July 14, 2025 • 29 mins
Please enjoy Spike Jones a great episode of the legendary Bing Crosby Radio Show - a Old Time Radio OTR classic originally brought to you by General Electric.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Well the blue Love the NYE.
Speaker 2 (00:08):
Meets the goal of the day.
Speaker 1 (00:14):
Someone waiting for.
Speaker 3 (00:29):
Laus is ken Carpenter welcoming YouTube Son't Call Radio Time,
produced and transcribed in Hollywood with John Scott Trotter his
orchestin Korus the Charioteers leader.
Speaker 2 (00:37):
Amya Skitt Henderson and.
Speaker 1 (00:39):
Oh yes, being crossed bank.
Speaker 4 (00:41):
You can't play past the time to day?
Speaker 2 (00:56):
Do you have to smile? Let me that place? My
heart goes prazy. It goes bumped, steep ump bumps.
Speaker 1 (01:06):
Can't we just shake hands and he lets eat?
Speaker 2 (01:09):
Do you have to give that extra squeeze? My heart
go phrase. It goes bumping, step up.
Speaker 5 (01:17):
Bump up.
Speaker 2 (01:19):
My doctor told me listens got to stud.
Speaker 6 (01:25):
He never heard of beside campany to the house when
the conquer station going fine.
Speaker 2 (01:34):
Must to get your left so close to mine. My
heart goes prazy. It goes bumping, step bump, bump, what lodging.
Speaker 7 (01:47):
You got me?
Speaker 8 (01:48):
You got me?
Speaker 2 (01:49):
Crazy to It goes bump, bump, bump, you.
Speaker 6 (02:06):
Got she can dancey alad.
Speaker 9 (02:08):
Easy, got you?
Speaker 2 (02:16):
It goes bump the bum, bum bump. My doctor told
me this is got to He never heard of beast like.
Speaker 1 (02:28):
Eppy Today when the converse stations goes by, must.
Speaker 2 (02:35):
Live so close to mount it goes bump, stay, bump,
bump bug. My dude, you got me, You got me? Crazy?
Speaker 9 (02:57):
Ah nice, siry, How do you always manage to those
top tune?
Speaker 8 (03:01):
Well?
Speaker 1 (03:01):
Can't I tell you?
Speaker 5 (03:02):
I have a certain new, very sharp radio set at
my home and I bend my ear to it, and
you know, to hear what's going on?
Speaker 1 (03:08):
Songwrise?
Speaker 8 (03:09):
Oh?
Speaker 1 (03:09):
I know that sets?
Speaker 3 (03:10):
You mean you mind if the Filko man lets.
Speaker 1 (03:12):
Everybody in on it?
Speaker 5 (03:13):
Well, if you think this is the place for such
an intimate disclosure, go right, ahad man.
Speaker 3 (03:18):
If you like to keep up with what's tops in tunes,
you can't get along without a Fillco twelve oh one
amazing new fil Co invention that makes it more fun
to play records and though oil them a lot easier too.
You never saw a radio photograph like the twelve oh
one before. It's new, unique, original, so completely automatic. You
(03:39):
could play it blindfold, no lid to lift, just the
door you pull open. Then all you do is put
a record in the slot, close the door, and it plays.
No switch to turn on, no needle to set, no tone,
arm to touch. In fact, you never even see the tone.
Speaker 9 (03:55):
Arm, all of which makes Pilco's twelve oh.
Speaker 3 (03:58):
One the ideal radio phonograph for spinning your favorite records
and obviously unnatural for parties and dancing. You can change
the record almost without skipping a step, and if you
want to play the same record over, you just open
the door and shut it again while you're dancing by.
Speaker 2 (04:15):
So no matter how many.
Speaker 3 (04:16):
Radios or phonographs you own, you've got a place for Philco's.
Speaker 2 (04:20):
New twelve oh one.
Speaker 3 (04:22):
Only Philco makes it, and your film coal dealer can
make delivery. Now It's the newest thing in radio from
phil Call the leader famous for quality the world over.
Speaker 5 (04:49):
It has been my happy function on many occasions to
introduced to you radio audience top franking artists in the
field of time music. If you detect the chamber of
undue excitements, I make this announcement directly attributable to my.
Speaker 1 (05:01):
High regard for our forthcoming guests.
Speaker 2 (05:04):
Nay more than high.
Speaker 10 (05:05):
Regard it as a deep rooted feeling of respect.
Speaker 1 (05:08):
Name more than respect.
