December 16, 2024 • 37 mins
Alessandro and Mia hook up after a night of "passion"...as in, he coerced her to be his date at a charity function and embarrassed her in front of colleagues, then they hooked up in his office when she needed help unzipping her dress. He only thrust in her three times and she immediately got pregnant. Also, Alessandro keeps describing himself as a logical person who "doesn't do emotions," yet continues to get infuriated whenever Mia acts like a professional, agrees with him, and doesn't react emotionally to his abusive behavior.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
A sexy day with Daddy. I mean, read this team
your Mamma's book club, grab your busy listen.
Speaker 2 (00:17):
Hey guys, Hey, hello, Welcome back to episode three of
The Italian's Unexpected Baby written you know about an Italian's
Unexpected baby? Wouldn't you Victorio?
Speaker 3 (00:36):
About unexpected the thing? You can't say, Oh, it's a
surprise pregnancy. What Yes, you can't say it's a surprise birth,
though you have say are you just getting fatter?
Speaker 2 (00:48):
You haven't seen the show. I didn't know I was pregnant,
which is a.
Speaker 3 (00:51):
Real remember I've heard some of the stories. Stomach it's
such a change, I mean kicked from the inside for
a change.
Speaker 2 (01:01):
If you did not know you were pregnant, I could
understand how you might misinterpret the kicking as like fart bubbles,
because that's kind of what it feels like in the
beginning when they first start kicking.
Speaker 3 (01:13):
Until you actually see an elbow.
Speaker 2 (01:16):
Yeah, then you can see it an elbow.
Speaker 3 (01:18):
At that point, your thoughts are demonically possessed.
Speaker 2 (01:21):
Yeah what did you eat? But yeah, So that brings
me to my comedian guest stars Alex J. Byrne and
Victorio Leonardi.
Speaker 3 (01:29):
So that that's victorial represent the stereotype in this story.
Speaker 4 (01:34):
Hello, I'm from Dublin.
Speaker 2 (01:37):
And well and the character Mia James is English, so
you can you kind of represent I'm joking, but don't
come after me.
Speaker 3 (01:45):
You speak the language and that's about it.
Speaker 2 (01:48):
As I looked, I saw look at Alex's eyes. I
know that the Irish and the English are very different.
So just calm the fuck down, Alex. Okay, little little bitch.
Speaker 3 (01:59):
That's been said the un before this episode.
Speaker 4 (02:02):
Of Bad Bashes brought to you by Irish Heritage dot Com.
Speaker 2 (02:06):
Okay, so where we left off, Alex. We want to
give a quick recap of the last episode.
Speaker 4 (02:12):
If I could sow with open by paraphrase and abbot,
can you call hatjor Alessandro. He's basically taking over a
company and he spent this whole day just bothering this
intern like she's the assistant, sorry, the assistant, the executive.
He's just spent He's literally taking over a company and
he's done nothing. He's not had like a meet and
he's not talking. He's literally just bothered this executive assistant
(02:35):
and that's been his whole day and he's basically go
to the charity ball where she knows everybody. But he's
introducing her and be like, oh look she's mine and
last week left him. He was getting her drunk and
I don't like where it's going at all.
Speaker 3 (02:47):
Yeah, she says no thanks, and he says no, really,
keep drinking.
Speaker 2 (02:51):
It's handy too.
Speaker 3 (02:53):
This dude read the game and is running it like.
Speaker 4 (02:57):
I'm considering that the book is called The Italian Surprise. Baby,
I don't like where it's going. I know where it's
going a surprise as Christ.
Speaker 2 (03:07):
It's also like, dude's a billionaire and he's allegedly very
good looking, Like why does he need to be so
shitty to get a woman to sleep with him?
Speaker 4 (03:15):
He's kind of just bought the company for this reason.
Speaker 3 (03:17):
Scene like there are levels to billionaires and this dude
is probably on the bottom tier of billionairess when billionaire
would refer to as new money.
Speaker 2 (03:28):
Yeah, oh he is, Well, he came from a slum,
his personality came from a slum at least.
Speaker 3 (03:32):
Yeah, jeez, I came from and I climbed my way
out using a ladder in a sewer does not to
mean you climbed up from the bed streets.
Speaker 2 (03:42):
Were left off there at the gala, this charity gala,
and they're dancing and he and the alcohol actually does
hit her, and she's kind of like, Okay, maybe I
do want to get with him. And he tells her
like he's like, let's leave, let's get out of here,
and she's kind of drunk and she's like, yeah, sure,
So now where we are. It's like they once they leave,
(04:03):
the cold air hits them and they're both kind of like, actually,
this is a mistake. We shouldn't hook up now that
I have come to my senses.
Speaker 4 (04:11):
A little bit good.
Speaker 3 (04:12):
How cold was this air? And they.
Speaker 4 (04:16):
Last this takes.
Speaker 2 (04:17):
Place in England. I should have said they're all they're.
Speaker 4 (04:21):
Of anybody else. They went and they smelled the city
and oh god, we can't do.
Speaker 2 (04:27):
God, does someone have their period?
Speaker 4 (04:33):
Was like, I know that smell.
Speaker 3 (04:36):
In the distance.
Speaker 2 (04:37):
I know what you need. I'm not shaming. I'm not
shaming menstruation. I'm shaming the last book where they claimed
that men could apparently smell periods, which we all know
is bullshit.
Speaker 4 (04:49):
This book is now period drama.
Speaker 2 (04:53):
So they're like, Okay, we gotta let's go back to
the office to like gather our things.
Speaker 4 (04:58):
Right, Oh, maybe we should do a bit of.
Speaker 3 (04:59):
Work because this I did not have a freaking apartment.
Speaker 4 (05:01):
No, he lives and work.
Speaker 3 (05:02):
Yeah, he lives in the what he keeps buying place.
I don't have enough.
Speaker 2 (05:09):
That the thing he hasn't even fully moved into the
office yet because this like he he only took the
company over like twenty four hours ago, and like no
one in the company expected it. So like of course
the CEO like didn't have enough time to fully move
his shit out. So Alessandro doesn't even have like his
own proper stuff at the office yet.
Speaker 3 (05:28):
Oh god.
Speaker 2 (05:30):
But anyways, they go back to the office and let
me know, they take a limit to the office, like
she she has to like change out of her dress
and everything, and like while they're gathering their things, he's
also being like really shitty to her.
Speaker 4 (05:40):
He's like, I'm shocked.
Speaker 2 (05:41):
He's like telling her, like, you're you're okay taking the
subway home?
Speaker 1 (05:45):
Right?
Speaker 5 (05:46):
Oh my sweet he paid he took them like he
could very easily hire a private car because he did,
you know, he spent all this fucking money on her
dress and makeup.
Speaker 2 (05:57):
And then he's like, eh, you know, spending.
Speaker 4 (05:59):
Fifty for a taxi.
Speaker 2 (06:01):
Yeah, yeah, yes, fifty pounds for a cab is too much.
You gotta take a fucking subway.
Speaker 3 (06:05):
And she's like, okay, he's a billionaire, but in Italian.
Speaker 4 (06:09):
I'm just picturing like she's also in order to get
to the office, you have to drive past her house.
Speaker 3 (06:13):
Yeah, yeah, that's where I live.
Speaker 2 (06:16):
But it's like once he's like decided, at least in
this in this moment, he's like, I'm not going to
fuck her, So bitch can take a subway home instead of.
Speaker 3 (06:23):
God means the sandwich.
Speaker 4 (06:25):
Yeah, so but I have to walk by my house
to get to the subway station. I know what I said.
Speaker 3 (06:38):
Did I not make myself cab?
Speaker 1 (06:44):
Oh?
Speaker 2 (06:44):
You guys want to know the transition from how they
go from not sexy time to sexy time.
Speaker 3 (06:48):
I'm guessing she drops a pin.
Speaker 4 (06:50):
I'm gonna guess she. I'm gonna guess she closes his
computer in Well.
Speaker 2 (06:56):
Actually no, let's let's see. So they're at the office,
they're both having to like change their clothes from fancy
wear to like regular clothes.
Speaker 4 (07:05):
Because again they can't just go home with the fancy clothes,
of course not so.
Speaker 3 (07:09):
They don't allow that on the subway. I think your performers.
Speaker 4 (07:11):
Yeah, but I love the fact that, like obviously like
they must have left like their own clothes. The opposite
people were clucking. I was just like, these just clothes
strong about the floor.
Speaker 2 (07:21):
What happens is is she is using his office to
change and she can't undo the zipper on her own.
Speaker 4 (07:30):
The door has a zipper.
Speaker 3 (07:33):
It probably does. I like it, zip I used to.
Speaker 4 (07:41):
I'm just picturing like her dress is a combination.
Speaker 3 (07:43):
Look.
Speaker 2 (07:45):
If I was gonna have to hang out with a
dude like that, I would try to make all my
I would wear a chest.
Speaker 4 (07:51):
Could say like I'm just kind of a home like
this good boy.
Speaker 2 (07:54):
He's mad at her for taking so long, and she's like,
I can't undo the zipper, will you help? And he's
like sure, So he unzips her dress and then he
starts kissing her neck after he unzips her Of course.
Speaker 3 (08:07):
He does because he saw the video game once.
Speaker 4 (08:09):
I love the fact, like in this office probably a
late night. He just like sweet, but he looks like.
Speaker 3 (08:16):
It's it's England, so they would be Lynne's going take
you guys want to get a room for that short building?
Then is it not right now? It's mine when when
it's closing time, mister Costa.
Speaker 4 (08:35):
Costa, because I do. I'm very much long to be
I'm not doing this job, so don't make a mess.
Speaker 3 (08:42):
Wipe down that surface. Thank you, polishing the old bordering
table set.
