Connor From Boys Night Out

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hi, It's Dimitri here from Canadian as Heck. Can you
do us a favor? Can you hit that follow button?
That way you keep up to date and never miss
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for listening to Revolution Radio Canada and enjoy this podcast.

Speaker 2 (00:27):
Easy like we will have it. You want to show up?
That's is one hundred percent easy and we're on the.

Speaker 3 (00:37):
Air, Yes we are.

Speaker 4 (00:41):
This is where I'll mess with lights. I love to
check this out.

Speaker 5 (00:45):
Wow.

Speaker 2 (00:46):
That's good though, do you prefer I prefer this because
otherwise it's like we're talking to doctor no.

Speaker 4 (00:52):
I want that.

Speaker 3 (00:53):
We'll get your gadget.

Speaker 2 (00:54):
You know, like that kind of thing.

Speaker 4 (00:55):
That's doctor Claw.

Speaker 6 (00:57):
So that was doctor Claw.

Speaker 2 (00:59):
Shut up? So if we can, oh, doctor doctor Noah
is no mister mom, I expect you to die. Who
sounds a little a little bit like doctor Nick Riviera
from the Simpsons.

Speaker 3 (01:11):
They got him a little bit is where they got
Hi doctor Nick?

Speaker 2 (01:15):
Hi?

Speaker 7 (01:15):
Everybody?

Speaker 3 (01:17):
All right, it's so we actually are live. I'm just
trying to rename the show here. Canadian is heck number.

Speaker 2 (01:27):
One fucking Reindeer games with Get that off the get
that off with? This isn't reindeer games. We're not playing
silly games where you win absolutely nothing of your friends
and family but not even that, and your mother's disappointed
that you're doing it. Right, It's like masturbating in a closet.

Speaker 4 (01:48):
Speaking of my language at this point.

Speaker 3 (01:50):
Listen, Craig g here with my old pal Dimitrio Lexiu
and that guy named Derek shirt cockin uh, because that's
what he does here on on Monday nights. I'm not
going pants, that's listen. Who you don't need pants. This
is a zoom call, right, so there you go.

Speaker 2 (02:09):
Way anything from COVID. I don't have to wear pants anymore.

Speaker 3 (02:14):
This is a show we called we called Canadian as Fuck.
We now called Canadian as Heck. This is episode one
zero three, and we.

Speaker 2 (02:22):
Because we want sponsors.

Speaker 4 (02:24):
Oh is that what it is?

Speaker 2 (02:25):
That's why we changed it.

Speaker 3 (02:26):
Nobody nobody.

Speaker 2 (02:30):
Even exactly, Like even like Booze people were.

Speaker 3 (02:34):
Like yeah sorry, like yeah, like literally, even like Jaggermeister
was like.

Speaker 2 (02:39):
No, there's extra in your name, and I'm like really.

Speaker 6 (02:42):
The vape store at the corner, no.

Speaker 3 (02:45):
No, and the dogs vapes.

Speaker 2 (02:49):
None of the weed stores will touch us because they're
all government run. That's right, does anybody else find it
funny that the the like the majority of North America
gets their weed from the government.

Speaker 3 (03:02):
Man, that's where we get our boos from. Right, So
there you go. I what I find what I was funny,
What I find exactly, Derek. What I find funny is
the fact that I haven't actually finished the intro yet.
Welcome back here, Welcome back the original Derek Lewis, Jesus,

(03:23):
here we go, Here we go, there we go exactly.
So my name is Craig Geessmitrilexio Derek Lewis, and we
are we are super super duper privileged to have with
us tonight. Boysied out Connor hanging out with us. Finally, dude, Hi, really, honestly,
if I was to do the Queen's clap, you wouldn't

(03:45):
hear it. So but anyway, yeah, brother, honestly, thanks so
much for joining us tonight. I mean appreciate you.

Speaker 4 (03:51):
It's not my house, but it is on fire, okay?

Speaker 3 (03:53):
Cool? Is the roof on fire?

Speaker 8 (03:57):
The roof to roof? No?

Speaker 4 (03:58):
See now you've okay, to many people are upset?

Speaker 3 (04:00):
Can we now? What we need to do is we
need to have a look at who is that spectacular
creature behind you there.

Speaker 8 (04:08):
Till this Windon, That is, till the Swindon and she
comes to us. She's only visiting for a little while.
That's sweet angel name Three Till the Swinton Movies, Till
the Swinon one, two and three. The tree is till
the Swinton. The Revenge. Yeah, she was the good one.

Speaker 2 (04:27):
Yeah, she's possessed by the soul of Shogusugi.

Speaker 4 (04:30):
It was their best work.

Speaker 2 (04:32):
Yeah, and she becomes a ninja.

Speaker 6 (04:34):
All lies, all lies, so.

Speaker 3 (04:38):
Well, talk to its I listen. I expect nothing less
from this program anymore. I really don't. I expect no
less but madness.

Speaker 2 (04:49):
Friends with me and comer as well.

Speaker 8 (04:52):
Sold.

Speaker 3 (04:52):
You do us a favor there, shirt cockin could you
introduce our new bestie here? If you don't mind, you
just did.

Speaker 8 (04:58):
That's true.

Speaker 3 (04:58):
No, I did a terrible job of to do it
way better.

Speaker 8 (05:02):
What do you have, Derek? What do you have?

Speaker 2 (05:06):
Gone a rhea?

Speaker 3 (05:07):
Yeah, and an intro.

Speaker 2 (05:09):
It's in a bag to keep it in the fridge.

Speaker 3 (05:12):
Good, Gone a rhea and an intro. And for my
friend Connor, it is here. It is here.

Speaker 2 (05:22):
We go priviledged to be honored, and a slight dusting, winners, chairs, cars,
love it here with us today?

Speaker 8 (05:35):
Score?

Speaker 2 (05:37):
How was that he's in a band? Uh Uh?

Speaker 3 (05:45):
This is the worst intro I've ever heard of this
entire life. And you guys have been friends for like
twenty five years, for God's sake, your friends.

Speaker 2 (05:54):
But like we like we've been trying to do this
for like a year and a half and it's been
all actually have and then we actually get him, and
now I'm at a lot.

Speaker 3 (06:02):
So Connor, this actually is true. We have been trying
to get you for a while.

Speaker 6 (06:05):
Connor, at this point, you scraping inclined to get on
this show for a year and a half. As you say,
has it lived up to your dreams so far?

Speaker 4 (06:14):
Maybe has any expectations I may have had?

Speaker 8 (06:18):
Yeah, certainly. I just think that it was exactly what
I needed at this particular times.

Speaker 3 (06:24):
I'm just waiting for Connor. It's all of a sudden
turn around to the person that's off camera and gon't.

Speaker 2 (06:31):
She's probably like, you canceled dinner plans.

Speaker 8 (06:34):
For this for this.

Speaker 3 (06:39):
It's exactly we we had you.

Speaker 2 (06:41):
We had like put on a fancy shirt dinner and
now fancy shirt. You're you're you're you're being interviewed by
Derek shirt cocking.

Speaker 8 (06:50):
Yeah, no, this is what it's there. Look figs that.

Speaker 4 (06:55):
But oh you have buttons.

Speaker 3 (06:57):
Well you have to wear buttons because your shirt cock
right right, you go right and every day Derek, Derek
take it away. Let's chat with our friends, because he's
had some massive stuff going on here, he has had
in the last couple of weeks.

Speaker 2 (07:10):
So we have the resurrection of Boys Night Out.

Speaker 3 (07:14):
We do as a.

Speaker 9 (07:15):
Full band, round as a full band, as a full band.

Speaker 3 (07:20):
Choose news now.

Speaker 2 (07:22):
So's yeah, you really are at a loss? Shut up?

Speaker 8 (07:39):
Okay, I saw it. That's good.

Speaker 3 (07:41):
I mean you comfortable.

Speaker 8 (07:43):
Yeah, that's right.

Speaker 2 (07:45):
I gotta go.

Speaker 3 (07:48):
And he's left already. We'd it on the air for
eight Wow.

Speaker 2 (07:51):
Okay, I'm ship record recently recently, recently, very recently, just
a couple just like a week and a half, two
weeks ago, you guys, Boys Night Out played furnace fast.

Speaker 3 (08:04):
All over Instagram, fucking yeah, all over a lot of
video to amazing.

Speaker 8 (08:10):
That was wild, right, and that was I was impressed
because when we were playing shows originally nobody was capturing
that kind of thing. So to come back fifteen years
after our last show and all of a sudden, it's
like every moment is captured from various angles all over
the place.

Speaker 4 (08:29):
I'm just like, all right, this is super weird and
I'm into it. Yeah, super bizarre.

Speaker 2 (08:36):
So who plays who plays in Boys Night Out?

Speaker 8 (08:38):
Now?

Speaker 4 (08:39):
Who plays in Boys Out? Is a Scary Loud? As
you know? Is the band I played bass for us?

Speaker 8 (08:45):
So you got comer who plays guitar and sings in
Scary Loud? He is playing bass, your best he is
playing bass, and Boys Night Out our guitar player Joe
is doing lead guitar, and Matt McCausland is on drums,
and our buddy Jet Turner from Florida is also doing guitar.

Speaker 2 (09:09):
And Jet is not a member of the Scary Loud.

Speaker 8 (09:12):
He is not.

Speaker 4 (09:13):
He is a member of the United States of America.

Speaker 2 (09:17):
Oh that's a big band.

Speaker 8 (09:19):
I know.

Speaker 2 (09:19):
There's a lot of people in that one, I.

Speaker 4 (09:21):
Know, but they all play their thing.

Speaker 2 (09:24):
He plays triangle yep, primarily Why no, it's just wondering, Okay, No,
just a question.

Speaker 8 (09:31):
I get upset easily, you know, I'm clearly, I'm easily excitable.

Speaker 2 (09:36):
If there's not pirates in fake rum, I mean, go on, yes,
see now you his attention and a water buffalo. Why
is there a water buffalo?

Speaker 3 (09:46):
Why not? Why? Why? Question?

Speaker 2 (09:48):
Why question the water buffalo?

Speaker 4 (09:50):
Can't let something do what it is from moments?

Speaker 2 (09:53):
Right, Let's talk about your beginnings, sir, because there's a
there is a cassette tape that I came across called
Gang of Five Robots.

Speaker 8 (10:10):
Oh yeah, okay, okay.

Speaker 2 (10:11):
That's from nineteen eighty eight.

Speaker 8 (10:14):
That's from nineteen eighty eight. I was in Gang of
Five Robots in eighty eight. I was just singing. I
was nine years old. Yeah, yeah, then it was terrible.

Speaker 2 (10:25):
And then in nineteen ninety eight you did it again.
I did it again, and you put out, don't forget
your lunch, you don't figure your lunch, honey.

Speaker 8 (10:33):
Yes, that is correct. Gang of five Robots with the
one and only Adam Mansbridge and Charles Monez right, Jason
Milski and Drew White. And that was one of my
first times being the singer in a band, and it
did not go well. It was what you've heard it.

Speaker 6 (10:57):
I know what, Jean, would you say getting a five Robots?

Speaker 8 (11:02):
I would say it's like a pop punk emo, get
up kids style, like very Midwest emo pop punk stuff
at that time. Yeah, Get Up Kids was probably our
single biggest influence of that time.

Speaker 2 (11:20):
Yeah, I would, I would go with that. Yeah, it's
for the age that it was and the age you were. Yes,
I wouldn't say it's the worst thing I've ever heard.

Speaker 4 (11:34):
Thank you. That's the nicest thing anybody's ever said.

Speaker 2 (11:39):
I mean, on scale comparably with like a Drake album.
It's way up here.

Speaker 8 (11:46):
That's all I look for, right, like that Drake scale.
That's where I want to land, the.

Speaker 2 (11:50):
Drake scale you want to be. Yeah, up there at
least like upper upper twelve at least.

Speaker 8 (11:59):
Well, thank you.

Speaker 2 (12:01):
Two thousand and one Night Out you are my canvas.

Speaker 8 (12:06):
Yes, who's that?

Speaker 2 (12:11):
That's Todd He has no testicles?

Speaker 8 (12:12):
Okay, well I hear that.

Speaker 6 (12:15):
Poor guy, he does them.

Speaker 8 (12:17):
That's right.

Speaker 2 (12:18):
Is that them dragging on the ground behind me?

Speaker 6 (12:21):
Yes?

Speaker 2 (12:24):
Shortly after that, in two thousand and three, Yes, we
released the greatest album in Southern Ontario history.

Speaker 8 (12:35):
Oh what.

Speaker 2 (12:38):
Hold on tightly? Let go lightly?

Speaker 4 (12:41):
That's incorrect.

Speaker 2 (12:43):
No, I know, let's make yourselves sick. I know, but
that's my favorite song off that album.

Speaker 8 (12:51):
Okay, that's so weird.

Speaker 2 (12:53):
So that's what I call it.

Speaker 8 (12:54):
That is weird.

Speaker 4 (12:55):
That is a weird choice for a favorite song off
that album.

Speaker 8 (12:58):
I'm into it.

Speaker 2 (12:59):
In all on So okay, So, so Boys Night Out
when Boys and I Out started, who was in Boys
Night Out? Originally just Jeff and I so on Jeff Davis.

Speaker 8 (13:09):
So when we demoed, we did Sketch Artist composite and uh,
the Anatomy of the Journey, and I played drums and sang,
and then Jeff played both guitars and bass. Wow. And
then then we recruited the other gentleman.

Speaker 2 (13:31):
The other gentleman. And so when you when you sorry,
you were you were.

Speaker 8 (13:35):
So I was gonna say. So that was young Dave
Costa on Bates guitar as we all know and love,
as well as Rob passilitch a Ka Boobs on guitar.

Speaker 4 (13:48):
And Chris Stanner was our first drummer.

Speaker 8 (13:51):
Oh okay, yes, of great fame and outspand fame. Yeah,
he was our first drummer. So he played on the
Your My Canvas CP.

