Ouch! w/ Marc Maron

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, look at what goes on my feet, goes on
my hands and my body, and look what goes on
our head and my head. We got new merch, new
socks and shirts. It's been a long time since we
made merch, but we really love this drop. That's why
we did it.

Speaker 2 (00:12):
We waited.

Speaker 3 (00:12):
We think this is we got. We've got so cool
baseball caps, baseball Caps T shirts.

Speaker 1 (00:17):
We have to thank you T shirts and socks, and
we have socks available right now at bad friends meerch
dot com. Don't go z what a full the rivers.

Speaker 3 (00:27):
And the light and the sews.

Speaker 1 (00:29):
Do I know that shoke gona habit? Show?

Speaker 3 (00:34):
Not?

Speaker 1 (00:35):
But I thank you? Moving too fast?

Speaker 2 (00:38):
You know the whole lyric. Huh?

Speaker 1 (00:40):
I have no I seen the rainbow yesterday and so
many Yeah, what I got you a gift to start
the show? Bump bum bum bum bum bum bum bum gift.

Speaker 3 (00:50):
Gift then No, I have no gift.

Speaker 1 (00:54):
Done done well. Last time you told us about how
much your new hobby has enthralled you. And although we
couldn't get you exactly what I thought we were supposed
to get you, we got something else.

Speaker 2 (01:04):
Who did it? What size are they?

Speaker 1 (01:07):
Your size nine? Nine?

Speaker 2 (01:09):
Baby, they're nice.

Speaker 1 (01:11):
You like these?

Speaker 2 (01:11):
I love Europa.

Speaker 1 (01:13):
These are the Europa track control. These are the grippers?

Speaker 3 (01:18):
Are there that they wore and then they didn't want
to wear anymore.

Speaker 1 (01:20):
No, this was a fourteen year old boy who lives
in Burbank. That's what we got them from. No really, yeah,
but they're yours now. Dogs And look at the rubbers
worn out on the brakes.

Speaker 3 (01:30):
Do they work though?

Speaker 1 (01:31):
Do they work?

Speaker 4 (01:32):
Well?

Speaker 1 (01:32):
They don't break unless like the wheels, don't it? But
of course they work, strap up and rock out. You
want to take a break and roll around the parking
lot for a minute.

Speaker 3 (01:39):
Eleven ninety nine that's how much they were, eleven ninety nine.

Speaker 1 (01:44):
What would you like them to be?

Speaker 2 (01:46):
Three?

Speaker 1 (01:47):
Three high?

Speaker 4 (01:48):
Why?

Speaker 2 (01:48):
I want the high tech versions of that.

Speaker 1 (01:50):
Those are the highest tech.

Speaker 2 (01:51):
If dude, I can go on light right now, get
a higher tech.

Speaker 1 (01:53):
It's last year's model, is it really? Yeah? That kid
was ripping.

Speaker 2 (01:58):
I don't like it.

Speaker 1 (01:59):
Come on, put them on, put them on and rip
around the neighborhood for one minute. Please, It would really
help me out.

Speaker 3 (02:05):
Really.

Speaker 1 (02:06):
Yeah, I'm having a tough day. I need a good day.

Speaker 4 (02:09):
Hell yeah, you been real?

Speaker 3 (02:11):
Yes, I wipe out Where do we go?

Speaker 4 (02:37):
Don something? Done something.

Speaker 1 (02:45):
Doing a boob? Jump over the yellow, Come.

Speaker 3 (02:59):
Over the yellow.

Speaker 1 (03:06):
You two are bad friends?

Speaker 4 (03:08):
Are these two idiots.

Speaker 3 (03:11):
Asian? You too are disgusting YouTube or something?

Speaker 1 (03:16):
We're bad friends?

Speaker 4 (03:19):
Yeah?

Speaker 1 (03:22):
Yeah, those are gone. I don't think we have ice here.
I think you have to go get ice.

Speaker 3 (03:27):
You okay, Bob?

Speaker 1 (03:31):
Who has that clip of him falling?

Speaker 3 (03:34):
That's all I heard you laughing? No, And that makes
me realize that we don't have the friendship that we have.

Speaker 1 (03:40):
I ran, I said are you okay?

Speaker 2 (03:41):
Then I turned and so you said okay, and then
you can tackle like a hyena.

Speaker 1 (03:44):
We have the footage if you want to rewind it,
we can actually watch what happened? Is you fel? I go,
oh my god? Is he okay? And then I turned
my head while we're coming over to you, and those
two Mexican guys are dying laughing, and I mean dying laughing.
Am I wrong?

Speaker 2 (03:57):
Do you have audio on that?

Speaker 4 (03:58):
See?

Speaker 2 (03:58):
I fucking my friend?

Speaker 3 (03:59):
Might was a friend cackling like a hyena? Oh you
jump over? You said jump over?

Speaker 4 (04:08):
No?

Speaker 2 (04:08):
He said it no, you said.

Speaker 3 (04:11):
Don't stop, stop stop. That wasn't Mexican's laughing you left
as soon as the fall happened. You no, no, rewind it.

Speaker 1 (04:25):
Look to my right ship, to my right.

Speaker 3 (04:28):
Ship in Irish Irish laughter, to my right You didn't
look right. He's looking.

Speaker 1 (04:36):
That's what he's looking like.

Speaker 3 (04:38):
You looks.

Speaker 2 (04:41):
You laughing?

Speaker 3 (04:41):
Then you look you pissed a ship. Dude. That's not cool. Dude,
are you?

Speaker 1 (04:47):
I said, are you okay?

Speaker 2 (04:48):
Laughing?

Speaker 1 (04:49):
Watch listen to the rest? Are you okay? Honestly concerned? Fuck?
We said our hand on hips nervous Carlos laugh. See
see it's all. Are you okay? Look at the vacans,

(05:16):
Look at.

Speaker 5 (05:16):
The Look at the Mexican dudes laughing. Look at look
he's right there, dude, Look at him laughing.

Speaker 1 (05:35):
Look at these Mexican guys laughing. Trump, do your job, Trump,
I get these guys. They're cracking the fuck up. Yes,
he is that guy right now zooming on the other guy. Okay,
from what I see, there's two of them. He laughing,
und percent, he's laughing, Yes he was. Everybody saw it.

Speaker 2 (05:55):
Go back to the fall though.

Speaker 1 (05:57):
Oh my fucking god, we have.

Speaker 3 (06:05):
Okay, this is what.

Speaker 1 (06:08):
Oh my god, my god, oh my god, are you okay?

Speaker 3 (06:14):
That's the first thing you hearinger?

Speaker 1 (06:16):
Well, I asked her, you okay? Not the first one?

Speaker 3 (06:19):
Are you eating a laughing hyena style?

Speaker 4 (06:22):
Laugh?

Speaker 3 (06:22):
Dude? Rewind the laughter? Three?

Speaker 1 (06:24):
Are you okay?

Speaker 3 (06:26):
Get the audio? Op dude?

Speaker 1 (06:27):
So many? Are you okays?

Speaker 3 (06:28):
Shut the fuck up? Good tune? You're a piece of ship?

Speaker 1 (06:31):
So many?

Speaker 3 (06:32):
Are you not a friend of mine? You okay?

Speaker 4 (06:34):
Bob?

Speaker 2 (06:35):
Volume?

Speaker 1 (06:35):
See are you okay?

Speaker 4 (06:36):
Bob?

Speaker 1 (06:36):
We're concerned.

Speaker 2 (06:37):
Go right to that fall again?

Speaker 3 (06:40):
All right?

Speaker 1 (06:40):
Everybody, don't laugh. Don't laugh when the fall happens.

Speaker 3 (06:43):
Do not laugh. If you smile, I will lively. No,
put your shirt down, any of you. You guys smile.
I'm dude, I'm gonna leave. Really, I'm gonna If.

Speaker 5 (06:57):
You guys laugh, you're gonna deep ship.

Speaker 4 (07:04):
No more.

Speaker 1 (07:04):
I'm not even fucking kidding. Bob, hold on this stuff.
Play the video and if anybody in the fucking boost
laughs fired.

Speaker 3 (07:13):
Any enthusiasm or you can't cover your mouth nothing nothing.

Speaker 1 (07:18):
Show your face, you cowards?

Speaker 3 (07:19):
All right, go, oh my god, oh my god.

Speaker 1 (07:30):
Carlos, you're fired. Got say look and I'm concerned. Are
you okay? Five? Are you okays?

Speaker 2 (07:38):
Why are you crying?

Speaker 1 (07:39):
Because I'm sad that you got hurt.

Speaker 4 (07:43):
I'm having.

Speaker 2 (07:45):
One more from the other angle.

Speaker 1 (07:47):
Okay, hold on, there's a third angle. Hold on? Play
this out? Oh my god, you fancy smiling?

Speaker 2 (07:56):
I need on.

Speaker 1 (08:00):
The Mexicans. Dude, did you break your wrist?

Speaker 4 (08:03):
I think I did.

Speaker 3 (08:09):
You literally aren't a friend of mine. It's so sad.
It's so fucking.

Speaker 1 (08:13):
Those guys are laughing and it made me laugh.

Speaker 3 (08:15):
No, dude, you laughed at impact.

Speaker 1 (08:18):
That's not true. We just watched it again. I didn't.
I didn't crack a smile the first one.

Speaker 2 (08:22):
Again.

Speaker 1 (08:22):
What's the first one? And I won't laugh?

Speaker 3 (08:23):
Okay, watch list right when I fall? You're the one
that you're the fucking dick.

Speaker 1 (08:31):
Pause pause it. Jump over the curb, started over the cone,
yells it doesn't matter. You jump over the curb, and
I go, yeah, jump over the curb. I repeat what
you said, am I that is true?

Speaker 3 (08:40):
Jump inside the volcano? Yeah, jump inside the volcano.

Speaker 1 (08:43):
Well, I thought it'd be cool. I thought it'd be
cool if you jumped over the volcano.

Speaker 3 (08:46):
You went in, Okay, go ahead.

Speaker 1 (08:48):
You didn't even get near the sh see he just
said jump over. Theyellow one, stop it, sit out, please

(09:08):
sit let's move forward. Look we all learned a lesson,
No more gifts. This was This was retaliation, if I'm
being honest from how much my heart hurt when I
bought you those arsenal shoes and you didn't like them.
That's kind of what they And I knew that you'd
fall on these, and I bought them knowing you'd fall.

Speaker 3 (09:30):
Yeah, one Christmas about you. I pought probably four or
five thousand dollars worth the gifts to you. And this
is what three four hundred dollars.

Speaker 2 (09:36):
We can get into it a little.

Speaker 1 (09:37):
I've gotten. I've given you more gifts consistently than you've
ever given me in the and.

Speaker 3 (09:40):
I do it in chunks, in big chunks.

Speaker 1 (09:42):
You do it once. You did it one time. Yeah,
Oh my god, I'm sorry that you feel bad. You
need to put ice on your hand again though, Yeah,
you just ice it.

Speaker 3 (09:49):
Oh my god, it was terrible, dude.

Speaker 1 (09:51):
Anyway, that's not what it's like when you go to
the roller rink. No, it's way more smooth. You don't
go out to it's bumpy, well chiseled, chiseled, uh, concrete
is not that.

Speaker 2 (10:01):
I was doing some moves out there even too.

Speaker 1 (10:03):
It looked good.

Speaker 3 (10:04):
Yeah, I was slicing it out and everything too, and
then the middle part of the thing I can handle.
But when it got bumpy, and when I heard the
little weasel go jump out of the curb, jump over
the red yellow thing, Bud, that was him jump over
the yellow thing.

Speaker 1 (10:18):
Body, Yeah he was, he was instigating.

Speaker 4 (10:21):
We weren't even to jump fell in the middle.

Speaker 3 (10:23):
Yeah. I'm not a fucking professional ruler, blitter dude, not
anymore so.

Speaker 4 (10:26):
I think even me saying that is ultimately irrelevant because
you didn't even you didn't hurt yourself jumping over the
yellow thing. You just couldn't even get over the middle
of the street.

Speaker 1 (10:34):
Oh my god, don't please don't.

Speaker 3 (10:38):
We're done. We're done.

Speaker 1 (10:39):
No, no, no, please. Okay, you know I gotta tell
you something. Can I tell you something? Why I love
you so much?

Speaker 4 (10:56):
Shut up?

Speaker 1 (10:57):
I was having a real, real bad day. Okay, do
you want you want? You want me to lovel with
you for real? My dad had a heart attack last
night and he's in the hospital. Job was having a
crazy Which one what do you mean which one?

Speaker 2 (11:08):
Stepdad or real dad?

Speaker 1 (11:10):
My real father? Okay, what is that? You laugh?

Speaker 4 (11:17):
Now?

Speaker 1 (11:17):
So abandoned you and see you laugh. The reason that
you laugh, The reason you laugh is why I laugh
when you fall on roller. My father had a heart
attack last night. You think it's funny? Say now are
we even?

Speaker 4 (11:34):
Now?

Speaker 1 (11:35):
Now we're even?

Speaker 5 (11:36):
Oh?

Speaker 2 (11:36):
Is he okay?

