Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Arch Obler's Lights Out. Everybody, it is.
Speaker 2 (00:15):
Later then.
Speaker 3 (00:19):
You thing.
Speaker 4 (00:27):
This is arch Obler bringing you another in our series
of stories of the unusual.
Speaker 3 (00:32):
And once again we caution you.
Speaker 4 (00:34):
These lights out stories are definitely not for the timid soul.
So we tell you calmly and very sincerely, if you
fright me, easily turn off your radio.
Speaker 3 (00:43):
Now listen to me.
Speaker 5 (00:49):
Now, a few light years and generations ago, as I
introduced to a very patient lights out audience, my Peach
Weird play special to Hollywood. Most of you have heard
(01:10):
of the new style Hollywood premiere, where airplanes full of
Hollywood celebrities fly to some town for the first showing
of their new picture.
Speaker 4 (01:18):
The stars in the movie are displayed in a furious
burst of glory, and then they rush back to Hollywood
again to start their next super epic. Well tonight, let's
tell you about the road back from one of these
premier excursions, in this particular case, a most unusual road.
Speaker 6 (01:41):
The scene a transport airplane moving through the sky at
high speed.
Speaker 7 (01:46):
A very pompous looking individual stands talking to the pilot.
Speaker 3 (02:00):
Now, look here, pilot, can't you make this thing go faster? Sorry?
Speaker 2 (02:03):
What you say?
Speaker 6 (02:04):
Take those infernal earphones or whatever they are, off your
head and listen to me. I said, can't you make
this thing go faster?
Speaker 2 (02:09):
One hundred and fifty miles an hour isn't exactly walking, mister, Now,
don't get impertinent.
Speaker 6 (02:13):
I charted this special plane for speed. You understand speed,
not to just go dardling along through air.
Speaker 2 (02:18):
I'll tell him about it when he comes in.
Speaker 6 (02:20):
Now, now, look here, do you realize who you're talking
to him?
Speaker 3 (02:23):
Dear mister.
Speaker 2 (02:24):
I'll be the first to admit you're a big shot.
But when you're bucking a fifty mile wind and still
making one hundred and fifty miles an hour, believe me,
that's pretty good. Why you now, why don't you go
back in the cabin and sit down and enjoy yourself
like a good fellow. No, not, look here.
Speaker 8 (02:37):
You can't tell me what to do.
Speaker 9 (02:39):
You can't.
Speaker 3 (02:42):
Coming, darling, coming a.
Speaker 10 (02:45):
Pet when you're being do I have to spit along
every time I want to talk to you?
Speaker 3 (02:49):
All right, darling?
Speaker 11 (02:50):
All right, then I'm here.
Speaker 3 (02:52):
You tell him to hurry out.
Speaker 6 (02:53):
Yes, yes, everything's taking care of Yeah, that's what Tuesday
MC nineteen calling Glensale.
Speaker 2 (02:58):
I'm nineteen calls Hello, Joe, how is it?
Speaker 12 (03:03):
I don't know why I went on this trip?
Speaker 2 (03:04):
There? Yeah, publicity, the farmers like everything was normal her No, Loana.
Speaker 11 (03:11):
Darling, me just tell me where can I get a drink?
Speaker 2 (03:14):
Well?
Speaker 3 (03:14):
What are you going for?
Speaker 2 (03:15):
Anywhere?
Speaker 3 (03:16):
Ye?
Speaker 2 (03:20):
Anybody? Okay, tell them to get the studio. Brian's band ready,
we'll be setting down a couple hours, okay, MC nineteen
sonning off.
Speaker 13 (03:28):
You heard what I said?
Speaker 12 (03:29):
How many times do I have to say it?
Speaker 14 (03:30):
You heard me the first time?
Speaker 10 (03:31):
If not for me being in at that picture would
sink so loud. The only way anyone could go see
it would be with one of those gas things on
that phone.
Speaker 3 (03:38):
Oh but Darling, be reasonable.
Speaker 6 (03:40):
Any picture that next three hundred thousand dollars the first
week because I'm in at that.
Speaker 13 (03:43):
Fly because I am in us.
Speaker 12 (03:45):
Isn't that right?
Speaker 11 (03:45):
Bob?
Speaker 6 (03:46):
Huh?
Speaker 7 (03:46):
What'd you saying?
