Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Mine fussy.
Speaker 2 (00:16):
Do you like ice, mister Todd?
Speaker 3 (00:18):
Or ice fair?
Speaker 1 (00:20):
Thank you?
Speaker 3 (00:20):
Miss what's that mister Todd?
Speaker 4 (00:22):
Oh I'm sorry and that's all right.
Speaker 2 (00:27):
There gives me great pleasure to see a man drink
whiskey in mister Todd.
Speaker 4 (00:32):
My date husband was partial to it. Oh well, lovely,
thank you, it's a missus. Wat Do I look like
a sinster?
Speaker 3 (00:41):
No, not at all.
Speaker 4 (00:42):
Now, well you seem determined.
Speaker 2 (00:44):
To make me one. I'm a widow. I have been
one for twenty two years.
Speaker 4 (00:48):
Cheers, lovely whiskey actress Whiskey one of the first ever
produced in Scotland.
Speaker 2 (00:58):
Not available in the general run of bus Guisenser's I'm
honored and so oh this is nice. So long since
I've been able to answer my whiscape, I've had that
bottle for nearly a quarter of the century. For Alfred
was the last to drink vomit. He died the next day.
Oh shall we discuss the net in hand?
Speaker 5 (01:23):
Mm?
Speaker 3 (01:24):
Brother?
Speaker 4 (01:32):
They began to discuss the matter in hand, and Ronald Todd,
bachelor aged thirty three, of Lansdowne Private Hotel, began his
journey into the Land that lies beyond midnight. Biotechs The
(01:59):
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(02:24):
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Speaker 6 (02:42):
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Speaker 4 (02:45):
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Speaker 6 (02:55):
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Speaker 4 (02:58):
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(03:26):
it has a sort of well, strange, warm sort of glow.
Speaker 3 (03:31):
I've tested many whisky.
Speaker 2 (03:32):
You're a man of taste.
Speaker 6 (03:34):
I hope.
Speaker 3 (03:34):
So this is what I hope.
Speaker 2 (03:35):
So are you willing to spend the night in any
other room?
Speaker 7 (03:39):
Mister Todd?
Speaker 3 (03:41):
Missus, what can can I just get one or two
things straight?
Speaker 6 (03:46):
It's haunted, so.
Speaker 4 (03:48):
They say who say so?
Speaker 7 (03:51):
Who says?
Speaker 3 (03:52):
People?
Speaker 4 (03:54):
And nobody's ever stayed there before for a night?
Speaker 2 (03:57):
Oh yes, Oh, and then they stayed there, three stayed there.
Do you remember the sixth Duke of Wallingford or was
that before your time was to Todd? You're only a
young man, the.
Speaker 4 (04:09):
Duke of Oh yes, yes, of course he Uh. There
was a scandal, wasn't there that the family bubed some
famous psychiatrist or something to signify that the Duke was
perfectly same?
Speaker 3 (04:19):
I remember? And he uh that the Duke was as
mad as a hatter all the.
Speaker 2 (04:23):
Time, right, as mad as a hatter, And he was
the sane a man as one could ever wish to
meet once upon a time. That was before he spent.
Speaker 4 (04:31):
A night in the Yellow room.
Speaker 2 (04:33):
You mean he the dual Haunter and the haunted every
Man's History of Ghosts and ghosting never beyond midnight. He
wrote those books, mister Todd, the sixth Duke of Wallingford's
fashion was ghostly accounts. He ate drags, threat and threat
of the spirit world and life on other than earthly kings.
Speaker 4 (04:53):
He was a ghost hunter, and he came here to you.
Speaker 2 (04:57):
He came, or so to me, and stayed here in
this house, in the north wing, in the yellow room
one night, six and a half hours. By morning night
he was mad. There were one or two others through
the uh, a certain Captain Letchford, of the fourth Cizars.
He was found in the spinney ninety feet below. He
(05:18):
had left through the window and helped herself to whisky.
Speaker 1 (05:22):
Mister Todd.
Speaker 2 (05:23):
There were others who stayed in the room but saw nothing, because,
as I believed, they were not alone. It only happens,
you see, to a person who has entirely alone.
Speaker 3 (05:33):
What what is it?
Speaker 7 (05:35):
What's happened?
