May 2, 2024 • 33 mins
Danna Paola habla con Andrea Silva en este episodio de Backstage de sus procesos, la belleza, la presión, estar en TV desde muy pequeña y la libertad que siente lanzar este nuevo álbum.
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(00:03):
Backstage, from this moment on,a new backstage where the only restriction is
that everyone can enter. It opensthe door to what is not in the
entertainment industry. The time to passthe lights, the cameras and the microphones
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to the backstage. Welcome to episodenumber forty- five. I just can
' t believe it backstage and withDame Paola Hello how you are very well
and your love a pleasure Hello Hieveryone I love to meet you and have
you so close. Thank you somuch and talk. Ruling like a rulo.
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I' ll take that with me. Throw long and stretched curl for
Mexico, talk long and stretched.It doesn' t happen to you that
you sit with your friends if youthrow out and you throw rule and I
knew if I talk a lot infact, there are times when you tell
me don' t talk so muchanymore, but it' s that I
' m my friend, I canfollow. Now I love to chat then
perfect, i e in cardacha rulo. Hey, I get apola. I
would like to start with something thatseems very curious to me, that only
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happened to nothing, very few peoplein the world and that is that they
are born in the spotlight and knownothing else. Then you might miss him
something he doesn' t even knowright, right. But if I put
you in that position of oh,I would want this that suddenly people who
aren' t so spotlight had thechance to do what you would do MM
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have no idea, don' tknow, don' t see, I
mean. I had a time ofmy life just before Elite came out,
where I went to live in Spainand well, in Madrid it was cool
because maybe it wasn' t verywell known. I was known to a
few people also for novels, etcetera. But before I came out elite,
I had the chance, like alittle bit of a there to fake like
dist Little Life, like a littlegoing out on the street and over and
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out. I don' t knowhow to run pretty everyday things that I
like a lot, which I stillsay in Mexico I don' t do
much, but every time I cango out and get to know new places,
I really like to go out asto enjoy nature. And so then
I had this lapse where I coulda little not pass, a little unnoticed
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and I liked it very much.But at the same time, I say
they' re processes and moments inlife that you' ve given me,
but I just can' t misssomething or say ay I' d like
to do such a thing because Iactually enjoy my life as well. It
has its good and bad things,but, because it has been a consequence
of not then nothing, for whatit could be, I don' t
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know no, but that is goodto go unnoticed. Today, surely you
can' t do it in manyparts depends Sometimes yes, sometimes yes,
maybe not. I fight with thata lot. On the contrary, I
get it nice because in the end, as I say again, it is
the result of the work and thefans and the people who follow me.
For me to always meet someone iscute and good, there are days and
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times when, maybe we get fullin humor, but because in the end
we have to be there and nothing, because a little living and what you
say is consequence that people connect withone that today I say it is easier
for people to throw you hete byany boa or by existing, that is,
without any sense. I think Idon' t know It' s
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always a bit of a middle partnerIt' s a world completely apart from
the real world. I think that' s connecting a little bit for me
in the real world. More thanliving in a middle partner. It'
s important to me. I thinkthat today one of the biggest addictions and
I see it as the drug ofthe century is the Internet and the media
socho and this of being always connecteda bit isolates you from the real world
and it is something in which Iwork quite a long time ago, the
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being able to have my moments offline, and that for me is that I
can be with my cell phone,without my cell phone a long time and
I like to be able to livetogether, have talks and maybe not all
post it in socho Miriam. Ithink it' s important for me that
balance between my work, of course, and connecting, but then, to
be out and also to live inperson and what you say to look us
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in the eye to chat. Wecouldn' t have done this for Zoom,
but we came all the way toBogota Mira. I' ll tell
you one fair thing. He's talking to someone from the label.
I used to say" porfas"for the most part. I mean,
I obviously appreciate it. Thank you, but don' t take this away
from me. Don' t giveit to me. You need my action
pass. What happened in the pandemicis brutal. We had the opportunity to
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work thanks to the Internet, thanksto which we connected through, of course,
a lot of platforms that gave usthe opportunity to meet people to do
virtual parties. Well, I startedcomposing and producing at the time, but
it' s not the same.I do like to be on top and
vibrate a little of the face-to- face energy and it is very
important. One of the things I' ve seen from many interviews and eclips
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that it is make you very viraland with very bacano messages, and I
find it valuable, because nowadays Ithink that with all these are the ones
that you have, because that comes, that comes from the people that you
admire, comes beautiful and I sawwhat you do journalin and writing. Obviously,
you write songs, but one thingis journaling and in a book the
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way of artist. I was watchingmovies come out, stories, a lot
of things. You recommend it.You like it is that it comes out
of there to describe I am thegirl of the notebooks. I collect notebooks
all the time, I don't always finish, I always start some
new ones. I like, likehaving well- ordered, as it depends
on the stages of my life,suddenly start coming back and saying to see
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what situation or where I was threeyears ago and I start opening these notebooks
and a little bit to see theemotional mental place I was in, and
that inspires a lot of things.This album is also made up of experiences
I wrote a long time ago.It' s a bunch of experiences obviously
brought to the POP, but well, it' s been a lot of
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introspection work. If I recommend ita lot, I think that the dailyline
in the end helps you to getto know yourself better and also to write
mostly beyond doing it on a phoneor on a cell phone or on the
computer. I think doing it onpaper and pen pen anyway, but it
helps a lot too a little.I see it as emptying you and in
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the end you leave everything there.Written. Written, written and already a
little bit free. It' slike doing some personal therapy, and I
do highly recommend it. The truthto create is also a very interesting tool
where you can get a lot outof it. I love that you have
reached that point of creation, becausefor me, the artist I have admired
very much that things are born outof nothing, out of nothing, that
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is, because this was not donebefore. I mean, you understand me
from nothing to say that to meclearly, there are some previous stories and
there' s an inspiration, alot of things and creative processes are universes,
so different from each other. Yes, everyone creates different, someone creates
so different at different times, atdifferent stages, and you talk about creation
and I love it because notice thatfrom there you can come up with a
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great idea of the journallink or Idon' t know yours also arises.
