July 26, 2025 • 28 mins
Please enjoy Ezio Pinza a great episode of the legendary Bing Crosby Radio Show - a Old Time Radio OTR classic originally brought to you by General Electric.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Man the blue.
Speaker 2 (00:05):
Of the eye.
Speaker 1 (00:08):
Missed the goal of the day.
Speaker 3 (00:13):
Come on.
Speaker 1 (00:15):
Away for me.
Speaker 4 (00:28):
That's was Ken Popper there, welcome you to selcome radio time.
But there was some transcribe in Hollywood with John Scottson
and his.
Speaker 5 (00:34):
Char as an orchestra.
Speaker 4 (00:35):
The carrier tears, Lena Amys kiss Henderson things guests at
pild things.
Speaker 2 (00:39):
U and here's this.
Speaker 6 (00:53):
Can't resent this past time of day? Do you have
to smile?
Speaker 7 (00:58):
Let me that way?
Speaker 6 (01:00):
My heart go pa.
Speaker 8 (01:03):
It goes bunce, give up bounce. Can't we just stick
hands and feelings easy?
Speaker 5 (01:09):
You have to give that textaspree.
Speaker 2 (01:12):
My heart goes freezing.
Speaker 1 (01:16):
It goes bounce, give up, bump, bunting.
Speaker 7 (01:19):
My doctor call me this his guy to st.
Speaker 8 (01:26):
He never heard of bea luck empyre pity hot when
the converse station's going fine, must.
Speaker 7 (01:34):
To get your lift so close to mine. My heart
goes freezing. It goes bump, give up, bump, What I do.
Speaker 1 (01:48):
You got me?
Speaker 2 (01:49):
You got nick ready to.
Speaker 7 (02:00):
My heart? It goes bump, bump, bump. You see and
they lady, you have to get that.
Speaker 6 (02:17):
He goes bumped STI bum bum bum mine.
Speaker 8 (02:21):
Doctor told me listen, God, you South.
Speaker 1 (02:28):
He never heard of bead like efy.
Speaker 8 (02:31):
Everybody when the converse stations, go and find my musket.
Speaker 7 (02:37):
Joe lived so close to mine, my heart it goes bump,
he bump, bump was my moody.
Speaker 5 (02:51):
You got me, you got me ready?
Speaker 1 (03:00):
Thank you John and thank you.
Speaker 6 (03:01):
Group had a nice beach building there, mighty shot.
Speaker 8 (03:03):
Backing up, now, if please can back the Filko man
up into a corner and twist his arm a little,
perhaps we can get him to send a few person
it's participles.
Speaker 4 (03:11):
Well, don't twist anymore, being it's almost twisted off already
by the crowd that's trying to lay hands on one
of those sensational new Soilco portable and who can blame them.
It's a very new type of portable radio, everything new
but the name. Using a revolutionary minute. You're tube circuit
developed by Folco for military communications, tremendously sensitive, so you
(03:31):
get stations popping in all along the dial, so powerful
you don't need any special.
Speaker 3 (03:35):
Area, you know what.
Speaker 4 (03:36):
The portable radio was originally developed by Silco, and now
Solko's war research gives you portable performance that's out of
this world. Cilco engineers tested this new portable aboard airliners
and trains, in remote mountains, near power lines, in the
toughest spots where you could take a portable radio, and
everywhere area far outperforms any pre war portable tunes in
(03:58):
station sharp as a razor, lightweight for travel, And obviously
I think you get to those football games or just
plugging in around the house and play it like an
ordinary radio. Try it yourself at any so called dealer. Now,
as for the so called free Sessey, it's the portable
radio buy of the year and built with the quality
that has made so called famous the world over.
Speaker 1 (04:45):
I saw a one may play open. If you're blue,
why don't you try for it? And after all, are
(05:05):
we all.
Speaker 7 (05:07):
Idle?
Speaker 1 (05:07):
Schemer sty is life just the world?
Speaker 3 (05:15):
So it me.
Speaker 7 (05:19):
You're not poor, not when you're.
Speaker 3 (05:23):
Make believe in.
Speaker 7 (05:27):
So when you have a moment top.
Speaker 1 (05:35):
So you're a.
Speaker 7 (05:38):
And you see how surpri you'll be.
Speaker 1 (05:45):
If you are close your awn you'll be also fly.
Speaker 5 (06:16):
You will be.
Speaker 3 (06:20):
If you go.
Speaker 8 (06:41):
I know that few, all of them awaiting another cancelizing
interval in the adventures.
