Yes Madam!

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:07):
Saturday, November thirtieth, nineteen eighty five. You walk into B
Side Video Rentals. I'm Your Man by Wham plays in
the background. Tonight You're on your own. No physical touch
for you, No ladies, no men, no anything else. The

(00:27):
only action you're getting is in your hands. You know
it's classy because the artwork is done in watercolor. Short
haired ladies being all serious. One of them has a gun.
Watch now a sunglasses guy. Some little tiny bodies doing
jump kicks, lying down some stairs. You take it to

(00:51):
the woman let the checkout, and she says, are you
sure about this?

Speaker 2 (00:57):
You look her dead in the eyes and say yes, madam.

Speaker 1 (01:29):
Welcome to B Said Video Rentals. I'm Jeremy Briggs.

Speaker 3 (01:32):
And I'm Jenny Ware.

Speaker 1 (01:33):
Hey Jenny, what's going on?

Speaker 3 (01:36):
You know, just reeling from that cat sound?

Speaker 1 (01:39):
Is that cat's sound? Oh? What cat's sound? Did my
cat make noises? Yeah?

Speaker 3 (01:43):
It's so good.

Speaker 1 (01:44):
And see I got I can't hear what's happening in
my own place. I'm probably getting robbed with these things.

Speaker 3 (01:49):
On I heard a kidding. I'm like, yes, my master,
where you're hiding a cat? But I was so excited
about this movie because of the bad dubbing.

Speaker 1 (02:01):
The dubbing is it's so bad. They made strong choices
in the dubbing.

Speaker 3 (02:06):
Room, they really did, And someone that they hired to
do the dubbing was Australian. Because an Australian I accept
kept slipping in here and there. I was like, oh I.

Speaker 1 (02:17):
Hear you, I hear you. You can't hide from me.

Speaker 3 (02:21):
And it was for multiple characters, So I think that
an Australian person did like several people, right, And it's
the kind of thing it's it's the reason I love
how soo yeah, because like the things just don't add up,
Like a lot of things don't add up. Like the
lady they call ugly is like beautiful.

Speaker 1 (02:41):
It's tiny. The giant guy, yeah.

Speaker 3 (02:44):
It's just so good. I love it. And it's like, oh,
yes see there's my master.

Speaker 1 (02:51):
Uh yeah, kitty catch Hopefully he stays put and shuts
his mouth.

Speaker 3 (02:58):
Hopefully you say putting shut your mouth.

Speaker 1 (03:01):
Amen's sister, Okay, Amen.

Speaker 3 (03:04):
Kitties can do anything they want. Even just from seeing
that kitdiot made me warm. I'm not gonna have to like,
calm down, show both shoulders for a minute.

Speaker 1 (03:11):
Calm down.

Speaker 3 (03:12):
I need the.

Speaker 1 (03:13):
Kitty you again, one picks you, one shot of a
pussy and you're like overheating.

Speaker 3 (03:19):
Yeah. Yeah, there are a lot of weird things that
got me excited in this movie.

Speaker 1 (03:25):
There's a lot to talk about in this movie. And
as it's just there's some mind blowing stuff, I will
say that. But before we get to that, do you
want to do some news?

Speaker 3 (03:35):
Let's get to that.

Speaker 1 (03:36):
News Saturday November thirty, nineteen eighty five and think so
you're not no current events.

Speaker 3 (03:51):
A two time sculpture of a lower first moler has
been ordered to be removed from a dentist's office in
a residential neighborhood. Unfortunately, the dentist insurance does not cover
the extraction, so the tooth will remain in place until
it falls out naturally.

Speaker 1 (04:04):
It's so relatable. Who has insurance?

Speaker 3 (04:09):
Yeah, but also even I have insurance and I go
to the dinnis, I'm like, oh, I chip my front tooth. Well,
you don't want to take away more tooth. There's nothing
we can really do.

Speaker 1 (04:18):
And I was like, what's that issue right now?

Speaker 2 (04:20):
Yeah?

Speaker 3 (04:21):
It's like but now my tooth is jagged, and I'm like, well,
take your pick. Do you want tiny tic tac teeth
or do you want jagged teeth.

Speaker 1 (04:29):
Tiny tictac teeth?

Speaker 3 (04:31):
Yeah, I'm like I would prefer it to be smooth.
A new form of cocaine is for selling the streets
of New York, alarming law enforcement officials and rehabilitation experts
for information on how to locate it. Called Jeremy at
eight one eight five five five slut coke slut Jeremy uh.

Speaker 1 (04:53):
Then eighteen inch lizard briefly disrupted the operation of a
computer Thursday at the Africa Ground Station tracking the Space
Shuttle Atlantis. A female witness said it was a foot long,
but the lizard insisted it looked smaller when it's hiding
in a large bush.

Speaker 3 (05:11):
Oh don't they.

Speaker 1 (05:13):
Don't they always? Researchers manipulating the genes of mice say
they may have developed the first animal model for studying
how hepatitis causes liver cancer in humans. But what I
want to know is how they got a sexy mouse
model to wear jeans.

Speaker 3 (05:31):
Oh? Hell yeah, Stuart little bel like Stuart baby stew
a little bee like Ooh, I'm getting cuberes. Macy's Thanksgiving
Parade was brightened this year with a new edition of
balloon of a balloon depicting Betty Boot sitting on the moon.
One attendee said, she's very sexy. It's about time they

(05:54):
added more females. The attendee was then arrested for fondling
the balloon boobies of Betty Boo.

Speaker 1 (06:00):
Balloon Booby's a Betty Boots.

Speaker 3 (06:03):
It's not my uncle's fault. It's the first time he
saw him.

Speaker 1 (06:08):
That big, big What are you gonna not touching? The
way the wind was blowing her balloon body? Yikes.

Speaker 3 (06:19):
A seventy five pound pumpkin that was supposed to be
a Thanksgiving gift to New York Mayor Cook has gone missing.
A statewide manhunt is underway for the suspect, Peter Peter,
the goddamn pumpkin eater.

Speaker 1 (06:32):
Goddamn Peter Peter.

Speaker 3 (06:34):
You know, now I can say that word, but I
grew up in a super religious house.

Speaker 1 (06:38):
You couldn't say Peter. What do you have? What if
you had a friend named Peter, you couldn't. You could
just call him dick.

Speaker 3 (06:46):
Yeah, yeah, in this scenario, it's Peter. I'm speaking a
fucking idiot, But to say.

Speaker 1 (06:53):
Here's another word for dick? I know, Wait, goddamn or pumpkin.

Speaker 3 (06:57):
The GD word, oh god damn, the JD word. We
weren't were You weren't allowed.

Speaker 1 (07:03):
To say that. I couldn't say anything. Are you kidding me?

Speaker 2 (07:07):
Yeah?

Speaker 3 (07:07):
You guys were just like strict, but you weren't like
weird religious.

Speaker 1 (07:10):
Right, I mean we were religious. They grew up in
a religious household.

Speaker 3 (07:15):
Wow, you didn't know that. I didn't know you were
like super, We're.

Speaker 1 (07:18):
Gonna girl, We're gonna have to have more conversations. You know,
I was in a Christian ska band for years.

Speaker 3 (07:26):
I remember you being in a school. I forgot it
was Christian.

Speaker 1 (07:30):
Anyways, here we're moving on. The art dealer Andrew Crispo
pleaded guilty yesterday to charges that he had evaded nearly
four million dollars in federal taxes by claiming he had
bought artworks that never existed. But isn't art subjective? I mean,

(07:50):
who's to say it doesn't exist in the abstract? Just
because you can't see it doesn't make it any less real,
you know what I mean? That's the artness.

Speaker 3 (08:00):
I've made a lot of art that no one can see.

Speaker 1 (08:04):
They keep deleting it off the internet. Yeah, Kenny Bob
Parsons of Dallas has raised thirty five thousand dollars to
build a wall twice the size of the Great Wall
of China to protect his homeland from the hordes of
foreign thinking Yankees who prefer white wine to Lone Star beer,

(08:26):
completely forgetting the existence of things like airplanes and helicopters
and hang gliders and ladders.

Speaker 3 (08:36):
A federal jury today found that CBS Inc. And a
commentator at the network's Chicago television station had libeled, libeled, libeled,
Thank you my God, it's so country. A tobacco company, Hey,
there's one of my words. I'm a tobacca.

Speaker 4 (08:57):
Had libelt, libeled, libeled a tobacco company by broadcasting an
anti cigarette commentary claiming that cigarettes turn you into a
dirty butt toucher.

Speaker 1 (09:09):
Dirty butt touchers.

Speaker 3 (09:10):
They kind get there.

Speaker 1 (09:14):
They do sue me, come at me.

Speaker 3 (09:16):
Come at me. That's literally what they do. A federal
judge approved a mandatory drug testing program for two hundred
thousand railroad workers over union objection. Sixty percent of those
workers said they'd like to test cocaine.

Speaker 1 (09:31):
Isn't that what a drug test is? You get your
just you get to just test them.

Speaker 3 (09:37):
Yeah, I love it, Like these two jokes are perfect
for an autistic person to do.

Speaker 1 (09:43):
Literally, owners of twenty six cemeteries locked workers out Tuesday
after employees at three other cemeteries one on strike. The
owner said they firmly believe in the three strikes you're
out rule. I think that was my weakest joke, so
I put it near the end. I should have gave

(10:03):
it to you, that's what you usually do. And finally,
two saxophonists in New York, Joseph White Co And Peter Saiano,
which is why I didn't give you this joke, thank you,
played a concert on Tuesday. This is a massive coincidence,
since the saxophone is an unusual instrument for a solo recital.

(10:24):
What's less of a coincidence is that both concerts ended
in giant origies saxophone, bet sexy.

Speaker 3 (10:31):
I like their origies orages?

Speaker 1 (10:35):
Is that what I said?

Speaker 3 (10:36):
Hey? Yeah, I was listening for oral and I'm like
Ora gees orgy orange org So it's like a lot
of just orals.

Speaker 1 (10:45):
Just oral at this orgy an oral orgy.

Speaker 3 (10:51):
Lord, I'm I'm getting warmer.

Speaker 1 (10:54):
I decided to take off my jack and those we
are not so current.

Speaker 3 (11:04):
I still am gonna say live belt, li belt, live belt, libel,
just libailed me. Yeah, And then I totally when you
said so, I looked down and I saw the word
solo recital and I totally heard solo rectal.

Speaker 1 (11:22):
Now you're just hearing things you want to hear.

Speaker 3 (11:24):
I know, my brain is just like scrambled eggs. So good.
I think this movie did it.

Speaker 1 (11:31):
This movie did it.

Speaker 3 (11:33):
Yeah, that's who I blame.

Speaker 1 (11:37):
There are just like the the career that so many
of these people had, it is mind numbing.

Speaker 3 (11:46):
Yeah. I mean, like the girl was so hot.

Speaker 1 (11:49):
What do you mean Michelle Yoh yes, she's oh yeah,
oh my god.