Speaker 2 (05:36):
Oh, my dearness to Todd? If I knew the answer
to that question, I should not be offering one thousand
pounds to any man who can provide me.
Speaker 7 (05:43):
With an answer.
Speaker 8 (05:44):
I see, no.
Speaker 2 (05:45):
One who has experienced the terror of the room has
been exactly if they entered the night before, when they
had been discovered in the morning.
Speaker 4 (05:54):
Missus Watts Uh I do not believe in spirits, disembodied souls,
life after death. I don't believe in hauntings, the powers
of darkness, or the presence of evil tip to a
certain something we call.
Speaker 3 (06:08):
Evil that inhabits the minds of certain men.
Speaker 4 (06:12):
I'm not impressed by the trappings of modern psychological research
that have no superstition in me.
Speaker 6 (06:17):
And I'm also an atheist.
Speaker 3 (06:20):
I wasn't always.
Speaker 4 (06:21):
I was brought up a Christian twenty years more or less.
If adult's life have stolen my faith away today I'm
a completely uncommitted man.
Speaker 2 (06:30):
I'm afraid you're afraid.
Speaker 3 (06:33):
That's a figure of speech. I'm not afraid. I will
spend a night in the yellow room.
Speaker 7 (06:39):
It's a thousand pounds.
Speaker 4 (06:40):
I'd spend a night anywhere I see one thing, though,
If nothing happens, I'll have nothing to tell you with us.
Speaker 2 (06:47):
In that case, you will receive one hundred pounds just
for your trouble. Not an unreasonable sea. Faith are sleepness
to time?
Speaker 3 (06:53):
No but that I warn you.
Speaker 2 (06:55):
If nothing happens, don't invent.
Speaker 4 (06:57):
I shall know, and you will a sieve, not me
if you try to cheat me.
Speaker 3 (07:01):
I'm an honorable man.
Speaker 2 (07:02):
I think good well having said, I wonder if.
Speaker 3 (07:05):
You'd mind just selling me.
Speaker 4 (07:07):
Why you're so curious, missus Watts.
Speaker 2 (07:10):
Why do you want to find I'm an old woman.
I've lived a long and very wonderful life. Chance would
have been in my family for over three hundred years.
Speaker 4 (07:18):
Soon I shall die.
Speaker 2 (07:20):
I wish to die without one regret. If I should
be taken tomorrow, I would go to my grave a
disappointed woman. I would not know what malevolence was present
in the Yellow Room in Chanceford's North wind.
Speaker 4 (07:36):
M it's been this storm. Why haven't you gone to
the room, spend the night there yourself there? I did
not ask you to come here so that you could
question me.
Speaker 2 (07:47):
You've come to earn if you can a thousand times
for that.
Speaker 7 (07:50):
You have a job to do.
Speaker 4 (07:51):
After that job, I shall question you. That is all.
Would Sunday suit you?
Speaker 7 (07:58):
Yes?
Speaker 3 (07:58):
Sunday was suit me handsome day?
Speaker 2 (07:59):
Thank You're know One thing I forgot to mention. I
shall knock the door to the Yellow Room. Once you're
inside and settled, it won't be opened again until eight
o'clock on Monday morning.
Speaker 4 (08:09):
That is a condition.
Speaker 2 (08:10):
It won't be opened no matter what might happen.
Speaker 3 (08:15):
All right, But you're the one paying the money.
Speaker 2 (08:48):
The elsticians never reached the north wing of the wires
and twitches. Oh, how often do I curse selectricity, the
days of candle and lamplight, a silk gracious for a night.
Speaker 4 (09:01):
At least you and essence returned to those far our days.
Speaker 2 (09:04):
Mister Todd.
Speaker 4 (09:05):
Well, it's not the fault of electricity that they've gone,
you know. There have been more changes than the mere
invention of electricity.
Speaker 2 (09:11):
Father Doyle, don't stalk in the doorway and disapprove.
Speaker 3 (09:15):
I'm not skulking.
Speaker 4 (09:16):
I'm still hoping to persuade mister Todd to change his mind.
It's an unpoly experiment.
Speaker 1 (09:21):
You're begin all that again.
Speaker 2 (09:23):
The father, he's free over twenty one, isn't he? What
on earth is there a harm in here?