Speaker 5 (05:10):
Oh oh what Mike Jones and he steady slickers with
Hawaiian boards.
Speaker 8 (05:26):
As the sun moves away from the shore, and our
boat sink slowly in the west we approached the island
(05:49):
of Lulu.
Speaker 9 (05:52):
What spelled backwards is.
Speaker 2 (05:58):
In the distance.
Speaker 3 (05:59):
We hear by John that his waggy waggery is.
Speaker 11 (06:03):
Ugly doublan a way how he wanted tublat.
Speaker 1 (06:31):
When they liked to go their way?
Speaker 2 (06:34):
Hadn't your bla like a.
Speaker 10 (06:37):
White on their way?
Speaker 1 (06:42):
Blas away away?
Speaker 5 (06:47):
I run it, oh, fike, that was truly enchanting.
Speaker 10 (07:35):
It's owne palm of pure siland magic.
Speaker 5 (07:38):
Let's may get me off pineapple juice for ever. Switching
to mission Orangeery. Glad you liked the thing we aimed at. Please,
I'm happy you weren't aiming at me, say Spike.
Speaker 2 (07:48):
Time to time.
Speaker 10 (07:49):
You know sundry passers by have asked me for a
definitive analysis of your music. Well, perhaps I can define it.
Speaker 5 (07:55):
Say you've heard of Meredith Wilson's Chiffon swing.
Speaker 1 (07:58):
I have, Well, I play oil lost jazz.
Speaker 9 (08:02):
They tell me that you left John Scott Potter's band
to form.
Speaker 1 (08:05):
Your own disorganization.
Speaker 2 (08:07):
Is that's true?
Speaker 5 (08:08):
Yes, I was Trotter's drummer, and he always insisted that
I play amongst the other musicians.
Speaker 1 (08:13):
So foolhearty sould you was.
Speaker 10 (08:15):
It was this portamity which led to our party.
Speaker 5 (08:17):
So one night Trotter put three cello players right in
front of my snare drums and they were all bald headed.
Speaker 10 (08:23):
To me, they look like timpery.
Speaker 5 (08:24):
You mean.
Speaker 10 (08:25):
I got pretty hot that night and then this result,
two concussions in our pair shaped wealth. That was your
final performance for John Scott. Right, and may I tell
you something they do?
Speaker 5 (08:36):
I don't like the accompany once you're getting on this program.
Speaker 1 (08:38):
Oh yeah, I was fine. You have a guests.
Speaker 5 (08:40):
Wait a minute, and do I detect a note of
business toward mister trust Oh no, indeed, never in my
most careless moments would I say anything even slightly unkind
about the ponderous podiatrist.
Speaker 1 (08:52):
I wouldn't be either, know, not in there.
Speaker 5 (08:54):
But my heartache when I hear the accompany when he
furnished for such a fine singer as you're a threshboye.
Speaker 10 (08:58):
So oh, such flattery can only lead to a nudget audition.
Speaker 2 (09:04):
You got a tune in mind?
Speaker 10 (09:06):
Yeah, you did a song a long time ago.
Speaker 2 (09:08):
I remember loving bloom.
Speaker 6 (09:10):
Oh, yes, a lovely tune.
Speaker 10 (09:11):
But I thought Jack Benny had settled it flattered in
a flabby flounder.
Speaker 9 (09:16):
Oh we'll show.
Speaker 10 (09:16):
Him, Yes, I guess we will.
Speaker 2 (09:36):
And it be a tree, a fella bree wi wear
and magic perfumes. Long. No it isn't a tree. It's
long and blue, and it did a spring.
Speaker 12 (10:03):
It seems to bring the moon ride into my room. No,
it isn't a spring, loving blue.
Speaker 2 (10:23):
My heart was a desert water given me wal you
planted the sea. And this is the fower, this hour
of fee for is it all a dream, this joy supreme.
Speaker 6 (10:55):
That comes to me in the gloom.
Speaker 2 (11:00):
No, it isn't a dream.
Speaker 1 (11:06):
It's loud and blue. Why why, why?
Speaker 2 (11:56):
Oh no.
Speaker 10 (12:25):
Anybody hurt?
Speaker 5 (12:26):
Thank you Spike Jones, and don't ever leave me, John
Scott Trotter. Now, while we passed out the plasma to
the audience, here's the young instrumentalist who does to a
keyboard what Spike Jones does to a washboard, playing fascinating rhythms.