Speaker 1 (11:37):
He is okay?

Speaker 3 (11:39):
Hena be okay?

Speaker 1 (11:39):
Though we'll find out all right.

Speaker 3 (11:41):
Sorry, No, it's okay.

Speaker 1 (11:42):
But that's why I laugh at you when you fall,
because you're actually different, because you're actually a bad person.
You're like, you're genuinely abashed.

Speaker 3 (11:49):
You're a terrible human being. Well, you'll be hearing from
somebody ooom.

Speaker 1 (11:52):
You can't even your assistant can't even answer. Are you
gonna go with a fucking lawyer?

Speaker 3 (11:56):
So Andrew texts my existent assistant on Monday. She doesn't
replying till Friday.

Speaker 1 (12:01):
That's right. One was I go, hey, what's Bobby's schedule?

Speaker 3 (12:04):
She has a ship? You know, he has a ship storm?
You know what I mean? In rage?

Speaker 2 (12:08):
Right to whom about my assistant?

Speaker 1 (12:11):
I didn't say anything bad to her. I just go,
don't worry about it.

Speaker 2 (12:13):
No, you said, great assistant?

Speaker 3 (12:16):
Five days?

Speaker 1 (12:16):
Yeah, five days right?

Speaker 3 (12:17):
And I called my five days Yeah, I called my assistant.
I go, great job, continue the work.

Speaker 1 (12:25):
My friend, and then she texted me and was like,
I'm so sorry. I'll never do you went camping.

Speaker 3 (12:29):
Yeah, you can't go camping.

Speaker 1 (12:31):
Brother, she's been camping.

Speaker 3 (12:35):
Oh is it another fucking weight joke?

Speaker 4 (12:37):
What?

Speaker 1 (12:38):
I don't even know what she looks like. I've never
seen her in my life.

Speaker 3 (12:41):
Boddy's shaming.

Speaker 1 (12:41):
You know what's interesting. I've never seen what she looks like.
And here Bobby is saying how he feels. So you're seting,
you're projecting. No, oh interesting. Really, I've never met this
human in my left. I don't even know who it is.
It's an app as far.

Speaker 3 (12:53):
As i'm you've never met Melanie my assistant.

Speaker 1 (12:54):
When would I have ever met fucking Melanie?

Speaker 2 (12:56):
Then take that out?

Speaker 1 (12:58):
Fuck you you.

Speaker 2 (13:01):
Feel that way?

Speaker 1 (13:02):
Yeah, never seen her in my life. Don't even know.
By the way, as well as I'm concerned, she's chat TPT,
I don't even know if she's fucking real. I've never
even known this human to be real. Also, fat people, bam,
Oh my god, bam, dude, this guy's shooting the fact gun.

Speaker 2 (13:22):
Dude, put away your fat gun.

Speaker 1 (13:24):
Did you asked me for restaurant recommendations?

Speaker 2 (13:27):
Oh my god?

Speaker 1 (13:28):
Did I send you to good.

Speaker 2 (13:29):
We can't go for negative depositive that quick.

Speaker 1 (13:34):
I don't like the part of the shit. Can't change
you fault, you fault. You make fun of my dad
that has a hard attack in the hospital.

Speaker 3 (13:40):
Cat right now like a little child that are you?

Speaker 1 (13:43):
Were you okay? Are you okay? From the fall?

Speaker 2 (13:46):
Is your daddy gonna die?

Speaker 1 (13:48):
Maybe? Maybe? Huge difference between the two. You fall in
the park. Yeah, and you felt, you little fat jelly roll?

Speaker 3 (13:56):
Yeah?

Speaker 2 (13:57):
Why now how is it that he's more mad than me?

Speaker 1 (13:59):
No, No, I'm I'm mad. If you shoot shoot at me,
I'm going to shoot back.

Speaker 3 (14:02):
Should be first. How you gaggling when I was falling?

Speaker 1 (14:06):
It's hilarious. It's hilarious when a short, little fat guy
falls on rollerblades. Huh, you want to watch it again?

Speaker 4 (14:14):
See if it's no.

Speaker 1 (14:17):
Dude, dude, it's funny. It's fucking. This is inherently funny.

Speaker 3 (14:22):
Yeah, that's good.

Speaker 1 (14:24):
It's oh no, oh no, it's oh no, I fall,
I fall, I fall on the ground. I go for
the yellow thing. I fall on the ground, laughing at

(14:47):
the mic, so we know you're laughing when you cut
it out. Having a blast in a beautiful, sunny day.

Speaker 3 (14:54):
No less in front of my two favorite Mexicans, embarrassing.

Speaker 1 (15:00):
All right, jumped to something fun a mess.

Speaker 2 (15:01):
If they were like a group of like hot.

Speaker 3 (15:04):
Chicks, I mean, come on that would have been so
sad for me.

Speaker 1 (15:07):
No, no, see I disagree. Hot checks would have found
it endearing that we were having fun with it, and
they would have been like.

Speaker 4 (15:12):
Are you okay?

Speaker 3 (15:13):
Are you okay? Are you okay?

Speaker 1 (15:16):
No, it's not high school.

Speaker 3 (15:17):
That's why that's high school. Okay.

Speaker 2 (15:20):
What they would have got the they would have got
the it.

Speaker 3 (15:22):
If they were if they were a guy with no balance.
People want balance?

Speaker 1 (15:25):
How about this.

Speaker 3 (15:27):
Funny thing what they look for a job?

Speaker 1 (15:28):
You know what I mean?

Speaker 3 (15:29):
Security? Balance, look up.

Speaker 1 (15:30):
Traits that women loving men.

Speaker 3 (15:32):
Balance is not on that balances on their day.

Speaker 1 (15:34):
No, it's not y traits that women loving men ready, confidence, kindness, intelligence, balance,
Oh my god, it is. It's more fun.

Speaker 4 (15:41):
Yeah.

Speaker 2 (15:42):
Yeah, it's a humor.

Speaker 1 (15:43):
Sense of humor. See you fell, we laughed.

Speaker 3 (15:45):
I know, but not that it would give right Carlos,
back me up, But I yeah, it's totally ick. If
they're a producer, not get.

Speaker 1 (15:51):
A job about this.

Speaker 3 (15:53):
If they're in it kind of be in fucking Commando two.
He's got to run across the field.

Speaker 2 (15:58):
With the M sixteen.

Speaker 1 (15:59):
You know what, the you know what, the producers a
karate ghost. They'd be like, we got to put this
guy in the movie again. You mid mid air? You
did a kick?

Speaker 3 (16:06):
You did a I didn't kick dude. Let both might
have checked out.

Speaker 1 (16:09):
Do women find it important for men to have balance?
Do women find it important for men to have balance?
You find out there's a rock in there? Oh, this
piece of skin?

Speaker 2 (16:18):
Yeah you want something?

Speaker 1 (16:19):
No, thank you?

Speaker 2 (16:19):
Yeah, I'm gonna put it on your body.

Speaker 1 (16:21):
All right, enough punch you why I don't want your skin?

Speaker 2 (16:24):
Yeah, put my skin on your body there.

Speaker 1 (16:26):
I don't want it.

Speaker 2 (16:26):
That makes it.

Speaker 3 (16:27):
That's blood. Brother.

Speaker 1 (16:28):
Generally, women find it important for men to have a
healthy work life balance. And you do work and life
out there?

Speaker 2 (16:35):
Oh my god, you have a band aid or no?

Speaker 1 (16:38):
I doubt this place as a band aid. I don't
even know if we don't have like proper anything here.
You know someone else said that who walked in the
studio and goes, this is how you guys operate. Yeah,
this place is a joke. It's a joke.

Speaker 3 (16:49):
People go, oh, coratulations, You know you got a great podcast,
and I'm like, we we work in a dump. We
work in a dump in an alley.

Speaker 1 (16:58):
Way, isn't this good?

Speaker 2 (17:00):
It's the way it is.

Speaker 1 (17:01):
I would rather this than the other thing.

Speaker 3 (17:02):
Successame Street, like we went down Sensame Street, right and
then there was like a door there. What's up?

Speaker 1 (17:09):
He's got paper top? Please do you want some? Get
him some?

Speaker 3 (17:13):
Uh?

Speaker 1 (17:14):
Purel? Purel is alcohol. It's gonna hurt, but you got it.
You have to clean the cut.

Speaker 2 (17:20):
Oh you do it. I'm gonna close my eyes.

Speaker 1 (17:22):
Fuck, give it to me. Do you have a t
have you When was the last time we got a
Tetna shot?

Speaker 2 (17:26):
I've never gotten water?

Speaker 1 (17:28):
Oh ship okay, sorry sorry, sorry, yeah, but you have to.
You have to clean it a sorry, punch him, take
it out of the con take it out on the cone.

Speaker 2 (17:45):
Anyway, Let's go to positive.

Speaker 1 (17:47):
Let's go to positive. You called me up. You said
I need a good breakfast restaurant. I suggested it.

Speaker 3 (17:51):
It was called Miracle Bakery, yep, in Burbank. So it
was with somebody I'm seeing and we were in Burbank.

Speaker 2 (17:57):
It was shopping.

Speaker 3 (17:58):
I bought a night twenty twelve, Godzilla statue.

Speaker 1 (18:03):
Shut up? How big is this big? Wait? Is it
at your house?

Speaker 4 (18:06):
Now? Yeah?

Speaker 3 (18:07):
I also got a master blaster statue.

Speaker 1 (18:10):
Dude, where did you go shopping?

Speaker 3 (18:11):
It's called it's called Blasts from the Past.

Speaker 1 (18:15):
Oh in downtown. Yeah, I know exactly where it.

Speaker 3 (18:17):
Yeah, yeah, they've got a master Blaster. And then I
got a transformer old transfer. And then I got whatnch
of stickers and what not, and then we were I
got that whoa and then we you know, and then
my date was like, she was like, I want something breakfast.
I don't know any old thing around here. Let's just
get tacos. I want breakfast.

Speaker 1 (18:38):
See, yeah, you gotta do what they want. When they
want breakfast, you gotta go.

Speaker 3 (18:40):
I called Andrew and he pro he brought me to
a place that was really good.

Speaker 1 (18:45):
And I'm gonna be honest. Look at let me be honest.
When you asked me about a spot, don't I deliver?
Typically said the.

Speaker 3 (18:51):
Thing about you. That's why I call you. I know,
especially in the Burbank area because you used to live
in that area that I know that you know the
spots there well. Globe like if I'm in, if I'm
in like Indianapolis, I think you know, I got you.

Speaker 2 (19:03):
Yeah, you got me anywhere in the cities, I think
you know.

Speaker 1 (19:06):
Yeah, the rules are gonna be hard for me, even
like even places like type if you're in Taypey, I
can hook it.

Speaker 3 (19:10):
You can hook up.

Speaker 2 (19:11):
Yeah.

Speaker 1 (19:11):
So Miracle Bakery phenomenal stuff.

Speaker 2 (19:15):
Also, they they treated me like a king.

Speaker 1 (19:19):
Well, well you are.

Speaker 2 (19:20):
No, they were just nice to everybody.

Speaker 1 (19:22):
They're great people. Yeah, they make phenomenal food and they
cook it all there.

Speaker 2 (19:25):
We disagreed with the donut.

Speaker 1 (19:27):
What happened? Well, this is not a really you you're
a donut purist. It's different. Disagreed with okay, but their
specialty was all the other the breakfast items are their best.

Speaker 2 (19:36):
Yeah.

Speaker 1 (19:36):
What was wrong with the donut?

Speaker 3 (19:38):
It was like a phone nut kind of that. The
consistency wasn't what I know.

Speaker 1 (19:42):
Look it's probably a little healthier. Probably that's why it's
not good. Well look healthy stuff that's supposed to be unhealthy.

Speaker 3 (19:48):
But everything else was excellente It's vacation, man, I never slippers.
What the slippers about?

Speaker 1 (19:58):
Blue chair, babe, blue chair?

Speaker 2 (20:00):
To tell you what's your welcome.

Speaker 3 (20:04):
Ship station? If you run an e commerce business, you know,
packages don't arrive by magic, but it sure will feel
like it if you use Shipstation.

Speaker 1 (20:15):
Over seven hundred million orders were fulfilled with shipstation. We
use Shipstation. We love Shipstation. They've been good to us,
they can be good to you. You never need to upgrade.
Shipstation grows with your business no matter how big it gets.
You can start like bad Friends did out of a
little shanty where our first studio was to now we've
expanded to get you all of this new merchant gear
that we've got. Thank you to Shipstation because the fastest,
most affordable way to ship products to your customers. With

(20:37):
discounts up to eighty eight percent off us UPS, DHL
Express and USPS rates and up to ninety percent off
FedEx rate.

Speaker 3 (20:43):
Seamlessly integrate with services and selling channels you already use
and manage orders on one easy dashboard.

Speaker 1 (20:51):
You can deliver a better customer experience with industry leading
scalable features to help you ensure accuracy, get shipments out
the door faster, and keep customers happier with automated tracking
up dates with your company's branding. You got to use it.
During the time of this spot, another fourteen hundred packages
were shipped with the help of ship station upgrade to
a smoother shipping experience. Go to shipstation dot com slash
bad friends to sign up for your free trial.