You have something special. I can' t hear any more music or maybe
silence. Well speaking a bit ofchauster just my creative process with this album
was a lot of research, alsofor musical references from musicals, from child,
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adolescent and adult, and it's a bit the combination of all
the artists that have inspired me,movies, directors, podcasts, books,
a bit also to get to themessage that I wanted to give in every
song and it was very crazy,because just talking about criminal experiences. In
the end, the name of thealbum, because a little for my honor
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my past, of course, likea previous chau. It' s a
gift for my inner child, it' s a gift for me, for
my fans too. But, atthe same time, creatively, it was
the most fun, most winning,most cathartic process I' ve ever experienced
in my entire life, in mycareer. Why, because it' s
my first project, with my DNAand my rib and everything that was inside
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me and had accumulated so much time, and then it was a lot of
getting out of the notebook drawer experiencesand, obviously, because a lot of
as I commented, movies, albums, video games, all my background on
this album then. Yeah, that' s why I think this project has
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been a lot of personal introspection anda lot of research to get to this
piece that' s already out.That besides, I think there are many
very good things that happen to usalways and surely to you too, but
I would like you to tell us. I say it because it happened to
me and I said I' mgoing to talk to Dana and she'
s going here, not share itwith a woman too. And it'
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s the subject of rejection and thesubject of being told a thousand times not
so you' re not doing well, not like that kind of thing that
happens also not only the positive,in a creative process to create tremendous concept,
because to me already the name istelling me that you are the star
girl of novels and a lot ofthings and I said that bacchan, tell
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me a little bit, tell usall the subject of rejection when they tell
us no, that' s notit And you, deep down you know
that yes. Yeah. It's trusting. It' s very difficult
to trust yourself when you' resurrounded by so many opinions and sometimes so
many choices also overwhelm you then whenyou know you have the answer, in
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this spark or, in this spark, in the intuition, in your hunch
to come and say is that Isee that this is blue. And if
anyone else tells you, because Isee it greener, it' s trusting
your vision. And it' sdifficult, because we always put ourselves as
in approval or in what others thinkto create. And I think it happened
to me with this album just rightand this process of years to say is
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that I see it that way andbecause I found my reasons and the thousands
of things that connected me to thatto know if I was really being honest.
And yes and there it is.It' s a gotfelling. It
' s this thing that lives there, that I think it' s hard
sometimes to get there. But themore you defend, the more authentic the
result is. And that for metook time, of course, of rejection,
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in which sometimes I used to recorda song or come to a studio
with a story, they helped mewrite it and I wanted to put this.
I don' t know Listen,we can make a bridge here.
No, no, no, butlet' s do it this way or
at the time, with Latin pop, with reggaeton, the reggaeton pop function,
which are obviously great songs for methat I love, but maybe they
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didn' t have a 100%niche vision. Then it was complicated for
me, suddenly, to start removingthose people who clouded my eyes and say
ok I already have the bread thepanorama and the super open sky without clouds
to know that in the direction Iwill go, but it is a job,
but I think the most important thingis self approval and instinct the vision
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and, of course, to collaboratewith people who have the same vision as
you, because also to collaborate andmake songs, videos, movies, books.
Whatever is done, it has todo with art. When you collaborate,
you have to connect with the peopleyou do and have a little bit
of the same vision as you.And that' s not easy to find,
but it does exist and what yousay is okay. And also as
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the trust that you were saying intuitionis very important to know how to say
are not many things and eagerness.I feel that sometimes the eagerness of the
process is not, like I trustthis is going to happen all of a
sudden. Not anymore, but Ihave to trust that what you say the
vision, the typical one you don' t risk, doesn' t win
as well, and I think partof life' s learning is knowing that
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if you want something and you're wrong, well, you' ll
do the best in the dress ote. With this album I ventured all,
that is, I ventured all thewood, the roaster and it was the
result that I expected. And todayI am very pleased, proud of the
result. I' m in love, I mean, I see my project
and I hear it. It didn' t happen to me before I didn
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' t listen to my songs,I mean, once I got out,
I was already obsessed with you today. I mean, it doesn' t
come from lay or pride, butI really like what I did. And
that' s very nice, becausethat also talks about the love you have
for what you do. And inthe end, as an artist, because
that' s what it is tocreate art and be in the end putting
it out there and people who agreeamazing people who don' t too.
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And that' s where you're at peace with things to know I
got out and everything that' saround visually sonorically in lyrics in everything is
connected with something that I approved andthat I said yes, that' s
already done, no more changes.And that' s where this pat comes
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in and this hug of saying andI' ll say you did it and
it' s to congratulate you andcelebrate you for always fighting. It is
very difficult, it is very difficultto defend the vision at this time,
I think sometimes it is not veryeasy, because, as I say,
there are many things giving way outthere and in the music, because a
lot is happening and there are thingsthat, of course, have more place
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in the charts, or whatever.But I think in this case, because
I literally went betting everything on myvision and what I wanted to create,
and that was brutal. And whatyou' re saying is it doesn'
t matter that there' s thefirst reggaeton or certain things that and knowing
what was right, it' sgood to do, it' s not
accurate to respect, I mean,I love the reggaeton. I love him
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I mean, I really do formyself at a party there are days when
I start depending on the moodh butgreat artists that I admire very much that
make reggaeton, of course in Colombia, that great reggaeton, in Puerto Rico,
etcetera. But I also respect alot in the way I do it
and not try to try to dowhat others are doing too, but how
I bring that sound to my worldand that' s what I did in
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their time. But for me itis that pop and pop in fusion with
aram b and electronics, which ofcourse, has to do with all my
personality, funk, folk, withthis album and the trap, etcetera,
is like a cluster of many,of a pop with variations, but sinth
pop, electro pop, then that' s where I find my DNA and
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then I say ok Atari ends witha reggaeton, because for me too the
fusion of a sexual song. Ihad to end up with reggaeton. So,
for me it' s like startingto experiment and test and see what
happens. But notice that from aplace of much more confidence and security,
completely and with much more authenticity andthat' s what we' re talking
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about, the reggaeton can be chattedand notice that sometimes songs with genres that
are put first. I like togive from genres because I feel that they
are blurred today with the amount ofthings that are mixed, but from the
music that is made, that leansmore towards one place than to the other.