Is the mighty Skitch Henderson.
Speaker 7 (13:12):
After that was an amazing sketch.
Speaker 1 (14:37):
I think you folks ought to know that mister Henderson.
Speaker 5 (14:39):
Is perhaps the only living swing tearness who had no
time during a number leaves this bench to sing smoke
or sambath, which leads us sort of semi definitely into
the always welcome chore of introducing a very solid scenior
vision of loveliness.
Speaker 10 (14:52):
Lena Romancelena Como Star said, s.
Speaker 6 (15:00):
Why I didn't know you spoke?
Speaker 1 (15:03):
Sani, surely you?
Speaker 10 (15:04):
Yes, I have blessed spaniel like a naked.
Speaker 13 (15:08):
Of what country?
Speaker 1 (15:09):
I'm cooked? Cooked?
Speaker 2 (15:11):
What are you going to sing? Lena, little surplus?
Speaker 5 (15:14):
If you're a surplus, I don't know why I'm fooling
around trying to get a thousand full of beaver board.
Speaker 2 (15:19):
I haven't lean.
Speaker 10 (15:20):
I'm losing my entire mind.
Speaker 13 (15:21):
Here once a lunch room with crowders the whole day
long and lively a long, have a long.
Speaker 2 (15:40):
Full of laughings and.
Speaker 14 (15:42):
Shouting, and five cracks and salt and plenty of wood
in the clothes. And now take along, I just serve
it down. There does apart potato.
Speaker 2 (16:01):
No more dolders. The campus close.
Speaker 14 (16:06):
The government gave it back to the alley gables.
Speaker 2 (16:13):
All the cliff.
Speaker 15 (16:14):
Joints, foot legos and military stars.
Speaker 14 (16:18):
Have folded for good and closed up their doors. The here,
I say, wasting away among.
Speaker 2 (16:29):
The ham and the cereal.
Speaker 14 (16:34):
Look at me and what do you see another piece
of ser plut warm material.
Speaker 16 (16:49):
I'm just like left over k ration excess, wore a commodity,
not share. Nobody cares for little surpleasant.
Speaker 14 (17:09):
I'm just like ammunitions.
Speaker 9 (17:11):
Some fuck.
Speaker 2 (17:14):
Loaded and.
Speaker 5 (17:19):
No one has.
Speaker 14 (17:21):
No one goes boom for little surplus me.
Speaker 15 (17:28):
They My life was super set fighting off be long,
But today.
Speaker 2 (17:40):
There's no one who gets fressed. Never whoo, who are anymore?
Speaker 14 (17:50):
Hangles makes special concessions.
Speaker 2 (17:55):
To every war industry.
Speaker 14 (18:00):
You and the fender gone old.
Speaker 16 (18:02):
Woman you sedre gone soldier's pleasure d gone?
Speaker 13 (18:08):
Oh what are you gonna do with little to trust?
Speaker 16 (18:18):
I used to have a maiden gives me the biggest rud.
Speaker 14 (18:22):
Now he's back at his old job. Knock, knock, knock,
knocket's full of good, That handsome back and captain a
Wolf's man of Foxy gone back to his position.
Speaker 9 (18:34):
Just wait, please, young crowd, the rocks, that.
Speaker 15 (18:38):
Mousy little drivers who never got my ring. I hear
it's back at his job, president of some sort of institution.
Speaker 13 (18:46):
I think he said the stocking sting.
Speaker 16 (18:49):
They make vases, how of shellcases? Gord Jarrold flowshare to be.
Speaker 14 (18:57):
He has a phone sits human please, no one sends
me humans. Please, got to be more human?
Speaker 2 (19:06):
Please?
Speaker 13 (19:08):
What are you gonna do with late desert us way?
Speaker 15 (19:14):
Debard us a little surplusly.
Speaker 2 (19:22):
O.
Speaker 5 (19:22):
I was grand Lena, thanks very much now for misserving
Ballin's Blue Skies. I'd like to do all by myself
with skips, tender things, the piano, not the personal kids story.
Speaker 1 (19:41):
Oh by myself.
Speaker 2 (19:47):
In the mall, All.
Speaker 1 (19:55):
By myself.
Speaker 2 (19:58):
In the Uh, I.
Speaker 1 (20:06):
Said, alone.
Speaker 2 (20:10):
In a cozy Maurice chair. So I'm happy bird playing pilot.
Speaker 1 (20:28):
Oh by myself.
