July 20, 2025 • 28 mins
Please enjoy Les Paul Trio a great episode of the legendary Bing Crosby Radio Show - a Old Time Radio OTR classic originally brought to you by General Electric.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Well, the blue of the night meets the goal of
the day. Someone wait for me.
Speaker 2 (00:31):
That's with Ken Coppenter welcoming you to phone call. Radio Time,
produced and transcribed in Hollywood with John Scott Trotter, his
orchestra and chorus, the Charioteers Lena ro my Skis Henderson
and starring Vin Crosby.
Speaker 3 (00:53):
Sounds like a stylish vance could get me into the
sun in the morning.
Speaker 4 (00:56):
John, I've got no mansion, I got no yap till
I'm happy it was what I've got.
Speaker 3 (01:04):
I got the sound in the morning, in the moon
at night.
Speaker 4 (01:12):
I got no future, I got no plan till I
think I'm a lucky man.
Speaker 3 (01:18):
And I got the.
Speaker 5 (01:19):
Sun in the morning and the moon at nice sunshine.
Speaker 6 (01:29):
Give me a lovely day, new line, give me the
milky where.
Speaker 3 (01:40):
I got no check books. I got no banks till
i'd like to express my tank.
Speaker 7 (01:47):
I got the sun in the morning and the moon
at night, and the sun in the morning.
Speaker 3 (01:56):
In the moon in the evening.
Speaker 5 (02:00):
On Shay, got no helen, I got no king, made
(02:28):
no wills.
Speaker 3 (02:29):
But when I clash, I'll.
Speaker 8 (02:31):
Leave the sun in the morning, in the moon and
night in the morning and the moon that night I
move the sun in the morning and in the.
Speaker 3 (02:40):
Moon in the evening, My dear.
Speaker 4 (02:57):
Yes, the sun in the morning and the moon is
night makes a happy right now. A brief dissercation on
current events from the Filco man.
Speaker 2 (03:04):
Halloween comes up tomorrow and getting a party your dancing
well you can't miss with Philco's new kind of radio phonograph,
the sensational film Call twelve oh one. It's the exclusive
new Folco invention, already the largest selling radio phonograph in
the world, combining a fine radio with a revolutionary new
type of record player so completely automatic you could play
(03:27):
it blindfold. All you do is put a record in
the slot, close the door, and it plays.
Speaker 9 (03:32):
It's just that simple and easy. I'll give on.
Speaker 2 (03:35):
You never saw a radio phonograph like the twelve oh
one before. No lead, the lift, just a door, You
pull open those switch to turn on. You never touch
a switch or even see the tone arm. Your record
is centered automatically, either ten or twelve inch. The tone
arm swings into place automatically, and the twelve oh one
shuts itself off automatically. You won't believe it till you
(03:57):
watch it work, So check up on the twelve oh
one more. Only Phil Coal makes it, and your philll
Coal dealer can make delivery. Now ask for the Phil
called twelve all one when you were singing radio from
Phil Cole, the leader famous for quality the world over.
Speaker 4 (04:28):
We come now to another chapter and have breathtaking melodrama,
the Pedals of Skitch Henderson.
Speaker 3 (04:33):
When last we left Skitch, he was bucking fierce headwinds
in a revolving door at the y w c A with.
Speaker 4 (04:38):
Nothing but a leaky life raft and a stringless tennis
racket for the paddles.
Speaker 3 (04:41):
Will he become life dates for Dennison's of the Deep. Will
he reached the Cannibal Island in time to save Penelope
undergas from the chiefs chafing dish. If the ladies will.
Speaker 4 (04:49):
Kind of remove their hats, and if the lattern slides
are ready, we will take you now to the feel
of Skitch. And now I get reading of the Picolino Skitch. Remember, folks,
(06:53):
tune in next week from another episode in the Rugged
Life of This Typical American Boy, which brings us to
something typically South American. Lena Romana will slightly rumble into
this area. We'll have a go at the top tunes
in the Broadway spash yet called minister South America take
it away up here in the land of the hot
(07:16):
dog stands at the mama end of the human man
within South American neighboring brand, and we love him to
beat the bar.