Speaker 8 (03:47):
Oh?
Speaker 10 (03:47):
For Pete's sake, take your nose out of that racing
farm and listen to me?
Speaker 3 (03:49):
Will you listen to yourselfield? I fall I'm busy.
Speaker 10 (03:52):
You tell me how long do I have to put
up with this lowly imitation of Allow?
Speaker 3 (03:57):
All right, Mark, it's all right. I can take it
thousand a week.
Speaker 12 (04:01):
You're gonna let him talk to me like that?
Speaker 3 (04:02):
Well he hasn't said anything, he's reading my mind.
Speaker 10 (04:04):
Why you too bid, little four flesh?
Speaker 7 (04:06):
Let me?
Speaker 3 (04:07):
Do you mean fall flush your wife?
Speaker 7 (04:08):
Not for me shoving your name in every new spaper
in the country, you'd be back in that laundry.
Speaker 12 (04:13):
Mark, Why did you hear that?
Speaker 3 (04:15):
Now, Bob, watch yourself?
Speaker 7 (04:16):
You sure fire me go on?
Speaker 3 (04:19):
So I'm gonna work for Warner.
Speaker 7 (04:21):
Fire, I mean I'm gonna have some decent pictures of
God a time.
Speaker 6 (04:25):
No, Bob, don't go too far after here my picture
Turkey three hundred thousand dollars.
Speaker 9 (04:30):
The first week. Why ask me?
Speaker 6 (04:32):
Why exploitation?
Speaker 2 (04:33):
That's it?
Speaker 7 (04:33):
Why without my publicity, you wouldn't be back in that laundry,
you'd be in it.
Speaker 10 (04:37):
Why you little squirt, you I'll scratch your eyes out.
Speaker 7 (04:40):
You lay a hand on me and I'll slap.
Speaker 9 (04:41):
You down to her.
Speaker 3 (04:44):
Oh you're fired, you hear me, Bob tired? Why you
big bag of winds?
Speaker 9 (04:47):
How do you think you're fire drawing out?
Speaker 7 (04:49):
Why I'll go to JB tomorrow head and cut your
heart out.
Speaker 9 (04:52):
Fired?
Speaker 7 (04:54):
Why you're a fugitive from that laundry that she used
to watch. That way, I can walk into a dozen
jobs tomorrow morning.
Speaker 9 (05:02):
I'll run you out of the devil. I'll kick you
in the face. Yes, you get another job.
Speaker 6 (05:06):
In Hollywood, ahead, laughed A crazy pilot.
Speaker 3 (05:11):
And what's he doing?
Speaker 9 (05:11):
I'm telling him the storm?
Speaker 6 (05:15):
Crazy fool climbing like that.
Speaker 14 (05:17):
Don't just stand there, go I'm giving.
Speaker 3 (05:19):
The devil all right, I'm going all right, ain't you planning?
Speaker 9 (05:24):
You crazy?
Speaker 2 (05:24):
All right?
Speaker 3 (05:26):
Has a climb storman who cares about the storm?
Speaker 9 (05:29):
You get us home? Do you understand?
Speaker 2 (05:30):
Okay, you're playing for it. Yeah, that's it's for you
from over the radio hub.
Speaker 6 (05:35):
All right, all right, the handle?
Speaker 7 (05:37):
What is it my for me?
Speaker 6 (05:39):
No?
Speaker 3 (05:41):
Tell me? Yeah? Yeah me?
Speaker 7 (05:44):
What's up there?
Speaker 2 (05:46):
Mack?
Speaker 12 (05:46):
What's the matter with you?
Speaker 10 (05:47):
Mouth looking like a fish?
Speaker 3 (05:49):
Read it? The says that John Webster killed himself.
Speaker 2 (05:54):
Say you're kidding.
Speaker 3 (05:57):
No, no, no, see for yourself.
Speaker 10 (06:00):
John Webster, young novelist, committed suicide one PM.
Speaker 6 (06:04):
I never thought he'd do it.
Speaker 3 (06:05):
I didn't neither killing himself just because we changed it?
Speaker 13 (06:12):
You laughing?
Speaker 9 (06:13):
Why not?
Speaker 3 (06:14):
No, Lorna darling? After all, what.
Speaker 13 (06:16):
Two wise guys?
Speaker 10 (06:17):
Neither one of you has got as many brains as
the less side of my Pekinese.