Yes, but I feel that authenticityyou are doing it with real confidence,
because not to be able to sayliterally metaphorically in Atari, because it
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takes, obviously already a confidence tobe able to say and assemble. The
concept is that it is also arelease for me this album also on a
personal level as a woman, alsoi e I am in my last year
of my twenties, and also forme to write about experiences and also my
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sexual liberation as a woman, myempowerment, my way of thinking. It
' s important to me too,all of a sudden, to talk for
the first time in a sex songthat I wasn' t allowed to do
before. It was like no nono pjter teaching, and for me too
that started opening up to these issuesin my own way. Obviously, sex
is very important to me, especiallywith women. Beyond exchanging it with someone
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else. I think, as awoman, you have to be sure and
that your sexual experience with you firsthas a lot of power and a lot
of energy vibration, by far itis brazet and from there get the best
way to describe it that for meis this sexual experience with Atari just is
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to take the metaphorical and poetic partand very cachi in a pop song like
Atari, which in the end hasmany suggestive things and double sense. And
I love to play with that becausein the end you have fun sex is
also playful and it is an exchangeof energy and when you understand it,
on that side, you free yourselfto a lot better and you are in
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confidence also with your partner and withthe person with whom you share it to
me the foe, that is tosay I thought I was saying it can
' t be what I' mhearing and we have to talk also if
one thing. I have to sayit' s my track favors. Thank
you and how to see how sorryI' m interrupting you. I love
to see how in different people eachsong has as its top three. Sure
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for some, just The Fall,we need to talk and then another one.
And it is then that atari,not that love has been. And
I love to be able to seethat in the end we all have our
ranking. Even I have my rankingin favorite songs and that don' t
exactly go in order or just can' t be the whole album, etcetera.
I like to know that there's a product like Chaustar out there
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at the end and a piece ofmy art where everyone who identifies depends on
their life. Of course, everyonethrows the music already belongs to us,
sse experiences. Of course, Ifeel like I really discovered Dana Paul when
we need to talk to The Fortza. For me it was like ok I
feel really identified, that is,with that intros it was already like too
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much CATSH. I want to seethat we read one thing, and it
' s just that backstage is theartist' s team. Everything that goes
on behind the artist, the manager, the production manager, the style manager,
the make- up artist or thatis value has always caught my attention.
Of course, the work is anartist for a platform, an artist
I don' t know if alone, but to be there tell me how
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your team is and you at somepoint didn' t hear you were changing
too Kuip I changed a lot.Yes, yes, of course, I
think that too has helped me alot to be in a place today with
people that I admire, that is, that we admire each other, that
we respect each other and that wespend the fucker working too. But everyone
in your area is in the endinvesting their time in my project also fulfilling
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dreams creating and for me it isvery important that there is a good energy
around with everyone we work with,a respect, we know we are human
beings this industry. In the endwe just don' t see our families,
we' re not home, wedon' t live it on a
trip and we have to have agood work environment. And for me it
took a lot of experience, teamsthat took me around with different goals and
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I came to a time when todayhe did as a grane Now yes,
where they knew what my vision was. They supported me in all my personal
and complicated process, to push meto continue believing in my vision and to
meet people who seek the same thingas you and in the end, also
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inside my head, to live alot of things overwhelm me. There is
clarity in the opinion of everyone,who I respect the views, and that
is very important that besides, alsoat the level of creative vision, because
not only I am creating my dreams, but I also involve others in creating
together with me, because everyone putstheir visions dreams also together. It is
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a collaboration and then, because nothinghas been very nice power nowadays being surrounded
by such talented people, so wonderfuland good people of heart, because today
I know that I am on awonderful pavement, but I had to go
through good and bad. Dana,I want to talk about the issue that
is important to me, because it' s going to be a banality for
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people, but I want you tovalidate it for me. The aesthetic theme,
the subject of physics, there's pressure on me and I'
ve said it several times here.I considered that success was due to physical
beauty on many occasions, but itis what the societies of those ideas that
we see. She' s feltit, you' ve lived it,
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she' s felt pressured all thetime. All the time as women.
We are more demanded as women.There' s a criticism and a competition
between us that' s very heavy. Just recently I was on a panel
with girls saying we know we're not all gonna make friends. And
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it' s heavy to accept thatin the end we all have a different
way of seeing each other. Butthere are such wonderful women who sometimes continue
to encourage that out there so asto fit in or approve a man'
s approval not to be an independent, hardworking woman who also just has to
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exercise, eat well, that youhave good hair, nails, that you
smell rich, that you wash yourhair, that it is also as if
you are skinny fat, that youlack algae, that you lack tits,
it is heavito. It' sa heavy pressure, because we' re
still increasing that it' s alreadygoing on and if we don' t
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stop it and we don' ttalk to each other about quiet hearing.
I mean, it' s notgoing that way, it' s going
to keep happening. The society itself, the whole way is there. I
don' t know if it's something that' s going to change,
but it' s improved. Butyes for me, within this industry
since very small, of course,I have put a pressure on the beauty
and the standard and on the verybastard fitng, so much so that,
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of course, it affects mentally andaffect your safety because of their problems.
I have had problems, crises,insecurities with which I still live, because
people are too easy to say orcriticize that in the end, who criticizes
one critical woman to another a bitalso fair. It' s part of
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the problem I' m saying thatthere are wonderful women who might not continue
to promote that, also commenting onthe body or what a woman does or
doesn' t do, with hersexuality, etcetera. I think it'
s complicated, but I see todayin my colleagues a lot of support,
a lot of diversity within the wayof thinking where everyone, in our experience,
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we try to put him out thereis not necessary. I just think
taking care of us is going beyondbeauty, and inner beauty also makes it
reflect and sound very threshing and supercorny out here, but really cute people
inside reflect it much more. AndI' m not against it, and
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I' m never going to makearrangements for you, just that if you
' re going to operate, thatif you put on botoks, it'
s something I don' t knowabout approval in the end. With yourself
that you feel good with qui.If you want to change something, changing
it is vanity, because it's natural. I' m not against
it, but take it and workit from the healthiest side possible. It
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' s complicated, it' sfucked up and I think for me out
there, so to speak, let' s not talk about other people'
s bodies, because you don't know what' s going on with
the other person and start teaching orre- eduating past generations, like our
parents, uncles, aunts, everythinglike baby boomers, that we talk about
is not going. You can't go that way. Typical moms not
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if you don' t eat allthe food, you don' t get
off the table. Since those thingsstart to generate mental problems and out there
society, to us, as artistsand as women, examples, And what
you are vero popstars is like youdon' t have to be like this
and so you already do and soand it' s fucked up. And
if you' re not like that, what happens, because in the end
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and nothing exactly happens is what Iwas going to say, I mean,
nothing happens, but in the endpeople are going to criticize and it'
s a little bit. You alsohave to make the passes, with you,
be sure of yourself and get outto be the best possible message about
self- love. I think itstarts over there, and it' s
just like me that I feel thatartists have an eternal exploration of sounds and
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concepts, because so do we,the ones who are in it, in
that search for sound. Yeah,I think the sound is the inside.