Speaker 3 (21:11):
No credit card or a contract required, and you can
cancel anytime that shipstation dot com.

Speaker 1 (21:17):
Slash bad friends.

Speaker 3 (21:18):
Simply say, you know, I have animals. You have a
lot of people living in my house? Yeah, you're like
and sometimes and I also live in the woods. You
do live in the right and I do, and I
I you know what we got? Simply say from we got?
Simply them, they from them, they we put in.

Speaker 2 (21:33):
And can I say something?

Speaker 3 (21:34):
Yeah, my sleeves have been so you know why, because
I know a slash ryo isn't going to walk in.

Speaker 1 (21:38):
No one's gonna be able to walk in because.

Speaker 2 (21:39):
I have security.

Speaker 3 (21:40):
And security is what It's priceless.

Speaker 1 (21:43):
It's exactly that's right. And most security systems only take
action after somebody breaks in. Too late. That's way too,
way too late. Simply say it's new active guard outdoor protection.
Help stop break ins before they happen.

Speaker 3 (21:54):
I would like AI powered cameras, live monitoring agents detect
suspicious activity around your property.

Speaker 2 (22:00):
If someone's lurking, you know, what I mean.

Speaker 3 (22:01):
Agents talk to them in real time, turn on spotlights
and can call the police, proactively deterring crime before it
even starts.

Speaker 1 (22:09):
First, here's the truth about Simply Safe. If you don't know,
you're aboso. There's no contracts, no hidden fees. It got
named the best home security system of twenty twenty five
by c net. That's right now. It's ranked number one
customer service by Newsweek and USA Today. Monitoring plans start
for a route a dollar a day and you got
a sixty day money back guarantee. So visit simply safe
dot com slash bat friends to claim fifty percent off
a new system with a professional monitoring plan and get
your first month for free.

Speaker 3 (22:30):
That's simply Safe dot com slash bad friends.

Speaker 1 (22:32):
There's no safe like simply Safe.

Speaker 3 (22:34):
Kajava. Okay, So over the years, I've taken protein powders.

Speaker 2 (22:40):
Different type of thing.

Speaker 1 (22:40):
For years, you've been doing.

Speaker 3 (22:41):
That, I've been doing it, and Kochava is my favorite
one because I'll tell you why. The flavor, the chocolate,
the macho one, the one with vanilla in it. There's
one with chai. There's a chai one. What you do
is you just take two scoops. Put it into a
what do you call it? A can take a little shaker,
A shaker, yeah, give you shake it. Yeah, they gave
you one. You shake it about five or six times.

(23:03):
Last night I had hunger pains, as you know, you know,
and I took two chocolate ones. Right, shake, shook it,
hunger puns weight away. Right, My body felt great.

Speaker 4 (23:13):
Right.

Speaker 3 (23:13):
I love kajava.

Speaker 1 (23:14):
You look great, by the way. Twenty five grams of
one hundred percent plant based protein in every single one.
That's pretty impressive. Five indulgent FLAVORSY got chocolate, vanilla, chai macha,
and coconut asaye, which I love.

Speaker 3 (23:26):
With every two scoops of kachava, you get eighty five
plus super foods, nutrients, and plant based ingredients.

Speaker 1 (23:32):
You gotta try it. You can fuel your daily adventures
with kachava. Go to kachava dot com and use the
code bad friends for fifteen percent off your next order.

Speaker 3 (23:39):
I mean, I just I can't live without it. And
I'm ringing real no, I know this is this last month.
It's could have been kachava for Papa he's having. That's kajava
k A C h A v A dot com code
bad friends to get fifteen percent off.

Speaker 4 (23:54):
Oh god, did.

Speaker 1 (23:54):
You see the sign here by the way mark? Did
you see what the kids did for you?

Speaker 4 (23:58):
Oh? That's nice, that's awesome. Clever. Do you have a
volume from my cans?

Speaker 1 (24:02):
Yeah? No, no, tell, he'll tell.

Speaker 2 (24:03):
He'll just right there, some volumes, please, I like to
he's older.

Speaker 4 (24:06):
You might hear, well, well that's funny. That's a pretty
good one. How's the new material coming? Oh?

Speaker 3 (24:12):
Okay, you go right to the throat. That's sucking cruel
and let me that's cool. Ever, and last that I
have to say, Peter Shore came up to me and goes,
that's six minutes I've never even seen before.

Speaker 4 (24:22):
I know. And they're strong, he told me today. I
just spent four hours with him. Yeah.

Speaker 2 (24:25):
And did you say something about my my my act?

Speaker 4 (24:28):
He said he did new material?

Speaker 2 (24:30):
Yeah, what what? What's the slam about?

Speaker 3 (24:31):
Guy?

Speaker 4 (24:32):
I thought it would roll right off you because it's
not true.

Speaker 2 (24:34):
Nobody.

Speaker 3 (24:35):
I should do more. You the outpit should be more.
He's clever, he's so good he is with comics.

Speaker 4 (24:43):
You know you want me to be open.

Speaker 1 (24:44):
I can be Yeah, you can fly free on this field.

Speaker 4 (24:47):
I feel that I feel safe with you guys, you should.
That's that's when I was driving over here, I thought
this is gonna be a supportive safe for him.

Speaker 1 (24:52):
Yeah, you can say whatever you want to.

Speaker 2 (24:54):
Say, whatever you want.

Speaker 4 (24:56):
No, I got nothing. Do you guys have a plan,
but we do.

Speaker 1 (25:01):
We got to plan for the yam.

Speaker 2 (25:02):
Yeah. The question to me is why would you end
let me?

Speaker 3 (25:07):
I'm going to say something Before I even say that,
I want to say that I feel like there's two
people that are the pioneers in terms of comedy that
inspired this generation, which yea a generation below you.

Speaker 2 (25:20):
Yeah, I get it.

Speaker 1 (25:22):
It's you, just one below me and Mario Buttali for sure.
His podcast is so good.

Speaker 4 (25:27):
I think we all we probably all owe it to
Tom Green.

Speaker 3 (25:30):
Yeah I did tell yeah, yeah right, Tom was first with.

Speaker 4 (25:33):
The video, with the video Yeah yeah, yeah, yeah, but yeah,
who me and who else?

Speaker 2 (25:36):
Rogan?

Speaker 4 (25:37):
Okay, who's that?

Speaker 1 (25:38):
Who's that?

Speaker 4 (25:38):
Joe Rogan?

Speaker 1 (25:39):
Joey Joseph Rogan. Yeah, he's out of Texas, got it,
I got it, got it.

Speaker 4 (25:46):
He's running half the planet out of Texas. Yeah, he's
got a tight hold on the enlightened meet.

Speaker 1 (25:56):
Man's disdain.

Speaker 4 (25:57):
It's not the same, it's it's reasonable criticism.

Speaker 1 (26:00):
Reasonable criticism. When's the last time you spoke with him?

Speaker 4 (26:03):
Uh? I don't know. That's a good question. I guess
it would have been at the store. I never talked
to him in Austin. I don't go into the club.
I don't really think I'm on his radar.

Speaker 1 (26:12):
So tells me you are? Oh yeah, yeah, yeah, tells
me you are.

Speaker 4 (26:17):
I don't. You know, it's weird that you get lumped
into a certain thing. And maybe it's my assumption that
you know his uh, his army of of uh, you know,
healthy fellas.

Speaker 1 (26:31):
Is that their title Army of healthy fellas is so good?

Speaker 4 (26:34):
No, you just gotta you know, I guess, stay and
keep the machine.

Speaker 1 (26:37):
The machine's gotta be good. Yeah, it's a go ahead.

Speaker 2 (26:40):
What do you think the Austin shelf life is going
to be.

Speaker 4 (26:44):
Well, you don't know. Like I think that it's so
effectively tribalized at this point, it really comes down to
material I mean, at what point, like, at what point
it's like whatever they represented in terms of policy, and
it's not a stretch. It's like they won transpeople are frightened,
they have no ability to get healthcare anymore, and and
they they're afraid of being alive and have no freedom left.

(27:07):
So that's done. When do you stop with the jokes
like immigrants Okay, well they're being ripped away from their
homes and yeah, and they're you know, and they're all
terrified and and okay, so that's done. When do you
stop with the joke? Right? I mean it's one thing
to uh, to pick on the vulnerable and the marginalized,
but I mean they're down. I mean, like, why do

(27:31):
you got to keep hitting them? Unless you're a hack?
Now there's a question. Yeah, so I don't know. The
last time I talked to Joe, people for a while
were like, you know, uh, why don't you go on
Joe Show? And my answer to that is like.

Speaker 3 (27:47):
Why why why?

Speaker 1 (27:49):
Well you it doesn't service you?

Speaker 4 (27:52):
Well, no, I don't need him. And also there's no
there's no way for me to like what am I
going to talk to him about? And there's no way
for me to to to sort of not walk out
of there and be like, all right, I guess I'll
look at my phone. Fuck how long is this gonna
go on for? You know?

Speaker 3 (28:09):
But it's like Martin Luther King and Malcolm Max made
me meeting at one at one point, don't you think.

Speaker 2 (28:13):
Let's go historical with it.

Speaker 3 (28:14):
Say it again, Malcolm X and Martin Luther King meeting
they met at one point.

Speaker 4 (28:20):
Yeah, well that's right.

Speaker 3 (28:21):
In the Pioneers of the Civil Rights.

Speaker 1 (28:22):
Movie, which one is Malcolm X and which one is
Martin Luther?

Speaker 3 (28:25):
Marl Luther. I don't really think that's not Martin Luther.

Speaker 4 (28:28):
The analogy doesn't work.

Speaker 1 (28:30):
He's so bad analogies. Let him get off with this.
It's gonna get funnier as it goes.

Speaker 3 (28:34):
Yeah, okay, let me go with more analogies.

Speaker 1 (28:36):
He's like, this is if Hitler's and Gebels had to
hang out off the work site.

Speaker 4 (28:41):
Like one of those is right? Yeah, I think you
got half that analogy?

Speaker 3 (28:48):
Yeah, what could you just want to support me? You
know what I mean with the analogy?

Speaker 1 (28:52):
Shut up?

Speaker 4 (28:52):
But that was just wrong. He brought race into it
in a very profound one, and I wouldn't.

Speaker 1 (28:58):
Mine was angled and funny and it distant. It went
somewhere else.

Speaker 4 (29:02):
I think on one side of that, there's a guy
that's aggressively fighting for the civil rights of victimized white people.
God knows, they've had it hard enough long a time
for a long enough time.

Speaker 3 (29:10):
But us has Joe asked you.

Speaker 1 (29:13):
No, Oh, here's a better here's a better angle for Adam.

Speaker 4 (29:16):
Used to go like, hey what and I'm like, oh, why.

Speaker 1 (29:19):
Well, because it's interesting being someone like us on the
outside of it and watching you. Well, yeah, it's it's
right up your ass.

Speaker 4 (29:26):
Yeah, that's the other I think.

Speaker 1 (29:28):
I think what it is for me is I would
love to see you guys chat, but I'd love to
see you guys chat in neither of your arenas. It
would be the only way it'd be legit because if
you have to go to his show, not gonna work.
He has to go to your house, not gonna work.
You guys would have to do this thing.

Speaker 4 (29:43):
It's like setting up a mob meeting here. Yeah, seriously moderated.

Speaker 1 (29:47):
You should do it here at bad friends, he should
do it. It would piss both of them off, so
fucking yeah, look at the art behind them.

Speaker 3 (29:53):
I know it would just be of us, good neutral ground.

Speaker 4 (29:56):
But you do have to understand something. I have known
Joe since he started, Yeah, I mean literally since he
first set foot on stage and Boston. Yeah, and I
remember my initial issues where there was another guy, Kevin Flynn,
who's out of the game, and he was like a

(30:16):
soccer jock, and at that time, Joe was like a
regional kickboxing champion. And my my initial reaction was like,
what are these guys doing here? This isn't for them,
all right, this is It's like Louis once said to
me years ago, when Jay Moore started in New York
when he was like seventeen, He's like, it's not for them.
It's not for the good looking guys. It's not for

(30:38):
the jocks. This is for us rejects, us guys who
don't fit in. That's what comedy was.

Speaker 1 (30:44):
It was j Moore that good looking is he was cute?

Speaker 4 (30:46):
Yeah, yeah, yeah, for sure.

Speaker 1 (30:48):
Okay, but let's be honest. Let's go back to the
truth tree. Then Mark Maron is a good looking guy.

Speaker 4 (30:52):
Not always Mark Marrindy, good look.

Speaker 3 (30:55):
Dude, why are you getting TV shows?

Speaker 4 (30:57):
Second man?

Speaker 1 (30:58):
And we'll get back to my looks. We'll get to that.

Speaker 3 (31:00):
This company. That's your your face. I've seen you on screen.

Speaker 1 (31:03):
No, he's a handsome guy. It's annoying.

Speaker 2 (31:04):
You have great angles on your face when you were young.

Speaker 1 (31:06):
Now, yes, you're right, you matured when you were young.
You were hideous, I would a hideous man.

