ready.
Speaker 1 (32:48):
Whimsy wins with a w.
Speaker 2 (32:51):
Was getting ready and she said, oh, you're.
Speaker 1 (32:54):
Because something we haven't mentioned before is Whimsy changes outfits
every ten minutes. She's in a brand new wig, dress,
brand new wig, like full makeup change. Like for a while,
I was like, is this a different person? I don't
who am I dealing with? She's awesome and at this
(33:17):
point and so like I wrote all these notes just
like what is going on with her? Like she's crazy?
And then we get her kind of explanation of doing everything.
Speaker 2 (33:28):
To make it as a star, to make it.
Speaker 1 (33:31):
To make it, and now she's getting older and everything
that she's tried isn't isn't.
Speaker 2 (33:37):
Other people are just lucky, right, I mean that I
have all that.
Speaker 1 (33:46):
Those other in reality. In reality, that's a lot of
what it is. There's a lot of luck involved in
being in the right place and you know, putting yourself
out there. But she complains froze feet and she's getting
older and jui yeah. After she goes yeah, she says,
(34:11):
she says a line, well, if you ever thought about
stopping and whinsy the way Wendsy reacts to that, it's
such a confused look and reaction. What are you talking about?
Speaker 2 (34:27):
What?
Speaker 1 (34:27):
Why? Like, there is no stop. This is who this is.
This is who I am. Not only would I chose,
like if I am to live in Schaler, then I
shall do so, because this is who I am. And
that like really made me like her as a character,
(34:48):
even though she this was pretty much the only bit
of substance there was. I was just like a man, God,
I I mean, boy, do I know those people?
Speaker 5 (34:58):
Boy?
Speaker 1 (34:58):
Am I? Oh? Yeah people? You know what I mean.
It's just like I related to her so much and
just like, no, this is just what we do, rain
or shine, this is who we are and it will
keep trucking.
Speaker 2 (35:15):
Yeah. I mean it almost like makes you sad for her.
Speaker 1 (35:21):
Completely, And it was a very sympathetic thing but like
I like, I just I did have sympathy empathy for her,
and like, I don't know, I really understood her and
was like, yeah, change of outfits four more times, because
my favorite outfit was that long green sweater dress.
Speaker 2 (35:41):
She had some bangers, like I wanted it for me
at night.
Speaker 1 (35:48):
This boy was jealous girl.
Speaker 2 (35:51):
My monologue about my crow's feet and that green number. Yeah.
And then this is also the scene where she mentions
the mentions the other band that got lucky and they're
getting their lucky break, but they need a lead singer,
and you see Judy Jensen kind of light up, like, oh,
like I'm being rejected here. Maybe I should submit for
(36:13):
the job.
Speaker 1 (36:16):
Exactly, which can you blame her?
Speaker 2 (36:17):
Everybody's being a whoor to her.
Speaker 1 (36:20):
They were being horrible except for Wenday. Wendley I don't
think was that she got her high and then bitched
to her. I guess.
Speaker 2 (36:27):
So yeah, she's like, we can have girl time if
it's about me.
Speaker 1 (36:37):
Man, that's that just reminds me of myself more and more.
Speaker 2 (36:40):
Yeah, And then like I think it's interesting about that
topic that as soon as the other girl found out
aanda that she was interested in the other job. She's like,
you're a betrayer.
Speaker 1 (36:53):
You are you are not faithful. Keep in mind it
has not even been twelve hours. She sang with them for.
Speaker 2 (37:01):
The very first You're Okay, we're going to try to
find someone to replace you. You're thinking on going.
Speaker 1 (37:08):
Somewhere else, stabus trader after all the hours of loyalty
that we've had, all the ten hours of loyalty.
Speaker 2 (37:21):
Yeah, and meanwhile Maddie's hallucinating or you know whatever. The
girls are zapping him with their laser titties. They have
like booby powers.
Speaker 1 (37:36):
Oh and there's another there's another thing we didn't quite mention.
There was a moment when they were they said something
about the power in the ship. They were losing energy
fast use shower conserve. You can't use the neutron shower.
Speaker 2 (37:54):
Yeah, I think it was a neutrons. It's neutrons or protons.
Speaker 1 (37:57):
I don't remember. I'll signed it. But it's like, you
can't use the showers because electron electronnower and you don't
use the electron showers whatever.
Speaker 2 (38:14):
And I guess they had to put this sword whimsy
because I guess she takes heavy electron showers.
Speaker 1 (38:21):
Yes, obviously Whimsy is a big shower checker. And so
what does Wimsy do after being told not to take
an electron shower?
Speaker 2 (38:29):
It's an electron shower and it's the prettiest scene of
the whole.
Speaker 1 (38:33):
It's the prettiest scene. I wanted five minutes of this
electron shower.
Speaker 2 (38:39):
I didn't even mind that she didn't show our boobies.
It was so beautiful. There was a part of me
that was like, oh, we're gonna get to see Whimsy's
booties boobies, but then it was just so pretty.
Speaker 1 (38:50):
We didn't it. But and my problem with it, I
really wanted at least a minute, is not two minutes
of this thing, because it was so pretty and it
was very sexy, even though you didn't really get much
of anything but a silhouette and these that's what.
Speaker 2 (39:05):
Kind of a star Whimsy is.
Speaker 1 (39:08):
Exactly. And then they just but they cut it short
because now during the electron shower, our beast murder actually
he actually gets loose and ruins our good time.
Speaker 2 (39:25):
Yeah, and then there's that really like beauty and the
beast kind of element.
Speaker 1 (39:35):
Oh, I don't know if I picked up on.
Speaker 2 (39:37):
That chasing her and she's like going through all the
cloths running from him.
Speaker 1 (39:44):
When they when they get out of the spaceship and
go into this like go because at that point the
ship moves, it falls down like a sand cliff. And
then they find a building and they run through.
Speaker 2 (39:57):
Yeah, Judy Jetson is running and it's it's like this
really beautiful like her running through like lavender cloths.
Speaker 1 (40:07):
Very like. It made me kind of feel of like,
have you seen a phenomena? I think it was that movie.
It's a dairy Argenda. Jennifer Connell, my god, I love her,
And there's like these great Iron Maiden like music videos
practically with her running down these halls, and it kind
of reminded me like it was going for something like that.
(40:30):
But again, lots of cloth and running.
Speaker 2 (40:33):
Yeah, and cuts of yeah.
Speaker 1 (40:36):
Right, and then all of a sudden, we've got fifteen
more maids.
Speaker 2 (40:40):
His posse show cannibals.
Speaker 1 (40:43):
Just all of a sudden, we've got these cannibal maniacs possible, right.
Speaker 2 (40:48):
Yes, because that's what they said, Oh we're gonna well,
I can't remember what it was. They said, they're gonna
before we do this to you.
Speaker 1 (40:56):
Yeah, before we eat your flesh. Basically, we're gonna damn
the eighties. I mean, hey, hey, if you can't rape
someone before you eat them, what can you do?
Speaker 2 (41:13):
Yeah, and then I remind me here, it's like this
horrible thing and then all of the sudden.
Speaker 1 (41:22):
Well we go for a long time and then we
get montage and then we get this this weird like
she's dreaming about some handsome guy, like the the Monster
turns into a handsome guy.
Speaker 2 (41:37):
Like Beauty and the Beast.
Speaker 1 (41:41):
Okay, so he's uh like he comes out and he's like,
my name is Brock. Yes, bro Christian Brock Christians honk.
And then and then he says a line, and so
like she's totally falling for this guy. She's like, oh,
I'm into this. And then he says the line don't
you want to settle down and have babies? And she goes, oh,
(42:06):
you're the killer because she's like immediately she's so turned off,
saying would have.
Speaker 6 (42:18):
No God, No, that's the last Jetsons, Maxine and a
bunch of trolls.
Speaker 1 (42:25):
So you know that something weird is happening because Maxine
is all of a sudden there and you're like, no,
Maxine's a galaxy.
Speaker 2 (42:31):
You were has she come to save that.
Speaker 1 (42:37):
Turns into utter chaos.
Speaker 2 (42:40):
And at first the other girl it looked like it
was Judy Jetson and weird makeup?
Speaker 1 (42:46):
Right was that her?
Speaker 2 (42:47):
That was a different actress? What was going on with that?
Speaker 1 (42:50):
I don't remember.
Speaker 2 (42:52):
It's just like a It turned.
Speaker 1 (42:54):
Into kind of a little bit of a chaos thing,
and then.
Speaker 2 (43:00):
For a moment the dead Great, that's what it was.
But in that moment it looked like her.
Speaker 1 (43:06):
And then it because she was like, you're taking you too.
Speaker 2 (43:10):
Yes, he shows up in it.
Speaker 1 (43:12):
It's not my fault, Judy Jetson. And then we have
a flash after it goes chaos for ten minutes.
Speaker 2 (43:20):
I wrote just a montage nightmare.
Speaker 1 (43:24):
Yeah, and then we have a subliminal flash the dream
and suddenly Judy Jetson is back in the same exact
outfit she did her high school Yeah, the dream which
you're going like, okay, so this was all yeah.