Yeah, yeah, total, theinner sound is like what Hit and Heart
said with a song. When somethingyou do even I' m going to
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say you just look in the mirror, you feel good about yourself, self
- esteem, it sounds, itresonates. We are all energy and when
something is right, it reflects outand shines automatically. Then the sound is
inside. The approval is here.You have to talk, pretty, you
have to take care of yourself andI don' t know. We don
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' t have the life bought andI think we also worry about such banal
things too sometimes it just prevents usfrom living 100% honest experiences. I
don' t know what you think, but I feel that' s coming
from me, too. Admiring Idon' t know an idol, some
idol and we' re afraid tobe So we want to always look like
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someone else, but we don't know that, since enhancing our abilities
or our defects, that also makesus unique and our failures, because I
don' t know what you thinkabout listening to winfree like that success is
based on the rubble of failure,of course, because it' s where
you most violate yourself. And Ithink, in the end, success is
relative in each person' s life. For me, I think that the
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just being whole in a healthy relationshipwith you, first with a person you
have in your life, having relationshipsthat make you feel good, in devoting
yourself to what you like, thatresonates with you, going out and enjoying
a good conversation. I think thereare many ways to see success for me
today to know that I am ata time of success where today I am
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being 100% honest with me Ilove who I am today I stand before
people with a light that I havenot felt for a long time, I
felt turned off, as I saidblack out my song right in challestad.
Shining out there not only comes fromthe physicist, it also comes from starting
to shine inside and for me ithas been a very strong lesson to be
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in a good place to be ableto shine out there and it can also
be from failure is from the heart. At some point I heard you say
I' m the queen of hearts, but oh yes, my heart is
so much. Yeah, yeah.I think I also had a lot to
learn about love, about relationships thatdidn' t do me well about violent
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toxicities where I got lost and didn' t realize that I had normalized things
and allowed things that invaded me asa woman, as a human being and
until the moment you wake up andsay it' s not here. Today,
thank God, I am in sucha beautiful relationship by building with a
human being and a man who hassuch a beautiful vision about woman and about
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himself as a man, also validatinghis feelings, his vulnerability. It'
s as cute as human beings,taking apart sex, male or female,
but as beings, and that's so nice to be able to know
that within all the relationships of ourlife we' re, we' re
growing up and living something healthy.Being able to say hey I' m
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not jealous for example, I mean, I' m a person who trusts
very much the person I am andthe person who' s with me is
deciding yes, before you were.Surely yes, it was, but they
were no more, because they werethe sons of Puta, that is,
Güey. How can you not bejealous and I see you' re texting
yourself with three muzzles at a time. No, no, no, and
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it' s one' s faultto stay there or not because she allows
it aha or not. No,no, and crazy eye, he'
s not wrong. It' stotal. Let' s remember the intention,
why do you know it' scrazy. He is not mistaken,
yes, and the intuition, always, our intuition and our sixth sense,
is made a lot of mockery whetherit is of many macho men and machitos,
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but baby that is to say thatit is of law and also as
women, not to demonize the man. You know, on the contrary,
there are wonderful men. There isonly that you fall into it because you
do not learn the precious lesson.No, and I also feel like we
' re blaming men, but theresponsibility is also ours to become that woman
or to accept a certain kind ofthing. Yes, because there is is
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only to find the person with whomit resonates and connects energetically. That I
believe that in our life we arelearning and we must also have bad relationships
in their time, also to learnfrom what is not and from the worst
experiences and the darkness of failures,both labor and love. That' s
where you learn. Surely yes,that would not have come out this right
(29:52):
thing, right everything without it andwithout everything that I have lived in crisis
broken hearts thanks to the result ofall that instead of just taking the art
to see, obviously, my darkestlapses, because I was not bringing out
music and I was as at thismoment, of introspection. But also for
(30:14):
me the result of that dark placeis to have found me in that colander
where I fell literally fell into thecolander, that is, I do see
it because it was a dream thatI had that is literal. I mean,
I was trying to find out whatI wanted on the cover and between
my anxiety and monster ghost fears allI dreamt that I dropped a colander and
(30:36):
that I couldn' t get out. And it was like this feeling and
then I talked about it in therapyand a lot of visually metaphorically it represents
and it' s how I feelin one and dark, where I don
' t see the light I meanI turned other sides and I didn'
t know where and I saw handif it was like this representation that the
(30:56):
subconscious makes you where I said OK. I think that' s where I
have to go out and take therapy, support people who want to give me
the patience, because it' sokay to be wrong, you don'
t have to push things to eggand more being in this industry. For
me I have given myself time notto live to work, but if not,
(31:18):
if not to live to work,but to work to live. And
for me that was also a perfectbalance. Today I enjoy my life in
every way, good bad times andjust with the team? Is looking for
a balance with the team? It' s güey today, no, today,
no, today, I' mnot and it' s perfect tomorrow
to make a new day. It' s okay, and we have to
let that happen because apart from it' s a clear machine, we'
(31:41):
re not machines, but yeah,I think we don' t have to
be afraid of the dark and it' s one of the prettiest things a
human being can do to get tothe bottom and undermine you and find you.
Yeah, well, it' sa little open Pandora' s box
and that colander too to get everythingthat' s buried there and work it
out. You have to work itout so you don' t get sick
and keep living, because experiences comeout albums, albums and stories and more
(32:04):
podcasts so it gives au a pleasureto talk to you. Thank you very
much, Queen you are beautiful andthank you for those messages. Obviously it
' s with someone who' sgonna resonate with him. Thank you so
much and keep coming in. Please, we' ll see you on May
5th at Movistar Arena. It's my first show here and you'
re so invited. I' veheard you too and we' re going
(32:25):
to have a great time. Forme part of draining these things is upstairs
the stage at a good party anddancing. That combines the show. Then
nothing invites you to do catharsis inthis show and to sing and dance and
nothing. Thank you for the supportand the Spancicias to you. The masters
be backstage from now on, anew backstage where the only restriction is that
(32:53):
everyone can enter. It opens thedoor to what is not seen in the
entertainment industry. The time to passthe lights, the cameras and the microphones
to the baxtage
Backstage, from this moment on,a new backstage where the only restriction is
that everyone can enter. It opensthe door to what is not in the
entertainment industry. The time to passthe lights, the cameras and the microphones
(00:27):
to the backstage. Welcome to episodenumber forty- five. I just can
' t believe it backstage and withDame Paola Hello how you are very well
and your love a pleasure Hello Hieveryone I love to meet you and have
you so close. Thank you somuch and talk. Ruling like a rulo.