Speaker 2 (14:01):
Oh really yes he did.

Speaker 8 (14:03):
Nice, I didn't know that, and you've learned something.

Speaker 2 (14:06):
To That's it. I'm good bye bye nice having you
love you bye? Okay. So the reason I'll tell you
the reason I the reason hold on Tightly Lego lightly
is is my favorite song is because of Jeff. It's
it is. It is the voicings. And that's honestly, it's

(14:27):
one of the reasons I fell in love with Boys
Night Out. I mean, besides the fact that you know,
we're all friends, but literally it's it's the way that
you guys. The way that you guys write is way different,
like melodically, uh, guitar, voicings, everything, and the way that

(14:50):
you guys put stuff together is completely different than anything
I had heard prior, like even different, even different, even
different than like you know, Jersey and Grade and like
like literally anybody else.

Speaker 10 (15:06):
Uh.

Speaker 2 (15:07):
And subsequently later on alexis on Fire and we all know,
all Jeff that is all Jeff yeah, and it's it's great.
And then I then I learned I learned about your
how how how you come out like vocally, yeah, And
I learned that from Comer because Comber produced make Yourself Sick.

(15:31):
Yes we're going to say that. So I learned I
learned from Comber how you come out with your vocals,
and and that is we just recite gibberish until something
sticks to the wall.

Speaker 4 (15:45):
Yep, that the newspaper.

Speaker 8 (15:48):
That is how I started. So that would be the
way that I kind of found how I wanted things
to go together. And then I would write two how
those how those vocal would come together, And that's how
I used to write. Absolutely, I would find those sounds.

Speaker 11 (16:05):
Yeah.

Speaker 6 (16:05):
Bono would do the same thing when with songs. And
then and then if you watch the Beatles Get Back documentary,
you see the McCartney does it. Yeah, coming up with
get Back? You know, so you're I'm for it.

Speaker 8 (16:19):
I love it.

Speaker 6 (16:20):
Yeah, yeah, I think it's useful.

Speaker 8 (16:23):
Yeah, that's wow. I haven't even thought about that because
I don't do that anymore.

Speaker 2 (16:27):
Which now, now you write, you open and the heart
comes out, that's right, Yeah, how do it comes? Spirit
speaks through me? That's spiritual?

Speaker 8 (16:38):
Sure? Yeah, yeah, exactly. You know who I am? I know?

Speaker 2 (16:43):
Uh Kelly Osborne syndrome go on again two thousand and three. Yes, yes,
the separation suicide, this conversation. Yeah, I haven't listened to
that because I haven't got my hands on it. Because

(17:05):
I was one of those people like I wanted physical
like when I got when I got Gang of Five Robots,
I was like Wow.

Speaker 8 (17:13):
How did you get it?

Speaker 2 (17:16):
There are people on the internet that go get anything fair.

Speaker 8 (17:21):
Okay, so dark Web for Gang of five Robots yea,
most people are using that for.

Speaker 2 (17:26):
Yeah, no, I bought. I picked up. I would pick
up like uh, like boxes like milk rates of CDs
and like albums and cassette tapes and stuff, and I
came across it.

Speaker 8 (17:41):
That's awesome. I have a copy of that Separation Suicide album,
do you because I designed it?

Speaker 10 (17:50):
Yea.

Speaker 4 (17:51):
I did the graphic design.

Speaker 2 (17:52):
For It's Pretty for It's Pretty.

Speaker 8 (17:54):
Though, it is pretty, it is nice.

Speaker 4 (17:57):
It turned out nice. Train Rid been there?

Speaker 2 (18:02):
Yeah, yes, Boy's Night Out train Wreck six credits to
your name on this one, that's right. That was released
in two thousand and five. And then probably I mean
besides Scarface and step Brothers, there was a movie released

(18:24):
in two thousand and six called Dude, You Need to
Stop Dancing, Right.

Speaker 3 (18:31):
I'll talk about that.

Speaker 8 (18:32):
Actually, Oh my god, how wonderful. I wanted to talk
about it too. Go ahead, Craig.

Speaker 3 (18:37):
It's still available, Like, can you get it anywhere?

Speaker 8 (18:40):
I don't think so. Man, you'd have to dig deep
on eBay and stuff to find it.

Speaker 3 (18:46):
Really, like you guys wouldn't put it out like on
Spotify or anything like that, like any streaming services.

Speaker 8 (18:51):
It hasn't come up. I have a very strange relationship
with that, really, that that that thing is there is there?
Is there any way that you want to talk about it? Well,
I mean it's just when when I look at that,
I cringe at myself. Really, I'm just like, oh you
on Funny Son of a Bitch.

Speaker 2 (19:12):
You can buy it from Germany, Oh, perfect, and Greece
for five euros perfect. I may so are you ordering it?
Is that I am ordering it?

Speaker 3 (19:29):
Are you getting it on discogs? Yes? Nice is the best?

Speaker 2 (19:35):
Isn't nice?

Speaker 3 (19:36):
It's just fantastic.

Speaker 4 (19:37):
So we can do a viewing party.

Speaker 8 (19:39):
We'll do a live viewing party of.

Speaker 3 (19:41):
It on Revolution Radio.

Speaker 4 (19:44):
Let's do it. We'll watch it and I'll give commentary.

Speaker 2 (19:47):
We'll do director's commentary.

Speaker 3 (19:48):
Will be great?

Speaker 8 (19:50):
Why not? And you will see me cringe at every
sight of myself.

Speaker 2 (19:55):
My favorite which everybody likes to see. Oh, everybody loves
to see. Everybody loves to see them all down. My
favorite line not from you, though. My favorite line is
from Jeff. I bought one of these top line. I
don't know what it does, though, But I got one.

Speaker 4 (20:12):
Yep yep, referring of course, to his lawnmower.

Speaker 2 (20:19):
His lawnmower. Yes, it's a big lawnmower.

Speaker 8 (20:22):
It's very strange, you know how Jeff Davis bias. It's
got to be big man, only the best things for him,
so he'll.

Speaker 6 (20:29):
I don't want us to skip past train wreck though.

Speaker 2 (20:32):
I don't go back to train wreck.

Speaker 6 (20:34):
Oh did you want to have did you have stuff
you wanted to talk about before?

Speaker 8 (20:37):
Well?

Speaker 2 (20:38):
I just yeah, no, I just wanted to ask one
more thing before I buy this? Do I buy before
I buy this? Do I buy it from before we buy? Dude,
you need to stop dancing? Do I buy it from
Noise Freak h H in Germany? Or Fitness Boy in Luxembourg?

Speaker 3 (21:00):
Definitely fitness Boy.

Speaker 6 (21:03):
Really Luxembourg needs the economic help.

Speaker 8 (21:07):
That's right. Okay, there you go. They're having a hard
time and fitness boys falling on hard times.

Speaker 2 (21:13):
Sorry fitness I'm not going to read the whole thing.
Is it a DVD, Derek, Uh, It is a DVD.

Speaker 4 (21:19):
It is perfect digital video disc, fantastic.

Speaker 2 (21:24):
I wish it was a laser disc, guys.

Speaker 8 (21:25):
I would love to it would be funny and I
only cringch because I was I was drinking a lot
back then, and uh, it really comes through overforments.

Speaker 3 (21:38):
Really, that's one of those I see.

Speaker 2 (21:40):
It's how you, it's how you get it, how you
how you get on stage.

Speaker 4 (21:44):
Don't I shot gun a cann of Old Milwaukee or something?

Speaker 3 (21:46):
You do?

Speaker 8 (21:47):
Yeah? You do.

Speaker 2 (21:49):
Wow, it's my greatest thing ever.

Speaker 3 (21:51):
But that I gotta say though, dude that takes balls,
shut down Old Milwaukee, Oh Jesus, tall boy of Old
mill Yeah, there's nothing like a tall boy old exactly. Yeah,
unless there's also lowbrow too, you can do the low
and brows. Lowbrow is fantastic.

Speaker 4 (22:09):
So my god, Yeah, that's the true. But yes, if
you guys wanted.

Speaker 2 (22:14):
To do that, we're one hundred.

Speaker 3 (22:15):
Percent we're doing that.

Speaker 2 (22:17):
Absolutely everybody wants to see everybody I will. We'll call
Robin Jeff and see if they want to come hang
out for it too.

Speaker 4 (22:27):
And they will say an emphatic yes.

Speaker 2 (22:29):
They will probably not say no.

Speaker 8 (22:32):
They're not going to say yes to.

Speaker 2 (22:33):
That at all, especially Jeff Dmitri.

Speaker 6 (22:38):
So I was I was checking out the video for
medicating going back to train Wreck, and uh, it just
seems that like we're still getting were still see like
so many fans say this album change, this album saved
my life. It's like do you does it? Does it?

(22:59):
Sort of like what how do you react to two
fans like saying such fat, like emphatic things like like
how important? How life saving? Like an album like train
Wreck is.

Speaker 8 (23:13):
It's it's the weirdest thing because and as Derek will
attest to, I mean, I went through my own issues
with you know, all sorts of substances and all sorts
of whatever during it, and a lot of the time
it's people having heard that and being like, hey, I

(23:33):
was dealing with my own thing and I could hear
that in there, and that was and I mean, what
else do you say? But like, oh my god, I'm
glad you could hear something in there, Like my god,
that's amazing.

Speaker 4 (23:46):
It's insane and.

Speaker 8 (23:47):
You don't expect that when you're writing, when you know
you're a bunch of stoners or a couple of stoners
and you're writing an album and then to have somebody
say something it's insane. It's insane, and it's and it's humbling.
But you just, I mean, you just you don't ignore
it because that's the worst thing you can do. Yeah,

(24:09):
which is typically my gut response is just like okay, well,
cower away in the corner. But no, I mean it's
when people have been that open with me about it
and their own their own issues and journeys with these things,
then yeah, I mean, I'll take that head on and
I'll I've made actually some really good friendships over the

(24:30):
years from people coming and saying that kind of thing. People,
I still talk to you this to day.

Speaker 3 (24:36):
That's freaking cool, man, It's wild.

Speaker 6 (24:38):
But you were hanging out with like some pretty heavy
company in those days, like Panic at the Disco, my
Chemical Romance and everything, because it was the emo scene.
Those were the emo days.

Speaker 3 (24:51):
Yeah.

Speaker 6 (24:51):
And the thing is, I don't know, I don't know
how you feel about the label emo because to me,
I I think I think most music should try to
evoke an emotion, don't you don't, like you know, like
so like to this this genre it invokes emotion. I
don't know. But anyway, I don't know if you were

(25:13):
I don't know if you were trying to fit that
category or something, or if you were just making the
music that you that you guys wanted to make.

Speaker 8 (25:22):
That was one hundred percent. I mean, we never set
out to sound a certain way. And again this was
led by Jeff. These were the kind of songs that
he would be pumping out that would just sound like
they do. And and I've always thought that they sounded
different than a lot of the bands of our contemporaries
at that time, but still fit within that all in

(25:44):
some weird, convoluted way. But it worked like and so
we would get to tour with these bands, and we
were equally hated by most genres of music at that time.
They and people didn't know where to put us.

Speaker 4 (26:01):
We would do tours with SKA bands and didn't.

Speaker 8 (26:05):
Go over well.

Speaker 2 (26:05):
If you could believe that.

Speaker 8 (26:07):
We would do hardcore tours and people like this band
is too soft for hardcore. We would do tours with
pop punk bands. It's too heavy for pop punk. So
we really didn't fit in anywhere. There was a couple
of things I went but like Followed Boy worked out
well as sort of like tour tour mats and everything.

Speaker 2 (26:26):
But didn't you didn't you guys when you guys toured
with Followed Boy, didn't they start as opening for you guys?

Speaker 11 (26:32):
No?

Speaker 6 (26:33):
No that time.

Speaker 8 (26:34):
Okay, yeah, so that was when that first that that
one album really started to gain traction.

Speaker 4 (26:39):
So those venues just ballooned in size.

Speaker 8 (26:42):
But who opened that tour was Panic at the Disco, right,
And that was right as as they were starting to balloon.
Whereas if that tour happened three months later, there's no
way they would be opening that tour, No way we
would be playing after them.

Speaker 6 (26:59):
Now in a theater company in Niagra Falls, yeah, Patrick,
Theater of Niagara Falls. They've created the play train Wreck
based on your album. Did you see it?

Speaker 8 (27:13):
Yes? Yeah, oh absolutely, I went and, uh, like a genius,
didn't check my passport first, So I went, I crossed
the border with an expired passport. Uh, just basically looked
at the border and please, they're making a play based
on my music?

Speaker 3 (27:32):
Can I go over?

Speaker 6 (27:35):
And yes, sure.

Speaker 8 (27:39):
This is fine. This isn't why we have this whole
operation here to doodle on and watch your performance at
the local at the local theater house. Yeah, super weird,
but yes I got to go see it. And so
Billy and Rosie, who kind of spearheaded that whole thing, Uh,
it was it was nuts to put that kind of

(28:02):
work into creating a stage adaptation of something that was
written in you know, two thousand and four, two thousand
and five, and you know, play those songs, learn those songs,
and then try to create all those moments between those songs.
It was nuts, insanely humbling and uh we we got God.

(28:23):
I still keep in touch with those guys to this
very day. They'll be they'll be at the Toronto show,
which really exciting for me. I don't know if you've
met them, Derek, I don't think so, No, I'll yeah,
you must. Is everybody gonna be there? Are you guys
all coming? I would like to Okay, it's a very

(28:43):
simple process.

Speaker 4 (28:47):
Yeah.

Speaker 8 (28:47):
I would love to induce you guys though, because they're
they are spectacular humans.

Speaker 2 (28:52):
Craig bring the kidd.

Speaker 3 (28:54):
Yeah, yeah, definitely. What's the date?