Speaker 2 (43:44):
And doesn't she call someone ugly for no reason?
Speaker 1 (43:47):
Yes, in the elevator exactly. She wakes up from a
dream and it's like, ah, this ugly guy.
Speaker 2 (43:54):
All sudden, you're a bitch too, And she gets off.
Speaker 1 (44:00):
His elevator and like Windsy grabs her and is like,
we gotta go. So you're like, okay, is they're at
the Radioactive Dream. Now they're at Maxine's Radioactive Dream. Now
they're there to perform. It's like okay, they wait, yep,
what what's a dream? What's when did it?
Speaker 2 (44:18):
What was it where she sainted?
Speaker 1 (44:22):
Because now she's in the exact same clothes, so.
Speaker 2 (44:25):
Are we Was this a look in herself selfconscious like
with this monster guy who kills five thousand is that
part of her subconscious?
Speaker 1 (44:33):
It really just makes you so it was so confusing.
But then immediately they throw us into the final performance
of the band.
Speaker 2 (44:43):
And they kill it. But then what I thought Maxine
was really cold and genius because she calls tiny little
natty big boy. This guy just can't get a break.
Speaker 1 (44:58):
That they do have like a weird They definitely have
a weird relationship in there. But like I did, they
sing a song called Lunar Madness, and I think again,
I think that the song is the best song, but
Lunar Madness is a close second. It's a pretty solid
jon Jay being in the film. The film, it was cool.
(45:21):
Its very very cool. One thing I want to point
out now that we're done talking about the film is
did you notice all the musical instruments that they were playing.
Speaker 2 (45:29):
Yeah, there were some cool things.
Speaker 1 (45:32):
They're bokers. They were just these weird, made up futuristic inventions.
Nobody was on drums, but there were definitely drums.
Speaker 2 (45:41):
Something was making that sound.
Speaker 1 (45:43):
The tops of like some of these guitar things look
like bug zappers, yes, which I thought was cool. Another
design thing that I liked where all of the uh
the cigarettes, Like Maddie had this we your twirly cigar.
Did you notice how like towurly is cigar and then
(46:05):
Maxine obviously had that like nineteen twenties, thirties, Yeah, long
cigarette thing. The Martian herb pipe was super And.
Speaker 2 (46:14):
When you spoke about that, I thought it was funny
that when me and g Money, a good friend of
ours who will probably be a guest on the show
at times, we were chatting about how funny it was
that uh what's her name, uh, Whimsy? She was like,
who put my eyeshadow brush in the ash tray? Like
(46:38):
why would you do that?
Speaker 1 (46:39):
Oh? That's that's yeah, Yeah, the first time that Judy Meeta.
Uh So let's talk about MVPs. Movie MVPs for me,
it's Sue Sade. Sue Sade is she is the singer
of the very so Reach for Your Dreams, Save Me
(47:05):
and Lunar Madness. So she had a band in the
eighties called Sue said in the next who I am, Like,
that's a new band that I'm listening to. I totally
it's a discovery that I'm like, hell.
Speaker 2 (47:18):
Yeah, popular that They were just kind of an indie band.
Speaker 1 (47:22):
No, they had basically they had two albums that came out,
but nothing really happened for them. But like the albums
are solid, there's just nothing that is like that home run.
I think you Reach for your Dreams probably the best song,
Lunar Madness is really good, but they just didn't They
(47:44):
have a couple of songs that are like borderline, but nothing,
nothing that really went out of the added the universe. Yeah.
Speaker 2 (47:52):
I mean they say a lot of times it was like, oh,
it's so easy to just be famous now, you know.
But and people like you had to get discovered in
the eighties. But there are a lot of like amazing
talents in the eighties that were doing these oh yeah,
and it just didn't matter.
Speaker 1 (48:08):
I recommend looking up there on the like the different
uh streaming sides they have. So it's Sue said, and
the next one of them is spelled and one of
them is an ampersand but there's two different.
Speaker 2 (48:19):
Else love that I have a friend this is Ampersan.
Speaker 1 (48:23):
Well that's what it is. Do you have an MVP.
Speaker 2 (48:30):
Whimsy for me? The actress who played whims See, I
liked her a lot, Like, first of all, like I
saw a lot of myself and her in the way
of yeah, you know, desperate and cynical, right, yeah, I
get it. But yeah, and also like if somebody told
(48:51):
me you just can't do this, that's the thing I
would do, exactly, can't go take a power a bitch?
Was should we take it by a shower? I'll use
the last ounce of hour and let us off by
and die here.
Speaker 1 (49:07):
Just so you can't tell me that. So that actress's
name Linda Carriage. As far as the cast goes, she
was definitely the one that I constantly went back to.
My honorable mention. However, would be the wig oh hell
you whoever was in charge of those wigs.
Speaker 2 (49:25):
Mushroom one that it was just like a fried mushroom
of hair on top of her hair, like when I
booked a very tiny roll on my name is Earle
I go, and I'm so excited I'm gonna be on TV, like,
oh my gosh, it's gonna be so cool. And then
they put me in the weirdest outfit with the weirdest makeup,
(49:46):
and they're like, Oh, isn't this great? Doesn't she look
like she lives in a trailer broadcast? And I grew
up in a trailer park. I do not look like that.
And it was when I was younger, so I didn't
have as good of like sense of humor about looking
stupid on television.
Speaker 1 (50:05):
So it had to have been before I met you.
Speaker 2 (50:08):
Yeah, I had lost all hope about looking cool by then.
Speaker 1 (50:14):
Yeah.
Speaker 2 (50:15):
So I just imagine her and they put the She's like, oh,
I've booked a lead in a movie. And I get
to be showcased finally, and then I'm like, here's your
look And she looks in the mirror and she's wearing
that fried mushroom wig.
Speaker 1 (50:29):
Oh god, oh god, what have I done.
Speaker 2 (50:33):
I've made it.
Speaker 5 (50:35):
Well, now it's time for remake, reboot, reimagine, remaster.
Speaker 1 (50:41):
Or sequel.
Speaker 2 (50:47):
WOA, good job.
Speaker 1 (50:49):
So what do you think do you have any thoughts
I think you can go.
Speaker 2 (50:53):
I want to remake.
Speaker 1 (50:56):
A straight make.
Speaker 2 (50:58):
I like there are so many elements I like to
of course it'll be tweaked as any remake really is.
Speaker 1 (51:05):
We see because I'm I I would go with for reimagining.
And the reason why I would go for reimagining over
remake is I I just want to cut that entire
monster thing. I just want it gone.
Speaker 2 (51:21):
Yeah you don't, you don't like the danger uh being
raped by a monster element.
Speaker 1 (51:25):
I want more of a travel like. I want a
travel movie, Like I want this band to travel to
this destination and have problems on along the way, not
crash and have a just one problem and then go
into chaos. I want them to maneuver multiple things, like
(51:46):
on a road.
Speaker 2 (51:47):
You know, as you're saying that, I start like imagining
what they could do with these relationships because a lot
of the relationship stuff had to get like jammed really quickly. Yeah,
So like that would give them because they.
Speaker 1 (51:59):
Were so fun focused on like this this monster that
in like giving us so many false starts.
Speaker 2 (52:06):
Oh he's getting out now, wow? Yeah, I you know
what I'm gonna I'm gonna jump ship on the remake
but I'm not sure.
Speaker 1 (52:17):
It is just taking that one element of reimagining and
just making it instead of yeah, because the thing that
trying to focus on the creature and making it more
of a rogue.
Speaker 2 (52:26):
Well, the reason I wanted to remake is because, you know,
we have some really fun younger actors and singers, because
you know, like with the new Mean Girls coming out,
they're they're kind of going back to that triple threat
saying that used to be in the beginning of entertainment.
Speaker 1 (52:43):
What would the music be? Would the music be similar
to what it was or would it be like a
very modern take on music, because that one of the
things that I loved so much about it was the
music and it was of the time and was.
Speaker 2 (52:56):
Just so Yeah, I would I would want to keep
all that jone jets, Yeah exactly. I would want to
keep that kind of element, the eighties element.
Speaker 1 (53:04):
I like that.
Speaker 2 (53:05):
I think that there are some chicks who could really
knock that out of the park. And this new crop
of singer actors, umblings, you know, like there's a lot
of things that I don't like about the new age,
the TikTok era, But the thing that I do think
is kind of cool is they're all very comfortable doing
(53:28):
anything right.
Speaker 1 (53:30):
Some might say a little too yeah.
Speaker 2 (53:33):
Yeah, but you know, like I think that's actually better
than just.
Speaker 1 (53:37):
There is something good to say about shit.
Speaker 2 (53:39):
Yeah, there is, but there's a happy medium. Like we
all thought we were a piece of shit, and now
this new crop thinks they're the shit. So like if
we could find a middle ground, Yeah, keep that confidence,
but like a good amount of self doubt. Well maybe
(53:59):
I'm a piece of shit. Let's see.
