February 3, 2025 • 29 mins
Please enjoy The Redemption of L a great episode of the legendaryCavalcade of America - A Classic Old Time radio Show - OTR
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Speaker 1 (00:06):
Yet the new Gay Family series starring Lucille Ball with
Richard Denning, brought to you by the Jello Family of
Desserts jay El.
Speaker 2 (00:15):
Oh, the Big Bread Leaders stand for the Yellow Family.
Speaker 3 (00:19):
Oh, the Big Bad Leaders stand for the Yellow Family.
Speaker 2 (00:22):
That's Jello Yum Yum.
Speaker 4 (00:24):
Yum, Jello Budding Yum Yum yum, Yellow Yoka Foodings, Surry.
Speaker 1 (00:31):
And now Lucille Ball with Richard Denning as Liz and
George Cooper, two people who live together like it. Tonight
is a big social night in Sheridan Falls, a very
swinky new French cafe, as only one de general is
(00:53):
opening with admittance by invitation. Only the Coopers are dressing
in their best formal clothes.
Speaker 5 (01:00):
Oh darn this collar. I can't get it closed.
Speaker 6 (01:03):
Well, all works are, George, we'll get your dicky all dirty.
Speaker 7 (01:09):
I'm only trying to hurry, he said.
Speaker 8 (01:11):
We had to meet the Attaburries at that French restaurant
at eight o'clock.
Speaker 9 (01:14):
Well here, let me help you.
Speaker 7 (01:16):
No, I'll get it. This collar used to fit me perfectly.
Speaker 9 (01:19):
Well, you haven't worn it for a long time.
Speaker 6 (01:22):
Look, why don't you try putting munchin out and one
chin in and fasten the collar between us.
Speaker 7 (01:28):
Very funny here, if you're so smart, see if you
can do it?
Speaker 6 (01:31):
Okay, put your head up.
Speaker 9 (01:35):
That's all fastened. How does it feel a little tight? Yeah,
you didn't look good with a black tie and blue face.
Speaker 7 (01:51):
Wait, I tear the buttonhole a little bit.
Speaker 6 (01:53):
Oh, George, I just happened to think. What if the
menu is all written in French?
Speaker 4 (01:59):
Will you be able to she sor?
Speaker 9 (02:04):
Oh, you're gonna be a great help.
Speaker 5 (02:06):
I know.
Speaker 6 (02:07):
We'll let the addaberry's order first, and then we'll take
the same thing.
Speaker 8 (02:12):
Let's go and now, wait a minute, lives, haven't you
forgotten something?
Speaker 5 (02:17):
What put your dress on?
Speaker 4 (02:20):
It is on?
Speaker 5 (02:21):
Huh no?
Speaker 3 (02:23):
But what are they.
Speaker 7 (02:24):
Making dresses out of this year's skin?
Speaker 9 (02:26):
If you think this is something? Where'll I take off
my jacket?
Speaker 10 (02:29):
Come on, Georgia, Oh darn that collar button?
Speaker 5 (02:46):
Well, where are the coopers?
Speaker 11 (02:47):
I can't stand waiting in a restaurant.
Speaker 9 (02:49):
I'd like to sing everybody all dressed up? Oh, there
are the rickis. We'll turn around and wave to the
mood off.
Speaker 12 (02:59):
I can't turn around with this collar on.
Speaker 9 (03:04):
My goodness. Bob Fisher certainly has a gorgeous blonde with him.
Speaker 13 (03:09):
Yea, I thought that it'd make you turn around.
Speaker 5 (03:20):
What a dirty trick.
Speaker 11 (03:23):
Pardon me, madam? Would you hand me my collar button?
Senior soup.
Speaker 9 (03:30):
Rudolph. I just saw menu on.
Speaker 5 (03:32):
The next table.
Speaker 9 (03:33):
It's all written in French.
Speaker 5 (03:35):
Would you be able to order jarwall frawlet?
Speaker 6 (03:42):
Oh right, well, look, let the coopers order first, and
then we'll take the same thing.
Speaker 5 (03:48):
You crack the whip.
Speaker 9 (03:49):
I'll make the trip, loves Dannaberry. Here are the coopers. Hello, George, boy,
this girl hi.
Speaker 11 (03:57):
For please girl, George by where have.
Speaker 9 (04:01):
You been these?
Speaker 4 (04:03):
Your dress is stunning?
Speaker 2 (04:05):
Oh?
Speaker 9 (04:05):
Thank you Iris, your dress is divine.
Speaker 4 (04:08):
Ah, I don't swamda miss you don't saw are the
menus walla walla walla and wala.
Speaker 9 (04:22):
Never mind darkan?
Speaker 6 (04:25):
Oh look at all the wonderful things on this menu.
Speaker 4 (04:29):
What is madame's choice?
Speaker 5 (04:31):
Oh?
Speaker 9 (04:31):
I just can't make up my mind. Uh what are
you going to have? Irish? I don't know what are
you going to have?
Speaker 11 (04:42):
George?
Speaker 7 (04:44):
Well, there are so many good things.
Speaker 5 (04:46):
What are you having? Mister abury?
Speaker 3 (04:48):
Ladies? First, what are you having me?
Speaker 5 (04:51):
Oh?
Speaker 9 (04:51):
No, you don't I started this.
Speaker 4 (04:55):
Oh come come, surely someone is willing to order.
Speaker 1 (04:58):
You.
Speaker 6 (05:00):
You know you could starve the death this way, I
would gladly break the eyes.
Speaker 4 (05:05):
But I have already eaten.
Speaker 2 (05:07):
I know.
Speaker 6 (05:08):
I'll count one potato, two, potato, three, potato four?
Speaker 4 (05:11):
Please please, this is a French restaurant. Allow me pont
de tel catra, said ponti ti pontet ponta teste two.
Speaker 5 (05:21):
Mame, mordita, that sounds good.
Speaker 9 (05:26):
Bring four orders to death.
Speaker 4 (05:31):
I was merely counting. You must order now?
Speaker 9 (05:34):
Oh me, well, uh, I'll have the this.
Speaker 7 (05:40):
I'll have the same me too, How have it too?
Speaker 5 (05:42):
Eh?
Speaker 4 (05:43):
But Madame, we ordered?
Speaker 9 (05:45):
What are you waiting for?
Speaker 4 (05:47):
Could I not please interest you in something else?
Speaker 9 (05:50):
No, that's what we ordered, and that's what we want.
Understand the will, madame.
Speaker 14 (05:55):
Four orders have closed on Mondays.
Speaker 9 (06:09):
I'm so excited. Katie, my French teacher should be here
any minute. You're a French teacher.
Speaker 6 (06:14):
Yes, Iris and I are taking French lessons. He went
to her house first.
Speaker 14 (06:17):
Oh, it was.
Speaker 9 (06:18):
So humiliating last night, Katie. None of us could read
a word of the menu. No, not one word. I'll
get it. It's probably Iris.
Speaker 4 (06:26):
Hello, bonjo?
Speaker 9 (06:29):
Is that you Iris? A we witless girl?
Speaker 11 (06:33):
That?
Speaker 14 (06:33):
Yes?
Speaker 9 (06:34):
I know how was the lesson fall? That means good? Iris?
How is the French teacher?
Speaker 5 (06:43):
Ala?
Speaker 9 (06:45):
Does that mean? When I think it does?
Speaker 15 (06:47):
Ol?
Speaker 9 (06:47):
Girl? Look this may be a silly question, but did
you learn anything?
