August 7, 2025 • 31 mins
Please enjoy Spike Jones a great episode of the legendary Bing Crosby Radio Show - a Old Time Radio OTR classic originally brought to you by General Electric.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Blue Love then.
Speaker 2 (00:08):
Meets the goal.
Speaker 1 (00:11):
Of the day. Some one wait for.
Speaker 3 (00:19):
Me there, Supreme Cosby in the Craft Music Hall.
Speaker 4 (00:33):
John's got caught in his Orchestralia, Jimmie Fairs, the Chariot Tears,
Charles Henderson, the Craft Choir, and our special guests this evening,
Spike Jones, the study. Slickers and additions are corrections for
the ministeremmy.
Speaker 5 (00:45):
I should like to make up the matter of whose
babies babies. I got a guy.
Speaker 1 (01:00):
Who's all with late.
Speaker 2 (01:04):
Any time.
Speaker 1 (01:07):
I catch up at dates. But I love her, Yes,
I love I'm gonna walk on to her gaze. I
(01:28):
want to see can.
Speaker 2 (01:30):
I gain this race? He's on the ha.
Speaker 5 (01:38):
Yes, he was.
Speaker 1 (01:49):
You with it? You ain't my baby, baby acting lady
made time? You still my baby baby? Seems my plans
and your heart dumb gone.
Speaker 2 (02:12):
The tree le day.
Speaker 1 (02:17):
When you think you're sure of fun, she's thought that.
Speaker 2 (02:23):
It's you or if you made my baby.
Speaker 1 (02:28):
Baby baby found somebody wall it's my baby, It's still
my fad is fruit.
Speaker 6 (02:47):
You ain't my baby.
Speaker 1 (02:51):
The way you're acting letting.
Speaker 2 (02:53):
Makes me die? Ah, who's been cutting me?
Speaker 1 (03:02):
See my pan in yard gone a black eye? Our
woman is feature that is long. We've been space. When
your shoes one you pint, she've gone, made a change
and changed to if you mean a baby, then they.
Speaker 2 (03:26):
Found somebody in you.
Speaker 1 (03:29):
Baby baby so hard.
Speaker 2 (03:34):
My baby, my baby.
Speaker 5 (03:44):
Leaving the question of baby's proper possessor for posterity to ponder.
Speaker 7 (03:48):
We pass along to some precise pattern pertaining to pantries.
Speaker 4 (03:52):
Are you women who make sandwiches every day should have
this point saving trick to help you with a racing budget.
The red points you spend sandwich fillings do double duty
when you invest them in craft cheese spreads. Here's how
that works. First, Kraft cheese spreads furnish the moist richness
every sandwich needs to make it good eating, and at
the same time, the craft spread puts in tabalizing flavor. Take,
(04:16):
for example, Kraft Fimeto or Ali Fimeto spreads, theo Zestful
Roca or Kraft Relish spread with the bits of pickle
all through it.
Speaker 2 (04:24):
All four of these craft.
Speaker 4 (04:25):
Spreads are moist and creamy as well as flavorful, and
each kind takes just two ration points. Tomorrow, in your
shop look for the craft cheese spreads. There are seven
varieties in all everyone of special help these days.
Speaker 5 (04:46):
John Murcher and Harold Allen wrote a very nice song
for Betty Hutton and I to sing and picture.
Speaker 1 (04:51):
Called here Come the Waves.
Speaker 5 (04:53):
We don't have Betty here tonight, but we have got
the Henderson fire and makes it about even from bargain.
Speaker 7 (05:00):
This is a sound.
Speaker 2 (05:05):
I promise you.
Speaker 1 (05:10):
Are paid for my.
Speaker 2 (05:15):
One.
Speaker 1 (05:16):
Let us all Oway didn't breathe an. There's a hand
full of star that I pretain belong to me. I
(05:42):
promise you that wick or poor.
Speaker 2 (05:51):
Would be happy to share.
Speaker 1 (05:59):
Beyond m You have taken possess the sun on the metal,
A fire in the shadow. I promised you are a
(06:24):
fake for how a star and I be there.
Speaker 2 (06:37):
I promise you.
Speaker 8 (06:58):
Go on.
Speaker 2 (07:02):
At night.
Speaker 1 (07:04):
There's a hand full of stars that I pretend belong
to me. I promise you that rich your poor would
(07:31):
be happy to shine. You have taken possessional the sun
on the meadow. I follow a shadow, I promise you
(08:12):
to and I'll dealer. I prim.