Speaker 4 (28:58):
Is the thirteenth? Threat the thirteenth of December?

Speaker 3 (29:02):
Thirteenth of December? Oh yeah? And what I'm off on Fridays?
That's great?

Speaker 6 (29:06):
What's the venue?

Speaker 3 (29:07):
And Danforth Music?

Speaker 12 (29:09):
All?

Speaker 3 (29:09):
Yeah, that I knew. I knew it was at the
DA that's great. So, oh fuck dude, that's fantastic. So
can I ask you in regards to that musical who
were the musicians that that they ended up getting for that?
Were they just like local cats or yeah?

Speaker 4 (29:25):
Absolutely so, I mean, uh, it was.

Speaker 8 (29:27):
It was done so Billy had recorded the instrumentation to
it and kind of put it all together and it
didn't use the original audio or anything like that. He
learned these songs and then put them together and they
were played throughout the thing, which is a monumental task
on its own. Yeah, for sure, And and just crushed it.

(29:52):
So yeah, he was responsible for all of that.

Speaker 6 (29:54):
Wow, the narrative. Did the narrative of that show like
this has got a it's got to be a strange thing.
I can only imagine how strange this must have been
for you. Okay, and you have mentioned it was strange,
but it's like, but all right, So in two thousand
and four, two thousand and five, you're working on this album.
There's a narrative to the album. It's a concept album.

Speaker 8 (30:17):
Yeah.

Speaker 6 (30:18):
And then and then a couple like a decade or
so passes and you go see this play like and
was there a resemblance of the narrative you were seeing
on that stage to the narrative that was in your
in your minds? Like two thousand and four.

Speaker 8 (30:35):
Yeah, yep, I mean I I don't know how you would.
There's a lot of stuff in there that I don't
know how you would capture in a live stage performance properly.

Speaker 4 (30:47):
But the way they put it all together.

Speaker 8 (30:50):
And the order of events and the way that they
told the story, they nailed it.

Speaker 4 (30:54):
They nailed it. It was great.

Speaker 8 (30:56):
You know, from from having you know him go to
work and cut off his hands everything, the way they
did it all was like it was they nailed it,
and to know them and everything is just like I
was so proud of them for putting that kind of
thought into there because I got to see it in
a way that.

Speaker 4 (31:17):
I might otherwise not have.

Speaker 8 (31:20):
So, yeah, there were subtle differences to the way I
thought the story was being told, but like pretty much
like beat for beat for beat, they they got it.

Speaker 6 (31:30):
Wow.

Speaker 3 (31:30):
Cool, Yeah, totally nuts.

Speaker 2 (31:36):
I didn't even know that happened, sot out. I'm going
to say that out loud. Didn't even know that was
the thing.

Speaker 6 (31:49):
Why so why did Boys Might Out go away?

Speaker 8 (31:52):
Boys Night went Away? Because for the most part, and
I'll use my eye statements, I was pretty burnt out.
You know, I wasn't the only one. But we were
we were touring ten months out of the year and
not making very good money, as you don't I mean,

(32:17):
you know, we were we were running on fumes. Uh
and uh it was just time. So we for our
final tour, we were supposed to go out to the
east coast of Canada. Uh, and our van broke down
and that was just kind of it. We're like, you
know what, done?

Speaker 3 (32:37):
Was it meant to be?

Speaker 8 (32:38):
Yeah, no, We're like, we're not driving out to the
east coast in the middle of winter. Uh. It broke down.
We're gonna be late now we have to deal with
this and everybody. It was just that that straw that
broke the camel's back and we were done. And then
we just kind of disappeared and we talked about it.
We're like, are we gonna play again or not? And
uh and the answer was ultimately no. Until until and

(33:01):
people would ask and say you're gonna do it?

Speaker 4 (33:03):
We didn't know. We didn't know.

Speaker 8 (33:06):
And until you know, two thousand and nine when we
did the Opera House Show, which was kind of a
farewell show slash I don't know, reunion and Farewell Show
all in one, which which was I mean it was awesome.

Speaker 2 (33:23):
That was and everyone was there.

Speaker 4 (33:26):
Oh yeah, that was that was a why everyone was there?

Speaker 2 (33:29):
Yeah, that was. That was a freaking great time.

Speaker 8 (33:33):
Yeah.

Speaker 3 (33:33):
Was Scotti Comber there?

Speaker 8 (33:35):
Scott was there.

Speaker 2 (33:36):
He was there, he played he played Oh nice Pettitt
was death then? Or was love to Death?

Speaker 13 (33:44):
Yeah?

Speaker 2 (33:44):
They were. They were pink shirt or whatever the hell
they were or black shirts with pink ties or whatever.

Speaker 8 (33:48):
That was. Yeah, I was Love You to Death.

Speaker 2 (33:50):
Then the Strokes. But but but video games.

Speaker 4 (33:54):
Yes, the Strokes, but video games.

Speaker 2 (33:56):
Well said, that's exactly what it is.

Speaker 8 (33:58):
I know what it is.

Speaker 3 (33:59):
I was.

Speaker 4 (34:00):
You were there, don't tell me what.

Speaker 2 (34:02):
Didn't you didn't you didn't you open that?

Speaker 8 (34:05):
Yes I did.

Speaker 2 (34:06):
You did with another band.

Speaker 4 (34:08):
With Crazy Diamond, Crazy Diamond.

Speaker 8 (34:11):
That was it. Yep, that's right. Yeah. So so, which
was a genius move on my part. I figured the
best idea would be for I'll do some singing at
the beginning of the show, compromise my singing, and then
sing at the end of the show.

Speaker 2 (34:31):
You did have a good forty five minutes.

Speaker 8 (34:33):
That's true. Oh my god.

Speaker 2 (34:37):
Yeah, to spend going yeah, no, this is great and
then talking to like subsequently like forty odd people and
then getting back on stage.

Speaker 8 (34:46):
Yep. Yeah, it was wild guy.

Speaker 2 (34:49):
You guys really held it.

Speaker 8 (34:50):
It was fun, man, and it just it was I mean,
like you said, that night was was just insane anyway, Yeah,
like totally nuts. So and then and then to have
fifteen years past and then to do it now you've
been crazier, that's even crazy.

Speaker 2 (35:09):
Let's the fifteen let's so we know the reasons we
went away.

Speaker 8 (35:13):
Yep.

Speaker 2 (35:15):
And I know and as I just I just texted you,
we have a little side check going on. And I
know that I know that you've been talking about it
frequently lately, but there is a very strong heartfelt reason
for why now, yes, yep, And if you know you

(35:36):
would care to elaborate on that, I will let you
do that.

Speaker 8 (35:39):
Yeah, I can do that. So in March of this year,
just over, you know, six some odd months ago, March fourteenth,
Julia mcaaac who who I was dating at the time,
very much in love with, She was murdered by a
friend of ours and she was a huge supporter of

(36:03):
the band. She was always pushing me to get the
band back together, even without original members. She knew that,
you know, it wasn't really gonna happen. So so part
of honoring her memory was to do this and try
it in a way that would just get it back together.

(36:23):
It would be it would be dishonest of me to
say that's the only reason that we're doing this, But
a huge part of it was just, you know, based
on everything that I'd been through in the last six months.
And really, I mean I lost everything over the last
six months. I mean all like money, sanity, everything, you know,

(36:47):
my job. The insurance cut me off after three months
of mental health leave and they're like, yeah, we no
longer support your claim. So I stopped having any income.
I was getting evicted, was you know, maxed out every
every credit card, cashed out, my RSP, my savings, lost
it all, and then threw myself into music. At this point,

(37:11):
I'm like, so if I if I could do something
positive at this point, I needed it. It would be
a way to honor Julia's memory and something she had
wanted us to do and and to and to really
do it and to yeah, just find something at this
point and I.

Speaker 2 (37:30):
Will say that you had you Yeah, yeah, I'll say
I'll say that you found something.

Speaker 4 (37:37):
Well, you were there.

Speaker 8 (37:40):
Shortly thereafter when we shot the scary loud video. I
don't know what I looked like at that point. I
don't know. That's kind of a blur. Yep, that was
a very blurry timeline.

Speaker 2 (37:53):
The fact that you still showed up for that, yeah,
as well, Like I I I literally checked with Coomber
before and I was like, are we still doing this?
And He's like, Connor wants to do it? And I
was like, okay then, because it was it was fresh,

(38:17):
and uh, I think I think there's a there. There
was a bit of it, like there was a bit
of you, a bit of you showed like the wound.
The wound, it was still there right like, and I
think there was I think through the video, like people
can watch the video. Uh, I like you better this way.

(38:43):
And I to me because I know you and I
and I know I know what was going on. I
could see it. Yeah, I could see it, right, but like,
I mean, you soldiered through and it was like, yeah,
you know the funny guy that I've I've known for

(39:06):
twenty odd years. I mean, I know he still he
still comes out and I'm glad that he's still there.

Speaker 8 (39:15):
Yeah, And and there was no other option yeah, I
mean there was, but it wasn't an attractive option. It's
and I've been saying this to so many people at
this point, is is you you either you move forward
or you don't, and whatever that looks like. And that's
that's a super trite and easy way to say things.

(39:37):
But honestly, if you boil it down, you either move
forward or you don't.

Speaker 2 (39:41):
Yeah, we said that, we said that earlier today. Yeah,
you either get stuck or you don't.

Speaker 8 (39:46):
Yes, absolutely, when we were all yeah, and that's all
there is to it. So so I chose early on,
and you know, I had said this to therapist, to
all sorts of people, just like I don't want to stagnate.
I don't want to sit here and be stuck in this,
in this horrible thing, and just let that be all
there is. Yeah, for for no no reason other than

(40:10):
it seems like the only thing to do right. Right. So,
but I was lucky to have some amazing people around me,
some people that you know very well. And yeah, there
was no way, there was no way I could have
done done all of that without them. Yeah, So anybody

(40:31):
that you know, y'all know who y'all are. There's too
many of the list, but like, yeah, it was. I
learned a lot about everything over the last six months
so much.

Speaker 2 (40:46):
I remember when sorry, I don't mean to no cocoa.
I remember, and I remember seeing it, and I'm sure
there were a million a million other like like direct
messages to you and stuff. But I remember when when
you start yes, family.

Speaker 6 (41:03):
I see you.

Speaker 8 (41:04):
Oh my god, this cat.

Speaker 2 (41:08):
I remember when when the Boys' Night Out page announced
furnace fast. Yeah, and it was and and and and
you you did that one you did excuse me, you
personally did that one post where where you spoke about
the reasons of why you were doing this, and literally
it was just a list of people. Yeah that that

(41:31):
some of which I knew, right, but like a like
a laundry list of people of I wish I could
be there with you. I'm with you there in spirit
blah blah blah blah, like just going not blah blah blah.
But like you know what I mean, right, like just
like just whatever, no fine, just well just just like
stand with you, yeah right, And I know I'm talking

(41:57):
shut up, just people standing up with you and and
wanting to stand And I'm sure some of those people
that were saying it were were fans and friends and
like you know, family, that kind of thing. But it's
just it was just it was really it was very

(42:18):
heartwarming to see a bunch of people, uh, supporting an
endeavor of this grandeur and of this nature and.

Speaker 8 (42:27):
Really nice to see and and surprising is the wrong word,
but but in certain terms, because you you get and
and just speaking purely musically, you get a band back
together with one original member, you expect there to be

(42:49):
people losing their minds saying like, well that's not the same,
that's karaoke.

Speaker 4 (42:55):
But even of that, everybody was super supportive.

Speaker 8 (42:58):
And then you know, to to have this and that
acceptance of of you know, the primary reason that that
brought me to needing to do this and and truly,
like you said, and then Furnace Fest to see people,
you know, the conversations I had with people were immense,

(43:18):
people talking about their their own struggles with mental health
related stories, with grieving, with with drug abuse, with everything.
Was I mean, I'm somebody that likes to see any
bit of positivity come out of something horrible, and then

(43:40):
to see it on this scale was was a measurable,
a measurable and Yeah, so that acceptance initially and then
seeing the way people reacted it was it was all
completely nuts, Like what an insane thing? And to keep
doing it is even bigger than that.

Speaker 2 (43:59):
Yeah, and I like that. I like from from from
going to furnace Fest and doing that. I like the
memento you brought home as well. That was that was
really cool. They had a they had a big sheet
and everybody was welcome to come and right there, whatever's
on it, and uh, and they've got it. Comer's got it.

Speaker 8 (44:21):
Doesn't he No, we haven't a sar at Matsouse. So
our guitar player Jet and his wife Vanessa had this
big sheet and they were just kind of sitting over
by the pond stage of furnace Fest and and basically
just said, yeah, come over, sign the sheet. If you
want to sign the sheet, we'll showed off. And then
we brought it to the merch table and more people

(44:43):
signed it. And now it hangs out, hangs up behind
Matt behind the drums when we're amazing and taking.

Speaker 4 (44:49):
That home is awesome. It's amazing to be able to.

Speaker 8 (44:51):
Look at that. Yeah, it's uts, man.

Speaker 2 (44:55):
How many people do you think sign that?

Speaker 4 (44:57):
A three or four billion people?

Speaker 2 (45:04):
Okay, I think was that the number that was at
the complete number for for his fest attendees.

Speaker 8 (45:08):
I think it was a billion, yeah, three or four
billion roughly.

Speaker 2 (45:11):
No, I think you know it's roughly China.

Speaker 8 (45:14):
I am terrible with judging any sort of number, like
whether it's people in a room or.

Speaker 4 (45:22):
Square footage or money so or especially money.

Speaker 8 (45:28):
So I'm gonna say two hundred people, and I don't
know how accurate that is.

Speaker 2 (45:35):
Two hundreds of good number.

Speaker 4 (45:36):
It sounds like a nice thing. It sounds like just
the right thing.

Speaker 2 (45:40):
So I just asked you in the chat.

Speaker 4 (45:42):
I know I'm trying to and you know what, you
know what it's.