Speaker 3 (11:53):
Because I've seen her later in life, right, so like
seeing her young because.

Speaker 1 (11:58):
She's like like, I mean she's huge now. Yeah.

Speaker 3 (12:03):
But like like as soon as she came on the screen,
I was like bazomba and I had to look her up.
I'm like, what the hell? It was shocking to me.

Speaker 1 (12:13):
And like every outfit that she wore, girls, she wore fire.

Speaker 3 (12:18):
She was so good.

Speaker 1 (12:19):
I don't care how many jumpers you put her in.
I'm in, I'm in.

Speaker 3 (12:24):
At Mario at Luigi.

Speaker 1 (12:25):
Look she had she had a great Luigi look.

Speaker 3 (12:28):
Yeah, it was so good everything like, and she had
one look where it was like the shirt came down
to here with no bra and I.

Speaker 1 (12:36):
Was like, oh, you're you talking? Are you talking this moment?

Speaker 3 (12:41):
No, that there was another one where it was like
a it was yellow yellow.

Speaker 1 (12:46):
That was the same outfit.

Speaker 3 (12:48):
Because I thought she was it was a button up.

Speaker 1 (12:51):
Oh no, it was that was that was a yellow Okay.

Speaker 3 (12:54):
Because that one looked like a tube top to me
in the Yeah, but the one I'm talking about was
like a long lead that was to hear and it
was only for one maybe for one take, the one
that was off the shoulders and then she was in
the Luigi outfit the next scene. But we'll get there.
But yes, the looks.

Speaker 1 (13:12):
Were looking, they were giving looks. The looks were given looks.

Speaker 3 (13:16):
Yeah, And I was like, it wasn't fair to the
other one. When they're like, oh, she's ugly, I'm like, well,
if anybody's gonna be ugly, sandy by her.

Speaker 1 (13:24):
You know what. I actually learned that like Cynthia Rothrock,
like she came in so that role that she got
it was for a man. Yeah, which totally makes sense
to make because like they're they're like headbutting. I was
just like, this is so weird to have two women
reacting this way against each other. Yeah, but it was

(13:45):
apparently written for a man. But they the this martial
arts group she was with, they reached out to that
group and they're like, we're looking for men and we
want to see what their skill set are. And that
company was like, we've got some girls too, so throw
them in. And they saw her and we're like, holy shit.

Speaker 3 (14:06):
And she's still about us, like my husband does movies
with her, Like she's still doing stunt. She's still out
there doing it.

Speaker 1 (14:12):
Like and very impressive. Like there there were shots in
there things that she was doing. I was like, damn,
I mean there's shots of everyone doing everyone.

Speaker 3 (14:21):
The stunts were out of control. I just went out
of my back.

Speaker 1 (14:26):
We will get into so many of those moments like
that person is not okay, so let's get into this movie.
We got like the first thirty seconds of this film.
We've got what is her name, Michelle Yoh's character, it's
like inspector Is it neat?

Speaker 3 (14:48):
Because I think, wait, my nih or knee?

Speaker 1 (14:51):
Yeah? Because when I heard them say it once, all
I heard was I'm like, her name's not they can't be.

Speaker 3 (15:00):
I just called her hot lady.

Speaker 1 (15:02):
Yeah, my notes are always Michelle Yo. I typed it
out the entire time. And so she's like in a
library and this guy sneaks out through the peeking out
of the window and comes to go talk to her.

Speaker 3 (15:17):
And I've had these kind of things happen to me.
If I hadn't lived the life that I've lived, I
would have been like, this is so unrealistic. But everybody,
like in my twenties, just wanted to show me their dick.
Excuse me here it is Jesus, and it's always flaccid.

(15:39):
It's like you could at least be excited about what
you're doing, have some passion for your work.

Speaker 1 (15:44):
That wouldn't have made it better for you, girl, I don't.

Speaker 3 (15:47):
Know when they're like this, like he's making me show myself.
I don't even want to be here.

Speaker 1 (15:58):
Yeah. So this guy flashes her and and this is
the first time we see her as a cop, so
like we revealed she's a cop. And what she does
is she has an open library book smashes it.

Speaker 3 (16:12):
Gotcha, got your placid.

Speaker 1 (16:15):
Dick, And immediately his reaction, you're like, Oh, this is
gonna be one of those movies. Yes, three stooges comic
reaction to everything, like yeah, so over the top.

Speaker 3 (16:36):
Yeah, and then she lets him know, I'm a police officer.

Speaker 1 (16:38):
You're under arrest, r under arrest book him.

Speaker 3 (16:40):
Yeah, we got him? Yeah all right, now please get
him out of here.

Speaker 1 (16:46):
Yeah. Now, can you somebody take this book?

Speaker 3 (16:49):
I don't want I don't want to slip.

Speaker 1 (16:52):
Somebody go bring that book to the incinerator. I saw
some things hopping off that thing. Yeah.

Speaker 3 (16:57):
So then they walk outside and boom, like the biggest
action sequence you could ever imagine in the first like
it's like enough hasn't opened our eyes already, Like what
the hell is happening?

Speaker 1 (17:09):
Yeah, this car rolls up and there's like an armored truck.
They just hop out of the car and start shooting everybody.

Speaker 3 (17:17):
And what I love is these bullets seem to have
like hydraulics in them, so when someone gets hit, they
go like blast. Yeah, I've never seen bullets to that.

Speaker 1 (17:30):
How many people have you seen get blown away? Yeah?

Speaker 3 (17:33):
Like it's like a trampoline bullet.

Speaker 1 (17:37):
I got a new kind of bullet. It's a trampoline bullet.
Trust me, it's very impressive. Is it more effective? No,
but it's very impressive. Yeah.

Speaker 3 (17:46):
Crazy to see.

Speaker 1 (17:48):
Like people do stummer celts. You shoot them and they
do it.

Speaker 3 (17:52):
And they have time to make like a wacky pace. Yeah,
it's so good. And the car rolls up super safe armor.
It's super safe.

Speaker 1 (18:04):
And Michelle Yeoh's character is just like it's go time,
kicking ass, jumping around, jumping, like running over cars and stuff.

Speaker 3 (18:14):
And then I love that the dude that got shot
in the head that was like the cleanest. Did you notice,
like it was the perfect Circle and he was like
it was so good to me.

Speaker 1 (18:27):
They started playing the band Perfect Circle.

Speaker 3 (18:30):
Oh my god, no, no, oh my god, no, she
shut it up to me. So she shoots him though
and hits it. It's like the most symmetrical perfect bullets
stright into his pineal gland.

Speaker 1 (18:42):
Because she knows what she's doing. She she's trained. Okay, yeah,
she's a professional.

Speaker 3 (18:51):
Yeah you want to take a chance. Huh.

Speaker 1 (18:54):
So we're already introduced to some pretty badass stunts right
up on right at the start. Yeah, cool fun stuff
that is very impressive.

Speaker 3 (19:04):
She's hot and badass.

Speaker 1 (19:06):
Then we go to the police station.

Speaker 3 (19:08):
Yeah, yeah, and then everybody has flowers for her. They're
so proud of her and what she's done. It's not
because she's hot. It's just because they're very proud of
the world.

Speaker 1 (19:18):
It's all about your accomplishments.

Speaker 3 (19:21):
Yeah, she's the best, she's the greatest, She's the best
in the world. Everybody's like, please fuck.

Speaker 1 (19:27):
Me, please off of God.

Speaker 3 (19:31):
I'm begging you. I don't have anything left, Like spent my.

Speaker 1 (19:35):
Last fifteen on these flowers.

Speaker 3 (19:38):
And I like the way all I like doing the
flowers like this. I just want this, even a woman. Please.
Here's where she sets up the prequel. Oh, he was
my unit instructor when I was training in Scotland. Scott
I'm going back there on vacation. I'll be staying with him. Yes,

(20:04):
I'll tell your wife you have a girlfriend. Maybe the
girlfriend someone else. Maybe she does say it, like that's
a word she says to him, I believe for you.
So then they start talking about an anti prostitution campaign. Yeah,
what the hell is happening?

Speaker 1 (20:21):
Yeah, there was. There was definitely a lot of things
happening where I was just like, okay, Scotland anti prostitution,
what's happening? Like this first chunk, I was a little
you're throwing a lot at me.

Speaker 3 (20:35):
Yeah, I feel like the exposition that got laid out, Yeah,
the exposition that got laid out did not get translated properly.

Speaker 1 (20:43):
The duving just made me go like okay, hold on, h.

Speaker 3 (20:48):
But then she takes the phone contest I'm meeting you
for dinner at seven thirty.

Speaker 1 (20:52):
Yes, yeah, And we get into this hotel lots of
like sunglasses shots, which I loved.

Speaker 3 (21:00):
And the lobby, Like I gotta tell you, like I
had the weirdest feeling I had, Like I don't know
if you ever get this when you're watching these movies,
but I remember being a kid in a lobby like this,
the way these lobbies were set, with like the fake
plants lining the second floor and the carpeted stairs and
to like that weird white, super shiny tile.

Speaker 1 (21:22):
Like you need to get back on it.

Speaker 3 (21:24):
Yeah, Like I had the weirdest de ja vous about
that lobby when they were peeking down at him from
the second floor. Because when I would go on vacations
or whatever, like I would run up to the top
thing and just get up there and like just watch
people coming in and out and talking in the lobby.
The eighties were very boring.

Speaker 1 (21:43):
No, no, they weren't. As a kid, you just didn't
have a screen in front of your face, you could
soak in the world around you.

Speaker 3 (21:52):
I was so excited by just people watching through fake points.

Speaker 1 (21:55):
Yes, which is which is what we should start doing again.

Speaker 3 (21:59):
Yeah, make more of this.

Speaker 1 (22:01):
It's and it's totally normal in your forties.

Speaker 3 (22:04):
Yeah. Yeah, we canep doing it. We can still go
do it.

Speaker 1 (22:08):
But anyways, there's so many shots in this hotel, like
this little scene where they set him up, like walking
up these stairs and these all these like cool angles
and like sunglass shots, like.

Speaker 3 (22:19):
Smoking indoor sing like that was the eighties. Everywhere you
went people were smoking inside.

Speaker 1 (22:24):
Oh yeah, I mean I grew up in Reno, so like,
oh yes, it was everywhere. In fact, I still miss it,
Like when I do go into clubs, like comedy clubs,
I'm like, why is nobody smoking? This is weird? I
hate this.

Speaker 3 (22:38):
Yeah, And what I love is g called him the
Chinese hunter Tops and robot man. Mister Dick. Yeah, he
answers the phone, and he's the white dude Richard Norton, Yeah,
he's it's he gets the key room one zero zero eight.
They like make a big deal out of what room

(22:59):
number is. Right, So he goes upstairs and then we
meet Aspirin and Stretzel Strip Strepsil.

Speaker 1 (23:10):
Yeah.

Speaker 3 (23:10):
Okay, so I love this duo here.