Speaker 3 (06:44):
Of that devil of destiny skit Tennis.
Speaker 8 (06:47):
When the real broke last week, we left the stall
with skits in an uphill fight on a Macy.
Speaker 3 (06:51):
Escalator, tappling his way through.
Speaker 8 (06:52):
A marble Fenzig bargain day amazons and dragon his canoe
behind him.
Speaker 5 (06:57):
Will he get his fucking lock ticket?
Speaker 8 (06:59):
Vallidated in time well the sock of white.
Speaker 6 (07:01):
Shirt tie sixteen thirty.
Speaker 1 (07:02):
Three holdout we should see in a triced.
Speaker 2 (08:34):
Yarn Karns Walton.
Speaker 6 (08:36):
Spring springtime, Springtime, spring time, ninety five minutes.
Speaker 9 (08:40):
My papa tones were well rounded, the technique catalyzing in
the form's solid Well, yes, she.
Speaker 3 (08:45):
Is the form salid leaning her mind.
Speaker 8 (08:46):
M do you say thing?
Speaker 2 (08:48):
But I'm a little surprise.
Speaker 4 (08:50):
No, I never thought it brother to look at.
Speaker 6 (08:52):
My studies, No brother at all.
Speaker 3 (08:53):
Really be's looking at trade?
Speaker 1 (08:59):
I hope go.
Speaker 3 (09:02):
By and it's South America. Don't take it away?
Speaker 7 (09:05):
Is that a compliment or a cue?
Speaker 3 (09:07):
A stay a line? I feel.
Speaker 8 (09:14):
Up here in the land of the hot Stop them
the appenbamans of the human man.
Speaker 6 (09:20):
We think our South American neighbors, we love them.
Speaker 7 (09:24):
The beat the band.
Speaker 2 (09:27):
South America, bab BABAAI.
Speaker 8 (09:33):
One favor, you can dry, you can do.
Speaker 7 (09:38):
You beauty land.
Speaker 2 (09:41):
You'll know what you began.
Speaker 6 (09:46):
It plainly.
Speaker 2 (09:47):
I'm tired of taking to that Pan American plan.
Speaker 6 (09:54):
Take back your samber, your hi, yes, Yi, I can't moving.
Speaker 1 (10:01):
I'm a jasey any longer.
Speaker 6 (10:06):
Maybe lapping dye in the middle that built stronger.
Speaker 1 (10:10):
I what all is taken to the quaking and making
with the shake and lady aging.
Speaker 8 (10:16):
I about to take around and settle here, and then
you take around and settle there, and then you take.
Speaker 7 (10:23):
Around and settle here.
Speaker 8 (10:26):
That's enough.
Speaker 5 (10:27):
That's enough to take it back.
Speaker 7 (10:28):
My spine's out of whack.
Speaker 5 (10:30):
That's strain.
Speaker 6 (10:31):
Click clect in the back of myself, roya.
Speaker 8 (10:35):
Same, thank you, con I'm thembamb i gin what can't
December high a string.
Speaker 9 (10:45):
Y number, I juin.
Speaker 1 (10:48):
I got more bumps now than an a.
Speaker 2 (10:50):
I cucumbers.
Speaker 7 (10:52):
I m all right, America.
Speaker 6 (11:06):
Hurt, shake around and settle there well, and then shake
around and settle here, steady, jake hall and settle there.
Speaker 1 (11:15):
Last Flatto's take it back my spine.
Speaker 9 (11:19):
There's a strangely slapt in the back of my chack
alias myrmember.
Speaker 7 (11:32):
The old days dancing.
Speaker 1 (11:34):
I remember.
Speaker 7 (11:37):
My hip cracking. I'm streaking. I remember I.
Speaker 2 (11:43):
Got away.
Speaker 3 (11:46):
Like the.
Speaker 2 (11:49):
Fancy creation in position were not all of my transition.
Speaker 8 (11:52):
Ammulations, So I like neighbor, the relations, all these crazy
new giations time my patients.
Speaker 2 (12:00):
All there South America.
Speaker 6 (12:17):
In New Year.
Speaker 3 (12:18):
The opera season is in polt Wins.
Speaker 8 (12:20):
Lovers of the Buffon and the Bombas really heaving themselves
a turn, always being old courant here and always seasonal.
We have snagged one of the top opera stars from
one performance conly from Hollywood, The leading Battle of the
Metropolitisicago and San Francisco Opera Companies presenting eight Pinza. What
(12:42):
is your selection receiving thing your Pinza? I would like
to do Zerocus too, by Johanni Ligeran, saying for years,
it'll be nice hearing it again.