Speaker 2 (45:45):
It's fine because I'm just gonna ask you right here,
right now.

Speaker 8 (45:47):
Okay. Good.

Speaker 2 (45:48):
So, Now there are there's a there's a there's a
list of other stuff like Boys Night Out. Boys and
Night Out self titled came out in two thousand and seven. Uh,
there was another. There was another Pale Drone came out
in twenty eighteen, Snakes and Ladders twenty ten. You had

(46:11):
what now I know what was your contribution to Saint
Alba Cartel.

Speaker 8 (46:18):
My primarily artwork.

Speaker 2 (46:20):
Yep, that's it.

Speaker 4 (46:22):
Design design that LP I know.

Speaker 8 (46:25):
And then hanging and hanging out with them so much
at Hotel Alvia.

Speaker 2 (46:31):
Yeah, that that was. That was that was, that was
a party. I went there one time.

Speaker 4 (46:37):
It's the only amount of times you needed to go there.

Speaker 2 (46:39):
And I was like, yeah, it doesn't need to happen again.
And then twenty twenty one boys I out of never
mind too.

Speaker 3 (46:51):
Was sorry, was I'll be right back. Sorry miss I'll
be right back.

Speaker 2 (46:55):
Sorry heartfelt missus.

Speaker 4 (46:56):
I'll be right back.

Speaker 2 (47:00):
He's got a pee.

Speaker 8 (47:01):
I know what that is.

Speaker 2 (47:02):
Yeah, he's an old man. He's a bladder the size
of a p I'm older than him. You have the bag.

Speaker 4 (47:12):
We called that stadium big you can make man.

Speaker 2 (47:16):
Yeah right, that's an old man being to like not
get up and go to the bathroom. Big respect, big respect.

Speaker 6 (47:26):
So you're talking about the hotel, Yes, we were.

Speaker 2 (47:31):
And then we and then we moved on, rudely entrusted
by Craig and his old, tiny infant bladder. As a case,
I like that we paused like like I was ready,
like we were. I was like, and were there was
a thing we're gonna wrap wrap up and stuff and

(47:53):
and now we're just Craig.

Speaker 6 (47:56):
We can't. But we can't wrap up because he.

Speaker 3 (47:58):
Can be charged to be.

Speaker 4 (48:01):
There's no better idea than leaving Derek in charges.

Speaker 2 (48:05):
It's like welcome to Arkham Asylum. Here's the joker. He'll
show you around.

Speaker 4 (48:09):
He'll be serving juice.

Speaker 2 (48:15):
Welcome, Welcome, everybody, have a seat, everybody.

Speaker 6 (48:19):
Well good, Well, Well, I think I just got to
say that I think that that what you're doing right now,
it's sort of like it makes sense to what Boys Now,
Boys Now had always done in that like, and I
think that your fans have always reacted to this. It's

(48:40):
that you're you're the band wears its heart on its sleeve.
It's very open about about the experience. It right about
and uh, and I think that now now you you
have with everything that, with everything that that you've gone
through this this year, I think that like that's what

(49:03):
it's like. They they're responding to your fans are responding
to that. And also I noticed that I know that
like you've reacted to in the band's absence, like how
like people were still getting boys Night Out tattoos and
everything and how you and like that seemed to cause you,
cause you surprise, you know, you know so, but yeah,

(49:27):
but that I think that that's how much of an
of an impact your band has left on its fans.

Speaker 8 (49:35):
It was very much any sort of thing, but like
we were very thankful for that. It was one of
those things that if you got it, you got it
and you wanted to know more. Uh and yeah, so
thankful for all of that. And the fact that people
still get tattooed.

Speaker 4 (49:53):
Is nuts to me. But I'm I'm into Derek.

Speaker 6 (49:58):
How many how many boys might out tattoos?

Speaker 2 (50:01):
Probably one hundred and thirty seven.

Speaker 8 (50:04):
Yeah, you're good with numbers.

Speaker 2 (50:08):
Most of those were done, Most of those were done probably,
I would say between probably you know what that that
that that five years like like make yourself sick, Yes,

(50:30):
but like probably the majority were between like the two
thousand and five twenty ten that makes sense like in
around there like when trade wreck hit and how how
big that that ran for for as long as it ran,
and then the self titled and and how that ran
and stuff like, Yeah, I think I think the I

(50:54):
think the majority was in through there and it's it's
one hundred and thirty, one hundred and whatever. However many
big ones, small ones.

Speaker 6 (51:04):
And and Derek has I'm gonna I'm gonna assume that Derek,
that you've tattooed Connor incorrect correct.

Speaker 2 (51:13):
Oh no, no, no, I did it on.

Speaker 8 (51:15):
The incrrect I did it on knuckles on our tour bus.

Speaker 2 (51:21):
I did. I did do the knuckles.

Speaker 6 (51:23):
Oh yeah, So Derek has tattooed every one of.

Speaker 2 (51:25):
Us, including himself, including him. That. Yeah, when you said
every one of us, Craig also that numbers that included you.

Speaker 8 (51:34):
I like that.

Speaker 2 (51:35):
I lean in like you're a small child that every.

Speaker 3 (51:38):
Time you make fun of lean in. Yeah. Literally, that's exactly.

Speaker 8 (51:42):
What you did.

Speaker 2 (51:43):
You know, it's what you did, right, do better. I
forgot about that. I forgot about the knuckles on.

Speaker 4 (51:49):
The tour, but it's one of my favorite things.

Speaker 2 (51:52):
I remember tattooing Party City on the tour bus.

Speaker 8 (51:55):
You did tattoo Party City.

Speaker 2 (51:56):
I did tattoo Party City. And some random guy that
like got a little black cloud tattooed on him because uh,
he was in another band. He was in another band
and I don't remember who, but he got like a
little black cloud tattooed on him because like he's like
this this too, because it was warped to her right
and he said, this tour has been like fucking absolute

(52:17):
ship and every time they're going with it's like there's
a little black rain cloud above my head. Sorry, Craig
Dimitri saying something Derek. Craig Demiti had to say something Dimitri.

Speaker 6 (52:31):
Anyway.

Speaker 3 (52:33):
So because you're you're one of You're you're a close
bestie of Derek. Here, I've got something that you can
tease Derek about in the future. So play it. At
the one hundredth episode of Canadian as fuck uh slash
Canadian his heck, Derek was talking about showed up my

(52:56):
wife and I do called reindeer games, and he said,
you don't win anything, not even the adoration of your
fucking peers or something. But he was having a real
tough time with the word adoration. So I wanted to
play this for you because goddamn it is it is
goddamn dance remix.

Speaker 2 (53:13):
Is it the dance remix?

Speaker 3 (53:14):
It's the dance remix. It's the dance remix that I did.
So I did this here, so let here we are.
This is a beauty and here we go.

Speaker 2 (53:26):
We're gonna do say here we go one more time.
Here we go, thank you, and we're gonna do that.

Speaker 3 (53:34):
No, not at all. Again, here we go, hang on, No,
that's not it.

Speaker 2 (53:42):
Hang on, here we go Reindeer games on Sundays with
Craig and Jen with two ends, where nobody wins a
goddamn game, not even the adam made adder adamide adder
adam adder adam ad adder adam adimated adoration of your

(54:03):
fucking peers.

Speaker 6 (54:04):
There there's your ad for reindeer games, right.

Speaker 3 (54:12):
How fucking is that money or what? Derek? Honest to god,
Derek says the best ship and when when he when
he's like at her adim adimation, that's the adimation.

Speaker 2 (54:25):
At that point, Craig.

Speaker 3 (54:26):
So it was funny. It was goddamn funny. So anyway,
I just so I got that, and I just looped
it over and over and over.

Speaker 8 (54:33):
Sent that to me.

Speaker 3 (54:34):
I've done, don Ill, No problem, absolutely, no problem. So
anytime Derek, anytime Derek teases you, just look at him
and go adoration.

Speaker 2 (54:44):
I've never tease Connor.

Speaker 3 (54:45):
No, of course, you've never teased Connor. You only tease me,
don't you. Derek?

Speaker 2 (54:50):
Have you looked at yourself?

Speaker 3 (54:52):
I don't blame you. I never said I blamed you.

Speaker 2 (54:54):
Look at that fucking haircut.

Speaker 3 (54:57):
Jesus, what's wrong with my haircu as Jack, but as
Jack as Jack Black and School of Rock would say,
don't you be talking about tie anyway?

Speaker 6 (55:06):
Well, it's a lovely demonstration most certainly.

Speaker 8 (55:10):
That's right, that's my favorite.

Speaker 3 (55:12):
That's right. So listen, is there any like do we
do we have any new music on the horizon, Like
let's let's go, let's talk about this.

Speaker 8 (55:22):
Yeah, so yeah, which is super weird because Jeff was
the writer. Jeff was the Boys Side Out songwriter. But
we we you know, we decided that we are going
to make some sort of attempt here to to create
music that is authentic and real to Boys Side Out.
But it'll it's going to have a completely different flavor

(55:45):
in one way or the other. I mean, you've you've
got you know, four new people writing.

Speaker 3 (55:52):
And you're and you're dude, you're a different person now,
I mean, let's right, right, Like you know, I mean,
it's one of those things where you can go back
and essentially, you know, I'm not going to say cover
your own songs, but really, in a lot of ways,
if if you think about it, you know, bands that
have done this for as long as you guys have
when you're going back and you're playing your you know,

(56:12):
your nostalgic catalog. It's it's just one of those things
that you are a completely different person now from the
person that you were when you were originally sang those.

Speaker 8 (56:23):
Songs, you know.

Speaker 3 (56:25):
So it's it's gonna be fun. It's gonna be great
to see you guys in December.

Speaker 2 (56:28):
Man like Oasis.

Speaker 8 (56:30):
That's what I tell everybody.

Speaker 3 (56:32):
Yeah, perfect emo Oasis. That good, Derek, that's a good one.

Speaker 2 (56:35):
Well nice, he's proud of me. I get a cookie.

Speaker 8 (56:41):
I am. I am proud of you.

Speaker 4 (56:43):
Look how handsome he is. Look at Look at that smile.
You should smile more, baby, look at that point.

Speaker 6 (56:50):
So is it?

Speaker 14 (56:53):
Oh?

Speaker 6 (56:53):
Yeah, yeah, so there's still so there's still tickets available
for the Yeah.

Speaker 8 (57:00):
Not many. So it's all there's like twelve tickets left
and they're all so general admissions sold out.

Speaker 4 (57:06):
Floor's gone, but there's still some balcony seats left.

Speaker 2 (57:10):
Yeah.

Speaker 4 (57:11):
Oh nice, and that's where i'd want to be cool.

Speaker 2 (57:14):
Yeah, well you get nobody pushing you around.

Speaker 8 (57:16):
Yeah that's right.

Speaker 2 (57:17):
None of those kids with their sharp elbows and stuff,
but their tall hair and spikey riists yeah, always constantly
doing this to get their hair out of.

Speaker 8 (57:26):
The that's right, right, No, but yeah, so there's a
there's only a couple left like that. It would pretty quick.

Speaker 3 (57:33):
Do you know who is still able to do that
with his hair? And I just saw it last Friday,
Gorge jesse F Keeler is still he still has that
fucking mane of hair after twenty plus years. He still
does this on stage to get the shit out of
his eyes. It's insane. He looks identical to the way

(57:56):
that he looked when they released You're a Woman, I'm
a Machine twenty five. That's crazy, It's it's insane.

Speaker 2 (58:02):
He literally Empire blood.

Speaker 3 (58:04):
Sebastian doesn't. Sebastian doesn't do that at all, right, But yeah,
I think that's what it is. I think jesse Fer
We're gonna say it here on Canadian Sack, Jessef Keeler
is a vampire. Oh he is a vampire.

Speaker 2 (58:15):
He is a vampire.

Speaker 3 (58:16):
Jesse F Killer is a vampire. Jessef Killer is a vampire.
Heard just we just wanting to hear from Last Gang tomorrow.
Could you do us a favor and take what you
said edit that whole second? Did you just take that out. Then, dude, like,

(58:37):
we got to figure out what music to play here,
let's go.

Speaker 2 (58:39):
I'm just gonna ask him that, No, what do you do?
Song you want?

Speaker 7 (58:48):
Yeah, you don't do this usually usually.

Speaker 2 (58:50):
We pick We're just like, this is what Like Craig
asked me, He's like, what do you want to play?
I'm like, I'm gonna ask Connor.

Speaker 4 (58:56):
Do let's go with is it a boy that out song?
Or do I get yeah? And he's not ever made?

Speaker 2 (59:02):
Well, you can pick. Honestly, I'll play whatever the hell
you want if if preferably.

Speaker 3 (59:09):
It'd be great if it was a boysied out song,
But if you don't want, if you've got a favorite
Canadian tune, you'd like, we'd appreciate it just being Canadian
as heck.

Speaker 8 (59:16):
Right, So wait, here's a question for it. Does anybody
remember the band Sam and Blaster?

Speaker 11 (59:22):
No?

Speaker 8 (59:23):
Okay, Well then that is the end of that, and
I hope you guys have a great day.

Speaker 3 (59:27):
We clearly you guys.

Speaker 6 (59:29):
Do you want to tell do you want to tell
us about Salmon Blast?

Speaker 8 (59:32):
So this band in I think it was the late nineties,
and you cannot find this album. It's not on any
streaming services. They might have been Canadian and if only
there were some sort of website you could go to
that would give you all the information in the world immediately.
But since that doesn't exist, I don't know where they're from.
Derek is googling it now. Sam and Blaster are they Canadian?

Speaker 2 (59:55):
Canadian alternative band from London, Ontario?

Speaker 8 (59:59):
Play the song Freeway by Salmon Blaster because that song
is sad.

Speaker 2 (01:00:04):
It's the first fucking song I'm looking at.

Speaker 4 (01:00:05):
No, I mean on streaming services.