Speaker 1 (23:13):
Yeah, and then we'll even get once we get our
third person and we'll talk about their names.

Speaker 3 (23:18):
Yeah insane. Yeah, so they're they're like breaking in, like
they're trying to like pose his hotel workers and go
in rooms and just still like they just petty theft.

Speaker 1 (23:28):
Yeah, we learned that these guys are just small time,
common petty theft people and they happened to stumble upon
something they perhaps should not have stumbled upon.

Speaker 3 (23:40):
Yeah, because uh, the hunter is Thompson Assassin guy, which,
by the way, like I just called him bad hair
guy in all my notes. Was weird.

Speaker 1 (23:50):
I was so impressed by this guy.

Speaker 3 (23:52):
Yeah, he's very cool, but like he he has like
really short thinning hair here and then like long curled
and under hair on this Like, so I was like,
what kind of look is he going for?

Speaker 1 (24:05):
He had a presence and a half I'll tell you that,
yeah he did.

Speaker 3 (24:09):
So then he he and mister Dick are like having
like a back and forth. There's some kind of deal
or some kind.

Speaker 1 (24:16):
Of they're looking for some sort of film strip micro
you know.

Speaker 3 (24:22):
Which we saw him put in his passport like before
the guy came in. So they're talking about it, and
then I love this death.

Speaker 1 (24:31):
Yeah.

Speaker 3 (24:32):
So he gets his gun rather Yeah, I was like
when I saw the apple and I saw him like
slamm it in, I'm like, oh, that would make a
good bomb.

Speaker 1 (24:42):
No, he uses he shoves the gun, the front of
the gun into an apple and uses it as a.

Speaker 3 (24:50):
As a silencer. Yeah.

Speaker 1 (24:51):
The then sticks it into the guy's mouth and shoots.
And what I love is there is nothing but him
falling over. There is no exit blood. There's no blood.
There is nothing even when that close, Yeah, that close,
there's nothing, and like there's there's an exit wound. I
promise you that. I promise much flesh. I don't care

(25:13):
what caliber it is.

Speaker 3 (25:14):
It's blown out.

Speaker 1 (25:16):
It comes out like it. And then like five minutes later,
so Aspirin, I think it's Aspirin who goes in and
like pretends to be you know, he thinks he's asleep,
sees him. You see his entire back of a head.
No blood again, and he's just like, oh, he's sleeping,
and he like takes his passport and takes all this stuff.

Speaker 3 (25:38):
His wallet, gets his money, and the assassin is watching
him take his ship and it's like, what do I
do here? And then the girl.

Speaker 5 (25:47):
Shows up, yes, and show lady shows up, and even
even still at this point, she walks up, Oh he's asleep,
and then like she's.

Speaker 1 (25:59):
Right at the back of his head, still doesn't notice,
has to pull him over, sees the smallest trickle of blood,
Like it just makes me so like, what kind of
magic apple was this that it still killed him?

Speaker 3 (26:16):
Yeah, and she definitely had that amazing silk till Lady's
jacket on. We just mentioned that she was giving a
look in that one. It looked like peak lesbian fashion.
I gotta tell you she was giving lesbian Yeah, and I.

Speaker 1 (26:32):
When you when you get them shoulder the shoulder pads going,
which are the best, it's.

Speaker 3 (26:37):
Like she'll protect me, hell yeah, yeah, hell yeah, so hot.
So she runs for help, but she's trying to like look,
she like thinks it might be this guy who was
the room service guy, because that's the last that's yeah yeah,
So she's trying to find who it is she gets
the lobby hey, and it's the assassin and he gets

(26:58):
ready to like, oh I got killed this hot lady.
That's a shame. And it turns she goes right by
and says how many people are working here?

Speaker 1 (27:06):
Right? Yes?

Speaker 3 (27:07):
He's like, okay, great.

Speaker 1 (27:08):
And those people don't work here. I know somebody's so
and she's looking for those guys as Brennan's strip soul.
So then we see those two guys at night, kind
of like going over their spoils and looking at what
they got, and they see the passport and they're like,
oh cool, we could we could use this. And at

(27:31):
this point it's when the dubbing goes from like being
kind of bad to like what of what happened? Choices
are you doing? Because they not only are these people
kind of goofy in the way they act, but the
people dubbing them, Oh, it's so insane. The voices they chose,

(27:55):
the cliched dork voices. Oh I don't know, I think
we should go over or I'm like, whoa out.

Speaker 2 (28:03):
What?

Speaker 3 (28:04):
You're so good at it? You're so good. It was
like pee wee herman.

Speaker 1 (28:09):
It was crazy, Like the juxtaposition between like the way
they're acting, and then the weird choices they made worse.
I don't know if I want to say off putting,
but kind of.

Speaker 3 (28:21):
Yeah, I was off putting in like an exciting way.
So now we're in a kge room and the one
I guess that they're going to go that that they
sold the passport to.

Speaker 1 (28:34):
Yeah, so let's just go ahead and talk about these
names we have. Aspirin Obviously, aspirin is aspirin, Strepsil is
like a throat law, and Panda just panda doll. Pana
doll is like Thailand.

Speaker 3 (28:52):
All.

Speaker 1 (28:53):
Yeah, so Medica after medication. I don't know why, it's
never never never, it's just the That's what.

Speaker 3 (29:01):
They've known each other since they were kids. So it's
like maybe it's what they needed the most.

Speaker 1 (29:07):
Yeah, so we have this. It's stupid you you just
rely on aspirin too much. Yeah, but at least they're
not a strips.

Speaker 3 (29:18):
Boy you get strap throat all the time.

Speaker 1 (29:21):
So we deal with this cage room and Panadal I'm
going to keep messing that name up. Panadal. So we
learn he's kind of like he sells fake things, fake guns,
fake grenades, fake passports, and so he kind of has
a little incident before his friends show up.

Speaker 3 (29:42):
Yeah, an unhappy customer.

Speaker 1 (29:44):
Unhappy customer he has, and uh, this is when we
start seeing a lot of the stunts in a different light,
like comedic stunts.

Speaker 3 (29:57):
Yeah, wolla going in here, flip in this sary wo.

Speaker 1 (30:01):
Like slow cranked so that everything is sped up just
a bit to where it looks a little.

Speaker 3 (30:07):
Bit off zany and wild.

Speaker 1 (30:09):
Yeah, he gets very zany, like not full speed Benny Hill,
but like somewhere between Benny Hill and Regue, Like that's
sped ups up. So it's very odd. But there's a
lot of really cool stunts being done, but they're just
in a comedic way. I don't know if they hit necessarily.

Speaker 3 (30:32):
One of my favorites is when he slams into one
of those old school card catalog things, those drawers. He
slams in and one opens, but they like pop, and
I'm like, that's not how those work, but it is funny.
It felt like the on wipeout when they.

Speaker 1 (30:49):
Go poop poop, it pops out like another whack a mole.

Speaker 3 (30:53):
Yeah, Like that's not how that works, but it's fine.
It's entertaining.

Speaker 1 (30:57):
And so we learned that these guys come in, they're unhappy.
They these these fake id's down and they started to fade,
and he's like, what the hell is this? Also these
fake guns? We spent two thousand dollars on this fake gun.
You spent two thousand dollars on a fake gun.

Speaker 3 (31:13):
And I feel like they're talking about is it yuns yun's.

Speaker 1 (31:18):
Write whatever currency they're talking about, because they say dollars to.

Speaker 3 (31:22):
Us, yeah, And it's like I would be pissed.

Speaker 1 (31:26):
Too, so but he's saying, like you can't tell the difference,
blah blah blah. That will come up later, the fact
that he has all these fake guns and there's a
real gun brought into the mix, and the mix they
do a little like slapstick joke about losing the gun.

Speaker 3 (31:41):
Yeah, so through the mix of everything, these guys are
out on the ladder and he cuts the ladder and
they fall, and then his friends are there.

Speaker 1 (31:50):
Did you but did before that happens? Did you notice?
This drove me bonkers? So when these guys like start
to intimidate him, like they're gonna come after him and
start chasing him, it's like a tense moment and then
this piano drops he goes done on, done on, and

(32:10):
the the first moment that piano hit that dot on,
I was like, that's Halloween. Yeah, they stole that entire
just that dot on. I was like, that's that's a
how that's straight Halloween like that, there's no faking it.
And then five seconds later they use a separate clip
from Halloween like I know that soundtrack way too, like

(32:33):
inside and out. So the moment it popped on, I
was like, why are you using Halloween music? How are
you using Halloween music?

Speaker 3 (32:41):
Is it that they they separated it's not technically the
same melody?

Speaker 1 (32:46):
Well, I mean it's not the it's not the theme.
It's like you know when he sits up like it's
like with that Bob and then like the the little
high pitched stuff in the background that and then use
one that is another I won't say them that they're
obscure cuts because that whole thing to me is iconic,

(33:08):
so like it, yeah, just to use that, I guess. Yeah.
It was just so like, why are they doing this?

Speaker 3 (33:16):
Yeah, it's like the biggest cult horror of all time
now yeah.

Speaker 1 (33:22):
Yeah, Anyways, I just had to point that out because
it made me just.

Speaker 3 (33:25):
Like flow yeah, excuse me.

Speaker 1 (33:28):
Excuse me, So, yes, you were saying, I interrupted once again.

Speaker 3 (33:34):
Oh no. So they go over the thing and they
cut the he cuts the ladder, and then his friends
are there and now this is where they started talking
about the old man put.

Speaker 1 (33:42):
The money in the box. So they've got this box.
Put everything in this box. We're saving for the old man.

Speaker 3 (33:47):
Yeah. So uh, then we find out that they've been
quarreling for over twenty years and they've known each other
since they were kids, and the strap Soul has been
kind of like happening to be the mediator of these two, right,
and then now they're like, okay, let's go out to eat.

Speaker 1 (34:04):
But before, like, right, the last little thing when they
do that, I think it's streps All. He pulls out
the passport and he says, hey, can you do anything
with this and panda dolls. He's like absolutely, I've got
a buyer. And so that is now trading hands.

Speaker 3 (34:24):
And now we go to the office and the guy's
chair spins so fast.

Speaker 1 (34:29):
Why would it just like launched out? Yeah, I hit
my camera and slid down.

Speaker 3 (34:39):
Yeah, and he's got a pipe.

Speaker 1 (34:42):
He's just so week guy. This guy threw out it.
I don't know, like this is the first time we
see his maniacal laugh.

Speaker 3 (34:52):
Oh yeah, and he uses the ship out of.

Speaker 1 (34:54):
It, and we see this thing happen so many and
I like the mildest, like he has a punchline that
is not it's not a joke. It's just because I

(35:14):
trust you. And then like hard cut out to the
next scene.

Speaker 3 (35:22):
So good, and then we go back to pantadol doctoring
the passport.

Speaker 1 (35:25):
Is that before or after the the autopsy?

