August 11, 2025 • 29 mins
Please enjoy Hope Lamour a great episode of the legendary Bing Crosby Radio Show - a Old Time Radio OTR classic originally brought to you by General Electric.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
I'm the blue.
Speaker 2 (00:04):
Of the.
Speaker 1 (00:07):
Needs the goal of the day. Someone wait for.
Speaker 3 (00:28):
That's try copping there walking here the talk all radio time,
but those the transcribed in Hollywood. But John's got Trotter's
Arkistan cors to carry tears, get Tennyson and they guess Bob.
Speaker 4 (00:37):
Hope and Darth in the Moore, And you don't mean
Bob Hope. The author of that Turnith beust Seller. So
this is teasing. He here George Brynard, John in person
and God inamore the beauteous time.
Speaker 3 (00:51):
In the panel pictures also told God he's here too.
Speaker 2 (00:54):
Oh but again mad Knight just pretends to be.
Speaker 4 (00:58):
That's the way John's got my hospital. It goes crazy, stop.
Speaker 5 (01:11):
Stop?
Speaker 2 (01:13):
Can't we just free fast the time of days?
Speaker 6 (01:16):
Do you have to smile at me?
Speaker 2 (01:18):
That way?
Speaker 4 (01:19):
My heart goes? Please do he goes bumping, give up bumping?
Speaker 1 (01:25):
Can't we just stake tan and be ready?
Speaker 2 (01:28):
Do you have sinking that?
Speaker 1 (01:30):
That's just see my heart goes, pa.
Speaker 5 (01:35):
You know, bumping, get up, bump, bump my.
Speaker 4 (01:39):
Blck you poll me.
Speaker 1 (01:41):
This is got to stop. He never heard of the
like hippy house.
Speaker 2 (01:51):
When the content station going fine.
Speaker 4 (01:54):
Must you get your left so close to mine, my goes.
Speaker 7 (02:01):
It goes BUMPI bum bum But like you got the
you got bed to, it goes bump on the boom boom.
Speaker 2 (02:29):
Can you.
Speaker 1 (02:33):
Like singing by?
Speaker 7 (02:38):
It goes bom bom boom boom.
Speaker 4 (02:42):
My jacktipole me, this is.
Speaker 1 (02:45):
God to he never heard of the like simpy eybody.
Speaker 8 (02:54):
One the conversations, go and find musket go live so
close to mount my heart.
Speaker 7 (03:05):
It goes bom b Dude, you got me, you got
me crazy?
Speaker 4 (03:28):
A nice thing.
Speaker 3 (03:30):
By the way, do you want to know what makes
my heart go crazy?
Speaker 2 (03:33):
Not too eager can but I bet it begins with folk.
Speaker 3 (03:36):
Oh you're so right, man, it's a folk twelve old one.
Speaker 2 (03:39):
Can you know Bob Volk is here tonight? You know
I know Darth and the more so tonight. Let the
brevity be your keynote. Other folks are waiting to hear
from Lamore.
Speaker 3 (03:45):
Well, sorry is beautiful and charming, but personally.
Speaker 4 (03:48):
My heart still goes crazy for the twelve old one.
Speaker 3 (03:51):
That's the streamlined automatic way to play records. M M
is it as attractive in a surround as the more no,
But the twelve O one is the easiest radio photograph
on world is spin your records.
Speaker 2 (04:01):
On doesn't spin any ease and hope he's really in
a world that's bought, a textual world.
Speaker 6 (04:05):
Think you mentioned.
Speaker 3 (04:06):
The whole thing?
Speaker 2 (04:07):
You couldn't well you did?
Speaker 3 (04:09):
You know you can catch his program on your twelve
oh one has a fine radio too. It sounds like
you're writing a studio with Bob Wright in the studio.
Maybe there's nowhere near the microphone on the show.
Speaker 6 (04:19):
Well, I'll allow of them.
Speaker 2 (04:20):
Just use the photograph.
Speaker 3 (04:21):
Hold off you to get up to the microphone, use
the phonograph. You just slide a record in the throw on.
It plays automatically, all needles to change, no TONI to touch,
no adjustments whatsoever to make.
Speaker 2 (04:31):
Oh it's a dream, said can really she too?
Speaker 3 (04:34):
Yes? Bring is so completely automatic you could play blindfolded.
It's obviously natural for parties and dancing. What's more zip
from your listening pleasure, whether it's radio or records. That's
why Philco's twelve oh one has been an overnight sensation.
It's the largest selling radio phonograph in the world today.
It's the new invention in radio. From pill call the leader.
Speaker 4 (05:05):
Enough said his rest, Thank you very much. Good evening,
Ladies and gentlemen.
Speaker 3 (05:08):
All right, Claus, we called me a straight line.
Speaker 2 (05:10):
Let's get this bagg rolling.
Speaker 7 (05:15):
Time.
Speaker 4 (05:15):
Can you waste here? Let's move any influenced steady. By
the way, why did you get those green stains on
your elbows off the fool table?
Speaker 2 (05:23):
Those aren't green stained grass stains.
Speaker 4 (05:24):
I was looking down a gopher hole trying to find
your hooper rating.
Speaker 9 (05:27):
You know.
Speaker 4 (05:29):
That you're so happy engage just because you're on top.
Speaker 7 (05:33):
But tonight you and I, Bob, We're gonna.
Speaker 2 (05:36):
Have a little class on the program.
Speaker 4 (05:37):
Why are you leaving Bob kne to take over flue?
Speaker 6 (05:42):
Ladies and gentlemen.
Speaker 3 (05:42):
Many of you have written in asking how did bing
Crows Been Bob Hole first meet. Many of you have
written and asking when did they first meet? Many of
you have written and asking why did they first meet?
Speaker 4 (05:54):
That's enough meat, let's get to the potatoes.
Speaker 5 (05:56):
Do you mind?
Speaker 4 (05:58):
What's the man talking?
Speaker 3 (06:00):
What if you have asked how did Bobin Being first
meet Dorothy Lamore Tarsan Night, These and many other questions
will be answered in an original play entitled The Road
to Hollywood, starring Bing Crosby, Bob Hope, and Dorothy Lamore music.
Speaker 6 (06:12):
Mister Potter, our story opens.
Speaker 3 (06:28):
Many many, many, many, many, many many years.
Speaker 4 (06:31):
Ago, many years please, we found.
Speaker 3 (06:34):
Bing Crosby driving westward from New York City. He is
flopped on Broadway, the Boulevard of broken dreams, and now
practically penniless and then very low spirits. He pulls into
a small garage and the outskirts.
Speaker 4 (06:46):
Of keep.