Speaker 9 (12:53):
If zero for zero will make there for a buddy Pinie,
He's hot, tak or she ya Parazadi pennas padda from
Delardo and Giladio Tadi Bago Si young Navy, Patra Wona bargo,
(13:18):
timpiandemi podravio for to magadier who make a Paratadi Pennasi
pat jadar ge Padgadra Gaparatadi, pennasy panda Cecrudontino can take
(13:40):
a bambino from Bocadi lat pat Das kimar He podcast
from Bobadi Lats Padda Cimar Marquez Doty Harndo from barbar
ram Pardo, randops your screaming st per Frontoble your TV
(14:06):
Perrudle that Tino can tick a Bombino Come Bugatti Lot
Dicky podcast, timar Shee podcasts You from Boccatti Lost Dissy Podcast.
Speaker 3 (14:20):
Um, that was wonderful.
Speaker 8 (14:38):
May I say it's nice to have you on Stoko
Radio time.
Speaker 6 (14:40):
Brother teams in thanks being telling the h and Howard.
Speaker 3 (14:43):
Things at the Offer He's still.
Speaker 8 (14:45):
Making them soon at the Metaplitan. Yeah, he's got the
Dowagers hoppling out of a diamond horses.
Speaker 2 (14:50):
He's there all.
Speaker 1 (14:52):
Beings, no dignity, steel rains of the opera, dignity.
Speaker 3 (14:56):
I can't understand that.
Speaker 8 (14:57):
The last time I was at the met, the candy
butchers were running down the aisle selling hot dogs, pop
books about purses and everything.
Speaker 1 (15:04):
That would not have been the Offer house.
Speaker 6 (15:06):
No, you must have gotten into a bullet shoo by me.
Speaker 2 (15:09):
See I told her.
Speaker 6 (15:10):
If it looked like the wrong place, I told him said, no,
this is it.
Speaker 1 (15:14):
Oh yeah, he's that your wife's name.
Speaker 8 (15:16):
Oh no, my wife's name is Dixie. I was referring
to bobof. You wouldn't know him.
Speaker 3 (15:20):
I don't think he's He's a retired pool hustle.
Speaker 2 (15:22):
Anyhow, anyhow, it's go about here.
Speaker 1 (15:26):
I was going to do a.
Speaker 8 (15:26):
Little song that I thought might alleviate the housing situation,
A little song called the timber Trail.
Speaker 3 (15:31):
Would you like to truss.
Speaker 1 (15:32):
Cut a few buys, would do anything to get a room, And.
Speaker 3 (15:37):
I'll let us steal off for the pines.
Speaker 2 (15:39):
And here we go, imberd timbod, timber.
Speaker 8 (15:53):
Embodimber, everybody's away for timber.
Speaker 9 (16:02):
Wring your ax, your lumber jack mbers us to go
down the river to day Timber.
Speaker 1 (16:13):
Timber cans him, calling for timber loot.
Speaker 7 (16:20):
That team still, that team Mber got to go down
the river to day.
Speaker 9 (16:29):
Amel A takes to that tree at a ship for
the sale seas without the candies for me, and by
out whispering for Timber Amber, whom we'll make cradle of
(16:53):
timber ring your axe, your lumber jack him, but to
go down him.
Speaker 7 (17:03):
To leave me by the moon line, we will see
and lester.
Speaker 1 (17:21):
Those Norman, would.
Speaker 5 (17:30):
Anybody hurts.
Speaker 1 (17:34):
Here we go?
Speaker 7 (17:36):
You run my son time, my only son you make
me happy all.
Speaker 1 (17:46):
You never know.
Speaker 3 (17:49):
How I love you.
Speaker 7 (17:52):
Please don't care my son died away.
Speaker 1 (17:57):
You ar my son.
Speaker 4 (17:58):
You are my son.
Speaker 1 (18:00):
I'm not your son.
Speaker 2 (18:01):
I res you well entirey tie right away.
Speaker 7 (18:07):
I'm sting for s.
Speaker 2 (18:13):
Please don't take car.
Speaker 7 (18:18):
Oh that's my let.
Speaker 1 (18:40):
Thank you.
Speaker 8 (18:40):
Eil that little number on to do a lot to
bring back stucco houses.
Speaker 6 (18:45):
But as Lady Godiva once said.
Speaker 8 (18:47):
Sometimes it's necessary to let your hair down.
Speaker 7 (18:49):
However, here are to carry your tears, and they're going
to sing.
Speaker 3 (18:52):
Little David, please.