Speaker 5 (08:25):
You, our petty surveyor of satin smooth melodies. Eugenie Baird
(08:49):
comes up with the top tune of the turbulent twenties.
Musically speaking, she's just started carrying an.
Speaker 7 (08:55):
Old torch with a new touch. The one I love
belongs to somebody else.
Speaker 9 (09:03):
Bonn belongs to somebody else.
Speaker 2 (09:15):
He mes his tender songs.
Speaker 10 (09:20):
For somebody else.
Speaker 1 (09:26):
And even when he has he's gone to long.
Speaker 2 (09:35):
Me.
Speaker 9 (09:37):
I know he's got the strong for somebody else.
Speaker 6 (09:49):
Be he's a for the strong for somebody el.
Speaker 9 (10:00):
I've got a month so far to somebody else. It's
got to be alone on the shelf. It's first to
be in law for yourself.
Speaker 6 (10:25):
Warm.
Speaker 2 (10:27):
I love belong.
Speaker 6 (10:33):
Body, I love.
Speaker 8 (10:44):
Beebybody, very smooth, You're Jenny, very soothing, too delightfully done.
Speaker 1 (11:11):
Now a more.
Speaker 5 (11:11):
Optimistic variation on the foregoing theme. I mean lamour too,
yourn around and stuff, but by those boys whose harmony
is closer than your next breath. The Chariot twos little.
Speaker 7 (11:22):
Jump tune called Jeep of Scrapers, sweet.
Speaker 10 (11:30):
Of sweet, lovely to me, and I hating all on
the spare nothing to.
Speaker 2 (11:38):
High left, And that's when I supposed to live in
where they.
Speaker 10 (11:41):
Did about the jumping out of musicment deepers, beepers, where'd
you get those deeper deepers sweepers?
Speaker 2 (11:55):
Where to get those.
Speaker 1 (11:59):
Get up?
Speaker 10 (12:01):
How to get so little gosh of get um, How
to get that side? God, when you turn those heaters
on woods? Me have to get my cheaters on deeper sepers.
(12:23):
When to get those beavers or beavers housing? If not
time ready to get those ties deepers.
Speaker 2 (12:40):
Maybe when you get those bay deeper.
Speaker 10 (12:46):
Sleepers down away, down those sides, please jumping job to night.
Speaker 2 (12:55):
When you will leave a cow hole type of the
down beat.
Speaker 10 (13:00):
So we're in having But gott got gott gottedy you
well you those theaters.
Speaker 1 (13:10):
Is cut against my cheese on seper.
Speaker 3 (13:17):
Speper?
Speaker 1 (13:20):
Where did you get the sepeper?
Speaker 5 (13:32):
How is the.
Speaker 7 (13:35):
Long animal swinging against those.
Speaker 1 (13:43):
Bad great great man?
Speaker 5 (13:53):
Really you know we got a unique figure in them
of music with us this evening. He has been variously
called the Kruzovitsky of Corn, the Chostakovich of Schmaltz, lots
of other names, but seriously admires of his bizarre orchestral
style claim that he stands alone.
Speaker 7 (14:10):
My friend and fellow music lover Spike Jones, Well.
Speaker 11 (14:13):
Thanks for the nice words, Bang, but I don't feel
that I particularly stand for anything.
Speaker 7 (14:17):
Which your admirers to stand for anything.
Speaker 5 (14:19):
Spike Cuchet, Oh, the kid makes with the French too
haunt toouchet yet absolute lot.
Speaker 7 (14:26):
Absolutely while you were over.
Speaker 11 (14:28):
There, didn't you learn to parleyvou cross?
Speaker 7 (14:30):
I have never been too sharp with the parley skier.
Speaker 11 (14:36):
Well, I don't know, Bang, you were doing all right?
Speaker 7 (14:38):
When I mentioned London you got a gun that I
had comparatively little trouble using.
Speaker 5 (14:42):
The King's English, though, well, just so he didn't use yours.
Get me a new boy here, somebody listen, a new boy.
Speaker 2 (14:51):
Don't you have enough?
Speaker 7 (14:52):
That's enough of that?
Speaker 5 (14:56):
This guy used to play drums around her. He makes
big ghosts. No, tell me, Spike was the day I
met you in London? The same day we all had
to go through the tear gas chamber.
Speaker 11 (15:08):
Well, sure, Bang, don't you remember didn't you go to
have your gas mask check just after we played?
Speaker 1 (15:13):
Just before? Now?
Speaker 5 (15:16):
Look, Bang, you can kid if you want to. But
we went over pretty well over there. Smash huh, well
smash yes.