Speaker 1 (54:02):
Well, I think that's it for vicious lips. That would
bring us to our nostalgia of the week.
Speaker 2 (54:07):
Yeah, and this week's special guest for our Nostalgia of
the Week is the Godfather of goth himself, Dick Maggot.
Speaker 5 (54:31):
I apologize if my hair is still a little wet.
I was at water aerobics, drowning my sorrows.
Speaker 7 (54:42):
I'm here for the nostalgia of the week, while also
celebrating the sixtieth anniversary of my classic goth masterpiece album
entitled Slit Your Wrists Not Your Tits. My nostalgia for
the week is when people were forced to.
Speaker 5 (55:02):
Play their own instruments. They are the old school goth
bands Eying influenced like Bawhouse, Killing Joke and Alien Sex Fiend.
These are the bands you should be cutting yourself to,
not this modern stuff. It's not like the old days,
(55:22):
even for me. I mean when I used to self
when I self mutilate. Now I inst to check my
blood glucose levels. Seriously, I take more pills now than
when I tried to kill myself, therefore my blood pressure.
It's not that I think that these new kids aren't
(55:42):
any good. I just can't hear them. I lost my
hearing during a performance of shoving centipedes in my ear canarrows.
I've been told that I'm too ambled to still be Goth, which.
Speaker 8 (55:57):
Is bone roar. I'm almost angry all I think about
his death. I have a last will and testament, that's more.
What's more God than getting the legal system involved. When
I started, there was only Goth. Right now there's cyber.
Speaker 5 (56:13):
Goth, Emo Goth, vampire Goth, diet Goth, keto, diet Goth,
bubble Goth, mermaid Goth. I mean, no, my God, you guide.
I didn't get credit rating of it. I'm an innovator.
I did a TV show Do you ever hear a
soul train? Two years earlier I'd made goth train, they
ridded me off. Instead of people dancing, it was just
(56:37):
sad people in the corner not participating. I wanted to
debut a new song for you. I hope you'll find
it as relatable as I do. It's take ran in porenery,
(57:06):
possibly ravens, fiction city, even black lace, compression socks, the colleen,
my para.
Speaker 4 (57:16):
Arcs, benkay, incense and ecstasy alone in mental litery, unjad
slippers and vampires, sweaters, unjed slippers and vampires, swells, eating
brand muffins, writing suicide letters, orthopaedic.
Speaker 5 (57:45):
Combat boots, letter fixing and fain and dried black rose.
Speaker 4 (57:54):
I'm an abboed bird watcher, look a murder of crows,
jet slippers and vampires, water.
Speaker 5 (58:04):
Jet slippers and vampires. Whether I started watching golf with a.
Speaker 1 (58:09):
Widow named Heather Wilf.
Speaker 3 (58:19):
Wolf Wolf, Let's see you, quicker rubs and nonshos.
Speaker 1 (58:31):
Dial.
Speaker 5 (58:35):
Take up runs and love.
Speaker 1 (58:39):
Child that they were.
Speaker 9 (58:49):
A Well, this is the time that I would be
self mutilate, but my doctor said my blood won't clock,
So back to you.
Speaker 1 (59:10):
Well, I think that does it for this week.
Speaker 2 (59:12):
We really enjoyed vicious lips.
Speaker 1 (59:14):
I had a good time. It was a little bonkers,
but I love boon.
Speaker 2 (59:19):
I do too. It ended very abruptly, just like we
kind of are.
Speaker 1 (59:24):
But but and again the music, what it like, stayed
with me and I will be listening to Susy in
the next for some time to come. So watching this
movie has affected me. Long reach for your dreams and
probably will affect my children all right. Signing up, winger
(59:46):
Jeremy Braggs.
Speaker 2 (59:49):
Went a, George, that's why I love you.
Speaker 1 (59:57):
All right, everybody see.
Speaker 2 (59:58):
You next time.
Speaker 1 (01:00:17):
It's explaning, that's why too long
It's Friday, February twentieth, nineteen eighty seven. You're browsing the
shelves at B side Video Rentals, desperately seeking a film
to match your mood. Suddenly you come across a box
featuring four futuristic women dressed in what can only be
described as space bikinis and armed with machine guns. Their
(00:35):
spaceship crashed on a rocky planet, provides a dramatic back drup.
In the foreground, a hulking, muscle bound monster extends its
claws towards them. The tagline in the box's top right
corner reads, They're lost am loosen outer Space. You can't
(00:55):
help but be drawn in by the title vicious lips
(01:30):
oil jum to B Sad Video Rentals. I'm Jeremy Briggs.
Speaker 2 (01:35):
And I'm Jenny Winger.
Speaker 1 (01:38):
What's that? Jenny?
Speaker 3 (01:39):
You know?
Speaker 2 (01:40):
I got blue washad on one. It's gotta be a
good fucking day.
Speaker 1 (01:44):
We both wearing blue eyes at on one are the oppens.
Speaker 2 (01:49):
Today's a good day, that is it.
Speaker 1 (01:52):
I've got myself a drink.
Speaker 2 (01:57):
At Tea because I am of the soap community. Otherwise
I would have a scotch of some kind or a whiskey.
Speaker 1 (02:03):
Oh, I've got gin and tonic with a pepper corn
and fused gin.
Speaker 2 (02:10):
With pepper corn and fused gin corn. That's so fancy
of you, friend.
Speaker 1 (02:17):
I'm out of beer in Scotch, so you know you
make do with what you got.
Speaker 2 (02:21):
Well, I think it's that time.
Speaker 1 (02:24):
Is it that time already?
Speaker 2 (02:25):
I think it is the news. It's time for the news.
Speaker 4 (02:31):
February twentieth, nineteen eighty seven, and these so you're not
so current events.
Speaker 1 (02:41):
The finale of the fourteen hour mini series America with
a k which depicts a fictional rush and takeover of America,
was expected to be the most watched show of the night,
but was outshown by the Miss USA pageant When asked
for the reasoning Americans.
Speaker 5 (03:01):
Kitties.
Speaker 2 (03:02):
Heillia Ron Darling, a right handed pitcher for the Mets,
has won his bid in a salary arbitration and has
officially joined the millionaire club by sleeping with a millionaire.
Six Florida residents have been indicted in a scheme to
distribute one million counterfeit birth control pills. Authorities became suspicious
(03:23):
because they were orange tic TACs.
Speaker 1 (03:27):
I mean they kept me from getting laid Ray yeah, great,
good job.
Speaker 2 (03:30):
I guess we can cross Orange tiktoks out of possible sponsors.
Speaker 1 (03:33):
Sharemy oh sorry. A seven year old boy whose liver
transplant funds were stolen received a thousand dollars personal check
from President Reagan today. And what White House officials are
calling definitely not a publicity stunt.
Speaker 2 (03:51):
And what can you do with one thousand dollars? It's
like a slap in the face.
Speaker 1 (03:55):
That's just the first incision. A clue to the cause
of Alzheimer's was reported by researchers in Boston, who say
that they have strong evidence that it's hereditary and caused
by a certain gene, which leaves the rest of us
speculating is it Hackman or Wilder?
Speaker 2 (04:15):
Both great genes, great genes. Anti nuclear protesters will no
longer be allowed to demonstrate on a section of the
Nevada test site due to growing incidents of civil disobedience,
leaving protesters uncertain about how they'll receive their daily dose
of radiation poisoning.
Speaker 1 (04:34):
First of all, I don't know if I should make
fun of you for the flub or for saying Nevada.
Speaker 2 (04:40):
Ooh listen, I'm from Tennessee and I've been made fun
of for the way I say everything, so like I
try to say it the fonsiest way I come. A
bill requiring employers to give new parents eighteen weeks of
unpaid leave received its first Senate hearing today, debating over
the need for a national policy and const learning about
(05:00):
an undue burden on small businesses, Small businesses, What about
how hard it is on that pussy? Oh my god, Jenny,
I love saying pussy.
Speaker 1 (05:11):
Oh my god. A team of oceanographers has piloted a
small submarine into the eye of an underwater volcano near
Hawaii and reports finding a strange new world, which happens
to me every time I look into my own butthole.
Speaker 2 (05:30):
Jeremy, Oh my god.
Speaker 1 (05:33):
I can't, I can't even. According to a draft report
requested by Congress, the Department of Defense conducted a pilot
program using polygraphs incorrectly, making it impossible to judge the
validity of the testing to detect lies. After every question,
the examiner said.
Speaker 2 (05:54):
Girl, girl, come on solid right. A Soviet sailor defected
in Sweden yesterday. The twenty eight year old man has
a wife and a three year old son still in
the Soviet Union, but told Swedish police that he didn't
care for the Soviet system and that he truly hated
his wife and kid. Democratic congreg Democratic congressional leaders said
(06:20):
today that they expect Congress to approve legislation raising the
minimum wage from three dollars and thirty five cents an
hour this year, saying that people can't work from your peanuts,
they might be a logic.
Speaker 1 (06:34):
A captain of the Gambino family is being held without
bail on federal murder for higher charges involving the shooting
of a defendant in the Pizza Connection drug trial. When
questioned by authorities, the capo said, we don't like rats
and that chucky cheese.