Speaker 4 (31:10):
Look its long, sweaty and you know, bloated and long hair.
But but the getting back to Joe, look, I imagine
a right.

Speaker 1 (31:19):
Sex machine dude. That was Okay, ladies, who's that? That's
a hot look?

Speaker 4 (31:24):
I could I really couldn't land on a look, could I?

Speaker 1 (31:26):
God? You really rotated? Now go to the no. The
Comedy Central photo down below.

Speaker 3 (31:30):
Awful, awful, awful.

Speaker 4 (31:32):
That was a bad night off.

Speaker 1 (31:33):
I mean, this is what stream.

Speaker 4 (31:36):
Of that's not quite that's not quite a full jew,
I would say full. Look at the one of me
and Sam cannithon that that is me at my drugged out,
fucking best.

Speaker 3 (31:46):
Wow, what a legendary photo.

Speaker 1 (31:49):
That's such a good folk crazy.

Speaker 4 (31:50):
I was out of my mind, I know, out of
my mind. Everything had a reason. Was that a crystal?
That was that was the idea? That was in the
back loot?

Speaker 3 (31:58):
Yeah? Wait?

Speaker 1 (31:59):
Hold on? Was that you and a young Fitz?

Speaker 2 (32:01):
Yeah?

Speaker 4 (32:02):
Yeah, that was in Boston, me and Fitz? Yeah, get
that due.

Speaker 1 (32:04):
Oh my god, dude, I've never seen this photo. Look
at how Jack Fitz looks.

Speaker 3 (32:08):
Wow.

Speaker 4 (32:09):
And then up there on the where's that one of
me and Dave Cross in the Red Shirt Dave Cross.
It was probably in the mid nineties. Yeah, hey, oh god,
yeah wow. But that night for the Comedy Central, the
first half hours, I I was, I fucked it. Man.
It was so sad, dude, because I got out here,
I wasn't living out here, and I was still doing

(32:30):
coke then, right, And I had one guy who would
get me the blow here, right, And it was you
remember you remember Bob Baker. Oh yeah, sure, Bob Baker.
I couldn't trust Chewie, but Baker had other connection. You know,
you know, check out the Blues.

Speaker 2 (32:45):
You can get in there for free.

Speaker 4 (32:46):
Yeah. But I don't know what happened to Baker. But
he wasn't a dealer, but he you know, he was
here and I would say, like I'm coming out, you know,
try gets him. So I was really dead set on
like trying to keep clean before that special. And I
thought I did because I was like, you know, I'll
just do a little the night before, but I'll stop
at like six and at night, you know. And but

(33:08):
needless to say, I didn't sweep much and I tanked.
I didn't tank, but it was not good. It was
the same that was like the same night that that Hedberg,
whether it was that night or the night after did
the special that made him Yeah, but he didn't do
well either, but he was him.

Speaker 3 (33:23):
Was at that special. Yeah that was at the ivy
bomb so bad.

Speaker 1 (33:28):
Well, yeah, he talks about it in the special, right
doesn't He talk?

Speaker 3 (33:31):
Stops at one point and comes out again.

Speaker 4 (33:33):
It was weird, but it took on mythic proportions that special. Yea,
it really was what put him on the map. But
that was the same bunch of taping. So I was
kind of sweaty. I did okay, I really didn't have
my voice in totally. I was still kind of bitter.
But the saddest thing about this is like, you know,
after you do a set like that, you want to
go into a room full of friends and like, and

(33:54):
they had food there too, and and I'm like, all right,
I finished the set and I walk into where the
food is. No one's in there but Baker, and he's
going they got.

Speaker 6 (34:01):
Roast beef, And I'm like, wow, wow, yeah, Wow, that's
the that's the victory party. What years were you a
dormant at the store though I got out here, I
guess I guess it was eighty six and eighty seven.

Speaker 4 (34:15):
Yeah, So I got out here in like this summer
of eighty six, became head doorman, and uh, you know,
she made me head doorman. I got to how to
get all these idiots jackets. It was a different thing there.
She tried to open that. She tried to open one
in Universal City. Wow, like in a hotel there. So
it was my job to make the schedule for the
door guy. There was no security or anything, and nobody

(34:36):
wanted this job.

Speaker 3 (34:37):
Wow.

Speaker 4 (34:38):
So it was me Rod Blackman, who wasn't a comic
and Evolver Mike Joselnick. Do you remember that guy? No,
he was, He became a He was a lawyer. He's
in Cleveland. H you know. J Pope was another guy.
I can't believe I'm remembering these names, but like, you know,
she was like, man, you got and get them jackets.
And I'm like, I got to get them jackets. So

(34:59):
I'm down in fun in Chinatown trying to find black
blazers for these idiots and uh yeah. And then like
I was living in Culver City with Steve Brill and
then they kicked me out of the the apartment because
like Pete Burg, you know the director. Yeah, Steve Brill's
also director. I went to college with Steve and we
were best friends. We actually started doing comedy together.

Speaker 3 (35:19):
People just killing it now he does all right, Yeah,
like he does.

Speaker 4 (35:22):
He did a few Sandwar movies. He did Sandway's Last Special.
But Berg is definitely killing it.

Speaker 1 (35:28):
He's got a real Oh he was a college roommate.

Speaker 4 (35:30):
No, Steve Broll was my real college so Brill with
out here and there was a whole crew of them,
including Berg. When I met Berg, he was like he
was running. He was trying to act. I took pictures
of those guys and he used a picture I took
of him as his headshot for years out in Culver City.
But him and and Brill were friends. And I was
living with Brill in Culver City and a building his

(35:50):
uncle owned or his mom or something. And what happened
with Berg needed a place to live. So all of
a sudden, they're like, you can stay on the couch.
And it was so sad because I was trying to
get in and doing stand up. The way I got
the job as a doormat. The story is like Mitzi,
I was doing pa work. This is a funny story. Like,
I didn't know what the fuck to do when I
got out here. I just wanted to be a comic

(36:11):
and I didn't know how to get on and know anything.
And when I got out here, I showcased at the store,
and I showcased I don't even think it was a
real showcase at the improv and I just like didn't
know what else to do. There wasn't any other options,
and I started doing PA work. And so the first
job it has a PA was on a it doesn't

(36:32):
matter if you tell me, yeah, yeah.

Speaker 2 (36:33):
We have to know.

Speaker 4 (36:35):
It was on a shoot. It was it was a
series of videos called kids Songs music videos for kids,
kids song, kids song, like kids bop yeah whatever, something
like that. And this one was a circus themed one
and they were shooting at the Circus Vargus, which was
on it was not it was what do you call
it when they're they're not in season? Off season, right,

(36:56):
So I know it's sorry.

Speaker 3 (36:58):
I'm getting old.

Speaker 1 (37:00):
See why you're ending the show.

Speaker 4 (37:03):
That's pretty good, Thank you, thank you. I'm gonna wait wait.

Speaker 1 (37:06):
Save it, come on, don't attack me.

Speaker 4 (37:09):
So uh so it's just all these circus people and
these kids and the and the director is all coked
up and it's all crazy and I'm just a PA
running around getting things. But it's like, really, it's all
circus people and the kids are running around. And then
after a day is shooting, there were two clowns and uh.
And there after we wrap, the clowns come up to

(37:30):
me and they're like, you want to get high? And
I'm like, yeah, okay.

Speaker 6 (37:34):
Yeah, I've never been high with Well, that's that's the
fucked up thing.

Speaker 4 (37:38):
Like we let's go to our trailer. So I go
to the clown trailer and they're in there and the
one dude just starts rolling the joy and I go like,
hold on, you got to take the makeup off.

Speaker 1 (37:50):
I can't be still staring at you guys, and.

Speaker 4 (37:53):
I can't do the clown everything. So anyway, so I
get an other PA job for Mitzie and I didn't
know it. I just got a job. You get into
this this circuit of PA's and she was shooting at
that time where where what is over there now? Where
the Petrie is. Petrie used to be the House of Blues,
and before that it was a house it was called

(38:15):
it was it was John Barrymore's old house. An old
Hollywood house that Mitzi owned, and she put a restaurant
in there called Barrymore's and for a while there no
one would eat there was good, I don't know, it
was a full restaurant.

Speaker 1 (38:29):
No one would eat there.

Speaker 4 (38:31):
Well, they tried to offer packages, like, you know, dinner
and the show, so you and then you go to
the main room show. But it was It was a
restaurant for a little while, and there were production offices
underneath it, and she was trying to produce the Comedy
Store channel, so she had all the guys that were
working at that time doing all kinds of sketches and
all kinds of shit. It was this big undertake. Yeah. Probably,

(38:54):
I'm trying to remember who was. Well, she was fucking
Danny Stone at the time, and oh my god, Danny
was like you know who he always did.

Speaker 3 (39:00):
It was like, oh my god, Rodney Danger danger fit. Yes,
he has that kind of eye.

Speaker 4 (39:04):
He always wearing a suit and sweaty bug eyed and.

Speaker 3 (39:07):
You know, but I heard Jimmy suber eight or pussy
but I don't know if I can, all.

Speaker 1 (39:11):
Right, Margot, Yes he diverts and it's sorry, no Suber
will cop to that.

Speaker 4 (39:17):
Yeah, yeah, suber really I think so.

Speaker 3 (39:20):
Oh that was urban myth.

Speaker 4 (39:21):
Okay, no, no, he used to say I had a
pager on my dick, so wow wow. But I don't
want to talk out of school. But I think that's
public information.

Speaker 1 (39:32):
It is now.

Speaker 4 (39:32):
So anyway, So I had an auditioned for Mitzi and
I was running around doing p A on this weird shooting.
You know who was around? Charlie Barnett. Charlie Burnett, you're
the guy from Washington Square Park. He was in DC
cat He was a comedy store regular, old street performer,
and I just remember he was around Ali, Joe, Oh, Them,
Jan Hard, Karen Haber, all the that crew of the
late eighties, Rereddie Asparagus. No, he wasn't part of that, Okay,

(39:55):
but I did. I did some for Freddie once up
at Cresco.

Speaker 1 (39:58):
All right, but you know what that is, I know,
Freddy Asparagus. Yeah, I've heard his name.

Speaker 2 (40:03):
Three Amigos.

Speaker 3 (40:04):
Yeah, he played the bar ten.

Speaker 1 (40:05):
He was that you know what, Yes, that lie that
that yeah, where he's like, uh I gotta get out
of this time.

Speaker 3 (40:13):
Yeah, I remember it.

Speaker 2 (40:15):
Yeah, he's a good guy guy.

Speaker 3 (40:16):
Yeah.

Speaker 4 (40:17):
He died, Yeah, he died yeah.

Speaker 3 (40:19):
Yeah.

Speaker 4 (40:20):
So anyway, so I know him. I'm in like, I
auditioned for Mits. All I want to be is a comic.
So I'm like, I see her at the at you know,
she's running around or moving slowly around and her boa
and I go, Mitzy, I finally get him minute. I'm like, Mitchy,
I'm Mark Maren. Do you remember me audition for she
for you? She goes, oh, yeah, you're funny. Go talk

(40:43):
to Becker and be a doorman.

Speaker 2 (40:45):
Wow.

Speaker 4 (40:45):
So I went up to Mike Becker's off.

Speaker 2 (40:47):
Was that a big deal back then?

Speaker 4 (40:48):
Yeah? Wow, because that was the entry level position.

Speaker 3 (40:51):
Wow.

Speaker 4 (40:52):
So like so then so I go meet with Becker
and and she's I said, she wants me a door man.
He's like all right, and and then it's like, can
you be head door man? I'm like, yeah, sure, And
I'm fucking in Chinatown buying jackets for guys. But uh
so that's how I got in Wow. And what had
happened where I was living so Crystal old this before

(41:14):
I moved to Crustle because I was still with they
made me move to the couch at Brilliant and Burg's
at Berg's house. But then they just started bringing parties home,
bringing chicks home, and they'd wake me up and Burg
would be like, play some guitar. You know.

Speaker 1 (41:26):
I'm like, what am I doing?

Speaker 4 (41:27):
Why am I the bitch in this situation?

Speaker 3 (41:31):
Late eighties, right, Yeah?

Speaker 4 (41:32):
And I didn't know how to get an apartment because
I was moron. I was like a feral and I'm
like I wanted to get in. I had to get
out of there, so I go look at apartments, but
I don't know how to look at apartments, and then
like an apartment opens up down the hall. Some woman
needs a roommate down the hall from Berg, so I
go take this apartment, and within days, you know, I'm
doing blow. She's supposedly sober. I get her fucked up

(41:53):
on blow and like, I drank all her champagne for
her party. And then there was literally an intervention, like
her and her boyfriend and their friends said you can't
live here anymore. Wow, And I'm like all right. And
then and then Ntzy was like you can live at
Granstown and I'm like great. So that's when who was.

Speaker 2 (42:11):
Living there at the time.

Speaker 1 (42:12):
Crestal For for people that don't know, Crestaill is a house
that the comedy store.

Speaker 3 (42:15):
Owned and it's mizy Wo more on the hillside of
the store.