Speaker 14 (06:53):
Iris?
Speaker 5 (06:53):
Oh?
Speaker 9 (06:53):
I learned a lot.
Speaker 6 (06:55):
He's miss shock, he's thirty one and he's a bachelor.
I meant, did you learn to speak a French?
Speaker 9 (07:01):
Certainly the crayon sur la table? Well, what does that mean?
I can't remember.
Speaker 16 (07:14):
It's it's either open the window, the pencils on the table,
or my uncle is green.
Speaker 9 (07:23):
Well, you certainly didn't get much. Oh, there's a bell.
He's here now, goodbye, Iris.
Speaker 3 (07:29):
Oh, but dumb bell?
Speaker 5 (07:31):
I am Jacques duvall. I kiss your head.
Speaker 9 (07:35):
Well, come here.
Speaker 7 (07:37):
I have just come from the home of Matamata Belly.
Speaker 6 (07:40):
I know, and I can't wait to get started. I
have a dining room table all clear.
Speaker 5 (07:43):
Oh no, no, no, no, no no.
Speaker 17 (07:45):
I prefer to give you the lesson here on this
comfortably sofa.
Speaker 9 (07:51):
Oh you do, and.
Speaker 17 (07:55):
May we Fresh is a romantic language and should be
taught in a romantic set. Oh, especially to a student
who is so beautiful.
Speaker 9 (08:06):
Let's just stick to the lesson Jack, Jack.
Speaker 17 (08:13):
Jacques, Now what is the first thing, eh, The first
thing is for you to sit closer to me.
Speaker 9 (08:19):
Oh, now just a minute, I think you should know
I'm married.
Speaker 5 (08:24):
Sit closer.
Speaker 9 (08:28):
You don't understand I'm happily married.
Speaker 5 (08:30):
Yes, sit closer.
Speaker 9 (08:35):
Now look here, Jake.
Speaker 4 (08:39):
Jacques Jacques.
Speaker 6 (08:41):
I don't know what ideas you frenchmen have, but my
husband and I treat each other and trust each other implicitly,
and we do not go in for this sort of thing.
Speaker 16 (08:50):
You understand.
Speaker 9 (08:51):
We good?
Speaker 5 (08:53):
Sit closer?
Speaker 9 (08:56):
Now look here, Jerk Jacques, jerk, you better just we
even will forget all about the press.
Speaker 5 (09:07):
Don't be upset.
Speaker 7 (09:07):
I always try to kiss my new pupils.
Speaker 16 (09:10):
You do if.
Speaker 17 (09:11):
They are attractive, Yes, of course ninety percent of them
say no, but Vella ten percent.
Speaker 9 (09:21):
Well, I'm definitely in the ninety percent.
Speaker 6 (09:24):
Understand Sam, Sam, I mean jackes very well.
Speaker 5 (09:32):
We take some simple verse.
Speaker 17 (09:34):
First, madicine, see the crayon, say it la crayon.
Speaker 4 (09:42):
This, then lap bloom laplum.
Speaker 9 (09:46):
Fine, Now what is this lack crayon and this lacklum?
Speaker 5 (09:54):
See already you can speak. Friend.
Speaker 9 (09:56):
Suppose I go to a restaurant and they aren't serving
pens and pencils.
Speaker 12 (09:58):
What do I we learn a little at a time.
Speaker 2 (10:03):
Here is more.
Speaker 5 (10:04):
Lip paper is white, lip up yer he blanc.
Speaker 9 (10:08):
La pepier head blank.
Speaker 17 (10:10):
The book is red lave a rouge l be rouge.
The chell is blue lachez.
Speaker 9 (10:17):
A blue lachez. He okay, listen, and he speak French.
I sound like a regular parasite. The last time I saw.
Speaker 16 (10:42):
Bonjeur iris lose girl, boncheur, bonjeur, mondieur.
Speaker 9 (10:49):
Oh gosh, one lesson. We're speaking French.
Speaker 13 (10:52):
How did you I shot?
Speaker 9 (10:53):
Oh? You were right. He was just dripping with ooh
la la.
Speaker 2 (10:57):
I thought you'd like him.
Speaker 9 (10:59):
It's real cute, the way.
Speaker 6 (11:00):
He makes love to you, and until you tell him
you're not interested by.
Speaker 9 (11:08):
The way he makes love to you. Isn't it killing?
Speaker 6 (11:10):
The way he tries to sit close to you on
the sofa.
Speaker 4 (11:13):
He gave me my lesson in the dining room.
Speaker 5 (11:17):
Makes love to you. Huh.
Speaker 16 (11:19):
Yes.
Speaker 6 (11:19):
I was mad at him at first, until he explained
he always acts that way with his attractive students.
Speaker 16 (11:26):
Oh yeah, I had a awful time you ball.
Speaker 9 (11:34):
Oh goodbyelers bon sure that means hello. I know I
haven't learned the word for goodbye yet.
Speaker 11 (11:50):
Come on, George, boy, that's enough work for one day.
Speaker 7 (11:52):
I'll drive you home, okay, unchain me.
Speaker 10 (11:57):
Very funny, I'm coming well, Monsieur house Iris coming along
with their French lessons.
Speaker 5 (12:03):
French lessons. She quit after the first one.
Speaker 12 (12:06):
Seems this Jacques Fellow has some strange ideas about teaching.
What do you mean, didn't Liz tell you he makes
love to all his pupils.
Speaker 7 (12:15):
Liz didn't tell me that.
Speaker 5 (12:17):
Are you sure?
Speaker 3 (12:17):
Iris was flabagasted the minute he came in the door.
Speaker 11 (12:20):
He started making violent love.
Speaker 10 (12:22):
Gee, do you suppose he's been making love to Liz George?
Speaker 5 (12:26):
Boy? Stop and think if.
Speaker 12 (12:29):
A man will make love to Margeorymain, he doesn't pass
up Betty Grable.
Speaker 5 (12:35):
Ah, that's ridiculous.
Speaker 11 (12:37):
That's right boy, you keep saying that.
Speaker 8 (12:40):
Of course I could listen in on their next lesson,
just to make sure.
Speaker 5 (12:44):
I'll help you listen.
Speaker 7 (12:46):
But you don't know any more French than I do.
Speaker 11 (12:48):
A masher is a masher in any language.
Speaker 5 (12:50):
Boy.
Speaker 11 (12:50):
Besides, I want to study his technique. Maybe I can
pick up a few pointers.
Speaker 15 (12:54):
Eh.
Speaker 11 (13:06):
Well.
Speaker 1 (13:06):
The French are famous for their romatic leanings, but on
their quieter side, they're famous for loving good food. And
here's the dessert that lake a hid in any language.
Candy store pudding a swell holiday treat. Prepare mellow jello
vanilla pudding as directed, Pour into a bowl, cover and
chill before serving. Beat with a rotary egg beater, and
for creamy, then add one chocolate nut candy bar chopped
(13:30):
in small pieces. It's a real party treat. Creamy, smooth
jello vanilla pudding delectable with chocolate candy. All three Jello
puddings are velvety, rich and distinctive, chuck full of homemade
goodness Jello vanilla, chocolate and butterscotch quicken. And they're an
extra boon in the busy holiday season because they're so easy.
All you do is add milk and they take about five.
Speaker 5 (13:52):
Minutes to cook.
Speaker 1 (13:54):
Stock up on all three jello puddings tomorrow. Look for
those big red letters on the box cause that may
Jello is a registered trademark of General Foods Corporation.
Speaker 13 (14:04):
Jane.