Speaker 11 (15:23):
Once we played to a GI audience of sixteen thousand six,
and did they go wild? Can you imagine what a jumping, pushing,
yelling crowd of sixteen thousand is like?
Speaker 7 (15:32):
I have attended a Sinaptra broadcast.
Speaker 2 (15:42):
Tell me, Spike was the day I met you in London.
Speaker 5 (15:44):
The same day we all had to go through the
tear gas chamber.
Speaker 12 (15:47):
Well, sure, bang, don't you remember didn't.
Speaker 7 (15:49):
You go to have your gas mask check just after
we played?
Speaker 1 (15:53):
Just before?
Speaker 11 (15:56):
Now look, Bang, you can kid if you want to.
Speaker 7 (15:57):
But we went over pretty well over there? Uh well
pretty miles man.
Speaker 11 (16:02):
Yes, once we played to a GI audience of sixteen
thouy sixteen and did they go wild? Can you imagine
what a jumping, pushing, yelling crowd of sixteen thousand is?
Speaker 7 (16:12):
Like I have attended a Sinatra broadcast?
Speaker 2 (16:21):
Would it do you any good?
Speaker 1 (16:22):
They don't learn any thing? What a pity?
Speaker 8 (16:27):
You know?
Speaker 11 (16:28):
You crooners sure stick together saying's okay bing, But don't
you honestly think most people would rather hear a good.
Speaker 7 (16:34):
Band, nothing personalized?
Speaker 1 (16:35):
Suppose?
Speaker 5 (16:36):
Frankly, Spike, do any of your listeners ever swoon?
Speaker 7 (16:39):
Well, not exactly, but we've made lots of them faint
with joy, of course, what they call unconscious humor.
Speaker 12 (16:46):
I guess.
Speaker 2 (16:47):
Well. Yes.
Speaker 11 (16:48):
When we started out, you know, we were known as
Spike Jones. And it makes you want to blow your
brains out?
Speaker 1 (16:52):
Music?
Speaker 5 (16:54):
What would you mind taking it lightly and politely spike
while you're here in the hall hit us gently with
the glow worm vocal effect by Red Angle and Eileen Carla.
Speaker 13 (17:18):
When about nightfall sile of name a nightfall of the name.
Speaker 5 (17:29):
On no.
Speaker 13 (17:40):
Day they won the fourth body about the right as
fokation their way the destination air way, about cloth and
to like tiding on the game not to me and
(18:07):
to people to.
Speaker 6 (18:09):
Fall and.
Speaker 2 (18:15):
Dave him way from Molly.
Speaker 6 (18:20):
Allow all.
Speaker 13 (18:29):
Hollow the game night.
Speaker 3 (18:36):
See the.
Speaker 2 (18:46):
Lash I time, don't you want long love lost?
Speaker 1 (19:04):
Voice is fall yonder poor never.
Speaker 5 (19:18):
Ye like to.
Speaker 1 (19:31):
Test thing lot but writing pop up.
Speaker 2 (19:34):
Hand not all you don't here, fike, dear boy.
Speaker 5 (20:24):
That is as elegantly contrived the block party as I've
heard in a lifetime of tears and laughter. While I
check over the studio equipment to see what is undamaged,
my colleague wants to lay a fast hustle right in
here somewhere.
Speaker 4 (20:37):
Tomorrow is December one, so we hurry along to you
some suggestions for easy point thrifty holiday.
Speaker 2 (20:42):
Snacks this year.
Speaker 4 (20:44):
When folks drop in, you probably won't have had time
to fuss with fancy things to eat in advance, but
there'll be no lack of hospitality. If you haven't the refrigerator,
a few glasses of craft cheese spreads, set them out
on the tray along with some potato chips or crackers,
and let everybody spread his own. If your red point
budget is going to be squeezed this month, not at
(21:05):
four of the delicious craft cheese spreads take just two
red points of glass. There's Rocas Spread with the real
zippy flavor, Kraft Pimeto and Olive Pameto spreads, and Kraft
Raleigh Spread with the bits of pickle through its creamy goodness.
All in all, of course, Kraft gives you seven different
varieties of cheese spreads. Everyone perfectly delicious. Right now, it's
(21:26):
a smart eudea to get set for December snack parties.
At the food store tomorrow, look for craft cheese spreads.
Speaker 1 (21:45):
Making Billy, thank you in my arm. Oh, I know
you're so far away, Making Billie, I'm talking to you.