Speaker 4 (42:19):
It was a great old place at the time. Was
funny because I got a really good room. The room
right off the kitchen had its own bathroom. It was
a good room. And then acrossed the way Todd Todd Lemish,
the Todd Tomyo lived upstairs Tomyo's Tuki and then across
the hall, who the hell was well Todd, there was

(42:40):
another Todd, the sound guy. He lived downstairs, and eventually
Schubert was living upstairs in the porch room for a while.
Nancy Redman was there for a minute. Yeah, I'm trying
to remember who lived in that main bedroom, but that
was sort of the crew at the time. But I
remember one time because that's why that's why Kennison was
always up there, and why I had to go get
the booze, and because he was, you know, with Tomaiyo

(43:01):
and they were always broken up. So he would come
up there and we do blow for three days and
he just end up like pounding on our door like.

Speaker 1 (43:08):
Tomio Ridge, Oh my god, look at it.

Speaker 3 (43:13):
Are you from the future.

Speaker 1 (43:14):
No, it's a slick Ridge wallet. And they don't just
make wallets, by the way, they make luggage and premium
every day gear. But I'm telling you these things are awesome.

Speaker 3 (43:21):
You don't have to tell me because I'm the one that.

Speaker 2 (43:24):
Uses ridgewalletre I know you do.

Speaker 3 (43:25):
We love Ridgewallett. With over fifty colors and styles, Ridgewallet
isn't just functional, it's personal. Whether you want sleek black,
forged carbon fiber, or a wallet that features your favorite
NFL team or one that just matches your vibe, They've
got you completely covered.

Speaker 1 (43:42):
Andrew fifty style, fifty colors and styles. That's so much.
It's not just functional, it's personal. Also, they're doing their
legendary sweepstakes for the fifth time, and this time it's
actually insane. I think this is crazy, but it's amazing.
The two lucky winners will get to choose between three
hundred thousand dollars Lamborghini Hurrican Serado, one hundred fifty thousand
dollars Hennessy velocirapp or one hundred thousand dollars in cash.

(44:02):
This is amazing that they're doing this. I think it's
bonkers and incredible, but hey, if you're sleek like Ridge,
they have it to give it away, and I'm telling
you that's probably the biggest sweepstakes I've ever heard of
in my entire life.

Speaker 3 (44:13):
Ready to upgrade your wallet, maybe your ride for limit
time only, Head to Ridge dot com slash Bad for
ten percent off your order and a chance to win
Rich's biggest sweepstakes ever, a.

Speaker 1 (44:25):
Lamborghini Racon Serrato a Hennessy's AASA wrapped the more one
hundred thousand dollars in cash. No purchase necessary to enter,
but every dollar you spend gets you more entries. That's
Ridge dot Com slash Bad. After you purchase, they're going
to ask you where you heard about them. Please support
our show and tell them we sent.

Speaker 3 (44:42):
You Open Phone. If you're running a business, enter you
know that every time you miss a call, you're leaving
money on the table. Brother true, When every customer conversation matters,
you need a phone system that keeps you up and
helps you stay connected twenty four seven.

Speaker 2 (44:57):
That's why you need Open Phone.

Speaker 1 (44:58):
In Open Phone, for those that don't know, it's the
number one business phone system that streamlines and scales your
customer communications. It works through an app on your phone
or computer, so no more carrying two phones or using
a landline, you dinosaur get out of the old and
in with the new segabye to voicemail. Their AI agent
can be set up in minutes to handle calls for hours,
answer questions, and capture leads so you never miss a customer. So,
whether you're one person operation drowning and calls and texts,

(45:20):
or have a large team that needs a better collaboration tool,
open phone is a no brainer. You can see why
over sixty thousand businesses trust open Phone.

Speaker 3 (45:27):
Open phone is offering our listeners twenty percent off your
first six months at openphone dot com slash bad Friends.

Speaker 1 (45:33):
That's open Phone op E n p h on e
dot com slash bad Friends. And if you have existing
numbers with another service, open Phone will port them over
at no extra charge.

Speaker 3 (45:42):
Open Phone, no miss calls, no miss customers. Shabby is
when I went to Hawaii. You know I hate Schwartz.

Speaker 1 (45:48):
By the way, yeah, you almost never weary.

Speaker 3 (45:49):
I never wear on vacation, but I was like, how
would I wear? And I went to Chubbies and listen
when I wore these things, right, I didn't even notice
I was wearing shorts. It lay looks so fashionably good.
I wasn't self conscious at all. And I like the
expandable waste thing right now.

Speaker 1 (46:01):
I think it's really cool. By the way, our waste
fluctuate all right. If you're someone on the go, it's
going to fuck fluctuate a little bit. Speaking of fluctuating,
fancy Be's wearing a chubby shirt right now. He's fluctuated weight.
He lost a little bit of weight. He looks pretty good.

Speaker 4 (46:13):
Huh.

Speaker 1 (46:14):
He looks like a fancy boy because he is fancy.
If you're looking for something comfortable, sleek, affordable, Chubbies has everything.
Those those polos are great because they're stretchable and breatheable,
and the shorts are incredible. They also have the line
swim collection, which I really love because I like changing
swim trunks because I like swimming in my backyard. I'm
a little swimmy boy.

Speaker 2 (46:32):
Huh.

Speaker 1 (46:33):
I'm a little swimming Yeah.

Speaker 3 (46:34):
I just like the classic look on them too. And
whether you're suiting out for cannonballs, which I loved, you know, cannonballs,
cannonball your cookout guy I am, or casual Fridays, Chubbies
has you covered. For a limited time. Chubbies is giving
our listeners twenty percent off your order with our code
bad Friends at chubbies shorts dot com.

Speaker 1 (46:52):
That's code bad Friends at chubbies shorts dot com. That's
c h U B b I S S h O
r t s dot com. Support our show and let
him know we sent you. Give summer one last hurrah,
keep the good vibes going with Chubbies.

Speaker 4 (47:07):
It was crazy, It was it was It was the
last I think, really crazy time when I was there.
I talked about this recently with Andy Richter, and it
all sort of comes back to you, you know, because
I mean, I've told some of these stories before, but
it's like when you get back to him, it's sort
of like you.

Speaker 1 (47:20):
Know, you start, you start, you know, yeah, yeah, yeah,
you start getting back into it.

Speaker 4 (47:24):
But it was just it was just so crazy because
no Monday Night was no cover night, right, So so
the way that worked was like all the rooms were open,
they had to buy drinks, but that was like Sam night.
So Sam would take over the main room Monday night.
He'd show up like ten thirty eleven wow, And then

(47:44):
it was just all the freaks from Hollywood would converge.

Speaker 2 (47:47):
It was just such Stevie Nicks.

Speaker 3 (47:48):
Everyone well it was like more it was porn stars.

Speaker 4 (47:51):
Occasionally people would come and Sam would have to, you know,
put on it like he was a good guy show
for him. I remember, you know one time like I
was such a fucking cocky dick, Like one time in
the kitchen, like uh, they Clapton and Phil Collins had
come to see Sam. I don't give a fuck about

(48:11):
Collins and I.

Speaker 1 (48:12):
Don't give but Clapton a little bit, a little, but.

Speaker 4 (48:14):
Not much, you know what, he's never Clapton. Yeah, yeah,
but he's not a Clapton. But like if I'm a
I'm a guitar player. So I have him in a
certain place. I tend to play more like him than
I want to, but I whatever, So he's back there.

Speaker 3 (48:29):
James Taylor, would you James Taylor was somebody that would
be impressed by him.

Speaker 4 (48:33):
I interviewed him. He's not a darker than you think,
full on depressive junkie for years, couldn't get out under it,
couldn't get.

Speaker 1 (48:45):
Out for isn't that Clapton story too?

Speaker 4 (48:48):
Yeah? But like dark guy, yeah, I guess, But why
does he play just he's kind of a.

Speaker 3 (48:53):
Hack, you know.

Speaker 1 (48:54):
I love this. Clapton is a hack. I love that
blues hack.

Speaker 4 (48:57):
Yeah.

Speaker 3 (48:57):
Wow.

Speaker 4 (48:58):
I mean he had been pretty good phrasing and but
but I think that his best work oddly was with
like John Mayall and the Blues Breakers, the first man
he was in when he first realized like, if I
just crank this, I can still play these old dumb
blues licks and sound like a genius.

Speaker 3 (49:13):
So wow, what I love you.

Speaker 4 (49:15):
He'll cop to that.

Speaker 1 (49:17):
Joe Bonamasa.

Speaker 4 (49:18):
Bonamasa is a savant, But I don't know who he is,
do you?

Speaker 1 (49:21):
But that's kind of why I like him. But you
think he keeps him him, you keep he keeps himself
hidden in an order for us to not fu I just.

Speaker 4 (49:29):
Think he's a sort of like naturally gifted guitar player.
You can play the fuck out of anything. And he's
a good mimic, and he's like, you know, he can
play anybody. Yeah, but like I don't if you can
fake feeling, who do I believe?

Speaker 1 (49:48):
Huh?

Speaker 4 (49:49):
You know you got to figure like Freddy King could
only play Freddy King. And when Freddy King plays Freddy King,
you're like, holy fuck, this guy's really in it. So
Bonamasca can play exactly like Freddy King. I'm like, yeah,
but you're not Freddie King. It sounds right, but that
is not there right?

Speaker 3 (50:05):
Well, who makes sense?

Speaker 1 (50:06):
Yeah, who's your who's your who's your god? Then who's
the guitar god?

Speaker 4 (50:11):
Well, that's a good question.

Speaker 1 (50:13):
Or who are the gods? Plural? Then who are the
three gods? If there's a little Mount Rushmore, a little whatever,
who three four gods?

Speaker 2 (50:19):
In terms of guitar playing, yeah, Hendricks.

Speaker 4 (50:22):
Look, you know, in terms of blues, you know, I'll
go with those old guys. You know. I like Freddie
and I like Albert, and I like who else do
I listen to?

Speaker 2 (50:33):
Uh names? Give me the last name too, man?

Speaker 3 (50:35):
But I like Helen Wolfe.

Speaker 4 (50:36):
I like his guitarist, Hubert someone. I like, uh, what.

Speaker 2 (50:41):
Deep to cut?

Speaker 4 (50:43):
I'm sorry any of these Albert Whome's Albert King.

Speaker 1 (50:46):
Albert King was Stevie Ray's you know, Albert King.

Speaker 4 (50:49):
He was Stevie Ray's guy. Yeah, And Freddy King like
it was pretty pretty great. He's Clapton's guy.

Speaker 3 (50:55):
But I like it.

Speaker 4 (50:56):
I like dirty Ship, I like hound Dog Taylor. I mean,
I like dirty fucking blues. I'm a big Keith Richards guy,
and he's not really a lead player. But I love him. Yeah,
I like Hendricks a lot. I mean, you can listen
to Hendricks. That stuff's crazy. It's still he's doing Buddy.
It's so funny. I saw Buddy Buddy Guy, you know,
because you know, Hendricks got a lot of Buddy Guy

(51:16):
in him, and uh, it was just it was it
was very funny when I saw Buddy Guy in junior wells,
when I was in college in Cambridge. They were both
ship faced. It was second show and Buddy was like,
you like Hendricks, I'll show you Hendricks and he just
started doing these looks like holy shit, those are your
those are your licks, you know. And but Hendricks was
a genius.

Speaker 3 (51:36):
You don't like pop bands then, like when Nirvana came about,
did you like it? That's pop?

Speaker 4 (51:42):
Sure?

Speaker 3 (51:42):
Okay, okay, oh yeah, Ive I go to popular music.

Speaker 1 (51:45):
Well, they became very popular.

Speaker 4 (51:47):
I listened to all the music, Dude. I'm a big
giggy pop fan fan. I used to I used to
listen to like I was listening to Skinner the other day.
I grew up in New Mexico, dude, so I had
to dude. But I knew a guy at a record
store who was like one of these like weirdo art
guys Steve LaRue, and he turned me on onto all
the sort of art rock stuff and Bowie and then

(52:08):
been on the radio you were Skinnered and all that
other shit. So I'm pretty well versed in all of it.
What do I go back to the most? I think?
I honestly I listened to more Stones than.

Speaker 1 (52:17):
I just doned more than anything.

Speaker 4 (52:19):
Why go back to the muttin ac DC huge Angus
Young fan, He's definitely one of my guys. Okay, Angus
Young on the lead.

Speaker 1 (52:26):
Guitar and a fucking performer, no less.

Speaker 4 (52:28):
But you can't beat that guy and his licks are
just straight up Buzwick's. But man, he's the He's one
of the best.

Speaker 3 (52:34):
Good performer, fuck it.

Speaker 4 (52:35):
Yeah, great guitar. Playeah, great guitar.

Speaker 1 (52:37):
Did you find yourself ever liking John Prinor And no?

Speaker 4 (52:40):
Yeah, sure, I like John Prime?

Speaker 1 (52:42):
See you liking him?

Speaker 4 (52:43):
Oh he's good. I interviewed him great guy.