Speaker 2 (14:06):
Oh, and now back to the Coopers this evening and
George and mister Addleberry have met at the corner drug
store to make last minute plans for Operation Eves Drop.
Speaker 1 (14:27):
Jacques duval Is, Liz her French lesson danaiois montcrayon.
Speaker 17 (14:33):
Boom boom, Very good, you are learning fast. Now ask
me how I am? How are you now in Frankish?
Speaker 16 (14:43):
Oh?
Speaker 5 (14:43):
Oh?
Speaker 4 (14:44):
Uh?
Speaker 9 (14:44):
Coma dalibu?
Speaker 17 (14:46):
Oh that is all right, comalivu?
Speaker 5 (14:48):
How will you?
Speaker 12 (14:49):
Oh?
Speaker 9 (14:49):
Fine? Thanks?
Speaker 7 (14:52):
No, I mean well, never mind.
Speaker 17 (14:56):
Now do you remember that to say the cat is white?
Speaker 9 (15:00):
We indeed? Uh lay shot at blanche?
Speaker 17 (15:04):
No, no, no, no, the cat is not blanche.
Speaker 6 (15:08):
Well maybe you're talking about a different cat than I am.
Speaker 5 (15:12):
The cat is not blanche, it is blank.
Speaker 9 (15:16):
What's the difference? They both mean white, don't they do we?
Speaker 17 (15:19):
But one is masculine and the other is feminine. In French,
the cats are always masculine.
Speaker 6 (15:30):
Oh well, that certainly must cut down on French kittens.
Speaker 17 (15:39):
Let me put it another way, all right. You see,
with the French, everything is either masculine or feminine.
Speaker 3 (15:47):
You Americans don't have that.
Speaker 9 (15:52):
How long you've been in this country?
Speaker 14 (15:54):
Jack?
Speaker 17 (15:56):
Yeah, I was referring to the language, not the people.
Now remember this shot a blanc not blanche. We we
not to continue. Let us say you are eating out.
You want to order fish, So you say to your escort.
Speaker 9 (16:13):
Poissant Paul, I wouldn't say that.
Speaker 3 (16:18):
What would you say, poisant?
Speaker 9 (16:20):
George? I don't even know Paul.
Speaker 17 (16:24):
All right, George, Now let us review what we have learned.
Speaker 6 (16:29):
Okay, uh, Dame Montcrayon, come a talibu a shot a
blank as George.
Speaker 3 (16:37):
Boombo a fully frenchman.
Speaker 6 (16:40):
Oh well, I don't think I could fool him, but
I might confuse him if I walked up and said,
give me my pencil.
Speaker 9 (16:45):
How are you? The cat is white and fish?
Speaker 8 (16:46):
George, How quietly, mister Adburry. We don't want them to
hear us.
Speaker 10 (17:01):
Ducked down, crossing the kitchen in case Katie strung up
the clothesline.
Speaker 5 (17:04):
What did you say? Speak a little fast? For after this?
Speaker 10 (17:10):
Will your boy sorry, come over here and we'll listen
by the living room door.
Speaker 5 (17:15):
Now quiet now it will bright.
Speaker 12 (17:20):
But come on, uncle Bombone, see joy, she said, Bunbon,
the dirty rat brought her a box of candies.
Speaker 10 (17:32):
They're saying something else. Well, I certainly understood that he
wants her to come on out to the alley with him.
Speaker 11 (17:42):
Obviously, Bombon.
Speaker 5 (17:47):
Got to hand it to Liz.
Speaker 12 (17:48):
He wants her to come out in the alley, but
she'd rather stay here. And eat candy. Got nothing to
worry about, Jeorde.
Speaker 10 (17:56):
No, well what happens when the candy's gone?
Speaker 17 (18:00):
Madame Coupele s he will please don't even while the colonel.
Speaker 9 (18:03):
Shot, uh lay shot egg Blanche.
Speaker 5 (18:07):
La shote blo.
Speaker 10 (18:10):
They're talking about someone named Blanche, don't.
Speaker 5 (18:14):
You get it? Blanche wouldn't go out in the alley
with him, so he shot her.
Speaker 17 (18:22):
And now Madame George, huh we George.
Speaker 5 (18:29):
They're gonna poison me.
Speaker 3 (18:33):
I've had enough of this.
Speaker 10 (18:35):
Well this sas son franklis so George, Yes, George, all right,
you snake in the grass, get out of here and
take your poisoned bon bonds with you.
Speaker 9 (18:45):
What George, what's the matter with you?
Speaker 10 (18:48):
Get out of here, you homewrecking rat.
Speaker 4 (18:51):
Ma FOI I am insult, I am insult right with.
Speaker 5 (18:54):
You, Madame Coupele. Do you have a glove?
Speaker 9 (18:57):
Glove?
Speaker 1 (18:58):
Yes?
Speaker 4 (18:58):
Dear?
Speaker 3 (18:59):
Think you take these?
Speaker 9 (19:02):
Hey?
Speaker 3 (19:09):
I challenge you to do.
Speaker 5 (19:11):
I do my seconds.
Speaker 18 (19:13):
Will contact you about the time, place and choice of weapons. Bye,
but you we welcome with you, George, boy, will you
show this French fried Romeo the kind of stuff you're
made of?
Speaker 16 (19:30):
A duel?
Speaker 9 (19:31):
What's the matter with you two. He didn't do anything.
Speaker 3 (19:34):
You denied that he made love to you.
Speaker 9 (19:36):
Well, no, but I put a stop to that the
first day a duel.
Speaker 3 (19:40):
You see, you see Jeorge, I was right?
Speaker 11 (19:43):
What'll it be?
Speaker 5 (19:44):
Swords of pistols?
Speaker 9 (19:45):
From a look to him? I gotta be smelling salts jewel. Oh, Katie,
I'm so worried about that duel? Are they really going
to go through with it?
Speaker 16 (20:03):
Yes, tomorrow morning at dawn in the cemetery. George is
scared stiff, but he's so stubborn he won't back down.
Speaker 9 (20:13):
I'll get it.
Speaker 3 (20:15):
Hello, Madame Cooper.
Speaker 5 (20:17):
Yes, miss is Jacques Duval your husband.
Speaker 3 (20:22):
He has not been trying to get me on the phone,
has he?
Speaker 9 (20:26):
No?
Speaker 8 (20:27):
Oh?
Speaker 5 (20:28):
Well, I wonder if he and I could talk this
thing over.
Speaker 9 (20:32):
You mean you don't want to fight a duel either, even.
Speaker 3 (20:36):
Know I'm making a Hilton one of those things.
Speaker 9 (20:41):
Well, why did you challenge George?
Speaker 5 (20:43):
Then that's what we Frenchmen are supposed to do. And
they told me that if you judge.
Speaker 17 (20:47):
An American to a duel, he will call up and
try to get out of it.
Speaker 9 (20:51):
Oh they did. Eh.
Speaker 3 (20:54):
I've been waiting by the phone for twenty four hours.
Speaker 9 (20:59):
Well, worry Jacques, I'll take care of George. I'll tell
him I talked you out of it.
Speaker 6 (21:07):
Hey, goodbye, Oh Katy, George is saved.
Speaker 4 (21:11):
The duel is called off.
Speaker 9 (21:13):
Well, mister Cooper will be glad to hear that.
Speaker 6 (21:16):
Yes, but I'm not going to tell him about it.
What Well, Jacques won't show up now that the duel's
called off.
Speaker 4 (21:23):
Oh, I'm going to.