Wish you could hear what I say. And here in
(22:07):
the gloom of my lonely way for advancing like we
used to do, making believe is just another way of dreaming.
So till my dreams come through, I'll whisper good night
(22:31):
when I've the light, kissed the pillow making believe him
(23:02):
in the room of my lonely room, were dancing like
we used to leave, making berly. It is just another
way of dreaming untill my dreams come through. I whisper recognized,
(23:25):
say out for light, it's the pillow making billy.
Speaker 5 (24:00):
I guess nearly everybody can recall a silly song associated
with some serious moment in life. Sometimes the reverse is
true too. Consider a popular romantic ballad like the song
With Every Breath I Take, which was in a movie
called Here Is My Heart. Sounds romantic, doesn't it, But
it was actually part of a giddy tale, which could
(24:22):
just as easily have been titled The Princess and the Crooner.
They met in the comic opera Days at Monte Carlo
just before the war. A few minutes after they met
in an elevator, up jumped love and he found himself
telling her, I think of you.
Speaker 1 (24:36):
With every breath I tal, and every breath becomes a sigh,
not a sigh of despa, but a sign that I
care for your name with every bread, my name on
(25:06):
every breathe that wanders lie, and your name is a
sun I rememern alone. Yes you, even though I walk along,
(25:26):
you guide me in the darkness. You lie my way
and all inside me, love seems to say. Some day
(25:48):
sound and when I sleep you keep my heart away.
But when I will from every brother thought, I say,
(26:09):
here's a pre.
Speaker 5 (26:12):
You are.
Speaker 1 (26:17):
Well.
Speaker 7 (26:18):
Naturally, they quilled, He's true.
Speaker 1 (26:20):
They had a bit of a beef, but that lad
had the Monte Carlo spirit, and he gambled on getting
into his lady Love's apartment disguised as a waiter.
Speaker 7 (26:28):
She found him out, tossed him out and angry.
Speaker 1 (26:30):
They told him to stay.
Speaker 7 (26:31):
Out, but she didn't say positively. So with this as
an opening wedge, he resorted to the following musical and consensus.
Speaker 1 (26:41):
There's just around the corner, and he called the little corner.
There's used around the corner. Where around your.
Speaker 2 (27:00):
Corner? Just when.
Speaker 1 (27:05):
Venast Milo worse, No, all the child strict live between us.
Speaker 2 (27:12):
You much cutter than venus.
Speaker 1 (27:14):
And what's more, you got on. So let's go Godlena
and cold the little corner O'Connor love, Just around the corner.
Speaker 6 (27:25):
When I'm around you, I'm around.
Speaker 7 (27:35):
Well, it's kind of a build up.
Speaker 1 (27:37):
Got the work done, got the job done. This looked
like one month of Carlo romance.
Speaker 7 (27:42):
Romance that is gonna beat the odds, come out even.
Speaker 5 (27:45):
But even then she told him the month for brides
with June calendar told him it was January. Oh boy,
had the answer for that one.
Speaker 1 (27:56):
It's j in job and you weary Because I'm in love.
It all is extre in my mind.
Speaker 2 (28:14):
While.
Speaker 1 (28:19):
Mess just quite Blosso let fall from above and here
is the reason why this your magical charm. But I
(28:52):
can see but that of Rose.
Speaker 8 (28:58):
In the.
Speaker 1 (29:05):
It's you, Ina were because I'm in love about Holy
because I'm in law.
Speaker 8 (29:26):
You.
Speaker 5 (29:47):
That does it for the old Hall of the Season friends,
But you be coming at you next Thursday, same time,
and some more of the same, along with our special guests,
the talented and lovely young Paramount Star Diana Lynn.
Speaker 1 (29:58):
Good Night.
Speaker 14 (30:17):
Jn in the Craft Music Hall Next Players at the
same time with Bing Crosby, John Scott Trotter and his
orchestral You, Jenny Baird, The Chariot Tears, Charles Henderson and
the Craft Choir and I guess din a lift?
Speaker 2 (30:46):
Why't worry about meals?
Speaker 12 (30:48):
Getting the home serve a dazzling variety of delightful treats
made with Papstet. The delicious Golden cheese food. Papstet melts
luscious smooth into an appetizing cheese sauce for eggs, fish,
and macaroni. Papstad also makes a grand sandwide spread toast
to perfection, slices neatly when chilled by Papsteck. The cheddar
cheese food that's so nourishing, so good in a hundred
(31:10):
tempting ways. Don't forget add Papstet to your shopping list tomorrow.