Speaker 1 (52:45):
Because I feel like he's kind of your style of
guy where he does however, he's clever. No, No, that's
not what I would say. I would say. No, he
just doesn't give a fuck. Uh if it if it
feels like it's supposed to be the right way if
it's like, well.

Speaker 4 (53:00):
Do it my way out because of his way in.
Some of the songs are fucking great. There's Angel from Montgomery.

Speaker 3 (53:06):
All right, well, why don't you end your podcast?

Speaker 1 (53:10):
Sorry about that, Mark, Oh, let's get back to what
we started. Yeah, let's go with the original.

Speaker 3 (53:13):
I don't know what I get.

Speaker 2 (53:15):
I drifted from it.

Speaker 3 (53:16):
It's just like John Prime does and that feeling. I
don't know about that.

Speaker 1 (53:20):
Well, we're just chatting.

Speaker 2 (53:21):
I don't like it.

Speaker 3 (53:21):
Let's go to But the thing with Joe.

Speaker 4 (53:25):
The thing with Joe is I don't know that we
have a lot to talk about because of my my
idea of what he's done to comedy. Sure, and I
don't think it's great. I think that it's tribalized, and
I think that, you know, he's created a sort of
army of people that think they know comedy, but they
only know a specific thing, and what they think is

(53:47):
good is not necessarily good. And maybe what they're like
what they like. But on the outside of that, most
of this sort of sensitive weirdos that we all grew
up with in comedy have been sort of pushed to side.
And the space for them has become limited, and it's
a little.

Speaker 3 (54:03):
There was a time though, that all comedy was.

Speaker 4 (54:06):
Not all comedy. I'm not even talking about the all people.
I'm talking about just like interesting stand ups, right, you know, weirdos.

Speaker 3 (54:14):
Yeah, like Brent Weinback has a great special. Sure, I
think he's so weird Joe, you know.

Speaker 4 (54:19):
And now it's like kind of this, you know this,
there's this cultural idea of what comedy is.

Speaker 1 (54:24):
Is there a world and I understand what I get
your perspective. Is there a world where both these things
exist and it doesn't matter. So this is what I
always say, like, I get that you don't like that world.
That's part of why I love you, because you're like,
fuck that and you'll shoot on it. And that's what's
great about There are some.

Speaker 4 (54:41):
Good comics in there, and there's a lot of middle section.
There's a lot I believe that we all exist in the.

Speaker 1 (54:46):
Same and it doesn't matter. As my point, I get
why you.

Speaker 4 (54:49):
It's it's not all on him. No, No, the culture
has changed, right and and you know, and I don't
necessarily think for the better, but it's changed in a
lot of ways. In that look you know there are
comics that only drive clips and that you know, only
do crowd work, and they don't care if they do
other people's jokes because the traction is with the clip.
And what they don't realize, I think, and what a

(55:11):
lot of people don't realize, is that you're just you're
You're the You're the Internet's bitch, You're the platform's bitch.
So in the sense that if you're not able to
fucking confidently do an hour without worrying about getting clipped
so you can get people come see you to do
crowd work, what are you really? What is your voice?
Who do you work for? You'd like to think you're

(55:31):
working for yourself, but you're just a platform bitch who
doesn't really need to find who they are up there
do anything interesting at all. That's a problem, and the
bigger problem about what you're saying. Yes, I think we
all still do exist, but the nature of the comedy
business is fragmented and some of it's tribalized. But there
used to be a lot more weirdos around who were

(55:52):
kind of exciting and interesting and took it a different place.
I would argue with just talkie talk comedy, there's not
that many people bringing it to a different place.

Speaker 1 (56:01):
Dude, right, well, there is some good ones that like
I think that. I think that kid Casey Rocket's really
entertaining and fun and different and unique. I think they're
they're there, right, yeah. I think the problem is you were.
There's so much sludge, there's so much ship, there's way
more noise than we've ever fucking seen. So it's hard
to appreciate or even care because all that's really being
shown is kind of the constant like, give it to him,

(56:23):
give it to him, give it to him, give it
to so.

Speaker 3 (56:24):
I guess I'm tired of the attitude.

Speaker 1 (56:27):
I thought you're gonna say violence in this country.

Speaker 3 (56:29):
No, no, I'm tired. They come up back to l
A one guy I want to name his name, and go, oh,
you're pretty.

Speaker 2 (56:37):
It seems like you're thriving it out.

Speaker 3 (56:38):
He goes, I'm killing it, killing it, I mean, and
I'm like, whoa, whoa, dude with it moved out because
you couldn't survive here.

Speaker 2 (56:46):
This is a different It's an animal. It's an animal.

Speaker 1 (56:49):
I think the weirdos you're referring to, by the way,
we're berthed. And I defend this to fucking blue in
the face. We're berthed at the comedy store. I think
the biggest, the biggest mistake that's made whenever I go
back East is you know, the New York guys that
I'm very close friends out there, they all day, you know,
they make fun of the store and blah blah blah
blah for all the years, and I'm always like, dude,
You'll never find a bigger group of fucking lunatic all

(57:10):
over the mappers. This lead when I started. When I
moved here in six it was wackad do CenTra. The
late nights were fucking insane. In fact, the front patio.
You were like, is this illegal.

Speaker 4 (57:20):
Whatever they do these people live here?

Speaker 1 (57:23):
Yeah, this is crazy, And I think I always pushed.
I was like, people don't know that about the store.
They think they hear this like corporate bro Bro And
that happens internally in La a lot too, where they're like,
the store is a fucking you know whatever, sellout factory
of fucking bro comics. Because I anymore, no, but there
was a wash of it that came through and I think.

Speaker 4 (57:40):
Yet, Joe, they moved to Austin.

Speaker 1 (57:42):
But I think no, I think I think I think
even I think even even up to a few years,
even when I was starting out and the Largo guys
are the East sid guys. If I could do East
east Side shows, they would make fun of me going
back because I had a lot of good friends of
East Side guys.

Speaker 2 (57:56):
Yeah, and we started to.

Speaker 4 (57:57):
Because they couldn't cut it, couldn't cut it at the store.

Speaker 1 (57:59):
I know, but they still would hate on me for
going they go. They'd be like, why the fuck you
go in there, Santino, It's all fucking loot, and I
hate it because I was like, you don't get it that,
but this is diverse, insane and.

Speaker 4 (58:07):
Whe But the bottom line is you got to do
the job.

Speaker 1 (58:10):
You got to do the East Side.

Speaker 4 (58:12):
You don't got to do the job right. You got
a bunch of like minded people that'll sort of watch
you worm your way through a personal story that goes
nowhere and find the you know, love the whole issue.
And whatever alternative comedy was, it didn't deliver the goods
because it ain't around anymore. And that weird argument. It
wasn't that alternative comics were open micers. They were just

(58:34):
trying to do something different. But if you're brought up
with the working ethic of like you know, you open,
you middle, you headline, and then you fucking do the job.
That wasn't the same sense of purpose. So when you
do the store and the reason why, I've never stopped
doing it. And I was always a club comic from
the beginning.

Speaker 2 (58:52):
But oh, you're like Blade though you live in both worlds.

Speaker 4 (58:54):
That's right. Well, I helped build the alternative world in
New York.

Speaker 2 (58:57):
But I'm just saying there's some comments like you that
do both. Sure, I wonder why. I mean, there's you.

Speaker 3 (59:03):
I think Zach lives in both Canakas Patton Oswell lives
in Bold.

Speaker 2 (59:07):
But some of them don't live in both.

Speaker 4 (59:08):
Well, some of them don't live anywhere anymore. I'm not
sure what they're doing.

Speaker 1 (59:13):
But they're back on that couch.

Speaker 3 (59:14):
Baby.

Speaker 4 (59:15):
But but the truth is is that, like in my mind,
it's like you got to be able to do the
job for whoever, So like the idea, and sometimes at
the store, it's hard. It's not always easy. At the
store's tough. There's a lot of times where most of
the room doesn't know who the fuck I am. But
that's the job, right, I mean, you know, I do
have my my people, and I go do theaters and stuff. Course,
but you want to go put yourself through that. I

(59:36):
still have that weird ethic. It's like because a lot
of people are like, why would you go to the
store anymore, I'm like, I don't know, because I got
to do the job and I've got it's a way
to make to know whether shit really works. If you
can make it work over there, it's going to work anywhere.

Speaker 1 (59:50):
I think that's it. I think everyone that got successful
with the store, that became a store person or store name, yeah,
they have that like unrelenting. I have to be a comedian.
I have to do it, like even though when wives
and girlfriends and friends are like, what are you going
to do us? You're going to the fucking now.

Speaker 4 (01:00:07):
Yeah, that's why I don't have any of those things.
So you want to transition to stick?

Speaker 3 (01:00:14):
Yeah, well just because I can't, I can't even tell
you what it is.

Speaker 1 (01:00:17):
Go ahead.

Speaker 3 (01:00:18):
He's a very masterful golf player.

Speaker 4 (01:00:20):
I know, you do, I do. I know he's good golf.

Speaker 2 (01:00:23):
He's also a great bowler. Does he's good at everything?

Speaker 4 (01:00:25):
Yeah, He's like he's got all those white guy sports
down right, right.

Speaker 1 (01:00:28):
I have some of the black ones.

Speaker 2 (01:00:32):
No, he's also I don't know if you know this. Yeah,
great actor.

Speaker 1 (01:00:36):
Okay, that's not that part of I think you are.

Speaker 3 (01:00:38):
I think we've talked about this. You're a great actor. Yeah,
but okay, anyway, he should have gotten something on Stick.

Speaker 1 (01:00:43):
Yeah, but it has nothing to do.

Speaker 4 (01:00:44):
And I kept telling them, you know, where's Andrew.

Speaker 1 (01:00:46):
They kept saying no thanks, no thanks, no thanks. I
was mad. We saw the show Stick. It's a great show.
It's on Apple. Of course, our good friend Mark Marin
is on it.

Speaker 4 (01:00:55):
He wouldn't have played my part though, No, no, no, no, no, no, no,
you would have played on I was a tough sell. Yeah,
I think it was attached early.

Speaker 1 (01:01:02):
Yeah, it was either me or Owen. Basically, no, there's
no other that. The joke is, there's no other parts.
It's a young it's Owen and a young child in him.
It's like a fucking you.

Speaker 4 (01:01:12):
Could have easily done Timothy Olifant's role.

Speaker 1 (01:01:14):
Yeah, fuck you Timothy, and you could.

Speaker 4 (01:01:16):
Have you could have done the kid's dad's throll too.

Speaker 1 (01:01:20):
Who's that what's his name?

Speaker 4 (01:01:22):
I forget the actor. He's great, but I mean I'm
just thinking, like you could have done those.

Speaker 1 (01:01:25):
Thanks a lot, recommend I'm the only I'm the only
fucking comedian that me and Nate Bargaci. The only comedian
is that golf.

Speaker 4 (01:01:31):
It's so funny. I sent and Nate a picture of
me and U, and no, I don't even know the
guy's name.

Speaker 1 (01:01:36):
He's gonna piss me the fuck off, I bet. Yeah,
the guy that I like.

Speaker 4 (01:01:39):
Well, I'm sure you like him. The fact that I
can't remember his name is not great, but hold on,
obviously if I can find it, Holy shit, I know
him and.

Speaker 2 (01:01:46):
I talked so happy Gilmour too. You should have got
a real golf part in that too?

Speaker 4 (01:01:49):
Yeah, why didn't you get a role in that?

Speaker 1 (01:01:50):
Not gonna say anything bad right now. If Sandal was listening, okay,
saying thank you Adam, thank you Adam. As if Adam
would ever think of listening now, you know what's so funny?

Speaker 2 (01:01:59):
He might.

Speaker 1 (01:01:59):
He's got his finger on the pulse. He's pretty He's
not listening to our show. He's pretty good though.

Speaker 3 (01:02:04):
Adam knows he's so good. Adam knows he's smart.

Speaker 4 (01:02:06):
I'll be honest with you, I thought that last special
that Josh Saftie directed was one of the best things
I've ever seen.

Speaker 1 (01:02:12):
Yeah. Fact it was serious.

Speaker 4 (01:02:15):
And nobody watched it, and it was so weird, and
it was so clear that that he had an agreement
with Adam to be like, I'm gonna do some shit
during the show. Yeah, you're just gonna react to it.

Speaker 1 (01:02:24):
Well, the special before that got a lot of love
because it was more That'slin Morikawa.

Speaker 4 (01:02:30):
Yeah. So so I sent that picture to Nate and
Nate says, this is my happiest day. That's I never
in a million years thought I would see this.

Speaker 1 (01:02:37):
Fix you with Kalin Markaw is so funny. And Kalin Marka,
of course is a human Asian. Oh yeah, Asian Oka.
He's like you, Bud, damn, I got it.

Speaker 2 (01:02:46):
Yeah.

Speaker 3 (01:02:46):
It's like, if you've got a photo with tiy Rie
or something that would change your life, it would piss
me off.

Speaker 1 (01:02:52):
Yeah, God, I hope I do.

Speaker 3 (01:02:54):
He's one of the greatest French soccer player, soccer players
of all time.

Speaker 4 (01:02:57):
Yeah, I'm not a sports guy in anyone.

