November 3, 2024 • 55 mins
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Episode Transcript
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Speaker 1 (00:00):
The CBS Radio Mystery Theater presents. Come in Welcome. I'm e. G. Marshall.
(00:30):
Won't you join me in the exploration of the rich
resources of your own imagination? Modern science tells us we
live in a world of waves. Beyond the atom, the electron,
the ion substance itself breaks down into waves. My voice
(00:52):
is coming to you now on waves, And that, as
they say, is a long and short of it. But
what about thought? Might not they comprise wave patterns to
patterns that linger on after the thinkers are dead and buried.
Speaker 2 (01:11):
Might not that.
Speaker 1 (01:11):
Explain the empty footfall in the vacant house, the rattle
of chains now rusted and broken, and even the sound
of voices long ago silenced.
Speaker 3 (01:28):
They'll overtake me, they'll put me in iron, and this
time they'll fang.
Speaker 2 (01:36):
No, my dear, No, they can't harm you. Now they're
all gone. They'll all turn to doth long ago they
be often.
Speaker 3 (01:44):
You not want to see me swinging in the wind.
Speaker 2 (01:47):
When you know I wouldn't want to see. I must
never slipped.
Speaker 3 (01:51):
Abel ship it might be named He Make He.
Speaker 1 (01:58):
Me. Our mystery drama, The Strange Voyage of the Lady
d was written especially for The Mystery Theater by Mary
Jane Higbee and stars Paul Hecht and Augusta Dabney. It
(02:22):
is sponsored in part by Sinoff, the Sinus Medicines and
Enhuzer Busch Incorporated, brewers of Budweiser. I'll be back shortly
with that one. If you take a look at the
new nineteen seventy five cars, it doesn't take long to
notice the European influence is strong. And to be sure,
there are some new American cause that rival the Europeans,
(02:46):
one being Buick's new Skylock SR. But don't consider a
Skylock Sr because of its touring car interior or it's
rather rakish profile. Consider it because it's a Buick possessing
many a Buick nicer innovations like the new Buick V six,
a peppery little engine that spits out a plentiful amount
(03:06):
of talk while sipping a surprisingly small amount of gasoline.
And if you wish, Skylock SR can abound with creature
comforts seldom found on cars this size, with available items
like Cruise Master, speed control, a MFM stereo. But you've
heard enough now you need to see and drive a
Skylock SR and try to remember it's not a European
(03:31):
touring car. It's a Buick Muick dedicated to the free
spirit in just about everyone.
Speaker 4 (03:40):
We'll return to mystery theater in just a moment. Food shoppers,
there's really no mystery about saving on food when you
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Mark twenty four hour special especially for you Mystery theater listeners.
(04:02):
Chocolate chips fifty nine cents. That's right, Baker's twelve ounce
chocolate chips on sale for fifty nine cents at thrifty
mark for the next twenty four hours. Get this dramatic
bargain anytime tonight or get it tomorrow. It's on sale
right now and until tomorrow night at ten thirty at
thrifty Mark. There are forty four thrifty Mart supermarkets in
(04:24):
Illinois and Indiana. Most stores open twenty four hours, offering
the finest in meats, groceries and produce. Remember Baker's twelve
ounce package of chocolate chips just fifty nine cents especially
for you mystery theater listeners at thrifty mark. Limit one
package per customer, please, they're curious at venture that befell
(05:01):
the Stephens family would never have happened if Ellen had
had her way. But Ellen was a realist, her husband, Richard,
a romantic. And when did realism ever hold the line
against the subtle persuasions of romance. It all began during
a visit to one of those cruise ridden, sun drenched
(05:22):
islands in the Caribbean. A friendly family disagreement was in progress.
Speaker 1 (05:28):
An old story. It's been going on now for six years.
It's the one at the end of the dark. Ellen.
There isn't she beautiful?
Speaker 2 (05:39):
Very now? She promise you it's a no more boat alms.
Speaker 1 (05:44):
Of SUSI at least fifteen years old. We'll never see
it by like this again. They're practically giving you the well, and.
Speaker 2 (05:49):
There's something wrong with it.
Speaker 1 (05:50):
It's got Zira, not this ship A step aboard, Ellen.
Speaker 2 (05:54):
Richard, why do you start these things? You know we're
not in the market for a.
Speaker 1 (05:58):
Boat such a jewel. Wait till you see the cabin,
plenty of headrooms, a beautiful galley.
Speaker 2 (06:05):
Can I don't wait?
Speaker 1 (06:06):
Can I wait?
Speaker 2 (06:07):
You oh all right, but just one quick look.
Speaker 1 (06:12):
You can'tfull you here. Let me help you. See there
you are now, just look at this after deck. She's
all white oak and seeded, and she's a motor sailor,
you know, a lot better than an auxiliary engine. You
can run just as well under power as under sail.
There are two fifty gallon fuel tanks below deck. The
(06:36):
King really, of course, the ship is a real home. Helen.
What do you say we take a short run. I
have the ignition key. The guy in the boatyard office said,
I could take her out.
Speaker 2 (06:52):
Oh, Richard, I've had it with boat in anyway, the
question's academic. Even if we bought it, we couldn't get
it back to the state.
Speaker 1 (07:00):
You could sail it, I said.
Speaker 2 (07:02):
Love your mind. It's hundreds of miles.
Speaker 1 (07:05):
She has an enormous cruising wave. What with the engine
and sail. We just watch the weather predictions very carefully.
Speaker 2 (07:12):
Come on, move, we we're gonna get off now, Richard, you
take the keys back to the boatyard, ma'am. Now, I'll
get the time, bring it down as far as I can.
I'll pick you up at the gate. Doddy.
Speaker 5 (07:23):
Yeah, I want to take a ride in it, can
I slayer?
Speaker 2 (07:27):
Doddy? Kenny Kenny hum? Can we goo goo for a boat?
Speaker 6 (07:31):
Right?
Speaker 2 (07:32):
Tolorrow?
Speaker 1 (07:33):
Know? Depends on your mother. Oh?
Speaker 5 (07:36):
Wait, wish he could buy the boat?
Speaker 2 (07:38):
Do you? Doddy?
Speaker 1 (07:41):
Do it? You and I watch?
Speaker 5 (07:44):
Wish we could buy the boat.
Speaker 1 (07:46):
Yeah, that part's all taken care of. I already bought it.
The only problem now is how to break the news
to your mother. Yea, Now, Ellen, you have to admit
this is the light. Look at that sea. It's like glass.
Speaker 2 (08:09):
You too. Come. I don't like the gray mistiness that's
settling over everything. I won't feel good into his sight
line again.
Speaker 1 (08:20):
I won't be long now. We were clipping right along
when we had the sails up. See that's the advantage
of a motor sailor. When the wind died, we could
switch right over the power and still maintain our speed into.
Speaker 2 (08:32):
That panicky half hour when you couldn't get the engine started,
just a.
Speaker 1 (08:36):
Little corrosion around the points, but a sandpaper fixed that. Here, Ellen,
why don't you take over the wheel? Euh. I want
to go and look at the chart now. The first
boy we picked up is number twelve. From there, we'll
see a light. We make it before nightfall. You can
take over for a few minutes, okay, Susie, I like admit,
(08:57):
you know where we are right now, sailing on the
Spanish main. It sis, that's right. These waters were infested
with pirates in the old days. Blackbeard or Calico Jack Richard.
Speaker 2 (09:12):
I think that's a fog closing him. Look ahead.
Speaker 1 (09:15):
Yeah, well just hold a steady course. We'll be citing
that boy any minute now, Susie, go below and bring
up my binoculars. There's a good girl.
Speaker 2 (09:24):
Because visibility is not any too good.
Speaker 1 (09:26):
We can't be far from Port Richie.
Speaker 2 (09:29):
They hope you're not running into one of those awful
piece suits.
Speaker 1 (09:32):
Now, don't panic. No, it's Susie fighting. Thanks.
Speaker 2 (09:40):
Can you make out anything?
Speaker 1 (09:43):
Uh huh, I don't see it, yeah, but we will care.
We wore about the pirate, okay, well, Caliko Jack Rackham.
They called him that because of the fancy clothes he wore.
He sailed with Ann Bonnie. There were girl pirates too,
you know. Yeah, sure, Anne Bonnie and Harry reed, and
(10:03):
from all accounts they were better at it than the men.
Speaker 2 (10:06):
Tod's getting awfully sequising. I've never seen one rolling so fast,
and the sun's gone.
Speaker 1 (10:13):
H I'll take over now, I can.
Speaker 2 (10:14):
Hold her on court and keep looking for that buoye
we should have been in port long ago.
Speaker 1 (10:21):
Well, we lost a little time trying to start the engine,
and we.
Speaker 2 (10:25):
Laugh, of course, not I think we ought to start
counting on fog morn.
Speaker 1 (10:29):
Not yet. Don't you want to hear what happened to
Anne Bonnie?
Speaker 5 (10:33):
What happened Jerry?
Speaker 1 (10:34):
So the pirates all went to jail. They hanged poor
old calico Jack. Mary Reed was dying of a fever,
and Anne Bonnie nursed her, and then well, nobody knows
just what did happen. In the morning. When the jail
keeper opened their cell, he found the body of Mary Reed.
But Anne Bonnie was gone, and she disappeared and was
(11:00):
never heard of.
Speaker 2 (11:01):
Richard.
Speaker 1 (11:02):
Why look look what you've done on Richard?
Speaker 2 (11:07):
How could you want?
Speaker 1 (11:08):
What is it? Monkey?
Speaker 2 (11:10):
Wrench is right behind the compass?
Speaker 1 (11:12):
Richard? Who put that there?
Speaker 2 (11:15):
Who who was working on the end of that wrench?
Will have plue that compass? So far out of blind
heaven us where we are now?
Speaker 1 (11:24):
Sorry, I'm so glad to get that motor started. Oh
I'm sorry.
Speaker 3 (11:30):
Oh, if I ever get my feet on dry landing.
Speaker 1 (11:33):
Let's keep calm. We are not long.
Speaker 2 (11:36):
No, we're still right here in the Atlantic Ocean. I'm sorry, Ellen,
and I ever let you talk me into this expedition.
Speaker 1 (11:44):
We just just try to keep cool.
Speaker 2 (11:46):
Gotty, oh my fourth impellably fifty miles off course.
Speaker 5 (11:52):
Gotty is that they can floating.
Speaker 1 (11:55):
Over beds where? Yeah it is?
Speaker 2 (12:01):
Oh, make has.
Speaker 1 (12:02):
I'll make the wheel. I want to go right up
to it. You gotta be sure of that number.
Speaker 2 (12:06):
It should be be twelve, brother, don't.
Speaker 1 (12:12):
I don't be the love there? What is it?
Speaker 2 (12:15):
Three?
Speaker 1 (12:16):
Three? Can't be?