Speaker 7 (19:01):
The baby, little day in the world.
Speaker 2 (19:07):
A shepherd boy speak.
Speaker 7 (19:15):
Well, shop for joint.
Speaker 2 (19:29):
Add On pour you one thing, add On pour.
Speaker 1 (19:36):
You twice that your.
Speaker 5 (19:54):
Happ hi fellers hi Ever as well.
Speaker 8 (20:33):
Now, if we can interrupt Professor Henderson's perusal of the
personal column of Downbeat magazine, perhaps I can have an assist.
Speaker 3 (20:40):
You got it?
Speaker 8 (20:40):
Tall are very good. September song take off the Boston lubstage.
This number works for November two. It doesn't make any time.
Speaker 3 (20:47):
In your tall.
Speaker 1 (21:04):
Oh, it's all long, long wi from May to December.
Speaker 7 (21:15):
Of the day for.
Speaker 8 (21:20):
When you stepper, when the autumn weather then the leads
to play. One hasn't got time.
Speaker 1 (21:39):
For the waiting game.
Speaker 7 (21:45):
All the day dwindled to the present view.
Speaker 2 (21:55):
Steptber a fun.
Speaker 1 (22:03):
And if you make a fay, I spend with you.
Speaker 7 (22:13):
The break it.
Speaker 1 (22:14):
Die fill five with.
Speaker 7 (23:03):
For the day swindled.
Speaker 2 (23:08):
To a prejudice.
Speaker 7 (23:13):
That loveber.
Speaker 1 (23:21):
And this you say, I'll spend with you these precious
wild fan.
Speaker 8 (23:55):
Another favorite in my book this week is should I
tell you I loved you before I tell you that?
If I'm a Silco fellows who loves it all, I
hope it's mutual things.
Speaker 2 (24:04):
After all, I bear good fighting.
Speaker 4 (24:06):
Surely nobody would want to miss the good word. And
the greatest portable radio that war research has produced and
that still calls New three fifty a brand new type
of portable radio based on a revolutionary miniature tube circuit
that Soilco developed for military communications during the war. Unless
you're a radio engineer, it won't mean a thing to
you that this new SoCal portable includes a tuned radio
(24:27):
frequency amplifier stage. Sounds like double talk, doesn't it, But.
Speaker 3 (24:31):
Here's what it does for you.
Speaker 4 (24:32):
Field tests by Solco engineers proves that in the SUSSA
spots for you to take the portable radio on trains
and airliners in remote mountains and vacation spots. The still
called three sesty gives you clear pickup of distant stations
and more of them, light weight and compact for traveling
needs no special aerial of any kind, and around the
house you can just plug it in anywhere and play
(24:53):
it like an ordinary radio. To ask your dealer down
to demonstrates still calls great new three fifties portable performance,
a news it knew all the way through and dealt
with the quality that.
Speaker 5 (25:04):
It's made so called famous.
Speaker 7 (25:06):
The world of.
Speaker 1 (25:08):
H m hm h m hm m h.
Speaker 3 (25:26):
Should I.
Speaker 7 (25:29):
All you?
Speaker 1 (25:32):
I love you? Should I? How much I do?
Speaker 3 (25:46):
Could I?
Speaker 7 (25:51):
How I dream?
Speaker 1 (25:57):
Away? All left to.
Speaker 3 (26:05):
Good?
Speaker 7 (26:06):
I tell you.
Speaker 1 (26:12):
What pardo.
Speaker 3 (26:15):
To gather.
Speaker 1 (26:19):
My life would be good on.
Speaker 3 (26:30):
I love.
Speaker 2 (26:34):
All away to.
Speaker 8 (26:57):
That's about it to this session. But before I eat
is under my kavan or snap brim. I would like
to make a pitch to employers throughout the country to
make use of the abilities of the physically handicapped by
doesn't turn them away from jobs because of the disabilities.
In many cases, the physically handicapped fitted to the right
jobs can outproduce the evil.
Speaker 3 (27:13):
Body loyal in their work and a good employment risk.
Why not think it over. We'll see what you can do.
Speaker 4 (27:24):
Un Here in the phil Call Radio Time next week,
and here Ben Cosby, John Scott Trotter is Orchestrain Cars,
the Carriot Teers, Leonomia, s Kith Tenderson's.
Speaker 2 (27:31):
And Things Guess bur Alized.
Speaker 4 (27:33):
This program is produced and transcribed in Hollywood by Bill
Marl and Myrta McKenzie. Leno May appears by arrangements with
Metro Golden Mayor, producers of Undercurrent, starring Katherine Hepburn and
Robert Taylor
Speaker 7 (28:14):
U
Man the blue.