Speaker 10 (07:27):
Does America babaya.
Speaker 11 (07:32):
One fable?
Speaker 8 (07:33):
You can do?
Speaker 3 (07:33):
Are you can do? You be chief lame?
Speaker 8 (07:41):
Don't know what you be doing.
Speaker 10 (07:44):
Plainly, I'm tired of shaking to that same American plan.
Speaker 3 (07:52):
Take back your samber eye, your rumber eye, your tounger.
Oh yeah, joy, I can't moving my chest is any longer?
Speaker 11 (08:03):
I yea yea.
Speaker 3 (08:05):
Now maybe latins I in their middle dye are both stronger.
Speaker 12 (08:09):
I y yes.
Speaker 4 (08:11):
But all this taking to the quaking and making with
the shaken, leave me aching.
Speaker 8 (08:17):
To shake around and settle there.
Speaker 10 (08:20):
Then you shake around and settle here.
Speaker 8 (08:23):
Then you shake around and settle.
Speaker 4 (08:26):
That's enough, that's enough.
Speaker 3 (08:28):
Take it back, nice spines out of wat. There's a
strange tick cracking the back of my sack. Roll over
the eye.
Speaker 10 (08:36):
Say thank you, conger, I your summer ms yu jug.
Why can't you stand a sigh?
Speaker 9 (08:44):
Let's train you rally, shiny.
Speaker 3 (08:49):
I got more bumps now, I than on I cu cucumber,
I y.
Speaker 10 (08:54):
Yes, all the latins under popping, stumping, jack and popping
without stopping.
Speaker 3 (09:00):
How America.
Speaker 13 (09:04):
He'd shape around where and then you shake around and
saddle here, oh man, and then you shake around and
settle there.
Speaker 10 (09:16):
Ring last en, l's en take it back.
Speaker 8 (09:19):
My spins out of whack.
Speaker 10 (09:21):
There's a strangely clack in the back of my sack. Roia,
Oh my.
Speaker 3 (09:26):
Apen back, take bamber the old anxiety, your.
Speaker 13 (09:38):
Hiester backing, I am speaking, I camember, I yea.
Speaker 10 (09:52):
Second needs the kitchen were all my transmission on the nation.
Speaker 4 (09:58):
Oh, I like neighbors, the relations, all these praising new
givations by my pacing holt away.
Speaker 3 (10:24):
Well, Lena, let's cut back to a cooler climate.
Speaker 9 (10:26):
Him okay with me.
Speaker 3 (10:27):
Here in the States, it's Indian.
Speaker 4 (10:29):
Summer with the smell of burning leaves fills the air.
The frost is on the punkin and the rhyme is
on the vine. Golly, mister Crosby, I could listen to
you talk all night.
Speaker 12 (10:38):
All right.
Speaker 3 (10:38):
It's Indian summer's hits. The frost is on the punkin
and the rhyme your your voice is a flute, and
I am look Obra, we'll go back to the adventure.
I'll drop among the.
Speaker 4 (10:48):
As I was saying, Lena, it's Halloween times, the time
for leprechauns, Banshees, pixies and hobgoblins.
Speaker 3 (10:54):
To hold their annual pow wow.
Speaker 10 (10:56):
Yes, and the old Witch rides to the sky and
her brew her.
Speaker 4 (10:59):
Not this year, Lena, This year she speaks across the
Milky Way with her knobby knees buckled into Bob Hopes tooth.
Speaker 9 (11:04):
First, there's you go.
Speaker 10 (11:08):
But how would the Witch get to know Bob Hope?
Speaker 3 (11:10):
She accepted a blind date with him?
Speaker 10 (11:11):
The poor sol sounds very romantic, seeing how that your
kids have great plans for Halloween.
Speaker 3 (11:17):
It has, but I nipped them in the blueprint stage.
Speaker 10 (11:21):
Oh why don't you let him go out and have
a little.
Speaker 3 (11:22):
Fun bun on Halloween?
Speaker 4 (11:24):
That demolitions gang of mine makes a flock of termites
look like a busy little builders.
