July 30, 2025 • 27 mins
Please enjoy Burl Ives a great episode of the legendary Bing Crosby Radio Show - a Old Time Radio OTR classic originally brought to you by General Electric.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
From the boom of the eyes, meet the goal of
the some one were tall.
Speaker 2 (00:29):
There's a Kenny talking to rocking the Europe. That's all
radio time, But there.
Speaker 1 (00:32):
Was some time tried in Hollywood with John Scott, Tom's
Chorus in.
Speaker 2 (00:36):
Orchestra, the kenry a tears, lead, Amias, kick, Tenderson, base,
guess burwives.
Speaker 1 (00:40):
And here ready to sing is big? Give me five
minutes more, only five minutes tall. Let me say, let
me say, in your eyes, here am I begging for
(01:03):
only five minutes more? Only five minutes more of your time?
All week long, I dreamed about our Saturday day. Don't
you know the Sunday morning? You replace Give me five
minutes more, only five minutes more. Let me say, let
(01:26):
me say in your time, let mester, let mister in
your law, only five minutes more.
Speaker 3 (01:49):
Of your time.
Speaker 1 (01:52):
All week long, I dream about our Saturday day. Don't
you know that Sunday morning? Is this five?
Speaker 3 (02:03):
And is small?
Speaker 1 (02:04):
Long? Five minutes small? Let me say, let me be
in your hit me five.
Speaker 3 (02:14):
Heis MEI in this podcast tanks.
Speaker 1 (02:19):
Minute now for a few seconds. Mor let's nuggle left
to the social man. Indeed, yes, they and there's.
Speaker 2 (02:31):
Nothing snugger than catching a football play by play on
Solco senational new portable radio, cutting the football games when
it is just a breeze. It's the most amazing achievements
of war. Church is produced in portable radios twice a century.
There's any other portable.
Speaker 3 (02:46):
This new so called three fifty uses.
Speaker 2 (02:48):
A brand new miniature cube circuit ten five tubes.
Speaker 1 (02:51):
Is the Army's walkie.
Speaker 3 (02:53):
Talkie, same kind of circuits Soilco used for field.
Speaker 2 (02:55):
Headquarters communications equipment, needs no special area of any kind,
and its performance is out of this world. But literally,
you're almost out of this world.
Speaker 1 (03:05):
At Point Parol, Alaska, the northernmost of delay going to
be American flag, but up there, three Eskimo steel hunters
carry a Pocho three fifty on their fishing.
Speaker 2 (03:14):
Kayak, traveling by dog sled. One of them flings it
around his neck.
Speaker 3 (03:17):
It's so light and compact.
Speaker 1 (03:20):
Coming close at.
Speaker 2 (03:20):
Home, field tests by Pilco engineers prove it far outperforms
any free or portable as the dealer to demonstrate Soco's
revolutionary free fifty. It's the portable buy of the year
and built with the quality.
Speaker 3 (03:34):
That has made Toto.
Speaker 4 (03:36):
Famous the world over, how is that ganderous.
Speaker 1 (03:54):
Might grow in the hands point of that critical moment
with tails Another chapter in the Styles and Sidulations of
iron Man's Kiss Tennessee, there's recall that we left out
here a fine brine without instruments in the same room
with circut time, with sufficient text. Ol Man, he's only
ten minutes flying?
Speaker 3 (04:08):
Will he get through with the secret forming of a.
Speaker 1 (04:09):
Drop and bread? When he had to resort to the
fair gasoline? And he figurette light, Let's slide to his
side and find out.
Speaker 5 (05:02):
Some days.
Speaker 1 (05:48):
A this is many, sister, kick, thank you for a
(06:41):
colorful rendition of Vincent Germany. STI I was just point
I'd like to welcome a sort of cousin of mine
and the Selko family, their friendly Schubert or the mighty
American ballad singer Burl Eye Hi Bar Yellow Dings. Or
you're teaching a little root from Michelcoo too, yeap, how
(07:01):
to take me? Well? Fine? That dang he sent me
one of those new Provo ones with one of your
Decker records in it. Yes, you sent me one of
the Pecono records. Somehing significant that I hope I must
phone the phone off the hone office. Yeah, that's a
good idea.
Speaker 4 (07:16):
Anyway, bro, what are you.