Speaker 13 (06:20):
What okay, let's have it do the.
Speaker 14 (06:23):
Great mister Crean, the publicity won the needles.
Speaker 3 (06:27):
Yes, Lona, what are you getting at?
Speaker 2 (06:28):
So he did so.
Speaker 10 (06:29):
Instead of looking down your noses, you two ought to
be standing on your heads. Oh am, I the picture
getting national released this week, and the sap who writes
the words blows his brains out, and I'm supposed to cry.
Speaker 3 (06:39):
Huh say I get it?
Speaker 2 (06:41):
Call out the marine, Lona?
Speaker 6 (06:42):
You you mean that?
Speaker 9 (06:43):
Now?
Speaker 6 (06:44):
He can't bother us with an injunction.
Speaker 12 (06:45):
Who's thinking about injunctions? He couldn't stop the picture anyway,
you said yourself? He signed away?
Speaker 13 (06:49):
All right?
Speaker 3 (06:50):
Then what oh Bob, you tell him? It's terrific? Mark,
don't you get it?
Speaker 6 (06:54):
Huh?
Speaker 8 (06:54):
So we had the premiere in Chicago, so all right,
it's fucked.
Speaker 9 (06:57):
Don't you study again? Carr, wasn't you all?
Speaker 7 (07:00):
The director was no good, The film was no good.
The cut has got the story loud stuff.
Speaker 3 (07:04):
The critics all at belly aches. What's the difference?
Speaker 7 (07:06):
What the reason was?
Speaker 6 (07:07):
The picture was a flopper room laid eggs all the
way up and down State Street.
Speaker 3 (07:10):
Get to the point.
Speaker 7 (07:12):
I passed it all day, don't you get it? Mark,
the author of the novel we made the film out of,
blows his top.
Speaker 2 (07:18):
Why ask me? Why?
Speaker 3 (07:19):
I don't have to ask you.
Speaker 6 (07:21):
The kid told me yesterday right in the hotel, ruined
his life work.
Speaker 3 (07:24):
He said, yeah, yeah, that's what he said. But that
won't be what I'll say. Uh, but who did you
know for?
Speaker 10 (07:29):
He's take Mark, shut your mouth and listen to the guy.
Speaker 12 (07:32):
For the first time in a year.
Speaker 10 (07:33):
He's got a good idea, my idea, that's.
Speaker 3 (07:35):
What you think.
Speaker 2 (07:35):
I listen mine.
Speaker 7 (07:36):
With this angle, we're gonna turn the picture into a
gold mine.
Speaker 3 (07:38):
Say it, say it, I'll say it.
Speaker 10 (07:40):
The reason that crazy kid killed himself was because the
picture was so terrific.
Speaker 12 (07:44):
He was done finished.
Speaker 7 (07:45):
Yeah yeah, his life work comes to life on the
silver screen. So the boy genius bows out.
Speaker 9 (07:50):
Don't you get it?
Speaker 3 (07:51):
But but that isn't true?
Speaker 6 (07:53):
Oh for the linan mean, who will believe you?
Speaker 3 (07:56):
It's it's crazy?
Speaker 6 (07:57):
Will you listen to the guy on the crazy Sure
a story like that, your newspaper will believe it?
Speaker 7 (08:03):
Oh won't they? How about if you have a letter
the kid wrote you.
Speaker 2 (08:06):
Just before he you know, didn't.
Speaker 6 (08:08):
That's all right, But he didn't write me any such letter.
Speaker 3 (08:11):
Oh, Lona, you tell him?
Speaker 12 (08:13):
Look, Mark, what are you trying to do? Give an
imitation of dopey?
Speaker 2 (08:15):
Uh?
Speaker 13 (08:16):
Did the savage d have to write a letter?
Speaker 10 (08:18):
There are plenty of guys you got at the studio
who write your letter like that.
Speaker 7 (08:21):
For ten bucks and give you a change for five
a fair?
Speaker 9 (08:24):
Oh?
Speaker 3 (08:25):
Oh is right? Why the kid thumping himself off? Some natural?
Speaker 12 (08:28):
And who thought of it first?
Speaker 3 (08:30):
You tell me? Storm?
Speaker 8 (08:33):
Kind of screwy pilot we got?
Speaker 13 (08:36):
Oh?