Speaker 2 (12:18):
Ok?
Speaker 3 (12:18):
Three?
Speaker 1 (12:19):
I I e oh no that what he gave telen loose.
Speaker 3 (12:26):
He's right, thirty eight, but that's impossible.
Speaker 1 (12:30):
Let me take the wheel again. Al you just idle
here by the boy. There's no thirty eight on this chart.
You're way off course. I have to go below and
get the other charts.
Speaker 2 (12:44):
Can you still see the boy?
Speaker 7 (12:45):
Susie? Shit, it's right.
Speaker 1 (12:47):
Yeah, we'll keep your eye on it.
Speaker 3 (12:51):
Don't let me drift too far away, darling.
Speaker 8 (12:57):
Yeah, you're not smoking down there.
Speaker 2 (13:01):
Are you?
Speaker 1 (13:01):
Your lord?
Speaker 8 (13:02):
No?
Speaker 1 (13:02):
You know I haven't smoked in ten years.
Speaker 2 (13:06):
I smelled tobacco turned loud.
Speaker 1 (13:09):
Why well, let me get at the engine. Maybe there's
a short in the water.
Speaker 2 (13:14):
No, no, it's not like that. It's tobacco. Did you
hear that? It sounded like somebody loud?
Speaker 1 (13:28):
Oh boy, it's a ship. I didn't beautiful, Oh oh,
don't answer the horn?
Speaker 3 (13:43):
Ah oh, what'ship for you?
Speaker 1 (13:51):
The lady d wor? Of course? Can you give us
some bearings?
Speaker 3 (13:57):
Us that slave over for the knife here?
Speaker 1 (14:01):
Nor fight ye a quarter?
Speaker 2 (14:03):
Ye you'll run right down the tunnel.
Speaker 1 (14:07):
Thank you.
Speaker 2 (14:09):
I still can't see anything, nor fighting.
Speaker 3 (14:14):
A fort.
Speaker 2 (14:17):
With a woman?
Speaker 1 (14:18):
Bring the chip around slowly? Ellen right? What she knows
what she's talking about?
Speaker 2 (14:24):
And I still smell tobacco to the Why was she
that close?
Speaker 1 (14:30):
Funny? I didn't see a thing.
Speaker 2 (14:32):
I didn't hear any motor.
Speaker 1 (14:34):
Maybe she fair as Susie. How could she be? There's
no wind and she seems to get away so far. Elan,
go as slow as you can. I'm going forward and
keep a sharp watch. We don't know what we're heading into.
Speaker 2 (14:47):
And I've got a tottle way down.
Speaker 3 (14:52):
How we reverse revert?
Speaker 1 (14:56):
Quick quarter? In reverse? I pick a back off here?
Let me why that? No use salt a comic fan? Yeah,
the worst stock five One of the most beautiful yet
(15:19):
fearful tales that travelers tell is a loyalize the siren
who sits on a rock, combing her long golden hair
and luring unwary boatmen to their doom, but siren who
smokes to back them. We'll learn more of this unusual
(15:40):
temptress when we returned shortly with Act two. You don't
see many people putting salt in their beer nowadays. Not
that despending wrong with salt on radishes or French fries,
but man not. In the King of Beers. Truth is,
(16:00):
the only thing salt can do for Budweiser is make
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brewing Bud, the Budweiser brew master goes all the way
(16:20):
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can take without a grain of salt. The fact that
when you say Budweiser, you've said it all Anheuser Bush
(16:42):
Saint Louis.
Speaker 4 (16:59):
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(17:20):
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Speaker 9 (17:34):
Dustically times stop shotting shopping.
Speaker 1 (18:08):
There's nothing so eerie is the feel of a ship
gone aground. A living, pulsing body beneath your feet goes
suddenly dead. Aboard the Lady d Only Susie slept that night.
Ellen and Richard kept an anxious vigil, waiting to see
(18:29):
what the dawn would bring. Where were they? How great
was the damage to their boats? On the last question
hung the safety, perhaps the survival of the ship and
her cowp Ellen come up on deck. You gotta see
this flu Look at that sunlight, isn't it My goodness?
Speaker 2 (18:52):
Oh god, you are the one man alive. Who could
run a valuable boat of ground in the middle of nowhere.
You greet the dawn like telling.
Speaker 1 (19:03):
Him some sort of ship is sure to pass by. Meantime.
This is a great adventure.
Speaker 2 (19:09):
While the tide runs out. That'll be an adventure and
both in a roll over on her side.
Speaker 1 (19:15):
She won't. She's built like a sea skip. They used
to pull them right up on the beach to unload
the cat. So give us a kiss, Cassandra.
Speaker 2 (19:26):
Good morning Darland.
Speaker 1 (19:29):
Huh, I guess I better go ashore and see if
I can find the water supply on on our desert island.
Speaker 2 (19:35):
If this here your birday iron and played, so leap
your head and your father's playing Robinson.
Speaker 1 (19:43):
Richer it look yeah, if I'm not mistaken, here comes Friday. Oh,
good morning, Moning, Good morning you are it?
Speaker 2 (19:56):
What do you say?
Speaker 1 (19:57):
I think he said we're early early for what what island?
Is this? Cambo's Island? Campbell Dian, Yes, mister, I'm Cambo.
Oh how do you do, mister Campbell. I'm Richard Stevens.
This is my wife, good wanted mistress, my daughter Welcome.
Speaker 2 (20:18):
Did you say we were early?
Speaker 1 (20:20):
Yes? Yes, usually September come before she brings the book.
Who the lady who smoked the pipe a pie? Yes,
a long play pipe. You did not see her?
Speaker 2 (20:37):
No, we moldy pie.
Speaker 1 (20:40):
Is Campbell's Island? I mean is there a town here?
Speaker 2 (20:44):
Ow?
Speaker 1 (20:45):
Oh? Oh gamble the only man here? When we missed
the harbor channel Bambo's Island, I have no harbor.
Speaker 7 (20:54):
The lady to do with a channel?
Speaker 1 (20:57):
Oh? Yes, sometimes she say that you mean she lied?
You are baby? You want your boat? Your boat? She nice?
Or want you come aboard? I ain't good, sir?
Speaker 2 (21:14):
Can I can I give you a cup of coffee?
Speaker 1 (21:18):
No? Thank you, mistress? Oh you're wee high like a
good old fashioned wheel to stay with you pay a
lot for diy Oh the compound. All the ship's well equipped.
Go sit bout rush because dear, you'll have a radio,
(21:40):
just a receiving set. Now, mister Campbell, about getting off
the beach, you stuck fast man, Well, if you have
a boat and a tow line at high time and
my motor too small, just a little outboard. I sailed
to the island, and there are other islands near eight
(22:03):
hours to sail there. Could they send out a work
boat from another island? Maybe we have to fetch them.
No wireless on Combo's Islands.
Speaker 2 (22:13):
You mean going your little tailboat?
Speaker 1 (22:16):
Oh nor, mistress, you and the child most stay here?
No boat this more? If I try to keep that
big boat, she take it? You mean the lady with
the pipe will not.
Speaker 2 (22:31):
She has a bout.
Speaker 1 (22:33):
She ought to be welling. No man, Mistress Bonnie has
no boat. There's the other. She look for the boat
all the time. She look Bonnie. Did you say Bonnie?
And body you know about her? Yet she got to
(22:54):
her years ago? That's what they say.
Speaker 2 (22:59):
Do you mean that we were talking to a girl?
Of course, not soothie, and no such things. I can't
you a god, I can't do it. You sensible and
no good things to go.
Speaker 1 (23:12):
You're both to stuff fast down Gombo's Islands. But dude, yes,
but he's the ghost she don't bring you. Oh you
think you got you? Mister Campbell and Sulia Servant getting
(23:35):
along together. Look at them striding ahead of us.
Speaker 2 (23:38):
He's driving, she's trotting. What a big powerful man he is.
He's skin like Evan.
Speaker 1 (23:46):
How do you think he is?
Speaker 2 (23:47):
I don't know forty.
Speaker 1 (23:50):
I'm eager to see us both, and I.
Speaker 2 (23:52):
Hate to think, if you're starting out all alone with him,
I have to go for help. But why can't he
go by himself?
Speaker 1 (23:58):
I don't know, he doesn't seem to do that.
Speaker 2 (24:02):
Did you notice the way he had damined our boat of.
Speaker 1 (24:06):
Like he was taking inventory? Well?
Speaker 2 (24:08):
What do they call those people who lure ships to
their dune by putting out beacon lights?
Speaker 1 (24:13):
Wreckers?
Speaker 2 (24:15):
Yeah, you can he the record.
Speaker 1 (24:18):
The thought crossed my mind.
Speaker 2 (24:21):
But we did hear a woman's voice?
Speaker 1 (24:23):
I look. There could be two explanations for that. Either
there is a woman on this island in spite of
what Campbell says, or oh he's a ventriloquist. Look look, Ellen,
look down there.
Speaker 2 (24:39):
Why if the cattle a ruin, a burnt out ruin
in the world, on this desert island.
Speaker 1 (24:46):
I know what that is. I've seen those burnt mansions before.
This was a plantation in the slave days. When the
slaves were build they burned the house to the ground.
Speaker 2 (24:57):
Half of it is still standing.
Speaker 1 (24:58):
There now, the house and the island. I found a
new master. Oh welcome. Do you like a drink before lunch?
Speaker 2 (25:18):
Lunch?
Speaker 3 (25:19):
Yes?
Speaker 1 (25:19):
Yes, I give you a nice lunch. You like wi
gras cavia at the stream. Any kind of wine. Nothing vodka.
Collins will be just fine. Wood Cock Collins soon come back.
Speaker 5 (25:35):
Mama lit the camels that did an ice cold spring
behind the house.
Speaker 2 (25:40):
And cook let them pineapple.
Speaker 1 (25:42):
Look in the corner there cast bronze and enormous. A
propeller that's worth a lot of mine.
Speaker 2 (25:49):
And that wheel.
Speaker 1 (25:50):
It's hue must have come off a schooner. What does
it say in this plate, Mama.
Speaker 2 (25:57):
Dutches of the caribbees Quin, So read that topper A
morning god o ourcle?
Speaker 1 (26:07):
What bigger word? The ss odyssey?
Speaker 2 (26:11):
Oh Richard?
Speaker 1 (26:12):
Yeah, awe of ships?
Speaker 2 (26:17):
Don't wreckers?
Speaker 1 (26:18):
Usually we don't know that he's a wrecker. You like
my own haf h.
Speaker 2 (26:26):
It's lovely.
Speaker 1 (26:27):
I have good life, man, since I learned to get
along with Mistress Bonney. How did you come here in
the first place, said mister Campbell. I was fisherman. I'd
work no money. One night, she'd take my boat. I
screamed to be silent. I see all these rich things
(26:50):
here on the beach, So I come back in a
new boat. She put that one on the devil's stone,
big rock, the devil. He put his thumb up at
low tide. Then he pull it down at high tide.