(00:48):
I' ll take that with me. Throw long and stretched curl for
Mexico, talk long and stretched.It doesn' t happen to you that
you sit with your friends if youthrow out and you throw rule and I
knew if I talk a lot infact, there are times when you tell
me don' t talk so muchanymore, but it' s that I
' m my friend, I canfollow. Now I love to chat then
perfect, i e in cardacha rulo. Hey, I get apola. I
would like to start with something thatseems very curious to me, that only
(01:12):
happened to nothing, very few peoplein the world and that is that they
are born in the spotlight and knownothing else. Then you might miss him
something he doesn' t even knowright, right. But if I put
you in that position of oh,I would want this that suddenly people who
aren' t so spotlight had thechance to do what you would do MM
(01:37):
have no idea, don' tknow, don' t see, I
mean. I had a time ofmy life just before Elite came out,
where I went to live in Spainand well, in Madrid it was cool
because maybe it wasn' t verywell known. I was known to a
few people also for novels, etcetera. But before I came out elite,
I had the chance, like alittle bit of a there to fake like
dist Little Life, like a littlegoing out on the street and over and
(02:00):
out. I don' t knowhow to run pretty everyday things that I
like a lot, which I stillsay in Mexico I don' t do
much, but every time I cango out and get to know new places,
I really like to go out asto enjoy nature. And so then
I had this lapse where I coulda little not pass, a little unnoticed
(02:23):
and I liked it very much.But at the same time, I say
they' re processes and moments inlife that you' ve given me,
but I just can' t misssomething or say ay I' d like
to do such a thing because Iactually enjoy my life as well. It
has its good and bad things,but, because it has been a consequence
of not then nothing, for whatit could be, I don' t
(02:45):
know no, but that is goodto go unnoticed. Today, surely you
can' t do it in manyparts depends Sometimes yes, sometimes yes,
maybe not. I fight with thata lot. On the contrary, I
get it nice because in the end, as I say again, it is
the result of the work and thefans and the people who follow me.
For me to always meet someone iscute and good, there are days and
(03:08):
times when, maybe we get fullin humor, but because in the end
we have to be there and nothing, because a little living and what you
say is consequence that people connect withone that today I say it is easier
for people to throw you hete byany boa or by existing, that is,
without any sense. I think Idon' t know It' s
(03:34):
always a bit of a middle partnerIt' s a world completely apart from
the real world. I think that' s connecting a little bit for me
in the real world. More thanliving in a middle partner. It'
s important to me. I thinkthat today one of the biggest addictions and
I see it as the drug ofthe century is the Internet and the media
socho and this of being always connecteda bit isolates you from the real world
and it is something in which Iwork quite a long time ago, the
(03:59):
being able to have my moments offline, and that for me is that I
can be with my cell phone,without my cell phone a long time and
I like to be able to livetogether, have talks and maybe not all
post it in socho Miriam. Ithink it' s important for me that
balance between my work, of course, and connecting, but then, to
be out and also to live inperson and what you say to look us
(04:19):
in the eye to chat. Wecouldn' t have done this for Zoom,
but we came all the way toBogota Mira. I' ll tell
you one fair thing. He's talking to someone from the label.
I used to say" porfas"for the most part. I mean,
I obviously appreciate it. Thank you, but don' t take this away
from me. Don' t giveit to me. You need my action
pass. What happened in the pandemicis brutal. We had the opportunity to
(04:41):
work thanks to the Internet, thanksto which we connected through, of course,
a lot of platforms that gave usthe opportunity to meet people to do
virtual parties. Well, I startedcomposing and producing at the time, but
it' s not the same.I do like to be on top and
vibrate a little of the face-to- face energy and it is very
important. One of the things I' ve seen from many interviews and eclips
(05:02):
that it is make you very viraland with very bacano messages, and I
find it valuable, because nowadays Ithink that with all these are the ones
that you have, because that comes, that comes from the people that you
admire, comes beautiful and I sawwhat you do journalin and writing. Obviously,
you write songs, but one thingis journaling and in a book the
(05:25):
way of artist. I was watchingmovies come out, stories, a lot
of things. You recommend it.You like it is that it comes out
of there to describe I am thegirl of the notebooks. I collect notebooks
all the time, I don't always finish, I always start some
new ones. I like, likehaving well- ordered, as it depends
on the stages of my life,suddenly start coming back and saying to see
(05:47):
what situation or where I was threeyears ago and I start opening these notebooks
and a little bit to see theemotional mental place I was in, and
that inspires a lot of things.This album is also made up of experiences
I wrote a long time ago.It' s a bunch of experiences obviously
brought to the POP, but well, it' s been a lot of
(06:11):
introspection work. If I recommend ita lot, I think that the dailyline
in the end helps you to getto know yourself better and also to write
mostly beyond doing it on a phoneor on a cell phone or on the
computer. I think doing it onpaper and pen pen anyway, but it
helps a lot too a little.I see it as emptying you and in
(06:31):
the end you leave everything there.Written. Written, written and already a
little bit free. It' slike doing some personal therapy, and I
do highly recommend it. The truthto create is also a very interesting tool
where you can get a lot outof it. I love that you have
reached that point of creation, becausefor me, the artist I have admired
very much that things are born outof nothing, out of nothing, that
(06:56):
is, because this was not donebefore. I mean, you understand me
from nothing to say that to meclearly, there are some previous stories and
there' s an inspiration, alot of things and creative processes are universes,
so different from each other. Yes, everyone creates different, someone creates
so different at different times, atdifferent stages, and you talk about creation
and I love it because notice thatfrom there you can come up with a
(07:18):
great idea of the journallink or Idon' t know yours also arises.