Speaker 12 (08:36):
I don't just stand there?
Speaker 11 (08:37):
Do something?
Speaker 3 (08:38):
All right?
Speaker 9 (08:39):
All right, I'll talk.
Speaker 6 (08:43):
So doc right?
Speaker 8 (08:44):
Well, I can't find the script.
Speaker 9 (08:49):
Blood my turn to get out of this geez?
Speaker 13 (08:52):
Did you too set it?
Speaker 12 (08:54):
I told you I didn't want to go to Chicago?
Speaker 3 (08:56):
What more?
Speaker 8 (08:58):
Turn against out of this storm?
Speaker 9 (09:00):
Why can you hear me? I'll I'll.
Speaker 3 (09:09):
Listen with climbing.
Speaker 12 (09:10):
Climbing?
Speaker 9 (09:11):
So what does that mean?
Speaker 7 (09:11):
He's taking us up above the storm?
Speaker 9 (09:14):
Oh?
Speaker 14 (09:14):
Why isn't he hurry?
Speaker 10 (09:15):
I hate punters?
Speaker 3 (09:16):
What all right, darling?
Speaker 2 (09:19):
It's all right?
Speaker 9 (09:19):
Oh? What's all right?
Speaker 6 (09:20):
What he's getting us up over the top of the store.
Speaker 8 (09:23):
Yeah, Like I told you, what does a buzzer, get us.
Speaker 3 (09:25):
Into this far in the first thing.
Speaker 9 (09:26):
Walk if you don't get him fired on us.
Speaker 3 (09:29):
There we are hit the light again.
Speaker 8 (09:31):
You look at those clouds down there?
Speaker 13 (09:33):
So who cares?
Speaker 8 (09:35):
Oh?
Speaker 7 (09:35):
What I get for Scotch.
Speaker 3 (09:36):
We'll be home soon.
Speaker 8 (09:37):
You can't even see the ground.
Speaker 13 (09:39):
It's like a confet.
Speaker 9 (09:40):
Will you shut up?
Speaker 3 (09:41):
Who cares about clouds?
Speaker 6 (09:42):
Listen?
Speaker 3 (09:43):
Touching friends?
Speaker 9 (09:43):
Host talking to you. Did you hear what he says?
Speaker 5 (09:45):
No?
Speaker 9 (09:46):
Go start again, the two of you.
Speaker 6 (09:48):
I've had all I can stand these three days you've had.
Speaker 10 (09:51):
How would you listen to the guy who was pulled
and pushed around from everyone from the Cicero fan Club
Number one to those stop It exhibitors to those lousy repartments.
Speaker 3 (10:00):
Wait a minute, huh, what's the marria?
Speaker 7 (10:01):
I got an idea and I listen, that's screw the author.
When we land, i'll have a wire sense. We'll have
the body, scent of the coats and buryment the studios expense. Huh, Yes,
sort of a state funeral for the author, a lot
of Douglas's greatest via.
Speaker 9 (10:12):
That's all right. Oh, I don't know.
Speaker 6 (10:14):
Maybe they won't, Oh won't The kid didn't have anybody
so we'll do the honors.
Speaker 7 (10:17):
Say special car all across the country, make every news
service in the world.
Speaker 3 (10:21):
I don't know. I don't know, Marbid, you know, Marbid?
Speaker 6 (10:25):
I don't know.
Speaker 9 (10:26):
That's the trouble.
Speaker 10 (10:26):
You don't know the first good idea this Lily.
Speaker 12 (10:28):
Wait a minute, you start getting autistic or something.
Speaker 9 (10:30):
But let me tell you.
Speaker 8 (10:32):
Hey, what's the matter with you?
Speaker 14 (10:35):
Hey? Mark, I'm talking to you.
Speaker 9 (10:37):
Listen, what, Bob, what's the matter with you?
Speaker 8 (10:42):
Two engines?
Speaker 13 (10:44):
Huh?
Speaker 3 (10:45):
The engine it stopped?
Speaker 9 (10:47):
So what we're landing?
Speaker 14 (10:49):
What's the matter with you too?
Speaker 12 (10:50):
Sat shut out the engine because we're landing.
Speaker 7 (10:52):
No pilot, pilot, I don't know, I don't what is this?
Speaker 6 (10:59):
Mark?
Speaker 8 (11:00):
Hea?