Speaker 2 (00:05):
Of the eye.
Speaker 1 (00:08):
Missed the goal of the day.
Speaker 3 (00:13):
Come on.
Speaker 1 (00:15):
Away for me.
Speaker 4 (00:28):
That's was Ken Popper there, welcome you to selcome radio time.
But there was some transcribe in Hollywood with John Scottson
and his.
Speaker 5 (00:34):
Char as an orchestra.
Speaker 4 (00:35):
The carrier tears, Lena Amys kiss Henderson things guests at
pild things.
Speaker 2 (00:39):
U and here's this.
Speaker 6 (00:53):
Can't resent this past time of day? Do you have
to smile?
Speaker 7 (00:58):
Let me that way?
Speaker 6 (01:00):
My heart go pa.
Speaker 8 (01:03):
It goes bunce, give up bounce. Can't we just stick
hands and feelings easy?
Speaker 5 (01:09):
You have to give that textaspree.
Speaker 2 (01:12):
My heart goes freezing.
Speaker 1 (01:16):
It goes bounce, give up, bump, bunting.
Speaker 7 (01:19):
My doctor call me this his guy to st.
Speaker 8 (01:26):
He never heard of bea luck empyre pity hot when
the converse station's going fine, must.
Speaker 7 (01:34):
To get your lift so close to mine. My heart
goes freezing. It goes bump, give up, bump, What I do.
Speaker 1 (01:48):
You got me?
Speaker 2 (01:49):
You got nick ready to.
Speaker 7 (02:00):
My heart? It goes bump, bump, bump. You see and
they lady, you have to get that.
Speaker 6 (02:17):
He goes bumped STI bum bum bum mine.
Speaker 8 (02:21):
Doctor told me listen, God, you South.
Speaker 1 (02:28):
He never heard of bead like efy.
Speaker 8 (02:31):
Everybody when the converse stations, go and find my musket.
Speaker 7 (02:37):
Joe lived so close to mine, my heart it goes bump,
he bump, bump was my moody.
Speaker 5 (02:51):
You got me, you got me ready?
Speaker 1 (03:00):
Thank you John and thank you.
Speaker 6 (03:01):
Group had a nice beach building there, mighty shot.
Speaker 8 (03:03):
Backing up, now, if please can back the Filko man
up into a corner and twist his arm a little,
perhaps we can get him to send a few person
it's participles.
Speaker 4 (03:11):
Well, don't twist anymore, being it's almost twisted off already
by the crowd that's trying to lay hands on one
of those sensational new Soilco portable and who can blame them.
It's a very new type of portable radio, everything new
but the name. Using a revolutionary minute. You're tube circuit
developed by Folco for military communications, tremendously sensitive, so you
(03:31):
get stations popping in all along the dial, so powerful
you don't need any special.
Speaker 3 (03:35):
Area, you know what.
Speaker 4 (03:36):
The portable radio was originally developed by Silco, and now
Solko's war research gives you portable performance that's out of
this world. Cilco engineers tested this new portable aboard airliners
and trains, in remote mountains, near power lines, in the
toughest spots where you could take a portable radio, and
everywhere area far outperforms any pre war portable tunes in
(03:58):
station sharp as a razor, lightweight for travel, And obviously
I think you get to those football games or just
plugging in around the house and play it like an
ordinary radio. Try it yourself at any so called dealer. Now,
as for the so called free Sessey, it's the portable
radio buy of the year and built with the quality
that has made so called famous the world over.
Speaker 1 (04:45):
I saw a one may play open. If you're blue,
why don't you try for it? And after all, are
(05:05):
we all.
Speaker 7 (05:07):
Idle?
Speaker 1 (05:07):
Schemer sty is life just the world?
Speaker 3 (05:15):
So it me.
Speaker 7 (05:19):
You're not poor, not when you're.
Speaker 3 (05:23):
Make believe in.
Speaker 7 (05:27):
So when you have a moment top.
Speaker 1 (05:35):
So you're a.
Speaker 7 (05:38):
And you see how surpri you'll be.
Speaker 1 (05:45):
If you are close your awn you'll be also fly.
Speaker 5 (06:16):
You will be.
Speaker 3 (06:20):
If you go.
Speaker 8 (06:41):
I know that few, all of them awaiting another cancelizing
interval in the adventures.
Speaker 3 (06:44):
Of that devil of destiny skit Tennis.
Speaker 8 (06:47):
When the real broke last week, we left the stall
with skits in an uphill fight on a Macy.