Speaker 2 (20:34):
I get longly.
Speaker 1 (20:41):
Watching the cloud.
Speaker 2 (20:44):
On the show. I'd love.
Speaker 1 (20:52):
To rest my weary head.
Speaker 2 (20:56):
On somebody's show. I hate to grow ah by my fa.
Speaker 1 (22:04):
By myself.
Speaker 2 (22:08):
I get long.
Speaker 1 (22:15):
Just watching bricklo.
Speaker 2 (22:20):
The show.
Speaker 6 (22:24):
Hard love to rest my weary head on Somebody's goes.
Speaker 1 (22:38):
Suplw Oh by.
Speaker 9 (22:46):
My I'm not here from the chariot heres their song
on the boardwalk.
Speaker 10 (22:59):
At Atlantic Cities.
Speaker 5 (23:00):
Technically Productions Three Little Girls in Blue, one hundred percent.
Speaker 2 (23:10):
In Lady, We Walk in a dream.
Speaker 1 (23:16):
Book Walk in lad City, Micheloby Beaches and cream.
Speaker 2 (23:29):
Charming him should into your arm.
Speaker 1 (23:40):
You find yourself someone that you a woman and chantic.
Speaker 6 (23:48):
Lod it did new joy show on the board?
Speaker 2 (23:59):
Can it aladics to be a ladic?
Speaker 3 (24:10):
Teaches?
Speaker 1 (24:11):
Uncle brings the shot, the roll chant ride into your.
Speaker 2 (24:28):
Well.
Speaker 6 (24:30):
You'll find your someone that you wait for a romantic
and chock it happen.
Speaker 1 (24:39):
It's on the sure shot.
Speaker 5 (24:57):
Right, good joys, we saidly enjoyed holding with you along
the boardwalks. How could I suggest to scroll with the
Filco man?
Speaker 3 (25:04):
All are your favorite radio programs sound on a new Filco?
How words can't tell you? But you only have the
difference the minute you dial one because you get a
plus for a Filco. The extra money Philco spends the
extra touches Filco ads to circuit design, power output engineering details.
For instance, if you want a radio phonograph with an
automatic record changer, Tribe beings records on Philco's great new
(25:28):
table model automatic that has everything. A brand new record
changer the changes ten twelve inch or twelve ten inch
records by the waight tone arm with permanent type needle
good for thousands of playings. Powerful speaker that gives you clear.
Speaker 1 (25:42):
Rich tone.
Speaker 3 (25:43):
You find a new record changers, Really honey, It's quiet,
quick acting and mighty easy on your records with special
new safety features that protect both your records and the changer.
And here's a new feature in tuning convenience. The radio
dial and tuning controlled are on the outside of the cabinet.
You don't have to let the phonograph lid to play
the radio or adjust the Varnumin toll. Your sow Co
(26:06):
dealer can make delivery now on SoC's new radio phonograph
with automatic record changer. If design is new, it's new
all the way through and built with the quality that
has made so called famous the world over.
Speaker 6 (26:35):
The boat ride we would take, the moonlight on the lane,
the way we turn and hand our favorite time, the
meeting last summer, remember all alone, the midway and the funds,
(27:04):
the stuby dolls we want.
Speaker 2 (27:07):
The bell I rang to prove I was so so.
Speaker 1 (27:14):
The thing we did last summer.
Speaker 2 (27:20):
I remember.
Speaker 6 (27:22):
All went along, the early morning white, the rented random bite,
the lunches that we toper.
Speaker 2 (27:39):
We never could explain.
Speaker 17 (27:43):
That sudden summer ray, the looks we got when we
got back, the leaves began.
Speaker 6 (27:54):
To pay, flight promises we made, how can belong the
seams for write your own?
Speaker 1 (28:06):
The things we did last commer.
Speaker 2 (28:11):
I'll remember.
Speaker 9 (28:15):
All with.
Speaker 2 (28:20):
A what about not pit phenometer?
Speaker 1 (28:29):
See you next week.
Speaker 3 (28:36):
He then the jokes already your time next week at
the same hour, and here Ben Crosby, John Scott Trutter
is Kiston Cars to carry.
Speaker 9 (28:42):
A pears, Na Ramai and Kick Henderson.
Speaker 2 (28:44):
This program is produced and directed.
Speaker 3 (28:46):
By Bill Marl and Murdo Mackenzie and Frans Guide. In Hollywood,
you Know Omai appears by arrangement with Metro Golden Mayor,
producers
Speaker 2 (28:52):
Of No Leave, No Love, starring Van Johnson,
Well the blue Love the NYE.