Speaker 6 (21:23):
Let George worry it out right to the cemetery tomorrow morning.
Speaker 9 (21:27):
Haha, ain't I a stinker? Well, there is a cemetery.
Speaker 7 (21:42):
George won't be long now, thanks Cash, I'm cold. Oh
what a miserable morning, dismal and foggy.
Speaker 9 (21:51):
What are you kicking about? I have to drive back
in this welcome on get out?
Speaker 5 (22:03):
Okay? Oh?
Speaker 7 (22:05):
Why did he have to make it the cemetery anyway?
Speaker 9 (22:08):
Well, it saves time, it eliminates the middleman.
Speaker 7 (22:14):
How can you make jokes at a time like this?
Speaker 9 (22:17):
Oh, George, don't think I'm taking this lightly. This is
the proudest moment of my life.
Speaker 5 (22:24):
It is.
Speaker 6 (22:25):
Yes, George, today is going to make you a real hero.
And I only hope my second husband has your courage.
Speaker 5 (22:33):
Second husband, Oh, I.
Speaker 9 (22:35):
Wouldn't marry right away, might take months. Hey, look at
all the people waiting there.
Speaker 5 (22:42):
They must be from the bank.
Speaker 9 (22:44):
Here, the photographers and everything.
Speaker 3 (22:46):
Oh they are George thought you'd never show up.
Speaker 5 (22:48):
Well, let's get on with it. Good publicity for the bank.
Speaker 9 (22:54):
Well how can we get on with it without Jacques Duval?
I have a feeling he won't show up.
Speaker 11 (23:00):
What do you mean, won't sho up?
Speaker 2 (23:01):
He's here?
Speaker 9 (23:02):
Why you see he called me on here?
Speaker 5 (23:05):
Yes, yes, he told us George wouldn't show up.
Speaker 12 (23:08):
Glad you made it boy.
Speaker 9 (23:09):
Oh oh, this is awful. I have to talk to him.
Speaker 5 (23:12):
Where is he over there? Poor reporters a holding him?
And hurry up.
Speaker 3 (23:17):
They have to get pictures in time for the first edition.
Speaker 9 (23:19):
Shack, come here, I'm gonna talk to see. What are
you doing here?
Speaker 5 (23:23):
What is Monsieur Cooper doing here?
Speaker 17 (23:25):
I thought I would show up alone, be a hero
and get some publicity for my French classes.
Speaker 9 (23:29):
Oh what a mess?
Speaker 3 (23:30):
Come on, Come on, everyone's getting impatient.
Speaker 9 (23:32):
Oh dear, we'll have to go through with it.
Speaker 6 (23:34):
Jacques, you shoot way over George's head and I'll tell
him to shoot over yours.
Speaker 11 (23:39):
Be sure and tell him.
Speaker 5 (23:42):
Okay, okay, back to back. Over here, here's your pistol.
Speaker 9 (23:46):
George, George, farewell, my darling.
Speaker 6 (23:51):
Why Liz shoot high and miss him because he's gonna
miss you?
Speaker 5 (23:54):
Huh oh, okay, hey Lis, what if he.
Speaker 3 (23:59):
Doesn't miss me?
Speaker 9 (24:00):
But I will shy farewell lover all.
Speaker 11 (24:07):
Right, gentlemen, stand back to back, hocket.
Speaker 5 (24:10):
Pistols, shoe hie?
Speaker 4 (24:11):
Who die?
Speaker 5 (24:15):
You both know the rules?
Speaker 11 (24:16):
The count of ten wen and fire.
Speaker 5 (24:19):
Shoot die.
Speaker 3 (24:27):
Start pacing one, two, three, four.
Speaker 2 (24:33):
Oh, they're both down.
Speaker 5 (24:39):
I put blanks in those guns. How did they get shot?
Speaker 9 (24:43):
Nobody got shot? The photographer dropped the flash bob and
they both fainted.
Speaker 1 (25:00):
Come on, yues, Letsie, I'll wear to tonight.
Speaker 6 (25:02):
Oh, We're gonna be Artie tonight, Robert, and see how
Jello makes out in the Land of glenn Opera.
Speaker 19 (25:09):
Let's go Wilburt to the met Yet me, me, me, me, me, me,
pardon me?
Speaker 9 (25:20):
Could you tell me where signor Lemondini is?
Speaker 5 (25:23):
I am he?
Speaker 9 (25:26):
Oh that's cute, you say. I'm the music editor of
the Jello Pudding Gazette. Is it true you can break
a glass by singing a high note?
Speaker 6 (25:36):
Certain Lennie, Certain Lennie, He must be Italian.
Speaker 9 (25:42):
Ready, Yes, I'm listening me go ahead.
Speaker 15 (25:46):
Oh oh, well, I can usually break the glass by singing.
Speaker 9 (26:00):
Hey, I'm a singer already.
Speaker 5 (26:02):
Bah, you are no singer.
Speaker 3 (26:04):
I can tell my ear is trained.
Speaker 9 (26:06):
Oh, your ear is trained.
Speaker 3 (26:08):
Yes, let me see does something I mean musically?
Speaker 14 (26:13):
Wow?
Speaker 3 (26:14):
I will sing for you.
Speaker 1 (26:15):
I will sing unavoch pocket trio jello fare comes.
Speaker 9 (26:21):
What does that mean? She asked, putting her foot in
a pudding pudding?
Speaker 5 (26:26):
It means it means in.
Speaker 1 (26:27):
Your language, jello puddings are a trio of preat yellow
chocolate pudding luscious with deep down chocolatey.
Speaker 9 (26:33):
Goodness, that little tidy yellow butter.
Speaker 1 (26:35):
Stretch pudding with that buttery brown sugar flavor. And jello
vanilla pudding rich and smooth as cream.
Speaker 6 (26:41):
Well, it certainly stretches in the translation don't pudding go
long way? Hey?
Speaker 5 (26:46):
Thank you?
Speaker 9 (26:47):
Yeah, but my favorite area is drip stripped button clink
clink clink.
Speaker 5 (26:55):
What does that mean?
Speaker 9 (26:56):
In your language? It means all you do withdd milk?
Speaker 6 (26:58):
And they take about five minutes to books.
Speaker 7 (27:14):
George, George, what's the matter?
Speaker 9 (27:18):
There's a wild animal in the room. He's down at
the foot of the bed.
Speaker 6 (27:24):
Yeah, look, at his big red staring eyes.
Speaker 5 (27:28):
Wait a minute, I'll get my gun out of the table.
Got it. One? Two?
Speaker 9 (27:34):
Oh, it's no animal. I forgot. I put luminous nail
polish on my big toes.
Speaker 1 (27:46):
You have been listening to My Favorite Husband, starring Lucille
Paul with Richard Denning.
Speaker 3 (27:50):
The night's program was produced and directed.
Speaker 1 (27:52):
By Jessoppenheimer, who wrote the script with Madeline PW and
Bob Jr. Original music was composed by Marlon Skiles and
conducted by Will Hatch. Be sure to listen to the
Seal Ball and My Favorite Husband Again Next Week, presented
by j. E.
Speaker 9 (28:06):
L Oh, THEID.
Speaker 3 (28:09):
Leader, Sam Paul, Jello Family Leader.
Speaker 6 (28:14):
Jello Family, Jelly, Yum, Joy, Yellow, The op Bludings and Surrey.
Speaker 9 (28:29):
Listen to the Seal Ball, my Favorite Husband Again next Week.