Speaker 2 (01:02:59):
I'm just saying if you had.

Speaker 1 (01:03:00):
I know that, Well, it's not a sport, it's an activity.

Speaker 4 (01:03:03):
But I mean, I'm athletic, but I don't do we
get it.

Speaker 1 (01:03:06):
Okay, Okay, he has been working out a lot more
than usually.

Speaker 2 (01:03:09):
I know.

Speaker 1 (01:03:10):
I thought we were cutting down on the zins though
we're not. No, no, we're not, and we're not.

Speaker 4 (01:03:18):
Now I'm starting to see them all around my yard
because I don't even spit him in the rock. But
I'm just like, now, you know you got a problem
where you're like, is that a zin? What under my pillow?

Speaker 3 (01:03:27):
My buddy told I didn't end your podcast time stick thing.

Speaker 1 (01:03:32):
Yeah, we're going to get that the interesting No no, no, no, no, no,
no no, I'll be honest.

Speaker 4 (01:03:36):
With you about the stick casting for me, Yeah, is that? Like? Okay?
So I get offered that role of mits and it's
the role of a caddy. So I immediately said, like
I read some of the scripts. I'm like, I don't
know anything about golf, and they were I was basically saying, no,
I can't do it. I don't want to do it,
and they're like, doesn't matter, and I'm like, okay, but

(01:03:58):
you know, I have a podcast. I can't do it,
and they're like, no, we'll figure it out, and I'm
like and I kept telling them I couldn't do it,
but ultimately what became appealing was a couple of things
that if I want to act, I should do it.
You know what I mean. Yeah, the business is so
anemic now. If you get an offer and you say no,
you're like, all right, well then you shouldn't do anything

(01:04:19):
right because this is it. Yeah, it's one of them.

Speaker 2 (01:04:21):
Yeah.

Speaker 4 (01:04:22):
But the thing that was appealing to me was outside
of the vact. I don't really need to play golf
in it, but the friendship between two guys who were
sad for very deep reasons and have stuck by each
other for this long, through thick and thin and through
these emotional cycles, Well, that was kind of compelling to
me to be able to play that. And I thought

(01:04:42):
I could play that. And the nature of a caddy
is like fundamentally codependent. I mean, you're there to service
the dude. So that dynamic with Owen I thought was
really interesting and could be kind of touching. And that
was really what drove me to it, and I learned
enough about God to sell it. But it wasn't on

(01:05:02):
me to carry the golf of that show.

Speaker 1 (01:05:05):
PUN intended carry as a Yeah, you didn't have to
carry the golf of the show, but it didn't matter
because honestly, like anything else, you've.

Speaker 2 (01:05:11):
Got a straight offer.

Speaker 3 (01:05:12):
Bro, what's that straight off?

Speaker 1 (01:05:14):
Can I finish the thing with him? And I have
a good you know what I mean, a good rapport
out of it in the middle of the in the
middle of the thing. Am I a bad interviewer to
the guys in theop? No, you're the best anyway.

Speaker 4 (01:05:25):
It's a conversation, Boby, okay, yeah.

Speaker 1 (01:05:28):
Ask away whatever. No, Well, we were going to tie
it up.

Speaker 2 (01:05:32):
But tied up, put a button in it, putting.

Speaker 1 (01:05:34):
But you see a button in it. You see how
good he is at the.

Speaker 3 (01:05:36):
Thing on it?

Speaker 4 (01:05:37):
Yeah, it's good, it's good. I think this whole comedy
team thing works for you guys, and.

Speaker 1 (01:05:42):
It really does does. We're not let we don't. We're
our own little ships. And nobody wants to be on
the on this boat. By the way, like when people say, like,
you know, those worlds have been kind of I don't
want to say, like corporatize or whatever, eaten alive by
other bigger things. And Bobby, sometimes we'll say, how come

(01:06:02):
nobody wants to buy our show? And I'll say, Buddy,
we don't. We're not really sellable. We're not really like no, but.

Speaker 4 (01:06:08):
You thank God because yeah, just run your own ship
and cast your own checks.

Speaker 1 (01:06:12):
Whenever someone says this is kind of funny, we don't
ever have politics on the show. We never do it
because we just are like, that's not for us. Go
over there. I don't like it on this show. And
we had a few offers of like people politicians wanted
to come on the show, none of the big ones.

Speaker 4 (01:06:27):
Yeah, but anyway, I only did a sitting president.

Speaker 1 (01:06:29):
Yeah, I know, we remember, but it was unfortunate.

Speaker 4 (01:06:32):
Because it was the what it was the black one.

Speaker 1 (01:06:35):
It was the black one. Yeah, you said it, not me,
You're the one. Take it away.

Speaker 4 (01:06:39):
Mark was great, he was.

Speaker 1 (01:06:40):
Amazing, one of the best of all time. No, but
I said, I said, we shouldn't have politicians on you know.
He obviously agreed. He's like, yeah, I don't want that
shit on here. And then I also thought, have they
seen this show?

Speaker 3 (01:06:50):
It's just not But that's the thing.

Speaker 4 (01:06:52):
They don't give a fuck. All they want is your audience,
don't give that's politicians will talk right through you. They
don't give a ship. They're going to stay what they
want to say, no matter what. Right and they're gonna,
you know, there and you can say whatever you want
and they'll be like, yes, but I'm going to say
this now.

Speaker 1 (01:07:05):
Right, I'm going to say what I want to say.
And also, why did you quit your podcast? That's Bobby's question,
I know, but Bobby go ahead to ask it. Well,
because I texted you, didn't I? And what did I say?

Speaker 4 (01:07:16):
He said?

Speaker 1 (01:07:16):
It was very nice?

Speaker 4 (01:07:17):
Yeah, he said congratulations.

Speaker 1 (01:07:19):
I said, thank you podfather, congratulations and look in the future.

Speaker 2 (01:07:22):
Yeah, did I say anything?

Speaker 1 (01:07:24):
No, you fucking did. Of course you didn't text you
You were.

Speaker 3 (01:07:26):
Like why, Yeah, that's yeah, yeah, I'll tell you why.

Speaker 2 (01:07:32):
I was mystified by it.

Speaker 4 (01:07:33):
Is sure that works.

Speaker 1 (01:07:35):
I love when he tries it did work, but I
love it.

Speaker 4 (01:07:38):
If it were the forties, you guys would be the
best team because it'd be like what Bobby.

Speaker 1 (01:07:42):
Be all right, don't you think we're a good throw back.

Speaker 4 (01:07:46):
That Asian thing?

Speaker 2 (01:07:48):
No, that was just a tone sounded like Asian.

Speaker 4 (01:07:51):
No, it was just a yeah, yeah, yeah, yeah, yeah.

Speaker 2 (01:07:53):
I've heard villagers say that.

Speaker 1 (01:07:55):
We are like a good comedy duo from the old days,
totally of like the old stupid I could hear the.

Speaker 4 (01:08:00):
Straight guy and he's the wacky guy. Right, yeah, you're like,
Marty Allen, go ahead, wacky guy. Hello, dah, that's Marty Allen, Hello, dah.

Speaker 1 (01:08:11):
Racist Do you see what he did?

Speaker 2 (01:08:12):
I see what this is now?

Speaker 1 (01:08:13):
Yeah.

Speaker 4 (01:08:14):
No, No, that's a team up.

Speaker 3 (01:08:15):
It's an old school team up.

Speaker 1 (01:08:17):
It's a team him up.

Speaker 4 (01:08:18):
Go ahead, Bobby.

Speaker 3 (01:08:19):
Let's be serious. So let's be sire for a second.
Because you've had I think the best guests. I mean
you could imagine, thank you. I mean you've had Leo, right,
Brad Pitt, Barack Obama.

Speaker 1 (01:08:31):
In that order. By the way, it goes, Leo brad
Pitt the best.

Speaker 4 (01:08:35):
One of the best moments of the podcast. We had
Barack Obama on and then President Obama, and then we
me and my producer did a sort of post talk
about what it was like to have the president on,
and people are like, who are you going to put
on after that? And we're like, I think, rich Boss.

Speaker 3 (01:08:50):
Wow, wow, Rich Ros's very funny.

Speaker 1 (01:08:54):
Little drop the best, A little drop from the President
of the United States.

Speaker 4 (01:08:58):
Voss is so funny, you know, forever, He's so funny,
so funny. I knew him when I was starting out
in Boston. He used to come up from New York
and back then he had like this Jerry curl, Italian ponytails,
little Italian horn necklace. He so but he was always something.
But it was so funny. I had a great interaction
with him, uh, because you know he knows Norton and

(01:09:18):
I'm you know, I'm friends with Norton. I haven't talked
to Norton in a while. And I saw Voss at
the comedy store and I'm like, how' Jimmy doing? Is
Jimmy doing? All right? I heard fro him and he goes,
Jimmy's great. He got a beautiful wife with a huge cop.

Speaker 1 (01:09:33):
All true?

Speaker 2 (01:09:34):
All true?

Speaker 1 (01:09:35):
Yeah, why'd you make the decision?

Speaker 4 (01:09:36):
Your hair works?

Speaker 1 (01:09:37):
Good?

Speaker 4 (01:09:37):
Buddy?

Speaker 3 (01:09:38):
Please stop because stop what this was it? I'm not
you know what guy?

Speaker 4 (01:09:43):
Oh boy, oh boy, you're misreading me again.

Speaker 2 (01:09:45):
No, I'm not missing you are.

Speaker 4 (01:09:46):
You always think that I'm like, you know, condescending or
I'm busting your balls.

Speaker 3 (01:09:50):
I'm being because the history we once had. Yeah, but
at one point you.

Speaker 2 (01:09:53):
Didn't like me.

Speaker 4 (01:09:54):
No, that's not true. That it was all in your head.

Speaker 1 (01:09:56):
Okay, at one point he doesn't like everybody.

Speaker 4 (01:09:58):
That's not true.

Speaker 1 (01:09:59):
But then he learns to like you a little bit.

Speaker 4 (01:10:01):
I'm just guarded. It's not that you've never had.

Speaker 1 (01:10:04):
A point where you didn't like him or you didn't
like me.

Speaker 4 (01:10:07):
I never didn't like you. I didn't know you like I.

Speaker 3 (01:10:10):
There we go. You know.

Speaker 1 (01:10:11):
That's how he does.

Speaker 3 (01:10:12):
That's how he does, that's how he is.

Speaker 2 (01:10:13):
All right, good. I didn't know you either treated like shit.

Speaker 1 (01:10:15):
And here's the problem.

Speaker 4 (01:10:16):
I would argue that I didn't treat you. Actually, I
may have come off as a lot of people think arrogant,
but it's not. I'm just like, I'm just guarded.

Speaker 1 (01:10:25):
And everybody thinks it may.

Speaker 3 (01:10:27):
But you know me now, Yeah, yeah, I love you.

Speaker 4 (01:10:31):
I'm a pretty softy guy once you get the.

Speaker 1 (01:10:35):
Key to me. But here's the problem, Mark, Yes, that
is to be true. The problem is losers like us. No, Yeah,
we fucking loved you through it because we were like
I still really like him and I really want him
to like it, but I don't think he likes me.
And we did that, and we all did that.

Speaker 3 (01:10:49):
Although I was so do I tell you about Oklahoma City? No,
I'm shooting at the Green Day movie in Oklahoma City. Yeah,
I'm at the hotel of the day off and I'm
coming out of my hotel room and from afar, I
see the back of his head, but I I thought
there's no way to happen. He turns around and it
was the most exciting I kind of I was excited.

(01:11:12):
I speed ran towards you. It was unbelievable. Yeah, we
was on a show there, I was stuck in a hotel.
It was a great meeting.

Speaker 4 (01:11:19):
It was great.

Speaker 1 (01:11:20):
But he had the other times when he didn't look
at you in the hallway. You remember those days.

Speaker 3 (01:11:24):
Yeah, yeah, Well I think that you didn't like my
style of comedy. I'm I'm very needy on stage. I
use little tricks on stage. I used tricks on stage
that you wouldn't you know. I mean, do.

Speaker 1 (01:11:39):
Tricks just like it's not a Mark Marria trick that
you do.

Speaker 3 (01:11:42):
Like kiss people on the lips. You do different things
like you.

Speaker 2 (01:11:45):
Know, show the belly, showed the.

Speaker 4 (01:11:48):
Belly, the little tricks that I want you to know
that once you guys anybody, any comic, once you figure
out the trick of me and you figure out how
to bust my bus.

Speaker 3 (01:12:00):
Yeah, I don't believe that. I believe you softened. No, no, no, no, yes.

Speaker 1 (01:12:04):
No, He's saying there's a look, dude, he's saying he softened,
he's saying, there's a fucking code, and you got to
get to the Once you get that, you know what
is in video game, Like once you found out where
that extra thing was in Mario and you were like,
I know how to get that fucking thing, all right, right, right,
but it looked threatening it hard, but yeah, you jump
on the mushroom, you get to the thing, then you
can and you get it. Yeah, that's what it really is.

(01:12:26):
That's Mark's thing.

Speaker 4 (01:12:27):
Doesn't that make sense?