Speaker 3 (35:28):
Before right before we see him doctoring the passport, and
then we cut to the police station and she's got
her slicked back hair and she's telling me, guys, you
want a promotion, and I'm like, I want a promotion.
I am disgusting.

Speaker 1 (35:47):
And we get to this autopsy and it's basically they're like,
he claims whatever you call that, the not the more
guy whatever, whoever does the autopsy, I can't think of anything.
Don't put a timer on this. I'm not gonna think
of it anyways. That guy, he claims, he's like, the

(36:15):
bullet goes through it went through the back of his head.
There's an exit wound. I'm excuse me. He explains that
to us that there is. I'm like, dude, not guess
like me. I saw I can rewind it and take
snapshots of microfilm on this thing.

Speaker 3 (36:35):
Yes.

Speaker 1 (36:35):
Also I have to point out her outfit because she
pops her calls on this one and she's got popped
shoulder pads, the whole deal.

Speaker 3 (36:43):
The look so good.

Speaker 1 (36:46):
Notes are just how good she looks?

Speaker 3 (36:48):
Oh, too many of them too. I'm like, I'm horny.
It's a lot of my notes. She just made me
horny again. I thought I was Mary an apostle and
like that was a part of myself that wasn't going
to wake up anymore. And then I'm like, what arrest
mecuffs girl with a smoky eye. And there's something about

(37:14):
her brows, the way her brows sit like they are
a business and party like. It's like, are you a
model or are you the party business? She's so hot.
This is so where we find out they have to
tag her.

Speaker 1 (37:30):
Shut up.

Speaker 3 (37:32):
She's going to be assisted by an officer from London,
and somebody says, oh, we could deal with a new face.
I'm like, shut up, shut Uh.

Speaker 1 (37:41):
Did they say London? Because she keeps saying she's from Scotland.
Scotland yard Oh, I didn't get past the word Scotland.

Speaker 3 (37:49):
No Scotland yard. So then just very uselessly, we got
cut to the apartment where Strepasil is working out to
a workout tape. Yeah, we just needed.

Speaker 1 (38:02):
That, we needed it, and so are they all. They're
there to kind of go all right, let's go see
the old man, right, Yeah.

Speaker 3 (38:10):
Well he gets the news that knock knock at the
door and someone delivers Hione the newspaper.

Speaker 1 (38:14):
Yeah.

Speaker 3 (38:14):
He wakes asper An up, like, look at this. Look
it's like, guy, we got the passport from we need
to like, oh right, this could be an issue. And
he's like why because he's a dead guy. Why are
you there's no problem.

Speaker 1 (38:29):
You don't say anything to Pan at all. Yeah, let's
keep this to ourselves. So then they all meet up
and they go down to meet their old man that
they referred to, and this I think is the only
time we see him.

Speaker 3 (38:44):
Yeah, and it's just three guys who are obviously young
but spray painted their hair gray.

Speaker 1 (38:50):
But this is such a weird little misdirect that they have,
because it's so like, why is the misdirect You're going
to sexually assault someone?

Speaker 3 (39:03):
Yeah, I was like, oh, my gosh, I'm just about
to get like really uncomfortable speak up on this lady.

Speaker 1 (39:11):
They rip her shirt off. She's wearing underneath clothing, but
they rip her shirt off and like hold her down
and steal the chicken.

Speaker 3 (39:20):
I fully thought, I'm oh, this was one of the
first movies. We're not seeing a rape, but now we're
going to see a rape. And they're like, no, no,
we're not, We're They just really wanted that chicken.

Speaker 1 (39:31):
What a weird misdirect for boiled chicken.

Speaker 3 (39:35):
Yeah, it was so weird. And they're like, you're on
a special diet. You're not supposed to have chicken.

Speaker 1 (39:41):
Like what special diet? Like it's boiled chicken? What that's
like the most bland.

Speaker 3 (39:47):
Yeah, but I feel like he could have some chicken.

Speaker 1 (39:51):
Just just boiled chicken. There's nothing on it, and like goofball.

Speaker 3 (40:00):
Matron walks in, what's going on their special diet?

Speaker 1 (40:04):
What about their special diet?

Speaker 3 (40:06):
And then they start spitting like you would spit it out.

Speaker 1 (40:11):
She's right, she's right, we are on a special diet.

Speaker 3 (40:15):
And then this is the first time I hear the
Aussie slip out. Pana doll Okay comes in and he
sounds Australian for like two seconds and what huh. So
then the boys are visiting these weird freaks in the hospital.
He's chicken freaks.

Speaker 1 (40:27):
They're all, don't worry. He's like, what what are you
bringing them? Don't worry. It's just water and fruit. Just kidding,
this isn't water.

Speaker 3 (40:36):
Yeah, yeah, And then he calls his two friends, the
wheelchair Warriors, and neither of them are in a wheelchair,
Like what.

Speaker 1 (40:47):
And then they just start blasting music for no reason.

Speaker 3 (40:50):
Yeah, while they're having it, Oh, we're gonna have a conversation.
Oh we can't hear you. We're gonna listen to music.
And then he's leaning over to still listen. And there's
no payoff to how there's no pay off?

Speaker 1 (41:03):
Right?

Speaker 3 (41:03):
It has what they're saying, they should let the police know,
right or I thought so.

Speaker 1 (41:08):
The police get a tip off because the guy tries
to use the passport which is stolen passport, which they flagged.
Did they I thought that.

Speaker 3 (41:15):
They said they were going to do the anonymous flag
and get the guy in trouble. I thought that's what
happened here. I thought they did it, and that's why
the guy's so mad because he's like, the guy who
did it did this to me, and that's why he
goes after Panadal. But they plan it and then they
like do like a fake phone call. Oh, we just
want to let you know that this is happened. They're
trying to do this, So then they go to the
airport and they cast the guy who's trying to use it.

Speaker 1 (41:38):
Yeah, and hot fight, Hot fight, really hot fight some
of the stunt work, but like they're just all over
the place running through like.

Speaker 3 (41:50):
The stepping on the chairs.

Speaker 1 (41:52):
Yeah, like it was like a dance lying downstairs and
like just jumping off like wrestling moves off of the handrails, insane,
just throwing their bodies full on into it. And it
really it's just like when you watch stunts like that
and then you watch mod like stunts in a big

(42:14):
Hollywood movie, like I I am so unimpressed, Like the
Hub is it's just there's it's so corey graphed and
there's so many things you know, but it just doesn't
it just it's too beautiful and it's too seamless, and
this is you're just like I just saw somebody do that.
Yeah it was somebody just did that thing, Like full on.

(42:36):
It's so impressive. Anyways, so they're chasing some fight scenes.
This guy that has the passport, he grabs a random woman.

Speaker 3 (42:49):
And it was a wrong lady. Wrong lady Cynthia raw
th Rock here to throw a fucking beat down of
a century. She was in like a business lady skirt
and jumps up and just fully exposes her but to
double kick.

Speaker 1 (43:03):
And she does this whole scene. From what I was reading,
they they showed up and they were like, we don't
have choreographed we didn't do that, so they just did
it on the spot. They were like, okay, well let'll
do this, that and this, and couldn't go and then
they decided that jump kick that she does, yeah.

Speaker 3 (43:20):
The wall, Yeah, oh my god, it's just great.

Speaker 1 (43:23):
But apparently she'd never done it before and they were
just like, what if you do something like that? And
she's like okay. And then from what I read, you know,
I'm not her friend or anything. She took about forty
five minutes and then nailed it. It's just like just
to figure out the logistics and it looks freaking fantastic.

Speaker 3 (43:40):
It looks insane.

Speaker 1 (43:42):
She's like her her stone workers.

Speaker 3 (43:45):
It's solid, solid, it's actually incredible. Yeah, And I like
then that the guys talk about her in Chinese and
she answers to them like they're like saying, how she's
really medio girl looking and fuck you? Basically, I don't know.

Speaker 1 (44:05):
They're so meany.

Speaker 3 (44:08):
Trouble getting into a third class night?

Speaker 1 (44:11):
Great? Yeah?

Speaker 3 (44:13):
Yeah right, third class huh yeah eat ship.

Speaker 1 (44:20):
It's like you just watched this woman beat this not yeah,
out of this guy who none of you could.

Speaker 3 (44:28):
Yeah. Absolutely. And her name is Carrie Morris.

Speaker 1 (44:31):
Carrie Morris.

Speaker 3 (44:33):
She's a badass.

Speaker 1 (44:34):
Take him away, all right, so they get him.

Speaker 3 (44:38):
You must be the so called expert. Just bitchy right
off the.

Speaker 1 (44:43):
Bat, right off the bat. I don't want you to
be working with I.

Speaker 3 (44:46):
Didn't ask all the experts to be on this case.

Speaker 1 (44:50):
It's there. They just hate each other why immediately.

Speaker 3 (44:54):
But what I like is there is still like, at
least this might be my fantasy. But even though they
were mad, they were looking hot at each other. It
wasn't like shut up, bitch. It was like you shut
up bitch. Yeah. I didn't ask to be here.

Speaker 1 (45:12):
I'm gonna have to rewatch it with that context in mind.

Speaker 3 (45:15):
They didn't ask to be here. I don't need your help.

Speaker 1 (45:19):
I don't need your help, beautiful specimen.

Speaker 3 (45:24):
You're a babe. You're a fucking babe, and listen, you
gotta work together. I'm like, they got a kiss.

Speaker 1 (45:31):
Hey, you back out of this, mister.

Speaker 3 (45:33):
This is nothing to do with you. Let him keep getting.

Speaker 1 (45:35):
Close, Sergeant boner killer, get out of here.

Speaker 3 (45:39):
So then back at the police station, they're drilling the
guy about the passport. Gross yeah. Yeah, and then Hattie
takes over. You could do prison for eight years. That's
a long time. Oh.

Speaker 1 (45:51):
I love how they like try to sell it for him.
He's he's like, no, are you kidding me? I will die,
They will kill me. Well, you could go to prison
for eight year, that's not death. That's not a good
argument that you're trying witch.

Speaker 3 (46:05):
Just die. Yeah, drink your tea.

Speaker 1 (46:10):
And then Carrie Morris comes in when they're yellow jumpsuit. Ye,
your method isn't working, and she has one method, Yeah,
has one method.

Speaker 3 (46:21):
Yeah. So she tells him before like, I drink your tea,
and he goes to drink his tea and what does
she do, kicks is not a fucking tea. Yeah, I
can get tea today.

Speaker 1 (46:31):
She just beats the hell out of him. You want
to rematch? Yes, I do.

Speaker 3 (46:40):
Yeah, She's like, already kicks your Assjord again, I will,
like she fucking will, and she does.

Speaker 1 (46:48):
This is like her mo O in the entire movie
is just like, hmm, how am I gonna get what
I want in this situation? I know I'm gonna beat
the shit out of you.

Speaker 3 (46:58):
Yeah, because here's the thing I love about the beginning
of her beating the ship. I mean, here's a cigarette.
He smoked a cigarette and she smash on his face.