Speaker 1 (07:17):
Going to war before tonight? But I'd like to bring
the song that was popular before the war between the States.
It's a song called the blue Pill Fly. When I
was young, I used to wait on the bus, and
he give him his sleep and passed the bottle way
he got dry. And but the way the blue peels
(07:40):
fly to me cred Corn, and I don't hear in
creg Corn, and I don't kid Gimmy creg Corn and
I don't get away. And when you'd lie the afternoon,
I'd follow after with a history boom the pony being
rather shy when you sing by a blue stale pie
(08:02):
andmy crest car and I.
Speaker 3 (08:04):
Don't care to crack Corn and I don't hear Jimmy Creccorn.
Speaker 1 (08:08):
And I don't team. Master's gone away. One day ride
around the farm supplies to numerous They just swarm one can.
The biting on the fine. The devil takes two steel ties.
Jimmy crect Call and I don't care.
Speaker 3 (08:27):
Jimmy crack Corn and I don't care Jimmy Creccorn and I.
Speaker 6 (08:31):
Don't gee him.
Speaker 1 (08:32):
A Master's gone away the pony.
Speaker 6 (08:34):
Run the pic.
Speaker 1 (08:36):
He threw my Master in the ditch. He died, and
the jewelry wondered why it was a blue stale pie.
Jimmy cut Corn and I don't care tim crack Corn
and I don't care Timmy.
Speaker 3 (08:52):
Creccorn and I don't care.
Speaker 1 (08:54):
Master's gone away.
Speaker 3 (08:56):
They lay under when you.
Speaker 1 (09:04):
Just don't lie. Force to line, big lobable still flight,
give me corect call and I don't care. Tommy Corect
calling and I don't care Tommy crect Coin and I
don't care him Master going away? That's fine, brow fine,
(09:30):
Oh thanks thing. Hey, Barla, tell me do you ever
go in for a.
Speaker 3 (09:33):
Little harmonizing, you know some of the barbershops to her.
Speaker 1 (09:36):
I'd rather bring barber shop being and he.
Speaker 3 (09:39):
You know, you look like I thought that we'd done
some fair free lord and you and here.
Speaker 1 (09:42):
Your time while I was getting at Burla, you know
a little bit after I take care of some business
and him, maybe we could sort of assemble in the
staging area. You and I'm sort of blend our lovely voices.
I think that's a good idych. Whenever you get ready, being,
why are you whistling? I'll come and pass fun now
if to drop an altitude doesn't give them the bend,
I'd like to summon Professor Henderson from Cloud number nine
(10:03):
is going to join me in a song called that
little dream got nowhere dreams sometimes on any of that
kind of summer.
Speaker 7 (10:08):
Dreamer folly.
Speaker 1 (10:34):
Not to be.
Speaker 3 (10:36):
Not too small, that little.
Speaker 1 (10:41):
Dreams but nowhere at all?
Speaker 3 (10:49):
Uhcuil door.
Speaker 1 (10:54):
I'm not good that little dream got nowhere all. I
wished my pillow wouldn't tell me what a can't I have?
(11:18):
And I wished the willow wouldn't refer.
Speaker 6 (11:23):
To the.
Speaker 1 (11:26):
To the.
Speaker 3 (11:29):
Sunday Morning paper and the point will you that little
dream had something.
Speaker 1 (11:43):
And it could still come to.
Speaker 3 (11:48):
That little dream that over will love you.
Speaker 1 (12:33):
I wis my pillow wouldn't tell me what I can't
I have, and I will the willow wouldn't whisper the
(13:07):
Sunday Morning paper, and I know.
Speaker 3 (13:13):
Little view.
Speaker 1 (13:17):
That little dreams come thing, and.
Speaker 3 (13:23):
It could still come to.
Speaker 1 (13:30):
That little dream. No, it's Lena on my fellow in
(13:55):
come give it. A song from the Picture Fill of Brazil.
The song title Lena a man is a brother to
a music.
Speaker 3 (14:01):
You look at my just sill got in.
Speaker 8 (14:03):
There when a man leaves a woman lad of the
things to humans, unlike he could think the woman.
Speaker 1 (14:28):
Who knows.
Speaker 6 (14:33):
There's the advising a needle woe who knows don't get
to the house came prob a bright bay has a man.