Speaker 3 (06:51):
Escalator, tappling his way through.
Speaker 8 (06:52):
A marble Fenzig bargain day amazons and dragon his canoe
behind him.
Speaker 5 (06:57):
Will he get his fucking lock ticket?
Speaker 8 (06:59):
Vallidated in time well the sock of white.
Speaker 6 (07:01):
Shirt tie sixteen thirty.
Speaker 1 (07:02):
Three holdout we should see in a triced.
Speaker 2 (08:34):
Yarn Karns Walton.
Speaker 6 (08:36):
Spring springtime, Springtime, spring time, ninety five minutes.
Speaker 9 (08:40):
My papa tones were well rounded, the technique catalyzing in
the form's solid Well, yes, she.
Speaker 3 (08:45):
Is the form salid leaning her mind.
Speaker 8 (08:46):
M do you say thing?
Speaker 2 (08:48):
But I'm a little surprise.
Speaker 4 (08:50):
No, I never thought it brother to look at.
Speaker 6 (08:52):
My studies, No brother at all.
Speaker 3 (08:53):
Really be's looking at trade?
Speaker 1 (08:59):
I hope go.
Speaker 3 (09:02):
By and it's South America. Don't take it away?
Speaker 7 (09:05):
Is that a compliment or a cue?
Speaker 3 (09:07):
A stay a line? I feel.
Speaker 8 (09:14):
Up here in the land of the hot Stop them
the appenbamans of the human man.
Speaker 6 (09:20):
We think our South American neighbors, we love them.
Speaker 7 (09:24):
The beat the band.
Speaker 2 (09:27):
South America, bab BABAAI.
Speaker 8 (09:33):
One favor, you can dry, you can do.
Speaker 7 (09:38):
You beauty land.
Speaker 2 (09:41):
You'll know what you began.
Speaker 6 (09:46):
It plainly.
Speaker 2 (09:47):
I'm tired of taking to that Pan American plan.
Speaker 6 (09:54):
Take back your samber, your hi, yes, Yi, I can't moving.
Speaker 1 (10:01):
I'm a jasey any longer.
Speaker 6 (10:06):
Maybe lapping dye in the middle that built stronger.
Speaker 1 (10:10):
I what all is taken to the quaking and making
with the shake and lady aging.
Speaker 8 (10:16):
I about to take around and settle here, and then
you take around and settle there, and then you take.
Speaker 7 (10:23):
Around and settle here.
Speaker 8 (10:26):
That's enough.
Speaker 5 (10:27):
That's enough to take it back.
Speaker 7 (10:28):
My spine's out of whack.
Speaker 5 (10:30):
That's strain.
Speaker 6 (10:31):
Click clect in the back of myself, roya.
Speaker 8 (10:35):
Same, thank you, con I'm thembamb i gin what can't
December high a string.
Speaker 9 (10:45):
Y number, I juin.
Speaker 1 (10:48):
I got more bumps now than an a.
Speaker 2 (10:50):
I cucumbers.
Speaker 7 (10:52):
I m all right, America.
Speaker 6 (11:06):
Hurt, shake around and settle there well, and then shake
around and settle here, steady, jake hall and settle there.
Speaker 1 (11:15):
Last Flatto's take it back my spine.
Speaker 9 (11:19):
There's a strangely slapt in the back of my chack
alias myrmember.
Speaker 7 (11:32):
The old days dancing.
Speaker 1 (11:34):
I remember.
Speaker 7 (11:37):
My hip cracking. I'm streaking. I remember I.
Speaker 2 (11:43):
Got away.
Speaker 3 (11:46):
Like the.
Speaker 2 (11:49):
Fancy creation in position were not all of my transition.
Speaker 8 (11:52):
Ammulations, So I like neighbor, the relations, all these crazy
new giations time my patients.
Speaker 2 (12:00):
All there South America.
Speaker 6 (12:17):
In New Year.
Speaker 3 (12:18):
The opera season is in polt Wins.
Speaker 8 (12:20):
Lovers of the Buffon and the Bombas really heaving themselves
a turn, always being old courant here and always seasonal.
We have snagged one of the top opera stars from
one performance conly from Hollywood, The leading Battle of the
Metropolitisicago and San Francisco Opera Companies presenting eight Pinza. What
(12:42):
is your selection receiving thing your Pinza? I would like
to do Zerocus too, by Johanni Ligeran, saying for years,
it'll be nice hearing it again.