Speaker 2 (08:49):
Oh no, okay, okay, So he's here's a gross here's
a gross expression. He starts kissing her neck. Then he
starts quote seeing each knob of her spine end quote,
huh yeah, okay.
Speaker 3 (09:06):
You kiss your way down someone's spine, you do not
really have to get into the intricacies of the musculature. Yeah,
knobs as in, basically, she's thin enough that the individual
little bumps are sticking knobs. You don't call it that
you you're a knob for writing that.
Speaker 2 (09:23):
You're a knob for writing it. Was just I'm like, okay,
I guess I can see like kissing down the back
being sexy, But when you write it, when that's the
language you use to describe it, who calls.
Speaker 4 (09:35):
Someone's part knobs?
Speaker 3 (09:37):
People with hardcore arthritis maybe or hunchback or the Cosmoto
had knobs on his.
Speaker 4 (09:43):
Back four years.
Speaker 2 (09:47):
It's like unhealthily skinny as well.
Speaker 3 (09:51):
So what I can't say that anymore? Would you fucking broom?
What do you want? Don't take it a well fall over.
Speaker 2 (09:57):
So then he gets on his knees and starts kissing
the small of her back.
Speaker 4 (10:01):
He's no interesting, there's no interest in the front of her.
Speaker 2 (10:07):
Famous that's where her faces, which is so boring.
Speaker 4 (10:10):
And I just pictured like the whole time he's doing this,
she's just standing there like, oh bloody hell.
Speaker 3 (10:18):
The zip is down. The zip is down.
Speaker 2 (10:20):
You can't see her face to see if she's enjoying it,
which is probably why he doesn't want to turn her around.
Speaker 3 (10:24):
Killers, you don't look at the victim in the eye
that makes them human, You don't.
Speaker 4 (10:30):
Yeah, I'm just pictured like she's looked for the window
at len and she's like melting the words help me.
She's looking at I don't care if you live redfre
And he walks off.
Speaker 3 (10:39):
Guys mop and he's like holding them and the so
it doesn't cast the reflection.
Speaker 4 (10:48):
He runs the help but he slips on his own.
We floors himself. As he slides, he extentally closes the door.
NS on the other Side's made it worse.
Speaker 3 (11:02):
What happened every time I jiggled the handle on the door.
I heard was a slushing up and someone going eh.
Speaker 2 (11:14):
Still a better sex scene. Still a better sex scene.
That one her dress completely falls off.
Speaker 4 (11:19):
Hell, how did that happen?
Speaker 3 (11:21):
Just all the way.
Speaker 2 (11:22):
So they start passionately making out. He hoists her on
the desk, They start kissing, he starts fingering her, but
it's described her clip is described as, quote the heart
of her, the heart like the like, which I've never
I've heard a lot of weird descriptions for the clear
and that's not the worst, but that's a strange used,
(11:43):
the core, the.
Speaker 3 (11:47):
Sensitive spot to fucking there's all these fantastic to the
heart of her wife was heart beating from just how
passionate a lover you are?
Speaker 4 (11:58):
Her fails biology, This is her her, These are her knobs.
Speaker 2 (12:03):
Usually it's actually I've heard the clip described as the knob,
but that's her back.
Speaker 3 (12:06):
Apparently when she flaps, is that's her lungs?
Speaker 4 (12:10):
She breeds your eyes?
Speaker 3 (12:16):
Oh god, yes, a quote.
Speaker 2 (12:18):
He says quo that he's thinking he needed to possess
her fully to make her his own. So it's just
again this weird power play that they have. It's like,
it's not it's like he's already abusing his power as
her boss. But he's like that's not enough for him.
Speaker 3 (12:36):
So yeah, it's wow, you've crossed it. This is it's Christian,
it's literally it's that. It's somebody who does not understand
how subdomb relationships actually work.
Speaker 2 (12:47):
This is mental, it's something.
Speaker 4 (12:50):
This is his first day at work.
Speaker 3 (12:53):
First, what did the second day bend over? And we're
going to check your progress in days?
Speaker 2 (13:00):
Just full on orgy.
Speaker 4 (13:02):
Secondary hold a memorial for Len.
Speaker 3 (13:06):
I remember remember Len's favorite bomb, No Babies Go United.
Speaker 2 (13:14):
So he thrusts himself inside of her like I mean,
he's like he fingers her for a little bit, and
he's just like, okay, it's been like two minutes, ready
to go, right, warmed up, just thrust inside of her.
After two thrusts, he can be He stops and he's like,
you're a virgin. He can he can feel her virginity
(13:36):
or previous virginity.
Speaker 4 (13:37):
I guess huh.
Speaker 2 (13:39):
Yeah, so she is a virgin and he can tell
from and she's just like, don't worry about it.
Speaker 4 (13:45):
It's fine.
Speaker 3 (13:46):
Excuse me.
Speaker 4 (13:47):
It's cool. I've been that way.
Speaker 2 (13:50):
But the thing is is like you can only they Okay,
someone who's a virgin, he's probably saying that because it's like, oh,
she's so tight. But if she's that tight, it's it's
probably because you haven't made her comfortable enough to like
loosen up. So I mean, some of it is like
a virgindy thing, because if it's your first time, then
(14:11):
you are, you know, more uneasy and so like less relaxed.
But it's not like that. The only thing I mean,
you guys, yeah, what I'm trying to say.
Speaker 3 (14:20):
Yeah, I mean it's fucking hell. Okay, does it do
any other description apart from that, or like, is is
it just him saying that? Or does do they go
into any graphic description here?
Speaker 2 (14:30):
They do have some graphic description. I didn't write enough
notes on.
Speaker 3 (14:34):
It because you know, you don't want to have nightmares.
Speaker 2 (14:36):
Yeah, and he like they have so apparently they have
amazing sex, but they're both very happy about it.
Speaker 3 (14:42):
Oh this is I'm sorry, this is bullshit on a stick.
Fuck me, okay, just like I have a list of
advice that I want to give my son. This is
and the top of the list is if you and
your partner, if you do end up dating a woman,
if she's a understand something. It is going to hurt her. Yes,
(15:03):
and you need to be the nicest human being on
earth because even if you are, she's probably gonna think
you're an asshole. Yeah, because you've just caused their pain
in the most intimate thing in the world and she's
incredibly vulnerable. Do the two of you better seriously fucking
love each other?
Speaker 1 (15:20):
Yeah?
Speaker 3 (15:20):
Okay, and just so much fucking foreplay. Okay, in fact
that I know both of you are going to be virgins,
but fucking how I need you to actually study for
this test. Yeah, it's like there's there's certain things that
you just need to do. Because I've had enough female
friends tell me stories about their first timmer. I just said,
they're going, Holy shirt balls, Like how in the fuck?
(15:42):
Like like, oh god, I mean this is Oh yeah,
it was incredible. Is it him writing the story? Because
I get the feeling that the woman is an author
We keep coming up with, but I get the feeling like, madam,
have you actually had the sex? Yeah? What rose tinted
glasses did you? Did you have? How high were you
when you had your first experience?
Speaker 2 (16:02):
That's true because it's like you're describing like like a
ver I mean, I've I've heard a small amount of
stories from women who like they lost virginity. They're the
virginity and it didn't hurt. I mean, it's not it's
not always horrible, like you know. I've heard some are like, yeah,
I lost my virginity to my boyfriend and it was
itself was a great experience. It hurt, But I'm like,
(16:23):
I think it's a great experience because of the closeness
is typically.
Speaker 3 (16:27):
What makes it.
Speaker 4 (16:28):
It's enjoy That is what makes it enjoyable.
Speaker 2 (16:30):
Closeness.
Speaker 3 (16:31):
It's so vulnerable with the other person, Jesus Christ, this guy.
Speaker 2 (16:36):
But the fact that she's like, oh yeah, I got
I was so but it's okay. But also if you were,
if you were so tight, if you were so so
so tight that he was able to be like your virgin,
then clearly it wasn't enjoyable for her because she didn't relax. Right, Okay, yeah, right,
(16:57):
but I.
Speaker 3 (16:57):
Want to weather dress.
Speaker 4 (16:59):
She don't want to think it goes to the gallo ball.
Speaker 3 (17:02):
I want to feel like a princess. What ravaged by
an enemy? I don't like jeez.
Speaker 2 (17:07):
So then after they have sex, he's feeling he's like
really ashamed of himself because he's like, oh my god,
I lost control, and he kind of brats her, being like,
you should have told me you were a virgin.
Speaker 4 (17:17):
Oh your fault.
Speaker 2 (17:20):
How is that gonna call up in a fucking business
conversation as well?
Speaker 3 (17:23):
He came, didn't he?
Speaker 2 (17:25):
I think? Yeah? I think it was only a few thrusts, the.
Speaker 3 (17:28):
Feeling that he's one up dumb.
Speaker 4 (17:30):
The first thing I said to you when you met
me was I was a virgin. I says, no, this
is what's the wi fi. I didn't watch you man, what.
Speaker 3 (17:39):
Is the wifey? We are not at that point?
Speaker 4 (17:42):
Did you call me your wifey?
Speaker 2 (17:45):
He's trying to but like Mia is being very like
logical and pragmatic about this, and she's like, honestly, if
I told you I was a virgin, would it have
even would it have mattered?
Speaker 3 (17:55):
Made an ounce of different? Yeah, And he's like, I
told me it's it's a rental. We have to bring
it back. We'll wash all that stuff off.
Speaker 2 (18:05):
So she's like she tells him immediately after this, she's like, hey, look,
you know, we we just lost both of us. Should
not have done that just now, let's just move past
it and he's like so mad because he's like, oh
my god, she's being like more logical than me. I'm
supposed to always be in control, and this bitch is
fucking thinking logically, like fuck, yeah.