Speaker 9 (06:52):
I'd like you to take a look at this motor.
I think it's missing. Okay, Hey, that's kind of motor.
Speaker 4 (07:00):
Got in there A squirrel in a cake?
Speaker 2 (07:03):
Yeah.
Speaker 4 (07:04):
I get four miles to the Acorn too. Say look, Bud,
I'm on my way to California.
Speaker 2 (07:08):
I gotta get this car fixed. I think the body
has a wiggle. Well, I can fix that. I know
all about body wiggles. I used to sell candy in
a Broless show. Say you're a pretty good mechanic, an't you?
Speaker 1 (07:21):
M that knows of yours?
Speaker 4 (07:22):
Ought to be great for changing tires and that ain't all.
You should see a piphon dance. That's where I look.
You think you're gonna get this spring picked soon? You know,
so I can get going California.
Speaker 3 (07:36):
What are you going out there for the orange picking?
Speaker 4 (07:37):
Season orange picking. No, I'm going out there and getting pictures.
Speaker 2 (07:42):
Boy, you're gonna get the picks. Yeah, strapped in on
your way back.
Speaker 4 (07:48):
Come on, get to work on the car. We'll let
getting right at it.
Speaker 2 (07:51):
There we go. That was all at me, a new
spark plight. Thank you, I am Bob. How much show
you three dollars? Three dollars? No, young fellow like you
(08:11):
oughta be in pictures too, three dollars.
Speaker 4 (08:17):
Yeah, I just take a handsome young fellow like you.
Speaker 3 (08:20):
You you gotta be in pictures two and a half.
I can tell just looking at you you got I
bet you got plenty of talents.
Speaker 1 (08:29):
Two bucks.
Speaker 4 (08:31):
And that left.
Speaker 2 (08:31):
Profile cold A buck and a half.
Speaker 4 (08:38):
That right profile, Gary Cooper seventy five cents. I can
see your name and lights and girls all over the
country swooning when your face comes upon the screen. Say
you want to sell this car? I gotta get to California.
I want to sell a car. I don't give you
my goal player, throw you two boxes of bubble gum
and fifty dollars for it.
Speaker 2 (08:55):
You've got fifty dollars, but why don't you get your
fifty dollars? Come on out the coast with me. You
mean you'll take me. I'm gonna try.
Speaker 3 (09:05):
When all pick up our crystal arts in Chicago, they've
become acquainted, in fact, very well acquainted.
Speaker 4 (09:11):
You took my fifty dollars and better on a horse,
and what a glue pot. We haven't had anything to
eat for three days.
Speaker 2 (09:22):
All, Come on, cheer up.
Speaker 4 (09:23):
We're in Chicago, the windy City.
Speaker 2 (09:25):
Oh, they sure have pretty girls here. I'm too sick
to look.
Speaker 3 (09:30):
You are sick.
Speaker 2 (09:33):
We're broke.
Speaker 4 (09:36):
We're broke. We're in a strange town.
Speaker 2 (09:38):
We have no friends, we're hungry. There's only one way out.
Speaker 4 (09:42):
You mean we're kids suicide. We'll jump off the highest
building in town.
Speaker 2 (09:46):
That's the Wrigglid Building, funny four story. Yeah, go to
the cop m h. Walk across the roof to the
edge in ding Fusi fuji.
Speaker 4 (10:00):
Fighting by orson. Well, maybe we shouldn't jump off a
building that is so paw. I get dizzy in high place.
Speaker 3 (10:07):
Ye, let's try this building right here, Marshall Field, come on,
come on, I come on inside.
Speaker 4 (10:11):
Okay, here's the elevators out. Hey, hold stop, I can't breathe.
Sorry I was pushing the wrong button.
Speaker 2 (10:21):
We go.
Speaker 4 (10:24):
And we go straight to the roof. Sorry I was
pushing the wrong button. I could try it again. Ball
suit play on the delivery was wrong?
Speaker 1 (10:33):
All right?
Speaker 9 (10:34):
Eye?
Speaker 2 (10:35):
Thanks?
Speaker 4 (10:35):
We going to the roof, right to the room. Nothing
will stoppers take your egg with us?
Speaker 2 (10:39):
Fight fight?
Speaker 4 (10:41):
Would you boys like to ride my elevator?
Speaker 3 (10:42):
Wait?
Speaker 4 (10:44):
A mere boy?
Speaker 3 (10:45):
What a cute elevator operator? What are you doing later? Honey?
Speaker 4 (10:48):
Huh going up?
Speaker 3 (10:52):
Hey, Auntie's nice elevators and those chafts ain't bad either.
Speaker 4 (10:57):
We gotta commit suicide now, never mind this pretty girl
second four Brooks Magazines and periodical.
Speaker 2 (11:03):
Here's what I get off.
Speaker 4 (11:05):
We're jumping off the roof. What do you mean you're
getting off? Here? The long jump? I want something to
read on the way down.
Speaker 1 (11:11):
Oh no, you don't.
Speaker 2 (11:13):
Hey, honey, that's cut an outfit you're wearing.
Speaker 3 (11:15):
What do you call it?
Speaker 4 (11:16):
That's the wrong? This thing has no shoulders? What holds
it up?
Speaker 3 (11:21):
Public opinion?
Speaker 4 (11:27):
What's your name?
Speaker 3 (11:28):
Quitty?
Speaker 2 (11:29):
Dorothy? Lamour?
Speaker 4 (11:30):
Lamour that's French for love.
Speaker 7 (11:32):
Shall we?
Speaker 2 (11:32):
Okay?
Speaker 7 (11:35):
Well, here's the roof. Boh by eyes may uh by by.
Speaker 2 (11:39):
Just thought of something. There's no sense in being too
rash about this thing. You jump off the roof today,
I'll jump off tomorrow.
Speaker 3 (11:45):
Oh no, you You bet my money on that horse
and you jump first. Well, that's why I want to
stick around, Lamar.
Speaker 2 (11:50):
The horse may come in.
Speaker 4 (11:53):
For those three legs. You take the loot today.
Speaker 2 (11:56):
I want to read about you in the papers.
Speaker 4 (11:58):
Besides, Dorothy here would be lonesome with both of us gone.
Go on, jump, Say honey, how about you and me
having dinner tonight? Huh? All right, come on, hope, kiss
me goodbye and jump.
Speaker 2 (12:08):
Oh I can't kill myself.
Speaker 4 (12:10):
What'll become of the baby? Think of the baby? What baby?
My mother's baby?
Speaker 2 (12:14):
Me.
Speaker 3 (12:18):
I'll tell you what, Fellers.
Speaker 4 (12:20):
I work in a little nightclub when I finish here.