Speaker 2 (06:52):
Why he's a he's a ratify of a saw one.
Speaker 1 (06:55):
An outbreak of cholera was responsible for the deaths of
some fifteen hundred birds in the Wildlife Sanctuary in Nevada,
but officials still have no clue what killed more than
three million small fish, So looks like we got away
with it, Jenny.
Speaker 2 (07:15):
President Reagan lifted economic sanctions against Poland today, calling it
a reward for the release of the political prisoners. Shortly after,
Reagan was seen patting several pollocks on the head, like
the good little boys they are.
Speaker 1 (07:27):
Oliver Stone's Vietnam War drama Platoon earned twelve point nine
million last week, more than doubling the box office of
the second place film, Outrageous Fortune, a Disney comedy starring
Bette Midler and Shelley Long. Disney had hoped to dethrone
the war film, but knew it was a Shelley Long shot.
Speaker 2 (07:48):
Love a play on words.
Speaker 1 (07:51):
And those who were your not so current events.
Speaker 2 (07:55):
Yeah, I mean, so the same shifts still happening.
Speaker 1 (07:58):
You know. Yep. So let's see here. Let's talk about
our film today. What's the film we're talking today?
Speaker 2 (08:08):
Vicious Lips my nickname from college.
Speaker 1 (08:14):
Let's talk about that poster first that we discussed at
the very beginning.
Speaker 2 (08:18):
All the elements were there.
Speaker 1 (08:19):
Could that really sum up the film at all?
Speaker 2 (08:24):
I Mean the thing that I like is like when
the representation, the promo representation of a movie doesn't prepare
you at all for what you're going to experience.
Speaker 1 (08:34):
I wanted more space bikinis, thank you.
Speaker 2 (08:37):
First of all, the opener was a really fast moving opener.
Speaker 1 (08:40):
Oh well, we're going straight into the opener. I want
to talk up a little bit before we get into
the opener.
Speaker 2 (08:44):
Oh, okay, share your thoughts, Jeremy.
Speaker 1 (08:49):
Well, so apparently this film was executive produced by Charles Bann.
Did you know that?
Speaker 2 (08:55):
No, I didn't. I don't do research. I just enjoy.
Speaker 1 (09:00):
Well, according to him, he had the poster and the
title of the film and that was it. Well, he
gave it to Albert Pune, who wrote and directed the script. Who.
We will talk more about Albert Pune in the future
because we're definitely going to be doing more of his films.
He's got a solid name, he does, and he has
(09:20):
a solid, solid red. His most famous film is The
Sword and the Sorcerer. He also did junk Claude Van
Damn Cyborg and a Van dam sequel, Kickboxer two with
Sasha Mitchell, who played Cody on Step by Step. Oh right,
you'm a kung fu guy. Fun fact. Albert Pune also
(09:45):
he had two aliases that he pseudonyms, if you will.
He did poor real names. He was Hannah Blue and
Kitty Chalmers.
Speaker 2 (09:57):
So he did porn.
Speaker 1 (10:00):
Apparently.
Speaker 2 (10:02):
Yeah, those are interesting choices. What did he use those
aliases for?
Speaker 1 (10:07):
I don't know. I will have to do more research.
Speaker 2 (10:09):
Into that well way to bring it up curious.
Speaker 1 (10:13):
Well, I just looked at it. He went with Kitty Chalmers,
like your your pseudonym is Kitty Mark. People are gonna
like this movie if they think it was written by Kitty.
Speaker 2 (10:25):
Oh yeah.
Speaker 1 (10:25):
The song Reach for Your Dreams? Yes, Holy hell. I
loved it.
Speaker 2 (10:30):
I loved it right. I have like watch it several
times because I would just start acting like I was
in a music video and I'm like, oh shit, I'm
supposed to absorb this.
Speaker 1 (10:40):
That song was like it just set me in a mood.
I was like, I am going to love this movie.
Speaker 2 (10:46):
Yeah, so good.
Speaker 1 (10:48):
And then we get into the Futuristic Club, our first
scene with Maxine, Maxine's radioactive dreams with the.
Speaker 2 (10:58):
Oily shirt list Trudy guy. Yeah, he was very oily.
Speaker 1 (11:03):
Was he oily enough? I don't know. But then like
Maxine was just so big. Yeah, she was cool. She
was like she was like Angelicie Houston and Captain Eo.
She was like that big.
Speaker 2 (11:15):
She was stope and her acting was ten out of
ten recommend It's so huge. Yeah.
Speaker 1 (11:23):
But like immediately I was like, oh again, I'm going
to love this film.
Speaker 2 (11:30):
Yes, And I'll tell you it goes to Maddie, whose
laugh got more and more obnoxious as the film went on. Yes,
oh my god, my man. I was like, this can't
be real, Like he had to have lost a bet,
and they're like, how much weirder can you make it?
As we go on.
Speaker 1 (11:50):
The thing I love about Maddie Maddie Asher is his name. Yeah,
I'd like I could not separate him from like, exactly
the talent manager of Vicious Lips, which is the name
of a band which we have not gotten into. He
reminded me like he should be in a movie playing
Jeremy Piven's little brother who's like super obnoxious. Yes, absolutely,
(12:13):
Jeremy Piven plays that like very kind of borderline obnoxious character. Yeah,
and to just give him a little brother, that's way.
Speaker 2 (12:22):
He's like the man on the bully team.
Speaker 1 (12:25):
Right.
Speaker 2 (12:27):
But what I like is Okay, So we meet the
lead singer of the band for a moment as she's quitting,
and my favorite thing about her is as she calls
him a little toad as she's I was like, I
have got to start using that insult.
Speaker 1 (12:42):
Well, the best thing about her is that she quits
and dies any second later. I quit stump, stomp, stop.
She's dead.
Speaker 2 (12:53):
Yeah, yeah, And it's like as long as her scream
was youd think she could have gotten out of the way.
It's like she fruz to the side, keep moving and
you will live.
Speaker 1 (13:08):
We just introduced the singer dying, right, so they have
to find a new singer, because.
Speaker 2 (13:13):
So what does he do besides you go to a
high school talent show. It just happens to be going on.
Speaker 1 (13:19):
It's going on, And the best thing that happens at
the talent show is they find Judy Jetson.
Speaker 2 (13:25):
Yes, and I love it, Like, Okay, first of all,
it's like when you watch say by the Bell and
it's obviously like dubbed someone else's singing, and Elizabeth Berkley
is just so it's very obvious about but I love it. It
sounds great and they're like, okay, shut up, get out
of here.
Speaker 1 (13:42):
He tells me about her performance at the at the
talent show. Is she talked? You hear her speak and
then she sings and it's like her speaking voice is
like kind of high pitch. He's in there and it's
this deep, sultry like is that a man or a woman?
Like really going guttural. It was like it was such
(14:05):
a jarring, like whoa no. Yes. Fun fact about that
is there were actually two two different people singing those voices. Yeah,
I mean obviously different people.
Speaker 2 (14:17):
The one that opened was not the one that sings
like the rock ballad that they practice on the shuttle
lingth No.
Speaker 1 (14:24):
That's a different one. Yeah. I have her in my
notes somewhere.
Speaker 2 (14:27):
So yeah. And they're like, oh, it'll be fine, No one,
those are.
Speaker 1 (14:32):
Two separate singing voices.
Speaker 2 (14:34):
Someone must have had an awkward moment with her after
the original singer, and they're like, look, we're just replacing her.
I found somebody who sounds just like her and.
Speaker 1 (14:42):
Then it's just like her. Guys, trust me. So he
immediately sees her. Mattie Asher, the band manager, sees her
and is like, this is my girl. I'm going to
convince her. We got to go to the Dream, which
is the Maxine's club place they're playing. It's Maxie means
like one of her offshoots on a different planet. Did
(15:02):
we mention we're in space?
Speaker 2 (15:04):
We're in space and it's not even just a different planets.
It says I'm a galaxy away. So I get in
the future, you're balancing galaxies.
Speaker 1 (15:13):
He and he says to her, we got to get
to the dream, and she goes, huh, and then she
faints for some reason. She just faints and then there's
a like a subliminal flash on the screen that says
it's just like and then we cut to the streets.
Speaker 2 (15:31):
So you know, we all know and love Total Recall.
This film was before Total Recall. And we see a
three titty lady.
Speaker 1 (15:39):
Three titty lady. I mean, here's the thing, or a
triple titty trollop is what I like to call.
Speaker 2 (15:48):
A T shirt.
Speaker 1 (15:51):
Actually, So, after Albert Pune did his The Sword and
the Sorcerer film, he was initially attached to helm Total Recall.
Speaker 2 (16:02):
Wow, so it could have been his idea.
Speaker 1 (16:05):
It was nineteen eighty three when he was approached to
do Total Recall and it didn't come out till I
think eighty six or eighty seven.
Speaker 2 (16:12):
I was just looking at my Total Recall poster.
Speaker 1 (16:14):
I just thought that was very interesting that he was attacked.