Speaker 3 (28:32):
I from on Speech
Speaker 4 (28:38):
Rodcast in Si
Yet the new Gay Family series starring Lucille Ball with
Richard Denning, brought to you by the Jello Family of
Desserts jay El.
Speaker 2 (00:15):
Oh, the Big Bread Leaders stand for the Yellow Family.
Speaker 3 (00:19):
Oh, the Big Bad Leaders stand for the Yellow Family.
Speaker 2 (00:22):
That's Jello Yum Yum.
Speaker 4 (00:24):
Yum, Jello Budding Yum Yum yum, Yellow Yoka Foodings, Surry.
Speaker 1 (00:31):
And now Lucille Ball with Richard Denning as Liz and
George Cooper, two people who live together like it. Tonight
is a big social night in Sheridan Falls, a very
swinky new French cafe, as only one de general is
(00:53):
opening with admittance by invitation. Only the Coopers are dressing
in their best formal clothes.
Speaker 5 (01:00):
Oh darn this collar. I can't get it closed.
Speaker 6 (01:03):
Well, all works are, George, we'll get your dicky all dirty.
Speaker 7 (01:09):
I'm only trying to hurry, he said.
Speaker 8 (01:11):
We had to meet the Attaburries at that French restaurant
at eight o'clock.
Speaker 9 (01:14):
Well here, let me help you.
Speaker 7 (01:16):
No, I'll get it. This collar used to fit me perfectly.
Speaker 9 (01:19):
Well, you haven't worn it for a long time.
Speaker 6 (01:22):
Look, why don't you try putting munchin out and one
chin in and fasten the collar between us.
Speaker 7 (01:28):
Very funny here, if you're so smart, see if you
can do it?
Speaker 6 (01:31):
Okay, put your head up.
Speaker 9 (01:35):
That's all fastened. How does it feel a little tight? Yeah,
you didn't look good with a black tie and blue face.
Speaker 7 (01:51):
Wait, I tear the buttonhole a little bit.
Speaker 6 (01:53):
Oh, George, I just happened to think. What if the
menu is all written in French?
Speaker 4 (01:59):
Will you be able to she sor?
Speaker 9 (02:04):
Oh, you're gonna be a great help.
Speaker 5 (02:06):
I know.
Speaker 6 (02:07):
We'll let the addaberry's order first, and then we'll take
the same thing.
Speaker 8 (02:12):
Let's go and now, wait a minute, lives, haven't you
forgotten something?
Speaker 5 (02:17):
What put your dress on?
Speaker 4 (02:20):
It is on?
Speaker 5 (02:21):
Huh no?
Speaker 3 (02:23):
But what are they.
Speaker 7 (02:24):
Making dresses out of this year's skin?
Speaker 9 (02:26):
If you think this is something? Where'll I take off
my jacket?
Speaker 10 (02:29):
Come on, Georgia, Oh darn that collar button?
Speaker 5 (02:46):
Well, where are the coopers?
Speaker 11 (02:47):
I can't stand waiting in a restaurant.
Speaker 9 (02:49):
I'd like to sing everybody all dressed up? Oh, there
are the rickis. We'll turn around and wave to the
mood off.
Speaker 12 (02:59):
I can't turn around with this collar on.
Speaker 9 (03:04):
My goodness. Bob Fisher certainly has a gorgeous blonde with him.
Speaker 13 (03:09):
Yea, I thought that it'd make you turn around.
Speaker 5 (03:20):
What a dirty trick.
Speaker 11 (03:23):
Pardon me, madam? Would you hand me my collar button?
Senior soup.
Speaker 9 (03:30):
Rudolph. I just saw menu on.
Speaker 5 (03:32):
The next table.
Speaker 9 (03:33):
It's all written in French.
Speaker 5 (03:35):
Would you be able to order jarwall frawlet?
Speaker 6 (03:42):
Oh right, well, look, let the coopers order first, and
then we'll take the same thing.
Speaker 5 (03:48):
You crack the whip.
Speaker 9 (03:49):
I'll make the trip, loves Dannaberry. Here are the coopers. Hello, George, boy,
this girl hi.
Speaker 11 (03:57):
For please girl, George by where have.
Speaker 9 (04:01):
You been these?
Speaker 4 (04:03):
Your dress is stunning?
Speaker 2 (04:05):
Oh?
Speaker 9 (04:05):
Thank you Iris, your dress is divine.
Speaker 4 (04:08):
Ah, I don't swamda miss you don't saw are the
menus walla walla walla and wala.
Speaker 9 (04:22):
Never mind darkan?
Speaker 6 (04:25):
Oh look at all the wonderful things on this menu.
Speaker 4 (04:29):
What is madame's choice?
Speaker 5 (04:31):
Oh?
Speaker 9 (04:31):
I just can't make up my mind. Uh what are
you going to have? Irish? I don't know what are
you going to have?
Speaker 11 (04:42):
George?
Speaker 7 (04:44):
Well, there are so many good things.
Speaker 5 (04:46):
What are you having? Mister abury?
Speaker 3 (04:48):
Ladies? First, what are you having me?
Speaker 5 (04:51):
Oh?
Speaker 9 (04:51):
No, you don't I started this.
Speaker 4 (04:55):
Oh come come, surely someone is willing to order.
Speaker 1 (04:58):
You.
Speaker 6 (05:00):
You know you could starve the death this way, I
would gladly break the eyes.
Speaker 4 (05:05):
But I have already eaten.
Speaker 2 (05:07):
I know.
Speaker 6 (05:08):
I'll count one potato, two, potato, three, potato four?
Speaker 4 (05:11):
Please please, this is a French restaurant. Allow me pont
de tel catra, said ponti ti pontet ponta teste two.
Speaker 5 (05:21):
Mame, mordita, that sounds good.
Speaker 9 (05:26):
Bring four orders to death.
Speaker 4 (05:31):
I was merely counting. You must order now?
Speaker 9 (05:34):
Oh me, well, uh, I'll have the this.
Speaker 7 (05:40):
I'll have the same me too, How have it too?
Speaker 5 (05:42):
Eh?
Speaker 4 (05:43):
But Madame, we ordered?
Speaker 9 (05:45):
What are you waiting for?
Speaker 4 (05:47):
Could I not please interest you in something else?
Speaker 9 (05:50):
No, that's what we ordered, and that's what we want.
Understand the will, madame.
Speaker 14 (05:55):
Four orders have closed on Mondays.
Speaker 9 (06:09):
I'm so excited. Katie, my French teacher should be here
any minute. You're a French teacher.
Speaker 6 (06:14):
Yes, Iris and I are taking French lessons. He went
to her house first.
Speaker 14 (06:17):
Oh, it was.
Speaker 9 (06:18):
So humiliating last night, Katie. None of us could read
a word of the menu. No, not one word. I'll
get it. It's probably Iris.
Speaker 4 (06:26):
Hello, bonjo?
Speaker 9 (06:29):
Is that you Iris? A we witless girl?
Speaker 11 (06:33):
That?
Speaker 14 (06:33):
Yes?
Speaker 9 (06:34):
I know how was the lesson fall? That means good? Iris?
How is the French teacher?
Speaker 5 (06:43):
Ala?
Speaker 9 (06:45):
Does that mean? When I think it does?
Speaker 15 (06:47):
Ol?
Speaker 9 (06:47):
Girl? Look this may be a silly question, but did
you learn anything?
Speaker 14 (06:53):
Iris?
Speaker 5 (06:53):
Oh?