Why don't you drop in there tonight and we'll talk
to us all.
Speaker 6 (12:25):
Okay, where do you.
Speaker 2 (12:27):
Work, honey?
Speaker 4 (12:27):
Society Kid Hogan's classy cabaret. Oh, it's a date. We'll
get our brass knuckles meet you that at eight.
Speaker 6 (12:34):
Never as much as the.
Speaker 3 (12:35):
Boys are factually starving, we take you immediately to Society
Kid Hogan's classy Cabaret.
Speaker 4 (13:35):
Okay, bing, Who was that little baby who just played
the piano?
Speaker 2 (13:38):
Oh?
Speaker 4 (13:38):
That little fox's name is Skitch Henderson. He's only two
years old. Oh that's a cute tuxedo he's wearing with
a satin la pearls and the diaper. And I bet
he's the only musician that Petillo has to burn.
Speaker 7 (13:56):
Hi fellas, how's it going, hollow waiter?
Speaker 6 (13:59):
I'm stuck and we ate we haven't got any money.
Speaker 4 (14:02):
Well, Dorothy works here. We can order some food and
have him taken out of her salary.
Speaker 10 (14:05):
Nah, just a minute, boys, you're moving pretty fast.
Speaker 4 (14:09):
You'd think he will partner. How much money do you
got saved up? Dorothy got sixty dollars? Honey, I got
a hunch at your going to Hollywood with us? I
can whock is my chaperone? He will?
Speaker 10 (14:23):
He will will?
Speaker 2 (14:24):
He will?
Speaker 4 (14:25):
Je two chaferons. I guess i'll these days.
Speaker 2 (14:27):
Why certainly, come on, let's go.
Speaker 3 (14:32):
And I'll pick up our little group as they're nearing Albuquerque,
New Mexico.
Speaker 4 (14:38):
Boy, this western country is really beautiful, isn't it.
Speaker 2 (14:41):
What are those funny bushes rolling along?
Speaker 4 (14:43):
Those are tumbling tumbleie sounds like a queue for a song.
Speaker 2 (14:46):
It's not. There's going to be a minute and a half.
Still it tonight.
Speaker 1 (15:05):
I'm tumbling where you know, lots of the guy.
Speaker 2 (15:15):
No, but we all be fire.
Speaker 1 (15:21):
Liten along with a tumble and.
Speaker 4 (15:23):
Tumbleiea of the past to behind, no better go but all.
Speaker 2 (15:36):
Time where the trail the one.
Speaker 10 (15:45):
Riten along with a tumble and Tumblelieve.
Speaker 2 (15:51):
I know.
Speaker 1 (15:53):
When that is gone. Got a new well born at.
Speaker 4 (16:05):
People in along.
Speaker 1 (16:09):
Be in my heart A.
Speaker 10 (16:13):
Saw on the range belonging along with the tumbolin.
Speaker 2 (16:28):
Movie.
Speaker 3 (16:43):
Eighteen days after leaving Chicago, a nomad to the open
road reach Albuquerque, New Mexico, but they're forced to sell
her car for obvious reasons. At this very moment, they're
in conference with a local businessman trying to close the deal.
Now look, mister, disguise a terrific by. It's in great shape. Bye,
we're we're big hips and Holly, we will send you
a present. You believe we'll be big.
Speaker 4 (17:04):
Hips in Hollywood, don't you?
Speaker 6 (17:05):
Uh?
Speaker 2 (17:15):
Ug?
Speaker 6 (17:16):
Why don't you think we'll be big hits too?
Speaker 2 (17:18):
Ug?
Speaker 4 (17:25):
I guess the biggest last for the show with what we.
Speaker 1 (17:31):
Couldn't?
Speaker 6 (17:34):
Are you the smiling irishman?
Speaker 4 (17:35):
No me nasty novel ho?
Speaker 5 (17:37):
Yeah you.
Speaker 4 (17:39):
God kunz you don't like our car?
Speaker 2 (17:43):
Huh?
Speaker 4 (17:44):
That makes big smoke come from motor. This is a
Stanley steamer chief. Yeah, big of all the smoke Sigmas.
Speaker 3 (17:50):
You're able to send with a car.
Speaker 5 (17:51):
You don't go wrong.
Speaker 4 (17:57):
Jee's the value of this nice eat. Big face means
big heat.
Speaker 3 (18:03):
We're just self conscious, horry, I say, sell him.
Speaker 4 (18:12):
I'm getting tired of holding up this.
Speaker 5 (18:14):
Rear axle.
Speaker 2 (18:18):
Race.
Speaker 4 (18:18):
This is a coffee You wrestling hard?
Speaker 2 (18:22):
You like that?
Speaker 4 (18:23):
You take Paul? Wait here? I bring wampum from teepee.
Speaker 3 (18:27):
Good thing I told him.
Speaker 4 (18:28):
I was back thought for the Cleveland Indians. Can I
like to throw the axle?
Speaker 6 (18:34):
Now?
Speaker 2 (18:35):
Wait here he comes.
Speaker 4 (18:36):
Oh look at the bundle he got her in his arm.
We ought to be a lot of green backs from
that package.
Speaker 2 (18:40):
Barn.
Speaker 4 (18:40):
Yes, you take wampum.
Speaker 2 (18:42):
Me take car for all ride.
Speaker 4 (18:44):
Thanks Jeeves, happy landing.
Speaker 9 (18:48):
Come on, I w up, bundle up and it must
be a load of good go for hottle boy. There's
gotta be plenty of loading here.
Speaker 4 (18:54):
Hey, we've been scout. This doesn't go with three Indian blankets?
Speaker 3 (19:02):
Ah, What will happen to our young hopefuls with no
money in three Indian blankets? Will we get a job
standing in front of a cigar store. No will the
pickle finger of fake keep them from reaching Howard, their
dream city?
Speaker 4 (19:13):
What will they do but go.
Speaker 9 (19:15):
Ahead and tell them we're practically running into Henry Morgan's program.
Speaker 4 (19:18):
Now where the finish of this sketch has got to
be a shave of found if we don't hurry now, well, anyhow,
folks are two heroes?
Speaker 3 (19:26):
Are heroin? Put it in their Indian blankets? Or one
bus ticket to Hollywood? But what's good is one bus
ticket for three people? Let us tune in and find out.
Speaker 4 (19:36):
Yes, lady, this isn't the bus holly one, Thank you driver.
Speaker 10 (19:39):
Come along, boys, take my hand.
Speaker 4 (19:41):
Wait a minute, are your two uncles going along through?
Speaker 2 (19:44):
Oh?
Speaker 4 (19:45):
These are my two young sons.