Speaker 3 (11:28):
This year, they're going to settle for a jack o lantern.
Speaker 9 (11:30):
That's all.
Speaker 10 (11:31):
Have you got a pumpkin yet?
Speaker 3 (11:33):
No, We're just going to stick a candle in brother
Everett's mouth.
Speaker 4 (11:35):
He lights up very easily, but I must say that
Halloween has done much to advance the American way of life.
A joyous season and a welcome date on our calendar.
It has helped immeasurably to move plumbing indoors.
Speaker 3 (11:50):
See a nice little spot.
Speaker 4 (11:51):
Here to introduce Spike Jones in his orchestra. But it
so happens that our honored group tonight is the less
Paul Trio.
Speaker 3 (11:56):
Less im closely for Lesser's fine guitar. As they do,
I'll high the moon let s.
Speaker 4 (12:33):
To do.
Speaker 3 (13:00):
To make past and.
Speaker 13 (13:50):
Mac dis.
Speaker 3 (14:11):
And groups that was very captivating. Now the flute in
the cobra combine their talents in a song called You
had your Beautiful Concobra a mighty cover.
Speaker 6 (14:39):
You are too beautiful, my dear. I'm a fool for beauty.
Ooh bious feeling that because I had found.
Speaker 3 (14:58):
You, I could have bound you two.
Speaker 14 (15:07):
You are too beautiful for one man alone, for one
lucky fool to be with.
Speaker 3 (15:21):
When there are other men with eyes of their.
Speaker 14 (15:25):
Low to see.
Speaker 3 (15:35):
Love does not sensuaring, not one ca have you been
comparing my every care.
Speaker 9 (16:03):
If?
Speaker 1 (16:04):
Onny other hand.
Speaker 3 (16:07):
I'm papful to.
Speaker 9 (16:11):
After a time. But kid, you want to do a whole.
Speaker 3 (16:21):
And I am a fool for you if, on the
(17:01):
other hand, I am faithful to.
Speaker 9 (17:07):
Not through a sent of do.
Speaker 3 (17:15):
You are too beautiful?
Speaker 9 (17:18):
I am a fool for are you.
Speaker 3 (17:42):
Carry your tears in their best meet you? Now bring
us by and by when the morning comes.
Speaker 8 (17:48):
Halloy, bye bye, the income the same god, how you
tell the story, how you overcome?
Speaker 3 (18:00):
Understand it better?
Speaker 9 (18:01):
By hello?
Speaker 11 (18:03):
By by in the morning, we will tell you how
we'll overcome, and we'll understand it better by f Now.
Speaker 3 (18:16):
Some chasus hidden snares are going to take us from away, and.
Speaker 8 (18:20):
Were time made to lead at from.
Speaker 3 (18:22):
This way toity, and was under private test, and we'll
try to do our best. But will I understand it better?
Speaker 8 (18:28):
By and by hell you'll by by.
Speaker 9 (18:38):
Sorry, we'll overcome and.
Speaker 3 (18:40):
We'll understand it better. Very nice chariots as always talk
with talk.
Speaker 12 (18:53):
Where the tard of the highway Route sixty six give
me the flag, John, you should.
Speaker 9 (19:04):
Ever mold her west, travel my way.
Speaker 3 (19:10):
Take the highway that's the best. Get your kicks en
Route sixty six. It wines from Chicago.
Speaker 9 (19:23):
To la.
Speaker 3 (19:27):
More than two thousand miles all the way. Acquire your
kiss en Route sixty six.
Speaker 8 (19:39):
Now you go to say and a good is my radio?
Speaker 11 (19:50):
Yeah?
Speaker 4 (19:50):
I next Pico Flacks of Arizona, and I don't forget
Monona Kingan Bosso Saan Bernandina.
Speaker 3 (19:58):
Won't you get it to this time? Its tip when
you may. That's kind of on your trip. Accumulate your
kids en route sixty six.
Speaker 4 (20:21):
If you as a plan, tomor West room So it's
a travel highway.
Speaker 12 (20:29):
Takes the highway. That's the best.