Speaker 3 (09:29):
Nothing on earth, mister Todd.
Speaker 4 (09:33):
I've come tonight as an old friend of this lady,
the friend of her husband. She asked me to be present.
I don't know why, unless she wanted the church's sanction
for what she plans to do.
Speaker 2 (09:43):
I don't plan to do anything. Stop being an old maid.
Speaker 6 (09:46):
Father.
Speaker 4 (09:46):
What neither of you seem to appreciate is the existence
of people. I know how it works. Oh yes, even
in the twentieth century it was abroad at all times.
Speaker 3 (09:58):
And it smile, mister Todd.
Speaker 4 (10:01):
I ask both of you, because I know the history
of this place to put a seal upon the door,
to lock and bar this room far better.
Speaker 3 (10:10):
You seem to forget.
Speaker 4 (10:11):
Missus Watson and I have an agreement that I waiter
if you like all this one night.
Speaker 6 (10:17):
I don't know quite spy a hair.
Speaker 4 (10:18):
I don't object to you, but i'd rather you didn't
persuade Missus Wats to put seals on the door just
yet tomorrow all right, But there's a small question of
a thousand in cash first, and then.
Speaker 3 (10:28):
You can do what the places you like. Well, shall
we get on with it, Missus Watts. It's ten o'clock.
Speaker 4 (10:33):
And I promised myself a few chapters of Evelin War's
Brideshead revisited before a comfortable night's sleep, And one seems
to be a splendid anteek.
Speaker 2 (10:41):
With the sheets are aired and the pillows are fast
to sleep, and.
Speaker 4 (10:43):
At least you won't even have the comfort of a
window to jump from.
Speaker 6 (10:47):
Hm.
Speaker 2 (10:48):
And we had it bad, mister Todd. And anyway, it's
far too high to reach.
Speaker 4 (10:53):
Well, that's all right, missus Watt. I haven't come down
here to look at the view, have I.
Speaker 6 (10:58):
Now?
Speaker 3 (10:59):
Lady and gentleman, if you don't mind, this is my
room for the night.
Speaker 4 (11:04):
And according to missus Watts, here the ghost does not
walk unless the watcher is on his god.
Speaker 7 (11:23):
The room is high beamed, the paper yellow in color.
For this is the yellow room is ancient.
Speaker 4 (11:33):
The design upon it is of some long forgotten crest
of some long dead family.
Speaker 7 (11:39):
The shadows are deep.
Speaker 4 (11:42):
The light comes from seven candles set about the room,
one close by the great brass and.
Speaker 7 (11:48):
Oak bed, another on the mantle above.
Speaker 4 (11:51):
The head of the man who sits reading a novel.
Speaker 7 (11:54):
A very fine novel by evelin War.
Speaker 4 (11:59):
Behind the reading man's head is another candle, and near
his right elbow, on the top shelf of atique bookcase
are two more candles.
Speaker 7 (12:09):
The two remaining, thin, brave lights in the darkness of
the yellow room are on either side of the door.
Speaker 4 (12:18):
Absolute silence reigns the silence of a tomb, or of
a great.
Speaker 7 (12:25):
Desert, when daylight appears to have deserted the world. Forever silence.
Speaker 4 (12:34):
The kind of silence that seems to hammer, iron pegs.
Speaker 7 (12:38):
Into the mind silence, and then the man turns a
page and.
Speaker 3 (12:50):
Yawns by by his time, I think.
Speaker 4 (12:57):
He smiles a smile of satisfaction in a moment spending
the thousand pounds on a multitude of wondrous things, and then,
quite calmly, without any announcement, without any movement in the room,
the candle directly behind Ronald Todd's head goes out.
Speaker 7 (13:23):
Ah, I feel like a new man. It's a lovely
(13:45):
day to day. I took a Grandpa headache powder and
I'm world better.
Speaker 8 (13:51):
When coals and flu are about. Grandpa, headache powders are
what you need. Grandpa headache powers work fast because they
dissolve almost immediately. Grandpa makes all this bit for flu
symptoms disappear quickly. So whenever you're in pain, get fast relieved,
get Grandpa headache powders.
Speaker 6 (14:09):
Ah, Grandpa, just.