Speaker 4 (18:28):
How dare you have an emotional But he doesn't do.
Speaker 3 (18:31):
He doesn't do emotion, just as petulance. O God.
Speaker 2 (18:37):
But meanwhile, in her own head, she's like feeling a
lot of shame. She's like, oh my god, I can't
believe I lost my virginity on my boss's desk. Typical Wednesday, all.
Speaker 3 (18:45):
Right, I usually reserve that for Thursday.
Speaker 2 (18:51):
I was I was in a Cinderella situation against my will.
And anyways, so she goes home.
Speaker 4 (18:59):
I'm just right. As they're leaving the office, like what
I was saying that the real moment, and like it
just shows them like walking past Len like Cara looks
in and he just looks and goes, I'm not cleaning that.
Speaker 2 (19:16):
It's a fucking bio hazard. You need cleaning crew to
clean up that ship.
Speaker 4 (19:21):
He has his notes the next day.
Speaker 3 (19:24):
Spaghetti sauce.
Speaker 2 (19:27):
It's spaghetti because she probably she probably did.
Speaker 3 (19:30):
Believe this is my thing. Fucking hell.
Speaker 2 (19:36):
I mean maybe she didn't, but she probably did.
Speaker 4 (19:39):
Okay, you said the things I was saying in this office.
Speaker 3 (19:43):
Is this why you always wear black?
Speaker 2 (19:46):
Oh Jesus.
Speaker 4 (19:47):
So she's on the subway.
Speaker 2 (19:48):
Oh yeah, she goes, she takes the subway home.
Speaker 4 (19:51):
Anyways, face, she's on the tube.
Speaker 2 (19:55):
She's on the tube.
Speaker 3 (19:56):
Tube.
Speaker 2 (19:57):
So the next day at the office, Alessandra pulls me
into the office and he's like, hey, I just remembered
we didn't use a condom last night, and I'm a
little concerned by that, and she's like, don't worry about it,
because I'm on the pill.
Speaker 3 (20:09):
That's what he's concerned about.
Speaker 2 (20:11):
Yeah, that's what he's concerned about. Now, he should be
concerned about the fucking like. I see, he's a billionaire.
He's not going to get sued. He's not, he's going
to win.
Speaker 3 (20:20):
There are actually laws in place for this sort of
thing that actually not kind about this sort of thing.
Then I just go, no, no, we don't care how
much money you have. You have so much money, so
clearly a chunk of that is going to this child's education.
They're lively their life all of that.
Speaker 2 (20:34):
Yeah, No, definitely, but he's yeah, he's not concerned about
his inappropriateness he's more concerned that, like, oh, we didn't
use a condom, and she's like, I'm on the pill
and he's he's like, how are you on the pill
if you were a virgin? And she's like, to regulate
my periods, dude, and he's like okay, and.
Speaker 4 (20:53):
Then it's just a conversation. They haven't worked the next day.
Speaker 2 (20:59):
Yeah, so day one sexual harassment day to her Menstreul psycho,
that's what they're talking.
Speaker 4 (21:04):
About on a picture. Like he doesn't even know anybody
else's name in the office, like even met anybody else.
Speaker 2 (21:11):
Everyone else is just going around being like again, what
are we do?
Speaker 4 (21:15):
Well, what do you think as a nice guy?
Speaker 3 (21:18):
Yeah, it's just you, the one I would not fuck
come here.
Speaker 2 (21:21):
And the fact that Mia has been working at this
place for ages, like she definitely has a workplace bestie.
Is like, I mean, we've all got workplace besties.
Speaker 4 (21:29):
That we name is Cheryl.
Speaker 2 (21:32):
Yeah, but can you imagine Cheryl is probably there? Like
Mia hasn't okay.
Speaker 4 (21:36):
Tell me you and you and you and Alasandro seem
to be getting on alright. Haven't we talked to ye?
Speaker 3 (21:44):
We haven't really spoken.
Speaker 2 (21:46):
He likes me, I don't like him, and she doesn't
say this out loud, but she's like, I did forget
to take the pill for the past two days because
of like you know, last night was that the was
at the ball and stuff. But whatever, I'm sure it's fine.
If i'm it's just two days, it's it's cool.
Speaker 4 (22:02):
Right, happen within those two that is, no.
Speaker 2 (22:07):
You have sex for the very first time in your life.
So she's like, she's like, okay, whatever. And again she's
very practical, which pisses him off, as we've learned, So
he just she just immediately goes back to her tasks
and whatever.
Speaker 4 (22:18):
She does her job.
Speaker 2 (22:19):
She does her job, she does her admin and she
doesn't care. Alessandro can't focus on work.
Speaker 4 (22:25):
He keeps he doesn't know what they do there? What
does this company do you?
Speaker 3 (22:34):
Random employee? What do you do here?
Speaker 1 (22:38):
Yeah?
Speaker 4 (22:38):
I crunched numbers? Are good?
Speaker 3 (22:41):
You keep crunching them numbers?
Speaker 2 (22:43):
Yeah?
Speaker 3 (22:43):
What you crunch them for? Are they chewing?
Speaker 4 (22:47):
No, it's it's our investors return on their investments.
Speaker 3 (22:50):
Sir, investors cool?
Speaker 4 (22:52):
What is that they give us money to help the
operation on generate profit for them.
Speaker 3 (22:57):
So then we must keep a gin that I think
they want an investors.
Speaker 4 (23:02):
Yes, sir Good, keep doing that. I like you, thank you.
Speaker 3 (23:07):
What is your name?
Speaker 4 (23:08):
Keith?
Speaker 3 (23:09):
Keith? I like that? Do you know Len? No?
Speaker 4 (23:12):
It else.
Speaker 3 (23:15):
Good. I was wondering if there's anybody who knew him.
If no one knew him, they cannot blame us for
him disappearing.
Speaker 4 (23:20):
I think he just comes in after error, sir.
Speaker 3 (23:24):
Good.
Speaker 2 (23:25):
He also comes after.
Speaker 3 (23:30):
You.
Speaker 2 (23:30):
What do you mean, Cheryl, this is the only role
player for this book that I approved.
Speaker 4 (23:37):
I'm just picture like Cheryl talking like to mind like
so a sounders? Haven't you talking off? You can't leave
it out of love?
Speaker 3 (23:46):
I mean this is this is like any odds gag
about with the queen meeting like royal people, mean, this
is your planet? What on earth is there? That's literally
like the I used to at that table. Must be
nice to sit.
Speaker 2 (24:02):
Yeah, we haven't seen anything from the old CEO. I
mean there's typically like some sort of transition, but he's
just I think.
Speaker 3 (24:07):
He evaporated and then Alessandra like absorbed his life force
like a freaking wind to go.
Speaker 2 (24:13):
He's fucking on the dude's desk and everything has.
Speaker 3 (24:16):
He's under the desk, Now go home.
Speaker 2 (24:29):
But here's the thing. Alessandro straight up admits he's thinking
to himself, I can't concentrate on work because I look
at Mia and she's so quote pure tanical that I'm
too horny to focus.
Speaker 4 (24:42):
I'm just picturing like. He's like, I can't focus at all.
She's at her desk and he's like sitting on a stairs.
Speaker 2 (24:49):
Emotions.
Speaker 4 (24:50):
He doesn't do emotions.
Speaker 3 (24:51):
He's sure, what does this to off to the crucible?
What the fu? Yeah?
Speaker 2 (24:55):
Yeah, so it's like and actually the thing is is
like earlier that day, when she was getting ready to
go to work, she intentionally picked like the blandest look
she could, just you know, to to be like, Okay,
I gotta be taken seriously. I fucked the new boss,
but like I'll be taken seriously. And then he's just like,
oh my gosh, she's so fucking boring it makes me horny.
Speaker 3 (25:19):
This is the only guy who would be in like
an annual general meeting for the Residents Association with the
biggest boner.
Speaker 4 (25:29):
What did you do last night? Man? Not tell me
about your texture?
Speaker 3 (25:35):
Turn again?
Speaker 4 (25:37):
You bought this investment company. He just puts him in
the mood he's gonna over to like another fellily, So
what are you doing? I'm stoking after our turn officer.
Speaker 2 (25:45):
Ooh, I've been wanting to do like, you know, like
food play during sex. You know a lot of people do,
like strawberries or chocolate. And he's just like, give me
those fucking dry ass crackers uncooked.
Speaker 4 (25:59):
You see what I can all them Excel sheets.
Speaker 2 (26:03):
So here here's another quote. Alessandro had been with women,
many women who were far more attractive and alluring than
Mia James with her straight hair and English schoolgirl looks?
What was it about her that affected him so much,
drove him to such irritating distraction?
Speaker 3 (26:26):
So English school girl, the first thing that pumped into
my head is mourning mood school cool.
Speaker 2 (26:38):
So he decides I'm going to transfer me to a
different office, not going to fire her, but just you know, losing.
Speaker 3 (26:45):
Her down the hole has not changed.
Speaker 2 (26:48):
I mean he's sitting there being like, oh, I'm being
I'm being sound because I'm not firing her. But it's
like you're asking her to move cities.
Speaker 4 (26:56):
Catty go to her job. She had a good before me,
and he came on to her with a creepy in
the ward and he's like, I'm going to fire her.
Speaker 2 (27:01):
She's being professional about this, not him so, but he's
the thing. So just as he's looking through like the
database to figure out where he's going to relocate her,
she comes into the office and she's like, actually, hey,
I think you should transfer me.
Speaker 4 (27:14):
So she brings it up first, you just want to
deal with that exactly. Oh my god. He gets mad
then once she suggests.
Speaker 2 (27:28):
As soon as as soon as she wants to do something,
he's like, what the fuck, I'm supposed to force you
to do it.