Speaker 3 (20:33):
Get your keys, Rude takes day tax tax tax. It's
wine from Chicago to.
Speaker 8 (20:43):
La Caliban nine or two thousand miles all the way.
Speaker 3 (20:52):
Get your keys, Rude text day deck.
Speaker 7 (20:59):
Now go through sy Loubi Joplin, Zuri Oklahoma Series Mine
Pretty Icy am Rillo Yalla New Mexico. I don't forget Wanonata.
Speaker 6 (21:20):
Get to this time?
Speaker 12 (21:22):
He take where's your breath?
Speaker 3 (21:25):
When you.
Speaker 6 (21:27):
Call?
Speaker 3 (21:28):
On your trip sixty make you way We get pregajok
Room sixty. The New York Talamount Theater is the first
(21:53):
to get over in Berlin's new musical Blue Skies.
Speaker 4 (21:55):
It's a technicolor job and aiding Mister Astair and friend
are Joan Carfield and a clever fello named Tomote if
the picture goes over into the yark, they tell me,
depend on, people are going to show it all over
the country and most of Texas. This seems an opportune
time for me to do the title tune Blue Sky.
And while I take a deep breath, let's listen to
the film coal man.
Speaker 2 (22:13):
How long since you had a chance to buy a
fine new radio phonograph with an automatic record changer. Well,
all I got news for you. Your film code dealer
can make delivery now on a great new film code
table model automatic.
Speaker 3 (22:25):
That has everything but everything.
Speaker 2 (22:28):
A brand new record changer. The change is ten to
twelve inch or twelve ten inch records, fetterweight tonearm with
permanent type needle, good for thousands of plays. A powerful
new speaker that gives you clear, rich tone, cabinet of
dynamic new styling.
Speaker 3 (22:43):
In fact, its design is new, and it's new all.
Speaker 9 (22:47):
The way through.
Speaker 2 (22:48):
That new record changer, for instance, is a honey quiet,
quick acting, mighty easy on your records, with special news
safety features that protect both records and changer. And here's
a brand new feature in tuning convenience. The radio dial
and tuning controls are on the outside of the cabinet
easy to reach. No live the list when you want
to tune the radio or adjust the tone and volume.
(23:11):
So check your filmal dealer now for Philco's brilliant new
radio phonographs with automatic record changer. It's already the hit
of the radio industry and built with the quality that
has made Folco famous.
Speaker 9 (23:23):
The world over. Blue Star.
Speaker 3 (23:52):
Shining, let me nothing but Blooster?
Speaker 9 (24:04):
Do I see.
Speaker 3 (24:11):
Blue bird?
Speaker 8 (24:15):
From a song.
Speaker 3 (24:21):
Nothing but Blue?
Speaker 9 (24:26):
All lone?
Speaker 3 (24:33):
I never saw the song shine anything surprise.
Speaker 14 (24:40):
Never saw thing goving for noticing the day.
Speaker 4 (24:49):
Hurrying by.
Speaker 3 (24:52):
When you're in law, My hardy fly.
Speaker 8 (24:58):
Blue day, all of them, the.
Speaker 1 (25:08):
Love of them do.
Speaker 3 (25:15):
From now.
Speaker 9 (26:06):
I never saw the sun shine and sob never saw thing.
Speaker 3 (26:15):
Going sor noticing to day.
Speaker 5 (26:22):
Hurrying by.
Speaker 3 (26:25):
When you're in love, My how they fly?
Speaker 1 (26:31):
You name.
Speaker 3 (26:36):
All of them by.
Speaker 9 (26:42):
Nothing but blue, not but blue?
Speaker 3 (27:14):
That knocks it for the night. Friends, Next week more
the same, only very different. You know the talk already at.
Speaker 9 (27:26):
Time next week Here Bill Crosby, John Stop Commery, Ufstony.
Speaker 2 (27:29):
Chorus, The Chariot Pears, Lino I and Skitch Henderson. This
program is produced and transcribed in Hollywood by Bill Morrow
and myrto McKenzie. Lio my appears by arrangement with Metro
Goldwyn Mayor, producers of No Leave, No Love starring Van Johnson.