Speaker 3 (31:27):
National Broadcasting Company
Speaker 8 (31:32):
O
Blue Love then.
Speaker 2 (00:08):
Meets the goal.
Speaker 1 (00:11):
Of the day. Some one wait for.
Speaker 3 (00:19):
Me there, Supreme Cosby in the Craft Music Hall.
Speaker 4 (00:33):
John's got caught in his Orchestralia, Jimmie Fairs, the Chariot Tears,
Charles Henderson, the Craft Choir, and our special guests this evening,
Spike Jones, the study. Slickers and additions are corrections for
the ministeremmy.
Speaker 5 (00:45):
I should like to make up the matter of whose
babies babies. I got a guy.
Speaker 1 (01:00):
Who's all with late.
Speaker 2 (01:04):
Any time.
Speaker 1 (01:07):
I catch up at dates. But I love her, Yes,
I love I'm gonna walk on to her gaze. I
(01:28):
want to see can.
Speaker 2 (01:30):
I gain this race? He's on the ha.
Speaker 5 (01:38):
Yes, he was.
Speaker 1 (01:49):
You with it? You ain't my baby, baby acting lady
made time? You still my baby baby? Seems my plans
and your heart dumb gone.
Speaker 2 (02:12):
The tree le day.
Speaker 1 (02:17):
When you think you're sure of fun, she's thought that.
Speaker 2 (02:23):
It's you or if you made my baby.
Speaker 1 (02:28):
Baby baby found somebody wall it's my baby, It's still
my fad is fruit.
Speaker 6 (02:47):
You ain't my baby.
Speaker 1 (02:51):
The way you're acting letting.
Speaker 2 (02:53):
Makes me die? Ah, who's been cutting me?
Speaker 1 (03:02):
See my pan in yard gone a black eye? Our
woman is feature that is long. We've been space. When
your shoes one you pint, she've gone, made a change
and changed to if you mean a baby, then they.
Speaker 2 (03:26):
Found somebody in you.
Speaker 1 (03:29):
Baby baby so hard.
Speaker 2 (03:34):
My baby, my baby.
Speaker 5 (03:44):
Leaving the question of baby's proper possessor for posterity to ponder.
Speaker 7 (03:48):
We pass along to some precise pattern pertaining to pantries.
Speaker 4 (03:52):
Are you women who make sandwiches every day should have
this point saving trick to help you with a racing budget.
The red points you spend sandwich fillings do double duty
when you invest them in craft cheese spreads. Here's how
that works. First, Kraft cheese spreads furnish the moist richness
every sandwich needs to make it good eating, and at
the same time, the craft spread puts in tabalizing flavor. Take,
(04:16):
for example, Kraft Fimeto or Ali Fimeto spreads, theo Zestful
Roca or Kraft Relish spread with the bits of pickle
all through it.
Speaker 2 (04:24):
All four of these craft.
Speaker 4 (04:25):
Spreads are moist and creamy as well as flavorful, and
each kind takes just two ration points. Tomorrow, in your
shop look for the craft cheese spreads. There are seven
varieties in all everyone of special help these days.
Speaker 5 (04:46):
John Murcher and Harold Allen wrote a very nice song
for Betty Hutton and I to sing and picture.
Speaker 1 (04:51):
Called here Come the Waves.
Speaker 5 (04:53):
We don't have Betty here tonight, but we have got
the Henderson fire and makes it about even from bargain.
Speaker 7 (05:00):
This is a sound.
Speaker 2 (05:05):
I promise you.
Speaker 1 (05:10):
Are paid for my.
Speaker 2 (05:15):
One.
Speaker 1 (05:16):
Let us all Oway didn't breathe an. There's a hand
full of star that I pretain belong to me. I
(05:42):
promise you that wick or poor.
Speaker 2 (05:51):
Would be happy to share.
Speaker 1 (05:59):
Beyond m You have taken possess the sun on the metal,
A fire in the shadow. I promised you are a
(06:24):
fake for how a star and I be there.
Speaker 2 (06:37):
I promise you.
Speaker 8 (06:58):
Go on.
Speaker 2 (07:02):
At night.
Speaker 1 (07:04):
There's a hand full of stars that I pretend belong
to me. I promise you that rich your poor would
(07:31):
be happy to shine. You have taken possessional the sun
on the meadow. I follow a shadow, I promise you
(08:12):
to and I'll dealer. I prim.
Speaker 5 (08:25):
You, our petty surveyor of satin smooth melodies. Eugenie Baird
(08:49):
comes up with the top tune of the turbulent twenties.