Speaker 1 (47:08):
Another thing about their their little interrogation room. They keep
their interrogation room fully stocked with smoke, with fog. It's
fully it's always very small in that room.

Speaker 3 (47:22):
We gotta add to like the ambiance in here for interrogations.

Speaker 1 (47:27):
And I love that He's like, what kind of girl
are you? I bet you're not married? And that's when
she smashes his face and then just relentlessly beats the
shit out of me. I don't know why they just
constantly brate her looks, because it's like, what are you
talking about too?

Speaker 3 (47:46):
She's just not that hot. She's hot. Michelle is just
like another like but they're both hot, but so then
they end up needing to take the guy to the hospital.

Speaker 1 (48:01):
Yeah, and because she comes in right uh, Michelle Yo's
character comes in, it's like, whoa, come come on, And
this is what the part that I put a note.
I was like, these ladies know how to wear pants
because they're always like right over the belly button and
because of the time. I mean, I love the pants
of the eighties are I love that. I love it,

(48:23):
but like always just over the belly and like hip hugging. Yeah,
I'm telling you. I took a lot of notes on clothing.

Speaker 3 (48:32):
Yeah. I was like, we suffered a little bit because
the butts looked really long, which I.

Speaker 1 (48:40):
Love so much about eighties pants. They just it's so
weird so much. But it's just so much.

Speaker 3 (48:46):
But my upper back is just more butt.

Speaker 2 (48:51):
It's just more butt, Baby, you need more butt all
you can handle.

Speaker 3 (48:56):
Yeah, I got a lot of butt for you. So
there in the armored vehicle or whatever, the two guys
are in charge of taking to the hospital and they
get a flat tire if they do, like, is there
not a protocol for how to deal with this?

Speaker 1 (49:11):
But we learn we soon learned that this was all. Oh,
so they get out flat tire. And then this guy
just beats the hell out of the people who are
captured him. He just I can get out. I see
my chance. I could just beat everyone up and run away,
And he successfully runs away.

Speaker 3 (49:30):
Yeah, and then we do learn that they set up
for him to be able to get away so they
could follow him to Pana Doll's place.

Speaker 1 (49:38):
Yes, Inspector Morris is pissed. You'll let him go. Yeah,
I don't need your advice. Thanks, I didn't intend to
let him go very long.

Speaker 3 (49:48):
And then she takes one complete.

Speaker 1 (49:51):
Begins, she gets a phone call. Stage one complete, Madam
begins Stage two. What yep, yep, for no reason, no reason,
We're not going to go.

Speaker 3 (50:00):
Twenty guys following him.

Speaker 1 (50:03):
They're tracking him. Okay, let's go back to the cage room.

Speaker 3 (50:07):
And this is the wackiest fight of a whole thing.
This one is the wackiest one. Do you agree? It's
like monkey business, It's insane.

Speaker 1 (50:16):
Yeah? Is this a yeah? I mean I put like
it turns into a three Stooges movie. That's my my
note right there.

Speaker 3 (50:24):
Yeah, Like it's.

Speaker 1 (50:26):
Like, are silly but really good?

Speaker 3 (50:28):
Yeah, And his apartment is set up for everything to
move and become something different.

Speaker 1 (50:33):
Yeah, like he's climbing over things. Is this the one
where he like jumps through the like above the door
there's that window, he like throws a grenade.

Speaker 3 (50:43):
Yeah, so what I love. It made me so hungry
that he was cooking. He was cooking like some kind
of ramen with egg and it just like something. I
was like, I was just so bit and I was like,
oh man, because he had to throw it out on
the guy's head. I was like, that's such a waste
of ram like so good.

Speaker 1 (51:03):
So we have this fun little chase thing. He gets
away like like he so he's being chased by the
guy who uh he gave the passport to. They're that
they're tracking. So this guy leads our police to Panadal
and during this whole thing, he Panadal gets away, but

(51:24):
he like falls ten stories with wires tangled around. He's
like falls six inches from the ground, hanging, hanging, and uh,
Inspector Morris, Carrie Morris, she's like, she shoots the the
wire the guy first, right, didn't she shoot him? And

(51:45):
then he's like and she's like, oh, shut up, you're
here on the ground and.

Speaker 3 (51:50):
He's talking like this he can fully still talk when
he's like this, it was how that works.

Speaker 1 (51:58):
It was ten stories of wire falling and then it
stops you. Suddenly it's wrapped around your neck and you're
just like, oh now I'm choking. Nope, bitch, that broke
your neck.

Speaker 3 (52:08):
Yeah, you're dead. You're actually dead right now.

Speaker 1 (52:12):
But she's like you're on the ground, you idiot, and
then shoots the wire and then he falls back into
a chair at the police station.

Speaker 3 (52:21):
Nice, really nice.

Speaker 1 (52:26):
Yeah, And so she's Carrie, this is where.

Speaker 3 (52:30):
This is where I love the name that she said.
They called her nasty white bitch. Yeah, called that.

Speaker 1 (52:40):
But the thing before that, like she's like a bet,
you bet you can guess the nickname the other cops
give here, because she's just immediately like threatening to beat
the ship out of him because that's what she does.
She like, bet you can't guess what the nickname the
other cops gave me. And he's like, uh, white bitch,
and she's like, hmm, it's actually nasty bitch. Like just

(53:01):
help proud of it.

Speaker 3 (53:02):
Yeah, It's like when someone called me that when I
was bar attending, a girl yelled at me and I'm like,
I can't help one part.

Speaker 1 (53:11):
Of that, Yeah, being nasty I put. I built my
entire personality around it. Hey, listen, lesson.

Speaker 3 (53:27):
So she says beating people isn't always the answer to
her Yeo, whatever you say, and then he says, I
guess she's having her period. So then Michelle sits down
in front of him and he goes, at last, someone
who's pretty and charming, give her a fucking break, like
she's pretty. This is yeah, like I said, just like

(53:50):
the hottest person I've ever seen. And he gives his
buddies away because he's dumb, like he wasn't trying to
do it, but he likes a break.

Speaker 1 (54:00):
And it's like, oh, ship, did you look through this
bloop bloop bloop? And he sees apps in the spretstel.

Speaker 3 (54:06):
It was this guy and a guy like this because
also there were two of them. I didn't say it.
And then you see her have a flashback to seeing
him at the door and she's like, oh, yeah, that
is the is the guy?

Speaker 1 (54:19):
Yeah, And then we uh we get back to the
boss who wants this micro film that has a some
sort of a document like some signature. Yeah it's a
forged document.

Speaker 3 (54:32):
Yeah, it proves that they're doing like.

Speaker 1 (54:34):
Forgery, Yeah, some illegal thing that they're doing. So he
wants it back.

Speaker 3 (54:39):
And the guy and he has the fake ass mustache
guy with the weird bake eyebrows and the weird.

Speaker 1 (54:46):
There's so tch man, they're so comically large.

Speaker 3 (54:51):
I was like, are we gonna do a Groucho Marks bit?
And at first he kind of did a voice like that, right,
he did it, and then he let go of the bit,
and I'm like, yeah, keep the bed. I'm like, I
bet that he did keep the bed. The dubber guy,
they were like, just stop trying to add your own ship. Yeah,
we're trying to take the my session.

Speaker 1 (55:13):
We're not going to re record what you've already done.

Speaker 3 (55:16):
But just from stop.

Speaker 1 (55:19):
In putting your own jokes and stop being an actor
and making choices.

Speaker 3 (55:25):
Yeah, and they're like, well, the micro film could end
up with the police. And the boss man says, I'll
be okay, and nothing could go wrong.

Speaker 1 (55:35):
That's any second, big laugh. Nothing could go wrong again,
not a joke, not a joke, just.

Speaker 3 (55:43):
Just an observation, like you're just hoping for the best.

Speaker 1 (55:47):
So now we're in the pool hall, Yeah, the pool hall.

Speaker 3 (55:51):
Yeah, and so guys like tell those guys to get lost,
and it's Aspirin and trest Trepacil, Trepacil. I can't say
his name, strep Ceil. Yeah, and so they want to
like try to like get this guy, like they're trying
to be pull sharks. Yes, and it's a thousand dollars

(56:13):
a point and they're like, no big deal, I'll break
so I'll make it easy for you.

Speaker 1 (56:17):
Yeah. The guy runs the table on them.

Speaker 3 (56:20):
He runs so Strepsil is his name. Yeah, he's over
and he watches the informational video and it's like, oh god,
that's the champion. Oh shit no yeah, so he wins one.

Speaker 1 (56:35):
Yeah.

Speaker 3 (56:36):
They are like like one hundred and thirty nine thousand
dollars or.

Speaker 1 (56:39):
Something like that. Yeah. So they try to run away.

Speaker 3 (56:44):
Well it's been great, and they're like it's really fun.

Speaker 1 (56:49):
Like people who don't pay their yeah.

Speaker 3 (56:53):
Pay their debts. And then bad hair hit Man shows up.

Speaker 1 (56:58):
Bad hairhead Man, Yeah.

Speaker 3 (57:00):
And he finds them and then he kicks everyone's ass.

Speaker 1 (57:02):
For them, for them because he's just trying to get
to get to them.

Speaker 3 (57:07):
Yeah. So then we're out in the alley and they're
chased on a motorbike.

Speaker 1 (57:13):
Yes, motorbike guy topples a fence.

Speaker 3 (57:16):
I love this stunt too, where they knock over the
barrels and then he just sees like, oh, I'll just
drive up this wall that has a perfect path of
wood crap just perfectly lying like a motocross ramp.

Speaker 1 (57:31):
Yeah.

Speaker 3 (57:34):
So they do that, and then we go to the club.

Speaker 1 (57:37):
To the club. Oh, the club.

Speaker 3 (57:41):
So the two hot ladies are asking around trying to
find those guys and he's like, they're right there behind you.

Speaker 1 (57:49):
Oh, thank you. Cool because they're aspirin and strepsil are
hiding in the club. They think that.

Speaker 3 (57:55):
They're a motorcycle assassin.

Speaker 1 (57:58):
Yeah, so they hide in the club and they're looking
for them and just they're like, oh, yeah, they are
right there. But our assassin he finds them too, right. Yeah.

Speaker 3 (58:10):
Well there's like a fight in the.

Speaker 1 (58:11):
Bathroom, right, He fights them in the bathroom. Yeah. Yeah.

Speaker 3 (58:18):
He tells somebody mind your business and get out, and
everybody's like, okay, they just letave and let them get
their asses kicked. Listen to me, four eyes, where's that
passport you stole?

Speaker 1 (58:28):
Yeah, and then we have the ladies come in and
they start fighting in here and there's.

Speaker 3 (58:36):
This and it becomes like a swimsuit club when they
come back out, like everybody's in bathing suit.