(27:11):
Then oh, at low tide he hide it again just
below the water. A long come a sailorman. Up come
the thumb right through the bottom of the boat. The devil,
I think he good friend, Mistress Bonney, Mister Campbell, you
(27:32):
say it will take all day to get to the
nearest boatyard, my boat, But they have work boat much
quicker with power. Will they return here with you in
two three yards? And then can we start tomorrow morning? Yes,
ma'am five o'clock to catch the tide. I have things
(27:53):
to sell, very dear, better than fish. Oh, yes, yes,
better than.
Speaker 2 (28:05):
Man.
Speaker 1 (28:07):
Oh, it feels good to stretch out. I'm exhausted.
Speaker 2 (28:12):
I was certainly glad to get back to her both.
I'm I'm too nervous to sleep, though. I Oh, I
dread the thought of our separating tomorrow room. When I
think of you all by yourself, I'm see you with
that giant of a man.
Speaker 1 (28:32):
I'm so right.
Speaker 2 (28:36):
I only go along to get help. That would be
perfectly normal, wouldn't it, unless unless there's a price on
his head. Richard, Richard, Oh Richard, are you? Oh Richard?
Speaker 10 (28:54):
Oh?
Speaker 2 (29:00):
Kill let her get asleep.
Speaker 3 (29:05):
Anymore?
Speaker 6 (29:06):
Ship.
Speaker 2 (29:11):
Who's that?
Speaker 3 (29:13):
Over time of your lad and mine? Walcome back?
Speaker 1 (29:19):
Sep?
Speaker 2 (29:21):
Who's there?
Speaker 3 (29:28):
I a good see, wildy go?
Speaker 2 (29:32):
Who's there? Who are you? A good?
Speaker 4 (29:37):
Even?
Speaker 3 (29:39):
I'm just admiring your ship. Then I come aboard.
Speaker 2 (29:45):
That's somebody with you. I heard you talking that.
Speaker 1 (29:49):
They all laugh at the sounds of don boy.
Speaker 2 (29:53):
Then a crave o'clock, jack lacking us to the table.
Speaker 1 (29:59):
Good, mad you decide?
Speaker 3 (30:02):
We held off the king lends a lot more empty
and they bore enough. The custoses on our heads, and
he died in per cover.
Speaker 2 (30:14):
Should she was with child?
Speaker 1 (30:19):
Uh? That would day.
Speaker 2 (30:23):
Day more than that?
Speaker 1 (30:27):
Perhaps I've lost a count of time.
Speaker 2 (30:32):
Will you join me? In a face?
Speaker 1 (30:35):
No?
Speaker 2 (30:35):
Thank A five soothing things and on the ship's deck
and clothing at the moon, I've never seen such perfect
smoke rings?
Speaker 1 (30:47):
Good?
Speaker 3 (30:50):
I to go the wavering I should the war colley
Cojack the ducks they're captivating bad with Jackson, the black fifty.
Speaker 2 (31:05):
Wild col They hate him under.
Speaker 1 (31:11):
I stay, you'll marry fleas their laps. Then and then
what happened?
Speaker 3 (31:21):
Not all my keeping men could ever find out.
Speaker 10 (31:26):
The coup.
Speaker 1 (31:28):
What will you take for your ship?
Speaker 2 (31:31):
He's not the sail cop cop I must have a shoot.
Speaker 3 (31:34):
They'd be AFTIM should not want to see poor Langer
swinging in the wings like cardio Jack would.
Speaker 2 (31:41):
No, I wouldn't want to see that. But they can't
harm you now they're gone all turns of dust long ago.
They'll put me an iron. No, my dear, No, I'm not.
Speaker 3 (31:53):
Purp might have something work undiph t Trady dolls the little.
Speaker 1 (32:00):
Clock, what is it? Black of a night?
Speaker 2 (32:05):
We sailed with black sars, blackne the take yo up
close slash.
Speaker 1 (32:14):
I know where black Beard burries his traces.
Speaker 10 (32:20):
Blackbeard's treasure A great treasures, while the poonty for three
rich Fati Merchmon Layton was born silver love than that
a child only my door.
Speaker 2 (32:36):
Couple lat the flip off the lake time. Aren't you forgetting?
If you drove us aground last night? A good storm
with such your float, Camel says the big storms don't
comes in September, alright, for sometimes lay Jun.
Speaker 1 (32:58):
We'll see the ins a bargain.
Speaker 2 (33:04):
You'll pay with me. No, no, no, I can't. You're
depard me, don betray me. No, but but I I
felt heard the first.
Speaker 3 (33:14):
If you act you, they'll overtake me and became the
d me it must name.
Speaker 2 (33:23):
I can't. There's a great ghost between them, your dream
a pigment. And then I wake up. I'll still be here,
but you'll be gone. I can't help you.
Speaker 6 (33:35):
Because because you're nothing, you're nothing but a dream.
Speaker 1 (33:42):
And and where are you? Come back? Come back? There's
(34:12):
an apparition for you, A whistling pipe smoking lady with
a cutlets that her belt. But why did she leave
so abruptly? Was she offended at being called a nothing,
a figment? Well, none of us likes to hear the
truth about himself, least of all a ghost. We'll follow
(34:32):
Anne Bonnie's ruthless quest for a ship. When we returned shortly.
Speaker 2 (34:37):
With Act three, I went that nan medicin headache tablet
NONU medicin sin a tablet helped the headache down the
brass hair.
Speaker 1 (34:47):
Oh you mean sign off exactly?
Speaker 11 (34:49):
Headache pain is one thing, a sinus headache or something else.
And sometimes your whole face can mean to throb with pain.
You wander a leaf takes sign off tablets. Sin EOSF
the sinus medicine that gives you a full dose of
pure aspirin plus a sinus drainer, sign off the sinus
(35:11):
medicine that helps.
Speaker 1 (35:12):
Relieve sinus pain. Why you drain and sign off doesn't
stop there? Have you tried? Sign off?
Speaker 11 (35:19):
Sinus spray the fastest known form of sinus congestion relief.
It works in seconds. That sign off sinus spray. When
sinus flares up, you sign off tablets and spray only
is directed.
Speaker 1 (35:32):
S ine ol. Sign off exactly. Sign off the sinus
medicines in the bright red box.
Speaker 4 (35:42):
We'll return to Mystery theater in just a moment. Your
car is worth hundreds of dollars more today at any
use from Chevromet. Yes, no matter what you are driving
or how old or new your car is, you'll get
three hundred to eight hundred dollars more in trade on
any new nineteen seventy five or nineteen seventy four chevrome.
At Arnie Euston's giant Sale at forty eight forty nine
(36:03):
North Broadway, come in and browse around. See the exciting
new Bonzas, Camaros, Impalas, Caprices, Novas, Chevelles, Vegas.
Speaker 1 (36:11):
And Monte Carlo's.
Speaker 4 (36:13):
There are many seventy fours to choose from at low
discount prices for example, brand new seventy four Chevy Vegas
originally twenty seven to ten now only twenty two to
ninety five less your giant trade in a seventy four
Impala custom factory air condition executive driven originally forty five
sixty nine is just thirty four to ninety five way
(36:33):
less of your giant trade in more than three hundred
fifty cars to choose from now at arne use In
Chevrolet open every day and all day Sunday at forty
eight forty nine North Broadway, arnieas.
Speaker 8 (36:45):
In, Chevrolet sells the load of fox Way Arnees and
Chevalet forty eight forty nine North Broadway.
Speaker 1 (36:54):
This is w WBM Chicago. A spectral lady bent on
seizing a ship or a laughing West Indian intent only
on gathering up the spoils. Ellen doesn't know which she
(37:18):
fears most as she watches the dawn stretch its rosy
fingers across the uncharted island where the cruiser Lady d
lies stranded in the sand. That was a damn good breakfast.
Speaker 2 (37:31):
Ella had a depressing dream last night. Oh at least
I think it was a dream. On Bonnie boarded the
lady d and we had a long talk, and I
felt sorry for her.
Speaker 1 (37:47):
She was fighting that scared ghost. That's a sweat.
Speaker 2 (37:50):
No, she was terrified. Oh, darling, I hate to see
you go up with that awful man and that little boat.
Speaker 1 (38:00):
Ellen DearS. You mustn't worry.
Speaker 2 (38:04):
I wish we could stay together, see it.
Speaker 1 (38:08):
So catch Campbell's been sailing these waters all his life.
Speaker 2 (38:12):
Oh yeah, and he's lost to vot be told. And
beside he's doing in the tiny boat with as Nady.
Speaker 1 (38:23):
He gathers salvage. That's that's all we really know about it.
Good morning, she don no dime, Google, i'sp a line.
I'll make you fast to our stern. Gosh, got it.
Speaker 2 (38:39):
Come up on, Jack? So he Dotty's leaving.
Speaker 1 (38:44):
A I dolling take care.
Speaker 2 (38:47):
I want to go to tell the why, but we can't. God,
you don't want to stay here.
Speaker 1 (38:52):
Good morning, mister Susie.
Speaker 5 (38:55):
Good morning. Oh we're going here, Dotty cream.
Speaker 1 (38:58):
No, there isn't a room for us. Are you and mommy?
Take care of each other. Don't come doddy, mister Susie.
You go to my house. You can look at the
boots gritty picton And when I get into the boat
with mister Campbell. We're gonna let you free the line
and cast it off. Now see how quickly you can
(39:19):
do it? Here I go hoorry cast us off. Wo
be good. Now we'll be back before you know it.
An't he canna take a load it? No? It died?
He take us house? Then I put up this day.
Speaker 3 (39:37):
Oh darling, you liquor a quick shore like not a chine.
Speaker 1 (39:43):
Look at that sky. No, no stormy, whether naughty don Bonnie,
she don't whistle up the wind?
Speaker 2 (39:52):
What what did you die?
Speaker 1 (39:55):
No storm not if she don't whistle up the win
he do that sometime? It fun.
Speaker 2 (40:07):
Do that. It saves you long in Campbell's house. Study,
he should be getting back to the lady. G it's
still raining. I thought it was one of those quick
little topical chunds. But does look out to him? Why
(40:30):
is a rough white? Let's go back to the lady.
Speaker 1 (40:36):
We'll be so. I'll tell you what let's do.
Speaker 2 (40:39):
Why don't I go back a little to get you answ?
Speaker 5 (40:41):
No, john it doesn't not if I get there, I
didn't like baby.
Speaker 12 (40:45):
No study, No you only say no Johnny would like
it's only.
Speaker 7 (40:50):
A little way.
Speaker 2 (40:53):
Well, your promise you come say that I'm telling no
laddering now.