Speaker 8 (01:00:07):
It's not on like Spotify.

Speaker 6 (01:00:09):
It's on the YouTube.

Speaker 8 (01:00:11):
It's on the YouTube, but like not on Spotify, Apple Music.
You can't get it the full thing to be able.

Speaker 2 (01:00:17):
To listen to one word or two Salmon one one word.

Speaker 4 (01:00:22):
Freeway by Sam and Blaster. It's one of my favorite era.

Speaker 8 (01:00:28):
There you go.

Speaker 2 (01:00:28):
I can't believe we're not playing a boys night song.
What you can and if you're gonna do that, probably
gonna later.

Speaker 8 (01:00:34):
Well then play get your Head Straight done. But Freeway
by Salmon Blaster would be way way where Salmon Blaster. Yeah,
I mean it's right here.

Speaker 2 (01:00:44):
Craig. Oh, he's got his hair in front of his
eyes and everything. Craig he does the thing. Do you
find it?

Speaker 3 (01:00:53):
Oh, it's ready to go. You go, Yeah, I'm good, Connor, my.

Speaker 2 (01:00:59):
My Dmitry is going to say good by to you.

Speaker 11 (01:01:01):
Go.

Speaker 6 (01:01:03):
All I'm just saying is that you mentioned you mentioned
the importance of mental health earlier, and and I think
that that's something that we have more awareness about and
that maybe I'm hoping that more people are more mindful
of take the need to maintain their their mental health
and take care of it. And so and I know

(01:01:26):
that this has been a real this year has been
a real challenge for you. So I'm hoping that as
much as positivity that you're getting from the reunion of
boys mined out, I hope that you also find a
way to take care take care of your mental health.

Speaker 8 (01:01:43):
And yes, and I will say too because it has
been such an important journey. I am currently looking to
start a few initiatives related to mental health support for
specifically artists, be they artists on tour, whatever, a nonprofit
something I'm looking to start UH and as well as

(01:02:03):
UH possibly podcast seems to be the format that makes
the most sense. It's just getting artists, musicians on and
talking about their own their own struggles their own uh
successes with dealing with mental health and and just being
as like brutally honest about it as we can be
is something that's really important to me, especially at this point.

(01:02:25):
So yes, I am doing everything to take care of myself.
I have the support of a million awesome people, yourselves included,
and uh yeah, I mean it's so vitally important. But yes,
that's what it's all about.

Speaker 6 (01:02:39):
It's Connor.

Speaker 3 (01:02:39):
You're a proper dude man. Thanks so much for honestly
you're thanks for coming on tonight. We really appreciate it
all you guys as well.

Speaker 6 (01:02:47):
All Right, I'm glad you and and I'm glad that
you got through the struggle of making it show right it.

Speaker 3 (01:02:56):
Actually I think we should. I think we should get
Connor back on for a Chris Smith special and and
do and do a recap, do a recap of the
Dan Forth Music Show, Dan Fourth Music All Show. All right,
I think that'd be great.

Speaker 2 (01:03:10):
Oh wow, we're gonna do the dude you Need to
Stop Dancing video.

Speaker 3 (01:03:16):
I think that will definitely do January for sure.

Speaker 8 (01:03:20):
That idea, Yeah, amazing.

Speaker 2 (01:03:23):
It'll be like a listening a listening party.

Speaker 9 (01:03:26):
Online with eyes no no, no, no, dude, No with eyeballs,
no big screen, speakers, loud speakers, bars, set up, people, chairs, dancing, drinking,
having fun.

Speaker 3 (01:03:42):
Yes, absolutely, no, we're going to do that.

Speaker 2 (01:03:44):
We're gonna do live.

Speaker 3 (01:03:45):
Yeah, we're going to get some. Let's get some, let's
get some Canadian his Heck, I agree.

Speaker 8 (01:03:53):
I'm so into this.

Speaker 3 (01:03:54):
Okay yeah, no, not this fucking anybody?

Speaker 2 (01:03:58):
No, No, okay, no, I know places we can do
this doesn't.

Speaker 3 (01:04:03):
It's just it's so funny sting on the only like.

Speaker 8 (01:04:09):
This stuff.

Speaker 3 (01:04:11):
It's like I'm sitting here shitting on it the only
way that we actually get across to our audience. But anyway, No,
this is definitely we're gonna hook this up for sure.

Speaker 2 (01:04:20):
Connor's Connor's got somebody waiting for him. So we're gonna
till the Swinton. Yeah, not till the Swindon, till the Swinton.

Speaker 8 (01:04:30):
Got it.

Speaker 3 (01:04:32):
She's she's different, Connor. Just so you know, it's gonna
take Derek fifteen minutes just to front sell your song.
I can't wait.

Speaker 8 (01:04:40):
I can't wait.

Speaker 3 (01:04:41):
Sorry, Eric, you know, sorry.

Speaker 2 (01:04:43):
What Boys Night will be playing later?

Speaker 8 (01:04:45):
Get your head straight straight. Thank you.

Speaker 3 (01:04:49):
This is sim No.

Speaker 2 (01:04:53):
From London, Ontario. Brought to us by Connor from Boys'
night Out from Burlington, Ontario. Oh, I love this honor.
It's been. It's been lovely hanging out with you.

Speaker 6 (01:05:03):
Thank you, Thank you, Thank everybody, everybody your mic this.

Speaker 2 (01:05:09):
And and and do me a favor and say say
hi to your little lady for me the next time
you see her, you know. And uh, I love you
very much.

Speaker 4 (01:05:17):
Sir, love you too, my friend. Thank you guys very
very much.

Speaker 2 (01:05:20):
You're welcome. All the best Sam and blaster free way,
let's get into it, no you.

Speaker 10 (01:05:52):
Dog nuts and the.

Speaker 15 (01:05:57):
Rosmellia.

Speaker 11 (01:05:58):
Thanks This day about when you get luck atty holiday,
Lann It's side game back dude. And we watched the
Stingy Friday and said, well this day.

Speaker 16 (01:06:13):
Life, everything is gotta be hot.

Speaker 10 (01:06:21):
Before reds down and before reds down.

Speaker 17 (01:06:38):
And be away.

Speaker 15 (01:06:42):
On the holloway jobs.

Speaker 18 (01:06:44):
Can we might love being fine?

Speaker 17 (01:06:50):
It's black to.

Speaker 16 (01:06:50):
Rely on side that sunfore it's contact raining constantly, it's gone,
it's got drinkings, got tray, doc, got Nesday side, Missy
go out this not in the board six.

Speaker 15 (01:07:10):
You got this day?

Speaker 7 (01:07:12):
We can begin to can stop from this problem?

Speaker 5 (01:07:16):
Is I don't the wup go find out a seat twice.

Speaker 7 (01:07:27):
We'll not find out to.

Speaker 17 (01:07:31):
Them, So go.

Speaker 7 (01:07:38):
F so gos.

Speaker 17 (01:07:46):
Just my start.

Speaker 10 (01:07:52):
Before we do so and I side it's kind of work.

Speaker 3 (01:08:13):
Connor from Boys Night Out, Brother, thank you so much, man,
We really appreciate you being here. Dude, Aga, you are
freaking awesome. That was definitely not Sam and Blast or no.
No thanks again, man, we really appreciate you being here, buddy.
Thank you, guys so much, Thank you, Thank you. When
you get home, Jarem, we're gonna go and keep doing
this thing that we call Canadian as heck, and Dimitri's

(01:08:35):
gonna tell you all about this on the other side.
Some serious stuff going on with this band right now,
some forty one revolution radio.

Speaker 13 (01:08:50):
Every moment and Lady Jobs, you take the blame. Sorry,
and I don't miss you, but there's no name you deserve.

Speaker 16 (01:09:04):
I'm just a kid with no ambitions, but have come
home for the world.

Speaker 15 (01:09:10):
Never know the word. I've become the king of the Fall.

Speaker 5 (01:09:14):
That said, and.

Speaker 15 (01:09:16):
If I got inside.

Speaker 7 (01:09:21):
The city's married in defeat. I walk along these no name.

Speaker 15 (01:09:26):
Streets with good bats.

Speaker 19 (01:09:31):
As a fall, I said, I begin to put that

(01:09:59):
bridge a satisfaction.

Speaker 13 (01:10:02):
I guarantee I'll fill away fantastrophe on a permission, knowing
about in a phibitions.

Speaker 7 (01:10:08):
Under the crowd, a shallow grave. I'm talking by myself.

Speaker 15 (01:10:13):
And now I thing gone for so alone, I can't
read from.

Speaker 5 (01:10:23):
Satin sails.

Speaker 8 (01:10:24):
Oh God, my friend, I believe just you, o world,
I'm justly.

Speaker 20 (01:10:29):
Where I blow the looking dissster, the son of professors.

Speaker 17 (01:10:35):
You read it.

Speaker 5 (01:10:36):
You made me.

Speaker 7 (01:10:37):
It's still late to save me, requet you made me
do it? As I can tell, tells voices in my head.
Am I talking to myself because I don't know what

(01:10:58):
I just said? That the fars where myself?

Speaker 15 (01:11:01):
Maybe I'm better.

Speaker 13 (01:11:03):
I said, Am I high at the end of nowhere
is this saturate as a guest.

Speaker 10 (01:11:08):
And now I thank God for so I can't ring them?

Speaker 7 (01:11:14):
Who was wrong?

Speaker 20 (01:11:17):
Then said sash God I planed.

Speaker 5 (01:11:22):
Child lead just to a well.

Speaker 20 (01:11:24):
I just call where I belove, waking to center the
sun of the masters.

Speaker 7 (01:11:30):
You ring that you made me say.

Speaker 21 (01:11:33):
To save me, save me, save me, save me, to
save me, say.

Speaker 17 (01:12:14):
Me pay me?

Speaker 7 (01:12:16):
And now, oh gods, so.

Speaker 5 (01:12:21):
I can't remind Alena sent says, oh my god, I
fled your algia.

Speaker 4 (01:12:31):
S low brother just got.

Speaker 7 (01:12:33):
Leave where I both Looking Disaster, the Son of a Masters.
You remad you made me too late to save me.

Speaker 18 (01:13:00):
I will be home in a while.

Speaker 7 (01:13:03):
You don't have to say a word. I can't a
wait to say you smile.

Speaker 18 (01:13:08):
Wouldn't miss it for the world.

Speaker 10 (01:13:11):
I will be home in a while.

Speaker 7 (01:13:14):
You don't have to say a word. I can't await
to see you smile.

Speaker 18 (01:13:20):
Wouldn't miss it for the world.

Speaker 6 (01:13:24):
That was some forty one from their two thousand and
seven album Underclass Hero. That was Walking Disaster and some
forty one are currently on the oven in Europe wrapping
up their final tour. Their final dates are in Canada
in January and culminating with their with two consecutive nights

(01:13:52):
at Scotia Bank Arena in Toronto on Jane twenty eighth
and January twenty ninth. No January twenty eighth and January thirtieth,
so they're not consecutive nights, but the January thirtieth show
is of course already sold out. Oh yeah, tickets are
still available at at for the January twenty eighth show,

(01:14:15):
and they're going to be on stage and opening up
for them are going to be Pup and Gob, So
that's kind of yeah, so.

Speaker 3 (01:14:23):
Oh wow, yeah wow, that's a show.

Speaker 8 (01:14:27):
Wow. Yeah.

Speaker 6 (01:14:28):
So also, but that's not the that's not I didn't
want to only talk about how they're on their final tour.
As as a lot of people probably know. Lead singer
Derek Whibley released his uh autobiography Walking Disaster My Life
Through Heaven and Hell just a couple of weeks ago,
and it was it's a bombshell because it makes some

(01:14:51):
gigantic allegations against Treble Chargers Greg Nori and He Whibbley
q Nori of coursing him into a sexual relationship when
Noriri was in his thirties and Whibley was a teenager,
and Nori issued a statement denying those allegations, and he

(01:15:16):
went further saying he's it was Whibly who initiated the
sexual relationship, which he describes as consensual, and then Whibly
fired back after that statement saying challenging Nori to settle
things in court. So so we're no, no charges have

(01:15:42):
been laid or anything like that, nothing like that, but
allegations have been thrown about. So I think for the
safety of this show, I think I'm going to leave
it at that. But it's it's he Whibley's. Whibley's autobiography
is making some waves.

Speaker 8 (01:16:07):
It is.

Speaker 2 (01:16:07):
Indeed, I have not had a chance to read it yet,
but yeah, it's.

Speaker 3 (01:16:12):
It's pretty heavy stuff. So yeah, well listen, thanks Dmitri
appreciate it, buddy, huge, thanks to our man Connor, our
new bestie, Connor, my bestie in Dimitri's bestie, not just Derek's.
You can't have him.

Speaker 2 (01:16:28):
Oh he's not my bestie. He's not one hundred percent.
He's not my bestie. Craig's your bestie, right, No, he's family. Okay,
Oh there there's a difference.

Speaker 3 (01:16:41):
Oh, there you go. Oh that was sweet. I thought
for a second there I.

Speaker 2 (01:16:48):
Was actually waiting and waiting for me to say something.

Speaker 3 (01:16:54):
Yeah, all of a sudden, Derek's phone rings, like.

Speaker 8 (01:16:56):
What we're What I did? I did say?

Speaker 6 (01:16:59):
It was a it was a demonstration of brotherhood earlier.

Speaker 3 (01:17:03):
So yeah, absolutely, I have no idea what I'm doing.

Speaker 2 (01:17:09):
Oh of course I know what I'm doing playing salmon
Blast ye your piece of ship?

Speaker 11 (01:17:13):
No?

Speaker 3 (01:17:14):
Absolutely, really, I do you see me even leaning away
from you on screen?

Speaker 8 (01:17:24):
Oh?

Speaker 2 (01:17:24):
Yeah, I said I wasn't gonna swear a lot, right, Yeah.