Speaker 1 (58:41):
But there's a stunt in here that I want to
talk about, and this is where I would like to
do my onset. Wow, So there is a thing in
here where we where Michelle Leo's character she's fighting the
guy and then he she gets flipped and it's fairly

(59:06):
obvious that this is a manpcorn machine. No hits hits
the counter of the bathroom, right in the bath right
in the middle of the back, and it like hits
and then falls back. And that was like the first
there art multiple before, but this was the one where

(59:26):
I like jumped.

Speaker 3 (59:28):
I was like, oh god, oh I hated it.

Speaker 1 (59:32):
And my onset speculation is that uh at thirty people
did not come back to work.

Speaker 3 (59:40):
Yeah, after any given said.

Speaker 1 (59:42):
There, there had to have been dozens upon dozens of
broken back It's broken, so many broken things because like
just seeing that.

Speaker 3 (59:56):
One, it it was upsetting.

Speaker 1 (59:58):
It was upsetting to see like how hard they landed
and then fell backwards, like on the corner of a counter.
I done the marble counter.

Speaker 3 (01:00:07):
Oh the hard hits on the boat on the mid back.
It was like a lot for me.

Speaker 1 (01:00:11):
And there are some like in the finale that like.

Speaker 3 (01:00:15):
Oh yeah, the stairs ones.

Speaker 1 (01:00:17):
There are so many in that finale, which we will
talk about, but yeah, yeah, that's my speculation. Is dead.

Speaker 3 (01:00:24):
So it right there at the same time, is that happening,
Like they're all doing their thing and then there's just
one guy but it seems like he's not really part
of it, and they just grab him and throw him
into a popcorn machine. He like smashed his head first
through the glass and he's there like, ah fuck, I
was like that g I was just there like.

Speaker 1 (01:00:42):
A year ago. And in the credits, his name is popcorn.

Speaker 3 (01:00:47):
Head, popcorn stupid.

Speaker 1 (01:00:50):
That's my that's my speculation that they were going to
give him the credits popcorn Head, and then they didn't
give it to him in the end, and he was
very disappointed.

Speaker 3 (01:00:59):
Yeah, So as for the stripsol at this point, they
blockade themselves into their apartment, yes, and he's so nervous
he lights a cigarette backwards.

Speaker 1 (01:01:09):
And again they added Halloween piano music right here. Sorry,
I have to keep pointing it out because it upset me.

Speaker 3 (01:01:18):
Yeah, the phone rings and I wrote scary music.

Speaker 1 (01:01:21):
But yeah music, it is Halloween music.

Speaker 3 (01:01:24):
And the dubbing is really really bad here, Like it
just keeps getting worse. I know we say that, but
it like gets it insanely worse all the time.

Speaker 1 (01:01:33):
It's so insane, the dubbing.

Speaker 3 (01:01:35):
And they're like, is there another place to hide? I
really just don't feel safe here, you know, And he's like, Oh,
I know a place we can hide. And then it's
exterior day. The ticket guy fight.

Speaker 1 (01:01:48):
Oh so dud guy fight, and again you want to
talk to the dubbing Big Bold choices on the people dubbing.
These two cops, so one is like a foot cop
and the others a parking enforcer. Yeah, and they see
a car that needs a ticket, and they both ride
a ticket.

Speaker 3 (01:02:07):
I've been waiting to give this ticket. Are we really
going to argue over getting this ticket? Well, I'm putting
it on. Then he takes it off and puts it
back on his head. He puts it on, and it's
just like so dumb because.

Speaker 1 (01:02:18):
I feel like they each have to quote it to
meet And he's like, but this is the only job
I do. And he's like, yeah, but I'm a foot cop.

Speaker 3 (01:02:26):
Yeah I need this. I need this.

Speaker 1 (01:02:29):
How which ground do you think I can cover?

Speaker 3 (01:02:32):
And I love it. The guys are like hey, like
they're trying to turn themselves in because they're so afraid
this guy's going to kill him, Like please, no, ladies,
love well, I guess this isn't serious enough. We got
to actually hurt an officer and then they go to her,
what can.

Speaker 1 (01:02:45):
We do to get you to arrest us? I don't know,
assault one of us. Yeah, okay, so you.

Speaker 3 (01:02:50):
Go to assault the parking enforcer and he's like it
would be worse to do it to him. Oh yeah,
it would be worse, Like when they beat the shit
out of hen.

Speaker 1 (01:02:58):
Poor George. We find out his name is George George,
which you know, totally makes sense that his name is George.

Speaker 3 (01:03:08):
And like it's like you didn't have to do so much,
Like he looks.

Speaker 1 (01:03:14):
Purple blue like, and they bring like George brings Asprendon
Strepzel into the police station and everybody's like, whoa George?
Like everybody is friends with George, guy George. They're all
just so like out of anybody that you would beat

(01:03:34):
the ship out of. Why George?

Speaker 3 (01:03:37):
Why George? Why? And then they're like are you pressing?
Are you pressing charges. George No, okay, well then we'll
release him. He's like, what, so this is for nothing?
And like she says, we police are sibylized. We don't
want revenge. What It's like, she's just using that as bait.

Speaker 1 (01:03:56):
She's like totally yeah, you're you're not to come in here.
You know, we're gonna send you out on the street
and use you.

Speaker 3 (01:04:03):
We're trying to find something bigger than you.

Speaker 1 (01:04:05):
Yeah. So they send them out and this is kind
of the one thing I alluded to earlier. They decide, oh,
we need to do something bigger. So what do we do.
Let's sexually assault Michelle.

Speaker 3 (01:04:19):
Yo, thank you.

Speaker 1 (01:04:24):
So they each grabs one side of her shirt and
rips it open and we get a close up on
her little yellow tube top.

Speaker 3 (01:04:32):
And she looks beautiful. I mean, they never should treade
a lady that way.

Speaker 1 (01:04:37):
Ever they do that, and then it goes to them
going who and it's the double fist punch. Yeah.

Speaker 3 (01:04:47):
I just love It's just so powerful, and they just
yeah yeah. And it's like for me, I was like,
of course she's got like a cute little yellow tube
top on under that. Of course she does. She's so hot.

Speaker 1 (01:05:02):
So they they leave like Strepzel and Aspird are like
wor we can't get a rush? Did? And what happens
like a car pulls up and it's our two lady cops.
And I don't know, how long do you think would
you say this has been from the double punch to
the face to the time that they drive up in

(01:05:23):
the car, I don't know, thirty seconds, a minute, however
long it was, was long enough for Michelle Yo to complete.

Speaker 3 (01:05:35):
Yeah, she had another look.

Speaker 1 (01:05:38):
Thank god, in my contract, I have twenty looks that
I need to.

Speaker 3 (01:05:43):
Listen. I'm an icon bitch. So Aspirin and Steps will
go into the pool hall and they're like, gonna cause
problems again that they think they're under the protection of
the girls, and then nope, they just let them get
their ass beat.

Speaker 1 (01:05:56):
I don't even understand the point of what they did.

Speaker 3 (01:06:00):
And they're like what the fuck kind of going in
and Cynthia Rolsbrock's like, we don't. We've decided we don't
want to use you a spade anymore.

Speaker 1 (01:06:08):
Bye bye.

Speaker 3 (01:06:10):
Yeah, they won't them to go ask panad all right,
so that's gonna get us back to Panadoll. So we're
back to Panadal's apartment. Is this where he sees the
documentary the microphone.

Speaker 1 (01:06:20):
So when he was changing, we didn't. We kind of
went past this. When he did the passport the first time,
he took off the picture and he had this headlamp.
He took off a picture from the passport and put
it on his headlamp, and then he took another picture
and put it. So that's how he did his passport
switch Arough this this the microfilm was on the back

(01:06:45):
of the photo, which is still stuck to his headlamp.
So in this scene he's doing more stuff in Aspirin
and Strepzel's show up while he's got this microfilm thing
on his headlamp. Yeah.

Speaker 3 (01:07:02):
So then they examine it and they see this document
shows the contract is forgery, and then they have the
debate of give it to the police or trying to
make a profit on it. We vote on it. Uh,
Penodol and Aspirin do the switcheroo, and Panodol had the
film in his mouth.

Speaker 1 (01:07:23):
Yeah, well he hit it so Strepsil because Stripsol is like, no,
I want we're going to do I want out. I
don't want to mess with any more of this. Stuff.

Speaker 3 (01:07:33):
Yeah, so he's gonna go and take that straight to
Michelle Yo, who is wearing a green popped.

Speaker 1 (01:07:38):
Collar an emerald green polo.

Speaker 3 (01:07:41):
That's I mean, yes, she looks so good. I mean
we've established like she's the hottest person.

Speaker 1 (01:07:50):
Oh, I love this thing. So she's talking to uh,
to the guys and or to Strepsil and he's like,
my old guardian and hospital, I just need this stuff.
And she's like, no, I made an inquiry. He's in
good health and even molests nurses.

Speaker 3 (01:08:09):
Yeah, abro board, is that what you want?

Speaker 1 (01:08:13):
He's in such he's in such good health he can
molest women.

Speaker 3 (01:08:19):
Yeah, so fuck that guy.

Speaker 1 (01:08:21):
We're good. Excuse me?

Speaker 3 (01:08:23):
Yeah?

Speaker 1 (01:08:26):
Is that the Is that how we're gauging things? Yeah,
if you're healthy enough to molest someone, you're in your
client you're fine.

Speaker 3 (01:08:36):
Fine.

Speaker 1 (01:08:36):
Yeah.

Speaker 3 (01:08:37):
So now this is where we cut to the Mario
and Luigi office. It makes me so happy.

Speaker 1 (01:08:42):
But I think this is the first time they're both
like because uh, Cynthia Rothrock is in a in a
blue jumpsuit. Yeah, and she's in a green jumpsuit with
white on it, which very Luigi looking. But they're both
in jumpsuits that's the first time they've kind of linked.

(01:09:03):
They linked their wardrobe for the first moment that they
linked really as a team that they're like, yeah, on
each other's side, that's how I took it.

Speaker 3 (01:09:13):
And they're like, we have all the proof we need.

Speaker 1 (01:09:15):
So confident.

Speaker 3 (01:09:16):
Yeah, they didn't even look They.

Speaker 1 (01:09:17):
Didn't even look at the evidence. It's just so confident.
But when they come in, there's a phone call and
they're like, don't answer the phone. He's just like, well, whatever, hello,
and it's Panda Doll. He's like, whatever they're telling you
is bullshit.

Speaker 3 (01:09:33):
I've got the evidence real.

Speaker 1 (01:09:35):
I pulled the switcher roo.

Speaker 3 (01:09:37):
Then it comes like the her boss hubby or whatever,
like the other the hot guy officer who's like above them.
He comes in and he's like, what's up? So we
called him here because you're trespassing. So they get in
trouble and they're like, you don't do this and you
need to apologize, and he's like.

Speaker 1 (01:10:01):
And so they go back to the police station. Here
are two airline tickets. You guys got to get out
of here.

Speaker 3 (01:10:06):
You gotta go, and he's gonna sue us. Yeah, you're
going back to Scotland Yard and you're going oway vacation.