Speaker 2 (16:17):
That is very good, Triple city Tarlop. He has made
the world a better place, I think. So sure. First
of all, hold on, I wanted to do you know
how many times. I had to pause it and re
listen to find out that her name was actually Judy
jets And I'm like, is this a joke? Because this
is before the Jetsons too.
Speaker 1 (16:38):
It's up before the Jetsons. The Jetsons was like in
the sixties.
Speaker 2 (16:41):
Were they really? I watched that as a child, so well,
I like because it was it was really did reruns?
Speaker 1 (16:49):
Girl? Have you heard of him? Well?
Speaker 2 (16:51):
Look, I was from Tennessee and I just didn't know
what was going on with that box about.
Speaker 1 (16:57):
In nineteen sixty two?
Speaker 2 (16:59):
Did they really?
Speaker 1 (17:00):
Wow?
Speaker 2 (17:01):
They really called a lot of things the Jetsons.
Speaker 1 (17:04):
Yeah, like flying cars.
Speaker 2 (17:06):
Yeah, so so okay, so then that makes sense. But
then that makes me sad for him, Like he can
think of a three titted lady. But then he's like, oh,
it's a futuristic chick. Let's he just call her Judy Jetson.
Speaker 1 (17:20):
So Maddi esher and Judy Jetson and they get to
the gig and meet the rest of the band Breeze,
sin Wndsy, Crodo and Menda. I don't know how to
pronounce you u Eu, but they all have last names.
Speaker 2 (17:37):
I don't know how to pronounce Nevada, So don't look
at me. I'm scared of pronouncing things. So this is
the perfect medium for me.
Speaker 1 (17:48):
From people that live in Nevada. When they hear Nevada,
they freak out. It's just something inside of us explodes.
Speaker 2 (17:54):
Yeah, well you're here for that team, and I'm here
for the oldies. Who got Why are you saying it?
Speaker 1 (18:01):
Who's to say?
Speaker 2 (18:03):
Who's to say everything?
Speaker 1 (18:07):
You know, it's all, it's all relative.
Speaker 2 (18:11):
So my next note says, is it the ball go? Yes,
the peating Tom lost an eyeball, ha ha. But then
a guy throws his food at the teen girls for
no fucking reason at all.
Speaker 1 (18:26):
It's just to tell you that this is a skeazy
joint that they're playing in that he loses an eyeball,
and it's like, oh.
Speaker 2 (18:35):
Well, shouldn't have gone out.
Speaker 1 (18:40):
She does not have a practice with them. She's taken
straight from her show to this show and they're on
in ten minutes. Yeah, and she crushes the song.
Speaker 2 (18:52):
Crushes it like she's in singing her whole life, and
the other girl's like, she's okay.
Speaker 1 (19:00):
This song is called save Me, and she just it's
not as good as the opener. No, but it's a
good song. Yeah, I'm on board with it.
Speaker 2 (19:09):
Yeah.
Speaker 1 (19:10):
And during this call, Maddie, the manager gets a call
from Maxine More to go. This is where she says,
we gotta go. I need you tomorrow night got away.
I see it in Yeah.
Speaker 2 (19:29):
So he's gonna make it happen. But what he has
to do is he has to cut their first gig
with this new singer, and they don't even finish a
whole song basically, and he's like, we're leaving, We're done,
And then they have to go and steal a shuttle.
Speaker 1 (19:45):
They get off, and this poor girl, Judy jetson, she
gets off, she had less than ten minutes to arse
with these people, gets off, and then immediately drama starts
with her.
Speaker 2 (19:58):
Yeah.
Speaker 1 (20:00):
Amanda is like, you're not coming with us, Yeah, you're okay.
Speaker 2 (20:05):
I guess if we can't find a good voice, I
guess you can tag along and fill in just in case.
Just horrible to.
Speaker 1 (20:14):
Her, just awful. And I can't, for the life of
me figure out what the point of them. No, it's
like it's just girl drama.
Speaker 2 (20:25):
Yeah. And and let's all remember that their lead singer
and friend was just killed in the streets and they
don't like Judy's name, so they tell her, oh, this
is the name that's on all the posters, so it's
your name. Now, okay, they.
Speaker 1 (20:44):
Don't have any transportation, do they.
Speaker 2 (20:47):
They don't, so they have to steal a ship. But
dunt dund yes, and it happens to be carrying a
vicious woman killer.
Speaker 1 (20:58):
Oh, a woman killer.
Speaker 2 (21:00):
He's killed many women.
Speaker 1 (21:02):
Not only has he killed many women, he's killed over
five thousand women.
Speaker 2 (21:09):
Yes, that's a big number.
Speaker 1 (21:12):
He's killed five thousand women. Good thing he's in a
titanium cage. There's no way he'll escape unless crash.
Speaker 2 (21:20):
The ship looks dope as fuck, though, like those graphits,
they were really ahead of their time.
Speaker 1 (21:28):
So we cut to a rock and montage. At this point,
the band snooping around the little ship right set to
the song Lost in the Ocean of Stars.
Speaker 2 (21:40):
Oh that's so good. It gives me tingles. And another
one that they're like very judgmental about the song is
that the one she sings?
Speaker 1 (21:50):
Well, this is this is the No, that's not the
one she sings. That's the one where where they're like
searching through the and they get the map of the
the ship that they stole and they're like, what's over here?
What's over here?
Speaker 2 (22:03):
Yeah, And that's the part where I was like, Oh,
they're going to let this woman killer loose.
Speaker 1 (22:10):
And not yet, but I thought that's what I thought,
you thought.
Speaker 2 (22:15):
I got very anxious, but they let it.
Speaker 1 (22:18):
It was so tense that that rocking montage was in
at Home.
Speaker 2 (22:22):
Woman, I was afraid.
Speaker 1 (22:26):
Five thousand can you believe it? And ending during this
rock and montage, we have a silly, silly joke where
Maddie Asher is at the helm reading a book or
something and it's like a flashing sign that's like warning, warning, warning,
(22:48):
meteors coming at you, and he doesn't hear it because
the the red alert is no more than just text
on like a scrolling screen. That's it. There's no there's
no noise, there's no flashing lights to get you.
Speaker 2 (23:06):
Growing up in the South, when we were watching TV
and the tornado winnings just used to scroll across the top,
it's like, oh, your trailer might be lifted in a moment, so.
Speaker 1 (23:18):
That gets you know. The The little gag is that
it keeps saying wilder things like you're all gonna die,
I'm not gonna spoil the actual joke, because for all
those that are really rareing to see it, this one
will get you.
Speaker 2 (23:38):
And of course, what's the bitch girl's name? Is it
Amanda or.
Speaker 1 (23:44):
It's Manda, no a, just Manda with an extra ag.
Speaker 2 (23:49):
Yeah, still being a bitch for no reason.
Speaker 1 (23:52):
Completely, But like this, this joke, this scrolling joke. Could
you imagine being in the writer's room on this one
or just like right it with a friend. This was
a forty five minute laughing session.
Speaker 2 (24:04):
Oh my god, it's gonna be you know when.
Speaker 1 (24:09):
You like do that and you just you laugh for
hours and then you actually do it in front of people.
Speaker 2 (24:14):
Which was most of our sketches at Groundlings just dies
in front of them.
Speaker 1 (24:21):
You're like, well, I thought it was fun.
Speaker 2 (24:25):
Yeah, I have PTSD even from doing stand up about
that stuff. Like I would be like, people are gonna
love this.
Speaker 1 (24:34):
People are gonna love it. They don't weird.
Speaker 2 (24:37):
Then they just yell from the audience, show us your pussy.
Speaker 1 (24:43):
Oh my god. That well, you take this opportunity to
apologize for doing it.
Speaker 2 (24:51):
You know, I've been waiting. The whole reason I asked
you to do a podcast with me is hoping I
would buy apology.
Speaker 1 (24:58):
Are aforementioned and af foreshadowed.
Speaker 2 (25:01):
Crash Land happens and they're on a desert planet. It
would appear.
Speaker 1 (25:09):
Because they couldn't afford anything else.
Speaker 2 (25:10):
That's easy, And I love that our Judy Jetson lead
say your gal, she sees something running in the sand.
But it's like that running gag of oh my god,
look at this and they all look like there's nothing there,
you crazy bitch.
Speaker 1 (25:27):
There's something on the wing this whole crash And then
everything gets tense and they're all yelling.
Speaker 2 (25:33):
Back and forth that Maddie's us laugh.
Speaker 1 (25:39):
That leads to my favorite line. So they're all like,
who should go out there and go find help? And
everybody's like, well, Maddie should do it. Maddie should do it.
And his my favorite line delivered by Maddie Asher, just
because I'm the only man here doesn't mean I have
to play mister a hero with big balls.
Speaker 2 (25:58):
And then he tells that one girl, you're you're more
of a man than most of the men I know,
you know, like, okay.
Speaker 1 (26:08):
Were Now we're finally starting to get more cuts of
the killer in the titanium cage still trapped.
Speaker 2 (26:16):
Yeah, like they made you think for a moment the
door was going to be opened, and then it's slammed.