Speaker 3 (01:17:28):
But no, you've actually no, you've done, You've actually no,
you've actually done. Okay, you've done, you've been doing well,
you're all right.

Speaker 2 (01:17:34):
Sorry if that was rather venomous, that was a prick,
so a look at your phone.

Speaker 3 (01:17:43):
So listen, we are going to play a new tune.
We're not a new song. It's a song that we've
actually been playing on Revolution Radio now for well over
a year, and it's because of the fact that we
adore these guys and the lead singer just happens to
be our dear friend, Scottie Khmer. This we're actually about
to play the band for you that is out on

(01:18:04):
tour with as the backing band for our man Connor
of Boys Night Out.

Speaker 2 (01:18:10):
Hey, you know who plays Do you know who plays
bass in that band? Who in the in the Scary Loud?
Do you know who plays bass in that band?

Speaker 3 (01:18:17):
Who is that?

Speaker 2 (01:18:19):
Connor? You adult?

Speaker 3 (01:18:21):
Oh right, okay, that was great, Derek. I appreciate it.

Speaker 17 (01:18:29):
Derek, I don't know.

Speaker 2 (01:18:30):
Who plays bass in the Scary Loud? Connor, you fucking
suck at this game.

Speaker 3 (01:18:36):
So yeah, apparently apparently I don't know because your shirt
cocking that's why. Okay, So we are going to spin
this it is. Every time I hear this on Rev Radio,
it actually it literally puts a smile on my face.
I can't quit the drugs. Here's the scary louder Man
Scottie Comer on Vocals, episode one zero three of Canadian

(01:18:56):
as Heck on Revolution Radio Canada.

Speaker 8 (01:18:59):
Fuck you, Derek, I hate your face.

Speaker 3 (01:19:04):
That would have been so much better if I had
to put the pot up on the shadel that I
was trying to play.

Speaker 2 (01:19:11):
And your mic was on. Here we go. I know it,
we know it, we know it.

Speaker 7 (01:19:20):
Everybody knows it.

Speaker 8 (01:19:22):
But do you know it?

Speaker 2 (01:19:23):
Can you see that ship?

Speaker 7 (01:19:25):
Can't possibly believe it that you said you quit and.

Speaker 18 (01:19:29):
You're over, but we all know it's gonna.

Speaker 22 (01:19:31):
Go Sauf dash ship, shang your lips, deep beard, Scots
fucking telling yourself.

Speaker 3 (01:19:41):
Can't stop it?

Speaker 22 (01:19:43):
No, not just stick because the pain won't said even
if you can't quite come to it.

Speaker 5 (01:19:48):
Stack wepp because we're gonna get and we all know
what's gonna go. Way, I not just handle my time, baby,
see no bond.

Speaker 18 (01:20:09):
This fine sud the trip with.

Speaker 7 (01:20:14):
Shit queen, the drugs.

Speaker 17 (01:20:17):
Yet I know it, they know it, we know it.

Speaker 18 (01:20:27):
Everybody knows it.

Speaker 8 (01:20:29):
But do you know it?

Speaker 1 (01:20:30):
Do you see that ship?

Speaker 7 (01:20:32):
I can't possibly believe that.

Speaker 3 (01:20:34):
Then you signed quick and you're alba, but we all
know it's gonna go on.

Speaker 5 (01:20:45):
Wait and my designtic time, baby.

Speaker 10 (01:20:53):
See no bond like this.

Speaker 7 (01:20:56):
It's fine s trip with.

Speaker 5 (01:20:59):
Me, Chance queen.

Speaker 8 (01:21:03):
Jeez.

Speaker 7 (01:21:03):
Yes, my friends are quitters by.

Speaker 10 (01:21:07):
What were sinners? Boy said black bear word.

Speaker 5 (01:21:14):
My letter decide wanted to side not I decided to.

Speaker 15 (01:21:55):
Go this time.

Speaker 2 (01:21:59):
So okay, I told you what song I wanted fucking

(01:22:32):
we were gonna play, because we're gonna play. We were
gonna play Sam and Blaster for Connor.

Speaker 3 (01:22:36):
Like unbelievable. And I'm sitting here saying to Dirk do
you want me to play next? Do you want me
to play next? And he's like Sam and Blaster. I'm like,
I've got forty seconds of left of my of my
and and and then I say and then I say
more content and then I'm like, what's the song called it?
When we argue, and then Derek goes, yeah, don't fight no, seriously,

(01:23:00):
go to your goes there goes can't quit the drugs,
And I'm like, not the fucking song that's playing now?

Speaker 11 (01:23:06):
What?

Speaker 8 (01:23:06):
So do you want that.

Speaker 3 (01:23:08):
I know this song is called Can't Quit.

Speaker 2 (01:23:10):
The trugs said, you sold what's this song called? Unfucking
believable song by Sam and Blast?

Speaker 8 (01:23:16):
I did?

Speaker 2 (01:23:17):
What it's right there?

Speaker 3 (01:23:18):
Oh actually I did say that. Yeah, you're right.

Speaker 13 (01:23:20):
I did.

Speaker 3 (01:23:21):
Okay, yeah, no, no, you're right into what's the Why
did I Why did I type? What's the song called?
I know that I front sold that song?

Speaker 6 (01:23:28):
No?

Speaker 3 (01:23:28):
Okay, So anyway, I got your fucking salmon blaster here. Okay,
everyone sell the care taken away a lower the temperature.

Speaker 6 (01:23:36):
Let's get the show on the rid.

Speaker 3 (01:23:38):
Fuck him? Oh so you want me to play it,
but you're not ready to front cet.

Speaker 2 (01:23:48):
Actually like fifteen minutes ago, yeah, half an hour, I
changed fucking browsers.

Speaker 3 (01:23:59):
Oh my god, he's playing it on the Browsers.

Speaker 2 (01:24:02):
Be an alternative rock band from London, Ontario.

Speaker 3 (01:24:04):
Wow, he's playing.

Speaker 2 (01:24:05):
The lineup consisted of guitarist Matt Worm, drummer Brady Parr,
Bassis Matt Davis. They were best known for their nineteen
ninety six song Freeway Oddly We're gonna play that one
from their Sam and Blaster self titled album, which received
regular play on Canadian music station much music. Their nineteen

(01:24:30):
ninety six self titled album was one of top ten
hits in Canadian college music charts in ninety six, peaking
in number five of July of that year. By November
nineteen ninety six, they were Toronto's best selling indie band.
But they're from London that no one's ever heard of.

Speaker 3 (01:24:49):
Hey, we know another great band from London, don't we, Dimitri.

Speaker 6 (01:24:53):
Candarvas, yep, Produda.

Speaker 3 (01:24:56):
Maybe we should play some Candarvas before the end of
the show. Sorry, sorry, Derek, keep going.

Speaker 2 (01:25:01):
I thought this was the end of the show. No,
it's not even what Okay, I got ship to do anyway.

Speaker 3 (01:25:13):
The show is what you have to fucking do on
Monday nights. I just wanted to let you know I
have to wash my hair. That's why you're wearing a tuc.

Speaker 2 (01:25:23):
Yeah it is. You should see this ship. Hold on,
look at Oh god.

Speaker 3 (01:25:28):
Oh good lord. That's fine. It's fine, it's fine.

Speaker 2 (01:25:33):
It's a good thing. I can't fucking hear you.

Speaker 3 (01:25:35):
All right, Just front self, freeway, buddy. Further, this is uh,
this is gonna.

Speaker 2 (01:25:43):
Be in my fucking ears here, which is really loud
in my ears. O, we're talking in cave.

Speaker 8 (01:25:48):
Pull it up, pull up, go for it.

Speaker 6 (01:25:51):
God, are you are you throwing it to YouTube or something?

Speaker 2 (01:25:55):
Yeah, we're throwing it to YouTube.

Speaker 6 (01:25:56):
Which means that we're gonna get that reverb thing up.

Speaker 2 (01:25:59):
That's what he said, throw it. That's why I'm gonna
do it now instead of him pulling it up. That's
why I'm like. I was doing this because I thought
he was going to pull it up and I was
going to pull my ears off. But we're not doing that,
and we're just you know, creating more content by yammering
on about stuff. Sam and Blaster Freeway nineteen ninety six
Right here, Revolution Radio Canada's Canadian as Hack. It sounds

(01:26:22):
like I got like doing this in a saum. That's
kind of shut it up, sam.

Speaker 8 (01:26:29):
My Blaster.

Speaker 5 (01:27:01):
Sign some war.

Speaker 11 (01:27:36):
So I.

Speaker 10 (01:28:35):
Don my black looks.

Speaker 7 (01:28:38):
So how are you as a.

Speaker 15 (01:28:42):
Child?

Speaker 18 (01:28:43):
It's not a lass flat jut down at.

Speaker 16 (01:29:10):
What was I three ten thousand ls scondrawn as the time.

Speaker 5 (01:29:28):
Time sens.

Speaker 14 (01:30:11):
M all right?

Speaker 3 (01:30:29):
So that fuck? That was actually thanks that our friend Connor.
That was fucking cool.

Speaker 6 (01:30:38):
I remember that song.

Speaker 3 (01:30:39):
Very cool, very cool stuff. That was great.

Speaker 6 (01:30:41):
That was a that was a nice blast from the past.

Speaker 3 (01:30:45):
You never hear that anymore, so, Dimitri, in order to
play your song next, I have in the fish tank
one or wrong, as far as an album goes for wrong,
got it?

Speaker 6 (01:30:58):
Thank Youill is am I friend selling it right now? Okay?
This you are all right? This is episode number one
oh three of this show called Canadian as heck. Uh,
three episodes ago.

Speaker 2 (01:31:19):
If you do your arithmetic that we were at want
to ask Connor he's bad with numbers.

Speaker 6 (01:31:25):
We were at episode numbers one.

Speaker 3 (01:31:28):
No, Derek, Derek, no, but he said he was Okay.

Speaker 6 (01:31:34):
Sorry, all right, it's okay to be rapad with numbers.
It is not everybody is good at the same thing, okay,
But anyway, uh yeah, So we were three episodes ago.
Was episode number one hundred and our good buddy Johnny Dovercourt.
And whenever I say the name Johnny Dovercourt, I have
to pull up a book, okay, and it's uh, let's see,

(01:31:58):
let me see if if I I am holding this
up where it's supposed to be. Okay. So yeah, so
that you were looking at you're looking at any night
of the week. A Diy History of Toronto Music nineteen
fifty seven to two thousand and one great book. But anyway,
he was part of episode number one hundred. We were
asking everybody on the show what their favorite Canadian album

(01:32:20):
of all time was, and he said wrong by no
means no, and I got admit, as cool as I
may seem, you know, you're awesome. As cool as I
may seem, I am not. I was not the most
knowledgeable about that Victoria Beat British Columbia punk band.

Speaker 8 (01:32:43):
Yeah.

Speaker 6 (01:32:44):
So they were a little bit. They were a little
bit that was a little bit beyond my scope of expertise.

Speaker 8 (01:32:49):
So I so I had I took it up.

Speaker 3 (01:32:52):
I appreciate Dmitri more about them, Dimitri, Yeah, I really,
I appreciate your honesty when I when I get myself
into a situation too where it's like I'm checked or something,
it's like, I fully admit it, and I'm I appreciate
your honesty.

Speaker 2 (01:33:07):
I love being wrong about something.

Speaker 6 (01:33:09):
I wasn't wrong. I was just like I just didn't
know about it. Yeah, you know, so like they like,
it's not something I was like, I was not listening
to a lot of no means no in nineteen eighty nine.

Speaker 3 (01:33:20):
Me neither mean neither no.

Speaker 6 (01:33:21):
But but the thing is they if you listen to Wrong,
that is a smoking punk album.

Speaker 8 (01:33:33):
You know, that is ough.

Speaker 6 (01:33:36):
You know, I'm gonna, We're gonna, I'm gonna play. I
picked a I picked a more, I picked a more
upbeat song called Big Dick to play right by No
Means No. But the thing is, like there's a song,
the second track or the second or third song on
the on the album is this song called the Tower
and it's just this blistering, ferocious song and like there's

(01:33:58):
so many it's just great from beginning to end. You know,
it's it and uh yeah, and Wrong Wrong got the
band a big European audience, you know, but like there,
you don't expect a band like that to come out
of Victoria, British Columbia, which, let's just face it is

(01:34:21):
seen as the as Canada's retirement capital.

Speaker 23 (01:34:25):
You know.

Speaker 6 (01:34:27):
Also another year is their geriatric band Well now maybe,
but in a book about the group. Also interestingly, a
book about No Means No was released earlier this year
called No Means No. From Obscurity to Oblivion and Oral History,
and it has a forward by Fred Armison, who many

(01:34:51):
of you will recognize from Saturday Live and he's also
a huge punk fanatic and uh, it contains insights from
the band from such varied figures as Nardwar, the Human Serviette,
Sam Dunn, and Dave Grohl.

Speaker 3 (01:35:07):
So, uh, that's yeah. So I think what we should
do is we should actually talk about indie and punk
and all of that sort of stuff on the on
the other side. So we'll have a conversation about it.
But definitely sorry to make you take it away.

Speaker 6 (01:35:19):
Well, okay, So I'm just gonna throw it to the
song this is uh, this is No means No with
Big Dick from the album Wrong in nineteen eighty nine. Uh,
this is Canadian Zach on Revolution Radio Canada.

Speaker 7 (01:35:50):
Yeah, tell me.

Speaker 15 (01:35:54):
Good go.

Speaker 10 (01:36:01):
Queen figure, come where.

Speaker 8 (01:36:24):
Well you want?

Speaker 15 (01:36:26):
How do you just give me the rest of the diction?

Speaker 7 (01:36:31):
Blacksmith, Christmas happen.

Speaker 17 (01:36:37):
Ter come.

Speaker 10 (01:36:43):
Viture go where.

Speaker 16 (01:36:58):
Now well bell till those stand and sun God.