Speaker 9 (06:53):
I learned a lot.
Speaker 6 (06:55):
He's miss shock, he's thirty one and he's a bachelor.
I meant, did you learn to speak a French?
Speaker 9 (07:01):
Certainly the crayon sur la table? Well, what does that mean?
I can't remember.
Speaker 16 (07:14):
It's it's either open the window, the pencils on the table,
or my uncle is green.
Speaker 9 (07:23):
Well, you certainly didn't get much. Oh, there's a bell.
He's here now, goodbye, Iris.
Speaker 3 (07:29):
Oh, but dumb bell?
Speaker 5 (07:31):
I am Jacques duvall. I kiss your head.
Speaker 9 (07:35):
Well, come here.
Speaker 7 (07:37):
I have just come from the home of Matamata Belly.
Speaker 6 (07:40):
I know, and I can't wait to get started. I
have a dining room table all clear.
Speaker 5 (07:43):
Oh no, no, no, no, no no.
Speaker 17 (07:45):
I prefer to give you the lesson here on this
comfortably sofa.
Speaker 9 (07:51):
Oh you do, and.
Speaker 17 (07:55):
May we Fresh is a romantic language and should be
taught in a romantic set. Oh, especially to a student
who is so beautiful.
Speaker 9 (08:06):
Let's just stick to the lesson Jack, Jack.
Speaker 17 (08:13):
Jacques, Now what is the first thing, eh, The first
thing is for you to sit closer to me.
Speaker 9 (08:19):
Oh, now just a minute, I think you should know
I'm married.
Speaker 5 (08:24):
Sit closer.
Speaker 9 (08:28):
You don't understand I'm happily married.
Speaker 5 (08:30):
Yes, sit closer.
Speaker 9 (08:35):
Now look here, Jake.
Speaker 4 (08:39):
Jacques Jacques.
Speaker 6 (08:41):
I don't know what ideas you frenchmen have, but my
husband and I treat each other and trust each other implicitly,
and we do not go in for this sort of thing.
Speaker 16 (08:50):
You understand.
Speaker 9 (08:51):
We good?
Speaker 5 (08:53):
Sit closer?
Speaker 9 (08:56):
Now look here, Jerk Jacques, jerk, you better just we
even will forget all about the press.
Speaker 5 (09:07):
Don't be upset.
Speaker 7 (09:07):
I always try to kiss my new pupils.
Speaker 16 (09:10):
You do if.
Speaker 17 (09:11):
They are attractive, Yes, of course ninety percent of them
say no, but Vella ten percent.
Speaker 9 (09:21):
Well, I'm definitely in the ninety percent.
Speaker 6 (09:24):
Understand Sam, Sam, I mean jackes very well.
Speaker 5 (09:32):
We take some simple verse.
Speaker 17 (09:34):
First, madicine, see the crayon, say it la crayon.
Speaker 4 (09:42):
This, then lap bloom laplum.
Speaker 9 (09:46):
Fine, Now what is this lack crayon and this lacklum?
Speaker 5 (09:54):
See already you can speak. Friend.
Speaker 9 (09:56):
Suppose I go to a restaurant and they aren't serving
pens and pencils.
Speaker 12 (09:58):
What do I we learn a little at a time.
Speaker 2 (10:03):
Here is more.
Speaker 5 (10:04):
Lip paper is white, lip up yer he blanc.
Speaker 9 (10:08):
La pepier head blank.
Speaker 17 (10:10):
The book is red lave a rouge l be rouge.
The chell is blue lachez.
Speaker 9 (10:17):
A blue lachez. He okay, listen, and he speak French.
I sound like a regular parasite. The last time I saw.
Speaker 16 (10:42):
Bonjeur iris lose girl, boncheur, bonjeur, mondieur.
Speaker 9 (10:49):
Oh gosh, one lesson. We're speaking French.
Speaker 13 (10:52):
How did you I shot?
Speaker 9 (10:53):
Oh? You were right. He was just dripping with ooh
la la.
Speaker 2 (10:57):
I thought you'd like him.
Speaker 9 (10:59):
It's real cute, the way.
Speaker 6 (11:00):
He makes love to you, and until you tell him
you're not interested by.
Speaker 9 (11:08):
The way he makes love to you. Isn't it killing?
Speaker 6 (11:10):
The way he tries to sit close to you on
the sofa.
Speaker 4 (11:13):
He gave me my lesson in the dining room.
Speaker 5 (11:17):
Makes love to you. Huh.
Speaker 16 (11:19):
Yes.
Speaker 6 (11:19):
I was mad at him at first, until he explained
he always acts that way with his attractive students.
Speaker 16 (11:26):
Oh yeah, I had a awful time you ball.
Speaker 9 (11:34):
Oh goodbyelers bon sure that means hello. I know I
haven't learned the word for goodbye yet.
Speaker 11 (11:50):
Come on, George, boy, that's enough work for one day.
Speaker 7 (11:52):
I'll drive you home, okay, unchain me.
Speaker 10 (11:57):
Very funny, I'm coming well, Monsieur house Iris coming along
with their French lessons.
Speaker 5 (12:03):
French lessons. She quit after the first one.
Speaker 12 (12:06):
Seems this Jacques Fellow has some strange ideas about teaching.
What do you mean, didn't Liz tell you he makes
love to all his pupils.
Speaker 7 (12:15):
Liz didn't tell me that.
Speaker 5 (12:17):
Are you sure?
Speaker 3 (12:17):
Iris was flabagasted the minute he came in the door.
Speaker 11 (12:20):
He started making violent love.
Speaker 10 (12:22):
Gee, do you suppose he's been making love to Liz George?
Speaker 5 (12:26):
Boy? Stop and think if.
Speaker 12 (12:29):
A man will make love to Margeorymain, he doesn't pass
up Betty Grable.
Speaker 5 (12:35):
Ah, that's ridiculous.
Speaker 11 (12:37):
That's right boy, you keep saying that.
Speaker 8 (12:40):
Of course I could listen in on their next lesson,
just to make sure.
Speaker 5 (12:44):
I'll help you listen.
Speaker 7 (12:46):
But you don't know any more French than I do.
Speaker 11 (12:48):
A masher is a masher in any language.
Speaker 5 (12:50):
Boy.
Speaker 11 (12:50):
Besides, I want to study his technique. Maybe I can
pick up a few pointers.
Speaker 15 (12:54):
Eh.
Speaker 11 (13:06):
Well.
Speaker 1 (13:06):
The French are famous for their romatic leanings, but on
their quieter side, they're famous for loving good food. And
here's the dessert that lake a hid in any language.
Candy store pudding a swell holiday treat. Prepare mellow jello
vanilla pudding as directed, Pour into a bowl, cover and
chill before serving. Beat with a rotary egg beater, and
for creamy, then add one chocolate nut candy bar chopped
(13:30):
in small pieces. It's a real party treat. Creamy, smooth
jello vanilla pudding delectable with chocolate candy. All three Jello
puddings are velvety, rich and distinctive, chuck full of homemade
goodness Jello vanilla, chocolate and butterscotch quicken. And they're an
extra boon in the busy holiday season because they're so easy.
All you do is add milk and they take about five.
Speaker 5 (13:52):
Minutes to cook.
Speaker 1 (13:54):
Stock up on all three jello puddings tomorrow. Look for
those big red letters on the box cause that may
Jello is a registered trademark of General Foods Corporation.
Speaker 13 (14:04):
Jane.