Speaker 3 (28:13):
One
Well, the blue of the night meets the goal of
the day. Someone wait for me.
Speaker 2 (00:31):
That's with Ken Coppenter welcoming you to phone call. Radio Time,
produced and transcribed in Hollywood with John Scott Trotter, his
orchestra and chorus, the Charioteers Lena ro my Skis Henderson
and starring Vin Crosby.
Speaker 3 (00:53):
Sounds like a stylish vance could get me into the
sun in the morning.
Speaker 4 (00:56):
John, I've got no mansion, I got no yap till
I'm happy it was what I've got.
Speaker 3 (01:04):
I got the sound in the morning, in the moon
at night.
Speaker 4 (01:12):
I got no future, I got no plan till I
think I'm a lucky man.
Speaker 3 (01:18):
And I got the.
Speaker 5 (01:19):
Sun in the morning and the moon at nice sunshine.
Speaker 6 (01:29):
Give me a lovely day, new line, give me the
milky where.
Speaker 3 (01:40):
I got no check books. I got no banks till
i'd like to express my tank.
Speaker 7 (01:47):
I got the sun in the morning and the moon
at night, and the sun in the morning.
Speaker 3 (01:56):
In the moon in the evening.
Speaker 5 (02:00):
On Shay, got no helen, I got no king, made
(02:28):
no wills.
Speaker 3 (02:29):
But when I clash, I'll.
Speaker 8 (02:31):
Leave the sun in the morning, in the moon and
night in the morning and the moon that night I
move the sun in the morning and in the.
Speaker 3 (02:40):
Moon in the evening, My dear.
Speaker 4 (02:57):
Yes, the sun in the morning and the moon is
night makes a happy right now. A brief dissercation on
current events from the Filco man.
Speaker 2 (03:04):
Halloween comes up tomorrow and getting a party your dancing
well you can't miss with Philco's new kind of radio phonograph,
the sensational film Call twelve oh one. It's the exclusive
new Folco invention, already the largest selling radio phonograph in
the world, combining a fine radio with a revolutionary new
type of record player so completely automatic you could play
(03:27):
it blindfold. All you do is put a record in
the slot, close the door, and it plays.
Speaker 9 (03:32):
It's just that simple and easy. I'll give on.
Speaker 2 (03:35):
You never saw a radio phonograph like the twelve oh
one before. No lead, the lift, just a door, You
pull open those switch to turn on. You never touch
a switch or even see the tone arm. Your record
is centered automatically, either ten or twelve inch. The tone
arm swings into place automatically, and the twelve oh one
shuts itself off automatically. You won't believe it till you
(03:57):
watch it work, So check up on the twelve oh
one more. Only Phil Coal makes it, and your philll
Coal dealer can make delivery. Now ask for the Phil
called twelve all one when you were singing radio from
Phil Cole, the leader famous for quality the world over.
Speaker 4 (04:28):
We come now to another chapter and have breathtaking melodrama,
the Pedals of Skitch Henderson.
Speaker 3 (04:33):
When last we left Skitch, he was bucking fierce headwinds
in a revolving door at the y w c A with.
Speaker 4 (04:38):
Nothing but a leaky life raft and a stringless tennis
racket for the paddles.
Speaker 3 (04:41):
Will he become life dates for Dennison's of the Deep. Will
he reached the Cannibal Island in time to save Penelope
undergas from the chiefs chafing dish. If the ladies will.
Speaker 4 (04:49):
Kind of remove their hats, and if the lattern slides
are ready, we will take you now to the feel
of Skitch. And now I get reading of the Picolino Skitch. Remember, folks,
(06:53):
tune in next week from another episode in the Rugged
Life of This Typical American Boy, which brings us to
something typically South American. Lena Romana will slightly rumble into
this area. We'll have a go at the top tunes
in the Broadway spash yet called minister South America take
it away up here in the land of the hot
(07:16):
dog stands at the mama end of the human man
within South American neighboring brand, and we love him to
beat the bar.
Speaker 10 (07:27):
Does America babaya.