There's a brother.
Speaker 5 (14:55):
To a mule.
Speaker 1 (15:04):
When a man yet compares.
Speaker 9 (15:08):
A woman at the worries.
Speaker 6 (15:14):
That's the kind a woman.
Speaker 1 (15:18):
Who know come you.
Speaker 6 (15:23):
Got the advised to catch a word?
Speaker 7 (15:30):
Who talk to that?
Speaker 6 (15:36):
He said, sigh, because when you got me?
Speaker 3 (15:39):
The kind a man.
Speaker 6 (15:43):
Is a brother to a new to tell in who says,
she says, go m h He said him to go,
(16:04):
He says no.
Speaker 9 (16:05):
Because a man, it's a bother to a new world.
Who as a man where as far as the constant pain,
But a man.
Speaker 1 (16:23):
Is a brother.
Speaker 6 (16:25):
To a you to amuse to a governor mus a man.
Speaker 5 (16:33):
Is a brother.
Speaker 6 (16:35):
To a new.
Speaker 1 (16:48):
Well not.
Speaker 4 (16:52):
Got it pretty?
Speaker 1 (16:53):
They are non promoted him. The character has got trouble
to die. They reached at a complaint as a title.
No leave me, they developers fully we home last life,
everything closed up as hung as I could be in
(17:14):
a society, as you could be. On man to myself,
I'll have the news tu for me is kind of
deliberating when I got there, because it was bair hold
of a Hubbard.
Speaker 3 (17:24):
Man, that's a bad guys.
Speaker 1 (17:32):
Guy. Through my father, I got.
Speaker 10 (17:49):
The bee Parmadima, parmatag bang class Barmacadada my parmacau.
Speaker 1 (18:00):
For discussion.
Speaker 7 (18:12):
For us, and we had to hand.
Speaker 3 (18:21):
We had my as.
Speaker 1 (18:25):
Gout to do.
Speaker 2 (18:29):
I give up.
Speaker 3 (18:31):
The former lima the go line of.
Speaker 1 (18:34):
The former bug for no bodio puns, form the counter
for God counter and not formacon for God. Saddle seln
my where is my famite?
Speaker 2 (18:47):
Pea?
Speaker 6 (18:49):
H was as.
Speaker 1 (19:00):
Pure a live, right, enjoyable, you know, earlier in the program.
Speaker 3 (19:13):
I accepted to do a bit of harmonizing with her
par lives there. I didn't frighten his brother eyes split
out of his joint.
Speaker 1 (19:19):
I'd like to have a go at it right now.
Is you still I'm still here, man, boy, I still go.
Speaker 3 (19:23):
I just another we're gonna things.
Speaker 1 (19:25):
Oh, I don't know, ain't got any ideas.
Speaker 3 (19:28):
I'm just some more along here, and you something along
with you.
Speaker 1 (19:33):
You know, I think the folks in the first few
roes better move back a little. This vocal brand may
produce a fine, thin spray, so just sject yourself. Where
are we going? You're gonna sign it? Yeah, I'm ready
or you they get in your two love leveless love love, love,
(19:54):
careless love.
Speaker 3 (19:57):
Love, lo lust love, dancy, What love has done to me?
Speaker 1 (20:07):
I love my money and the pappy too. I love
my Miami and the pappy to. I love Miami and
the pathy to. I'm allay from boat and go with
you now you love love fails love love love, jailer
(20:34):
love love love, voting hustler.
Speaker 3 (20:42):
Fancy what love has done to me?
Speaker 1 (20:49):
I'm going down the road stealing bank. I'm going down
the road ceiling bank, waiting now go with I'm going
down the road stealing patty.
Speaker 3 (20:58):
I want to be see is this away?
Speaker 1 (21:02):
I'm going away the water caase like wine, as I'm
going where the.
Speaker 3 (21:06):
Water tastes like wine.
Speaker 4 (21:08):
I'm going where the water taste like wine.
Speaker 3 (21:11):
I ain't going to be treated this away. Throw it
out your water caase like purping.
Speaker 1 (21:16):
Time, throwing out your water tases like turpent time. Set
it out your water caase like turpent time.
Speaker 3 (21:24):
I ain't going to be treated this away.