Speaker 2 (14:06):
Oh, and now back to the Coopers this evening and
George and mister Addleberry have met at the corner drug
store to make last minute plans for Operation Eves Drop.
Speaker 1 (14:27):
Jacques duval Is, Liz her French lesson danaiois montcrayon.
Speaker 17 (14:33):
Boom boom, Very good, you are learning fast. Now ask
me how I am? How are you now in Frankish?
Speaker 16 (14:43):
Oh?
Speaker 5 (14:43):
Oh?
Speaker 4 (14:44):
Uh?
Speaker 9 (14:44):
Coma dalibu?
Speaker 17 (14:46):
Oh that is all right, comalivu?
Speaker 5 (14:48):
How will you?
Speaker 12 (14:49):
Oh?
Speaker 9 (14:49):
Fine? Thanks?
Speaker 7 (14:52):
No, I mean well, never mind.
Speaker 17 (14:56):
Now do you remember that to say the cat is white?
Speaker 9 (15:00):
We indeed? Uh lay shot at blanche?
Speaker 17 (15:04):
No, no, no, no, the cat is not blanche.
Speaker 6 (15:08):
Well maybe you're talking about a different cat than I am.
Speaker 5 (15:12):
The cat is not blanche, it is blank.
Speaker 9 (15:16):
What's the difference? They both mean white, don't they do we?
Speaker 17 (15:19):
But one is masculine and the other is feminine. In French,
the cats are always masculine.
Speaker 6 (15:30):
Oh well, that certainly must cut down on French kittens.
Speaker 17 (15:39):
Let me put it another way, all right. You see,
with the French, everything is either masculine or feminine.
Speaker 3 (15:47):
You Americans don't have that.
Speaker 9 (15:52):
How long you've been in this country?
Speaker 14 (15:54):
Jack?
Speaker 17 (15:56):
Yeah, I was referring to the language, not the people.
Now remember this shot a blanc not blanche. We we
not to continue. Let us say you are eating out.
You want to order fish, So you say to your escort.
Speaker 9 (16:13):
Poissant Paul, I wouldn't say that.
Speaker 3 (16:18):
What would you say, poisant?
Speaker 9 (16:20):
George? I don't even know Paul.
Speaker 17 (16:24):
All right, George, Now let us review what we have learned.
Speaker 6 (16:29):
Okay, uh, Dame Montcrayon, come a talibu a shot a
blank as George.
Speaker 3 (16:37):
Boombo a fully frenchman.
Speaker 6 (16:40):
Oh well, I don't think I could fool him, but
I might confuse him if I walked up and said,
give me my pencil.
Speaker 9 (16:45):
How are you? The cat is white and fish?
Speaker 8 (16:46):
George, How quietly, mister Adburry. We don't want them to
hear us.
Speaker 10 (17:01):
Ducked down, crossing the kitchen in case Katie strung up
the clothesline.
Speaker 5 (17:04):
What did you say? Speak a little fast? For after this?
Speaker 10 (17:10):
Will your boy sorry, come over here and we'll listen
by the living room door.
Speaker 5 (17:15):
Now quiet now it will bright.
Speaker 12 (17:20):
But come on, uncle Bombone, see joy, she said, Bunbon,
the dirty rat brought her a box of candies.
Speaker 10 (17:32):
They're saying something else. Well, I certainly understood that he
wants her to come on out to the alley with him.
Speaker 11 (17:42):
Obviously, Bombon.
Speaker 5 (17:47):
Got to hand it to Liz.
Speaker 12 (17:48):
He wants her to come out in the alley, but
she'd rather stay here. And eat candy. Got nothing to
worry about, Jeorde.
Speaker 10 (17:56):
No, well what happens when the candy's gone?
Speaker 17 (18:00):
Madame Coupele s he will please don't even while the colonel.
Speaker 9 (18:03):
Shot, uh lay shot egg Blanche.
Speaker 5 (18:07):
La shote blo.
Speaker 10 (18:10):
They're talking about someone named Blanche, don't.
Speaker 5 (18:14):
You get it? Blanche wouldn't go out in the alley
with him, so he shot her.
Speaker 17 (18:22):
And now Madame George, huh we George.
Speaker 5 (18:29):
They're gonna poison me.
Speaker 3 (18:33):
I've had enough of this.
Speaker 10 (18:35):
Well this sas son franklis so George, Yes, George, all right,
you snake in the grass, get out of here and
take your poisoned bon bonds with you.
Speaker 9 (18:45):
What George, what's the matter with you?
Speaker 10 (18:48):
Get out of here, you homewrecking rat.
Speaker 4 (18:51):
Ma FOI I am insult, I am insult right with.
Speaker 5 (18:54):
You, Madame Coupele. Do you have a glove?
Speaker 9 (18:57):
Glove?
Speaker 1 (18:58):
Yes?
Speaker 4 (18:58):
Dear?
Speaker 3 (18:59):
Think you take these?
Speaker 9 (19:02):
Hey?
Speaker 3 (19:09):
I challenge you to do.
Speaker 5 (19:11):
I do my seconds.
Speaker 18 (19:13):
Will contact you about the time, place and choice of weapons. Bye,
but you we welcome with you, George, boy, will you
show this French fried Romeo the kind of stuff you're
made of?
Speaker 16 (19:30):
A duel?
Speaker 9 (19:31):
What's the matter with you two. He didn't do anything.
Speaker 3 (19:34):
You denied that he made love to you.
Speaker 9 (19:36):
Well, no, but I put a stop to that the
first day a duel.
Speaker 3 (19:40):
You see, you see Jeorge, I was right?
Speaker 11 (19:43):
What'll it be?
Speaker 5 (19:44):
Swords of pistols?
Speaker 9 (19:45):
From a look to him? I gotta be smelling salts jewel. Oh, Katie,
I'm so worried about that duel? Are they really going
to go through with it?
Speaker 16 (20:03):
Yes, tomorrow morning at dawn in the cemetery. George is
scared stiff, but he's so stubborn he won't back down.
Speaker 9 (20:13):
I'll get it.
Speaker 3 (20:15):
Hello, Madame Cooper.
Speaker 5 (20:17):
Yes, miss is Jacques Duval your husband.
Speaker 3 (20:22):
He has not been trying to get me on the phone,
has he?
Speaker 9 (20:26):
No?
Speaker 8 (20:27):
Oh?
Speaker 5 (20:28):
Well, I wonder if he and I could talk this
thing over.
Speaker 9 (20:32):
You mean you don't want to fight a duel either, even.
Speaker 3 (20:36):
Know I'm making a Hilton one of those things.
Speaker 9 (20:41):
Well, why did you challenge George?
Speaker 5 (20:43):
Then that's what we Frenchmen are supposed to do. And
they told me that if you judge.
Speaker 17 (20:47):
An American to a duel, he will call up and
try to get out of it.
Speaker 9 (20:51):
Oh they did. Eh.
Speaker 3 (20:54):
I've been waiting by the phone for twenty four hours.
Speaker 9 (20:59):
Well, worry Jacques, I'll take care of George. I'll tell
him I talked you out of it.
Speaker 6 (21:07):
Hey, goodbye, Oh Katy, George is saved.
Speaker 4 (21:11):
The duel is called off.
Speaker 9 (21:13):
Well, mister Cooper will be glad to hear that.
Speaker 6 (21:16):
Yes, but I'm not going to tell him about it.
What Well, Jacques won't show up now that the duel's
called off.
Speaker 4 (21:23):
Oh, I'm going to.
Speaker 6 (21:23):
Let George worry it out right to the cemetery tomorrow morning.