Speaker 8 (40:59):
I no.
Speaker 3 (41:16):
A horn?
Speaker 2 (41:19):
Where are you hello?
Speaker 6 (41:22):
I can't see you?
Speaker 3 (41:25):
Why you there up there on the deck of your ship.
Well your thought of a lord the fir to do.
Speaker 2 (41:37):
And you're real lady h and you typ lies, little fool.
Speaker 1 (41:42):
But ties is coming ship the birth three.
Speaker 5 (41:46):
Oh, I gonna get my mind no ties to that.
Speaker 3 (41:49):
The winds do chails, the tides of making.
Speaker 2 (41:52):
Mama will know what to do?
Speaker 1 (41:54):
Are you like?
Speaker 3 (41:56):
Will you run the way?
Speaker 9 (41:57):
The leadership the flowers?
Speaker 3 (41:58):
But oh I'm not you know how to step the sabers.
I don't know how of the balls.
Speaker 6 (42:07):
I'm gonna get my mama's raincoat.
Speaker 3 (42:09):
I thought her see the what she's pulled fas, but
the straight time will hide it through the.
Speaker 2 (42:17):
Half of the beach.
Speaker 5 (42:18):
Daddy cut out an answer, and the sea.
Speaker 3 (42:21):
The word'sful telling her up over the answer.
Speaker 2 (42:23):
I got to the pieces of those rocks of thing.
Oh no, you could save it if you learn the face.
Speaker 7 (42:32):
I'm not hit.
Speaker 2 (42:35):
Up the ncil up.
Speaker 3 (42:37):
I can't put up the sails. They're not thinking the
ship the low wall like I can't stide.
Speaker 1 (42:47):
The ending and little shore and need causing.
Speaker 5 (42:50):
Out you're just sitting a little cheat.
Speaker 3 (42:53):
He takes right off.
Speaker 7 (42:55):
She says, I.
Speaker 12 (42:58):
Can't lift that a gang crizo castro console the ship.
Speaker 6 (43:06):
Lady always take the ending because by nothing had too
short to reach the get th hi you, I'll get
the thing to said you here.
Speaker 5 (43:21):
Body still test he'll do wissy because this little.
Speaker 3 (43:28):
Thing to chop butter swinging above.
Speaker 2 (43:32):
I've never done this, befool. Now I'm clicky.
Speaker 3 (43:42):
He started right up line.
Speaker 6 (43:45):
But the money my birs alcoholably pit to up.
Speaker 12 (43:50):
I'll go forward and I'm tet.
Speaker 1 (43:53):
Under plans.
Speaker 12 (43:55):
Yes, it's just und around this little thing sunning up. Oh,
I'm going to come the ros car away. Lady has
come about.
Speaker 3 (44:08):
The talk way. Others go up on the kid. I
don't know what to do now back a perfer lit
hard over. Oh oh that one. It's not what the
(44:30):
book to write.
Speaker 2 (44:31):
This.
Speaker 3 (44:37):
It t a buy house with He didn't be the
boss of all.
Speaker 12 (44:44):
I go out and off the sea hard. That's satter
were not right, So ma hey go letter do Oh no,
(45:05):
I don't want to go away. There you go, if
you go go again, I don't want to last.
Speaker 3 (45:12):
King kid on along the others and love God like
to hold the other side.
Speaker 7 (45:19):
Big Lie and the lea.
Speaker 12 (45:21):
They left the anchor on that thing of your love.
Now at snyone.
Speaker 9 (45:28):
In the long pop up.
Speaker 12 (45:32):
Golfl like like, can't something the last up? What's the
matter with the way is hitting away?
Speaker 9 (45:42):
Now?
Speaker 1 (45:44):
Buck?
Speaker 3 (45:45):
What's to doom the pubcase the pope? Come on you
with the foil of them all. I feel like you
look all for the fat color you up, even going forms.
Speaker 1 (46:00):
We shouldn't dool just.
Speaker 12 (46:02):
Look pop as I start, said my molly on it,
I can't, I can't see, can't fuck fanny?
Speaker 1 (46:25):
What did I do? Sadly? Lady lay a ship?
Speaker 2 (46:53):
Can't could sick a peer like that? Can't lady?
Speaker 1 (46:58):
Of course not? Darling to Wyatt here has radio back
to the boatyard. They say the authorities are sending out
a helicopter and we'll hear from it soon, and when
we do, we'll go right to her. This tug is
faster than the hugs.
Speaker 2 (47:11):
Oh way terrible.
Speaker 1 (47:13):
Is there anything else we can do, mister Wyatt? I don't.
I don't want to say to you folks. We've been
around the island several times. There's no sign of a ship.
Speaker 2 (47:23):
Maybe I didn't never let her out of greensight. I
had no idea she'd try to start again.
Speaker 1 (47:31):
Ella darn John, and we'll find her.
Speaker 2 (47:35):
She go up in the house at about ten minutes.
I still help right up fine, now, I know, Terrish.
I know when I got to the to the beach
of the boat was.
Speaker 1 (47:42):
With the out a little wife and the sure and
so they was tending me that cry and.
Speaker 4 (47:47):
The boat was just drifting your way.
Speaker 2 (47:49):
It went around that point of land out there, and
I ran to the other side of the island. But
I never thought of here.
Speaker 1 (47:56):
I'm Terish, Please, I don't clearly.
Speaker 2 (47:59):
Just nothing until you came back at the Duga.
Speaker 1 (48:03):
I know we'll find her.
Speaker 2 (48:05):
I wish that man Tamil was here. He knows he was.
Why didn't he come back with you?
Speaker 1 (48:10):
He dropped me at the public dark and took off
like a shop. The police have had him in for
questioning several times. There have been too many wrecks in
the last few years, but they never seemed to get
anything out of him. So, uh you ran into him too,
huh yeah, And he told us, hey, uh wait a minute,
(48:33):
what did he call it? That rock? Uh? The Devil's sot.
Speaker 2 (48:37):
Yes, that's the max Rock.
Speaker 1 (48:39):
Yet do you know where it is, mister White? There's
only one I know of, a very dangerous spot right
in the path of a swift current at some time.
It's uh, well, there were shows too, very bad, lays oh,
miss Watt, he is, Yes, of course I know about.
(49:01):
We're lies. Now we'll run down on it. Best to
have a little this the tough boat swallow calling coastal
police launch cuff swallow the police laungekill in please over,
(49:24):
police launch to swallow. Hi, range over. That's good. I
can hardly hear you, but it does matter. We located
the missing cruiser. Lady d Over is a child, okay over, Yeah,
it's America. The kid was alone on boards. If she
(49:46):
man should drop a small anchor onto I said, word
stand bar near the devil's thumb. I have the boat
in toe and we're heading back to port Over. Glad
to hear it over right over and out. Well, Susie,
you're quite a shailter. But how did you know that
(50:08):
sandbar was there? You wouldn't see it.
Speaker 5 (50:10):
The lady to the lady went to fight a lady.
He's not as lieling, she's a ghost.
Speaker 1 (50:19):
Oh well, it's hard to acually, don't polias and such
things of art if.
Speaker 5 (50:23):
You had a way for a little while. So when
I started to cry, he came by.
Speaker 2 (50:28):
A good I'm sure there's some perfectly natural ex But hey, shot.
Speaker 5 (50:33):
You put out a long, long light so the anchor
wouldn't drive.
Speaker 1 (50:38):
Yeah, that would sound advice, But I don't understand you. See,
mister Wyatt, I've been telling Susie these pirates.
Speaker 2 (50:46):
Lit and I've had a very vivid dream, and she
heard it talking about that. You know how impressionable children are.
Speaker 1 (50:54):
Excuse me? Do you smell something burning something? Yeah, smells
like a like a bacon, Richard, mister Wyatt, don't you
think we better get both these boots back into harbor
just as fast as we can. Well those were the
(51:29):
known facts of the strange voyage of the Lady d
To this day, Susie insists she talked to a ghost.
Ellen believes it was a startling example of the power
of the imagination. And Richard has been reading up on
the de materialized nature of modern physics, and he wonders
(51:52):
if somewhere in space there exists a vast psychological viewing
scream picking up impressions from other times and through which
it was the fate of the lady d to pass.
I'll go back shortly. I'm seven twenty five.
Speaker 7 (52:13):
Young minds are so alivee they need the other manner.
College is the place savor the thing fairly, where it's
their turn, their show.
Speaker 3 (52:32):
The way to you and me.
Speaker 8 (52:37):
In college is a place where the future of America
is being built right now. The college is are in
financial trouble, and they need all the help that.
Speaker 2 (52:45):
You and I can give them.
Speaker 8 (52:47):
The dollars you give to the college of your choice
on an investment in America's most important asset, the minds
of the children.
Speaker 2 (52:54):
To please give to the college of your choice.
Speaker 7 (52:57):
Now, I've believe, young man.
Speaker 8 (53:05):
Lie the public service methods of the station and the
advertising hell.
Speaker 2 (53:15):
And.
Speaker 1 (53:23):
Now a brief footnote to the story you've just heard.
Among seafaring men, there is a belief as ancient as
the art of navigation itself, that when the wind dies down,
a sailor may bring it to life again by the
simple act of whistling. The mystery concerning the fate of
(53:43):
Anne Bonny, as well as her life of piracy with Calico, Jack,
Mary Reid, and the nefarious Blackbeard, is not legend. It
is thoroughly documented historical fact. Our cast included Augusta Dabney,
Paul Ecked corene Or, Margaret Barker, and Dan Ackle. The
(54:04):
entire production was under the direction of Hymon Brown and
now a preview of our next tale. Joe yangs Joe.
Speaker 2 (54:18):
Had something crazy going on in the top, something real crazy. Now, Amy, Honey,
Angel to listen to me. There's something wrong. Jack said,
he never told me he won his life.
Speaker 1 (54:31):
Why didn't never proposed marriage to me? And then he did?
Speaker 4 (54:35):
She her?
Speaker 1 (54:37):
Why she came to the bedroom, didn't actively Fortuny's sake forward?
I mean, you're not making sense. I know I'm not
because what's happening, what's happened to me?
Speaker 10 (54:49):
She doesn't make them?
Speaker 1 (54:51):
Later, will somebody explain this?
Speaker 2 (54:54):
A mistake of some kind has been made a mistake
your sister she I haven't wanted to spell this out
in so many woods. But since you're here now and
can take care of her, Joe, I'm afraid your.
Speaker 1 (55:10):
Sister is crazy. Radio Mystery Theater was sponsored in part
by Buick Motor Division. This is E. G. Marshall inviting
you to return to our Mystery Theater for another adventure
in the macabre. Until next time, Pleasant dream Sibio's losing
(55:56):
one of them right
The CBS Radio Mystery Theater presents. Come in Welcome. I'm e. G. Marshall.