Musically speaking, she's just started carrying an.
Speaker 7 (08:55):
Old torch with a new touch. The one I love
belongs to somebody else.
Speaker 9 (09:03):
Bonn belongs to somebody else.
Speaker 2 (09:15):
He mes his tender songs.
Speaker 10 (09:20):
For somebody else.
Speaker 1 (09:26):
And even when he has he's gone to long.
Speaker 2 (09:35):
Me.
Speaker 9 (09:37):
I know he's got the strong for somebody else.
Speaker 6 (09:49):
Be he's a for the strong for somebody el.
Speaker 9 (10:00):
I've got a month so far to somebody else. It's
got to be alone on the shelf. It's first to
be in law for yourself.
Speaker 6 (10:25):
Warm.
Speaker 2 (10:27):
I love belong.
Speaker 6 (10:33):
Body, I love.
Speaker 8 (10:44):
Beebybody, very smooth, You're Jenny, very soothing, too delightfully done.
Speaker 1 (11:11):
Now a more.
Speaker 5 (11:11):
Optimistic variation on the foregoing theme. I mean lamour too,
yourn around and stuff, but by those boys whose harmony
is closer than your next breath. The Chariot twos little.
Speaker 7 (11:22):
Jump tune called Jeep of Scrapers, sweet.
Speaker 10 (11:30):
Of sweet, lovely to me, and I hating all on
the spare nothing to.
Speaker 2 (11:38):
High left, And that's when I supposed to live in
where they.
Speaker 10 (11:41):
Did about the jumping out of musicment deepers, beepers, where'd
you get those deeper deepers sweepers?
Speaker 2 (11:55):
Where to get those.
Speaker 1 (11:59):
Get up?
Speaker 10 (12:01):
How to get so little gosh of get um, How
to get that side? God, when you turn those heaters
on woods? Me have to get my cheaters on deeper sepers.
(12:23):
When to get those beavers or beavers housing? If not
time ready to get those ties deepers.
Speaker 2 (12:40):
Maybe when you get those bay deeper.
Speaker 10 (12:46):
Sleepers down away, down those sides, please jumping job to night.
Speaker 2 (12:55):
When you will leave a cow hole type of the
down beat.
Speaker 10 (13:00):
So we're in having But gott got gott gottedy you
well you those theaters.
Speaker 1 (13:10):
Is cut against my cheese on seper.
Speaker 3 (13:17):
Speper?
Speaker 1 (13:20):
Where did you get the sepeper?
Speaker 5 (13:32):
How is the.
Speaker 7 (13:35):
Long animal swinging against those.
Speaker 1 (13:43):
Bad great great man?
Speaker 5 (13:53):
Really you know we got a unique figure in them
of music with us this evening. He has been variously
called the Kruzovitsky of Corn, the Chostakovich of Schmaltz, lots
of other names, but seriously admires of his bizarre orchestral
style claim that he stands alone.
Speaker 7 (14:10):
My friend and fellow music lover Spike Jones, Well.
Speaker 11 (14:13):
Thanks for the nice words, Bang, but I don't feel
that I particularly stand for anything.
Speaker 7 (14:17):
Which your admirers to stand for anything.
Speaker 5 (14:19):
Spike Cuchet, Oh, the kid makes with the French too
haunt toouchet yet absolute lot.
Speaker 7 (14:26):
Absolutely while you were over.
Speaker 11 (14:28):
There, didn't you learn to parleyvou cross?
Speaker 7 (14:30):
I have never been too sharp with the parley skier.
Speaker 11 (14:36):
Well, I don't know, Bang, you were doing all right?
Speaker 7 (14:38):
When I mentioned London you got a gun that I
had comparatively little trouble using.
Speaker 5 (14:42):
The King's English, though, well, just so he didn't use yours.
Get me a new boy here, somebody listen, a new boy.
Speaker 2 (14:51):
Don't you have enough?
Speaker 7 (14:52):
That's enough of that?
Speaker 5 (14:56):
This guy used to play drums around her. He makes
big ghosts. No, tell me, Spike was the day I
met you in London? The same day we all had
to go through the tear gas chamber.
Speaker 11 (15:08):
Well, sure, Bang, don't you remember didn't you go to
have your gas mask check just after we played?
Speaker 1 (15:13):
Just before? Now?
Speaker 5 (15:16):
Look, Bang, you can kid if you want to. But
we went over pretty well over there. Smash huh, well
smash yes.