Speaker 12 (11:01):
We are landing off? What did he get so excited
about me?
Speaker 9 (11:05):
The engines were sustained? That's so what?
Speaker 8 (11:07):
We're not you in for an hour?
Speaker 3 (11:09):
Yet?
Speaker 13 (11:09):
Something wrong.
Speaker 9 (11:13):
The way? No, let me talk.
Speaker 3 (11:19):
We're putting.
Speaker 9 (11:22):
Cut off your shut up.
Speaker 2 (11:25):
We're not landing. See we're not landing.
Speaker 8 (11:27):
But but the the engine they stopped.
Speaker 2 (11:29):
We must be landing.
Speaker 9 (11:32):
Flash you shut up.
Speaker 6 (11:33):
You you can't talk to her that way.
Speaker 2 (11:35):
Who do you think you're talking?
Speaker 11 (11:36):
Pools?
Speaker 2 (11:37):
When you're shut up?
Speaker 9 (11:38):
I look, look, I tell you.
Speaker 2 (11:42):
What the indicator airspeed indicator. We're not falling?
Speaker 12 (11:47):
Mark what you saying?
Speaker 2 (11:48):
Listen, I'm telling you we're not falling. Engines dead and
we're not falling. Your fools. What are you looking at
me like that for? Don't you understand we're hanging, just
hanging in the air.
Speaker 13 (12:18):
Hang eh, you dirty face buzzing.
Speaker 12 (12:24):
What are you trying to pull?
Speaker 14 (12:26):
Why are you trying to pull?
Speaker 8 (12:28):
Oh?
Speaker 2 (12:28):
Dead, just hanging in there?
Speaker 5 (12:32):
Hang eh.
Speaker 10 (12:36):
Listen, the three I've been around, they pull all kinds
of fancy tricks on me.
Speaker 12 (12:42):
Well, if this is a gig, I don't like it.
Speaker 3 (12:44):
Do you hear me?
Speaker 9 (12:45):
I don't like it?
Speaker 10 (12:45):
Now, get me done out of here, Bob, Bob, he's
past house.
Speaker 2 (12:52):
Come on back in the cabin. Let us sit down.
Mister mock him, you too, Bobby, He'll be all right.
Come on, hang.
Speaker 12 (13:01):
You there, This is the case, isn't it?
Speaker 8 (13:07):
Come me?
Speaker 11 (13:07):
Isn't it some movie?
Speaker 14 (13:09):
Oh you've got any movie?
Speaker 9 (13:11):
Come rest your twit in my arm?
Speaker 3 (13:14):
Cut it out, William, don't tell me what's happening?
Speaker 9 (13:16):
What father passed out?
Speaker 12 (13:17):
Mike looking like just mouthy.
Speaker 14 (13:20):
You gotta you've gotta tell me.
Speaker 12 (13:22):
We are moving aren't we No, you liar, you dirty liar.
Speaker 9 (13:26):
We are we are, Robert.
Speaker 2 (13:28):
Look down there, dirty liars, right a scared Look see
on the clouds down there, our shadows standing still. We're
not moving. Get that through your head. We're hanging in space.
Speaker 14 (13:43):
I no, m m M.
Speaker 3 (14:11):
All right, and just leave me alone, get your head,
leave me alone, I tell you.
Speaker 8 (14:15):
But you all sitting around looking at me.
Speaker 3 (14:17):
For me, I passed out?
Speaker 8 (14:19):
All right, you're all just as scared as I am.
Speaker 13 (14:22):
You know what, y'all?
Speaker 8 (14:23):
You mock you're scared?
Speaker 2 (14:25):
Your face green?
Speaker 9 (14:27):
Answer me, you're scared, don't you hang.
Speaker 8 (14:32):
H he's awfully or nuts you holda you're scared too, munches,
Why don't you shut up? Pilot?
Speaker 9 (14:42):
You you're scared green, two munches.
Speaker 6 (14:45):
It's not me alone?
Speaker 9 (14:46):
You answer me?
Speaker 2 (14:47):
You I'm gonna shut you up.
Speaker 3 (14:49):
I'm scared. I'm scared.
Speaker 11 (14:52):
I'm scared, all right, Bob, all right, all right now,
all right, don't talk barre your heads.
Speaker 13 (15:04):
Yeah that's right, pilot, Sam, Yeah, what time is it?