Speaker 5 (19:47):
Bring me and Bobby's big.
Speaker 3 (19:50):
To the raids?
Speaker 4 (19:52):
How old are you bringing?
Speaker 2 (19:53):
A third and eight years old?
Speaker 7 (19:55):
Going on seven?
Speaker 3 (19:59):
And to you?
Speaker 2 (20:00):
Bobby dog dog.
Speaker 4 (20:02):
Goo goo chee chee bar.
Speaker 3 (20:11):
Little Bobby.
Speaker 4 (20:12):
He doesn't talk very well, doesn't he's chewing tobacco? Well,
all right, lady, you can take him on the bus,
but don't have to sit on your lafe. I'll take you,
all right, all right, Hold tight, everybody, well off?
Speaker 1 (20:30):
Toll I was.
Speaker 5 (20:41):
All right, a.
Speaker 4 (20:46):
Boy. Come on, Mama, Come on, ma, shake away.
Speaker 5 (20:49):
I won't be able to move from men.
Speaker 4 (20:51):
Come on, that's where we are Ura Mount Dodos.
Speaker 10 (20:56):
Oh, we could never make good a time.
Speaker 4 (20:58):
We don't know anybody on the inside. We don't have
to with what you got on the outside.
Speaker 2 (21:02):
Come on, quite the way it happened.
Speaker 4 (21:18):
We had a lot of fun working together. Remember the
Road to the end of Remember the Road of Singapore.
Speaker 2 (21:22):
Remember the Road to Morocco.
Speaker 1 (21:26):
Remember the Road to Morocco.
Speaker 2 (21:33):
Ms happen.
Speaker 8 (21:38):
Bo be written lots of books, all of them six see,
and now that he has learned to write.
Speaker 4 (21:46):
He's gonna learn to read.
Speaker 1 (21:48):
Incredible, Mamember the Road to Morocco.
Speaker 4 (21:55):
I don't care to go back again.
Speaker 1 (22:00):
The villains followed. Dorothy Ki became a pest.
Speaker 3 (22:06):
So now she's doing pictures where she's practically dressed.
Speaker 4 (22:12):
Remember a big kissing scene. I'm glad there was a
crowd that day. On safety.
Speaker 10 (22:27):
Remember the road to rock.
Speaker 1 (22:33):
It's water that's over the day.
Speaker 2 (22:39):
And since then, a bouncing baby boy was born to duck.
Speaker 4 (22:44):
They're trying to figure whether it's a capital gain or not.
Speaker 7 (22:53):
To rock a wheeze your god in a jam.
Speaker 2 (23:02):
But I told Tomolo's funny jokes.
Speaker 4 (23:05):
The natives seem to like.
Speaker 2 (23:07):
That's why the chickens union the hands down on his side.
Speaker 8 (23:15):
Get him all.
Speaker 2 (23:19):
I guess we should forget.
Speaker 5 (23:21):
About the road, and Turner.
Speaker 4 (23:39):
Ends Oliver vignette.
Speaker 1 (23:41):
Here is j pilker Man.
Speaker 3 (23:44):
It's a nice drama. Inspires one of your listeners to
take the road in the Hollywood yourself. Don't forget the Nowadays,
Proco's new portable radio is standard equipment for traveling anywhere.
While we're looking back along the road, don't you remind
you the Pilkol Pernier, the modern portable radio the plays
on its own batteries, along with such other fill Goal
firsts as the original of all table model radios, the
(24:06):
famous fill coal baby grams, the first practical automobile radio,
the modernized radio photograph with no needles to change. These
and many other electronic achievements have named Pillco today the
world's largest radio manufacturer, the understanded leader of the radio
industry since nineteen thirty because the greatest achievements in radio tone,
performance and value have come from the film Co laboratories. First,
(24:31):
Always thinking ahead, FILLC gives you tomorrow in your radio
set today. So when you look for your new radio
or radio photograph, now look at the leader. First look
at the film call famous for quality.
Speaker 1 (24:43):
The world over.
Speaker 4 (24:50):
Is a frame. How'sma fan? I've thinking for these guys.
Speaker 7 (24:54):
You keep coming back like.
Speaker 2 (24:58):
The b and run away from you.
Speaker 10 (25:03):
Then I've tried so hard, but I think you'll always
follow me here and fa. Just when I think that
I'm suck, just when I've learned to forget, I closed
(25:23):
my eyes during.
Speaker 1 (25:25):
The you are you see? Coming back like a song?
A why what you'd say? Remember?
Speaker 2 (25:55):
But three.
Speaker 7 (25:57):
To me?
Speaker 1 (26:00):
M that was one to me, it's coming down like
an old melody.
Speaker 2 (26:18):
The walking of all in recur.
Speaker 8 (26:30):
From Ender Camber, roll of the Power where I've forgotten
thing belong.
Speaker 2 (26:50):
Ki come?
Speaker 1 (26:58):
Why oh.
Speaker 2 (27:13):
Youty? Comeing? Uh?
Speaker 1 (27:22):
Because all.
Speaker 9 (27:30):
Before shoving off for the Cassa crove. And I'd like
to thank Bob and got it for dropping in tonight.
Speaker 2 (27:36):
Oh.
Speaker 4 (27:36):
I was most happy too, game. It was really a
thrill being here.
Speaker 3 (27:39):
If you got paid, no wonder your trills.
Speaker 4 (27:43):
These please Bob.
Speaker 1 (27:44):
Let's stay in the land of make believe.
Speaker 2 (27:46):
Let's not bring up any.
Speaker 9 (27:47):
Jolly business details any ol, folks. Next week, Peggy leave
returns to our little flock. And also there's your special guess.
We will have the just willing. Oh, I must tune
in its cently.
Speaker 4 (27:57):
I'm must get home now, especially.
Speaker 2 (27:59):
I can't for touching it.
Speaker 3 (28:00):
Then I must get home and sleep in my Folco console.
Speaker 4 (28:05):
He would turn out tomorrow morning, Robara, shutting the picture.
Speaker 7 (28:08):
You are, we are.
Speaker 3 (28:09):
We'll finished with his favorite vernet ye, but'll try to
be on time.
Speaker 4 (28:11):
Would you road the real here at the crack of down,
bring a line call over here, good.
Speaker 10 (28:17):
Night, through.
Speaker 4 (28:30):
Time I Am was produced in Turns Grimed in Hollywood
by Bill.
Speaker 3 (28:33):
Mall and Murdo Mackenzie. Turning the Polkol radio time next
week when Peggy Lee returns and Bing's guests will be
Beatrice Lillie. And remember only Pilcoll makes the twelve oh one.
It's the new convention in radio from pill Caol.