Speaker 15 (01:37:06):
Ll be till those step and so God, oh my God.

Speaker 3 (01:37:41):
Get back.

Speaker 15 (01:37:42):
Hope got the cock.

Speaker 23 (01:37:46):
I'm saying amount of hypogast I got Hope?

Speaker 7 (01:37:48):
I got the cock?

Speaker 15 (01:37:49):
D twin what's a nice girl?

Speaker 2 (01:38:23):
Life in a place that is I've been staring untill night.

Speaker 17 (01:38:27):
You want to go back to my place mind.

Speaker 3 (01:38:30):
Back pical science and start talking talk talk talk talk.
Well I can't. I can't find the song that Derek's

(01:38:52):
asking me to.

Speaker 2 (01:38:53):
It's title.

Speaker 3 (01:38:54):
It's right there, yeah, I know, but it's that's that's
so okay, that's.

Speaker 6 (01:38:59):
The link, sure right anyway, So anyway, how about that
bass hunt that was Basis Killer.

Speaker 3 (01:39:09):
I swear to god, I'm gonna fucking what.

Speaker 2 (01:39:12):
I'm gonna hold on, hold on, I'm gonna send it
to you, sending in the link. I'm sending him the
link right now. Anyway here it sucking comes bam.

Speaker 19 (01:39:23):
So I don't.

Speaker 3 (01:39:29):
Oh, it's the video.

Speaker 6 (01:39:30):
Oh hang on a second, okay.

Speaker 2 (01:39:34):
Oh, double video day.

Speaker 6 (01:39:37):
Possibly so interesting thing about so no means to know
was Robin John Wright. Okay, they were North America and
uh they were they were they were signed to Alternative Tentacles, uh,
which was run by Jello by off by AFRA. Mm
hmmm real yeah, so he was already a legend by

(01:40:01):
by the mid eighties.

Speaker 2 (01:40:03):
I don't like him, Well tell him, I don't like him.

Speaker 6 (01:40:07):
I can't say I don't like you, don't like the
Dead Kennedy's.

Speaker 2 (01:40:10):
I don't like the Dead Kennedy's.

Speaker 6 (01:40:11):
Okay, I wasn't.

Speaker 2 (01:40:13):
I'm not a big like dare I use this hardcore
punk like I'm not, I'm not like a true fan.

Speaker 3 (01:40:21):
Yeah, no, I I I've actually something, I've got something
to to kind of dovetail onto what Derek saying.

Speaker 2 (01:40:27):
Yeah, I totally agree, I do.

Speaker 3 (01:40:29):
Yeah.

Speaker 2 (01:40:29):
I just I was never a fan.

Speaker 5 (01:40:32):
I was.

Speaker 2 (01:40:32):
I was never a fan of it. I just it
I found it too grading.

Speaker 24 (01:40:40):
I am.

Speaker 2 (01:40:41):
I am very uh melodic musically in my choices, and
I just I just couldn't. I couldn't get behind it,
like and none of it, like honestly, like like it's
not even sex pistols Like I was just like, eh,
like I could I could really give a ship like

(01:41:01):
I didn't care, but like Dead Kennedy's even misfits, I
was like, eh, bunch.

Speaker 3 (01:41:12):
I can I can understand that. So some stuff, some
stuff for me I loved. But you know, recently there
was a video of Howard Stern was interviewing Henry Rawlins,
and Henry Rawlins was like shitting on you know, a
couple of bands sting and you two in regards to
the singer, can't this and you know the band is

(01:41:34):
like a bar band at best, and stuff like that.
He's saying, this is Henry Rawlins saying about you too,
And I'm like, really, because fucking black Flag, No. Four
fucking chords, and you're sitting You're sitting, You're sitting there,
You're sitting there shitting on the quality of a group
of musicians, and you stand in front of a fucking

(01:41:55):
audience going over three fucking cores words you're like, apparently, yeah, apparently,
apparently you have the You're the you're the yardstick as
far as excellence goes. There was just too precious for me,
That's all I.

Speaker 6 (01:42:12):
Think that original punk there, there was a point to
it because they were rebelling against bands like Genesis and
Emerson Lake and Palmer and Yes and like who had
got who had gotten? Were rock? They were taking rock
in too much of a classical virtuosity type of direction,

(01:42:35):
you know, And so the punk movement was about pulling
it back to basics and saying that, Okay, this is
Ramones one, two, three, f and and it's just like
make it basic, bring back basic rock and roll.

Speaker 3 (01:42:52):
No, I get that, and I totally understand that what
I think, But.

Speaker 2 (01:42:56):
If you want to like, sorry, I'm gonna I just
want I want to jump in on that punk wise,
I mean the Ramones versus Black Flag. I'll fucking Ramones
all me too.

Speaker 3 (01:43:13):
Ramon's all fucking dead, no problem.

Speaker 2 (01:43:16):
There's a lot more melodic structure and what and again
going on with the Ramones.

Speaker 3 (01:43:22):
Then again stuff like stuff like Dad Kennedy's and Black
Flag and Bad Brains and stuff like that. I liked
all that stuff. I perfect I liked it perfectly. Fine.
It was fine. But it's just to to be so
fucking precious and sit on the Howard Stern Show and
say a group like you too, you know, is not

(01:43:42):
are not musical enough? It's like, what the fuck are
you talking about it? And the thing is just and
I would say, and I would sit down with fucking
Henry's neck in front of them and have this conversation say, look, dude,
like I mean, no offense, but you're not on. That's
like literally that's okay, it's literally like.

Speaker 2 (01:44:02):
I don't know, uh, calling yourself a chef.

Speaker 3 (01:44:08):
Kind of yeah, I mean that's actually you know what, Derek,
that's probably a really really good, uh good analogy. It's
like you know what I mean, It's like, yeah, like
you're not you are not the guy.

Speaker 2 (01:44:20):
It's amazing from fuck you, I don't care about anything
to I'm better than everyone else.

Speaker 3 (01:44:26):
Yeah, like I don't.

Speaker 13 (01:44:27):
I don't know.

Speaker 6 (01:44:27):
I don't. And I think that that's that's something. There's
there's a snobbery that rose up with punk and and
that's what I don't get because that's not I don't
think that that fits what punk was supposed to be. Yeah,
because I'm thinking, yeah, make it, bring bring rock and

(01:44:48):
roll back to basics.

Speaker 2 (01:44:50):
Yeah, you were Diana Hotel, Room of Heroin.

Speaker 6 (01:44:53):
But then don't be the harbiter of what's good and
what what's not anything.

Speaker 3 (01:44:58):
Yeah, exactly exactly, that's exactly right, Dmitri. Yeah, it's like
I'm sorry. It's just like you're the guy that's screaming about,
you know, screw the establishment, screw this and screw that
and stuff, and all of a sudden, you're the guy
that is determining what is good enough as far as
a rhythm section goes. It's like, no, sorry, dude, you
don't have it. I'm sorry, you just don't. And I'm

(01:45:18):
a musician. Derek's a musician, Dimitri's a musician.

Speaker 2 (01:45:21):
It's like, no, sorry, dude, you want to you want
to have some fun. Compare most punk beachs to Poka beats.

Speaker 6 (01:45:29):
Right, all right, we just heard dick by no means
no that was slamming.

Speaker 3 (01:45:38):
This is what I wanted to talk about really quickly.

Speaker 2 (01:45:41):
I can say it's good when it's good.

Speaker 3 (01:45:43):
Derek and I recently, you know, have been talking about
essentially the future of Revolution Radio and kind of deciding
the things that were really really good at The one
thing to me are the one thing that we are
very good at doing is championing good friends like ours,
like the corners of the world and all of these
wonderful Bandskue uh you know you name name how many

(01:46:08):
you know, Ais and Aby, I mean, how many wonderful
indie artists have we had on this on this program
the right exactly. So when you see when you see it,
when when you see bands like that and we do
our best to champion them. We're always more than happy

(01:46:29):
to bring on our independent friends, you know what I mean.

Speaker 2 (01:46:32):
It is about variety of music as well.

Speaker 3 (01:46:35):
But one thing I will the one thing I will
say though, is it is really amazing to see someone
like Dimitri admit to something so indie that somebody like
Johnny Dovercourt comes on our program and mentions this whole thing.
Indie is literally a way of life. It's not something

(01:46:57):
that you just kind of dip in and out of
and say, you know, we're we are indie today, but
we're classic rock tomorrow. And I think Derek knows where
I'm going with this, Uh you know what I mean.
So it Indy is is truly an absolute ways of
Indy is literally a way of life, and people like

(01:47:19):
Johnny Dovercourt are entirely immersed with every fiber of his
being in that world. We are not, but we are
more than happy to bring on our indie friends anytime
and give you a platform and we're going to have
some fun.

Speaker 2 (01:47:34):
So and and Indy used to just mean that you
weren't signed, right, Yeah, that's right. Yeah, it's all a right,
that's right, right, like and and and and and it's
become like this whole encompassing of its own like it's
it's it's literally its own entity at this point.

Speaker 3 (01:47:51):
It is, it is right, And that's why I say,
like Johnny Dovercourt, yeah you like you, you literally exist
as an indie person.

Speaker 2 (01:48:01):
Yeah, it was like Indy was you weren't signed, and
then it was a label that was not attached to
a conglomerate. So now you're now you're on an indie label,
an independent label. But it's the same as pop music, right,
Like it wasn't pop Like, it wasn't pop music at
one point it was popular music because it was all

(01:48:23):
structured the same.

Speaker 8 (01:48:24):
Like that was that was it.

Speaker 2 (01:48:25):
That's how you got on the media.

Speaker 6 (01:48:26):
It was music that was popular. So whatever, what whatever
was popular at that time could be seen as pop.

Speaker 3 (01:48:33):
Yeah, that's the whole thing. Cover songs. I'm sure. I'm
sure Derek has probably talked about this on his program.
I mean speaker technically speaking, cover tune is actually racist.
It's a racist term. It is how because cover a
cover song was actually licensed by f M radio or
excuse me, AM rock and roll radio stations back in

(01:48:54):
the day where only a white artist would cover a
black artist. We're talking like pap for a for AM
radio airplay. Color tune is actually a racist. Tune is
actually a racist term.

Speaker 2 (01:49:05):
So here's another thing I learned the other day, and
I was I was going to talk about it on.

Speaker 3 (01:49:09):
My show, which you still will on Friday.

Speaker 2 (01:49:12):
I still I still May on Friday. So I learned
the term rhythm and blues, yes, And I was like,
I understand the term rhythm, rhythm and blues, and everybody
knows and rocking and rolling, rocking and rolling, everybody understands
the term. The term rhythm, rhythm and blues comes from
when in that era, like in the nineteen thirties, nineteen forties,

(01:49:35):
nineteen fifties, when you when you were a when you
were a black artist and you released an album, you
didn't release an album. So when you release the single,
when you released a forty five, on one side you
would have the rhythm section, you'd have the rhythm side,
but on the other side was the blue side, the

(01:49:57):
blue side. That's where the term rhythm and blue came from.

Speaker 3 (01:50:01):
Yeah, So it was actually, yeah, A side and bast
and of course that's where A side and B side
came from too, right. The A side was the rhythm side,
that was the fast rock and roll.

Speaker 2 (01:50:12):
They changed it. They changed it was the blue side.
And the reason they changed it was also racist, right
exactly because they started saying A side and B side
as opposed to rhythm side and blue side for white artists.

Speaker 3 (01:50:26):
So Derek I'm I'm actually really intrigued by this song
that you've asked me to look up. I found it,
I have it, so we are going to play it.
So can you do a quick front cell of Anastasia
who I love and Celine Dion and.

Speaker 2 (01:50:41):
And I played it so I played.

Speaker 8 (01:50:44):
On my show.

Speaker 6 (01:50:46):
Oh my god, this is what I think it is. Yes,
this is exactly God, Oh god, what are you doing?

Speaker 2 (01:50:53):
The video is the best part.

Speaker 6 (01:50:56):
Oh my god.

Speaker 3 (01:50:58):
And we're showing the video.

Speaker 8 (01:51:02):
We like.

Speaker 3 (01:51:03):
Take it Away. Derek Lewis from All Uncovered on Revolution
Radio Canada, Take it Away.

Speaker 2 (01:51:10):
Celia was born in charlotmne Quebec, Canada, on March thirtieth,
nineteen sixty eight. She has recently released her her documentary
I Am Selene, and it goes over a lot of
the trouble and a lot of stuff that she's had
with the disease that I don't know the name of,

(01:51:35):
stiff person syndrome apparently, and and how she's how she's
managed with that, and how she the things that she's
had to deal with and what she's had to go
through now she has had she has had a slew
of number one hits, a slew of Grammy Awards, like
so many things this woman has done. I just and

(01:51:59):
I just look this up, like earlier on. So The
Power of Love spent four weeks at number one in
nineteen ninety four. It peaked in nineteen ninety four. It
spent four weeks at nineteen ninety one, but it was
on the charts for thirty three weeks after that. Because
You Loved Me was up for six weeks at number

(01:52:22):
one and also for thirty three weeks, and that was
in ninety six. The song that Selene is most known for,
I'm guessing for most people, My Heart Will Go On, Yeah,
sat for only two weeks at number one, and that
was in nineteen ninety eight. But it's really it only

(01:52:44):
spent twenty weeks on the on the Billboard top one hundred.
It only spent twenty weeks there.

Speaker 3 (01:52:52):
Wow, that's surprising, No surprised.

Speaker 6 (01:52:56):
I'm surprised about that too. Yeah, I don't know what.
I don't know what's monopolizing the charts instead at that time,
what was the.

Speaker 2 (01:53:04):
Year, Derek, what was the years My Heart Will Go On?
Nineteen ninety eight?