Speaker 1 (01:10:14):
Yeah, you're vacation and you're gonna go away. That's what
he says. It's like, I mean, you're gonna go away.

Speaker 3 (01:10:21):
I have great respect for the police, but when you
guys make a mistake, you should apologize. And I won't
make the same mistake again next time. I'll put you
by bars. I forgot to add that. That's what she
said to him before she left.

Speaker 1 (01:10:33):
Yeah, and then she's dismissed and.

Speaker 3 (01:10:36):
She's go on vacation.

Speaker 1 (01:10:37):
But she's like straight up like, bro, I ain't doing that.
Here's your gun, here's my badge. I'm gonna go catch
his mother effort.

Speaker 3 (01:10:46):
She pulls up, pulls in backwards and looks at Cynthia
roth Rock like come on, bitch, and they're like yeah, yeah.

Speaker 1 (01:10:52):
Hell yeah, you heard her.

Speaker 3 (01:10:54):
But she looks hot in a hot car and says,
come on, I don't care how at your attitude is.
You're like, okay, I'm getting it. I'm going Shody well
and sass I wrote hot moment that was so hot, like, yeah,

(01:11:16):
I get in the car.

Speaker 1 (01:11:18):
I just so desperately wanted someone tell me to get
in the car, and instead of the trunk.

Speaker 3 (01:11:24):
What, Oh my god, I do need?

Speaker 1 (01:11:31):
So this scene is is really interesting. We get to
the maniacal laughing guy's mansion.

Speaker 3 (01:11:38):
Yeah, an aspirin is aspirin aspirin dress up like he's
going to a fucking party.

Speaker 1 (01:11:47):
James Bond, he's like, and he just walks in with
the most confidence possible. He's just like, what, you're not
going to offer me a drink? What do you want
a whiskey? It's just no, I'm not thirsty. Thank you?

Speaker 3 (01:12:04):
The fuck is your deal? You idiot?

Speaker 1 (01:12:07):
He like puffs on it. He pulls out a cigar
and they help him. I hope you, I hope you're
enjoying our service. It's okay, I guess.

Speaker 3 (01:12:17):
Yeah. And I told my pal if I'm not back
in fifteen minutes, will be too late.

Speaker 1 (01:12:21):
Yeah, you won't.

Speaker 3 (01:12:23):
You won't have your evidence, you won't know what to do.

Speaker 1 (01:12:26):
And this this guy's mansion, would you dare say? Opulent?
It's very like water glass waterfalls going down.

Speaker 3 (01:12:36):
It looks like an indoor mall, like a luxury indoor mall.

Speaker 1 (01:12:41):
So like he says something to him and he's like, oh,
oh wait, are you calling my double bluff?

Speaker 3 (01:12:48):
What that just takes you up. I'm gonna get get
fix your partner too, or something like that.

Speaker 1 (01:12:53):
But he throws his cigar in the like indoor waterfall
and crazy eyebrow guy he's like yeah, and he kicks
him and dunks his head underwater, and that's when he says.

Speaker 3 (01:13:07):
Once I fixed you up, I'm going to go after
your partner.

Speaker 1 (01:13:10):
Yeah.

Speaker 3 (01:13:10):
So then we cuts to the bathroom where he's like,
it's Strepsil, right, He's naked in the.

Speaker 1 (01:13:16):
Tub and.

Speaker 3 (01:13:18):
She comes and beats his ass naked.

Speaker 1 (01:13:21):
Wait who beats him? Is it roth Rock? Yeah? I
think I don't remember. Who beats the hell out of him?
But like pulls him out and he just like cowards.
He's like definitely, yeah, get Strepsil, but I'm naked.

Speaker 3 (01:13:41):
So and then while she's beating his ass in the
cage apartment that Pannadal lives in, the bad Hair Assassin
guy comes and oh.

Speaker 1 (01:13:52):
Yeah, fish hooks him. Oh this thing, I love this.
I absolutely love this. He comes in and he starts
kind of like he grabs a little hangar type thing,
sticks it in Pana Doal's mouth. He's like, you tell
me where the stuff where the microphone is He's like
it's in the toilet. And then right next to him
is this like tiny it's this tiny little toilet. He

(01:14:13):
opens the toilet and there's a rubber titty on like
like a wood backing, and he's like, where is it.
He's like, it's in the boobs in the titty like
turns it over and he like pulls it out, like
what the hell? I believe that the kids are calling
those toilet titties.

Speaker 3 (01:14:34):
Right yeah, And then he shoots Panadal and the girls
hear the gun.

Speaker 1 (01:14:40):
Oh, man go off. They hear the gun go off,
and it goes back to him. He's like oh, and
he's like, stop panicking. It's only a flesh wound. You'll
need at least one more more before you're dead.

Speaker 3 (01:14:51):
What I love is Pandal says, I'm not afraid of dying.
Why don't you just go ahead and get on with it.
It's too late. I'm dying, remember.

Speaker 1 (01:15:01):
What what.

Speaker 3 (01:15:03):
Is this dialogue right now?

Speaker 1 (01:15:04):
But of course, like as he's dying or he's threatening
that he's gonna die or whatever, he tricks him. I
didn't give you the actual microphone. Ah, you took the
wrong one. It's like you just keep random microfilms in
titties in the toilet.

Speaker 3 (01:15:28):
I got a wacky apartment set up for home alone.

Speaker 1 (01:15:32):
Pretty delightful if you asked me, I want rubber titties
in the toilet, me too, my wife won't let me.

Speaker 3 (01:15:42):
Then the alleyway, the me dams are chasing the assassin. Yeah,
he's running off because the real one is in the
money box.

Speaker 1 (01:15:51):
And and at that point Strepzel is carrying Paneltle down
the stairs trying to save him. Yeah, fails, and he
blames Cynthia Rothrock.

Speaker 3 (01:16:03):
Yeah, blames herr.

Speaker 1 (01:16:05):
He tries to fight her. Why would you try to fight?

Speaker 3 (01:16:09):
Yeah, don't do that.

Speaker 1 (01:16:11):
Don't do that. And then he runs away. And I
love this little like super quick you know, the classic setup.

Speaker 3 (01:16:21):
For getting gear style.

Speaker 1 (01:16:24):
Yeah, and it's it's like on super speed. It's like
gun gun gun struggle.

Speaker 3 (01:16:29):
And I'm on a motorbike. It's like a moped motorbike thing.

Speaker 1 (01:16:34):
It's the fastest prep for war I've ever seen. Yes, Yeah,
guns strapped all around him. So he's got guns that
he grabbed. We set this up earlier, that he grabbed
from Panadal's apartment, So there's all but one.

Speaker 3 (01:16:50):
But he doesn't know but he doesn't know.

Speaker 1 (01:16:52):
He doesn't know. We set up that there's one gun
in there and there's a grenade and so all his
stuff in his place are fake. Yeah, and he's off
to save the day. So he heads where.

Speaker 3 (01:17:05):
Does he add to the weird mansion?

Speaker 1 (01:17:08):
Weird mansion that looks like a mall? Yes, restaurant. Did
g did mention that there's some crazy eighty eight production
design stuff going on here from kill Bill? And I
couldn't not think of kill Bill when with those stand
stairway and all that, like just the way it was

(01:17:30):
laid out, which felt very kill Bill.

Speaker 3 (01:17:33):
So he goes, I got a grenade, get back, Yeah,
and everybody's like freaking out and throws the grenade and
everybody's down. It's like, oh, fuck off, fuck and then
they realize it's not going it's.

Speaker 1 (01:17:44):
But like, what's so great about this fake grenade is
that it's a music box. It's just like like the
little wa the pin that he pulled, just kind of
like slowly going it back yep.

Speaker 3 (01:18:01):
And then he shoots somebody. Oh I'm still alive.

Speaker 1 (01:18:06):
Yeah, their guns are all blanks.

Speaker 3 (01:18:08):
Yeah, it's all they're all fakes. Get back. How could
you be so rude to my guest. Ha ha.

Speaker 1 (01:18:16):
We're not done with that.

Speaker 3 (01:18:17):
So then they have the whole squabble and he gets
the microfilm, smashes it into.

Speaker 1 (01:18:22):
A light, like burns it in a light. Yeah, yeah,
that sun. But he does, like he what happens through
that whole thing, like strepsol pretends to swallow the microfilm
and they chase him around and it's a bunch of
goofy nonsense. It happened. But then he finally is like, okay,
here it is.

Speaker 3 (01:18:39):
I haven't they burn it?

Speaker 1 (01:18:41):
Burn it?

Speaker 3 (01:18:42):
He gets beat up by the assassin. It's too late.
I swallowed the other king like spits it, spits it.
He spits in the cook's face. Yeah, he does, like, okay,
he's gonna burn and he's got a gas can and
he's gonna pour bass all over him.

Speaker 1 (01:18:56):
This is before that he had actually burned it because
he swallows it, and like, well, just burn him, burn him,
burn him. It'll disappear inside of him. And this is
is this.

Speaker 3 (01:19:07):
Where they enter Yeah, two iconic lesbian fashion puppy sleeve jackets.

Speaker 1 (01:19:13):
Yeah yeah, yeah great, And this is like this right
here is the shot of the film. Yeah, because they're
on board, they've got their little iconic out with fits
and they're they're like talking to them. It's actually, it's
it's not quite this because there's a moment where they
these guys try to like they jump off the second

(01:19:35):
floor and she shoots them in the minor.

Speaker 3 (01:19:38):
My men won't hesitate, yeah, pew pep.

Speaker 1 (01:19:44):
So they drop their guns and they go like, Okay, well,
let's see how good you ladies are without your weapons.
And this, to me is the the shot of the film.
They look at each other, give each other two little
high five and then go into their like like back
to back like yeah, like als like puffy jackets. They're

(01:20:07):
just oh, I'm like, that's the shot of the film,
right now, That's what she advertised.

Speaker 3 (01:20:13):
Yeah, so good. And then nasty white bitch Carrie umbrella
to the face. It's like her whole fight sequence with
that umbrella was so cool.

Speaker 1 (01:20:24):
This I don't even I don't even know like what
to point out in the specifics of this finale. The
stunt team, Holy.

Speaker 3 (01:20:33):
Hell, insane. This is like, this was the one that
really hurt my back.

Speaker 1 (01:20:38):
With that like that wooden little that had like the
glass and then the wood going down it like in
yeah stair sections.

Speaker 3 (01:20:46):
Yeah, oh my god.

Speaker 1 (01:20:47):
How many people just hit that like on the corner
and just being like thrown into that thing. They just
this finale is jaw dropping. Yeah, the stunt and Michelle
Yo and Cynthia roth Rock are doing killing a lot
of these stunts. Yes, there are moments when you can tell, okay,
that's a stunt person. Yeah, and it's usually when they

(01:21:09):
take the biggest hit.

Speaker 3 (01:21:11):
Yeah, Strep Sills getting cut to ship too. He's taking
on people with knives and they're cutting him.

Speaker 1 (01:21:17):
Oh yeah.