Speaker 4 (27:32):
That was my idea.
Speaker 2 (27:33):
Why don't you know you're supposed to be unhappy bitch.
So he's like literally on the computer looking through a
database of where to send her. She comes in and
she's like, I think she transferred me. And then he's like, no,
request denied. Like he straight up denies it.
Speaker 4 (27:47):
I'm going to transfer every someone else in this office,
except you.
Speaker 3 (27:52):
Would be in charge of the invading army, smashed through
all your defenses. All you have to do is forefoot.
He'll throw it and leave.
Speaker 2 (28:01):
He's like a toddler or Victoria, you have a toddler.
Speaker 4 (28:03):
Not yet, but oh yeah, you assume you'll have it.
Speaker 2 (28:06):
And what I've heard is like they'll be you. They'll
say no to anything that they like. He's like the
ping of the asshole, like, well, now I'm not going
to do it. You know when he's having sex with
a woman, probably and it's.
Speaker 3 (28:17):
Like if she if she doesn't fight back, he gets annoyed.
Speaker 2 (28:20):
Yeah, he only takes over companies that don't want to
be taken over, So.
Speaker 3 (28:27):
No consent is kryptonite to this matter offact.
Speaker 2 (28:33):
So then and then he like asks her, He's like,
I just don't understand me, and where is this coming from,
Like as though he doesn't.
Speaker 3 (28:39):
Know, it's just like I read the book. You're gonna
do it anyway, so I thought i'd help.
Speaker 4 (28:44):
Yeah, yeah, I don't understand why things are awkward between
everyone else just seems fine. I talked to Carol over
in Accounts. This keeps her Carol over and Accounts, just.
Speaker 2 (28:56):
Because she dressed you like a doll yesterday and got
you drunk and kept touching you when you asked me
not to, and like completely made you look like an
unprofessional in front of people you've been working with for
a decade, just because of.
Speaker 4 (29:05):
That, and then love in this office that I'm leaning
and this office on this desk that I'm leaning on.
Speaker 2 (29:10):
Yeah, and that made you bleed your virgin juice all
over your bosses old desk.
Speaker 4 (29:16):
Actually a desk, like it's not even maintained or something.
Speaker 3 (29:19):
Oh the Len's dead.
Speaker 2 (29:22):
He eventually agrees to the plan that he had also had.
He gives her a job in LA and that pays more.
So she's like, this is great. I've always wanted to
go to LA and I'm getting more money. So she's
like cool, I'm just going to start packing immediately, and
she just like leaves that day. So she's gone.
Speaker 4 (29:41):
He gone on lunch, my y, she just pulled a
full Irish good.
Speaker 2 (29:48):
Bar on the Can you imagine all these people are like,
wait minute, fucking me is yesterday she was Cinderella and
now she's gone.
Speaker 4 (29:55):
I'm just picturing like me gone and then grabbing her
like no may remembered love doubt look back to the
future's feels so.
Speaker 2 (30:07):
So she's in l A for like a month at
this point. Now like a month passes and then she
realizes that she's pregnant.
Speaker 3 (30:13):
Oh, I didn't see that coming well ago. We're easily amused.
Speaker 4 (30:31):
Bankrupt the company pretty much.
Speaker 3 (30:35):
There's not even a building where it used to be anymore.
Tall Lane's selling newspapers going he used to be a building.
Speaker 2 (30:46):
It's like the business itself had to get a restraining
order against him because it's just constantly talking about how
he like prays on.
Speaker 4 (30:52):
The companies, like Prais still gets.
Speaker 2 (30:55):
So she finds out she's pregnant, and she tries. She
kind of like does a half hearted attempt. She's like, eh,
like he should know, but he's also kind of a dick,
so I'm not going to try too hard to let
him know I'm pregnant.
Speaker 4 (31:08):
So, like she calls something.
Speaker 2 (31:14):
About him, doesn't it is a little dangerous.
Speaker 3 (31:17):
I for.
Speaker 2 (31:20):
What word would you use?
Speaker 3 (31:22):
Virulent?
Speaker 4 (31:23):
Villainous?
Speaker 2 (31:24):
Yes, So she tries to call him, but like his
receptionist like filters the calls.
Speaker 3 (31:31):
And loud len there's no one else in that building.
Speaker 4 (31:36):
Yeah, yeah, so my new favorite character.
Speaker 2 (31:43):
When she tries to call him and she doesn't get
a call back, she starts remembering how her dad was
incredibly controlling and how like as a child she wished
her father was not in the picture because he was
just so domineering over her own life that she's like,
you know what, I'm not going to do that to
my kid, because this dude is clearly he's a fucking
control free rights so fu Yeah.
Speaker 4 (32:04):
A year now passes, had the baby.
Speaker 2 (32:06):
She's had the baby, baby's like three months old. Now, okay,
Alessandro this a year later realizes he can't stop thinking
about Mia even after a whole year passes.
Speaker 3 (32:20):
Then why didn't you check your phone?
Speaker 4 (32:22):
You jackass?
Speaker 3 (32:25):
I thought you.
Speaker 2 (32:25):
I bet you he'd stopped thinking about her if he
was like, hey, I'm sending you to l A and
she was like, no, don't And he's like, I don't care.
But because she was okay with leaving, he's like, no,
I have to be in control.
Speaker 3 (32:39):
If she could work this out for herself, what his
behavior passion is, she could be coining it. I don't
want to castle, I didn't want to.
Speaker 4 (32:46):
Oh yeah, I don't want it for I don't want
what are you talking about?
Speaker 3 (32:54):
I don't want you to transfer full power of.
Speaker 2 (32:58):
Free will.
Speaker 3 (33:01):
You just seem.
Speaker 4 (33:02):
Like, well, you're good.
Speaker 2 (33:08):
What he does is he calls up me as new
boss in l A to be like, hey, how's.
Speaker 4 (33:12):
How's how's your curvy? I'm sorry, I'm sorry to.
Speaker 3 (33:23):
Fight all the time, but you know it's just what
it's good for the family. How's your child suicidal? How
is your child?
Speaker 4 (33:32):
What? Yeah, that's kind of what happens.
Speaker 2 (33:35):
He's like, the new boss is like me as on
as you know, me is on maternity leave, and yeah.
Speaker 4 (33:43):
What we have to give that. That's why he's shocked.
Like I don't know, we're like when the officers had
a baby, just like the the next day we little
to work with her.
Speaker 2 (33:54):
Well, I mean this is this is the American side
of it. So it's like we're not allowed to yeah,
because you know in America, there there is no legal
requirement to give matt leave.
Speaker 3 (34:05):
Oh yeah, you have to.
Speaker 2 (34:07):
I mean some some states. There are a few states
that do have their own mandatory matte leave, but like
a lot of states, like Southern Republican states, which are
their little family values. Sorry guys, I'm getting political, but yeah,
like I've heard stories of women in the States literally
having to go to work the day after giving birth. Yeah,
(34:31):
so you gotta wear like a diaper and ship after
you give birth because all this stuff hasn't come out yet,
and sometimes you got to like put ice packs all
up on your junk and there's like a special mesh
diaper you gotta wear for a few days after giving birth.
So they just have like, you know, there's have all
these ice packs and like pads like shoved up in
their underwear and then they gotta fucking, you know, stand
(34:51):
at the till because anyways, that's that's given birth in
the States. So Alessandra's like, what do you mean, Matt leave?
We don't give that for our American employees.
Speaker 3 (35:04):
Like me neither. I mean, yeah, so I have to.
Speaker 2 (35:10):
So apparently Mia has a baby girl who is three
months old at this point in the book. Yeah, she's
on Matt leave. So Alessandro immediately gets on a plane
to La that night. He is he's thinking to himself,
I grew up without a dad, and I'm determined to
not let that happen to my own child. He knows
where Mia lives, because of course he does.
Speaker 3 (35:33):
From the GPS market chip. He's stuck in his spine.
Speaker 2 (35:36):
He doesn't like get her phone.
Speaker 3 (35:39):
Yeah, attaching an airttag.
Speaker 2 (35:44):
Yeah, that's why he was kissings because he was trying
to know that don't fit, don't fit, don't there we go.
But like dude obviously has her phone number because he's
the CEO of the company and her foot phone numbers
and the database somewhere, I'm sure, But instead of giving
her a call, he just shows up unexpectedly at her
front door, literally at her front door. She opens the door.
The first thing he says is like, you should have
(36:04):
told me, and I don't forgive you.
Speaker 4 (36:06):
That's literally he's opened the lawyers aren't great, I need you.
You should have told me, I don't forgive you.
Speaker 2 (36:12):
Don't you have to be kind of charismatic to get
to the level of CEO, like at least a little bit.
Speaker 3 (36:17):
Look, yeah, it's it's it's you're basically Yeah, it's manipulation
of people.
Speaker 4 (36:21):
Maybe he never don't how to say hello, and you
just get socially awkwardly. Yeah, Like he goes into work
and like he sees kids, like hey, hello, Boston. He
looks at me just because the end times are called
me and walks on.
Speaker 2 (36:35):
So, guys, that's the end of that episode. In the
next episode, we will touch upon what happens at their
beautiful little family reunion.
Speaker 4 (36:44):
I'm just picture like, you should have told me, I
don't forgive you.
Speaker 3 (36:47):
Boom boom boom boom.
Speaker 2 (36:50):
But no, But it's like he was the one who
kind of abused his power over her.
Speaker 3 (36:54):
Yeah, you didn't answer the bloody phone when she tried
to get a hold of him.