Speaker 3 (01:53:08):
Oh, so ninety eight. So you're talking a lot of
boy bands were starting to come up at that point
in time, a lot of Lou Pearlman stuff, Backstreet Boys
and sinc. Christina Brittany. But then, of course you also
had a lot of a lot of alternative pop type
stuff that was on at that time as well. Third

(01:53:29):
Eye Blind was big at that point.

Speaker 2 (01:53:32):
Yeah, that was February twenty eighth, nineteen ninety eight, nineteen
ninety eight. So it it so it peaked, It peaked
the day it debuted. Wow, are you looking it up?

Speaker 5 (01:53:44):
Well?

Speaker 6 (01:53:45):
I have a book. Yeah, Top top forty hits, the
Eccentral Chart Guide. It's a Canadian I'll tell you what.

Speaker 3 (01:53:52):
Let's let's let Derek, Let's let Dimitri look this up
and have some info for us. Derek throw it to
the tune and let's let's watch this.

Speaker 2 (01:54:00):
This is magic, friends of the Internet and and foes
of the Internet. This is Celine Dion and Anastasia singing
a C. D C's swing and hit like You Shook
Me all night long? Right here, kicks right here on revolution.

Speaker 13 (01:54:25):
There we go.

Speaker 3 (01:54:27):
It's the way. Oh sorry, why is my internet actually

(01:55:03):
being difficult?

Speaker 8 (01:55:04):
Here?

Speaker 20 (01:55:04):
Is that?

Speaker 3 (01:55:04):
What's going on?

Speaker 8 (01:55:05):
Are you serious? Right now?

Speaker 3 (01:55:07):
Seriously?

Speaker 8 (01:55:08):
All right?

Speaker 2 (01:55:12):
Okay, they get a guitar and.

Speaker 8 (01:55:16):
Asses.

Speaker 18 (01:55:37):
He want the best see he kept us more.

Speaker 10 (01:55:41):
He want the best time.

Speaker 15 (01:55:42):
Man.

Speaker 18 (01:55:42):
I had a help seat.

Speaker 5 (01:55:44):
He had sat sa telling you know that you look
me out.

Speaker 24 (01:55:50):
But those who ever count fa ta can't want that,
he said, had me fighting for He told me to
come back.

Speaker 23 (01:55:57):
I was already to you that go for shaving was
braking my back taking We were you should be.

Speaker 10 (01:56:09):
A friend for ye shouldn't we say you should be up?

Speaker 24 (01:56:19):
We shouldn't working sule time on the seductions land. He
was looking at a cassis and com cot lost not
a course, you made a nail out of me and
came to the photo.

Speaker 10 (01:56:37):
D be time to take up, not the rod, now
the fucking ray to take up?

Speaker 16 (01:56:43):
Not asway, no loss for shaken steep last week and
I was taking we were baking.

Speaker 8 (01:56:53):
Should be.

Speaker 10 (01:56:56):
Consential by.

Speaker 18 (01:57:00):
Show me up.

Speaker 7 (01:57:03):
A table than you show me up.

Speaker 10 (01:57:11):
We'll show me show me.

Speaker 25 (01:57:18):
Anty hill about never gets no such not never please

(01:57:51):
Oh no, mother, yesty, you shut me up.

Speaker 8 (01:57:58):
You kind of.

Speaker 10 (01:58:09):
Shoo shot me shove me.

Speaker 17 (01:58:21):
Yeah, yes, okay, on there it is.

Speaker 3 (01:58:40):
It's a big finish.

Speaker 6 (01:58:47):
And he.

Speaker 3 (01:58:51):
Do you have to say though Anastagia looks great.

Speaker 2 (01:58:55):
Everybody looked great on that.

Speaker 3 (01:58:56):
Mm hmmm.

Speaker 2 (01:58:58):
Meredith Brooks looked great. Yeah, he looked great.

Speaker 3 (01:59:01):
Hey, you know what there it is? Dimitri loves that.

Speaker 2 (01:59:05):
That's loves that song. I might play it again next week.

Speaker 3 (01:59:09):
A Canadian as heck. Episode one three has come to
a close. Our man Dmitri. He has got a tune
for us which is gonna take us home. As the
kids would say, that's not what they say.

Speaker 2 (01:59:21):
I think they say skivity Ohio, something like that is
or something.

Speaker 3 (01:59:28):
The Army Chris is back, Thank goodness God, Chris back right.

Speaker 2 (01:59:32):
Seriously, we've I've been saying on my show because he
kept telling us he was coming back, and then I
kept saying on my show that he's back, and it's
this week and he's back, and then he was not there.

Speaker 3 (01:59:42):
Bluffing bluff anyway, That's what our man, the Army Chris does.
He's just does a killer show for us every Thursday night,
nine pm, Eastern seven. Mountain Derek Lewis All Uncovered, nine
pm Eastern seven Mountain shirt Cock and Derek shirt Cock, and.

Speaker 2 (02:00:00):
I would be introducing yourself as Derek Sherk.

Speaker 3 (02:00:03):
That's right, and seriously hoping and praying that this coming Sunday,
our man Derek is gonna be able to join us
for a very special episode of Raindier Games, eight pm Eastern,
six Mountain, And that's gonna be a lot.

Speaker 2 (02:00:19):
Of mister is mister Chew joining us, joining us?

Speaker 3 (02:00:21):
No, he is not joining us for that night, but
Scott Bell is joining us as well as our man
Robin McCabe. So it's gonna be house. It's gonna be
a full house. It's gonna be a lot of fun.
So hope you can make it, Derek.

Speaker 2 (02:00:33):
I would try. You need to work though, you know, I.

Speaker 3 (02:00:36):
Got no I understand right, understood, understood. Stuff happens. Our
man Dimitrio a Lexiu. You can find him on Facebook.
You cannot find him on Instagram because he's not on Instagram.

Speaker 6 (02:00:47):
No, so that's fine, that's okay, that's fine.

Speaker 2 (02:00:51):
I met somebody today who's not on any of the internets.

Speaker 3 (02:00:54):
Good for them.

Speaker 6 (02:00:55):
How old are by?

Speaker 2 (02:00:57):
Uh thirty?

Speaker 3 (02:00:59):
Really?

Speaker 2 (02:01:00):
Yeah? He was just like, yep, not on it, don't
want to. He's like giant waste a fucking time, don't
care good for him.

Speaker 8 (02:01:07):
I'm like, I.

Speaker 2 (02:01:09):
Wish I had your.

Speaker 8 (02:01:12):
Does he have.

Speaker 6 (02:01:13):
Does this person have running water and electricity?

Speaker 8 (02:01:16):
Yes?

Speaker 3 (02:01:18):
Okay, good question though, Okay, a huge thanks to our
man Connor. Dude, thanks for coming on tonight. That was
fucking fun, really really well, that was fun, just great.

Speaker 2 (02:01:32):
You just love anybody that takes the piss out of me.

Speaker 3 (02:01:35):
But well, yeah, kind, I mean, I'm not I'm not
gonna lie.

Speaker 6 (02:01:39):
That's why, lie, dude. Why Brad Barrett from fifty four
forty was dude hundredth, one hundredth episode, that's right, right.

Speaker 2 (02:01:50):
I was like, oh, Brads very nice to me.

Speaker 3 (02:01:52):
He was, actually he was nice to all of us.
You know, I really think Brad was was was super appreciate,
appreciative of being there, and and and he was actually
giving us props for one hundred because even Robbie Johnston,
our man Robbie Jay, you know from the ongoing History
of New Music, joined us for that show, and he's like,
guys like you, you really do need to be proud.
It's it's amazing. If a podcast last twenty podcasts, that's amazing.

(02:02:15):
If at last thirty, that's great. If the last fifty,
that's incredible. To do over one hundred, that is unheard
of in this day and age.

Speaker 2 (02:02:23):
So we're kind of a big deal.

Speaker 3 (02:02:26):
We are kind of a big deal. And our apartment
smells of rich mahogany and sorry I was waiting for that.
That's right, all right, that's right. Thank you pulling a
bit of a ron Burgundy there. But he's true, you know,
it is true. We would love doing this. We're we're
so lucky to do this stuff and talk with people
as wonderful as corner. So there you go. Anyway, we

(02:02:48):
have got to sign this puppy off because if we don't,
we'll be here until eleven forty five. So that's right,
and Dimitri take it away, my friend. You've got to
bang or to finish out the program.

Speaker 6 (02:03:02):
Yeah, we're finishing up with a with a with a
brand new song.

Speaker 8 (02:03:07):
We love this.

Speaker 6 (02:03:08):
We love these guys here at Canadian as Heck and
at Revolute Radio. These are the Snotty Nose Red Kids
up with a brand new album called Red Future and
this is a collaboration with a planes Cree rapper named Dresus.
He's also an activist and he's based in Calgary, Alberta.

(02:03:31):
The Snotty Nose reds Kids are from kiddamat PC and yeah. So,
without any further explanation from the brand new album Red Future,
these are the snotty renase red kids and dress with
let your hair down on Canadian as heck on Revolution
Radio Canada. Work in his bitch your man, Damn you're

(02:04:02):
going pretty under man son. You get telling from every
day fits on going you no more to it doing.

Speaker 18 (02:04:08):
Like this, Oh hope team looked like the A List.

Speaker 14 (02:04:12):
Baby, don't ask if I'm famous styling a while and
you know me most can't handle a hoe. I should
let my haircown know or something I look too good
to sit down and do nothing. I should let my
haircown know or something I look too good to sit
down and do nothing.

Speaker 8 (02:04:29):
I think it's time w face for him. This fact.

Speaker 12 (02:04:32):
I think the spirit got face till the time water
I was life.

Speaker 6 (02:04:35):
Take a river of ba get you.

Speaker 10 (02:04:37):
Some water for the first trip hair.

Speaker 22 (02:04:39):
Brady know you've seen that nail's paint and best believed
that ain't no funck shit.

Speaker 15 (02:04:45):
You know what I mean now?

Speaker 18 (02:04:45):
I mean now, because Babe, I told you I don't
need that. No, Come and get your living baby, you know,
red Bone life of the party.

Speaker 3 (02:04:52):
Take a picture on the phone for the shoot fresh.

Speaker 6 (02:04:54):
You can see what happened.

Speaker 18 (02:04:55):
Now we gonna need to cover the rolling stone straight up.

Speaker 6 (02:04:59):
Out the trap line begin to show up.

Speaker 1 (02:05:01):
Until that flat.

Speaker 15 (02:05:02):
Now you know how it goes.

Speaker 6 (02:05:03):
It comes with the.

Speaker 3 (02:05:04):
Territory, homie.

Speaker 6 (02:05:05):
I suppose it's all I need.

Speaker 10 (02:05:06):
You knows well.

Speaker 18 (02:05:08):
Whole team looked like the A list.

Speaker 14 (02:05:10):
Maybe they don't ask if I'm famous styling a while
and you know me, most can't handle the hoy I
should let my hair down, know or something? I look
too good to sit down and do nothing. I should
let my hair down know or something I look too.

Speaker 18 (02:05:25):
Good to do.

Speaker 12 (02:05:28):
I don't want to give it all away today I
feel like Kanye. Let me slay like beyond set come girls, say,
Tom said, I'm on face Man, it's in her face,
but your feet up on your ship swelling such fade
need a couple of braids in the city for a
couple of days.

Speaker 2 (02:05:48):
Was wonder.

Speaker 4 (02:05:50):
After your phone? Man?

Speaker 6 (02:05:51):
I heard bread up? Don't I'm saying, chilling with it?
Can never be in the morning with the lamb. What's
a plan? A plant working too hard to me to
be in the door.

Speaker 8 (02:06:00):
Let me get lettle work.

Speaker 12 (02:06:02):
Understand dose He being the man now, don't think you
want to stand down. A lot of friends on the
fans bud. Let me let me ship down, let me
bag up of rounds and it's back to the money.

Speaker 6 (02:06:11):
Let me dunce.

Speaker 18 (02:06:13):
Whole team looked like the A list.

Speaker 14 (02:06:16):
Baby, don't ask if I'm famous styling a wild and
you know me most can't handle the holy. I should
let my hairtown know or something I look too good
to sit down to do nothing. I should let my
hair doown know or something I.

Speaker 2 (02:06:30):
Look too good to noboddy fucking with me?

Speaker 6 (02:06:34):
Man heat men, wold club Daddy in each hand, you
beat me.

Speaker 3 (02:06:37):
I spiny like east Wood.

Speaker 2 (02:06:39):
Let's be friends on a big meet in the fleet
wood the sweet pass.

Speaker 3 (02:06:42):
Float on on myself to fish and fish out of
the weapon. Blue kisses stop showing the door, as do pictures.
Hay's all in the back and spool pictures.

Speaker 12 (02:06:52):
I should I should let my braids down low or something,
my hair like the prairie showing me come full beads
over them and everything comes from it up, Mama, bit
it up, young.

Speaker 6 (02:07:01):
So you've only got love for the femine.

Speaker 8 (02:07:04):
Sustem deep in the spaceship.

Speaker 6 (02:07:05):
Follow my cousin be.

Speaker 3 (02:07:07):
In card with the Bros and the Muffless.

Speaker 6 (02:07:11):
Bring drums on.

Speaker 18 (02:07:12):
Whole team look like the A List.

Speaker 14 (02:07:14):
Maybe they don't ask if I'm famous styling them well
and you know me. Most can't handle the Hoby. I
should let my hair down, know or something?

Speaker 18 (02:07:24):
I look too good?

Speaker 14 (02:07:24):
Is it gonna do nothing? I should let my hair down,
know or something? I look too good?

Speaker 18 (02:07:29):
Is it then to do nothing? Let your head down
load or something? Yeah, you shall let your head down.
Let your head down load or something. You should let
your head down. Yeah, you should let your hair down.

Speaker 5 (02:07:45):
No no, no, no no no no no no.

Speaker 2 (02:07:53):
On behalf of Craig and Dmitri. I've been Derek shirt cocking.
You've been listening to Canadian is heck. Thanks for coming
out

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