Speaker 3 (01:21:18):
Yeah.

Speaker 1 (01:21:20):
But there are just so many shots in this finale
that are just holy shit moments. Yeah.

Speaker 3 (01:21:26):
She there was one beautiful shot of Michelle Yo kicking
a guy through glass when she goes like oh yeah,
and then she does the bag through the glass and
grabs their feet.

Speaker 1 (01:21:36):
Yes, so great. Like I'm just like watching those things
and then watching stunts in bigger budget things, like I'm
just so much more blown away by like what they did,
and like I don't know how many people.

Speaker 3 (01:21:51):
Died, yes, many many people are permanently damaged. But then
at the end, know that the girls are complimenting each other.
I'm like, wow, she just kiss please please not that
out there, please just kiss. So then it's the assassin
guy in the fake mustache and eyebrow man versus the

(01:22:12):
ladies too.

Speaker 1 (01:22:13):
At this scene, the like this fight scene is wonderful.
I mean, it just continues with that amazing stunt work.

Speaker 3 (01:22:20):
And I love that Michelle insults his mom and that's
why kicks it off.

Speaker 1 (01:22:23):
Because because they what happens is like these two guys decide, oh,
these are women, so we're gonna make fun of them
being women. So women are they talk too much? And
they blah blah blah, and they're like, yes, but among
them is your mother's.

Speaker 3 (01:22:37):
Yeah you talk about my mom?

Speaker 1 (01:22:40):
Yeah?

Speaker 3 (01:22:40):
They go. So they're fighting so much, bad assy and
then Michelle he goes to get a knife and she
says to him, and I love her. She goes, he said,
you didn't need a knife, your chicken, and then she
does that split on the piano. Wow. Yeah, mustache man.
He goes in the face and he dies from the

(01:23:01):
glass well. A way to finally take care of that guy.

Speaker 1 (01:23:05):
That waterfall, that glass waterfall, which is gorgeous. He goes
right through it, right, and then it's just she looks
down on him and there's just glass shards all in
his little fake mustache he faced.

Speaker 3 (01:23:16):
Yeah, and it didn't come off.

Speaker 1 (01:23:17):
Though it didn't come off.

Speaker 3 (01:23:20):
It's powerful.

Speaker 1 (01:23:22):
That's some good spirit gum.

Speaker 3 (01:23:24):
And so the boss comes out, your friend will get killed.

Speaker 1 (01:23:28):
Yes, he's got aspirin.

Speaker 3 (01:23:30):
Yeah, he says, I didn't swallow it, still in my mouth,
I got it.

Speaker 1 (01:23:33):
This is the moment he slams it into the light.

Speaker 3 (01:23:36):
Yeah, this is where he burns the light this part.

Speaker 1 (01:23:38):
Yeah, and uh, pretty much right after this, not well
you had a point.

Speaker 3 (01:23:44):
No, I'm saying, like after this, they have the gun
and he shoots the assassin guy and everyone's expecting it
to be one of the fake guns and it's not,
but it's the real one. So assassin guy gets killed.

Speaker 1 (01:23:56):
Is this when the police show up? Yeah, so the
least show up and every these they are arrested Michelle Yo,
Cynthia roth Rock. They're arrested for trespassing, not for you know,
beating the ship out of everyone, killing a couple for trustpassing,
and uh so they pull them out and Strepsol explains

(01:24:20):
as they're being wheeled out, explains the aspirin, like you know,
Pana Doll's dead, he's gone.

Speaker 3 (01:24:27):
Right before they tell him that, though, he does another
evil laugh.

Speaker 1 (01:24:31):
Oh my god, he's so big. Like this finale, he
does like five evil laughs. It just like the scene
when they show up. He laughs like the entire time
because he's getting.

Speaker 3 (01:24:42):
Over yeah, and he's burned.

Speaker 1 (01:24:45):
He's rubbing it in their faces.

Speaker 3 (01:24:48):
And that's where he says that son of a bitch
killed Panadal. Yeah, Aspirinda does the most badass baller revenge thing.
It's like, I don't give a show what happens to me? Now?
You don't get to win yep, And he shoots mister
ten in the back.

Speaker 1 (01:25:03):
Grabs a gun from one of the cops that's escorting
him out, shoots him and what I love it so
much because he shoots him once and they everybody starts
to panic and they're starting to go after Aspirin and
Strepsil just throws his body on top of these two
cops and turns to Aspirin and goes finish.

Speaker 5 (01:25:21):
Him off, and.

Speaker 1 (01:25:26):
Like it just ends on him going.

Speaker 3 (01:25:29):
Yep. They end the end.

Speaker 1 (01:25:32):
We're out, and like our two lead ladies are like huh.

Speaker 3 (01:25:38):
It's like, well that was cool. We didn't have to
do it, like we wanted him to die, yeah, but
we didn't want to do the time. So cool.

Speaker 1 (01:25:49):
Oh man, so that's the movie.

Speaker 3 (01:25:53):
That's the movie.

Speaker 1 (01:25:54):
Do you have a movie, en VP? I think it's
pretty op Oh, of course she's I wish that her
dubbing was done a little better.

Speaker 3 (01:26:11):
I didn't care. Didn't care, So Brandy.

Speaker 1 (01:26:15):
I have to I understand that, but I have to
give it to that stunt team. I was just like, yeah,
I mean, they died. I was so blown away with
and like uncomfortable with, Like I just like some of
those shots. I'm like, I know you went through it,
Like I don't know what damage that did to you,

(01:26:36):
but it did damage on just so many of them.

Speaker 3 (01:26:40):
Their lineage ends with them because they die. No kids
for you, and you're just paraplegic now, like you broke
your back and like every way you can.

Speaker 1 (01:26:52):
I mean, but just like, wow, I was so you
don't see stunts like that these days. Oh, you're probably
good reason good?

Speaker 3 (01:27:04):
Good for them?

Speaker 1 (01:27:04):
Yeah, good for them? All right? What does that bring
us to remake? I didn't even do one of these.
I don't even have a listen. What is it called remake, remasterrequel, prequel,
or sequel.

Speaker 3 (01:27:25):
I didn't have my name master, reboot, prequel or sequel.

Speaker 1 (01:27:30):
Right man. See, that's that's the problem. I we haven't
recorded in a few weeks and I forgot So there
has to.

Speaker 3 (01:27:38):
Be a remaster, the remaster where they fixed the dubbing.

Speaker 1 (01:27:43):
Yeah, I did read that they didn't you know that
This is a similar situation to like Italy was where
they didn't record sound on set.

Speaker 3 (01:27:56):
But now a d R booths are so fucking rad,
like you go in and fix.

Speaker 1 (01:28:00):
This, right, But at the same time, like that's just
what they practiced. So yeah, we automatically just that's just
the end product, at least for us. But that is
an odd thing.

Speaker 3 (01:28:14):
They can't redo. There'll never be a stunting that we'll
be able to remake this right in this.

Speaker 1 (01:28:20):
And because it's so like where would you even take it?
Because it is so weird and like the comedy is
so like weird, and like.

Speaker 3 (01:28:33):
All the ripping of shirts.

Speaker 1 (01:28:39):
And that's like that's what. So I don't know, Like
I do think for just the stunts alone, it should
be more represented, just to be like an example of holy.

Speaker 3 (01:28:50):
Holy shit, holy shit. Yeah, that's why humans did this? Yeah, wow, insane.

Speaker 1 (01:28:59):
So I'm on board with the remaster of that. Yeah, yeah,
and maybe updating the I think you're right. Updating the
I don't know, does that does that damage it in
any ways?

Speaker 3 (01:29:10):
Updating the I mean, for me, it's not anything that
I cared about. I still had a really good time
watching it. And I think people who are into these
kind of films like us don't like, that's not on
our high list of priority.

Speaker 1 (01:29:25):
Yeah, it's I would understand wanting to do that, like
before you release it, but once you release it and
it's out there, I just don't think you mess with it.

Speaker 3 (01:29:34):
Yeah, all right, So we have a guess waiting in
the in the middle.

Speaker 1 (01:29:39):
There in the queue. Yep, you've got a guess in
the queue.

Speaker 3 (01:29:43):
It's time for that nostalgia of the week. We got
a real trip for your b siders this week. For
a nostalgia of the week, legendary actor of stage and screen,
Vincent Galstone here Hello.

Speaker 6 (01:30:06):
I'm a vincient Gallstone actor and mis soldier of the week.
Is a nos soldier for old Hollywood, the glitz, the glamour,
the little to no consequences for deviant extracurriculars.

Speaker 1 (01:30:29):
In the old days, we did everything.

Speaker 6 (01:30:32):
You had to be at least a triple threatory. You'd
be laughed out of caston. Now you get fame by
going on the internet to talking about your feelings. Gay
I was an actor, musician, dancer, amateur botanist and stunt

(01:30:55):
man extraordinari. These days, actors think that their special when
they do their own stunts. We all did them back
in the old days, and we never had any of
those pussy safety coordinators.

Speaker 1 (01:31:11):
They're ruining the industry.

Speaker 6 (01:31:15):
Stunts her about authenticity. If you get kicked in the
face by a horse.

Speaker 1 (01:31:19):
It stays in the picture.

Speaker 6 (01:31:22):
It's called acting. I did a film right after the
first time I was a quidgetive murder, about a week
before I married my fourth wife, Gabriella. Oh she was
a spicy number. Anyways, I broke my back on that picture.
Three weeks later I started a new picture because I'm

(01:31:43):
a professional. After Gabriella's untimely passing, which led to my
fourth acquittal, I start in a picture called death Fall,
which had an in camera sh shot of me falling
fourteen stories and surviving with an exly timed tuck and roll.

(01:32:09):
I stood up and threw my arms up and a
merry lou rettin the moral Don't be a pussy do
your own stunts back to you.

Speaker 1 (01:32:33):
Well that I think that does it for us, doesn't I.

Speaker 3 (01:32:36):
Think that does it? Yeah? I have fun.

Speaker 1 (01:32:39):
Yeah, just fascinating film. Yeah.

Speaker 3 (01:32:45):
Yeah, it reawakened me.

Speaker 1 (01:32:48):
That's good because that I've been watching you going like
you seem dead inside.

Speaker 3 (01:32:54):
Yeah, since since the last time I saw Kathleen Kennot.
It's like I've been like in a slump, and she
brought me back to life. Thank you, Michelle. So, I'm Jenny.

Speaker 1 (01:33:07):
Wanger and I'm Jeremy Briggs. I have a good one.
Thank you for visiting B Side Video Restling have Fun
B Siders

Speaker 2 (01:33:35):
Episode to

All Episodes

Episode Transcript

Popular Podcasts

New Heights with Jason & Travis Kelce

The Breakfast Club

Fudd Around And Find Out

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Yes Madam!

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}New Heights with Jason & Travis Kelce

The Breakfast Club

Fudd Around And Find Out

All Episodes

Yes Madam!

New Heights with Jason & Travis Kelce