You have something special. I can' t hear any more music or maybe
silence. Well speaking a bit ofchauster just my creative process with this album
was a lot of research, alsofor musical references from musicals, from child,
(07:42):
adolescent and adult, and it's a bit the combination of all
the artists that have inspired me,movies, directors, podcasts, books,
a bit also to get to themessage that I wanted to give in every
song and it was very crazy,because just talking about criminal experiences. In
the end, the name of thealbum, because a little for my honor
(08:05):
my past, of course, likea previous chau. It' s a
gift for my inner child, it' s a gift for me, for
my fans too. But, atthe same time, creatively, it was
the most fun, most winning,most cathartic process I' ve ever experienced
in my entire life, in mycareer. Why, because it' s
my first project, with my DNAand my rib and everything that was inside
(08:31):
me and had accumulated so much time, and then it was a lot of
getting out of the notebook drawer experiencesand, obviously, because a lot of
as I commented, movies, albums, video games, all my background on
this album then. Yeah, that' s why I think this project has
(08:52):
been a lot of personal introspection anda lot of research to get to this
piece that' s already out.That besides, I think there are many
very good things that happen to usalways and surely to you too, but
I would like you to tell us. I say it because it happened to
me and I said I' mgoing to talk to Dana and she'
s going here, not share itwith a woman too. And it'
(09:13):
s the subject of rejection and thesubject of being told a thousand times not
so you' re not doing well, not like that kind of thing that
happens also not only the positive,in a creative process to create tremendous concept,
because to me already the name istelling me that you are the star
girl of novels and a lot ofthings and I said that bacchan, tell
(09:35):
me a little bit, tell usall the subject of rejection when they tell
us no, that' s notit And you, deep down you know
that yes. Yeah. It's trusting. It' s very difficult
to trust yourself when you' resurrounded by so many opinions and sometimes so
many choices also overwhelm you then whenyou know you have the answer, in
(09:56):
this spark or, in this spark, in the intuition, in your hunch
to come and say is that Isee that this is blue. And if
anyone else tells you, because Isee it greener, it' s trusting
your vision. And it' sdifficult, because we always put ourselves as
in approval or in what others thinkto create. And I think it happened
to me with this album just rightand this process of years to say is
(10:20):
that I see it that way andbecause I found my reasons and the thousands
of things that connected me to thatto know if I was really being honest.
And yes and there it is.It' s a gotfelling. It
' s this thing that lives there, that I think it' s hard
sometimes to get there. But themore you defend, the more authentic the
result is. And that for metook time, of course, of rejection,
(10:43):
in which sometimes I used to recorda song or come to a studio
with a story, they helped mewrite it and I wanted to put this.
I don' t know Listen,we can make a bridge here.
No, no, no, butlet' s do it this way or
at the time, with Latin pop, with reggaeton, the reggaeton pop function,
which are obviously great songs for methat I love, but maybe they
(11:03):
didn' t have a 100%niche vision. Then it was complicated for
me, suddenly, to start removingthose people who clouded my eyes and say
ok I already have the bread thepanorama and the super open sky without clouds
to know that in the direction Iwill go, but it is a job,
but I think the most important thingis self approval and instinct the vision
(11:28):
and, of course, to collaboratewith people who have the same vision as
you, because also to collaborate andmake songs, videos, movies, books.
Whatever is done, it has todo with art. When you collaborate,
you have to connect with the peopleyou do and have a little bit
of the same vision as you.And that' s not easy to find,
but it does exist and what yousay is okay. And also as
(11:54):
the trust that you were saying intuitionis very important to know how to say
are not many things and eagerness.I feel that sometimes the eagerness of the
process is not, like I trustthis is going to happen all of a
sudden. Not anymore, but Ihave to trust that what you say the
vision, the typical one you don' t risk, doesn' t win
as well, and I think partof life' s learning is knowing that
(12:20):
if you want something and you're wrong, well, you' ll
do the best in the dress ote. With this album I ventured all,
that is, I ventured all thewood, the roaster and it was the
result that I expected. And todayI am very pleased, proud of the
result. I' m in love, I mean, I see my project
and I hear it. It didn' t happen to me before I didn
(12:41):
' t listen to my songs,I mean, once I got out,
I was already obsessed with you today. I mean, it doesn' t
come from lay or pride, butI really like what I did. And
that' s very nice, becausethat also talks about the love you have
for what you do. And inthe end, as an artist, because
that' s what it is tocreate art and be in the end putting
it out there and people who agreeamazing people who don' t too.
(13:01):
And that' s where you're at peace with things to know I
got out and everything that' saround visually sonorically in lyrics in everything is
connected with something that I approved andthat I said yes, that' s
already done, no more changes.And that' s where this pat comes
(13:22):
in and this hug of saying andI' ll say you did it and
it' s to congratulate you andcelebrate you for always fighting. It is
very difficult, it is very difficultto defend the vision at this time,
I think sometimes it is not veryeasy, because, as I say,
there are many things giving way outthere and in the music, because a
lot is happening and there are thingsthat, of course, have more place
(13:45):
in the charts, or whatever.But I think in this case, because
I literally went betting everything on myvision and what I wanted to create,
and that was brutal. And whatyou' re saying is it doesn'
t matter that there' s thefirst reggaeton or certain things that and knowing
what was right, it' sgood to do, it' s not
accurate to respect, I mean,I love the reggaeton. I love him
(14:05):
I mean, I really do formyself at a party there are days when
I start depending on the moodh butgreat artists that I admire very much that
make reggaeton, of course in Colombia, that great reggaeton, in Puerto Rico,
etcetera. But I also respect alot in the way I do it
and not try to try to dowhat others are doing too, but how
I bring that sound to my worldand that' s what I did in
(14:26):
their time. But for me itis that pop and pop in fusion with
aram b and electronics, which ofcourse, has to do with all my
personality, funk, folk, withthis album and the trap, etcetera,
is like a cluster of many,of a pop with variations, but sinth
pop, electro pop, then that' s where I find my DNA and
(14:48):
then I say ok Atari ends witha reggaeton, because for me too the
fusion of a sexual song. Ihad to end up with reggaeton. So,
for me it' s like startingto experiment and test and see what
happens. But notice that from aplace of much more confidence and security,
completely and with much more authenticity andthat' s what we' re talking
(15:11):
about, the reggaeton can be chattedand notice that sometimes songs with genres that
are put first. I like togive from genres because I feel that they
are blurred today with the amount ofthings that are mixed, but from the
music that is made, that leansmore towards one place than to the other.