Speaker 2 (15:17):
Five?
Speaker 8 (15:19):
The radio?
Speaker 2 (15:19):
What's the US? Tried it a hundred times? That is it?
Speaker 12 (15:24):
Where're gonna be looking at what you're talking about?
Speaker 13 (15:27):
About?
Speaker 12 (15:27):
Just try not to think, Sam, Yeah, how long have
you been?
Speaker 2 (15:36):
An hour? Only that seems like a millionaire? Watch says
only an hour?
Speaker 12 (15:43):
Mike, Mike listeners, Mike, I'm talking to you.
Speaker 4 (15:48):
Hang in air.
Speaker 13 (15:55):
I wish I was like my kids.
Speaker 12 (15:58):
Yeah, so scared, can't see or hear or think.
Speaker 2 (16:04):
Look.
Speaker 12 (16:05):
Hm, he's gone to slip. Bob, Yeah, wore himself out
of crime.
Speaker 2 (16:14):
Like, how do you? Nothing's funny? I guess not who great?
Speaker 12 (16:20):
But I got funny thoughts in my head. What a
minute ago I was thinking about when I was a kid.
Wanna hear about when I was a kid?
Speaker 2 (16:31):
Why not?
Speaker 12 (16:33):
Bob here and all the rest of the publicity guys
have wrote written so much junk about me being the
only daughter of you know, poor but respectable small town people.
I almost got to thinking.
Speaker 2 (16:46):
It was true.
Speaker 9 (16:48):
Yeah, would you believe it?
Speaker 12 (16:50):
I paid some wise guy over on Sunset Boulevard a
thousand bucks for a coat of arms of the family
to hang up in the hall. You know, one of
those fancy shields of lines crawling all over things. Should
have had a couple of beer bottles.
Speaker 13 (17:03):
I don't did a line.
Speaker 12 (17:06):
Yeah, you wanna know my real name?
Speaker 13 (17:09):
See what's the difference? Beer bottles.
Speaker 10 (17:14):
Yeah, beer bottles and the smell of the laundry coming
up the air shaft and a lot of dirts.
Speaker 12 (17:20):
That's what I remember from when I was a kid.
Speaker 2 (17:25):
Sam.
Speaker 12 (17:26):
Yeah, I just wanted to hear you talk.
Speaker 13 (17:31):
Oh what was I talking about?
Speaker 6 (17:33):
Oh?
Speaker 12 (17:33):
Yeah, I was thinking something funny about when I was
a kid. When it was hot at night, I used
to lie on my back on the roof, look at
the clouds and make off. I was just sort of
hanging in the air.
Speaker 13 (17:47):
Understand, I want that funny now.
Speaker 2 (17:53):
Gravity? What dices?
Speaker 8 (17:57):
You said?
Speaker 2 (17:58):
Gravity? Why? I was thinking what gravity is pulling us down? Well,
I was thinking of what's pulling us up?
Speaker 12 (18:09):
There aren't any answers, no, no, no answer. When I
was that kid, I found answers. Yeah, how to get along,
how to get out.
Speaker 2 (18:21):
Of the smell and the dirt.
Speaker 12 (18:23):
Real answers.
Speaker 13 (18:25):
They took me along way.
Speaker 12 (18:27):
Five thousand a week, five year contract, no options. I
did alright with my answers. Here is one answer. I
haven't gone cause there isn't any answer.
Speaker 2 (18:38):
Maybe there is.
Speaker 13 (18:40):
Yeah, yeah, you listen to me.
Speaker 2 (18:45):
Supposing I listen to you, I don't know how to talk.
Oh you just go ahead for a whole hour I've
been trying to figure things out, so there is any
real answer, hm, I mean that Dad's up like a
column of figures on a slide room when you're trying
to figure out the stress on a wing. Nothing like that.
(19:06):
But kind of screwy ideas come to me. Ah, I
talk about it, go on and just a bozo. Ever
since I've been able to stand on my own feet,
everything's kind to be able to add up, or it
just doesn't mean anything to me. When I was a kid, well, well,
when I was a kid, I really had the well,
(19:27):
like you said, the poor but respectable parents, you know,
the kind they believe in somebody up there and somebody
down below, and good and eve 'em, all the rest
of 'em. Funny you thinking about when you were a kid,
and me thinking the same.