Speaker 11 (07:32):
One fable?
Speaker 8 (07:33):
You can do?
Speaker 3 (07:33):
Are you can do? You be chief lame?
Speaker 8 (07:41):
Don't know what you be doing.
Speaker 10 (07:44):
Plainly, I'm tired of shaking to that same American plan.
Speaker 3 (07:52):
Take back your samber eye, your rumber eye, your tounger.
Oh yeah, joy, I can't moving my chest is any longer?
Speaker 11 (08:03):
I yea yea.
Speaker 3 (08:05):
Now maybe latins I in their middle dye are both stronger.
Speaker 12 (08:09):
I y yes.
Speaker 4 (08:11):
But all this taking to the quaking and making with
the shaken, leave me aching.
Speaker 8 (08:17):
To shake around and settle there.
Speaker 10 (08:20):
Then you shake around and settle here.
Speaker 8 (08:23):
Then you shake around and settle.
Speaker 4 (08:26):
That's enough, that's enough.
Speaker 3 (08:28):
Take it back, nice spines out of wat. There's a
strange tick cracking the back of my sack. Roll over
the eye.
Speaker 10 (08:36):
Say thank you, conger, I your summer ms yu jug.
Why can't you stand a sigh?
Speaker 9 (08:44):
Let's train you rally, shiny.
Speaker 3 (08:49):
I got more bumps now, I than on I cu cucumber,
I y.
Speaker 10 (08:54):
Yes, all the latins under popping, stumping, jack and popping
without stopping.
Speaker 3 (09:00):
How America.
Speaker 13 (09:04):
He'd shape around where and then you shake around and
saddle here, oh man, and then you shake around and
settle there.
Speaker 10 (09:16):
Ring last en, l's en take it back.
Speaker 8 (09:19):
My spins out of whack.
Speaker 10 (09:21):
There's a strangely clack in the back of my sack. Roia,
Oh my.
Speaker 3 (09:26):
Apen back, take bamber the old anxiety, your.
Speaker 13 (09:38):
Hiester backing, I am speaking, I camember, I yea.
Speaker 10 (09:52):
Second needs the kitchen were all my transmission on the nation.
Speaker 4 (09:58):
Oh, I like neighbors, the relations, all these praising new
givations by my pacing holt away.
Speaker 3 (10:24):
Well, Lena, let's cut back to a cooler climate.
Speaker 9 (10:26):
Him okay with me.
Speaker 3 (10:27):
Here in the States, it's Indian.
Speaker 4 (10:29):
Summer with the smell of burning leaves fills the air.
The frost is on the punkin and the rhyme is
on the vine. Golly, mister Crosby, I could listen to
you talk all night.
Speaker 12 (10:38):
All right.
Speaker 3 (10:38):
It's Indian summer's hits. The frost is on the punkin
and the rhyme your your voice is a flute, and
I am look Obra, we'll go back to the adventure.
I'll drop among the.
Speaker 4 (10:48):
As I was saying, Lena, it's Halloween times, the time
for leprechauns, Banshees, pixies and hobgoblins.
Speaker 3 (10:54):
To hold their annual pow wow.
Speaker 10 (10:56):
Yes, and the old Witch rides to the sky and
her brew her.
Speaker 4 (10:59):
Not this year, Lena, This year she speaks across the
Milky Way with her knobby knees buckled into Bob Hopes tooth.
Speaker 9 (11:04):
First, there's you go.
Speaker 10 (11:08):
But how would the Witch get to know Bob Hope?
Speaker 3 (11:10):
She accepted a blind date with him?
Speaker 10 (11:11):
The poor sol sounds very romantic, seeing how that your
kids have great plans for Halloween.
Speaker 3 (11:17):
It has, but I nipped them in the blueprint stage.
Speaker 10 (11:21):
Oh why don't you let him go out and have
a little.
Speaker 3 (11:22):
Fun bun on Halloween?
Speaker 4 (11:24):
That demolitions gang of mine makes a flock of termites
look like a busy little builders.
Speaker 3 (11:28):
This year, they're going to settle for a jack o lantern.