Speaker 1 (21:27):
Who will show your bready where I'm gone? Who will
sell you Brady when I'm gone? Who will tell you, Brady.
Speaker 3 (21:35):
When I'm gone.
Speaker 1 (21:37):
I know to be treated this away. Wants to dollarshoe distasy,
take the mosty happens.
Speaker 3 (21:50):
I ain't ann retreated this away.
Speaker 1 (21:52):
It's in dollar shoes, Stacy. I am panting notions in
dollars shoes, chistmasy. Then you report it and the touching me.
Speaker 3 (22:02):
I ain't going to be treated this away.
Speaker 6 (22:06):
I'm way down to jail, and me down the problem.
Speaker 1 (22:09):
Trail way down in jail, and me and both of
bender way down and jail on me. I go to
be beated just away.
Speaker 4 (22:19):
I'm going away to planatuts.
Speaker 1 (22:21):
My clothes and clothes. I'm going to get the plantatuit,
my white right, come on up, Wylie, suit my clothes.
Speaker 3 (22:28):
Boy, Why go away than m.
Speaker 4 (22:48):
Thank you, bro.
Speaker 3 (22:49):
That certainly should.
Speaker 1 (22:50):
Open a new field for one of us. I thank
your laugh for dropping in anyhow. Now, while I go
over in this corner and get pumped up, a let's
drop in on the on the photo manage, okay thing?
Speaker 2 (23:04):
And uh when you come out stops in up in
their Sco dealer, you blow your top over that beautiful
new Solco radio phonograph he's just received. It's exactly what
a lot of you listeners have been pumping up for too.
A handsome console cabinet that really addresses up your living room,
gives everything you wanted in a big radio phonograph combination,
a brand new record change that it handles up to
(23:24):
prowl records, rich resonant poem that.
Speaker 3 (23:27):
Makes them come alive with.
Speaker 2 (23:29):
New duties, and Philco's excussy is kilt front cabinet brings
the record changers right on where you can load your
records easily. Radio reception the hall but the best including
short ways and way. Don't you turn up the volume
the first time? Oh old brother, that's.
Speaker 3 (23:44):
Power for you. Clear rich and no thesortion.
Speaker 1 (23:47):
You don't need to know everything they did to this
great new radio phonographs back in the so CO laboratories.
Speaker 3 (23:52):
Does stop, look and listen and you catch.
Speaker 2 (23:55):
On quick that this new photo is the finest automatic
radio phonograph.
Speaker 3 (23:58):
If anything like it's right, I don't take our work
for it.
Speaker 2 (24:02):
Find out for yourself at any total dealer telling you
want to see Toko's new radio photograph console. When you
were singing radio from.
Speaker 3 (24:10):
Philocoff the leaders.
Speaker 1 (24:25):
The boat drive, we would bay the moonlight on the lay,
the way we dine, and from our favorite song. Things
we did last summer. Uh remember all they long.
Speaker 3 (24:48):
From midway and the fun the cupide dolls.
Speaker 1 (24:52):
We want no tella line, just throve our work or
things we did last summer. I remember all when along
the early morning higher the ever stand them by, the
(25:18):
like that we to buy. We never could exclaim that
sudden from arrived, but luck we got when we got
by the leaves began to pay like promises we made,
(25:42):
How could allow but seemed so right go wrong?
Speaker 3 (25:48):
Things we did last summer.
Speaker 4 (25:53):
I remember.
Speaker 7 (25:56):
All when Along.
Speaker 3 (26:31):
Began to stay.
Speaker 1 (26:34):
My comics was remamed out for the low victim forradual
the thing.
Speaker 3 (26:45):
Last comer.
Speaker 1 (26:48):
I remember.
Speaker 3 (26:51):
Ah with her long.
Speaker 1 (27:07):
And so another filcal radio game pulls up at the
word find arrange to catch.
Speaker 3 (27:11):
This next week with it for another cases.
Speaker 2 (27:20):
Shot in the folk all radio time next week and
here being corsby Gon Stuff Chatter, his.
Speaker 1 (27:24):
Orchestan Cars, Victoria Pears, Kid Henderson and being guests Goody Golland.