Speaker 2 (00:08):
Meets the goal of the day.
Speaker 1 (00:14):
Someone waiting for.
Speaker 3 (00:29):
Laus is ken Carpenter welcoming YouTube Son't Call Radio Time,
produced and transcribed in Hollywood with John Scott Trotter his
orchestin Korus the Charioteers leader.
Speaker 2 (00:37):
Amya Skitt Henderson and.
Speaker 1 (00:39):
Oh yes, being crossed bank.
Speaker 4 (00:41):
You can't play past the time to day?
Speaker 2 (00:56):
Do you have to smile? Let me that place? My
heart goes prazy. It goes bumped, steep ump bumps.
Speaker 1 (01:06):
Can't we just shake hands and he lets eat?
Speaker 2 (01:09):
Do you have to give that extra squeeze? My heart
go phrase. It goes bumping, step up.
Speaker 5 (01:17):
Bump up.
Speaker 2 (01:19):
My doctor told me listens got to stud.
Speaker 6 (01:25):
He never heard of beside campany to the house when
the conquer station going fine.
Speaker 2 (01:34):
Must to get your left so close to mine. My
heart goes prazy. It goes bumping, step bump, bump, what lodging.
Speaker 7 (01:47):
You got me?
Speaker 8 (01:48):
You got me?
Speaker 2 (01:49):
Crazy to It goes bump, bump, bump, you.
Speaker 6 (02:06):
Got she can dancey alad.
Speaker 9 (02:08):
Easy, got you?
Speaker 2 (02:16):
It goes bump the bum, bum bump. My doctor told
me this is got to He never heard of beast like.
Speaker 1 (02:28):
Eppy Today when the converse stations goes by, must.
Speaker 2 (02:35):
Live so close to mount it goes bump, stay, bump,
bump bug. My dude, you got me, You got me? Crazy?
Speaker 9 (02:57):
Ah nice, siry, How do you always manage to those
top tune?
Speaker 8 (03:01):
Well?
Speaker 1 (03:01):
Can't I tell you?
Speaker 5 (03:02):
I have a certain new, very sharp radio set at
my home and I bend my ear to it, and
you know, to hear what's going on?
Speaker 1 (03:08):
Songwrise?
Speaker 8 (03:09):
Oh?
Speaker 1 (03:09):
I know that sets?
Speaker 3 (03:10):
You mean you mind if the Filko man lets.
Speaker 1 (03:12):
Everybody in on it?
Speaker 5 (03:13):
Well, if you think this is the place for such
an intimate disclosure, go right, ahad man.
Speaker 3 (03:18):
If you like to keep up with what's tops in tunes,
you can't get along without a Fillco twelve oh one
amazing new fil Co invention that makes it more fun
to play records and though oil them a lot easier too.
You never saw a radio photograph like the twelve oh
one before. It's new, unique, original, so completely automatic. You
(03:39):
could play it blindfold, no lid to lift, just the
door you pull open. Then all you do is put
a record in the slot, close the door, and it plays.
No switch to turn on, no needle to set, no tone,
arm to touch. In fact, you never even see the tone.
Speaker 9 (03:55):
Arm, all of which makes Pilco's twelve oh.
Speaker 3 (03:58):
One the ideal radio phonograph for spinning your favorite records
and obviously unnatural for parties and dancing. You can change
the record almost without skipping a step, and if you
want to play the same record over, you just open
the door and shut it again while you're dancing by.
Speaker 2 (04:15):
So no matter how many.
Speaker 3 (04:16):
Radios or phonographs you own, you've got a place for Philco's.
Speaker 2 (04:20):
New twelve oh one.
Speaker 3 (04:22):
Only Philco makes it, and your film coal dealer can
make delivery. Now It's the newest thing in radio from
phil Call the leader famous for quality the world over.
Speaker 5 (04:49):
It has been my happy function on many occasions to
introduced to you radio audience top franking artists in the
field of time music. If you detect the chamber of
undue excitements, I make this announcement directly attributable to my.
Speaker 1 (05:01):
High regard for our forthcoming guests.
Speaker 2 (05:04):
Nay more than high.
Speaker 10 (05:05):
Regard it as a deep rooted feeling of respect.
Speaker 1 (05:08):
Name more than respect.
Speaker 5 (05:10):
Oh oh what Mike Jones and he steady slickers with
Hawaiian boards.