Speaker 4 (28:47):
The leader
Speaker 5 (29:11):
Had to meaning living mo
I'm the blue.
Speaker 2 (00:04):
Of the.
Speaker 1 (00:07):
Needs the goal of the day. Someone wait for.
Speaker 3 (00:28):
That's try copping there walking here the talk all radio time,
but those the transcribed in Hollywood. But John's got Trotter's
Arkistan cors to carry tears, get Tennyson and they guess Bob.
Speaker 4 (00:37):
Hope and Darth in the Moore, And you don't mean
Bob Hope. The author of that Turnith beust Seller. So
this is teasing. He here George Brynard, John in person
and God inamore the beauteous time.
Speaker 3 (00:51):
In the panel pictures also told God he's here too.
Speaker 2 (00:54):
Oh but again mad Knight just pretends to be.
Speaker 4 (00:58):
That's the way John's got my hospital. It goes crazy, stop.
Speaker 5 (01:11):
Stop?
Speaker 2 (01:13):
Can't we just free fast the time of days?
Speaker 6 (01:16):
Do you have to smile at me?
Speaker 2 (01:18):
That way?
Speaker 4 (01:19):
My heart goes? Please do he goes bumping, give up bumping?
Speaker 1 (01:25):
Can't we just stake tan and be ready?
Speaker 2 (01:28):
Do you have sinking that?
Speaker 1 (01:30):
That's just see my heart goes, pa.
Speaker 5 (01:35):
You know, bumping, get up, bump, bump my.
Speaker 4 (01:39):
Blck you poll me.
Speaker 1 (01:41):
This is got to stop. He never heard of the
like hippy house.
Speaker 2 (01:51):
When the content station going fine.
Speaker 4 (01:54):
Must you get your left so close to mine, my goes.
Speaker 7 (02:01):
It goes BUMPI bum bum But like you got the
you got bed to, it goes bump on the boom boom.
Speaker 2 (02:29):
Can you.
Speaker 1 (02:33):
Like singing by?
Speaker 7 (02:38):
It goes bom bom boom boom.
Speaker 4 (02:42):
My jacktipole me, this is.
Speaker 1 (02:45):
God to he never heard of the like simpy eybody.
Speaker 8 (02:54):
One the conversations, go and find musket go live so
close to mount my heart.
Speaker 7 (03:05):
It goes bom b Dude, you got me, you got
me crazy?
Speaker 4 (03:28):
A nice thing.
Speaker 3 (03:30):
By the way, do you want to know what makes
my heart go crazy?
Speaker 2 (03:33):
Not too eager can but I bet it begins with folk.
Speaker 3 (03:36):
Oh you're so right, man, it's a folk twelve old one.
Speaker 2 (03:39):
Can you know Bob Volk is here tonight? You know
I know Darth and the more so tonight. Let the
brevity be your keynote. Other folks are waiting to hear
from Lamore.
Speaker 3 (03:45):
Well, sorry is beautiful and charming, but personally.
Speaker 4 (03:48):
My heart still goes crazy for the twelve old one.
Speaker 3 (03:51):
That's the streamlined automatic way to play records. M M
is it as attractive in a surround as the more no,
But the twelve O one is the easiest radio photograph
on world is spin your records.
Speaker 2 (04:01):
On doesn't spin any ease and hope he's really in
a world that's bought, a textual world.
Speaker 6 (04:05):
Think you mentioned.
Speaker 3 (04:06):
The whole thing?
Speaker 2 (04:07):
You couldn't well you did?
Speaker 3 (04:09):
You know you can catch his program on your twelve
oh one has a fine radio too. It sounds like
you're writing a studio with Bob Wright in the studio.
Maybe there's nowhere near the microphone on the show.
Speaker 6 (04:19):
Well, I'll allow of them.
Speaker 2 (04:20):
Just use the photograph.
Speaker 3 (04:21):
Hold off you to get up to the microphone, use
the phonograph. You just slide a record in the throw on.
It plays automatically, all needles to change, no TONI to touch,
no adjustments whatsoever to make.
Speaker 2 (04:31):
Oh it's a dream, said can really she too?
Speaker 3 (04:34):
Yes? Bring is so completely automatic you could play blindfolded.
It's obviously natural for parties and dancing. What's more zip
from your listening pleasure, whether it's radio or records. That's
why Philco's twelve oh one has been an overnight sensation.
It's the largest selling radio phonograph in the world today.
It's the new invention in radio. From pill call the leader.
Speaker 4 (05:05):
Enough said his rest, Thank you very much. Good evening,
Ladies and gentlemen.
Speaker 3 (05:08):
All right, Claus, we called me a straight line.
Speaker 2 (05:10):
Let's get this bagg rolling.
Speaker 7 (05:15):
Time.
Speaker 4 (05:15):
Can you waste here? Let's move any influenced steady. By
the way, why did you get those green stains on
your elbows off the fool table?
Speaker 2 (05:23):
Those aren't green stained grass stains.
Speaker 4 (05:24):
I was looking down a gopher hole trying to find
your hooper rating.
Speaker 9 (05:27):
You know.
Speaker 4 (05:29):
That you're so happy engage just because you're on top.
Speaker 7 (05:33):
But tonight you and I, Bob, We're gonna.
Speaker 2 (05:36):
Have a little class on the program.
Speaker 4 (05:37):
Why are you leaving Bob kne to take over flue?
Speaker 6 (05:42):
Ladies and gentlemen.
Speaker 3 (05:42):
Many of you have written in asking how did bing
Crows Been Bob Hole first meet. Many of you have
written and asking when did they first meet? Many of
you have written and asking why did they first meet?
Speaker 4 (05:54):
That's enough meat, let's get to the potatoes.
Speaker 5 (05:56):
Do you mind?
Speaker 4 (05:58):
What's the man talking?
Speaker 3 (06:00):
What if you have asked how did Bobin Being first
meet Dorothy Lamore Tarsan Night, These and many other questions
will be answered in an original play entitled The Road
to Hollywood, starring Bing Crosby, Bob Hope, and Dorothy Lamore music.
Speaker 6 (06:12):
Mister Potter, our story opens.
Speaker 3 (06:28):
Many many, many, many, many, many many years.
Speaker 4 (06:31):
Ago, many years please, we found.
Speaker 3 (06:34):
Bing Crosby driving westward from New York City. He is
flopped on Broadway, the Boulevard of broken dreams, and now
practically penniless and then very low spirits. He pulls into
a small garage and the outskirts.
Speaker 4 (06:46):
Of keep.
Speaker 9 (06:52):
I'd like you to take a look at this motor.
I think it's missing. Okay, Hey, that's kind of motor.