This program is producing French cris in Hollywood by Bill
Morrow and Myrtle McKenzie. D AMAI appears Biddy my up Heirs,
Buddy
Speaker 7 (27:48):
H.
From the boom of the eyes, meet the goal of
the some one were tall.
Speaker 2 (00:29):
There's a Kenny talking to rocking the Europe. That's all
radio time, But there.
Speaker 1 (00:32):
Was some time tried in Hollywood with John Scott, Tom's
Chorus in.
Speaker 2 (00:36):
Orchestra, the kenry a tears, lead, Amias, kick, Tenderson, base,
guess burwives.
Speaker 1 (00:40):
And here ready to sing is big? Give me five
minutes more, only five minutes tall. Let me say, let
me say, in your eyes, here am I begging for
(01:03):
only five minutes more? Only five minutes more of your time?
All week long, I dreamed about our Saturday day. Don't
you know the Sunday morning? You replace Give me five
minutes more, only five minutes more. Let me say, let
(01:26):
me say in your time, let mester, let mister in
your law, only five minutes more.
Speaker 3 (01:49):
Of your time.
Speaker 1 (01:52):
All week long, I dream about our Saturday day. Don't
you know that Sunday morning? Is this five?
Speaker 3 (02:03):
And is small?
Speaker 1 (02:04):
Long? Five minutes small? Let me say, let me be
in your hit me five.
Speaker 3 (02:14):
Heis MEI in this podcast tanks.
Speaker 1 (02:19):
Minute now for a few seconds. Mor let's nuggle left
to the social man. Indeed, yes, they and there's.
Speaker 2 (02:31):
Nothing snugger than catching a football play by play on
Solco senational new portable radio, cutting the football games when
it is just a breeze. It's the most amazing achievements
of war. Church is produced in portable radios twice a century.
There's any other portable.
Speaker 3 (02:46):
This new so called three fifty uses.
Speaker 2 (02:48):
A brand new miniature cube circuit ten five tubes.
Speaker 1 (02:51):
Is the Army's walkie.
Speaker 3 (02:53):
Talkie, same kind of circuits Soilco used for field.
Speaker 2 (02:55):
Headquarters communications equipment, needs no special area of any kind,
and its performance is out of this world. But literally,
you're almost out of this world.
Speaker 1 (03:05):
At Point Parol, Alaska, the northernmost of delay going to
be American flag, but up there, three Eskimo steel hunters
carry a Pocho three fifty on their fishing.
Speaker 2 (03:14):
Kayak, traveling by dog sled. One of them flings it
around his neck.
Speaker 3 (03:17):
It's so light and compact.
Speaker 1 (03:20):
Coming close at.
Speaker 2 (03:20):
Home, field tests by Pilco engineers prove it far outperforms
any free or portable as the dealer to demonstrate Soco's
revolutionary free fifty. It's the portable buy of the year
and built with the quality.
Speaker 3 (03:34):
That has made Toto.
Speaker 4 (03:36):
Famous the world over, how is that ganderous.
Speaker 1 (03:54):
Might grow in the hands point of that critical moment
with tails Another chapter in the Styles and Sidulations of
iron Man's Kiss Tennessee, there's recall that we left out
here a fine brine without instruments in the same room
with circut time, with sufficient text. Ol Man, he's only
ten minutes flying?
Speaker 3 (04:08):
Will he get through with the secret forming of a.
Speaker 1 (04:09):
Drop and bread? When he had to resort to the
fair gasoline? And he figurette light, Let's slide to his
side and find out.
Speaker 5 (05:02):
Some days.
Speaker 1 (05:48):
A this is many, sister, kick, thank you for a
(06:41):
colorful rendition of Vincent Germany. STI I was just point
I'd like to welcome a sort of cousin of mine
and the Selko family, their friendly Schubert or the mighty
American ballad singer Burl Eye Hi Bar Yellow Dings. Or
you're teaching a little root from Michelcoo too, yeap, how
(07:01):
to take me? Well? Fine? That dang he sent me
one of those new Provo ones with one of your
Decker records in it. Yes, you sent me one of
the Pecono records. Somehing significant that I hope I must
phone the phone off the hone office. Yeah, that's a
good idea.
Speaker 4 (07:16):
Anyway, bro, what are you.
Speaker 1 (07:17):
Going to war before tonight? But I'd like to bring
the song that was popular before the war between the States.