Speaker 8 (05:26):
As the sun moves away from the shore, and our
boat sink slowly in the west we approached the island
(05:49):
of Lulu.
Speaker 9 (05:52):
What spelled backwards is.
Speaker 2 (05:58):
In the distance.
Speaker 3 (05:59):
We hear by John that his waggy waggery is.
Speaker 11 (06:03):
Ugly doublan a way how he wanted tublat.
Speaker 1 (06:31):
When they liked to go their way?
Speaker 2 (06:34):
Hadn't your bla like a.
Speaker 10 (06:37):
White on their way?
Speaker 1 (06:42):
Blas away away?
Speaker 5 (06:47):
I run it, oh, fike, that was truly enchanting.
Speaker 10 (07:35):
It's owne palm of pure siland magic.
Speaker 5 (07:38):
Let's may get me off pineapple juice for ever. Switching
to mission Orangeery. Glad you liked the thing we aimed at. Please,
I'm happy you weren't aiming at me, say Spike.
Speaker 2 (07:48):
Time to time.
Speaker 10 (07:49):
You know sundry passers by have asked me for a
definitive analysis of your music. Well, perhaps I can define it.
Speaker 5 (07:55):
Say you've heard of Meredith Wilson's Chiffon swing.
Speaker 1 (07:58):
I have, Well, I play oil lost jazz.
Speaker 9 (08:02):
They tell me that you left John Scott Potter's band
to form.
Speaker 1 (08:05):
Your own disorganization.
Speaker 2 (08:07):
Is that's true?
Speaker 5 (08:08):
Yes, I was Trotter's drummer, and he always insisted that
I play amongst the other musicians.
Speaker 1 (08:13):
So foolhearty sould you was.
Speaker 10 (08:15):
It was this portamity which led to our party.
Speaker 5 (08:17):
So one night Trotter put three cello players right in
front of my snare drums and they were all bald headed.
Speaker 10 (08:23):
To me, they look like timpery.
Speaker 5 (08:24):
You mean.
Speaker 10 (08:25):
I got pretty hot that night and then this result,
two concussions in our pair shaped wealth. That was your
final performance for John Scott. Right, and may I tell
you something they do?
Speaker 5 (08:36):
I don't like the accompany once you're getting on this program.
Speaker 1 (08:38):
Oh yeah, I was fine. You have a guests.
Speaker 5 (08:40):
Wait a minute, and do I detect a note of
business toward mister trust Oh no, indeed, never in my
most careless moments would I say anything even slightly unkind
about the ponderous podiatrist.
Speaker 1 (08:52):
I wouldn't be either, know, not in there.
Speaker 5 (08:54):
But my heartache when I hear the accompany when he
furnished for such a fine singer as you're a threshboye.
Speaker 10 (08:58):
So oh, such flattery can only lead to a nudget audition.
Speaker 2 (09:04):
You got a tune in mind?
Speaker 10 (09:06):
Yeah, you did a song a long time ago.
Speaker 2 (09:08):
I remember loving bloom.
Speaker 6 (09:10):
Oh, yes, a lovely tune.
Speaker 10 (09:11):
But I thought Jack Benny had settled it flattered in
a flabby flounder.
Speaker 9 (09:16):
Oh we'll show.
Speaker 10 (09:16):
Him, Yes, I guess we will.
Speaker 2 (09:36):
And it be a tree, a fella bree wi wear
and magic perfumes. Long. No it isn't a tree. It's
long and blue, and it did a spring.
Speaker 12 (10:03):
It seems to bring the moon ride into my room. No,
it isn't a spring, loving blue.
Speaker 2 (10:23):
My heart was a desert water given me wal you
planted the sea. And this is the fower, this hour
of fee for is it all a dream, this joy supreme.
Speaker 6 (10:55):
That comes to me in the gloom.
Speaker 2 (11:00):
No, it isn't a dream.
Speaker 1 (11:06):
It's loud and blue. Why why, why?
Speaker 2 (11:56):
Oh no.
Speaker 10 (12:25):
Anybody hurt?
Speaker 5 (12:26):
Thank you Spike Jones, and don't ever leave me, John
Scott Trotter. Now, while we passed out the plasma to
the audience, here's the young instrumentalist who does to a
keyboard what Spike Jones does to a washboard, playing fascinating rhythms.
Is the mighty Skitch Henderson.
Speaker 7 (13:12):
After that was an amazing sketch.