Speaker 4 (07:00):
Got in there A squirrel in a cake?
Speaker 2 (07:03):
Yeah.
Speaker 4 (07:04):
I get four miles to the Acorn too. Say look, Bud,
I'm on my way to California.
Speaker 2 (07:08):
I gotta get this car fixed. I think the body
has a wiggle. Well, I can fix that. I know
all about body wiggles. I used to sell candy in
a Broless show. Say you're a pretty good mechanic, an't you?
Speaker 1 (07:21):
M that knows of yours?
Speaker 4 (07:22):
Ought to be great for changing tires and that ain't all.
You should see a piphon dance. That's where I look.
You think you're gonna get this spring picked soon? You know,
so I can get going California.
Speaker 3 (07:36):
What are you going out there for the orange picking?
Speaker 4 (07:37):
Season orange picking. No, I'm going out there and getting pictures.
Speaker 2 (07:42):
Boy, you're gonna get the picks. Yeah, strapped in on
your way back.
Speaker 4 (07:48):
Come on, get to work on the car. We'll let
getting right at it.
Speaker 2 (07:51):
There we go. That was all at me, a new
spark plight. Thank you, I am Bob. How much show
you three dollars? Three dollars? No, young fellow like you
(08:11):
oughta be in pictures too, three dollars.
Speaker 4 (08:17):
Yeah, I just take a handsome young fellow like you.
Speaker 3 (08:20):
You you gotta be in pictures two and a half.
I can tell just looking at you you got I
bet you got plenty of talents.
Speaker 1 (08:29):
Two bucks.
Speaker 4 (08:31):
And that left.
Speaker 2 (08:31):
Profile cold A buck and a half.
Speaker 4 (08:38):
That right profile, Gary Cooper seventy five cents. I can
see your name and lights and girls all over the
country swooning when your face comes upon the screen. Say
you want to sell this car? I gotta get to California.
I want to sell a car. I don't give you
my goal player, throw you two boxes of bubble gum
and fifty dollars for it.
Speaker 2 (08:55):
You've got fifty dollars, but why don't you get your
fifty dollars? Come on out the coast with me. You
mean you'll take me. I'm gonna try.
Speaker 3 (09:05):
When all pick up our crystal arts in Chicago, they've
become acquainted, in fact, very well acquainted.
Speaker 4 (09:11):
You took my fifty dollars and better on a horse,
and what a glue pot. We haven't had anything to
eat for three days.
Speaker 2 (09:22):
All, Come on, cheer up.
Speaker 4 (09:23):
We're in Chicago, the windy City.
Speaker 2 (09:25):
Oh, they sure have pretty girls here. I'm too sick
to look.
Speaker 3 (09:30):
You are sick.
Speaker 2 (09:33):
We're broke.
Speaker 4 (09:36):
We're broke. We're in a strange town.
Speaker 2 (09:38):
We have no friends, we're hungry. There's only one way out.
Speaker 4 (09:42):
You mean we're kids suicide. We'll jump off the highest
building in town.
Speaker 2 (09:46):
That's the Wrigglid Building, funny four story. Yeah, go to
the cop m h. Walk across the roof to the
edge in ding Fusi fuji.
Speaker 4 (10:00):
Fighting by orson. Well, maybe we shouldn't jump off a
building that is so paw. I get dizzy in high place.
Speaker 3 (10:07):
Ye, let's try this building right here, Marshall Field, come on,
come on, I come on inside.
Speaker 4 (10:11):
Okay, here's the elevators out. Hey, hold stop, I can't breathe.
Sorry I was pushing the wrong button.
Speaker 2 (10:21):
We go.
Speaker 4 (10:24):
And we go straight to the roof. Sorry I was
pushing the wrong button. I could try it again. Ball
suit play on the delivery was wrong?
Speaker 1 (10:33):
All right?
Speaker 9 (10:34):
Eye?
Speaker 2 (10:35):
Thanks?
Speaker 4 (10:35):
We going to the roof, right to the room. Nothing
will stoppers take your egg with us?
Speaker 2 (10:39):
Fight fight?
Speaker 4 (10:41):
Would you boys like to ride my elevator?
Speaker 3 (10:42):
Wait?
Speaker 4 (10:44):
A mere boy?
Speaker 3 (10:45):
What a cute elevator operator? What are you doing later? Honey?
Speaker 4 (10:48):
Huh going up?
Speaker 3 (10:52):
Hey, Auntie's nice elevators and those chafts ain't bad either.
Speaker 4 (10:57):
We gotta commit suicide now, never mind this pretty girl
second four Brooks Magazines and periodical.
Speaker 2 (11:03):
Here's what I get off.
Speaker 4 (11:05):
We're jumping off the roof. What do you mean you're
getting off? Here? The long jump? I want something to
read on the way down.
Speaker 1 (11:11):
Oh no, you don't.
Speaker 2 (11:13):
Hey, honey, that's cut an outfit you're wearing.
Speaker 3 (11:15):
What do you call it?
Speaker 4 (11:16):
That's the wrong? This thing has no shoulders? What holds
it up?
Speaker 3 (11:21):
Public opinion?
Speaker 4 (11:27):
What's your name?
Speaker 3 (11:28):
Quitty?
Speaker 2 (11:29):
Dorothy? Lamour?
Speaker 4 (11:30):
Lamour that's French for love.
Speaker 7 (11:32):
Shall we?
Speaker 2 (11:32):
Okay?
Speaker 7 (11:35):
Well, here's the roof. Boh by eyes may uh by by.
Speaker 2 (11:39):
Just thought of something. There's no sense in being too
rash about this thing. You jump off the roof today,
I'll jump off tomorrow.
Speaker 3 (11:45):
Oh no, you You bet my money on that horse
and you jump first. Well, that's why I want to
stick around, Lamar.
Speaker 2 (11:50):
The horse may come in.
Speaker 4 (11:53):
For those three legs. You take the loot today.
Speaker 2 (11:56):
I want to read about you in the papers.
Speaker 4 (11:58):
Besides, Dorothy here would be lonesome with both of us gone.
Go on, jump, Say honey, how about you and me
having dinner tonight? Huh? All right, come on, hope, kiss
me goodbye and jump.
Speaker 2 (12:08):
Oh I can't kill myself.
Speaker 4 (12:10):
What'll become of the baby? Think of the baby? What baby?
My mother's baby?
Speaker 2 (12:14):
Me.
Speaker 3 (12:18):
I'll tell you what, Fellers.
Speaker 4 (12:20):
I work in a little nightclub when I finish here.
Why don't you drop in there tonight and we'll talk
to us all.
Speaker 6 (12:25):
Okay, where do you.