It's a song called the blue Pill Fly. When I
was young, I used to wait on the bus, and
he give him his sleep and passed the bottle way
he got dry. And but the way the blue peels
(07:40):
fly to me cred Corn, and I don't hear in
creg Corn, and I don't kid Gimmy creg Corn and
I don't get away. And when you'd lie the afternoon,
I'd follow after with a history boom the pony being
rather shy when you sing by a blue stale pie
(08:02):
andmy crest car and I.
Speaker 3 (08:04):
Don't care to crack Corn and I don't hear Jimmy Creccorn.
Speaker 1 (08:08):
And I don't team. Master's gone away. One day ride
around the farm supplies to numerous They just swarm one can.
The biting on the fine. The devil takes two steel ties.
Jimmy crect Call and I don't care.
Speaker 3 (08:27):
Jimmy crack Corn and I don't care Jimmy Creccorn and I.
Speaker 6 (08:31):
Don't gee him.
Speaker 1 (08:32):
A Master's gone away the pony.
Speaker 6 (08:34):
Run the pic.
Speaker 1 (08:36):
He threw my Master in the ditch. He died, and
the jewelry wondered why it was a blue stale pie.
Jimmy cut Corn and I don't care tim crack Corn
and I don't care Timmy.
Speaker 3 (08:52):
Creccorn and I don't care.
Speaker 1 (08:54):
Master's gone away.
Speaker 3 (08:56):
They lay under when you.
Speaker 1 (09:04):
Just don't lie. Force to line, big lobable still flight,
give me corect call and I don't care. Tommy Corect
calling and I don't care Tommy crect Coin and I
don't care him Master going away? That's fine, brow fine,
(09:30):
Oh thanks thing. Hey, Barla, tell me do you ever
go in for a.
Speaker 3 (09:33):
Little harmonizing, you know some of the barbershops to her.
Speaker 1 (09:36):
I'd rather bring barber shop being and he.
Speaker 3 (09:39):
You know, you look like I thought that we'd done
some fair free lord and you and here.
Speaker 1 (09:42):
Your time while I was getting at Burla, you know
a little bit after I take care of some business
and him, maybe we could sort of assemble in the
staging area. You and I'm sort of blend our lovely voices.
I think that's a good idych. Whenever you get ready, being,
why are you whistling? I'll come and pass fun now
if to drop an altitude doesn't give them the bend,
I'd like to summon Professor Henderson from Cloud number nine
(10:03):
is going to join me in a song called that
little dream got nowhere dreams sometimes on any of that
kind of summer.
Speaker 7 (10:08):
Dreamer folly.
Speaker 1 (10:34):
Not to be.
Speaker 3 (10:36):
Not too small, that little.
Speaker 1 (10:41):
Dreams but nowhere at all?
Speaker 3 (10:49):
Uhcuil door.
Speaker 1 (10:54):
I'm not good that little dream got nowhere all. I
wished my pillow wouldn't tell me what a can't I have?
(11:18):
And I wished the willow wouldn't refer.
Speaker 6 (11:23):
To the.
Speaker 1 (11:26):
To the.
Speaker 3 (11:29):
Sunday Morning paper and the point will you that little
dream had something.
Speaker 1 (11:43):
And it could still come to.
Speaker 3 (11:48):
That little dream that over will love you.
Speaker 1 (12:33):
I wis my pillow wouldn't tell me what I can't
I have, and I will the willow wouldn't whisper the
(13:07):
Sunday Morning paper, and I know.
Speaker 3 (13:13):
Little view.
Speaker 1 (13:17):
That little dreams come thing, and.
Speaker 3 (13:23):
It could still come to.
Speaker 1 (13:30):
That little dream. No, it's Lena on my fellow in
(13:55):
come give it. A song from the Picture Fill of Brazil.
The song title Lena a man is a brother to
a music.
Speaker 3 (14:01):
You look at my just sill got in.
Speaker 8 (14:03):
There when a man leaves a woman lad of the
things to humans, unlike he could think the woman.
Speaker 1 (14:28):
Who knows.
Speaker 6 (14:33):
There's the advising a needle woe who knows don't get
to the house came prob a bright bay has a man.
There's a brother.