Speaker 9 (11:30):
That's all.
Speaker 10 (11:31):
Have you got a pumpkin yet?
Speaker 3 (11:33):
No, We're just going to stick a candle in brother
Everett's mouth.
Speaker 4 (11:35):
He lights up very easily, but I must say that
Halloween has done much to advance the American way of life.
A joyous season and a welcome date on our calendar.
It has helped immeasurably to move plumbing indoors.
Speaker 3 (11:50):
See a nice little spot.
Speaker 4 (11:51):
Here to introduce Spike Jones in his orchestra. But it
so happens that our honored group tonight is the less
Paul Trio.
Speaker 3 (11:56):
Less im closely for Lesser's fine guitar. As they do,
I'll high the moon let s.
Speaker 4 (12:33):
To do.
Speaker 3 (13:00):
To make past and.
Speaker 13 (13:50):
Mac dis.
Speaker 3 (14:11):
And groups that was very captivating. Now the flute in
the cobra combine their talents in a song called You
had your Beautiful Concobra a mighty cover.
Speaker 6 (14:39):
You are too beautiful, my dear. I'm a fool for beauty.
Ooh bious feeling that because I had found.
Speaker 3 (14:58):
You, I could have bound you two.
Speaker 14 (15:07):
You are too beautiful for one man alone, for one
lucky fool to be with.
Speaker 3 (15:21):
When there are other men with eyes of their.
Speaker 14 (15:25):
Low to see.
Speaker 3 (15:35):
Love does not sensuaring, not one ca have you been
comparing my every care.
Speaker 9 (16:03):
If?
Speaker 1 (16:04):
Onny other hand.
Speaker 3 (16:07):
I'm papful to.
Speaker 9 (16:11):
After a time. But kid, you want to do a whole.
Speaker 3 (16:21):
And I am a fool for you if, on the
(17:01):
other hand, I am faithful to.
Speaker 9 (17:07):
Not through a sent of do.
Speaker 3 (17:15):
You are too beautiful?
Speaker 9 (17:18):
I am a fool for are you.
Speaker 3 (17:42):
Carry your tears in their best meet you? Now bring
us by and by when the morning comes.
Speaker 8 (17:48):
Halloy, bye bye, the income the same god, how you
tell the story, how you overcome?
Speaker 3 (18:00):
Understand it better?
Speaker 9 (18:01):
By hello?
Speaker 11 (18:03):
By by in the morning, we will tell you how
we'll overcome, and we'll understand it better by f Now.
Speaker 3 (18:16):
Some chasus hidden snares are going to take us from away, and.
Speaker 8 (18:20):
Were time made to lead at from.
Speaker 3 (18:22):
This way toity, and was under private test, and we'll
try to do our best. But will I understand it better?
Speaker 8 (18:28):
By and by hell you'll by by.
Speaker 9 (18:38):
Sorry, we'll overcome and.
Speaker 3 (18:40):
We'll understand it better. Very nice chariots as always talk
with talk.
Speaker 12 (18:53):
Where the tard of the highway Route sixty six give
me the flag, John, you should.
Speaker 9 (19:04):
Ever mold her west, travel my way.
Speaker 3 (19:10):
Take the highway that's the best. Get your kicks en
Route sixty six. It wines from Chicago.
Speaker 9 (19:23):
To la.
Speaker 3 (19:27):
More than two thousand miles all the way. Acquire your
kiss en Route sixty six.
Speaker 8 (19:39):
Now you go to say and a good is my radio?
Speaker 11 (19:50):
Yeah?
Speaker 4 (19:50):
I next Pico Flacks of Arizona, and I don't forget
Monona Kingan Bosso Saan Bernandina.
Speaker 3 (19:58):
Won't you get it to this time? Its tip when
you may. That's kind of on your trip. Accumulate your
kids en route sixty six.
Speaker 4 (20:21):
If you as a plan, tomor West room So it's
a travel highway.
Speaker 12 (20:29):
Takes the highway. That's the best.
Speaker 3 (20:33):
Get your keys, Rude takes day tax tax tax. It's
wine from Chicago to.