Speaker 1 (26:21):
It's not. Yeah.
Speaker 2 (26:23):
And then while this is happening, Maddie goes out, and
this is one of my favorite scenes. It's the babes.
The hot babes find Maddie.
Speaker 1 (26:37):
How could that not be? Could that not be? Anyone's
great boobs? For no reason? I'm sorry? Will you asked?
Did we meet our boot quota yet? Well, we got
the triple titties. I think that's all we've got. We
got to throw in some babes.
Speaker 2 (26:55):
With booms, babes with boobs dragging Mattie through the desert.
It reminds me a lot of like Monty Python Brian,
just because boobs boobs, Like, we're here for the action,
but we forgot our bras.
Speaker 1 (27:11):
Once he's off, then we kind of break off into
two groups. Of course, Amanda and Brie go off and
Judy heads out with Windsay, and what do they do?
Speaker 2 (27:22):
Let that fucking maniac loose?
Speaker 1 (27:25):
No? Not yet, not yet, we think they will, but no,
they get high off a space.
Speaker 2 (27:33):
Pose one hit and she's like hallucinating.
Speaker 1 (27:37):
I really wish they would have It's taken a little
more time with with coming up with the name of
the space weed, like they could have done better. It's
just like, oh, what is it. It's what did they
call it? It's a Martian.
Speaker 2 (27:55):
Well you know what they called the coffee job job.
Speaker 1 (27:58):
It's a total zoom.
Speaker 2 (28:01):
They really I cut it short with naming things.
Speaker 1 (28:05):
I just wanted a milk kid to be like, we're
sniffing the star dust. We're a couple of cosmopots, cosmopods.
I just wanted they could be just sitting around me, like,
come on, we're gonna get bombed off our asteroids, you know,
bad jokes like that. They could have called it vapors
(28:28):
of uranus.
Speaker 6 (28:29):
Oh my god, I can't step smoking the vapors of uranus.
Speaker 2 (28:34):
I love it. But we're not even in the same
galaxy as uranus.
Speaker 1 (28:42):
Fair enough, fair enough.
Speaker 2 (28:45):
So then the maniac is really loose.
Speaker 1 (28:49):
It doesn't. This is where you are one hundred percent
think she is, because Judy Jetson goes, she takes one
hit and then wanders. She's like, er, I'm so stoned,
and this is where I want to discuss said speculation.
(29:11):
So Judy is blitzed, right, She's completely blitzed. And she
just wanders the hallways, and I just want to know
as what she was told by the director, because this
was not a scripted scene at all. It just says, Okay,
you're stoned. Now you're gonna go find the the monster. Right,
(29:36):
You're just but you're stoned and this is an accident.
Speaker 2 (29:40):
Did you're sexy?
Speaker 1 (29:43):
Remember that you're sexy? Because she's just like she even
points out because I think, you know, as an actor
being put in those situations, it's like, Okay, you're stoned
and you're wandering through this place and we're gonna build
up some tension.
Speaker 2 (29:58):
Go great, like as an actor. Also, I was on
a set one time and I was playing like a
nineteen it was like nineteen, late nineteen thirties, nineteen forties
nurse and they told me, oh, just improv trying to
find things. And I'm like, do you think I'm an expert?
Speaker 1 (30:20):
Well, this is a scareble oh for sets.
Speaker 2 (30:25):
And I'm an expert at this stuff. And then I'm like, Kepta, oh,
we'll try these, We'll try those. Yeah. Like it's like
I hate when that happens to me. And so there
is that look on her face that I get a
lot of times when people ask me to do things
like that where you could just tell She's like, is
that it? Can you say? Cut?
Speaker 3 (30:46):
Yeah?
Speaker 1 (30:47):
Are we still going? We're going way longer than I
thought we were gonna go, but we're gonna just keep in.
We're just gonna stay in. It's Albert, It's Albert Pugh
and going like, stay in it, stay in it.
Speaker 2 (31:01):
It's just one of her worst nightmares. I'd like, I
would rather let the monster out and let him kill me.
Speaker 1 (31:07):
It's like and she knows, you know, the actress is like,
this is so stupid. You could see it because she
straight says, what am I even doing down here? I'm
so stupid. You're like what?
Speaker 2 (31:24):
And that like is perfect, you know, that's her calling
for help from him. Please just say cut. I've done enough.
Speaker 1 (31:33):
We go to the door, she's about to open the
door when magically she's interrupted by one of her friends.
Money you doing?
Speaker 2 (31:44):
And it's like they could care less about her this
whole time, and then all of a sudden they give
a fuck where she is.
Speaker 1 (31:50):
And so we have like that where we think you're
building up the tension of the maniac getting loose. Yeah,
and he doesn't get once again foiled.
Speaker 2 (32:04):
Yeah, when he finally does get loose, it feels a
little anticlimactic because it's like, for sure the other times were.
Speaker 1 (32:16):
Because we've been geezed.
Speaker 2 (32:18):
So so my notes on like after he gets out
of road that was a really low point.
Speaker 1 (32:26):
But before he even gets out, we have one of
probably my favorite scene in the film other than you know.
Speaker 6 (32:35):
The conversation about the conversation, Oh, it's my favorite conversation.
Speaker 2 (32:46):
Getting ready.
Speaker 1 (32:48):
Whimsy wins with a w.
Speaker 2 (32:51):
Was getting ready and she said, oh, you're.
Speaker 1 (32:54):
Because something we haven't mentioned before is Whimsy changes outfits
every ten minutes. She's in a brand new wig, dress,
brand new wig, like full makeup change. Like for a while,
I was like, is this a different person? I don't
who am I dealing with? She's awesome and at this
(33:17):
point and so like I wrote all these notes just
like what is going on with her? Like she's crazy?
And then we get her kind of explanation of doing everything.
Speaker 2 (33:28):
To make it as a star, to make it.
Speaker 1 (33:31):
To make it, and now she's getting older and everything
that she's tried isn't isn't.
Speaker 2 (33:37):
Other people are just lucky, right, I mean that I
have all that.
Speaker 1 (33:46):
Those other in reality. In reality, that's a lot of
what it is. There's a lot of luck involved in
being in the right place and you know, putting yourself
out there. But she complains froze feet and she's getting
older and jui yeah. After she goes yeah, she says,
(34:11):
she says a line, well, if you ever thought about
stopping and whinsy the way Wendsy reacts to that, it's
such a confused look and reaction. What are you talking about?
Speaker 2 (34:27):
What?
Speaker 1 (34:27):
Why? Like, there is no stop. This is who this is.
This is who I am. Not only would I chose,
like if I am to live in Schaler, then I
shall do so, because this is who I am. And
that like really made me like her as a character,
(34:48):
even though she this was pretty much the only bit
of substance there was. I was just like a man, God,
I I mean, boy, do I know those people?
Speaker 5 (34:58):
Boy?
Speaker 1 (34:58):
Am I? Oh? Yeah people? You know what I mean.
It's just like I related to her so much and
just like, no, this is just what we do, rain
or shine, this is who we are and it will
keep trucking.
Speaker 2 (35:15):
Yeah. I mean it almost like makes you sad for her.
Speaker 1 (35:21):
Completely, And it was a very sympathetic thing but like
I like, I just I did have sympathy empathy for her,
and like, I don't know, I really understood her and
was like, yeah, change of outfits four more times, because
my favorite outfit was that long green sweater dress.
Speaker 2 (35:41):
She had some bangers, like I wanted it for me
at night.
Speaker 1 (35:48):
This boy was jealous girl.
Speaker 2 (35:51):
My monologue about my crow's feet and that green number. Yeah.
And then this is also the scene where she mentions
the mentions the other band that got lucky and they're
getting their lucky break, but they need a lead singer,
and you see Judy Jensen kind of light up, like, oh,
like I'm being rejected here. Maybe I should submit for
(36:13):
the job.
Speaker 1 (36:16):
Exactly, which can you blame her?
Speaker 2 (36:17):
Everybody's being a whoor to her.
Speaker 1 (36:20):
They were being horrible except for Wenday. Wendley I don't
think was that she got her high and then bitched
to her. I guess.
Speaker 2 (36:27):
So yeah, she's like, we can have girl time if
it's about me.
Speaker 1 (36:37):
Man, that's that just reminds me of myself more and more.
Speaker 2 (36:40):
Yeah, And then like I think it's interesting about that
topic that as soon as the other girl found out
aanda that she was interested in the other job. She's like,
you're a betrayer.
Speaker 1 (36:53):
You are you are not faithful. Keep in mind it
has not even been twelve hours. She sang with them for.
Speaker 2 (37:01):
The very first You're Okay, we're going to try to
find someone to replace you. You're thinking on going.
Speaker 1 (37:08):
Somewhere else, stabus trader after all the hours of loyalty
that we've had, all the ten hours of loyalty.
Speaker 2 (37:21):
Yeah, and meanwhile Maddie's hallucinating or you know whatever. The
girls are zapping him with their laser titties. They have
like booby powers.