Speaker 9 (12:53):
If zero for zero will make there for a buddy Pinie,
He's hot, tak or she ya Parazadi pennas padda from
Delardo and Giladio Tadi Bago Si young Navy, Patra Wona bargo,
(13:18):
timpiandemi podravio for to magadier who make a Paratadi Pennasi
pat jadar ge Padgadra Gaparatadi, pennasy panda Cecrudontino can take
(13:40):
a bambino from Bocadi lat pat Das kimar He podcast
from Bobadi Lats Padda Cimar Marquez Doty Harndo from barbar
ram Pardo, randops your screaming st per Frontoble your TV
(14:06):
Perrudle that Tino can tick a Bombino Come Bugatti Lot
Dicky podcast, timar Shee podcasts You from Boccatti Lost Dissy Podcast.
Speaker 3 (14:20):
Um, that was wonderful.
Speaker 8 (14:38):
May I say it's nice to have you on Stoko
Radio time.
Speaker 6 (14:40):
Brother teams in thanks being telling the h and Howard.
Speaker 3 (14:43):
Things at the Offer He's still.
Speaker 8 (14:45):
Making them soon at the Metaplitan. Yeah, he's got the
Dowagers hoppling out of a diamond horses.
Speaker 2 (14:50):
He's there all.
Speaker 1 (14:52):
Beings, no dignity, steel rains of the opera, dignity.
Speaker 3 (14:56):
I can't understand that.
Speaker 8 (14:57):
The last time I was at the met, the candy
butchers were running down the aisle selling hot dogs, pop
books about purses and everything.
Speaker 1 (15:04):
That would not have been the Offer house.
Speaker 6 (15:06):
No, you must have gotten into a bullet shoo by me.
Speaker 2 (15:09):
See I told her.
Speaker 6 (15:10):
If it looked like the wrong place, I told him said, no,
this is it.
Speaker 1 (15:14):
Oh yeah, he's that your wife's name.
Speaker 8 (15:16):
Oh no, my wife's name is Dixie. I was referring
to bobof. You wouldn't know him.
Speaker 3 (15:20):
I don't think he's He's a retired pool hustle.
Speaker 2 (15:22):
Anyhow, anyhow, it's go about here.
Speaker 1 (15:26):
I was going to do a.
Speaker 8 (15:26):
Little song that I thought might alleviate the housing situation,
A little song called the timber Trail.
Speaker 3 (15:31):
Would you like to truss.
Speaker 1 (15:32):
Cut a few buys, would do anything to get a room, And.
Speaker 3 (15:37):
I'll let us steal off for the pines.
Speaker 2 (15:39):
And here we go, imberd timbod, timber.
Speaker 8 (15:53):
Embodimber, everybody's away for timber.
Speaker 9 (16:02):
Wring your ax, your lumber jack mbers us to go
down the river to day Timber.
Speaker 1 (16:13):
Timber cans him, calling for timber loot.
Speaker 7 (16:20):
That team still, that team Mber got to go down
the river to day.
Speaker 9 (16:29):
Amel A takes to that tree at a ship for
the sale seas without the candies for me, and by
out whispering for Timber Amber, whom we'll make cradle of
(16:53):
timber ring your axe, your lumber jack him, but to
go down him.
Speaker 7 (17:03):
To leave me by the moon line, we will see
and lester.
Speaker 1 (17:21):
Those Norman, would.
Speaker 5 (17:30):
Anybody hurts.
Speaker 1 (17:34):
Here we go?
Speaker 7 (17:36):
You run my son time, my only son you make
me happy all.
Speaker 1 (17:46):
You never know.
Speaker 3 (17:49):
How I love you.
Speaker 7 (17:52):
Please don't care my son died away.
Speaker 1 (17:57):
You ar my son.
Speaker 4 (17:58):
You are my son.
Speaker 1 (18:00):
I'm not your son.
Speaker 2 (18:01):
I res you well entirey tie right away.
Speaker 7 (18:07):
I'm sting for s.
Speaker 2 (18:13):
Please don't take car.
Speaker 7 (18:18):
Oh that's my let.
Speaker 1 (18:40):
Thank you.
Speaker 8 (18:40):
Eil that little number on to do a lot to
bring back stucco houses.
Speaker 6 (18:45):
But as Lady Godiva once said.
Speaker 8 (18:47):
Sometimes it's necessary to let your hair down.
Speaker 7 (18:49):
However, here are to carry your tears, and they're going
to sing.
Speaker 3 (18:52):
Little David, please.
Speaker 7 (19:01):
The baby, little day in the world.
Speaker 2 (19:07):
A shepherd boy speak.