Speaker 1 (01:12:27):
Yeah it does. Yeah, And you got to get there.

Speaker 3 (01:12:29):
But also, when I knew you the right it was
like I knew you when w TF was new, even
before when you were married to right.

Speaker 1 (01:12:40):
Weird, it was a secret.

Speaker 4 (01:12:46):
I'm through it, you're through it.

Speaker 3 (01:12:47):
Yeah yeah, yeah, yeah, which you know I have feelings about,
but yeah, but I knew when you weren't as successful.

Speaker 4 (01:12:55):
Yeah.

Speaker 3 (01:12:56):
And you know the reason why you started w twof
is because you were in a good place, bad very
bad places, and you were a little angry. It's sad, right,
And so I think that once you got through ye
the divorce, yeah, right and right, and then you know,
WTF started taking off. Then you were getting TV spats

(01:13:16):
and you were all the things that you deserved you
got yeah, okay, and then you softened.

Speaker 4 (01:13:22):
Well, I softened with age, and I softened with a
lot of stuff. But yeah, but I but also the
primary intention of WTF at the beginning was to sort
of settle these scores of people that either I did
have problems with or people had problems with me. And
most of the time when I thought I had, you know,
caused some trouble for somebody, or they didn't like me,
they didn't even know what I was talking about. I mean,

(01:13:46):
you know, I'd bring up these events and be like, oh, yeah, okay,
I guess. And it was like I had decided somehow
that I was an outsider of the community. You're not, No,
I'm not. But but I'm crazy.

Speaker 1 (01:13:58):
Okay, so that's true.

Speaker 3 (01:13:59):
You're a leader, Well yeah you are. You're a leader
in the community, you're one of the forefathers.

Speaker 1 (01:14:05):
But you're also crazy.

Speaker 3 (01:14:06):
Your czist lines up, Yeah, yeah, a little bit.

Speaker 4 (01:14:08):
All right, say just say it, what, well, what, why
why did I stop?

Speaker 1 (01:14:13):
Just why why are you done?

Speaker 3 (01:14:14):
Why?

Speaker 4 (01:14:15):
Oh? Well, the truth is, like we've been doing it
sixteen years and you know, when we set out to
do it, it was not there was no money to
be made. It was really just an act of trying
to create something, you know, honest and interesting. And it
evolved over time, and my producer and I were audio guys,
and he's a very specific type of producer. He spends

(01:14:36):
a lot of time with these interviews, he crafts them,
and over time it developed a very personal style and
it was sort of a a sort of the arc
of my life and my engagement with these people, but
it was ultimately a lot about me. And the thing
about the show is that we we've worked very hard
at it. There we never wanted to do. Video was

(01:14:59):
never part of our thing. We're not content generators. We
don't put things into the world to make money, really.
And the fact was is three years ago we got
that deal with the Platform and it was something we
deserved and it was not a huge deal, but it
was a good one and you know, we got in
under the wire on that and right before we took

(01:15:20):
the Platform deal, we were like, you know, we don't
have to keep doing this. We've done an amazing thing.
We've helped sort of create a foundation for this medium.
We've created a style of doing it that a lot
of people copped and you know, we're still operating at
the quality has never shifted, the audience has never gone away.
But it really becomes a question of like how long

(01:15:43):
do we need to do this? And the arc of
the deal with the platform is three years and it's
coming up on that and we made our money in
a way.

Speaker 1 (01:15:53):
But it's it's it.

Speaker 4 (01:15:55):
It becomes as the I think the landscape is different.
You know, we do what we do and people still
do it. Come to it. Audio is a great thing,
but after a certain point, it's like we've interviewed everybody,
and my producers like we're a little exhausted. It's consumed
our entire lives, and we just thought, like, in terms
of our legacy, why not just let it be done?

(01:16:20):
You know why you why do you want to end
up like down the line to having people going like, oh,
Maren's still doing it? Who the fuck needs that?

Speaker 2 (01:16:27):
Yeah?

Speaker 1 (01:16:27):
God, by the way, he gets regarded as an interviewer
in public, and you and I are at the airport
and people go, Bobby's mom, that's what we hear.

Speaker 3 (01:16:35):
Yeah, you know what, I also get the reason why
I'm doing a special is because podcasters come see my
show and then afterwards they go, wow, we didn't think
you could do stand up.

Speaker 1 (01:16:44):
I know he never knew you did it.

Speaker 3 (01:16:46):
Yeah.

Speaker 2 (01:16:46):
I never even knew I did it.

Speaker 4 (01:16:47):
And that's the most important thing in our lives. Yes,
when's yours coming out?

Speaker 2 (01:16:51):
I shoot in January?

Speaker 4 (01:16:54):
How long is it going to be?

Speaker 1 (01:17:00):
You know?

Speaker 2 (01:17:00):
A headline on the road mark?

Speaker 4 (01:17:02):
How many openers?

Speaker 2 (01:17:06):
Two or three?

Speaker 1 (01:17:08):
No?

Speaker 4 (01:17:08):
No?

Speaker 2 (01:17:08):
No, yeah, I do three or four.

Speaker 3 (01:17:10):
Yeah.

Speaker 4 (01:17:10):
You have to understand something. I think you're fucking hilarious.

Speaker 3 (01:17:14):
Okay, and you don't believe that you're.

Speaker 2 (01:17:15):
Doing a special.

Speaker 1 (01:17:17):
Oh he doesn't want the attention.

Speaker 2 (01:17:18):
I don't want the touchdown.

Speaker 4 (01:17:19):
Yeah, you're doing I shot a special New York, Yes,
and I think it's one of the best I've done.

Speaker 1 (01:17:23):
Where is it at?

Speaker 4 (01:17:24):
Where I shot it? At the Bam Harvey? It's like, uh,
it's in Brooklyn. I was going to do it in
town Hall again, but I didn't. I didn't. I don't
love that space. And I said, there's isn't there like
an eight hundred, nine hundred seater or anywhere in New York.

Speaker 2 (01:17:36):
Only did one show?

Speaker 4 (01:17:37):
No, I did two shows, but the theater is like
this old theater from the early nineteen hundreds and they've
they've maintained it, but they didn't restore it, so it
almost has sort of a half a ruin feeling. And
they had this back wall that looked like a fucking
piece of modern art, and I'm like, that wall is
the whole thing. We got to we got to make
that part of it. And the production design on it

(01:17:57):
it's fucking genius.

Speaker 3 (01:17:58):
Wow.

Speaker 4 (01:17:59):
The guy, like the production design guys, he saw the
space and he wanted to integrate it. And of the
mind that you can't really make those things look that
much different than anything.

Speaker 1 (01:18:07):
Else, No, leave them alone.

Speaker 4 (01:18:09):
But this guy was genius. He goes, I'm thinking Katsuki
and I'm like, I don't even know what the fuck
that is. So I google it and it's this ancient
Japanese art of restoring ceramics with gold in the cracks
it's all. And I'm like, all right, well that sounds good,
you just do that. So he just created this vibe
that was amazing. I did a full fucking seventy three minutes.

(01:18:29):
I had it in my.

Speaker 1 (01:18:30):
Mind seventy three.

Speaker 4 (01:18:31):
Well, they wanted an hour, and like I believe this
is what we work for. And that's why I love
HBO is because they curate shit. They're still producing good shit,
and they're they're like, you're gonna do an hour, and
I'm like, yeah, I'm gonna do an hour. But then
I was like, I think it should be seventy three
because my last special was seventy three. So I got
it in my head that that's what I could do

(01:18:54):
seventy three, and they were like, all right, fine, do it.
And it's so fucked up, and I guess it's just
a testament, testament to how long I've been doing this.
Like I had like an hour and forty five for
the tour, and I knew a few weeks going into
it that I had to get it down, and I
just got the redundancies out. I found the callbacks. But
I swear to God, both shows that I did that
night seventy three minutes. Like I'm the fucking wow.

Speaker 1 (01:19:17):
No, no, cognizant of the time. You were just rolling
no wow.

Speaker 4 (01:19:20):
And I look at the clock and I'm closing its
seventy three. I'm like, I know how to do this.

Speaker 1 (01:19:24):
Seventy three is phenomenal.

Speaker 4 (01:19:26):
It's good, though, and I just want to tell you
it's gonna be on the HBO. HBO is premiered August first, August.

Speaker 3 (01:19:32):
First, August first, go check it out.

Speaker 4 (01:19:34):
Yeah, let's call Panicked.

Speaker 1 (01:19:38):
Literally perfect.

Speaker 3 (01:19:39):
It's perfect.

Speaker 1 (01:19:40):
And by the way, for the record, go see watch
Panicked right now on HBO. A great name is hard
to find. We're trying to find his name for his spend.

Speaker 2 (01:19:48):
Yeah, we'll figure it out later.

Speaker 1 (01:19:49):
No, give him come on, could you call it Bobby?

Speaker 3 (01:19:54):
Yeah, that's good with a lot of ease. Yeah, yeah, yeah, baby.

Speaker 1 (01:19:58):
It was going to be called Trauma Lama.

Speaker 4 (01:20:00):
Yeah that's pretty good.

Speaker 1 (01:20:01):
Yeah, Trauma Lama is really good. AI generated that. Unfortunately,
as we asked what AI thought it would be.

Speaker 4 (01:20:07):
What's in the running though, really I have no idea.

Speaker 1 (01:20:10):
Well, no, we had a food the Slept King. He
likes Trauma Lama, Chink in the Armor. I think that
one's very funny. I do think that one's very funny.

Speaker 3 (01:20:20):
Yeah.

Speaker 1 (01:20:20):
AI came up with all these.

Speaker 3 (01:20:21):
Yeah, yeah, well anyway, watch Mark.

Speaker 1 (01:20:24):
What was the other one, Tiger Daddy.

Speaker 4 (01:20:26):
Oh, that's pretty good.

Speaker 3 (01:20:27):
Yeah.

Speaker 4 (01:20:28):
I think you should capitalize on, you know, the name
of the these shows.

Speaker 1 (01:20:31):
Yeah you should.

Speaker 3 (01:20:32):
Yeah, Well, my nickname on Tiger By my other podcast is.

Speaker 2 (01:20:36):
The Slept King, right, yeah, the what King? The slept King?

Speaker 4 (01:20:40):
What is that slept?

Speaker 2 (01:20:41):
Yeah, because I'm not woke.

Speaker 4 (01:20:42):
On the opposite, it's too complicated, get hard to find.

Speaker 1 (01:20:46):
It's hard to get the panicked Panicked on HBO. I
see it, I get it, and I'm sure you name
that yourself.

Speaker 4 (01:20:51):
I did. We had a few things in the running,
but I kind of stuck with that one. I'm like,
let's just do this.

Speaker 1 (01:20:57):
What was the other one?

Speaker 3 (01:20:57):
Yeah?

Speaker 4 (01:20:58):
What was the other one?

Speaker 1 (01:20:59):
You don't have to clear what they HBO? Right, they
don't care.

Speaker 4 (01:21:01):
They got to oh you do? Yeah? And I yeah,
you definitely got a queer it with HBO. But we
were going with one that I thought was too long,
and now I can't even remember equanimity in the bird
theory or what exactly. Yeah, No, I just was. But
it's really hard to find those one word ones, and
you kind of feel like you need to.

Speaker 1 (01:21:17):
Well, it's got so many of them. Be done already, right,
or it's or it's or it's it's two words, but
it's quick. It's gotta be pop up. Yeah, yeah, it's
got to be fast.

Speaker 2 (01:21:24):
Yeah.

Speaker 4 (01:21:24):
I can't remember the fucking other names. It's so crazy.
But when I got panicked, I'm like, this is it.

Speaker 1 (01:21:29):
Panicked is perfect?

Speaker 4 (01:21:30):
Thank you?

Speaker 1 (01:21:31):
Panicked is perfect. Go see Panicked on HBO.

Speaker 4 (01:21:33):
All ranks those of our fans. That's very nice.

Speaker 1 (01:21:35):
We love you.

Speaker 3 (01:21:36):
Yeah.

Speaker 1 (01:21:36):
We always say thank you for being a bad friend
to the audience, and I want you to do it
because it'll be a nice sign off for us.

Speaker 4 (01:21:41):
Uh, thank you for being a bad friend.

Speaker 1 (01:21:44):
And I no, don't cut them off.

Speaker 3 (01:21:49):
Fuck, you'll do more.

Speaker 4 (01:21:51):
And I'll be honest with you. These two guys are
good friends and of mine. And if I was in
a pinch, I know I could call you. Yeah, yeah,
thank you. We love you.

Speaker 5 (01:22:03):
God swoof.

Speaker 3 (01:22:12):
Sap swoof sap swoof

Speaker 4 (01:22:22):
Snap

All Episodes

Episode Transcript

Popular Podcasts

Stuff You Should Know

Las Culturistas with Matt Rogers and Bowen Yang

Crime Junkie

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Ouch! w/ Marc Maron

Episode Transcript

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}Stuff You Should Know

Las Culturistas with Matt Rogers and Bowen Yang

Crime Junkie

All Episodes

Ouch! w/ Marc Maron

Stuff You Should Know