Speaker 4 (14:12):
Soak, just soak in biotexs stains, grass stains, collar and
cup stains, ingrain, dirt, soil and grime.
Speaker 3 (14:21):
Out they come, and.
Speaker 6 (14:22):
You don't stir a finger, Just soak, just soak in biotechs.
Speaker 4 (14:26):
Biotechs with natural enzymes is the pre washpowder. With the
most enzymes to give you extra pre wash power. Absolutely
no rubbing, no color loss, no fabric ware. Soaking in
biotechs removed the stains and dirt that washing.
Speaker 6 (14:40):
Won't just soak, just soak in biotexs.
Speaker 1 (14:54):
S.
Speaker 6 (14:55):
Thank you?
Speaker 4 (14:56):
Are you quite sure you aren't hungry? H thank you anyway,
I never sleep after just one mouthful of cheese.
Speaker 2 (15:03):
Well, for heaven's sake, Father Doyle, there's a kitchen full
of food out there.
Speaker 3 (15:07):
I don't wish for.
Speaker 4 (15:08):
One single bite to eat. All right, fine, men, eh,
I think our friend upstairs should be told to go
home now after what he knows of the place, and
believe it or not, if he's no cowards and well,
he's been up there two hours already.
Speaker 2 (15:28):
He has not completed his bargain yet.
Speaker 6 (15:30):
Father.
Speaker 4 (15:31):
If he's going to be afraid, he'll have been afraid
by this, her father.
Speaker 2 (15:34):
I am not paying mister Todd for being afraid or
not being afraid. I'm paying him to sleep in.
Speaker 4 (15:40):
The yellow room and find out.
Speaker 2 (15:41):
What it is that's caused the death of four people
and turn three more in saying during the night, oh,
you knew perfectly.
Speaker 4 (15:49):
Well, I knew nothing of the kind the fellow who
threw himself out of the window.
Speaker 2 (15:54):
Does it matter, father Doyle, how many people have died
in the puse? They're all three citizens over twenty one
years of age.
Speaker 4 (16:01):
Sy the door, Where are you going? I think I'll
guarant see how mister Todd's fair if you.
Speaker 1 (16:06):
Do nothing of the kind.
Speaker 2 (16:07):
Come away from that door.
Speaker 8 (16:08):
Father.
Speaker 4 (16:09):
I don't know what it is you're doing, but I
warn you, if something bad happens tonight and there's any
kind of inquiry, I should be bound to say what
I know and to tell the authorities that, knowing full
well there's danger in the nor wing of this house,
you allowed a stranger to spend the night there.
Speaker 2 (16:24):
I am allowed to do whatever I choose in my own.
Speaker 4 (16:27):
Only if it doesn't harm another person in this house.
I have all the freedom I wish, and you're.
Speaker 6 (16:32):
Not exercising freedom.
Speaker 4 (16:34):
It's license driving that man with money.
Speaker 2 (16:36):
Oh, for pity's sake, there's nothing there to harm him.
It was all in the imagination, with every one of
those people who stayed in the Yellow room, all imagination.
Speaker 4 (16:43):
Then if it's all imagination, what can mister Todd tell
you then? What he imagines?
Speaker 2 (16:51):
I wonder what he's doing.
Speaker 4 (16:53):
Now.
Speaker 2 (16:54):
Do atheists sleep well?
Speaker 4 (16:56):
I says they must no consciences, at least no religious.
Speaker 2 (17:01):
I suppose mister Todd busted.
Speaker 4 (17:12):
Yeah mmm mmmm.
Speaker 7 (17:19):
Uh hm, well blasted draft over there too. That candle
was the one by the bed.
Speaker 3 (17:30):
I don't need it anyway, doesn't field drafted here must
have been?
Speaker 4 (17:37):
And then the candle on the right of the door
went out, and Ronald Todd's expression of slight surprise, tinged
with amusement, suddenly vanished to be replaced with a frown
of discomfort because queer very. As he reached the door
to light the candle again, the little light on the
(17:59):
left side of the doorway went out.
Speaker 7 (18:01):
Now there are only four candles burning out of the
original seven.
Speaker 3 (18:06):
Huh.
Speaker 4 (18:10):
The yellow room in the glow of only four candles
is a different kettle of fish altogether, never a pleasant room,
even in daylight.