Speaker 7 (19:15):
Well, shop for joint.
Speaker 2 (19:29):
Add On pour you one thing, add On pour.
Speaker 1 (19:36):
You twice that your.
Speaker 5 (19:54):
Happ hi fellers hi Ever as well.
Speaker 8 (20:33):
Now, if we can interrupt Professor Henderson's perusal of the
personal column of Downbeat magazine, perhaps I can have an assist.
Speaker 3 (20:40):
You got it?
Speaker 8 (20:40):
Tall are very good. September song take off the Boston lubstage.
This number works for November two. It doesn't make any time.
Speaker 3 (20:47):
In your tall.
Speaker 1 (21:04):
Oh, it's all long, long wi from May to December.
Speaker 7 (21:15):
Of the day for.
Speaker 8 (21:20):
When you stepper, when the autumn weather then the leads
to play. One hasn't got time.
Speaker 1 (21:39):
For the waiting game.
Speaker 7 (21:45):
All the day dwindled to the present view.
Speaker 2 (21:55):
Steptber a fun.
Speaker 1 (22:03):
And if you make a fay, I spend with you.
Speaker 7 (22:13):
The break it.
Speaker 1 (22:14):
Die fill five with.
Speaker 7 (23:03):
For the day swindled.
Speaker 2 (23:08):
To a prejudice.
Speaker 7 (23:13):
That loveber.
Speaker 1 (23:21):
And this you say, I'll spend with you these precious
wild fan.
Speaker 8 (23:55):
Another favorite in my book this week is should I
tell you I loved you before I tell you that?
If I'm a Silco fellows who loves it all, I
hope it's mutual things.
Speaker 2 (24:04):
After all, I bear good fighting.
Speaker 4 (24:06):
Surely nobody would want to miss the good word. And
the greatest portable radio that war research has produced and
that still calls New three fifty a brand new type
of portable radio based on a revolutionary miniature tube circuit
that Soilco developed for military communications during the war. Unless
you're a radio engineer, it won't mean a thing to
you that this new SoCal portable includes a tuned radio
(24:27):
frequency amplifier stage. Sounds like double talk, doesn't it, But.
Speaker 3 (24:31):
Here's what it does for you.
Speaker 4 (24:32):
Field tests by Solco engineers proves that in the SUSSA
spots for you to take the portable radio on trains
and airliners in remote mountains and vacation spots. The still
called three sesty gives you clear pickup of distant stations
and more of them, light weight and compact for traveling
needs no special aerial of any kind, and around the
house you can just plug it in anywhere and play
(24:53):
it like an ordinary radio. To ask your dealer down
to demonstrates still calls great new three fifties portable performance,
a news it knew all the way through and dealt
with the quality that.
Speaker 5 (25:04):
It's made so called famous.
Speaker 7 (25:06):
The world of.
Speaker 1 (25:08):
H m hm h m hm m h.
Speaker 3 (25:26):
Should I.
Speaker 7 (25:29):
All you?
Speaker 1 (25:32):
I love you? Should I? How much I do?
Speaker 3 (25:46):
Could I?
Speaker 7 (25:51):
How I dream?
Speaker 1 (25:57):
Away? All left to.
Speaker 3 (26:05):
Good?
Speaker 7 (26:06):
I tell you.
Speaker 1 (26:12):
What pardo.
Speaker 3 (26:15):
To gather.
Speaker 1 (26:19):
My life would be good on.
Speaker 3 (26:30):
I love.
Speaker 2 (26:34):
All away to.
Speaker 8 (26:57):
That's about it to this session. But before I eat
is under my kavan or snap brim. I would like
to make a pitch to employers throughout the country to
make use of the abilities of the physically handicapped by
doesn't turn them away from jobs because of the disabilities.
In many cases, the physically handicapped fitted to the right
jobs can outproduce the evil.
Speaker 3 (27:13):
Body loyal in their work and a good employment risk.
Why not think it over. We'll see what you can do.
Speaker 4 (27:24):
Un Here in the phil Call Radio Time next week,
and here Ben Cosby, John Scott Trotter is Orchestrain Cars,
the Carriot Teers, Leonomia, s Kith Tenderson's.
Speaker 2 (27:31):
And Things Guess bur Alized.
Speaker 4 (27:33):
This program is produced and transcribed in Hollywood by Bill
Marl and Myrta McKenzie. Leno May appears by arrangements with
Metro Golden Mayor, producers of Undercurrent, starring Katherine Hepburn and
Robert Taylor
Speaker 7 (28:14):
U
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