Yes, but I feel that authenticityyou are doing it with real confidence,
because not to be able to sayliterally metaphorically in Atari, because it
(15:35):
takes, obviously already a confidence tobe able to say and assemble. The
concept is that it is also arelease for me this album also on a
personal level as a woman, alsoi e I am in my last year
of my twenties, and also forme to write about experiences and also my
(15:56):
sexual liberation as a woman, myempowerment, my way of thinking. It
' s important to me too,all of a sudden, to talk for
the first time in a sex songthat I wasn' t allowed to do
before. It was like no nono pjter teaching, and for me too
that started opening up to these issuesin my own way. Obviously, sex
is very important to me, especiallywith women. Beyond exchanging it with someone
(16:21):
else. I think, as awoman, you have to be sure and
that your sexual experience with you firsthas a lot of power and a lot
of energy vibration, by far itis brazet and from there get the best
way to describe it that for meis this sexual experience with Atari just is
(16:42):
to take the metaphorical and poetic partand very cachi in a pop song like
Atari, which in the end hasmany suggestive things and double sense. And
I love to play with that becausein the end you have fun sex is
also playful and it is an exchangeof energy and when you understand it,
on that side, you free yourselfto a lot better and you are in
(17:03):
confidence also with your partner and withthe person with whom you share it to
me the foe, that is tosay I thought I was saying it can
' t be what I' mhearing and we have to talk also if
one thing. I have to sayit' s my track favors. Thank
you and how to see how sorryI' m interrupting you. I love
to see how in different people eachsong has as its top three. Sure
(17:27):
for some, just The Fall,we need to talk and then another one.
And it is then that atari,not that love has been. And
I love to be able to seethat in the end we all have our
ranking. Even I have my rankingin favorite songs and that don' t
exactly go in order or just can' t be the whole album, etcetera.
I like to know that there's a product like Chaustar out there
(17:48):
at the end and a piece ofmy art where everyone who identifies depends on
their life. Of course, everyonethrows the music already belongs to us,
sse experiences. Of course, Ifeel like I really discovered Dana Paul when
we need to talk to The Fortza. For me it was like ok I
feel really identified, that is,with that intros it was already like too
(18:11):
much CATSH. I want to seethat we read one thing, and it
' s just that backstage is theartist' s team. Everything that goes
on behind the artist, the manager, the production manager, the style manager,
the make- up artist or thatis value has always caught my attention.
Of course, the work is anartist for a platform, an artist
I don' t know if alone, but to be there tell me how
(18:36):
your team is and you at somepoint didn' t hear you were changing
too Kuip I changed a lot.Yes, yes, of course, I
think that too has helped me alot to be in a place today with
people that I admire, that is, that we admire each other, that
we respect each other and that wespend the fucker working too. But everyone
in your area is in the endinvesting their time in my project also fulfilling
(19:00):
dreams creating and for me it isvery important that there is a good energy
around with everyone we work with,a respect, we know we are human
beings this industry. In the endwe just don' t see our families,
we' re not home, wedon' t live it on a
trip and we have to have agood work environment. And for me it
took a lot of experience, teamsthat took me around with different goals and
(19:22):
I came to a time when todayhe did as a grane Now yes,
where they knew what my vision was. They supported me in all my personal
and complicated process, to push meto continue believing in my vision and to
meet people who seek the same thingas you and in the end, also
(19:48):
inside my head, to live alot of things overwhelm me. There is
clarity in the opinion of everyone,who I respect the views, and that
is very important that besides, alsoat the level of creative vision, because
not only I am creating my dreams, but I also involve others in creating
together with me, because everyone putstheir visions dreams also together. It is
(20:11):
a collaboration and then, because nothinghas been very nice power nowadays being surrounded
by such talented people, so wonderfuland good people of heart, because today
I know that I am on awonderful pavement, but I had to go
through good and bad. Dana,I want to talk about the issue that
is important to me, because it' s going to be a banality for
(20:34):
people, but I want you tovalidate it for me. The aesthetic theme,
the subject of physics, there's pressure on me and I'
ve said it several times here.I considered that success was due to physical
beauty on many occasions, but itis what the societies of those ideas that
we see. She' s feltit, you' ve lived it,
(20:55):
she' s felt pressured all thetime. All the time as women.
We are more demanded as women.There' s a criticism and a competition
between us that' s very heavy. Just recently I was on a panel
with girls saying we know we're not all gonna make friends. And
(21:18):
it' s heavy to accept thatin the end we all have a different
way of seeing each other. Butthere are such wonderful women who sometimes continue
to encourage that out there so asto fit in or approve a man'
s approval not to be an independent, hardworking woman who also just has to
(21:41):
exercise, eat well, that youhave good hair, nails, that you
smell rich, that you wash yourhair, that it is also as if
you are skinny fat, that youlack algae, that you lack tits,
it is heavito. It' sa heavy pressure, because we' re
still increasing that it' s alreadygoing on and if we don' t
(22:03):
stop it and we don' ttalk to each other about quiet hearing.
I mean, it' s notgoing that way, it' s going
to keep happening. The society itself, the whole way is there. I
don' t know if it's something that' s going to change,
but it' s improved. Butyes for me, within this industry
since very small, of course,I have put a pressure on the beauty
and the standard and on the verybastard fitng, so much so that,
(22:27):
of course, it affects mentally andaffect your safety because of their problems.
I have had problems, crises,insecurities with which I still live, because
people are too easy to say orcriticize that in the end, who criticizes
one critical woman to another a bitalso fair. It' s part of
(22:47):
the problem I' m saying thatthere are wonderful women who might not continue
to promote that, also commenting onthe body or what a woman does or
doesn' t do, with hersexuality, etcetera. I think it'
s complicated, but I see todayin my colleagues a lot of support,
a lot of diversity within the wayof thinking where everyone, in our experience,
(23:11):
we try to put him out thereis not necessary. I just think
taking care of us is going beyondbeauty, and inner beauty also makes it
reflect and sound very threshing and supercorny out here, but really cute people
inside reflect it much more. AndI' m not against it, and
(23:32):
I' m never going to makearrangements for you, just that if you
' re going to operate, thatif you put on botoks, it'
s something I don' t knowabout approval in the end. With yourself
that you feel good with qui.If you want to change something, changing
it is vanity, because it's natural. I' m not against
it, but take it and workit from the healthiest side possible. It
(23:55):
' s complicated, it' sfucked up and I think for me out
there, so to speak, let' s not talk about other people'
s bodies, because you don't know what' s going on with
the other person and start teaching orre- eduating past generations, like our
parents, uncles, aunts, everythinglike baby boomers, that we talk about
is not going. You can't go that way. Typical moms not
(24:17):
if you don' t eat allthe food, you don' t get
off the table. Since those thingsstart to generate mental problems and out there
society, to us, as artistsand as women, examples, And what
you are vero popstars is like youdon' t have to be like this
and so you already do and soand it' s fucked up. And
if you' re not like that, what happens, because in the end
(24:40):
and nothing exactly happens is what Iwas going to say, I mean,
nothing happens, but in the endpeople are going to criticize and it'
s a little bit. You alsohave to make the passes, with you,
be sure of yourself and get outto be the best possible message about
self- love. I think itstarts over there, and it' s
just like me that I feel thatartists have an eternal exploration of sounds and
(25:02):
concepts, because so do we,the ones who are in it, in
that search for sound. Yeah,I think the sound is the inside.