Speaker 7 (18:17):
At night it is malevolent.
Speaker 4 (18:23):
Todd crosses now to re light the candle by the
great bed. He does so just as one of those
he has made glow again by the door goes out.
Speaker 6 (18:34):
For pity's sake, drosts all over the belly shop.
Speaker 3 (18:39):
What's wrong with this room?
Speaker 4 (18:41):
Just as he's coming to light the right hand door
candle again, the two candles on the teak bookshelf go
out simultaneously.
Speaker 3 (18:49):
Well, the best thing I can do is forget the
whole is you can go to bit.
Speaker 6 (18:55):
Last.
Speaker 4 (18:56):
Actually, the candle upon the mantle goes out, followed by
the one on the bed, followed by the one on
the right hand side of the door, followed by the
one He's puzzled years, but not at all frightened, intrigued,
if anything. For a moment, all seven candles glow again.
(19:20):
Then he stops laughing as one, two, three, four, The
candles around the reading chair the mantle go out one
after another. He begins relighting them, and both candles by
the door go out, and then the one by the bed.
Speaker 7 (19:36):
For a moment, the room is lighted by.
Speaker 4 (19:38):
Only two candles, and then three, and then four, and
then the first of the re lighted ones goes out.
Huh and Rungald Tard realizes.
Speaker 7 (19:56):
For the first time that there is more to the
The meats the eye.
Speaker 3 (20:04):
A ruddy thing. I don't because something wind touched it.
Speaker 1 (20:10):
I think it.
Speaker 4 (20:17):
Suddenly it's completely dark. All seven candles are out of
Oh suddenly, Ronald Todd doesn't like the dark.
Speaker 7 (20:35):
It can't be called fair, but he's not afraid of
anything but wear other matches.
Speaker 6 (20:41):
When out of lost it matches sill.
Speaker 3 (20:56):
Right, one lighted, don't do but that goes out. I'll
just light it again, drowsy.
Speaker 4 (21:05):
Old room h And he gathers a little remaining matches together.
Speaker 7 (21:10):
There are only eleven left.
Speaker 3 (21:14):
Beautiful really candle alone in the room.
Speaker 1 (21:17):
It's like.
Speaker 4 (21:20):
The little nightlight moment used to leave in my room
when I was a kid because I was afraid. Whoops, hm,
these have.
Speaker 5 (21:35):
Been a shine.
Speaker 1 (21:38):
Uh clean line like come any.
Speaker 3 (21:43):
Wonder what moment have made of all of this?
Speaker 4 (21:50):
Alright, I'll play your game. There's somebody here, isn't there?
Somehow someone's making these candles go out out there? We're
all right that let's l leave it dark for awhile,
deep pitch black, silent, strangely, lonely. And then the silence
(22:18):
of the darkness gets on tards nerves and he fumbles
and lights a match.
Speaker 3 (22:22):
Okay, at least.
Speaker 7 (22:27):
He tries to light. Uh must be a dead match,
spent match.
Speaker 4 (22:34):
Try another one, ll.
Speaker 7 (22:37):
Try another one.
Speaker 4 (22:54):
Don't better sleep than must have picked up all the
other ones?
Speaker 3 (22:59):
Not figure around on the l f ah.
Speaker 5 (23:02):
But the.
Speaker 9 (23:05):
Jesus bids are shining with a pure clear light, like
a burning candle shining in benind in this world of darkness.
Speaker 7 (23:18):
So who we may shine you?
Speaker 5 (23:22):
Yes?
Speaker 7 (23:24):
Bit right the.
Speaker 6 (23:31):
The blosty bed.
Speaker 3 (23:34):
Oh no y, wait a minute, I must be right away.
Speaker 9 (23:43):
Wait a minute.
Speaker 7 (23:44):
You to be like this, I suppose in the desert
at night or anywhere, come to that in complete blackness.
And now for Ronald Todd, the nightmare begins. It's pitch black.
(24:04):
He can't find the bed. He decides to return to
his chair. A chair's gone.
Speaker 3 (24:15):
It's the blocking chair. Wait alright, missus Watts you won?
This is city built a trick room.
Speaker 6 (24:24):
May's mirrors or something?