Speaker 2 (36:58):
Yeah. Well then he well, she does say that she
was like, hey, look, I just try to contact you,
and he's like, you should have tried harder he sent Yeah,
he says that he's like, you should have tried he
sent her away. Yeah. Anyways, guys, that's the end of
this episode and once again special shout out to an
an email my Patreon subscribers. And in the next episode
we'll find out yeah happens at their little family reunion.
Speaker 1 (37:20):
So
A sexy day with Daddy. I mean, read this team
your Mamma's book club, grab your busy listen.
Speaker 2 (00:17):
Hey guys, Hey, hello, Welcome back to episode three of
The Italian's Unexpected Baby written you know about an Italian's
Unexpected baby? Wouldn't you Victorio?
Speaker 3 (00:36):
About unexpected the thing? You can't say, Oh, it's a
surprise pregnancy. What Yes, you can't say it's a surprise birth,
though you have say are you just getting fatter?
Speaker 2 (00:48):
You haven't seen the show. I didn't know I was pregnant,
which is a.
Speaker 3 (00:51):
Real remember I've heard some of the stories. Stomach it's
such a change, I mean kicked from the inside for
a change.
Speaker 2 (01:01):
If you did not know you were pregnant, I could
understand how you might misinterpret the kicking as like fart bubbles,
because that's kind of what it feels like in the
beginning when they first start kicking.
Speaker 3 (01:13):
Until you actually see an elbow.
Speaker 2 (01:16):
Yeah, then you can see it an elbow.
Speaker 3 (01:18):
At that point, your thoughts are demonically possessed.
Speaker 2 (01:21):
Yeah what did you eat? But yeah, So that brings
me to my comedian guest stars Alex J. Byrne and
Victorio Leonardi.
Speaker 3 (01:29):
So that that's victorial represent the stereotype in this story.
Speaker 4 (01:34):
Hello, I'm from Dublin.
Speaker 2 (01:37):
And well and the character Mia James is English, so
you can you kind of represent I'm joking, but don't
come after me.
Speaker 3 (01:45):
You speak the language and that's about it.
Speaker 2 (01:48):
As I looked, I saw look at Alex's eyes. I
know that the Irish and the English are very different.
So just calm the fuck down, Alex. Okay, little little bitch.
Speaker 3 (01:59):
That's been said the un before this episode.
Speaker 4 (02:02):
Of Bad Bashes brought to you by Irish Heritage dot Com.
Speaker 2 (02:06):
Okay, so where we left off, Alex. We want to
give a quick recap of the last episode.
Speaker 4 (02:12):
If I could sow with open by paraphrase and abbot,
can you call hatjor Alessandro. He's basically taking over a
company and he spent this whole day just bothering this
intern like she's the assistant, sorry, the assistant, the executive.
He's just spent He's literally taking over a company and
he's done nothing. He's not had like a meet and
he's not talking. He's literally just bothered this executive assistant
(02:35):
and that's been his whole day and he's basically go
to the charity ball where she knows everybody. But he's
introducing her and be like, oh look she's mine and
last week left him. He was getting her drunk and
I don't like where it's going at all.
Speaker 3 (02:47):
Yeah, she says no thanks, and he says no, really,
keep drinking.
Speaker 2 (02:51):
It's handy too.
Speaker 3 (02:53):
This dude read the game and is running it like.
Speaker 4 (02:57):
I'm considering that the book is called The Italian Surprise. Baby,
I don't like where it's going. I know where it's
going a surprise as Christ.
Speaker 2 (03:07):
It's also like, dude's a billionaire and he's allegedly very
good looking, Like why does he need to be so
shitty to get a woman to sleep with him?
Speaker 4 (03:15):
He's kind of just bought the company for this reason.
Speaker 3 (03:17):
Scene like there are levels to billionaires and this dude
is probably on the bottom tier of billionairess when billionaire
would refer to as new money.
Speaker 2 (03:28):
Yeah, oh he is, Well, he came from a slum,
his personality came from a slum at least.
Speaker 3 (03:32):
Yeah, jeez, I came from and I climbed my way
out using a ladder in a sewer does not to
mean you climbed up from the bed streets.
Speaker 2 (03:42):
Were left off there at the gala, this charity gala,
and they're dancing and he and the alcohol actually does
hit her, and she's kind of like, Okay, maybe I
do want to get with him. And he tells her
like he's like, let's leave, let's get out of here,
and she's kind of drunk and she's like, yeah, sure,
So now where we are. It's like they once they leave,
(04:03):
the cold air hits them and they're both kind of like, actually,
this is a mistake. We shouldn't hook up now that
I have come to my senses.
Speaker 4 (04:11):
A little bit good.
Speaker 3 (04:12):
How cold was this air? And they.
Speaker 4 (04:16):
Last this takes.
Speaker 2 (04:17):
Place in England. I should have said they're all they're.
Speaker 4 (04:21):
Of anybody else. They went and they smelled the city
and oh god, we can't do.
Speaker 2 (04:27):
God, does someone have their period?
Speaker 4 (04:33):
Was like, I know that smell.
Speaker 3 (04:36):
In the distance.
Speaker 2 (04:37):
I know what you need. I'm not shaming. I'm not
shaming menstruation. I'm shaming the last book where they claimed
that men could apparently smell periods, which we all know
is bullshit.
Speaker 4 (04:49):
This book is now period drama.
Speaker 2 (04:53):
So they're like, Okay, we gotta let's go back to
the office to like gather our things.
Speaker 4 (04:58):
Right, Oh, maybe we should do a bit of.
Speaker 3 (04:59):
Work because this I did not have a freaking apartment.
Speaker 4 (05:01):
No, he lives and work.
Speaker 3 (05:02):
Yeah, he lives in the what he keeps buying place.
I don't have enough.
Speaker 2 (05:09):
That the thing he hasn't even fully moved into the
office yet because this like he he only took the
company over like twenty four hours ago, and like no
one in the company expected it. So like of course
the CEO like didn't have enough time to fully move
his shit out. So Alessandro doesn't even have like his
own proper stuff at the office yet.
Speaker 3 (05:28):
Oh god.
Speaker 2 (05:30):
But anyways, they go back to the office and let
me know, they take a limit to the office, like
she she has to like change out of her dress
and everything, and like while they're gathering their things, he's
also being like really shitty to her.
Speaker 4 (05:40):
He's like, I'm shocked.
Speaker 2 (05:41):
He's like telling her, like, you're you're okay taking the
subway home?
Speaker 1 (05:45):
Right?
Speaker 5 (05:46):
Oh my sweet he paid he took them like he
could very easily hire a private car because he did,
you know, he spent all this fucking money on her
dress and makeup.
Speaker 2 (05:57):
And then he's like, eh, you know, spending.
Speaker 4 (05:59):
Fifty for a taxi.
Speaker 2 (06:01):
Yeah, yeah, yes, fifty pounds for a cab is too much.
You gotta take a fucking subway.
Speaker 3 (06:05):
And she's like, okay, he's a billionaire, but in Italian.
Speaker 4 (06:09):
I'm just picturing like she's also in order to get
to the office, you have to drive past her house.
Speaker 3 (06:13):
Yeah, yeah, that's where I live.
Speaker 2 (06:16):
But it's like once he's like decided, at least in
this in this moment, he's like, I'm not going to
fuck her, So bitch can take a subway home instead of.
Speaker 3 (06:23):
God means the sandwich.
Speaker 4 (06:25):
Yeah, so but I have to walk by my house
to get to the subway station. I know what I said.
Speaker 3 (06:38):
Did I not make myself cab?
Speaker 1 (06:44):
Oh?
Speaker 2 (06:44):
You guys want to know the transition from how they
go from not sexy time to sexy time.
Speaker 3 (06:48):
I'm guessing she drops a pin.
Speaker 4 (06:50):
I'm gonna guess she. I'm gonna guess she closes his
computer in Well.
Speaker 2 (06:56):
Actually no, let's let's see. So they're at the office,
they're both having to like change their clothes from fancy
wear to like regular clothes.
Speaker 4 (07:05):
Because again they can't just go home with the fancy clothes,
of course not so.
Speaker 3 (07:09):
They don't allow that on the subway. I think your performers.
Speaker 4 (07:11):
Yeah, but I love the fact that, like obviously like
they must have left like their own clothes. The opposite
people were clucking. I was just like, these just clothes
strong about the floor.
Speaker 2 (07:21):
What happens is is she is using his office to
change and she can't undo the zipper on her own.
Speaker 4 (07:30):
The door has a zipper.
Speaker 3 (07:33):
It probably does. I like it, zip I used to.
Speaker 4 (07:41):
I'm just picturing like her dress is a combination.
Speaker 3 (07:43):
Look.
Speaker 2 (07:45):
If I was gonna have to hang out with a
dude like that, I would try to make all my
I would wear a chest.
Speaker 4 (07:51):
Could say like I'm just kind of a home like
this good boy.
Speaker 2 (07:54):
He's mad at her for taking so long, and she's like,
I can't undo the zipper, will you help? And he's
like sure, So he unzips her dress and then he
starts kissing her neck after he unzips her Of course.
Speaker 3 (08:07):
He does because he saw the video game once.
Speaker 4 (08:09):
I love the fact, like in this office probably a
late night. He just like sweet, but he looks like.
Speaker 3 (08:16):
It's it's England, so they would be Lynne's going take
you guys want to get a room for that short building?
Then is it not right now? It's mine when when
it's closing time, mister Costa.
Speaker 4 (08:35):
Costa, because I do. I'm very much long to be
I'm not doing this job, so don't make a mess.
Speaker 3 (08:42):
Wipe down that surface. Thank you, polishing the old bordering
table set.
Speaker 2 (08:49):
Oh no, okay, okay, So he's here's a gross here's
a gross expression. He starts kissing her neck. Then he
starts quote seeing each knob of her spine end quote,
huh yeah, okay.