(00:30):
Won't you join me in the exploration of the rich
resources of your own imagination? Modern science tells us we
live in a world of waves. Beyond the atom, the electron,
the ion substance itself breaks down into waves. My voice
(00:52):
is coming to you now on waves, And that, as
they say, is a long and short of it. But
what about thought? Might not they comprise wave patterns to
patterns that linger on after the thinkers are dead and buried.
Speaker 2 (01:11):
Might not that.
Speaker 1 (01:11):
Explain the empty footfall in the vacant house, the rattle
of chains now rusted and broken, and even the sound
of voices long ago silenced.
Speaker 3 (01:28):
They'll overtake me, they'll put me in iron, and this
time they'll fang.
Speaker 2 (01:36):
No, my dear, No, they can't harm you. Now they're
all gone. They'll all turn to doth long ago they
be often.
Speaker 3 (01:44):
You not want to see me swinging in the wind.
Speaker 2 (01:47):
When you know I wouldn't want to see. I must
never slipped.
Speaker 3 (01:51):
Abel ship it might be named He Make He.
Speaker 1 (01:58):
Me. Our mystery drama, The Strange Voyage of the Lady
d was written especially for The Mystery Theater by Mary
Jane Higbee and stars Paul Hecht and Augusta Dabney. It
(02:22):
is sponsored in part by Sinoff, the Sinus Medicines and
Enhuzer Busch Incorporated, brewers of Budweiser. I'll be back shortly
with that one. If you take a look at the
new nineteen seventy five cars, it doesn't take long to
notice the European influence is strong. And to be sure,
there are some new American cause that rival the Europeans,
(02:46):
one being Buick's new Skylock SR. But don't consider a
Skylock Sr because of its touring car interior or it's
rather rakish profile. Consider it because it's a Buick possessing
many a Buick nicer innovations like the new Buick V six,
a peppery little engine that spits out a plentiful amount
(03:06):
of talk while sipping a surprisingly small amount of gasoline.
And if you wish, Skylock SR can abound with creature
comforts seldom found on cars this size, with available items
like Cruise Master, speed control, a MFM stereo. But you've
heard enough now you need to see and drive a
Skylock SR and try to remember it's not a European
(03:31):
touring car. It's a Buick Muick dedicated to the free
spirit in just about everyone.
Speaker 4 (03:40):
We'll return to mystery theater in just a moment. Food shoppers,
there's really no mystery about saving on food when you
shop thrifty Mart supermarkets. Thrifty Marts are open twenty four
hours a day in suburban communities including Dolphin Park, Forest, Aurora,
Griffith and Hammond. And to prove it, here's the thrifty
Mark twenty four hour special especially for you Mystery theater listeners.
(04:02):
Chocolate chips fifty nine cents. That's right, Baker's twelve ounce
chocolate chips on sale for fifty nine cents at thrifty
mark for the next twenty four hours. Get this dramatic
bargain anytime tonight or get it tomorrow. It's on sale
right now and until tomorrow night at ten thirty at
thrifty Mark. There are forty four thrifty Mart supermarkets in
(04:24):
Illinois and Indiana. Most stores open twenty four hours, offering
the finest in meats, groceries and produce. Remember Baker's twelve
ounce package of chocolate chips just fifty nine cents especially
for you mystery theater listeners at thrifty mark. Limit one
package per customer, please, they're curious at venture that befell
(05:01):
the Stephens family would never have happened if Ellen had
had her way. But Ellen was a realist, her husband, Richard,
a romantic. And when did realism ever hold the line
against the subtle persuasions of romance. It all began during
a visit to one of those cruise ridden, sun drenched
(05:22):
islands in the Caribbean. A friendly family disagreement was in progress.
Speaker 1 (05:28):
An old story. It's been going on now for six years.
It's the one at the end of the dark. Ellen.
There isn't she beautiful?
Speaker 2 (05:39):
Very now? She promise you it's a no more boat alms.
Speaker 1 (05:44):
Of SUSI at least fifteen years old. We'll never see
it by like this again. They're practically giving you the well, and.
Speaker 2 (05:49):
There's something wrong with it.
Speaker 1 (05:50):
It's got Zira, not this ship A step aboard, Ellen.
Speaker 2 (05:54):
Richard, why do you start these things? You know we're
not in the market for a.
Speaker 1 (05:58):
Boat such a jewel. Wait till you see the cabin,
plenty of headrooms, a beautiful galley.
Speaker 2 (06:05):
Can I don't wait?
Speaker 1 (06:06):
Can I wait?
Speaker 2 (06:07):
You oh all right, but just one quick look.
Speaker 1 (06:12):
You can'tfull you here. Let me help you. See there
you are now, just look at this after deck. She's
all white oak and seeded, and she's a motor sailor,
you know, a lot better than an auxiliary engine. You
can run just as well under power as under sail.
There are two fifty gallon fuel tanks below deck. The
(06:36):
King really, of course, the ship is a real home. Helen.
What do you say we take a short run. I
have the ignition key. The guy in the boatyard office said,
I could take her out.
Speaker 2 (06:52):
Oh, Richard, I've had it with boat in anyway, the
question's academic. Even if we bought it, we couldn't get
it back to the state.
Speaker 1 (07:00):
You could sail it, I said.
Speaker 2 (07:02):
Love your mind. It's hundreds of miles.
Speaker 1 (07:05):
She has an enormous cruising wave. What with the engine
and sail. We just watch the weather predictions very carefully.
Speaker 2 (07:12):
Come on, move, we we're gonna get off now, Richard, you
take the keys back to the boatyard, ma'am. Now, I'll
get the time, bring it down as far as I can.
I'll pick you up at the gate. Doddy.
Speaker 5 (07:23):
Yeah, I want to take a ride in it, can
I slayer?
Speaker 2 (07:27):
Doddy? Kenny Kenny hum? Can we goo goo for a boat?
Speaker 6 (07:31):
Right?
Speaker 2 (07:32):
Tolorrow?
Speaker 1 (07:33):
Know? Depends on your mother. Oh?
Speaker 5 (07:36):
Wait, wish he could buy the boat?
Speaker 2 (07:38):
Do you? Doddy?
Speaker 1 (07:41):
Do it? You and I watch?
Speaker 5 (07:44):
Wish we could buy the boat.
Speaker 1 (07:46):
Yeah, that part's all taken care of. I already bought it.
The only problem now is how to break the news
to your mother. Yea, Now, Ellen, you have to admit
this is the light. Look at that sea. It's like glass.
Speaker 2 (08:09):
You too. Come. I don't like the gray mistiness that's
settling over everything. I won't feel good into his sight
line again.
Speaker 1 (08:20):
I won't be long now. We were clipping right along
when we had the sails up. See that's the advantage
of a motor sailor. When the wind died, we could
switch right over the power and still maintain our speed into.
Speaker 2 (08:32):
That panicky half hour when you couldn't get the engine started,
just a.
Speaker 1 (08:36):
Little corrosion around the points, but a sandpaper fixed that. Here, Ellen,
why don't you take over the wheel? Euh. I want
to go and look at the chart now. The first
boy we picked up is number twelve. From there, we'll
see a light. We make it before nightfall. You can
take over for a few minutes, okay, Susie, I like admit,
(08:57):
you know where we are right now, sailing on the
Spanish main. It sis, that's right. These waters were infested
with pirates in the old days. Blackbeard or Calico Jack Richard.
Speaker 2 (09:12):
I think that's a fog closing him. Look ahead.
Speaker 1 (09:15):
Yeah, well just hold a steady course. We'll be citing
that boy any minute now, Susie, go below and bring
up my binoculars. There's a good girl.
Speaker 2 (09:24):
Because visibility is not any too good.
Speaker 1 (09:26):
We can't be far from Port Richie.
Speaker 2 (09:29):
They hope you're not running into one of those awful
piece suits.
Speaker 1 (09:32):
Now, don't panic. No, it's Susie fighting. Thanks.
Speaker 2 (09:40):
Can you make out anything?
Speaker 1 (09:43):
Uh huh, I don't see it, yeah, but we will care.
We wore about the pirate, okay, well, Caliko Jack Rackham.
They called him that because of the fancy clothes he wore.
He sailed with Ann Bonnie. There were girl pirates too,
you know. Yeah, sure, Anne Bonnie and Harry reed, and
(10:03):
from all accounts they were better at it than the men.
Speaker 2 (10:06):
Tod's getting awfully sequising. I've never seen one rolling so fast,
and the sun's gone.
Speaker 1 (10:13):
H I'll take over now, I can.
Speaker 2 (10:14):
Hold her on court and keep looking for that buoye
we should have been in port long ago.
Speaker 1 (10:21):
Well, we lost a little time trying to start the engine,
and we.
Speaker 2 (10:25):
Laugh, of course, not I think we ought to start
counting on fog morn.
Speaker 1 (10:29):
Not yet. Don't you want to hear what happened to
Anne Bonnie?
Speaker 5 (10:33):
What happened Jerry?
Speaker 1 (10:34):
So the pirates all went to jail. They hanged poor
old calico Jack. Mary Reed was dying of a fever,
and Anne Bonnie nursed her, and then well, nobody knows
just what did happen. In the morning. When the jail
keeper opened their cell, he found the body of Mary Reed.
But Anne Bonnie was gone, and she disappeared and was
(11:00):
never heard of.
Speaker 2 (11:01):
Richard.
Speaker 1 (11:02):
Why look look what you've done on Richard?
Speaker 2 (11:07):
How could you want?
Speaker 1 (11:08):
What is it? Monkey?
Speaker 2 (11:10):
Wrench is right behind the compass?
Speaker 1 (11:12):
Richard? Who put that there?
Speaker 2 (11:15):
Who who was working on the end of that wrench?
Will have plue that compass? So far out of blind
heaven us where we are now?
Speaker 1 (11:24):
Sorry, I'm so glad to get that motor started. Oh
I'm sorry.
Speaker 3 (11:30):
Oh, if I ever get my feet on dry landing.
Speaker 1 (11:33):
Let's keep calm. We are not long.
Speaker 2 (11:36):
No, we're still right here in the Atlantic Ocean. I'm sorry, Ellen,
and I ever let you talk me into this expedition.
Speaker 1 (11:44):
We just just try to keep cool.
Speaker 2 (11:46):
Gotty, oh my fourth impellably fifty miles off course.
Speaker 5 (11:52):
Gotty is that they can floating.
Speaker 1 (11:55):
Over beds where? Yeah it is?
Speaker 2 (12:01):
Oh, make has.
Speaker 1 (12:02):
I'll make the wheel. I want to go right up
to it. You gotta be sure of that number.
Speaker 2 (12:06):
It should be be twelve, brother, don't.
Speaker 1 (12:12):
I don't be the love there? What is it?
Speaker 2 (12:15):
Three?