Speaker 2 (12:27):
Work, honey?
Speaker 4 (12:27):
Society Kid Hogan's classy cabaret. Oh, it's a date. We'll
get our brass knuckles meet you that at eight.
Speaker 6 (12:34):
Never as much as the.
Speaker 3 (12:35):
Boys are factually starving, we take you immediately to Society
Kid Hogan's classy Cabaret.
Speaker 4 (13:35):
Okay, bing, Who was that little baby who just played
the piano?
Speaker 2 (13:38):
Oh?
Speaker 4 (13:38):
That little fox's name is Skitch Henderson. He's only two
years old. Oh that's a cute tuxedo he's wearing with
a satin la pearls and the diaper. And I bet
he's the only musician that Petillo has to burn.
Speaker 7 (13:56):
Hi fellas, how's it going, hollow waiter?
Speaker 6 (13:59):
I'm stuck and we ate we haven't got any money.
Speaker 4 (14:02):
Well, Dorothy works here. We can order some food and
have him taken out of her salary.
Speaker 10 (14:05):
Nah, just a minute, boys, you're moving pretty fast.
Speaker 4 (14:09):
You'd think he will partner. How much money do you
got saved up? Dorothy got sixty dollars? Honey, I got
a hunch at your going to Hollywood with us? I
can whock is my chaperone? He will?
Speaker 10 (14:23):
He will will?
Speaker 2 (14:24):
He will?
Speaker 4 (14:25):
Je two chaferons. I guess i'll these days.
Speaker 2 (14:27):
Why certainly, come on, let's go.
Speaker 3 (14:32):
And I'll pick up our little group as they're nearing Albuquerque,
New Mexico.
Speaker 4 (14:38):
Boy, this western country is really beautiful, isn't it.
Speaker 2 (14:41):
What are those funny bushes rolling along?
Speaker 4 (14:43):
Those are tumbling tumbleie sounds like a queue for a song.
Speaker 2 (14:46):
It's not. There's going to be a minute and a half.
Still it tonight.
Speaker 1 (15:05):
I'm tumbling where you know, lots of the guy.
Speaker 2 (15:15):
No, but we all be fire.
Speaker 1 (15:21):
Liten along with a tumble and.
Speaker 4 (15:23):
Tumbleiea of the past to behind, no better go but all.
Speaker 2 (15:36):
Time where the trail the one.
Speaker 10 (15:45):
Riten along with a tumble and Tumblelieve.
Speaker 2 (15:51):
I know.
Speaker 1 (15:53):
When that is gone. Got a new well born at.
Speaker 4 (16:05):
People in along.
Speaker 1 (16:09):
Be in my heart A.
Speaker 10 (16:13):
Saw on the range belonging along with the tumbolin.
Speaker 2 (16:28):
Movie.
Speaker 3 (16:43):
Eighteen days after leaving Chicago, a nomad to the open
road reach Albuquerque, New Mexico, but they're forced to sell
her car for obvious reasons. At this very moment, they're
in conference with a local businessman trying to close the deal.
Now look, mister, disguise a terrific by. It's in great shape. Bye,
we're we're big hips and Holly, we will send you
a present. You believe we'll be big.
Speaker 4 (17:04):
Hips in Hollywood, don't you?
Speaker 6 (17:05):
Uh?
Speaker 2 (17:15):
Ug?
Speaker 6 (17:16):
Why don't you think we'll be big hits too?
Speaker 2 (17:18):
Ug?
Speaker 4 (17:25):
I guess the biggest last for the show with what we.
Speaker 1 (17:31):
Couldn't?
Speaker 6 (17:34):
Are you the smiling irishman?
Speaker 4 (17:35):
No me nasty novel ho?
Speaker 5 (17:37):
Yeah you.
Speaker 4 (17:39):
God kunz you don't like our car?
Speaker 2 (17:43):
Huh?
Speaker 4 (17:44):
That makes big smoke come from motor. This is a
Stanley steamer chief. Yeah, big of all the smoke Sigmas.
Speaker 3 (17:50):
You're able to send with a car.
Speaker 5 (17:51):
You don't go wrong.
Speaker 4 (17:57):
Jee's the value of this nice eat. Big face means
big heat.
Speaker 3 (18:03):
We're just self conscious, horry, I say, sell him.
Speaker 4 (18:12):
I'm getting tired of holding up this.
Speaker 5 (18:14):
Rear axle.
Speaker 2 (18:18):
Race.
Speaker 4 (18:18):
This is a coffee You wrestling hard?
Speaker 2 (18:22):
You like that?
Speaker 4 (18:23):
You take Paul? Wait here? I bring wampum from teepee.
Speaker 3 (18:27):
Good thing I told him.
Speaker 4 (18:28):
I was back thought for the Cleveland Indians. Can I
like to throw the axle?
Speaker 6 (18:34):
Now?
Speaker 2 (18:35):
Wait here he comes.
Speaker 4 (18:36):
Oh look at the bundle he got her in his arm.
We ought to be a lot of green backs from
that package.
Speaker 2 (18:40):
Barn.
Speaker 4 (18:40):
Yes, you take wampum.
Speaker 2 (18:42):
Me take car for all ride.
Speaker 4 (18:44):
Thanks Jeeves, happy landing.
Speaker 9 (18:48):
Come on, I w up, bundle up and it must
be a load of good go for hottle boy. There's
gotta be plenty of loading here.
Speaker 4 (18:54):
Hey, we've been scout. This doesn't go with three Indian blankets?
Speaker 3 (19:02):
Ah, What will happen to our young hopefuls with no
money in three Indian blankets? Will we get a job
standing in front of a cigar store. No will the
pickle finger of fake keep them from reaching Howard, their
dream city?
Speaker 4 (19:13):
What will they do but go.
Speaker 9 (19:15):
Ahead and tell them we're practically running into Henry Morgan's program.
Speaker 4 (19:18):
Now where the finish of this sketch has got to
be a shave of found if we don't hurry now, well, anyhow,
folks are two heroes?
Speaker 3 (19:26):
Are heroin? Put it in their Indian blankets? Or one
bus ticket to Hollywood? But what's good is one bus
ticket for three people? Let us tune in and find out.
Speaker 4 (19:36):
Yes, lady, this isn't the bus holly one, Thank you driver.
Speaker 10 (19:39):
Come along, boys, take my hand.
Speaker 4 (19:41):
Wait a minute, are your two uncles going along through?
Speaker 2 (19:44):
Oh?
Speaker 4 (19:45):
These are my two young sons.
Speaker 5 (19:47):
Bring me and Bobby's big.
Speaker 3 (19:50):
To the raids?