Speaker 5 (19:41):
Thing you said.
Speaker 2 (19:42):
You had to answer. Yeah, it's like this. I heard
the three of you talking all the way from the
coast to Chicago, and I'll back again, talking about nothing
but yourselves, each one of you, nothing meanly, anything but yourselves.
You would like this up here. I know I wouldn't
be able to say this, but oh why not say it?
Speaker 6 (20:02):
You?
Speaker 2 (20:03):
You making more money in a week than the average
guy with the family sweats out his insides for on
a year. But instead of the money making me understand anything,
it's made you understand less than a blind.
Speaker 3 (20:13):
Kid walking in the dark.
Speaker 2 (20:15):
Everything's for you. The world's just a big movie screen.
Everybody in it just there to sit up and look
at you. Yeah. I heard somebody wrote a book. You
bought it, made a picture out of it. Maybe it
was an honest book, but you didn't buy it to
be honest. You bought it to make dough. So the
kid blew his brains out. Even dead, he couldn't get
(20:35):
away from you. Yeah, you're gonna use his dead body
to make you more money. Yeah, dead or alive, nothing
means anything to you. There's no world, but you're a
screely world. Everybody all over the world can crawl on
the ground hiding from bombs, can be starved and watch
their kids starve and die on bobed wire fighting for
something they don't know much about, and drowning the sea.
And it don't mean anything to you, none of it,
(20:56):
as long as each of you can hold on to
what you've got. Yeah, the three of you acting as
if you weren't made of the same flesh and blood
as the rest of us. Is making a lot of
money and seeing your name in the paper a lot
and getting a lot of applause to get right off
the earth. Maybe something somebody decided you weren't fifth of
the earth. You cry, you asked me. I told you.
Speaker 13 (21:33):
I was in a picture one the girl got in
a jam.
Speaker 14 (21:38):
She didn't know how to pray with you.
Speaker 13 (21:44):
Well, that was in the picture.
Speaker 14 (21:46):
It is really yeah, if anybody told me a couple
of hours ago that all with Mark's sitting there out
of his head, Bob me sitting here listening.
Speaker 2 (21:58):
To the kind of thing you asked me to.
Speaker 9 (22:02):
You tone, it was a long.
Speaker 12 (22:11):
About that kid who died.
Speaker 13 (22:14):
I'm sorry about that.
Speaker 14 (22:17):
Even thinking about it.
Speaker 3 (22:22):
The engine.
Speaker 2 (22:24):
We've gotta.
Speaker 9 (22:32):
Wake up you hear. Everything's all right, all.
Speaker 8 (22:52):
Right, I know my publicity seems like this isn't good
a span.
Speaker 3 (22:56):
I'm not arguing with you, alright.
Speaker 8 (22:58):
Spread a screwy thing like this, he'll be reporting the
country behold in his nose, some screwy it's for heaven's sake. Well,
just stopped talking about it for the last hour. My
head's starting to go around it's forgotten, he finished.
Speaker 3 (23:11):
So whatever it was, we'll forget from the way.
Speaker 2 (23:14):
From that pilot.
Speaker 3 (23:15):
You talked to him, sure, I'm sure he won't talk.
He wants to eat, don't he, So he won't talk.
Speaker 9 (23:20):
Got everything fixed?
Speaker 6 (23:21):
Huh, well, Framadonna's talking again. Ah, now, Lona, you understand,
nobody's gonna know about this. Like like Bob says, crazy
publicity is bad publicity, and.
Speaker 3 (23:33):
This all was crazy was I'll say, hey, look we're
over the airport. Good, good drink? Do I need a drink?
Speaker 2 (23:43):
Bath?
Speaker 8 (23:43):
Well, I'm gonna swim.
Speaker 3 (23:44):
I'm a terrible experience, terrible, but all's well.
Speaker 6 (23:47):
That ends well, Elona, a terrible experience, but now finished.
Everything's just the same, Helona, everything's just the same.
Speaker 13 (23:55):
I wonder.
Speaker 2 (24:02):
MC nineteen coming in, MC nineteen, coming in, Hello John,
Yeah I had a little trouble. Wow fact yeah, engine trouble. Yeah,
everything's back to normal now yeah, everybody, Okay, everything's just
the same. I wonder.
Speaker 3 (24:36):
It is.
Speaker 2 (24:40):
Later then you sing