Speaker 11 (15:23):
Once we played to a GI audience of sixteen thousand six,
and did they go wild? Can you imagine what a jumping, pushing,
yelling crowd of sixteen thousand is like?
Speaker 7 (15:32):
I have attended a Sinaptra broadcast.
Speaker 2 (15:42):
Tell me, Spike was the day I met you in London.
Speaker 5 (15:44):
The same day we all had to go through the
tear gas chamber.
Speaker 12 (15:47):
Well, sure, bang, don't you remember didn't.
Speaker 7 (15:49):
You go to have your gas mask check just after
we played?
Speaker 1 (15:53):
Just before?
Speaker 11 (15:56):
Now look, Bang, you can kid if you want to.
Speaker 7 (15:57):
But we went over pretty well over there? Uh well
pretty miles man.
Speaker 11 (16:02):
Yes, once we played to a GI audience of sixteen
thouy sixteen and did they go wild? Can you imagine
what a jumping, pushing, yelling crowd of sixteen thousand is?
Speaker 7 (16:12):
Like I have attended a Sinatra broadcast?
Speaker 2 (16:21):
Would it do you any good?
Speaker 1 (16:22):
They don't learn any thing? What a pity?
Speaker 8 (16:27):
You know?
Speaker 11 (16:28):
You crooners sure stick together saying's okay bing, But don't
you honestly think most people would rather hear a good.
Speaker 7 (16:34):
Band, nothing personalized?
Speaker 1 (16:35):
Suppose?
Speaker 5 (16:36):
Frankly, Spike, do any of your listeners ever swoon?
Speaker 7 (16:39):
Well, not exactly, but we've made lots of them faint
with joy, of course, what they call unconscious humor.
Speaker 12 (16:46):
I guess.
Speaker 2 (16:47):
Well. Yes.
Speaker 11 (16:48):
When we started out, you know, we were known as
Spike Jones. And it makes you want to blow your
brains out?
Speaker 1 (16:52):
Music?
Speaker 5 (16:54):
What would you mind taking it lightly and politely spike
while you're here in the hall hit us gently with
the glow worm vocal effect by Red Angle and Eileen Carla.
Speaker 13 (17:18):
When about nightfall sile of name a nightfall of the name.
Speaker 5 (17:29):
On no.
Speaker 13 (17:40):
Day they won the fourth body about the right as
fokation their way the destination air way, about cloth and
to like tiding on the game not to me and
(18:07):
to people to.
Speaker 6 (18:09):
Fall and.
Speaker 2 (18:15):
Dave him way from Molly.
Speaker 6 (18:20):
Allow all.
Speaker 13 (18:29):
Hollow the game night.
Speaker 3 (18:36):
See the.
Speaker 2 (18:46):
Lash I time, don't you want long love lost?
Speaker 1 (19:04):
Voice is fall yonder poor never.
Speaker 5 (19:18):
Ye like to.
Speaker 1 (19:31):
Test thing lot but writing pop up.
Speaker 2 (19:34):
Hand not all you don't here, fike, dear boy.
Speaker 5 (20:24):
That is as elegantly contrived the block party as I've
heard in a lifetime of tears and laughter. While I
check over the studio equipment to see what is undamaged,
my colleague wants to lay a fast hustle right in
here somewhere.
Speaker 4 (20:37):
Tomorrow is December one, so we hurry along to you
some suggestions for easy point thrifty holiday.
Speaker 2 (20:42):
Snacks this year.
Speaker 4 (20:44):
When folks drop in, you probably won't have had time
to fuss with fancy things to eat in advance, but
there'll be no lack of hospitality. If you haven't the refrigerator,
a few glasses of craft cheese spreads, set them out
on the tray along with some potato chips or crackers,
and let everybody spread his own. If your red point
budget is going to be squeezed this month, not at
(21:05):
four of the delicious craft cheese spreads take just two
red points of glass. There's Rocas Spread with the real
zippy flavor, Kraft Pimeto and Olive Pameto spreads, and Kraft
Raleigh Spread with the bits of pickle through its creamy goodness.
All in all, of course, Kraft gives you seven different
varieties of cheese spreads. Everyone perfectly delicious. Right now, it's
(21:26):
a smart eudea to get set for December snack parties.
At the food store tomorrow, look for craft cheese spreads.
Speaker 1 (21:45):
Making Billy, thank you in my arm. Oh, I know
you're so far away, Making Billie, I'm talking to you.
Wish you could hear what I say. And here in
(22:07):
the gloom of my lonely way for advancing like we
used to do, making believe is just another way of dreaming.