Speaker 3 (09:06):
You kiss your way down someone's spine, you do not
really have to get into the intricacies of the musculature. Yeah,
knobs as in, basically, she's thin enough that the individual
little bumps are sticking knobs. You don't call it that
you you're a knob for writing that.
Speaker 2 (09:23):
You're a knob for writing it. Was just I'm like, okay,
I guess I can see like kissing down the back
being sexy, But when you write it, when that's the
language you use to describe it, who calls.
Speaker 4 (09:35):
Someone's part knobs?
Speaker 3 (09:37):
People with hardcore arthritis maybe or hunchback or the Cosmoto
had knobs on his.
Speaker 4 (09:43):
Back four years.
Speaker 2 (09:47):
It's like unhealthily skinny as well.
Speaker 3 (09:51):
So what I can't say that anymore? Would you fucking broom?
What do you want? Don't take it a well fall over.
Speaker 2 (09:57):
So then he gets on his knees and starts kissing
the small of her back.
Speaker 4 (10:01):
He's no interesting, there's no interest in the front of her.
Speaker 2 (10:07):
Famous that's where her faces, which is so boring.
Speaker 4 (10:10):
And I just pictured like the whole time he's doing this,
she's just standing there like, oh bloody hell.
Speaker 3 (10:18):
The zip is down. The zip is down.
Speaker 2 (10:20):
You can't see her face to see if she's enjoying it,
which is probably why he doesn't want to turn her around.
Speaker 3 (10:24):
Killers, you don't look at the victim in the eye
that makes them human, You don't.
Speaker 4 (10:30):
Yeah, I'm just pictured like she's looked for the window
at len and she's like melting the words help me.
She's looking at I don't care if you live redfre
And he walks off.
Speaker 3 (10:39):
Guys mop and he's like holding them and the so
it doesn't cast the reflection.
Speaker 4 (10:48):
He runs the help but he slips on his own.
We floors himself. As he slides, he extentally closes the door.
NS on the other Side's made it worse.
Speaker 3 (11:02):
What happened every time I jiggled the handle on the door.
I heard was a slushing up and someone going eh.
Speaker 2 (11:14):
Still a better sex scene. Still a better sex scene.
That one her dress completely falls off.
Speaker 4 (11:19):
Hell, how did that happen?
Speaker 3 (11:21):
Just all the way.
Speaker 2 (11:22):
So they start passionately making out. He hoists her on
the desk, They start kissing, he starts fingering her, but
it's described her clip is described as, quote the heart
of her, the heart like the like, which I've never
I've heard a lot of weird descriptions for the clear
and that's not the worst, but that's a strange used,
(11:43):
the core, the.
Speaker 3 (11:47):
Sensitive spot to fucking there's all these fantastic to the
heart of her wife was heart beating from just how
passionate a lover you are?
Speaker 4 (11:58):
Her fails biology, This is her her, These are her knobs.
Speaker 2 (12:03):
Usually it's actually I've heard the clip described as the knob,
but that's her back.
Speaker 3 (12:06):
Apparently when she flaps, is that's her lungs?
Speaker 4 (12:10):
She breeds your eyes?
Speaker 3 (12:16):
Oh god, yes, a quote.
Speaker 2 (12:18):
He says quo that he's thinking he needed to possess
her fully to make her his own. So it's just
again this weird power play that they have. It's like,
it's not it's like he's already abusing his power as
her boss. But he's like that's not enough for him.
Speaker 3 (12:36):
So yeah, it's wow, you've crossed it. This is it's Christian,
it's literally it's that. It's somebody who does not understand
how subdomb relationships actually work.
Speaker 2 (12:47):
This is mental, it's something.
Speaker 4 (12:50):
This is his first day at work.
Speaker 3 (12:53):
First, what did the second day bend over? And we're
going to check your progress in days?
Speaker 2 (13:00):
Just full on orgy.
Speaker 4 (13:02):
Secondary hold a memorial for Len.
Speaker 3 (13:06):
I remember remember Len's favorite bomb, No Babies Go United.
Speaker 2 (13:14):
So he thrusts himself inside of her like I mean,
he's like he fingers her for a little bit, and
he's just like, okay, it's been like two minutes, ready
to go, right, warmed up, just thrust inside of her.
After two thrusts, he can be He stops and he's like,
you're a virgin. He can he can feel her virginity
(13:36):
or previous virginity.
Speaker 4 (13:37):
I guess huh.
Speaker 2 (13:39):
Yeah, so she is a virgin and he can tell
from and she's just like, don't worry about it.
Speaker 4 (13:45):
It's fine.
Speaker 3 (13:46):
Excuse me.
Speaker 4 (13:47):
It's cool. I've been that way.
Speaker 2 (13:50):
But the thing is is like you can only they Okay,
someone who's a virgin, he's probably saying that because it's like, oh,
she's so tight. But if she's that tight, it's it's
probably because you haven't made her comfortable enough to like
loosen up. So I mean, some of it is like
a virgindy thing, because if it's your first time, then
(14:11):
you are, you know, more uneasy and so like less relaxed.
But it's not like that. The only thing I mean,
you guys, yeah, what I'm trying to say.
Speaker 3 (14:20):
Yeah, I mean it's fucking hell. Okay, does it do
any other description apart from that, or like, is is
it just him saying that? Or does do they go
into any graphic description here?
Speaker 2 (14:30):
They do have some graphic description. I didn't write enough
notes on.
Speaker 3 (14:34):
It because you know, you don't want to have nightmares.
Speaker 2 (14:36):
Yeah, and he like they have so apparently they have
amazing sex, but they're both very happy about it.
Speaker 3 (14:42):
Oh this is I'm sorry, this is bullshit on a stick.
Fuck me, okay, just like I have a list of
advice that I want to give my son. This is
and the top of the list is if you and
your partner, if you do end up dating a woman,
if she's a understand something. It is going to hurt her. Yes,
(15:03):
and you need to be the nicest human being on
earth because even if you are, she's probably gonna think
you're an asshole. Yeah, because you've just caused their pain
in the most intimate thing in the world and she's
incredibly vulnerable. Do the two of you better seriously fucking
love each other?
Speaker 1 (15:20):
Yeah?
Speaker 3 (15:20):
Okay, and just so much fucking foreplay. Okay, in fact
that I know both of you are going to be virgins,
but fucking how I need you to actually study for
this test. Yeah, it's like there's there's certain things that
you just need to do. Because I've had enough female
friends tell me stories about their first timmer. I just said,
they're going, Holy shirt balls, Like how in the fuck?
(15:42):
Like like, oh god, I mean this is Oh yeah,
it was incredible. Is it him writing the story? Because
I get the feeling that the woman is an author
We keep coming up with, but I get the feeling like, madam,
have you actually had the sex? Yeah? What rose tinted
glasses did you? Did you have? How high were you
when you had your first experience?
Speaker 2 (16:02):
That's true because it's like you're describing like like a
ver I mean, I've I've heard a small amount of
stories from women who like they lost virginity. They're the
virginity and it didn't hurt. I mean, it's not it's
not always horrible, like you know. I've heard some are like, yeah,
I lost my virginity to my boyfriend and it was
itself was a great experience. It hurt, But I'm like,
(16:23):
I think it's a great experience because of the closeness
is typically.
Speaker 3 (16:27):
What makes it.
Speaker 4 (16:28):
It's enjoy That is what makes it enjoyable.
Speaker 2 (16:30):
Closeness.
Speaker 3 (16:31):
It's so vulnerable with the other person, Jesus Christ, this guy.
Speaker 2 (16:36):
But the fact that she's like, oh yeah, I got
I was so but it's okay. But also if you were,
if you were so tight, if you were so so
so tight that he was able to be like your virgin,
then clearly it wasn't enjoyable for her because she didn't relax. Right, Okay, yeah, right,
(16:57):
but I.
Speaker 3 (16:57):
Want to weather dress.
Speaker 4 (16:59):
She don't want to think it goes to the gallo ball.
Speaker 3 (17:02):
I want to feel like a princess. What ravaged by
an enemy? I don't like jeez.
Speaker 2 (17:07):
So then after they have sex, he's feeling he's like
really ashamed of himself because he's like, oh my god,
I lost control, and he kind of brats her, being like,
you should have told me you were a virgin.
Speaker 4 (17:17):
Oh your fault.
Speaker 2 (17:20):
How is that gonna call up in a fucking business
conversation as well?
Speaker 3 (17:23):
He came, didn't he?
Speaker 2 (17:25):
I think? Yeah? I think it was only a few thrusts, the.
Speaker 3 (17:28):
Feeling that he's one up dumb.
Speaker 4 (17:30):
The first thing I said to you when you met
me was I was a virgin. I says, no, this
is what's the wi fi. I didn't watch you man, what.
Speaker 3 (17:39):
Is the wifey? We are not at that point?
Speaker 4 (17:42):
Did you call me your wifey?
Speaker 2 (17:45):
He's trying to but like Mia is being very like
logical and pragmatic about this, and she's like, honestly, if
I told you I was a virgin, would it have
even would it have mattered?
Speaker 3 (17:55):
Made an ounce of different? Yeah, And he's like, I
told me it's it's a rental. We have to bring
it back. We'll wash all that stuff off.
Speaker 2 (18:05):
So she's like she tells him immediately after this, she's like, hey, look,
you know, we we just lost both of us. Should
not have done that just now, let's just move past
it and he's like so mad because he's like, oh
my god, she's being like more logical than me. I'm
supposed to always be in control, and this bitch is
fucking thinking logically, like fuck, yeah.
Speaker 4 (18:28):
How dare you have an emotional But he doesn't do.
Speaker 3 (18:31):
He doesn't do emotion, just as petulance. O God.