Speaker 1 (37:36):
Oh and there's another there's another thing we didn't quite mention.
There was a moment when they were they said something
about the power in the ship. They were losing energy
fast use shower conserve. You can't use the neutron shower.
Speaker 2 (37:54):
Yeah, I think it was a neutrons. It's neutrons or protons.
Speaker 1 (37:57):
I don't remember. I'll signed it. But it's like, you
can't use the showers because electron electronnower and you don't
use the electron showers whatever.
Speaker 2 (38:14):
And I guess they had to put this sword whimsy
because I guess she takes heavy electron showers.
Speaker 1 (38:21):
Yes, obviously Whimsy is a big shower checker. And so
what does Wimsy do after being told not to take
an electron shower?
Speaker 2 (38:29):
It's an electron shower and it's the prettiest scene of
the whole.
Speaker 1 (38:33):
It's the prettiest scene. I wanted five minutes of this
electron shower.
Speaker 2 (38:39):
I didn't even mind that she didn't show our boobies.
It was so beautiful. There was a part of me
that was like, oh, we're gonna get to see Whimsy's
booties boobies, but then it was just so pretty.
Speaker 1 (38:50):
We didn't it. But and my problem with it, I
really wanted at least a minute, is not two minutes
of this thing, because it was so pretty and it
was very sexy, even though you didn't really get much
of anything but a silhouette and these that's what.
Speaker 2 (39:05):
Kind of a star Whimsy is.
Speaker 1 (39:08):
Exactly. And then they just but they cut it short
because now during the electron shower, our beast murder actually
he actually gets loose and ruins our good time.
Speaker 2 (39:25):
Yeah, and then there's that really like beauty and the
beast kind of element.
Speaker 1 (39:35):
Oh, I don't know if I picked up on.
Speaker 2 (39:37):
That chasing her and she's like going through all the
cloths running from him.
Speaker 1 (39:44):
When they when they get out of the spaceship and
go into this like go because at that point the
ship moves, it falls down like a sand cliff. And
then they find a building and they run through.
Speaker 2 (39:57):
Yeah, Judy Jetson is running and it's it's like this
really beautiful like her running through like lavender cloths.
Speaker 1 (40:07):
Very like. It made me kind of feel of like,
have you seen a phenomena? I think it was that movie.
It's a dairy Argenda. Jennifer Connell, my god, I love her,
And there's like these great Iron Maiden like music videos
practically with her running down these halls, and it kind
of reminded me like it was going for something like that.
(40:30):
But again, lots of cloth and running.
Speaker 2 (40:33):
Yeah, and cuts of yeah.
Speaker 1 (40:36):
Right, and then all of a sudden, we've got fifteen
more maids.
Speaker 2 (40:40):
His posse show cannibals.
Speaker 1 (40:43):
Just all of a sudden, we've got these cannibal maniacs possible, right.
Speaker 2 (40:48):
Yes, because that's what they said, Oh we're gonna well,
I can't remember what it was. They said, they're gonna
before we do this to you.
Speaker 1 (40:56):
Yeah, before we eat your flesh. Basically, we're gonna damn
the eighties. I mean, hey, hey, if you can't rape
someone before you eat them, what can you do?
Speaker 2 (41:13):
Yeah, and then I remind me here, it's like this
horrible thing and then all of the sudden.
Speaker 1 (41:22):
Well we go for a long time and then we
get montage and then we get this this weird like
she's dreaming about some handsome guy, like the the Monster
turns into a handsome guy.
Speaker 2 (41:37):
Like Beauty and the Beast.
Speaker 1 (41:41):
Okay, so he's uh like he comes out and he's like,
my name is Brock. Yes, bro Christian Brock Christians honk.
And then and then he says a line, and so
like she's totally falling for this guy. She's like, oh,
I'm into this. And then he says the line don't
you want to settle down and have babies? And she goes, oh,
(42:06):
you're the killer because she's like immediately she's so turned off,
saying would have.
Speaker 6 (42:18):
No God, No, that's the last Jetsons, Maxine and a
bunch of trolls.
Speaker 1 (42:25):
So you know that something weird is happening because Maxine
is all of a sudden there and you're like, no,
Maxine's a galaxy.
Speaker 2 (42:31):
You were has she come to save that.
Speaker 1 (42:37):
Turns into utter chaos.
Speaker 2 (42:40):
And at first the other girl it looked like it
was Judy Jetson and weird makeup?
Speaker 1 (42:46):
Right was that her?
Speaker 2 (42:47):
That was a different actress? What was going on with that?
Speaker 1 (42:50):
I don't remember.
Speaker 2 (42:52):
It's just like a It turned.
Speaker 1 (42:54):
Into kind of a little bit of a chaos thing,
and then.
Speaker 2 (43:00):
For a moment the dead Great, that's what it was.
But in that moment it looked like her.
Speaker 1 (43:06):
And then it because she was like, you're taking you too.
Speaker 2 (43:10):
Yes, he shows up in it.
Speaker 1 (43:12):
It's not my fault, Judy Jetson. And then we have
a flash after it goes chaos for ten minutes.
Speaker 2 (43:20):
I wrote just a montage nightmare.
Speaker 1 (43:24):
Yeah, and then we have a subliminal flash the dream
and suddenly Judy Jetson is back in the same exact
outfit she did her high school Yeah, the dream which
you're going like, okay, so this was all yeah.
Speaker 2 (43:44):
And doesn't she call someone ugly for no reason?
Speaker 1 (43:47):
Yes, in the elevator exactly. She wakes up from a
dream and it's like, ah, this ugly guy.
Speaker 2 (43:54):
All sudden, you're a bitch too, And she gets off.
Speaker 1 (44:00):
His elevator and like Windsy grabs her and is like,
we gotta go. So you're like, okay, is they're at
the Radioactive Dream. Now they're at Maxine's Radioactive Dream. Now
they're there to perform. It's like okay, they wait, yep,
what what's a dream? What's when did it?
Speaker 2 (44:18):
What was it where she sainted?
Speaker 1 (44:22):
Because now she's in the exact same clothes, so.
Speaker 2 (44:25):
Are we Was this a look in herself selfconscious like
with this monster guy who kills five thousand is that
part of her subconscious?
Speaker 1 (44:33):
It really just makes you so it was so confusing.
But then immediately they throw us into the final performance
of the band.
Speaker 2 (44:43):
And they kill it. But then what I thought Maxine
was really cold and genius because she calls tiny little
natty big boy. This guy just can't get a break.
Speaker 1 (44:58):
That they do have like a weird They definitely have
a weird relationship in there. But like I did, they
sing a song called Lunar Madness, and I think again,
I think that the song is the best song, but
Lunar Madness is a close second. It's a pretty solid
jon Jay being in the film. The film, it was cool.
(45:21):
Its very very cool. One thing I want to point
out now that we're done talking about the film is
did you notice all the musical instruments that they were playing.
Speaker 2 (45:29):
Yeah, there were some cool things.
Speaker 1 (45:32):
They're bokers. They were just these weird, made up futuristic inventions.
Nobody was on drums, but there were definitely drums.
Speaker 2 (45:41):
Something was making that sound.
Speaker 1 (45:43):
The tops of like some of these guitar things look
like bug zappers, yes, which I thought was cool. Another
design thing that I liked where all of the uh
the cigarettes, Like Maddie had this we your twirly cigar.
Did you notice how like towurly is cigar and then
(46:05):
Maxine obviously had that like nineteen twenties, thirties, Yeah, long
cigarette thing. The Martian herb pipe was super And.
Speaker 2 (46:14):
When you spoke about that, I thought it was funny
that when me and g Money, a good friend of
ours who will probably be a guest on the show
at times, we were chatting about how funny it was
that uh what's her name, uh, Whimsy? She was like,
who put my eyeshadow brush in the ash tray? Like
(46:38):
why would you do that?
Speaker 1 (46:39):
Oh? That's that's yeah, Yeah, the first time that Judy Meeta.
Uh So let's talk about MVPs. Movie MVPs for me,
it's Sue Sade. Sue Sade is she is the singer
of the very so Reach for Your Dreams, Save Me
(47:05):
and Lunar Madness. So she had a band in the
eighties called Sue said in the next who I am, Like,
that's a new band that I'm listening to. I totally
it's a discovery that I'm like, hell.
Speaker 2 (47:18):
Yeah, popular that They were just kind of an indie band.
Speaker 1 (47:22):
No, they had basically they had two albums that came out,
but nothing really happened for them. But like the albums
are solid, there's just nothing that is like that home run.
I think you Reach for your Dreams probably the best song,
Lunar Madness is really good, but they just didn't They
(47:44):
have a couple of songs that are like borderline, but nothing,
nothing that really went out of the added the universe. Yeah.
Speaker 2 (47:52):
I mean they say a lot of times it was like, oh,
it's so easy to just be famous now, you know.
But and people like you had to get discovered in
the eighties. But there are a lot of like amazing
talents in the eighties that were doing these oh yeah,
and it just didn't matter.