Speaker 1 (12:16):
Three? Can't be?
Speaker 2 (12:18):
Ok?
Speaker 3 (12:18):
Three?
Speaker 1 (12:19):
I I e oh no that what he gave telen loose.
Speaker 3 (12:26):
He's right, thirty eight, but that's impossible.
Speaker 1 (12:30):
Let me take the wheel again. Al you just idle
here by the boy. There's no thirty eight on this chart.
You're way off course. I have to go below and
get the other charts.
Speaker 2 (12:44):
Can you still see the boy?
Speaker 7 (12:45):
Susie? Shit, it's right.
Speaker 1 (12:47):
Yeah, we'll keep your eye on it.
Speaker 3 (12:51):
Don't let me drift too far away, darling.
Speaker 8 (12:57):
Yeah, you're not smoking down there.
Speaker 2 (13:01):
Are you?
Speaker 1 (13:01):
Your lord?
Speaker 8 (13:02):
No?
Speaker 1 (13:02):
You know I haven't smoked in ten years.
Speaker 2 (13:06):
I smelled tobacco turned loud.
Speaker 1 (13:09):
Why well, let me get at the engine. Maybe there's
a short in the water.
Speaker 2 (13:14):
No, no, it's not like that. It's tobacco. Did you
hear that? It sounded like somebody loud?
Speaker 1 (13:28):
Oh boy, it's a ship. I didn't beautiful, Oh oh,
don't answer the horn?
Speaker 3 (13:43):
Ah oh, what'ship for you?
Speaker 1 (13:51):
The lady d wor? Of course? Can you give us
some bearings?
Speaker 3 (13:57):
Us that slave over for the knife here?
Speaker 1 (14:01):
Nor fight ye a quarter?
Speaker 2 (14:03):
Ye you'll run right down the tunnel.
Speaker 1 (14:07):
Thank you.
Speaker 2 (14:09):
I still can't see anything, nor fighting.
Speaker 3 (14:14):
A fort.
Speaker 2 (14:17):
With a woman?
Speaker 1 (14:18):
Bring the chip around slowly? Ellen right? What she knows
what she's talking about?
Speaker 2 (14:24):
And I still smell tobacco to the Why was she
that close?
Speaker 1 (14:30):
Funny? I didn't see a thing.
Speaker 2 (14:32):
I didn't hear any motor.
Speaker 1 (14:34):
Maybe she fair as Susie. How could she be? There's
no wind and she seems to get away so far. Elan,
go as slow as you can. I'm going forward and
keep a sharp watch. We don't know what we're heading into.
Speaker 2 (14:47):
And I've got a tottle way down.
Speaker 3 (14:52):
How we reverse revert?
Speaker 1 (14:56):
Quick quarter? In reverse? I pick a back off here?
Let me why that? No use salt a comic fan? Yeah,
the worst stock five One of the most beautiful yet
(15:19):
fearful tales that travelers tell is a loyalize the siren
who sits on a rock, combing her long golden hair
and luring unwary boatmen to their doom, but siren who
smokes to back them. We'll learn more of this unusual
(15:40):
temptress when we returned shortly with Act two. You don't
see many people putting salt in their beer nowadays. Not
that despending wrong with salt on radishes or French fries,
but man not. In the King of Beers. Truth is,
(16:00):
the only thing salt can do for Budweiser is make
it salty, an unwise thing to do to the only
beer in America that's beechwood aged unsolved. Budweiser has become
the most popular beer in the world. That's because in
brewing Bud, the Budweiser brew master goes all the way
(16:20):
for a taste of smoothness, a drinkability you'll find in
no other beer at any price, and something else you
can take without a grain of salt. The fact that
when you say Budweiser, you've said it all Anheuser Bush
(16:42):
Saint Louis.
Speaker 4 (16:59):
Johnny shopping SOS stands for savings on speakers at your
local Lafayette store. This week, Lafayette is featuring big reductions
on our own popular speaker systems and all price rangers.
For example, the Criterion three point thirty three acoustic suspension system,
normally forty four ninety five is only thirty four eighty
(17:20):
eight during the sale. The savings have more than ten dollars.
And check our convenient layaway, plant our famous no hassle guarantee.
Speaker 1 (17:27):
And get certificates.
Speaker 4 (17:29):
Lafayette Radio Electronics plugs you into everything electronic.
Speaker 9 (17:34):
Dustically times stop shotting shopping.
Speaker 1 (18:08):
There's nothing so eerie is the feel of a ship
gone aground. A living, pulsing body beneath your feet goes
suddenly dead. Aboard the Lady d Only Susie slept that night.
Ellen and Richard kept an anxious vigil, waiting to see
(18:29):
what the dawn would bring. Where were they? How great
was the damage to their boats? On the last question
hung the safety, perhaps the survival of the ship and
her cowp Ellen come up on deck. You gotta see
this flu Look at that sunlight, isn't it My goodness?
Speaker 2 (18:52):
Oh god, you are the one man alive. Who could
run a valuable boat of ground in the middle of nowhere.
You greet the dawn like telling.
Speaker 1 (19:03):
Him some sort of ship is sure to pass by. Meantime.
This is a great adventure.
Speaker 2 (19:09):
While the tide runs out. That'll be an adventure and
both in a roll over on her side.
Speaker 1 (19:15):
She won't. She's built like a sea skip. They used
to pull them right up on the beach to unload
the cat. So give us a kiss, Cassandra.
Speaker 2 (19:26):
Good morning Darland.
Speaker 1 (19:29):
Huh, I guess I better go ashore and see if
I can find the water supply on on our desert island.
Speaker 2 (19:35):
If this here your birday iron and played, so leap
your head and your father's playing Robinson.
Speaker 1 (19:43):
Richer it look yeah, if I'm not mistaken, here comes Friday. Oh,
good morning, Moning, Good morning you are it?
Speaker 2 (19:56):
What do you say?
Speaker 1 (19:57):
I think he said we're early early for what what island?
Is this? Cambo's Island? Campbell Dian, Yes, mister, I'm Cambo.
Oh how do you do, mister Campbell. I'm Richard Stevens.
This is my wife, good wanted mistress, my daughter Welcome.
Speaker 2 (20:18):
Did you say we were early?
Speaker 1 (20:20):
Yes? Yes, usually September come before she brings the book.
Who the lady who smoked the pipe a pie? Yes,
a long play pipe. You did not see her?
Speaker 2 (20:37):
No, we moldy pie.
Speaker 1 (20:40):
Is Campbell's Island? I mean is there a town here?
Speaker 2 (20:44):
Ow?
Speaker 1 (20:45):
Oh? Oh gamble the only man here? When we missed
the harbor channel Bambo's Island, I have no harbor.
Speaker 7 (20:54):
The lady to do with a channel?
Speaker 1 (20:57):
Oh? Yes, sometimes she say that you mean she lied?
You are baby? You want your boat? Your boat? She nice?
Or want you come aboard? I ain't good, sir?
Speaker 2 (21:14):
Can I can I give you a cup of coffee?
Speaker 1 (21:18):
No? Thank you, mistress? Oh you're wee high like a
good old fashioned wheel to stay with you pay a
lot for diy Oh the compound. All the ship's well equipped.
Go sit bout rush because dear, you'll have a radio,
(21:40):
just a receiving set. Now, mister Campbell, about getting off
the beach, you stuck fast man, Well, if you have
a boat and a tow line at high time and
my motor too small, just a little outboard. I sailed
to the island, and there are other islands near eight
(22:03):
hours to sail there. Could they send out a work
boat from another island? Maybe we have to fetch them.
No wireless on Combo's Islands.
Speaker 2 (22:13):
You mean going your little tailboat?
Speaker 1 (22:16):
Oh nor, mistress, you and the child most stay here?
No boat this more? If I try to keep that
big boat, she take it? You mean the lady with
the pipe will not.
Speaker 2 (22:31):
She has a bout.
Speaker 1 (22:33):
She ought to be welling. No man, Mistress Bonnie has
no boat. There's the other. She look for the boat
all the time. She look Bonnie. Did you say Bonnie?
And body you know about her? Yet she got to
(22:54):
her years ago? That's what they say.
Speaker 2 (22:59):
Do you mean that we were talking to a girl?
Of course, not soothie, and no such things. I can't
you a god, I can't do it. You sensible and
no good things to go.
Speaker 1 (23:12):
You're both to stuff fast down Gombo's Islands. But dude, yes,
but he's the ghost she don't bring you. Oh you
think you got you? Mister Campbell and Sulia Servant getting
(23:35):
along together. Look at them striding ahead of us.
Speaker 2 (23:38):
He's driving, she's trotting. What a big powerful man he is.
He's skin like Evan.
Speaker 1 (23:46):
How do you think he is?
Speaker 2 (23:47):
I don't know forty.
Speaker 1 (23:50):
I'm eager to see us both, and I.
Speaker 2 (23:52):
Hate to think, if you're starting out all alone with him,
I have to go for help. But why can't he
go by himself?
Speaker 1 (23:58):
I don't know, he doesn't seem to do that.
Speaker 2 (24:02):
Did you notice the way he had damined our boat of.
Speaker 1 (24:06):
Like he was taking inventory? Well?
Speaker 2 (24:08):
What do they call those people who lure ships to
their dune by putting out beacon lights?
Speaker 1 (24:13):
Wreckers?
Speaker 2 (24:15):
Yeah, you can he the record.
Speaker 1 (24:18):
The thought crossed my mind.
Speaker 2 (24:21):
But we did hear a woman's voice?
Speaker 1 (24:23):
I look. There could be two explanations for that. Either
there is a woman on this island in spite of
what Campbell says, or oh he's a ventriloquist. Look look, Ellen,
look down there.
Speaker 2 (24:39):
Why if the cattle a ruin, a burnt out ruin
in the world, on this desert island.
Speaker 1 (24:46):
I know what that is. I've seen those burnt mansions before.
This was a plantation in the slave days. When the
slaves were build they burned the house to the ground.
Speaker 2 (24:57):
Half of it is still standing.
Speaker 1 (24:58):
There now, the house and the island. I found a
new master. Oh welcome. Do you like a drink before lunch?
Speaker 2 (25:18):
Lunch?
Speaker 3 (25:19):
Yes?
Speaker 1 (25:19):
Yes, I give you a nice lunch. You like wi
gras cavia at the stream. Any kind of wine. Nothing vodka.
Collins will be just fine. Wood Cock Collins soon come back.
Speaker 5 (25:35):
Mama lit the camels that did an ice cold spring
behind the house.
Speaker 2 (25:40):
And cook let them pineapple.
Speaker 1 (25:42):
Look in the corner there cast bronze and enormous. A
propeller that's worth a lot of mine.
Speaker 2 (25:49):
And that wheel.
Speaker 1 (25:50):
It's hue must have come off a schooner. What does
it say in this plate, Mama.