Speaker 2 (18:37):
But meanwhile, in her own head, she's like feeling a
lot of shame. She's like, oh my god, I can't
believe I lost my virginity on my boss's desk. Typical Wednesday, all.
Speaker 3 (18:45):
Right, I usually reserve that for Thursday.
Speaker 2 (18:51):
I was I was in a Cinderella situation against my will.
And anyways, so she goes home.
Speaker 4 (18:59):
I'm just right. As they're leaving the office, like what
I was saying that the real moment, and like it
just shows them like walking past Len like Cara looks
in and he just looks and goes, I'm not cleaning that.
Speaker 2 (19:16):
It's a fucking bio hazard. You need cleaning crew to
clean up that ship.
Speaker 4 (19:21):
He has his notes the next day.
Speaker 3 (19:24):
Spaghetti sauce.
Speaker 2 (19:27):
It's spaghetti because she probably she probably did.
Speaker 3 (19:30):
Believe this is my thing. Fucking hell.
Speaker 2 (19:36):
I mean maybe she didn't, but she probably did.
Speaker 4 (19:39):
Okay, you said the things I was saying in this office.
Speaker 3 (19:43):
Is this why you always wear black?
Speaker 2 (19:46):
Oh Jesus.
Speaker 4 (19:47):
So she's on the subway.
Speaker 2 (19:48):
Oh yeah, she goes, she takes the subway home.
Speaker 4 (19:51):
Anyways, face, she's on the tube.
Speaker 2 (19:55):
She's on the tube.
Speaker 3 (19:56):
Tube.
Speaker 2 (19:57):
So the next day at the office, Alessandra pulls me
into the office and he's like, hey, I just remembered
we didn't use a condom last night, and I'm a
little concerned by that, and she's like, don't worry about it,
because I'm on the pill.
Speaker 3 (20:09):
That's what he's concerned about.
Speaker 2 (20:11):
Yeah, that's what he's concerned about. Now, he should be
concerned about the fucking like. I see, he's a billionaire.
He's not going to get sued. He's not, he's going
to win.
Speaker 3 (20:20):
There are actually laws in place for this sort of
thing that actually not kind about this sort of thing.
Then I just go, no, no, we don't care how
much money you have. You have so much money, so
clearly a chunk of that is going to this child's education.
They're lively their life all of that.
Speaker 2 (20:34):
Yeah, No, definitely, but he's yeah, he's not concerned about
his inappropriateness he's more concerned that, like, oh, we didn't
use a condom, and she's like, I'm on the pill
and he's he's like, how are you on the pill
if you were a virgin? And she's like, to regulate
my periods, dude, and he's like okay, and.
Speaker 4 (20:53):
Then it's just a conversation. They haven't worked the next day.
Speaker 2 (20:59):
Yeah, so day one sexual harassment day to her Menstreul psycho,
that's what they're talking.
Speaker 4 (21:04):
About on a picture. Like he doesn't even know anybody
else's name in the office, like even met anybody else.
Speaker 2 (21:11):
Everyone else is just going around being like again, what
are we do?
Speaker 4 (21:15):
Well, what do you think as a nice guy?
Speaker 3 (21:18):
Yeah, it's just you, the one I would not fuck
come here.
Speaker 2 (21:21):
And the fact that Mia has been working at this
place for ages, like she definitely has a workplace bestie.
Is like, I mean, we've all got workplace besties.
Speaker 4 (21:29):
That we name is Cheryl.
Speaker 2 (21:32):
Yeah, but can you imagine Cheryl is probably there? Like
Mia hasn't okay.
Speaker 4 (21:36):
Tell me you and you and you and Alasandro seem
to be getting on alright. Haven't we talked to ye?
Speaker 3 (21:44):
We haven't really spoken.
Speaker 2 (21:46):
He likes me, I don't like him, and she doesn't
say this out loud, but she's like, I did forget
to take the pill for the past two days because
of like you know, last night was that the was
at the ball and stuff. But whatever, I'm sure it's fine.
If i'm it's just two days, it's it's cool.
Speaker 4 (22:02):
Right, happen within those two that is, no.
Speaker 2 (22:07):
You have sex for the very first time in your life.
So she's like, she's like, okay, whatever. And again she's
very practical, which pisses him off, as we've learned, So
he just she just immediately goes back to her tasks
and whatever.
Speaker 4 (22:18):
She does her job.
Speaker 2 (22:19):
She does her job, she does her admin and she
doesn't care. Alessandro can't focus on work.
Speaker 4 (22:25):
He keeps he doesn't know what they do there? What
does this company do you?
Speaker 3 (22:34):
Random employee? What do you do here?
Speaker 1 (22:38):
Yeah?
Speaker 4 (22:38):
I crunched numbers? Are good?
Speaker 3 (22:41):
You keep crunching them numbers?
Speaker 2 (22:43):
Yeah?
Speaker 3 (22:43):
What you crunch them for? Are they chewing?
Speaker 4 (22:47):
No, it's it's our investors return on their investments.
Speaker 3 (22:50):
Sir, investors cool?
Speaker 4 (22:52):
What is that they give us money to help the
operation on generate profit for them.
Speaker 3 (22:57):
So then we must keep a gin that I think
they want an investors.
Speaker 4 (23:02):
Yes, sir Good, keep doing that. I like you, thank you.
Speaker 3 (23:07):
What is your name?
Speaker 4 (23:08):
Keith?
Speaker 3 (23:09):
Keith? I like that? Do you know Len? No?
Speaker 4 (23:12):
It else.
Speaker 3 (23:15):
Good. I was wondering if there's anybody who knew him.
If no one knew him, they cannot blame us for
him disappearing.
Speaker 4 (23:20):
I think he just comes in after error, sir.
Speaker 3 (23:24):
Good.
Speaker 2 (23:25):
He also comes after.
Speaker 3 (23:30):
You.
Speaker 2 (23:30):
What do you mean, Cheryl, this is the only role
player for this book that I approved.
Speaker 4 (23:37):
I'm just picture like Cheryl talking like to mind like
so a sounders? Haven't you talking off? You can't leave
it out of love?
Speaker 3 (23:46):
I mean this is this is like any odds gag
about with the queen meeting like royal people, mean, this
is your planet? What on earth is there? That's literally
like the I used to at that table. Must be
nice to sit.
Speaker 2 (24:02):
Yeah, we haven't seen anything from the old CEO. I
mean there's typically like some sort of transition, but he's
just I think.
Speaker 3 (24:07):
He evaporated and then Alessandra like absorbed his life force
like a freaking wind to go.
Speaker 2 (24:13):
He's fucking on the dude's desk and everything has.
Speaker 3 (24:16):
He's under the desk, Now go home.
Speaker 2 (24:29):
But here's the thing. Alessandro straight up admits he's thinking
to himself, I can't concentrate on work because I look
at Mia and she's so quote pure tanical that I'm
too horny to focus.
Speaker 4 (24:42):
I'm just picturing like. He's like, I can't focus at all.
She's at her desk and he's like sitting on a stairs.
Speaker 2 (24:49):
Emotions.
Speaker 4 (24:50):
He doesn't do emotions.
Speaker 3 (24:51):
He's sure, what does this to off to the crucible?
What the fu? Yeah?
Speaker 2 (24:55):
Yeah, so it's like and actually the thing is is
like earlier that day, when she was getting ready to
go to work, she intentionally picked like the blandest look
she could, just you know, to to be like, Okay,
I gotta be taken seriously. I fucked the new boss,
but like I'll be taken seriously. And then he's just like,
oh my gosh, she's so fucking boring it makes me horny.
Speaker 3 (25:19):
This is the only guy who would be in like
an annual general meeting for the Residents Association with the
biggest boner.
Speaker 4 (25:29):
What did you do last night? Man? Not tell me
about your texture?
Speaker 3 (25:35):
Turn again?
Speaker 4 (25:37):
You bought this investment company. He just puts him in
the mood he's gonna over to like another fellily, So
what are you doing? I'm stoking after our turn officer.
Speaker 2 (25:45):
Ooh, I've been wanting to do like, you know, like
food play during sex. You know a lot of people do,
like strawberries or chocolate. And he's just like, give me
those fucking dry ass crackers uncooked.
Speaker 4 (25:59):
You see what I can all them Excel sheets.
Speaker 2 (26:03):
So here here's another quote. Alessandro had been with women,
many women who were far more attractive and alluring than
Mia James with her straight hair and English schoolgirl looks?
What was it about her that affected him so much,
drove him to such irritating distraction?
Speaker 3 (26:26):
So English school girl, the first thing that pumped into
my head is mourning mood school cool.
Speaker 2 (26:38):
So he decides I'm going to transfer me to a
different office, not going to fire her, but just you know, losing.
Speaker 3 (26:45):
Her down the hole has not changed.
Speaker 2 (26:48):
I mean he's sitting there being like, oh, I'm being
I'm being sound because I'm not firing her. But it's
like you're asking her to move cities.
Speaker 4 (26:56):
Catty go to her job. She had a good before me,
and he came on to her with a creepy in
the ward and he's like, I'm going to fire her.
Speaker 2 (27:01):
She's being professional about this, not him so, but he's
the thing. So just as he's looking through like the
database to figure out where he's going to relocate her,
she comes into the office and she's like, actually, hey,
I think you should transfer me.
Speaker 4 (27:14):
So she brings it up first, you just want to
deal with that exactly. Oh my god. He gets mad
then once she suggests.
Speaker 2 (27:28):
As soon as as soon as she wants to do something,
he's like, what the fuck, I'm supposed to force you
to do it.
Speaker 4 (27:32):
That was my idea.
Speaker 2 (27:33):
Why don't you know you're supposed to be unhappy bitch.