Speaker 1 (14:37):
I think you folks ought to know that mister Henderson.
Speaker 5 (14:39):
Is perhaps the only living swing tearness who had no
time during a number leaves this bench to sing smoke
or sambath, which leads us sort of semi definitely into
the always welcome chore of introducing a very solid scenior
vision of loveliness.
Speaker 10 (14:52):
Lena Romancelena Como Star said, s.
Speaker 6 (15:00):
Why I didn't know you spoke?
Speaker 1 (15:03):
Sani, surely you?
Speaker 10 (15:04):
Yes, I have blessed spaniel like a naked.
Speaker 13 (15:08):
Of what country?
Speaker 1 (15:09):
I'm cooked? Cooked?
Speaker 2 (15:11):
What are you going to sing? Lena, little surplus?
Speaker 5 (15:14):
If you're a surplus, I don't know why I'm fooling
around trying to get a thousand full of beaver board.
Speaker 2 (15:19):
I haven't lean.
Speaker 10 (15:20):
I'm losing my entire mind.
Speaker 13 (15:21):
Here once a lunch room with crowders the whole day
long and lively a long, have a long.
Speaker 2 (15:40):
Full of laughings and.
Speaker 14 (15:42):
Shouting, and five cracks and salt and plenty of wood
in the clothes. And now take along, I just serve
it down. There does apart potato.
Speaker 2 (16:01):
No more dolders. The campus close.
Speaker 14 (16:06):
The government gave it back to the alley gables.
Speaker 2 (16:13):
All the cliff.
Speaker 15 (16:14):
Joints, foot legos and military stars.
Speaker 14 (16:18):
Have folded for good and closed up their doors. The here,
I say, wasting away among.
Speaker 2 (16:29):
The ham and the cereal.
Speaker 14 (16:34):
Look at me and what do you see another piece
of ser plut warm material.
Speaker 16 (16:49):
I'm just like left over k ration excess, wore a commodity,
not share. Nobody cares for little surpleasant.
Speaker 14 (17:09):
I'm just like ammunitions.
Speaker 9 (17:11):
Some fuck.
Speaker 2 (17:14):
Loaded and.
Speaker 5 (17:19):
No one has.
Speaker 14 (17:21):
No one goes boom for little surplus me.
Speaker 15 (17:28):
They My life was super set fighting off be long,
But today.
Speaker 2 (17:40):
There's no one who gets fressed. Never whoo, who are anymore?
Speaker 14 (17:50):
Hangles makes special concessions.
Speaker 2 (17:55):
To every war industry.
Speaker 14 (18:00):
You and the fender gone old.
Speaker 16 (18:02):
Woman you sedre gone soldier's pleasure d gone?
Speaker 13 (18:08):
Oh what are you gonna do with little to trust?
Speaker 16 (18:18):
I used to have a maiden gives me the biggest rud.
Speaker 14 (18:22):
Now he's back at his old job. Knock, knock, knock,
knocket's full of good, That handsome back and captain a
Wolf's man of Foxy gone back to his position.
Speaker 9 (18:34):
Just wait, please, young crowd, the rocks, that.
Speaker 15 (18:38):
Mousy little drivers who never got my ring. I hear
it's back at his job, president of some sort of institution.
Speaker 13 (18:46):
I think he said the stocking sting.
Speaker 16 (18:49):
They make vases, how of shellcases? Gord Jarrold flowshare to be.
Speaker 14 (18:57):
He has a phone sits human please, no one sends
me humans. Please, got to be more human?
Speaker 2 (19:06):
Please?
Speaker 13 (19:08):
What are you gonna do with late desert us way?
Speaker 15 (19:14):
Debard us a little surplusly.
Speaker 2 (19:22):
O.
Speaker 5 (19:22):
I was grand Lena, thanks very much now for misserving
Ballin's Blue Skies. I'd like to do all by myself
with skips, tender things, the piano, not the personal kids story.
Speaker 1 (19:41):
Oh by myself.
Speaker 2 (19:47):
In the mall, All.
Speaker 1 (19:55):
By myself.
Speaker 2 (19:58):
In the Uh, I.
Speaker 1 (20:06):
Said, alone.
Speaker 2 (20:10):
In a cozy Maurice chair. So I'm happy bird playing pilot.
Speaker 1 (20:28):
Oh by myself.
Speaker 2 (20:34):
I get longly.
Speaker 1 (20:41):
Watching the cloud.