Speaker 5 (14:55):
To a mule.
Speaker 1 (15:04):
When a man yet compares.
Speaker 9 (15:08):
A woman at the worries.
Speaker 6 (15:14):
That's the kind a woman.
Speaker 1 (15:18):
Who know come you.
Speaker 6 (15:23):
Got the advised to catch a word?
Speaker 7 (15:30):
Who talk to that?
Speaker 6 (15:36):
He said, sigh, because when you got me?
Speaker 3 (15:39):
The kind a man.
Speaker 6 (15:43):
Is a brother to a new to tell in who says,
she says, go m h He said him to go,
(16:04):
He says no.
Speaker 9 (16:05):
Because a man, it's a bother to a new world.
Who as a man where as far as the constant pain,
But a man.
Speaker 1 (16:23):
Is a brother.
Speaker 6 (16:25):
To a you to amuse to a governor mus a man.
Speaker 5 (16:33):
Is a brother.
Speaker 6 (16:35):
To a new.
Speaker 1 (16:48):
Well not.
Speaker 4 (16:52):
Got it pretty?
Speaker 1 (16:53):
They are non promoted him. The character has got trouble
to die. They reached at a complaint as a title.
No leave me, they developers fully we home last life,
everything closed up as hung as I could be in
(17:14):
a society, as you could be. On man to myself,
I'll have the news tu for me is kind of
deliberating when I got there, because it was bair hold
of a Hubbard.
Speaker 3 (17:24):
Man, that's a bad guys.
Speaker 1 (17:32):
Guy. Through my father, I got.
Speaker 10 (17:49):
The bee Parmadima, parmatag bang class Barmacadada my parmacau.
Speaker 1 (18:00):
For discussion.
Speaker 7 (18:12):
For us, and we had to hand.
Speaker 3 (18:21):
We had my as.
Speaker 1 (18:25):
Gout to do.
Speaker 2 (18:29):
I give up.
Speaker 3 (18:31):
The former lima the go line of.
Speaker 1 (18:34):
The former bug for no bodio puns, form the counter
for God counter and not formacon for God. Saddle seln
my where is my famite?
Speaker 2 (18:47):
Pea?
Speaker 6 (18:49):
H was as.
Speaker 1 (19:00):
Pure a live, right, enjoyable, you know, earlier in the program.
Speaker 3 (19:13):
I accepted to do a bit of harmonizing with her
par lives there. I didn't frighten his brother eyes split
out of his joint.
Speaker 1 (19:19):
I'd like to have a go at it right now.
Is you still I'm still here, man, boy, I still go.
Speaker 3 (19:23):
I just another we're gonna things.
Speaker 1 (19:25):
Oh, I don't know, ain't got any ideas.
Speaker 3 (19:28):
I'm just some more along here, and you something along
with you.
Speaker 1 (19:33):
You know, I think the folks in the first few
roes better move back a little. This vocal brand may
produce a fine, thin spray, so just sject yourself. Where
are we going? You're gonna sign it? Yeah, I'm ready
or you they get in your two love leveless love love, love,
(19:54):
careless love.
Speaker 3 (19:57):
Love, lo lust love, dancy, What love has done to me?
Speaker 1 (20:07):
I love my money and the pappy too. I love
my Miami and the pappy to. I love Miami and
the pathy to. I'm allay from boat and go with
you now you love love fails love love love, jailer
(20:34):
love love love, voting hustler.
Speaker 3 (20:42):
Fancy what love has done to me?
Speaker 1 (20:49):
I'm going down the road stealing bank. I'm going down
the road ceiling bank, waiting now go with I'm going
down the road stealing patty.
Speaker 3 (20:58):
I want to be see is this away?
Speaker 1 (21:02):
I'm going away the water caase like wine, as I'm
going where the.
Speaker 3 (21:06):
Water tastes like wine.
Speaker 4 (21:08):
I'm going where the water taste like wine.
Speaker 3 (21:11):
I ain't going to be treated this away. Throw it
out your water caase like purping.
Speaker 1 (21:16):
Time, throwing out your water tases like turpent time. Set
it out your water caase like turpent time.
Speaker 3 (21:24):
I ain't going to be treated this away.
Speaker 1 (21:27):
Who will show your bready where I'm gone? Who will
sell you Brady when I'm gone? Who will tell you, Brady.