Yeah, yeah, total, theinner sound is like what Hit and Heart
said with a song. When somethingyou do even I' m going to
(25:22):
say you just look in the mirror, you feel good about yourself, self
- esteem, it sounds, itresonates. We are all energy and when
something is right, it reflects outand shines automatically. Then the sound is
inside. The approval is here.You have to talk, pretty, you
have to take care of yourself andI don' t know. We don
(25:45):
' t have the life bought andI think we also worry about such banal
things too sometimes it just prevents usfrom living 100% honest experiences. I
don' t know what you think, but I feel that' s coming
from me, too. Admiring Idon' t know an idol, some
idol and we' re afraid tobe So we want to always look like
(26:06):
someone else, but we don't know that, since enhancing our abilities
or our defects, that also makesus unique and our failures, because I
don' t know what you thinkabout listening to winfree like that success is
based on the rubble of failure,of course, because it' s where
you most violate yourself. And Ithink, in the end, success is
relative in each person' s life. For me, I think that the
(26:32):
just being whole in a healthy relationshipwith you, first with a person you
have in your life, having relationshipsthat make you feel good, in devoting
yourself to what you like, thatresonates with you, going out and enjoying
a good conversation. I think thereare many ways to see success for me
today to know that I am ata time of success where today I am
(26:52):
being 100% honest with me Ilove who I am today I stand before
people with a light that I havenot felt for a long time, I
felt turned off, as I saidblack out my song right in challestad.
Shining out there not only comes fromthe physicist, it also comes from starting
to shine inside and for me ithas been a very strong lesson to be
(27:17):
in a good place to be ableto shine out there and it can also
be from failure is from the heart. At some point I heard you say
I' m the queen of hearts, but oh yes, my heart is
so much. Yeah, yeah.I think I also had a lot to
learn about love, about relationships thatdidn' t do me well about violent
(27:37):
toxicities where I got lost and didn' t realize that I had normalized things
and allowed things that invaded me asa woman, as a human being and
until the moment you wake up andsay it' s not here. Today,
thank God, I am in sucha beautiful relationship by building with a
human being and a man who hassuch a beautiful vision about woman and about
(28:03):
himself as a man, also validatinghis feelings, his vulnerability. It'
s as cute as human beings,taking apart sex, male or female,
but as beings, and that's so nice to be able to know
that within all the relationships of ourlife we' re, we' re
growing up and living something healthy.Being able to say hey I' m
(28:26):
not jealous for example, I mean, I' m a person who trusts
very much the person I am andthe person who' s with me is
deciding yes, before you were.Surely yes, it was, but they
were no more, because they werethe sons of Puta, that is,
Güey. How can you not bejealous and I see you' re texting
yourself with three muzzles at a time. No, no, no, and
(28:47):
it' s one' s faultto stay there or not because she allows
it aha or not. No,no, and crazy eye, he'
s not wrong. It' stotal. Let' s remember the intention,
why do you know it' scrazy. He is not mistaken,
yes, and the intuition, always, our intuition and our sixth sense,
is made a lot of mockery whetherit is of many macho men and machitos,
(29:11):
but baby that is to say thatit is of law and also as
women, not to demonize the man. You know, on the contrary,
there are wonderful men. There isonly that you fall into it because you
do not learn the precious lesson.No, and I also feel like we
' re blaming men, but theresponsibility is also ours to become that woman
or to accept a certain kind ofthing. Yes, because there is is
(29:32):
only to find the person with whomit resonates and connects energetically. That I
believe that in our life we arelearning and we must also have bad relationships
in their time, also to learnfrom what is not and from the worst
experiences and the darkness of failures,both labor and love. That' s
where you learn. Surely yes,that would not have come out this right
(29:52):
thing, right everything without it andwithout everything that I have lived in crisis
broken hearts thanks to the result ofall that instead of just taking the art
to see, obviously, my darkestlapses, because I was not bringing out
music and I was as at thismoment, of introspection. But also for
(30:14):
me the result of that dark placeis to have found me in that colander
where I fell literally fell into thecolander, that is, I do see
it because it was a dream thatI had that is literal. I mean,
I was trying to find out whatI wanted on the cover and between
my anxiety and monster ghost fears allI dreamt that I dropped a colander and
(30:36):
that I couldn' t get out. And it was like this feeling and
then I talked about it in therapyand a lot of visually metaphorically it represents
and it' s how I feelin one and dark, where I don
' t see the light I meanI turned other sides and I didn'
t know where and I saw handif it was like this representation that the
(30:56):
subconscious makes you where I said OK. I think that' s where I
have to go out and take therapy, support people who want to give me
the patience, because it' sokay to be wrong, you don'
t have to push things to eggand more being in this industry. For
me I have given myself time notto live to work, but if not,
(31:18):
if not to live to work,but to work to live. And
for me that was also a perfectbalance. Today I enjoy my life in
every way, good bad times andjust with the team? Is looking for
a balance with the team? It' s güey today, no, today,
no, today, I' mnot and it' s perfect tomorrow
to make a new day. It' s okay, and we have to
let that happen because apart from it' s a clear machine, we'
(31:41):
re not machines, but yeah,I think we don' t have to
be afraid of the dark and it' s one of the prettiest things a
human being can do to get tothe bottom and undermine you and find you.
Yeah, well, it' sa little open Pandora' s box
and that colander too to get everythingthat' s buried there and work it
out. You have to work itout so you don' t get sick
and keep living, because experiences comeout albums, albums and stories and more
(32:04):
podcasts so it gives au a pleasureto talk to you. Thank you very
much, Queen you are beautiful andthank you for those messages. Obviously it
' s with someone who' sgonna resonate with him. Thank you so
much and keep coming in. Please, we' ll see you on May
5th at Movistar Arena. It's my first show here and you'
re so invited. I' veheard you too and we' re going
(32:25):
to have a great time. Forme part of draining these things is upstairs
the stage at a good party anddancing. That combines the show. Then
nothing invites you to do catharsis inthis show and to sing and dance and
nothing. Thank you for the supportand the Spancicias to you. The masters
be backstage from now on, anew backstage where the only restriction is that
(32:53):
everyone can enter. It opens thedoor to what is not seen in the
entertainment industry. The time to passthe lights, the cameras and the microphones
to the baxtage
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