Speaker 1 (48:08):
I recommend looking up there on the like the different
uh streaming sides they have. So it's Sue said, and
the next one of them is spelled and one of
them is an ampersand but there's two different.
Speaker 2 (48:19):
Else love that I have a friend this is Ampersan.
Speaker 1 (48:23):
Well that's what it is. Do you have an MVP.
Speaker 2 (48:30):
Whimsy for me? The actress who played whims See, I
liked her a lot, Like, first of all, like I
saw a lot of myself and her in the way
of yeah, you know, desperate and cynical, right, yeah, I
get it. But yeah, and also like if somebody told
(48:51):
me you just can't do this, that's the thing I
would do, exactly, can't go take a power a bitch?
Was should we take it by a shower? I'll use
the last ounce of hour and let us off by
and die here.
Speaker 1 (49:07):
Just so you can't tell me that. So that actress's
name Linda Carriage. As far as the cast goes, she
was definitely the one that I constantly went back to.
My honorable mention. However, would be the wig oh hell
you whoever was in charge of those wigs.
Speaker 2 (49:25):
Mushroom one that it was just like a fried mushroom
of hair on top of her hair, like when I
booked a very tiny roll on my name is Earle
I go, and I'm so excited I'm gonna be on TV, like,
oh my gosh, it's gonna be so cool. And then
they put me in the weirdest outfit with the weirdest makeup,
(49:46):
and they're like, Oh, isn't this great? Doesn't she look
like she lives in a trailer broadcast? And I grew
up in a trailer park. I do not look like that.
And it was when I was younger, so I didn't
have as good of like sense of humor about looking
stupid on television.
Speaker 1 (50:05):
So it had to have been before I met you.
Speaker 2 (50:08):
Yeah, I had lost all hope about looking cool by then.
Speaker 1 (50:14):
Yeah.
Speaker 2 (50:15):
So I just imagine her and they put the She's like, oh,
I've booked a lead in a movie. And I get
to be showcased finally, and then I'm like, here's your
look And she looks in the mirror and she's wearing
that fried mushroom wig.
Speaker 1 (50:29):
Oh god, oh god, what have I done.
Speaker 2 (50:33):
I've made it.
Speaker 5 (50:35):
Well, now it's time for remake, reboot, reimagine, remaster.
Speaker 1 (50:41):
Or sequel.
Speaker 2 (50:47):
WOA, good job.
Speaker 1 (50:49):
So what do you think do you have any thoughts
I think you can go.
Speaker 2 (50:53):
I want to remake.
Speaker 1 (50:56):
A straight make.
Speaker 2 (50:58):
I like there are so many elements I like to
of course it'll be tweaked as any remake really is.
Speaker 1 (51:05):
We see because I'm I I would go with for reimagining.
And the reason why I would go for reimagining over
remake is I I just want to cut that entire
monster thing. I just want it gone.
Speaker 2 (51:21):
Yeah you don't, you don't like the danger uh being
raped by a monster element.
Speaker 1 (51:25):
I want more of a travel like. I want a
travel movie, Like I want this band to travel to
this destination and have problems on along the way, not
crash and have a just one problem and then go
into chaos. I want them to maneuver multiple things, like
(51:46):
on a road.
Speaker 2 (51:47):
You know, as you're saying that, I start like imagining
what they could do with these relationships because a lot
of the relationship stuff had to get like jammed really quickly. Yeah,
So like that would give them because they.
Speaker 1 (51:59):
Were so fun focused on like this this monster that
in like giving us so many false starts.
Speaker 2 (52:06):
Oh he's getting out now, wow? Yeah, I you know
what I'm gonna I'm gonna jump ship on the remake
but I'm not sure.
Speaker 1 (52:17):
It is just taking that one element of reimagining and
just making it instead of yeah, because the thing that
trying to focus on the creature and making it more
of a rogue.
Speaker 2 (52:26):
Well, the reason I wanted to remake is because, you know,
we have some really fun younger actors and singers, because
you know, like with the new Mean Girls coming out,
they're they're kind of going back to that triple threat
saying that used to be in the beginning of entertainment.
Speaker 1 (52:43):
What would the music be? Would the music be similar
to what it was or would it be like a
very modern take on music, because that one of the
things that I loved so much about it was the
music and it was of the time and was.
Speaker 2 (52:56):
Just so Yeah, I would I would want to keep
all that jone jets, Yeah exactly. I would want to
keep that kind of element, the eighties element.
Speaker 1 (53:04):
I like that.
Speaker 2 (53:05):
I think that there are some chicks who could really
knock that out of the park. And this new crop
of singer actors, umblings, you know, like there's a lot
of things that I don't like about the new age,
the TikTok era, But the thing that I do think
is kind of cool is they're all very comfortable doing
(53:28):
anything right.
Speaker 1 (53:30):
Some might say a little too yeah.
Speaker 2 (53:33):
Yeah, but you know, like I think that's actually better
than just.
Speaker 1 (53:37):
There is something good to say about shit.
Speaker 2 (53:39):
Yeah, there is, but there's a happy medium. Like we
all thought we were a piece of shit, and now
this new crop thinks they're the shit. So like if
we could find a middle ground, Yeah, keep that confidence,
but like a good amount of self doubt. Well maybe
(53:59):
I'm a piece of shit. Let's see.
Speaker 1 (54:02):
Well, I think that's it for vicious lips. That would
bring us to our nostalgia of the week.
Speaker 2 (54:07):
Yeah, and this week's special guest for our Nostalgia of
the Week is the Godfather of goth himself, Dick Maggot.
Speaker 5 (54:31):
I apologize if my hair is still a little wet.
I was at water aerobics, drowning my sorrows.
Speaker 7 (54:42):
I'm here for the nostalgia of the week, while also
celebrating the sixtieth anniversary of my classic goth masterpiece album
entitled Slit Your Wrists Not Your Tits. My nostalgia for
the week is when people were forced to.
Speaker 5 (55:02):
Play their own instruments. They are the old school goth
bands Eying influenced like Bawhouse, Killing Joke and Alien Sex Fiend.
These are the bands you should be cutting yourself to,
not this modern stuff. It's not like the old days,
(55:22):
even for me. I mean when I used to self
when I self mutilate. Now I inst to check my
blood glucose levels. Seriously, I take more pills now than
when I tried to kill myself, therefore my blood pressure.
It's not that I think that these new kids aren't
(55:42):
any good. I just can't hear them. I lost my
hearing during a performance of shoving centipedes in my ear canarrows.
I've been told that I'm too ambled to still be Goth, which.
Speaker 8 (55:57):
Is bone roar. I'm almost angry all I think about
his death. I have a last will and testament, that's more.
What's more God than getting the legal system involved. When
I started, there was only Goth. Right now there's cyber.
Speaker 5 (56:13):
Goth, Emo Goth, vampire Goth, diet Goth, keto, diet Goth,
bubble Goth, mermaid Goth. I mean, no, my God, you guide.
I didn't get credit rating of it. I'm an innovator.
I did a TV show Do you ever hear a
soul train? Two years earlier I'd made goth train, they
ridded me off. Instead of people dancing, it was just
(56:37):
sad people in the corner not participating. I wanted to
debut a new song for you. I hope you'll find
it as relatable as I do. It's take ran in porenery,
(57:06):
possibly ravens, fiction city, even black lace, compression socks, the colleen,
my para.
Speaker 4 (57:16):
Arcs, benkay, incense and ecstasy alone in mental litery, unjad
slippers and vampires, sweaters, unjed slippers and vampires, swells, eating
brand muffins, writing suicide letters, orthopaedic.
Speaker 5 (57:45):
Combat boots, letter fixing and fain and dried black rose.
Speaker 4 (57:54):
I'm an abboed bird watcher, look a murder of crows,
jet slippers and vampires, water.
Speaker 5 (58:04):
Jet slippers and vampires. Whether I started watching golf with a.
Speaker 1 (58:09):
Widow named Heather Wilf.
Speaker 3 (58:19):
Wolf Wolf, Let's see you, quicker rubs and nonshos.
Speaker 1 (58:31):
Dial.
Speaker 5 (58:35):
Take up runs and love.
Speaker 1 (58:39):
Child that they were.
Speaker 9 (58:49):
A Well, this is the time that I would be
self mutilate, but my doctor said my blood won't clock,
So back to you.
Speaker 1 (59:10):
Well, I think that does it for this week.
Speaker 2 (59:12):
We really enjoyed vicious lips.
Speaker 1 (59:14):
I had a good time. It was a little bonkers,
but I love boon.
Speaker 2 (59:19):
I do too. It ended very abruptly, just like we
kind of are.
Speaker 1 (59:24):
But but and again the music, what it like, stayed
with me and I will be listening to Susy in
the next for some time to come. So watching this
movie has affected me. Long reach for your dreams and
probably will affect my children all right. Signing up, winger
(59:46):
Jeremy Braggs.
Speaker 2 (59:49):
Went a, George, that's why I love you.
Speaker 1 (59:57):
All right, everybody see.
Speaker 2 (59:58):
You next time.
Speaker 1 (01:00:17):
It's explaning, that's why too long
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