So till my dreams come through, I'll whisper good night
(22:31):
when I've the light, kissed the pillow making believe him
(23:02):
in the room of my lonely room, were dancing like
we used to leave, making berly. It is just another
way of dreaming untill my dreams come through. I whisper recognized,
(23:25):
say out for light, it's the pillow making billy.
Speaker 5 (24:00):
I guess nearly everybody can recall a silly song associated
with some serious moment in life. Sometimes the reverse is
true too. Consider a popular romantic ballad like the song
With Every Breath I Take, which was in a movie
called Here Is My Heart. Sounds romantic, doesn't it, But
it was actually part of a giddy tale, which could
(24:22):
just as easily have been titled The Princess and the Crooner.
They met in the comic opera Days at Monte Carlo
just before the war. A few minutes after they met
in an elevator, up jumped love and he found himself
telling her, I think of you.
Speaker 1 (24:36):
With every breath I tal, and every breath becomes a sigh,
not a sigh of despa, but a sign that I
care for your name with every bread, my name on
(25:06):
every breathe that wanders lie, and your name is a
sun I rememern alone. Yes you, even though I walk along,
(25:26):
you guide me in the darkness. You lie my way
and all inside me, love seems to say. Some day
(25:48):
sound and when I sleep you keep my heart away.
But when I will from every brother thought, I say,
(26:09):
here's a pre.
Speaker 5 (26:12):
You are.
Speaker 1 (26:17):
Well.
Speaker 7 (26:18):
Naturally, they quilled, He's true.
Speaker 1 (26:20):
They had a bit of a beef, but that lad
had the Monte Carlo spirit, and he gambled on getting
into his lady Love's apartment disguised as a waiter.
Speaker 7 (26:28):
She found him out, tossed him out and angry.
Speaker 1 (26:30):
They told him to stay.
Speaker 7 (26:31):
Out, but she didn't say positively. So with this as
an opening wedge, he resorted to the following musical and consensus.
Speaker 1 (26:41):
There's just around the corner, and he called the little corner.
There's used around the corner. Where around your.
Speaker 2 (27:00):
Corner? Just when.
Speaker 1 (27:05):
Venast Milo worse, No, all the child strict live between us.
Speaker 2 (27:12):
You much cutter than venus.
Speaker 1 (27:14):
And what's more, you got on. So let's go Godlena
and cold the little corner O'Connor love, Just around the corner.
Speaker 6 (27:25):
When I'm around you, I'm around.
Speaker 7 (27:35):
Well, it's kind of a build up.
Speaker 1 (27:37):
Got the work done, got the job done. This looked
like one month of Carlo romance.
Speaker 7 (27:42):
Romance that is gonna beat the odds, come out even.
Speaker 5 (27:45):
But even then she told him the month for brides
with June calendar told him it was January. Oh boy,
had the answer for that one.
Speaker 1 (27:56):
It's j in job and you weary Because I'm in love.
It all is extre in my mind.
Speaker 2 (28:14):
While.
Speaker 1 (28:19):
Mess just quite Blosso let fall from above and here
is the reason why this your magical charm. But I
(28:52):
can see but that of Rose.
Speaker 8 (28:58):
In the.
Speaker 1 (29:05):
It's you, Ina were because I'm in love about Holy
because I'm in law.
Speaker 8 (29:26):
You.
Speaker 5 (29:47):
That does it for the old Hall of the Season friends,
But you be coming at you next Thursday, same time,
and some more of the same, along with our special guests,
the talented and lovely young Paramount Star Diana Lynn.
Speaker 1 (29:58):
Good Night.
Speaker 14 (30:17):
Jn in the Craft Music Hall Next Players at the
same time with Bing Crosby, John Scott Trotter and his
orchestral You, Jenny Baird, The Chariot Tears, Charles Henderson and
the Craft Choir and I guess din a lift?
Speaker 2 (30:46):
Why't worry about meals?
Speaker 12 (30:48):
Getting the home serve a dazzling variety of delightful treats
made with Papstet. The delicious Golden cheese food. Papstet melts
luscious smooth into an appetizing cheese sauce for eggs, fish,
and macaroni. Papstad also makes a grand sandwide spread toast
to perfection, slices neatly when chilled by Papsteck. The cheddar
cheese food that's so nourishing, so good in a hundred
(31:10):
tempting ways. Don't forget add Papstet to your shopping list tomorrow.
Speaker 3 (31:27):
National Broadcasting Company
Speaker 8 (31:32):
O
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