Speaker 2 (25:57):
Dutches of the caribbees Quin, So read that topper A
morning god o ourcle?
Speaker 1 (26:07):
What bigger word? The ss odyssey?
Speaker 2 (26:11):
Oh Richard?
Speaker 1 (26:12):
Yeah, awe of ships?
Speaker 2 (26:17):
Don't wreckers?
Speaker 1 (26:18):
Usually we don't know that he's a wrecker. You like
my own haf h.
Speaker 2 (26:26):
It's lovely.
Speaker 1 (26:27):
I have good life, man, since I learned to get
along with Mistress Bonney. How did you come here in
the first place, said mister Campbell. I was fisherman. I'd
work no money. One night, she'd take my boat. I
screamed to be silent. I see all these rich things
(26:50):
here on the beach, So I come back in a
new boat. She put that one on the devil's stone,
big rock, the devil. He put his thumb up at
low tide. Then he pull it down at high tide.
(27:11):
Then oh, at low tide he hide it again just
below the water. A long come a sailorman. Up come
the thumb right through the bottom of the boat. The devil,
I think he good friend, Mistress Bonney, Mister Campbell, you
(27:32):
say it will take all day to get to the
nearest boatyard, my boat, But they have work boat much
quicker with power. Will they return here with you in
two three yards? And then can we start tomorrow morning? Yes,
ma'am five o'clock to catch the tide. I have things
(27:53):
to sell, very dear, better than fish. Oh, yes, yes,
better than.
Speaker 2 (28:05):
Man.
Speaker 1 (28:07):
Oh, it feels good to stretch out. I'm exhausted.
Speaker 2 (28:12):
I was certainly glad to get back to her both.
I'm I'm too nervous to sleep, though. I Oh, I
dread the thought of our separating tomorrow room. When I
think of you all by yourself, I'm see you with
that giant of a man.
Speaker 1 (28:32):
I'm so right.
Speaker 2 (28:36):
I only go along to get help. That would be
perfectly normal, wouldn't it, unless unless there's a price on
his head. Richard, Richard, Oh Richard, are you? Oh Richard?
Speaker 10 (28:54):
Oh?
Speaker 2 (29:00):
Kill let her get asleep.
Speaker 3 (29:05):
Anymore?
Speaker 6 (29:06):
Ship.
Speaker 2 (29:11):
Who's that?
Speaker 3 (29:13):
Over time of your lad and mine? Walcome back?
Speaker 1 (29:19):
Sep?
Speaker 2 (29:21):
Who's there?
Speaker 3 (29:28):
I a good see, wildy go?
Speaker 2 (29:32):
Who's there? Who are you? A good?
Speaker 4 (29:37):
Even?
Speaker 3 (29:39):
I'm just admiring your ship. Then I come aboard.
Speaker 2 (29:45):
That's somebody with you. I heard you talking that.
Speaker 1 (29:49):
They all laugh at the sounds of don boy.
Speaker 2 (29:53):
Then a crave o'clock, jack lacking us to the table.
Speaker 1 (29:59):
Good, mad you decide?
Speaker 3 (30:02):
We held off the king lends a lot more empty
and they bore enough. The custoses on our heads, and
he died in per cover.
Speaker 2 (30:14):
Should she was with child?
Speaker 1 (30:19):
Uh? That would day.
Speaker 2 (30:23):
Day more than that?
Speaker 1 (30:27):
Perhaps I've lost a count of time.
Speaker 2 (30:32):
Will you join me? In a face?
Speaker 1 (30:35):
No?
Speaker 2 (30:35):
Thank A five soothing things and on the ship's deck
and clothing at the moon, I've never seen such perfect
smoke rings?
Speaker 1 (30:47):
Good?
Speaker 3 (30:50):
I to go the wavering I should the war colley
Cojack the ducks they're captivating bad with Jackson, the black fifty.
Speaker 2 (31:05):
Wild col They hate him under.
Speaker 1 (31:11):
I stay, you'll marry fleas their laps. Then and then
what happened?
Speaker 3 (31:21):
Not all my keeping men could ever find out.
Speaker 10 (31:26):
The coup.
Speaker 1 (31:28):
What will you take for your ship?
Speaker 2 (31:31):
He's not the sail cop cop I must have a shoot.
Speaker 3 (31:34):
They'd be AFTIM should not want to see poor Langer
swinging in the wings like cardio Jack would.
Speaker 2 (31:41):
No, I wouldn't want to see that. But they can't
harm you now they're gone all turns of dust long ago.
They'll put me an iron. No, my dear, No, I'm not.
Speaker 3 (31:53):
Purp might have something work undiph t Trady dolls the little.
Speaker 1 (32:00):
Clock, what is it? Black of a night?
Speaker 2 (32:05):
We sailed with black sars, blackne the take yo up
close slash.
Speaker 1 (32:14):
I know where black Beard burries his traces.
Speaker 10 (32:20):
Blackbeard's treasure A great treasures, while the poonty for three
rich Fati Merchmon Layton was born silver love than that
a child only my door.
Speaker 2 (32:36):
Couple lat the flip off the lake time. Aren't you forgetting?
If you drove us aground last night? A good storm
with such your float, Camel says the big storms don't
comes in September, alright, for sometimes lay Jun.
Speaker 1 (32:58):
We'll see the ins a bargain.
Speaker 2 (33:04):
You'll pay with me. No, no, no, I can't. You're
depard me, don betray me. No, but but I I
felt heard the first.
Speaker 3 (33:14):
If you act you, they'll overtake me and became the
d me it must name.
Speaker 2 (33:23):
I can't. There's a great ghost between them, your dream
a pigment. And then I wake up. I'll still be here,
but you'll be gone. I can't help you.
Speaker 6 (33:35):
Because because you're nothing, you're nothing but a dream.
Speaker 1 (33:42):
And and where are you? Come back? Come back? There's
(34:12):
an apparition for you, A whistling pipe smoking lady with
a cutlets that her belt. But why did she leave
so abruptly? Was she offended at being called a nothing,
a figment? Well, none of us likes to hear the
truth about himself, least of all a ghost. We'll follow
(34:32):
Anne Bonnie's ruthless quest for a ship. When we returned shortly.
Speaker 2 (34:37):
With Act three, I went that nan medicin headache tablet
NONU medicin sin a tablet helped the headache down the
brass hair.
Speaker 1 (34:47):
Oh you mean sign off exactly?
Speaker 11 (34:49):
Headache pain is one thing, a sinus headache or something else.
And sometimes your whole face can mean to throb with pain.
You wander a leaf takes sign off tablets. Sin EOSF
the sinus medicine that gives you a full dose of
pure aspirin plus a sinus drainer, sign off the sinus
(35:11):
medicine that helps.
Speaker 1 (35:12):
Relieve sinus pain. Why you drain and sign off doesn't
stop there? Have you tried? Sign off?
Speaker 11 (35:19):
Sinus spray the fastest known form of sinus congestion relief.
It works in seconds. That sign off sinus spray. When
sinus flares up, you sign off tablets and spray only
is directed.
Speaker 1 (35:32):
S ine ol. Sign off exactly. Sign off the sinus
medicines in the bright red box.
Speaker 4 (35:42):
We'll return to Mystery theater in just a moment. Your
car is worth hundreds of dollars more today at any
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or how old or new your car is, you'll get
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At Arnie Euston's giant Sale at forty eight forty nine
(36:03):
North Broadway, come in and browse around. See the exciting
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Speaker 1 (36:11):
And Monte Carlo's.
Speaker 4 (36:13):
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(36:33):
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Chevrolet open every day and all day Sunday at forty
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Speaker 8 (36:45):
In, Chevrolet sells the load of fox Way Arnees and
Chevalet forty eight forty nine North Broadway.
Speaker 1 (36:54):
This is w WBM Chicago. A spectral lady bent on
seizing a ship or a laughing West Indian intent only
on gathering up the spoils. Ellen doesn't know which she
(37:18):
fears most as she watches the dawn stretch its rosy
fingers across the uncharted island where the cruiser Lady d
lies stranded in the sand. That was a damn good breakfast.
Speaker 2 (37:31):
Ella had a depressing dream last night. Oh at least
I think it was a dream. On Bonnie boarded the
lady d and we had a long talk, and I
felt sorry for her.
Speaker 1 (37:47):
She was fighting that scared ghost. That's a sweat.
Speaker 2 (37:50):
No, she was terrified. Oh, darling, I hate to see
you go up with that awful man and that little boat.
Speaker 1 (38:00):
Ellen DearS. You mustn't worry.
Speaker 2 (38:04):
I wish we could stay together, see it.
Speaker 1 (38:08):
So catch Campbell's been sailing these waters all his life.
Speaker 2 (38:12):
Oh yeah, and he's lost to vot be told. And
beside he's doing in the tiny boat with as Nady.
Speaker 1 (38:23):
He gathers salvage. That's that's all we really know about it.
Good morning, she don no dime, Google, i'sp a line.
I'll make you fast to our stern. Gosh, got it.
Speaker 2 (38:39):
Come up on, Jack? So he Dotty's leaving.
Speaker 1 (38:44):
A I dolling take care.
Speaker 2 (38:47):
I want to go to tell the why, but we can't. God,
you don't want to stay here.
Speaker 1 (38:52):
Good morning, mister Susie.
Speaker 5 (38:55):
Good morning. Oh we're going here, Dotty cream.
Speaker 1 (38:58):
No, there isn't a room for us. Are you and mommy?
Take care of each other. Don't come doddy, mister Susie.
You go to my house. You can look at the
boots gritty picton And when I get into the boat
with mister Campbell. We're gonna let you free the line
and cast it off. Now see how quickly you can
(39:19):
do it? Here I go hoorry cast us off. Wo
be good. Now we'll be back before you know it.
An't he canna take a load it? No? It died?
He take us house? Then I put up this day.
Speaker 3 (39:37):
Oh darling, you liquor a quick shore like not a chine.
Speaker 1 (39:43):
Look at that sky. No, no stormy, whether naughty don Bonnie,
she don't whistle up the wind?
Speaker 2 (39:52):
What what did you die?
Speaker 1 (39:55):
No storm not if she don't whistle up the win
he do that sometime? It fun.
Speaker 2 (40:07):
Do that. It saves you long in Campbell's house. Study,
he should be getting back to the lady. G it's
still raining. I thought it was one of those quick
little topical chunds. But does look out to him? Why
(40:30):
is a rough white? Let's go back to the lady.
Speaker 1 (40:36):
We'll be so. I'll tell you what let's do.
Speaker 2 (40:39):
Why don't I go back a little to get you answ?
Speaker 5 (40:41):
No, john it doesn't not if I get there, I
didn't like baby.
Speaker 12 (40:45):
No study, No you only say no Johnny would like
it's only.
Speaker 7 (40:50):
A little way.