Speaker 8 (20:43):
La Caliban nine or two thousand miles all the way.
Speaker 3 (20:52):
Get your keys, Rude text day deck.
Speaker 7 (20:59):
Now go through sy Loubi Joplin, Zuri Oklahoma Series Mine
Pretty Icy am Rillo Yalla New Mexico. I don't forget Wanonata.
Speaker 6 (21:20):
Get to this time?
Speaker 12 (21:22):
He take where's your breath?
Speaker 3 (21:25):
When you.
Speaker 6 (21:27):
Call?
Speaker 3 (21:28):
On your trip sixty make you way We get pregajok
Room sixty. The New York Talamount Theater is the first
(21:53):
to get over in Berlin's new musical Blue Skies.
Speaker 4 (21:55):
It's a technicolor job and aiding Mister Astair and friend
are Joan Carfield and a clever fello named Tomote if
the picture goes over into the yark, they tell me,
depend on, people are going to show it all over
the country and most of Texas. This seems an opportune
time for me to do the title tune Blue Sky.
And while I take a deep breath, let's listen to
the film coal man.
Speaker 2 (22:13):
How long since you had a chance to buy a
fine new radio phonograph with an automatic record changer. Well,
all I got news for you. Your film code dealer
can make delivery now on a great new film code
table model automatic.
Speaker 3 (22:25):
That has everything but everything.
Speaker 2 (22:28):
A brand new record changer. The change is ten to
twelve inch or twelve ten inch records, fetterweight tonearm with
permanent type needle, good for thousands of plays. A powerful
new speaker that gives you clear, rich tone, cabinet of
dynamic new styling.
Speaker 3 (22:43):
In fact, its design is new, and it's new all.
Speaker 9 (22:47):
The way through.
Speaker 2 (22:48):
That new record changer, for instance, is a honey quiet,
quick acting, mighty easy on your records, with special news
safety features that protect both records and changer. And here's
a brand new feature in tuning convenience. The radio dial
and tuning controls are on the outside of the cabinet
easy to reach. No live the list when you want
to tune the radio or adjust the tone and volume.
(23:11):
So check your filmal dealer now for Philco's brilliant new
radio phonographs with automatic record changer. It's already the hit
of the radio industry and built with the quality that
has made Folco famous.
Speaker 9 (23:23):
The world over. Blue Star.
Speaker 3 (23:52):
Shining, let me nothing but Blooster?
Speaker 9 (24:04):
Do I see.
Speaker 3 (24:11):
Blue bird?
Speaker 8 (24:15):
From a song.
Speaker 3 (24:21):
Nothing but Blue?
Speaker 9 (24:26):
All lone?
Speaker 3 (24:33):
I never saw the song shine anything surprise.
Speaker 14 (24:40):
Never saw thing goving for noticing the day.
Speaker 4 (24:49):
Hurrying by.
Speaker 3 (24:52):
When you're in law, My hardy fly.
Speaker 8 (24:58):
Blue day, all of them, the.
Speaker 1 (25:08):
Love of them do.
Speaker 3 (25:15):
From now.
Speaker 9 (26:06):
I never saw the sun shine and sob never saw thing.
Speaker 3 (26:15):
Going sor noticing to day.
Speaker 5 (26:22):
Hurrying by.
Speaker 3 (26:25):
When you're in love, My how they fly?
Speaker 1 (26:31):
You name.
Speaker 3 (26:36):
All of them by.
Speaker 9 (26:42):
Nothing but blue, not but blue?
Speaker 3 (27:14):
That knocks it for the night. Friends, Next week more
the same, only very different. You know the talk already at.
Speaker 9 (27:26):
Time next week Here Bill Crosby, John Stop Commery, Ufstony.
Speaker 2 (27:29):
Chorus, The Chariot Pears, Lino I and Skitch Henderson. This
program is produced and transcribed in Hollywood by Bill Morrow
and myrto McKenzie. Lio my appears by arrangement with Metro
Goldwyn Mayor, producers of No Leave, No Love starring Van Johnson.
Speaker 3 (28:13):
One
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