Speaker 3 (24:27):
How about you?
Speaker 6 (24:28):
Ronnie lay?
Speaker 3 (24:31):
Now there's an ex boy sco than that that's just.
Speaker 4 (24:35):
Hit our beerris And in the blackness like a blind man,
he walks, uh huh, yes, it is all right.
Speaker 7 (24:46):
Now someone who's taken his hand?
Speaker 1 (24:53):
Who's that?
Speaker 6 (24:55):
H who's this?
Speaker 4 (24:58):
Who are you?
Speaker 1 (24:59):
What?
Speaker 7 (25:02):
Who's this?
Speaker 6 (25:03):
L le? Let go of my hand?
Speaker 3 (25:06):
Come on, go let what who are you? The can't see?
Speaker 4 (25:14):
Go of my hand? Who are you?
Speaker 3 (25:17):
Like a little candle, great little light? It's like a
little candle burning in the night, in the world of darkness.
Speaker 4 (25:26):
Ah, I'm a child like a little candle.
Speaker 7 (25:30):
You may.
Speaker 2 (25:43):
Well, I say you're a nosy old devil saving your reverence.
Of course you always wear a nosy old devil. You
just coak your nose in a signification to say so.
Speaker 3 (25:53):
Oh, I wondered who it was at the door heart
our seven in the morning. Oh, alright, shall you open
the door?
Speaker 7 (26:01):
Armasus?
Speaker 1 (26:02):
What alright?
Speaker 6 (26:03):
Father Gerald.
Speaker 1 (26:08):
Marty, mister Dard.
Speaker 6 (26:11):
Sleep well.
Speaker 4 (26:13):
Likes the tea.
Speaker 6 (26:16):
Let me have those one mus be standing? Then is altogether.
Speaker 5 (26:23):
You in your small corner and I in my hm
m m alright, mom. Name of the Father and of
the Son and of the Holy Ghost are men, el Mary.
Speaker 7 (26:36):
Full of grace.
Speaker 4 (26:36):
The Lord is with me to top the start down
among women.
Speaker 3 (26:39):
Blessed is the fruit.
Speaker 9 (26:42):
I was saying it right, stop it.
Speaker 4 (26:44):
Leave me alone, Nick, cave me. Stop it.
Speaker 3 (26:48):
I hate to say my prayers.
Speaker 1 (26:49):
I I hate to say that they did. I had
to stop it.
Speaker 5 (26:56):
Ye.
Speaker 6 (26:57):
Father.
Speaker 4 (27:26):
Mister Ronald Todd was committed to a home for the
hopelessly insane.
Speaker 6 (27:31):
Father Gerald Doyle visits him twice a week.
Speaker 4 (27:35):
The priest carries with him a feeling of guilt he
can never be rid of. Missus Watts died last year
without ever discovering the secret of the Yellow Room. What
really took place that night? I have only been able
to suggest. What remains is that Ronald Todd is mad
and is likely to remain so. He's forever beyond midnight.
Speaker 6 (28:09):
Just soak, just soak in biotechs. Just soak, just soak
in biotechs. Just soak, just soak in biotechs.
Speaker 4 (28:19):
If you have wondered how to get your washing really
stain free, understand this. Biotechs removes the stains and dirt.
Speaker 3 (28:27):
Washing won't just.
Speaker 6 (28:29):
Soak, Just soak in biotechs.
Speaker 4 (28:31):
Stains, grass, stains, tiresome color and cup stains, ingrain, dirt,
soil and grime out. They all come, and you don't
stir a finger.
Speaker 6 (28:41):
Just soak, just soak in biotech.
Speaker 4 (28:44):
Biotechs with natural enzymes is the pre wash powder with
the most enzymes to give you extra pre wash power.
Absolutely no rubbing, no color loss, no fabric. Weare use
it for cottons, silks, woolen, synthetic use it to make
new again. Soaking in biotechs removes the stains and dirt
(29:05):
that washing won't just.
Speaker 6 (29:07):
Soak, just soak.
Speaker 4 (29:09):
In Biotechs Beyond Midnight is presented every Friday night at
half past nine by Biotext, the new Soak and pre
Wash Powder. The program is adapted for broadcasting and produced
by Michael McCay