Speaker 2 (20:44):
On the show. I'd love.
Speaker 1 (20:52):
To rest my weary head.
Speaker 2 (20:56):
On somebody's show. I hate to grow ah by my fa.
Speaker 1 (22:04):
By myself.
Speaker 2 (22:08):
I get long.
Speaker 1 (22:15):
Just watching bricklo.
Speaker 2 (22:20):
The show.
Speaker 6 (22:24):
Hard love to rest my weary head on Somebody's goes.
Speaker 1 (22:38):
Suplw Oh by.
Speaker 9 (22:46):
My I'm not here from the chariot heres their song
on the boardwalk.
Speaker 10 (22:59):
At Atlantic Cities.
Speaker 5 (23:00):
Technically Productions Three Little Girls in Blue, one hundred percent.
Speaker 2 (23:10):
In Lady, We Walk in a dream.
Speaker 1 (23:16):
Book Walk in lad City, Micheloby Beaches and cream.
Speaker 2 (23:29):
Charming him should into your arm.
Speaker 1 (23:40):
You find yourself someone that you a woman and chantic.
Speaker 6 (23:48):
Lod it did new joy show on the board?
Speaker 2 (23:59):
Can it aladics to be a ladic?
Speaker 3 (24:10):
Teaches?
Speaker 1 (24:11):
Uncle brings the shot, the roll chant ride into your.
Speaker 2 (24:28):
Well.
Speaker 6 (24:30):
You'll find your someone that you wait for a romantic
and chock it happen.
Speaker 1 (24:39):
It's on the sure shot.
Speaker 5 (24:57):
Right, good joys, we saidly enjoyed holding with you along
the boardwalks. How could I suggest to scroll with the
Filco man?
Speaker 3 (25:04):
All are your favorite radio programs sound on a new Filco?
How words can't tell you? But you only have the
difference the minute you dial one because you get a
plus for a Filco. The extra money Philco spends the
extra touches Filco ads to circuit design, power output engineering details.
For instance, if you want a radio phonograph with an
automatic record changer, Tribe beings records on Philco's great new
(25:28):
table model automatic that has everything. A brand new record
changer the changes ten twelve inch or twelve ten inch
records by the waight tone arm with permanent type needle
good for thousands of playings. Powerful speaker that gives you clear.
Speaker 1 (25:42):
Rich tone.
Speaker 3 (25:43):
You find a new record changers, Really honey, It's quiet,
quick acting and mighty easy on your records with special
new safety features that protect both your records and the changer.
And here's a new feature in tuning convenience. The radio
dial and tuning controlled are on the outside of the cabinet.
You don't have to let the phonograph lid to play
the radio or adjust the Varnumin toll. Your sow Co
(26:06):
dealer can make delivery now on SoC's new radio phonograph
with automatic record changer. If design is new, it's new
all the way through and built with the quality that
has made so called famous the world over.
Speaker 6 (26:35):
The boat ride we would take, the moonlight on the lane,
the way we turn and hand our favorite time, the
meeting last summer, remember all alone, the midway and the funds,
(27:04):
the stuby dolls we want.
Speaker 2 (27:07):
The bell I rang to prove I was so so.
Speaker 1 (27:14):
The thing we did last summer.
Speaker 2 (27:20):
I remember.
Speaker 6 (27:22):
All went along, the early morning white, the rented random bite,
the lunches that we toper.
Speaker 2 (27:39):
We never could explain.
Speaker 17 (27:43):
That sudden summer ray, the looks we got when we
got back, the leaves began.
Speaker 6 (27:54):
To pay, flight promises we made, how can belong the
seams for write your own?
Speaker 1 (28:06):
The things we did last commer.
Speaker 2 (28:11):
I'll remember.
Speaker 9 (28:15):
All with.
Speaker 2 (28:20):
A what about not pit phenometer?
Speaker 1 (28:29):
See you next week.
Speaker 3 (28:36):
He then the jokes already your time next week at
the same hour, and here Ben Crosby, John Scott Trutter
is Kiston Cars to carry.
Speaker 9 (28:42):
A pears, Na Ramai and Kick Henderson.
Speaker 2 (28:44):
This program is produced and directed.
Speaker 3 (28:46):
By Bill Marl and Murdo Mackenzie and Frans Guide. In Hollywood,
you Know Omai appears by arrangement with Metro Golden Mayor,
producers
Speaker 2 (28:52):
Of No Leave, No Love, starring Van Johnson,
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