Speaker 9 (21:27):
Haha, ain't I a stinker? Well, there is a cemetery.
Speaker 7 (21:42):
George won't be long now, thanks Cash, I'm cold. Oh
what a miserable morning, dismal and foggy.
Speaker 9 (21:51):
What are you kicking about? I have to drive back
in this welcome on get out?
Speaker 5 (22:03):
Okay? Oh?
Speaker 7 (22:05):
Why did he have to make it the cemetery anyway?
Speaker 9 (22:08):
Well, it saves time, it eliminates the middleman.
Speaker 7 (22:14):
How can you make jokes at a time like this?
Speaker 9 (22:17):
Oh, George, don't think I'm taking this lightly. This is
the proudest moment of my life.
Speaker 5 (22:24):
It is.
Speaker 6 (22:25):
Yes, George, today is going to make you a real hero.
And I only hope my second husband has your courage.
Speaker 5 (22:33):
Second husband, Oh, I.
Speaker 9 (22:35):
Wouldn't marry right away, might take months. Hey, look at
all the people waiting there.
Speaker 5 (22:42):
They must be from the bank.
Speaker 9 (22:44):
Here, the photographers and everything.
Speaker 3 (22:46):
Oh they are George thought you'd never show up.
Speaker 5 (22:48):
Well, let's get on with it. Good publicity for the bank.
Speaker 9 (22:54):
Well how can we get on with it without Jacques Duval?
I have a feeling he won't show up.
Speaker 11 (23:00):
What do you mean, won't sho up?
Speaker 2 (23:01):
He's here?
Speaker 9 (23:02):
Why you see he called me on here?
Speaker 5 (23:05):
Yes, yes, he told us George wouldn't show up.
Speaker 12 (23:08):
Glad you made it boy.
Speaker 9 (23:09):
Oh oh, this is awful. I have to talk to him.
Speaker 5 (23:12):
Where is he over there? Poor reporters a holding him?
And hurry up.
Speaker 3 (23:17):
They have to get pictures in time for the first edition.
Speaker 9 (23:19):
Shack, come here, I'm gonna talk to see. What are
you doing here?
Speaker 5 (23:23):
What is Monsieur Cooper doing here?
Speaker 17 (23:25):
I thought I would show up alone, be a hero
and get some publicity for my French classes.
Speaker 9 (23:29):
Oh what a mess?
Speaker 3 (23:30):
Come on, Come on, everyone's getting impatient.
Speaker 9 (23:32):
Oh dear, we'll have to go through with it.
Speaker 6 (23:34):
Jacques, you shoot way over George's head and I'll tell
him to shoot over yours.
Speaker 11 (23:39):
Be sure and tell him.
Speaker 5 (23:42):
Okay, okay, back to back. Over here, here's your pistol.
Speaker 9 (23:46):
George, George, farewell, my darling.
Speaker 6 (23:51):
Why Liz shoot high and miss him because he's gonna
miss you?
Speaker 5 (23:54):
Huh oh, okay, hey Lis, what if he.
Speaker 3 (23:59):
Doesn't miss me?
Speaker 9 (24:00):
But I will shy farewell lover all.
Speaker 11 (24:07):
Right, gentlemen, stand back to back, hocket.
Speaker 5 (24:10):
Pistols, shoe hie?
Speaker 4 (24:11):
Who die?
Speaker 5 (24:15):
You both know the rules?
Speaker 11 (24:16):
The count of ten wen and fire.
Speaker 5 (24:19):
Shoot die.
Speaker 3 (24:27):
Start pacing one, two, three, four.
Speaker 2 (24:33):
Oh, they're both down.
Speaker 5 (24:39):
I put blanks in those guns. How did they get shot?
Speaker 9 (24:43):
Nobody got shot? The photographer dropped the flash bob and
they both fainted.
Speaker 1 (25:00):
Come on, yues, Letsie, I'll wear to tonight.
Speaker 6 (25:02):
Oh, We're gonna be Artie tonight, Robert, and see how
Jello makes out in the Land of glenn Opera.
Speaker 19 (25:09):
Let's go Wilburt to the met Yet me, me, me, me, me, me,
pardon me?
Speaker 9 (25:20):
Could you tell me where signor Lemondini is?
Speaker 5 (25:23):
I am he?
Speaker 9 (25:26):
Oh that's cute, you say. I'm the music editor of
the Jello Pudding Gazette. Is it true you can break
a glass by singing a high note?
Speaker 6 (25:36):
Certain Lennie, Certain Lennie, He must be Italian.
Speaker 9 (25:42):
Ready, Yes, I'm listening me go ahead.
Speaker 15 (25:46):
Oh oh, well, I can usually break the glass by singing.
Speaker 9 (26:00):
Hey, I'm a singer already.
Speaker 5 (26:02):
Bah, you are no singer.
Speaker 3 (26:04):
I can tell my ear is trained.
Speaker 9 (26:06):
Oh, your ear is trained.
Speaker 3 (26:08):
Yes, let me see does something I mean musically?
Speaker 14 (26:13):
Wow?
Speaker 3 (26:14):
I will sing for you.
Speaker 1 (26:15):
I will sing unavoch pocket trio jello fare comes.
Speaker 9 (26:21):
What does that mean? She asked, putting her foot in
a pudding pudding?
Speaker 5 (26:26):
It means it means in.
Speaker 1 (26:27):
Your language, jello puddings are a trio of preat yellow
chocolate pudding luscious with deep down chocolatey.
Speaker 9 (26:33):
Goodness, that little tidy yellow butter.
Speaker 1 (26:35):
Stretch pudding with that buttery brown sugar flavor. And jello
vanilla pudding rich and smooth as cream.
Speaker 6 (26:41):
Well, it certainly stretches in the translation don't pudding go
long way? Hey?
Speaker 5 (26:46):
Thank you?
Speaker 9 (26:47):
Yeah, but my favorite area is drip stripped button clink
clink clink.
Speaker 5 (26:55):
What does that mean?
Speaker 9 (26:56):
In your language? It means all you do withdd milk?
Speaker 6 (26:58):
And they take about five minutes to books.
Speaker 7 (27:14):
George, George, what's the matter?
Speaker 9 (27:18):
There's a wild animal in the room. He's down at
the foot of the bed.
Speaker 6 (27:24):
Yeah, look, at his big red staring eyes.
Speaker 5 (27:28):
Wait a minute, I'll get my gun out of the table.
Got it. One? Two?
Speaker 9 (27:34):
Oh, it's no animal. I forgot. I put luminous nail
polish on my big toes.
Speaker 1 (27:46):
You have been listening to My Favorite Husband, starring Lucille
Paul with Richard Denning.
Speaker 3 (27:50):
The night's program was produced and directed.
Speaker 1 (27:52):
By Jessoppenheimer, who wrote the script with Madeline PW and
Bob Jr. Original music was composed by Marlon Skiles and
conducted by Will Hatch. Be sure to listen to the
Seal Ball and My Favorite Husband Again Next Week, presented
by j. E.
Speaker 9 (28:06):
L Oh, THEID.
Speaker 3 (28:09):
Leader, Sam Paul, Jello Family Leader.
Speaker 6 (28:14):
Jello Family, Jelly, Yum, Joy, Yellow, The op Bludings and Surrey.
Speaker 9 (28:29):
Listen to the Seal Ball, my Favorite Husband Again next Week.
Speaker 3 (28:32):
I from on Speech
Speaker 4 (28:38):
Rodcast in Si
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