Speaker 3 (21:35):
When I'm gone.
Speaker 1 (21:37):
I know to be treated this away. Wants to dollarshoe distasy,
take the mosty happens.
Speaker 3 (21:50):
I ain't ann retreated this away.
Speaker 1 (21:52):
It's in dollar shoes, Stacy. I am panting notions in
dollars shoes, chistmasy. Then you report it and the touching me.
Speaker 3 (22:02):
I ain't going to be treated this away.
Speaker 6 (22:06):
I'm way down to jail, and me down the problem.
Speaker 1 (22:09):
Trail way down in jail, and me and both of
bender way down and jail on me. I go to
be beated just away.
Speaker 4 (22:19):
I'm going away to planatuts.
Speaker 1 (22:21):
My clothes and clothes. I'm going to get the plantatuit,
my white right, come on up, Wylie, suit my clothes.
Speaker 3 (22:28):
Boy, Why go away than m.
Speaker 4 (22:48):
Thank you, bro.
Speaker 3 (22:49):
That certainly should.
Speaker 1 (22:50):
Open a new field for one of us. I thank
your laugh for dropping in anyhow. Now, while I go
over in this corner and get pumped up, a let's
drop in on the on the photo manage, okay thing?
Speaker 2 (23:04):
And uh when you come out stops in up in
their Sco dealer, you blow your top over that beautiful
new Solco radio phonograph he's just received. It's exactly what
a lot of you listeners have been pumping up for too.
A handsome console cabinet that really addresses up your living room,
gives everything you wanted in a big radio phonograph combination,
a brand new record change that it handles up to
(23:24):
prowl records, rich resonant poem that.
Speaker 3 (23:27):
Makes them come alive with.
Speaker 2 (23:29):
New duties, and Philco's excussy is kilt front cabinet brings
the record changers right on where you can load your
records easily. Radio reception the hall but the best including
short ways and way. Don't you turn up the volume
the first time? Oh old brother, that's.
Speaker 3 (23:44):
Power for you. Clear rich and no thesortion.
Speaker 1 (23:47):
You don't need to know everything they did to this
great new radio phonographs back in the so CO laboratories.
Speaker 3 (23:52):
Does stop, look and listen and you catch.
Speaker 2 (23:55):
On quick that this new photo is the finest automatic
radio phonograph.
Speaker 3 (23:58):
If anything like it's right, I don't take our work
for it.
Speaker 2 (24:02):
Find out for yourself at any total dealer telling you
want to see Toko's new radio photograph console. When you
were singing radio from.
Speaker 3 (24:10):
Philocoff the leaders.
Speaker 1 (24:25):
The boat drive, we would bay the moonlight on the lay,
the way we dine, and from our favorite song. Things
we did last summer. Uh remember all they long.
Speaker 3 (24:48):
From midway and the fun the cupide dolls.
Speaker 1 (24:52):
We want no tella line, just throve our work or
things we did last summer. I remember all when along
the early morning higher the ever stand them by, the
(25:18):
like that we to buy. We never could exclaim that
sudden from arrived, but luck we got when we got
by the leaves began to pay like promises we made,
(25:42):
How could allow but seemed so right go wrong?
Speaker 3 (25:48):
Things we did last summer.
Speaker 4 (25:53):
I remember.
Speaker 7 (25:56):
All when Along.
Speaker 3 (26:31):
Began to stay.
Speaker 1 (26:34):
My comics was remamed out for the low victim forradual
the thing.
Speaker 3 (26:45):
Last comer.
Speaker 1 (26:48):
I remember.
Speaker 3 (26:51):
Ah with her long.
Speaker 1 (27:07):
And so another filcal radio game pulls up at the
word find arrange to catch.
Speaker 3 (27:11):
This next week with it for another cases.
Speaker 2 (27:20):
Shot in the folk all radio time next week and
here being corsby Gon Stuff Chatter, his.
Speaker 1 (27:24):
Orchestan Cars, Victoria Pears, Kid Henderson and being guests Goody Golland.
This program is producing French cris in Hollywood by Bill
Morrow and Myrtle McKenzie. D AMAI appears Biddy my up Heirs,
Buddy
Speaker 7 (27:48):
H.
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