Speaker 2 (40:53):
Well, your promise you come say that I'm telling no
laddering now.
Speaker 8 (40:59):
I no.
Speaker 3 (41:16):
A horn?
Speaker 2 (41:19):
Where are you hello?
Speaker 6 (41:22):
I can't see you?
Speaker 3 (41:25):
Why you there up there on the deck of your ship.
Well your thought of a lord the fir to do.
Speaker 2 (41:37):
And you're real lady h and you typ lies, little fool.
Speaker 1 (41:42):
But ties is coming ship the birth three.
Speaker 5 (41:46):
Oh, I gonna get my mind no ties to that.
Speaker 3 (41:49):
The winds do chails, the tides of making.
Speaker 2 (41:52):
Mama will know what to do?
Speaker 1 (41:54):
Are you like?
Speaker 3 (41:56):
Will you run the way?
Speaker 9 (41:57):
The leadership the flowers?
Speaker 3 (41:58):
But oh I'm not you know how to step the sabers.
I don't know how of the balls.
Speaker 6 (42:07):
I'm gonna get my mama's raincoat.
Speaker 3 (42:09):
I thought her see the what she's pulled fas, but
the straight time will hide it through the.
Speaker 2 (42:17):
Half of the beach.
Speaker 5 (42:18):
Daddy cut out an answer, and the sea.
Speaker 3 (42:21):
The word'sful telling her up over the answer.
Speaker 2 (42:23):
I got to the pieces of those rocks of thing.
Oh no, you could save it if you learn the face.
Speaker 7 (42:32):
I'm not hit.
Speaker 2 (42:35):
Up the ncil up.
Speaker 3 (42:37):
I can't put up the sails. They're not thinking the
ship the low wall like I can't stide.
Speaker 1 (42:47):
The ending and little shore and need causing.
Speaker 5 (42:50):
Out you're just sitting a little cheat.
Speaker 3 (42:53):
He takes right off.
Speaker 7 (42:55):
She says, I.
Speaker 12 (42:58):
Can't lift that a gang crizo castro console the ship.
Speaker 6 (43:06):
Lady always take the ending because by nothing had too
short to reach the get th hi you, I'll get
the thing to said you here.
Speaker 5 (43:21):
Body still test he'll do wissy because this little.
Speaker 3 (43:28):
Thing to chop butter swinging above.
Speaker 2 (43:32):
I've never done this, befool. Now I'm clicky.
Speaker 3 (43:42):
He started right up line.
Speaker 6 (43:45):
But the money my birs alcoholably pit to up.
Speaker 12 (43:50):
I'll go forward and I'm tet.
Speaker 1 (43:53):
Under plans.
Speaker 12 (43:55):
Yes, it's just und around this little thing sunning up. Oh,
I'm going to come the ros car away. Lady has
come about.
Speaker 3 (44:08):
The talk way. Others go up on the kid. I
don't know what to do now back a perfer lit
hard over. Oh oh that one. It's not what the
(44:30):
book to write.
Speaker 2 (44:31):
This.
Speaker 3 (44:37):
It t a buy house with He didn't be the
boss of all.
Speaker 12 (44:44):
I go out and off the sea hard. That's satter
were not right, So ma hey go letter do Oh no,
(45:05):
I don't want to go away. There you go, if
you go go again, I don't want to last.
Speaker 3 (45:12):
King kid on along the others and love God like
to hold the other side.
Speaker 7 (45:19):
Big Lie and the lea.
Speaker 12 (45:21):
They left the anchor on that thing of your love.
Now at snyone.
Speaker 9 (45:28):
In the long pop up.
Speaker 12 (45:32):
Golfl like like, can't something the last up? What's the
matter with the way is hitting away?
Speaker 9 (45:42):
Now?
Speaker 1 (45:44):
Buck?
Speaker 3 (45:45):
What's to doom the pubcase the pope? Come on you
with the foil of them all. I feel like you
look all for the fat color you up, even going forms.
Speaker 1 (46:00):
We shouldn't dool just.
Speaker 12 (46:02):
Look pop as I start, said my molly on it,
I can't, I can't see, can't fuck fanny?
Speaker 1 (46:25):
What did I do? Sadly? Lady lay a ship?
Speaker 2 (46:53):
Can't could sick a peer like that? Can't lady?
Speaker 1 (46:58):
Of course not? Darling to Wyatt here has radio back
to the boatyard. They say the authorities are sending out
a helicopter and we'll hear from it soon, and when
we do, we'll go right to her. This tug is
faster than the hugs.
Speaker 2 (47:11):
Oh way terrible.
Speaker 1 (47:13):
Is there anything else we can do, mister Wyatt? I don't.
I don't want to say to you folks. We've been
around the island several times. There's no sign of a ship.
Speaker 2 (47:23):
Maybe I didn't never let her out of greensight. I
had no idea she'd try to start again.
Speaker 1 (47:31):
Ella darn John, and we'll find her.
Speaker 2 (47:35):
She go up in the house at about ten minutes.
I still help right up fine, now, I know, Terrish.
I know when I got to the to the beach
of the boat was.
Speaker 1 (47:42):
With the out a little wife and the sure and
so they was tending me that cry and.
Speaker 4 (47:47):
The boat was just drifting your way.
Speaker 2 (47:49):
It went around that point of land out there, and
I ran to the other side of the island. But
I never thought of here.
Speaker 1 (47:56):
I'm Terish, Please, I don't clearly.
Speaker 2 (47:59):
Just nothing until you came back at the Duga.
Speaker 1 (48:03):
I know we'll find her.
Speaker 2 (48:05):
I wish that man Tamil was here. He knows he was.
Why didn't he come back with you?
Speaker 1 (48:10):
He dropped me at the public dark and took off
like a shop. The police have had him in for
questioning several times. There have been too many wrecks in
the last few years, but they never seemed to get
anything out of him. So, uh you ran into him too,
huh yeah, And he told us, hey, uh wait a minute,
(48:33):
what did he call it? That rock? Uh? The Devil's sot.
Speaker 2 (48:37):
Yes, that's the max Rock.
Speaker 1 (48:39):
Yet do you know where it is, mister White? There's
only one I know of, a very dangerous spot right
in the path of a swift current at some time.
It's uh, well, there were shows too, very bad, lays oh,
miss Watt, he is, Yes, of course I know about.
(49:01):
We're lies. Now we'll run down on it. Best to
have a little this the tough boat swallow calling coastal
police launch cuff swallow the police laungekill in please over,
(49:24):
police launch to swallow. Hi, range over. That's good. I
can hardly hear you, but it does matter. We located
the missing cruiser. Lady d Over is a child, okay over, Yeah,
it's America. The kid was alone on boards. If she
(49:46):
man should drop a small anchor onto I said, word
stand bar near the devil's thumb. I have the boat
in toe and we're heading back to port Over. Glad
to hear it over right over and out. Well, Susie,
you're quite a shailter. But how did you know that
(50:08):
sandbar was there? You wouldn't see it.
Speaker 5 (50:10):
The lady to the lady went to fight a lady.
He's not as lieling, she's a ghost.
Speaker 1 (50:19):
Oh well, it's hard to acually, don't polias and such
things of art if.
Speaker 5 (50:23):
You had a way for a little while. So when
I started to cry, he came by.
Speaker 2 (50:28):
A good I'm sure there's some perfectly natural ex But hey, shot.
Speaker 5 (50:33):
You put out a long, long light so the anchor
wouldn't drive.
Speaker 1 (50:38):
Yeah, that would sound advice, But I don't understand you. See,
mister Wyatt, I've been telling Susie these pirates.
Speaker 2 (50:46):
Lit and I've had a very vivid dream, and she
heard it talking about that. You know how impressionable children are.
Speaker 1 (50:54):
Excuse me? Do you smell something burning something? Yeah, smells
like a like a bacon, Richard, mister Wyatt, don't you
think we better get both these boots back into harbor
just as fast as we can. Well those were the
(51:29):
known facts of the strange voyage of the Lady d
To this day, Susie insists she talked to a ghost.
Ellen believes it was a startling example of the power
of the imagination. And Richard has been reading up on
the de materialized nature of modern physics, and he wonders
(51:52):
if somewhere in space there exists a vast psychological viewing
scream picking up impressions from other times and through which
it was the fate of the lady d to pass.
I'll go back shortly. I'm seven twenty five.
Speaker 7 (52:13):
Young minds are so alivee they need the other manner.
College is the place savor the thing fairly, where it's
their turn, their show.
Speaker 3 (52:32):
The way to you and me.
Speaker 8 (52:37):
In college is a place where the future of America
is being built right now. The college is are in
financial trouble, and they need all the help that.
Speaker 2 (52:45):
You and I can give them.
Speaker 8 (52:47):
The dollars you give to the college of your choice
on an investment in America's most important asset, the minds
of the children.
Speaker 2 (52:54):
To please give to the college of your choice.
Speaker 7 (52:57):
Now, I've believe, young man.
Speaker 8 (53:05):
Lie the public service methods of the station and the
advertising hell.
Speaker 2 (53:15):
And.
Speaker 1 (53:23):
Now a brief footnote to the story you've just heard.
Among seafaring men, there is a belief as ancient as
the art of navigation itself, that when the wind dies down,
a sailor may bring it to life again by the
simple act of whistling. The mystery concerning the fate of
(53:43):
Anne Bonny, as well as her life of piracy with Calico, Jack,
Mary Reid, and the nefarious Blackbeard, is not legend. It
is thoroughly documented historical fact. Our cast included Augusta Dabney,
Paul Ecked corene Or, Margaret Barker, and Dan Ackle. The
(54:04):
entire production was under the direction of Hymon Brown and
now a preview of our next tale. Joe yangs Joe.
Speaker 2 (54:18):
Had something crazy going on in the top, something real crazy. Now, Amy, Honey,
Angel to listen to me. There's something wrong. Jack said,
he never told me he won his life.
Speaker 1 (54:31):
Why didn't never proposed marriage to me? And then he did?
Speaker 4 (54:35):
She her?
Speaker 1 (54:37):
Why she came to the bedroom, didn't actively Fortuny's sake forward?
I mean, you're not making sense. I know I'm not
because what's happening, what's happened to me?
Speaker 10 (54:49):
She doesn't make them?
Speaker 1 (54:51):
Later, will somebody explain this?
Speaker 2 (54:54):
A mistake of some kind has been made a mistake
your sister she I haven't wanted to spell this out
in so many woods. But since you're here now and
can take care of her, Joe, I'm afraid your.
Speaker 1 (55:10):
Sister is crazy. Radio Mystery Theater was sponsored in part
by Buick Motor Division. This is E. G. Marshall inviting
you to return to our Mystery Theater for another adventure
in the macabre. Until next time, Pleasant dream Sibio's losing
(55:56):
one of them right
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