Speaker 4 (19:52):
How old are you bringing?
Speaker 2 (19:53):
A third and eight years old?
Speaker 7 (19:55):
Going on seven?
Speaker 3 (19:59):
And to you?
Speaker 2 (20:00):
Bobby dog dog.
Speaker 4 (20:02):
Goo goo chee chee bar.
Speaker 3 (20:11):
Little Bobby.
Speaker 4 (20:12):
He doesn't talk very well, doesn't he's chewing tobacco? Well,
all right, lady, you can take him on the bus,
but don't have to sit on your lafe. I'll take you,
all right, all right, Hold tight, everybody, well off?
Speaker 1 (20:30):
Toll I was.
Speaker 5 (20:41):
All right, a.
Speaker 4 (20:46):
Boy. Come on, Mama, Come on, ma, shake away.
Speaker 5 (20:49):
I won't be able to move from men.
Speaker 4 (20:51):
Come on, that's where we are Ura Mount Dodos.
Speaker 10 (20:56):
Oh, we could never make good a time.
Speaker 4 (20:58):
We don't know anybody on the inside. We don't have
to with what you got on the outside.
Speaker 2 (21:02):
Come on, quite the way it happened.
Speaker 4 (21:18):
We had a lot of fun working together. Remember the
Road to the end of Remember the Road of Singapore.
Speaker 2 (21:22):
Remember the Road to Morocco.
Speaker 1 (21:26):
Remember the Road to Morocco.
Speaker 2 (21:33):
Ms happen.
Speaker 8 (21:38):
Bo be written lots of books, all of them six see,
and now that he has learned to write.
Speaker 4 (21:46):
He's gonna learn to read.
Speaker 1 (21:48):
Incredible, Mamember the Road to Morocco.
Speaker 4 (21:55):
I don't care to go back again.
Speaker 1 (22:00):
The villains followed. Dorothy Ki became a pest.
Speaker 3 (22:06):
So now she's doing pictures where she's practically dressed.
Speaker 4 (22:12):
Remember a big kissing scene. I'm glad there was a
crowd that day. On safety.
Speaker 10 (22:27):
Remember the road to rock.
Speaker 1 (22:33):
It's water that's over the day.
Speaker 2 (22:39):
And since then, a bouncing baby boy was born to duck.
Speaker 4 (22:44):
They're trying to figure whether it's a capital gain or not.
Speaker 7 (22:53):
To rock a wheeze your god in a jam.
Speaker 2 (23:02):
But I told Tomolo's funny jokes.
Speaker 4 (23:05):
The natives seem to like.
Speaker 2 (23:07):
That's why the chickens union the hands down on his side.
Speaker 8 (23:15):
Get him all.
Speaker 2 (23:19):
I guess we should forget.
Speaker 5 (23:21):
About the road, and Turner.
Speaker 4 (23:39):
Ends Oliver vignette.
Speaker 1 (23:41):
Here is j pilker Man.
Speaker 3 (23:44):
It's a nice drama. Inspires one of your listeners to
take the road in the Hollywood yourself. Don't forget the Nowadays,
Proco's new portable radio is standard equipment for traveling anywhere.
While we're looking back along the road, don't you remind
you the Pilkol Pernier, the modern portable radio the plays
on its own batteries, along with such other fill Goal
firsts as the original of all table model radios, the
(24:06):
famous fill coal baby grams, the first practical automobile radio,
the modernized radio photograph with no needles to change. These
and many other electronic achievements have named Pillco today the
world's largest radio manufacturer, the understanded leader of the radio
industry since nineteen thirty because the greatest achievements in radio tone,
performance and value have come from the film Co laboratories. First,
(24:31):
Always thinking ahead, FILLC gives you tomorrow in your radio
set today. So when you look for your new radio
or radio photograph, now look at the leader. First look
at the film call famous for quality.
Speaker 1 (24:43):
The world over.
Speaker 4 (24:50):
Is a frame. How'sma fan? I've thinking for these guys.
Speaker 7 (24:54):
You keep coming back like.
Speaker 2 (24:58):
The b and run away from you.
Speaker 10 (25:03):
Then I've tried so hard, but I think you'll always
follow me here and fa. Just when I think that
I'm suck, just when I've learned to forget, I closed
(25:23):
my eyes during.
Speaker 1 (25:25):
The you are you see? Coming back like a song?
A why what you'd say? Remember?
Speaker 2 (25:55):
But three.
Speaker 7 (25:57):
To me?
Speaker 1 (26:00):
M that was one to me, it's coming down like
an old melody.
Speaker 2 (26:18):
The walking of all in recur.
Speaker 8 (26:30):
From Ender Camber, roll of the Power where I've forgotten
thing belong.
Speaker 2 (26:50):
Ki come?
Speaker 1 (26:58):
Why oh.
Speaker 2 (27:13):
Youty? Comeing? Uh?
Speaker 1 (27:22):
Because all.
Speaker 9 (27:30):
Before shoving off for the Cassa crove. And I'd like
to thank Bob and got it for dropping in tonight.
Speaker 2 (27:36):
Oh.
Speaker 4 (27:36):
I was most happy too, game. It was really a
thrill being here.
Speaker 3 (27:39):
If you got paid, no wonder your trills.
Speaker 4 (27:43):
These please Bob.
Speaker 1 (27:44):
Let's stay in the land of make believe.
Speaker 2 (27:46):
Let's not bring up any.
Speaker 9 (27:47):
Jolly business details any ol, folks. Next week, Peggy leave
returns to our little flock. And also there's your special guess.
We will have the just willing. Oh, I must tune
in its cently.
Speaker 4 (27:57):
I'm must get home now, especially.
Speaker 2 (27:59):
I can't for touching it.
Speaker 3 (28:00):
Then I must get home and sleep in my Folco console.
Speaker 4 (28:05):
He would turn out tomorrow morning, Robara, shutting the picture.
Speaker 7 (28:08):
You are, we are.
Speaker 3 (28:09):
We'll finished with his favorite vernet ye, but'll try to
be on time.
Speaker 4 (28:11):
Would you road the real here at the crack of down,
bring a line call over here, good.
Speaker 10 (28:17):
Night, through.
Speaker 4 (28:30):
Time I Am was produced in Turns Grimed in Hollywood
by Bill.
Speaker 3 (28:33):
Mall and Murdo Mackenzie. Turning the Polkol radio time next
week when Peggy Lee returns and Bing's guests will be
Beatrice Lillie. And remember only Pilcoll makes the twelve oh one.
It's the new convention in radio from pill Caol.
Speaker 4 (28:47):
The leader
Speaker 5 (29:11):
Had to meaning living mo
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