So he's like literally on the computer looking through a
database of where to send her. She comes in and
she's like, I think she transferred me. And then he's like, no,
request denied. Like he straight up denies it.
Speaker 4 (27:47):
I'm going to transfer every someone else in this office,
except you.
Speaker 3 (27:52):
Would be in charge of the invading army, smashed through
all your defenses. All you have to do is forefoot.
He'll throw it and leave.
Speaker 2 (28:01):
He's like a toddler or Victoria, you have a toddler.
Speaker 4 (28:03):
Not yet, but oh yeah, you assume you'll have it.
Speaker 2 (28:06):
And what I've heard is like they'll be you. They'll
say no to anything that they like. He's like the
ping of the asshole, like, well, now I'm not going
to do it. You know when he's having sex with
a woman, probably and it's.
Speaker 3 (28:17):
Like if she if she doesn't fight back, he gets annoyed.
Speaker 2 (28:20):
Yeah, he only takes over companies that don't want to
be taken over, So.
Speaker 3 (28:27):
No consent is kryptonite to this matter offact.
Speaker 2 (28:33):
So then and then he like asks her, He's like,
I just don't understand me, and where is this coming from,
Like as though he doesn't.
Speaker 3 (28:39):
Know, it's just like I read the book. You're gonna
do it anyway, so I thought i'd help.
Speaker 4 (28:44):
Yeah, yeah, I don't understand why things are awkward between
everyone else just seems fine. I talked to Carol over
in Accounts. This keeps her Carol over and Accounts, just.
Speaker 2 (28:56):
Because she dressed you like a doll yesterday and got
you drunk and kept touching you when you asked me
not to, and like completely made you look like an
unprofessional in front of people you've been working with for
a decade, just because of.
Speaker 4 (29:05):
That, and then love in this office that I'm leaning
and this office on this desk that I'm leaning on.
Speaker 2 (29:10):
Yeah, and that made you bleed your virgin juice all
over your bosses old desk.
Speaker 4 (29:16):
Actually a desk, like it's not even maintained or something.
Speaker 3 (29:19):
Oh the Len's dead.
Speaker 2 (29:22):
He eventually agrees to the plan that he had also had.
He gives her a job in LA and that pays more.
So she's like, this is great. I've always wanted to
go to LA and I'm getting more money. So she's
like cool, I'm just going to start packing immediately, and
she just like leaves that day. So she's gone.
Speaker 4 (29:41):
He gone on lunch, my y, she just pulled a
full Irish good.
Speaker 2 (29:48):
Bar on the Can you imagine all these people are like,
wait minute, fucking me is yesterday she was Cinderella and
now she's gone.
Speaker 4 (29:55):
I'm just picturing like me gone and then grabbing her
like no may remembered love doubt look back to the
future's feels so.
Speaker 2 (30:07):
So she's in l A for like a month at
this point. Now like a month passes and then she
realizes that she's pregnant.
Speaker 3 (30:13):
Oh, I didn't see that coming well ago. We're easily amused.
Speaker 4 (30:31):
Bankrupt the company pretty much.
Speaker 3 (30:35):
There's not even a building where it used to be anymore.
Tall Lane's selling newspapers going he used to be a building.
Speaker 2 (30:46):
It's like the business itself had to get a restraining
order against him because it's just constantly talking about how
he like prays on.
Speaker 4 (30:52):
The companies, like Prais still gets.
Speaker 2 (30:55):
So she finds out she's pregnant, and she tries. She
kind of like does a half hearted attempt. She's like, eh,
like he should know, but he's also kind of a dick,
so I'm not going to try too hard to let
him know I'm pregnant.
Speaker 4 (31:08):
So, like she calls something.
Speaker 2 (31:14):
About him, doesn't it is a little dangerous.
Speaker 3 (31:17):
I for.
Speaker 2 (31:20):
What word would you use?
Speaker 3 (31:22):
Virulent?
Speaker 4 (31:23):
Villainous?
Speaker 2 (31:24):
Yes, So she tries to call him, but like his
receptionist like filters the calls.
Speaker 3 (31:31):
And loud len there's no one else in that building.
Speaker 4 (31:36):
Yeah, yeah, so my new favorite character.
Speaker 2 (31:43):
When she tries to call him and she doesn't get
a call back, she starts remembering how her dad was
incredibly controlling and how like as a child she wished
her father was not in the picture because he was
just so domineering over her own life that she's like,
you know what, I'm not going to do that to
my kid, because this dude is clearly he's a fucking
control free rights so fu Yeah.
Speaker 4 (32:04):
A year now passes, had the baby.
Speaker 2 (32:06):
She's had the baby, baby's like three months old. Now, okay,
Alessandro this a year later realizes he can't stop thinking
about Mia even after a whole year passes.
Speaker 3 (32:20):
Then why didn't you check your phone?
Speaker 4 (32:22):
You jackass?
Speaker 3 (32:25):
I thought you.
Speaker 2 (32:25):
I bet you he'd stopped thinking about her if he
was like, hey, I'm sending you to l A and
she was like, no, don't And he's like, I don't care.
But because she was okay with leaving, he's like, no,
I have to be in control.
Speaker 3 (32:39):
If she could work this out for herself, what his
behavior passion is, she could be coining it. I don't
want to castle, I didn't want to.
Speaker 4 (32:46):
Oh yeah, I don't want it for I don't want
what are you talking about?
Speaker 3 (32:54):
I don't want you to transfer full power of.
Speaker 2 (32:58):
Free will.
Speaker 3 (33:01):
You just seem.
Speaker 4 (33:02):
Like, well, you're good.
Speaker 2 (33:08):
What he does is he calls up me as new
boss in l A to be like, hey, how's.
Speaker 4 (33:12):
How's how's your curvy? I'm sorry, I'm sorry to.
Speaker 3 (33:23):
Fight all the time, but you know it's just what
it's good for the family. How's your child suicidal? How
is your child?
Speaker 4 (33:32):
What? Yeah, that's kind of what happens.
Speaker 2 (33:35):
He's like, the new boss is like me as on
as you know, me is on maternity leave, and yeah.
Speaker 4 (33:43):
What we have to give that. That's why he's shocked.
Like I don't know, we're like when the officers had
a baby, just like the the next day we little
to work with her.
Speaker 2 (33:54):
Well, I mean this is this is the American side
of it. So it's like we're not allowed to yeah,
because you know in America, there there is no legal
requirement to give matt leave.
Speaker 3 (34:05):
Oh yeah, you have to.
Speaker 2 (34:07):
I mean some some states. There are a few states
that do have their own mandatory matte leave, but like
a lot of states, like Southern Republican states, which are
their little family values. Sorry guys, I'm getting political, but yeah,
like I've heard stories of women in the States literally
having to go to work the day after giving birth. Yeah,
(34:31):
so you gotta wear like a diaper and ship after
you give birth because all this stuff hasn't come out yet,
and sometimes you got to like put ice packs all
up on your junk and there's like a special mesh
diaper you gotta wear for a few days after giving birth.
So they just have like, you know, there's have all
these ice packs and like pads like shoved up in
their underwear and then they gotta fucking, you know, stand
(34:51):
at the till because anyways, that's that's given birth in
the States. So Alessandra's like, what do you mean, Matt leave?
We don't give that for our American employees.
Speaker 3 (35:04):
Like me neither. I mean, yeah, so I have to.
Speaker 2 (35:10):
So apparently Mia has a baby girl who is three
months old at this point in the book. Yeah, she's
on Matt leave. So Alessandro immediately gets on a plane
to La that night. He is he's thinking to himself,
I grew up without a dad, and I'm determined to
not let that happen to my own child. He knows
where Mia lives, because of course he does.
Speaker 3 (35:33):
From the GPS market chip. He's stuck in his spine.
Speaker 2 (35:36):
He doesn't like get her phone.
Speaker 3 (35:39):
Yeah, attaching an airttag.
Speaker 2 (35:44):
Yeah, that's why he was kissings because he was trying
to know that don't fit, don't fit, don't there we go.
But like dude obviously has her phone number because he's
the CEO of the company and her foot phone numbers
and the database somewhere, I'm sure, But instead of giving
her a call, he just shows up unexpectedly at her
front door, literally at her front door. She opens the door.
The first thing he says is like, you should have
(36:04):
told me, and I don't forgive you.
Speaker 4 (36:06):
That's literally he's opened the lawyers aren't great, I need you.
You should have told me, I don't forgive you.
Speaker 2 (36:12):
Don't you have to be kind of charismatic to get
to the level of CEO, like at least a little bit.
Speaker 3 (36:17):
Look, yeah, it's it's it's you're basically Yeah, it's manipulation
of people.
Speaker 4 (36:21):
Maybe he never don't how to say hello, and you
just get socially awkwardly. Yeah, Like he goes into work
and like he sees kids, like hey, hello, Boston. He
looks at me just because the end times are called
me and walks on.
Speaker 2 (36:35):
So, guys, that's the end of that episode. In the
next episode, we will touch upon what happens at their
beautiful little family reunion.
Speaker 4 (36:44):
I'm just picture like, you should have told me, I
don't forgive you.
Speaker 3 (36:47):
Boom boom boom boom.
Speaker 2 (36:50):
But no, But it's like he was the one who
kind of abused his power over her.
Speaker 3 (36:54):
Yeah, you didn't answer the bloody phone when she tried
to get a hold of him.
Speaker 2 (36:58):
Yeah. Well then he well, she does say that she
was like, hey, look, I just try to contact you,
and he's like, you should have tried harder he sent Yeah,
he says that he's like, you should have tried he
sent her away. Yeah. Anyways, guys, that's the end of
this episode and once again special shout out to an
an email my Patreon subscribers. And in the next episode
we'll find out yeah happens at their little family reunion.
Speaker 1 (37:20):
So
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