October 13, 2025 • 8 mins
Dive into the electrifying collab between Shapov and Swanky Tunes on their latest banger "Flipdat"—a fusion of indie dance grit, afro house soul, and melodic techno highs that's redefining club anthems. With nearly 30 years of big-room dominance behind them (think Tiësto collabs and seismic festival drops), these Russian legends chat exclusively with CLUB WIRE about ditching the mainstage for fresh, genre-bending vibes on TalkTalk Records. From Moscow roots to warehouse raves, we unpack their creative alchemy, unyielding hunger, and timeless advice: keep evolving. Stream "Flipdat," feel the spark, and join the underground pulse. #ElectronicMusic #EDMRevolution
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Welcome to Club Wire, the pulse of the underground, where
beats collide with stories that shape the dance floor. I'm
your host, Coral, and today we're diving deep into a
collaboration that's proving experience doesn't dull the edge, it sharpens it.
Shopov and Swanky Tunes aren't just names etched in electronic
(00:24):
music history. They're architects who've built empires from basslines and breakdowns.
Their latest joint venture, Flipped At, isn't just a track,
it's a manifesto for reinvention. Buckle up as we unpack
decades of sound distilled into one fresh vision picture this.
(00:45):
It's the early twenty tens and the world of EDM
is exploding like a supernova. Festival stages are getting bigger,
drops are hitting harder, and two Russian powerhouses are at
the epicenter. Swanky Tunes brothers Dmitri and Vadim Smirnov burst
onto the scene with their signature big rhumanthems, tracks like
(01:09):
Till the Sun Rise Up that turned main stages into
seismic events. They've racked up nearly thirty years in the game,
collaborating with everyone from Tiesto to Hardwell, always chasing that
euphoric rush that makes crowds lose their minds, then their Chapov,
(01:30):
the melodic maestro whose productions carry an emotional undercurrent, like
a heartbeat pulsing through the sins. He's lent his touch
to Axwell's emotive builds and Armin van Buren's trancetinged journeys,
lending club grooves with festival ready fire. Their paths have
(01:54):
criss crossed for years, borne from mutual respect in Moscow's
thriving But fast forward to twenty twenty five and something's shifted.
The electronic landscape is more fragmented than ever. Techno purists
in Berlin bunkers, afro house grooves echoing from Johannesburg's sunsets,
(02:20):
and melodic techno weaving ethereal tales under Abiza's stars. In
this mosaic Shopov and Swanky Tunes aren't content to rest
on laurels. They're experimenter flip d at their first release
on Talk Talk Records, a label synonymous with boundary pushing sounds,
(02:44):
dropped just days ago. It's a sonic cocktail indie dance
drums that snap like vinyl underfoot afro house rhythms that
sway with primal energy and melodic techno layers that build
to cathartic peaks. I caught up with the duo for
an excrusive chat, and what unfolded was a masterclass in
(03:09):
creative longevity. We've worked together for a long time, releasing
tracks on major labels with a main stage sound. They
shared their voices, carrying the easy camaraderie of old friends.
This time we wanted to explore something new, a mix
(03:30):
of indie dance, afro house, and melodic techno that fits
the modern club landscape. It's not hyperbole. Flip Dat kicks
off with a bassline that's equal parts gritty and seductive,
layered over hip hop infused vocals that add an urban edge.
(03:52):
As the track unfolds, those dark, driving sins creep in,
evoking late night warehouse where the line between euphoria and
introspection blurs. The production story pure alchemy. Chapov and Swanky
Tunes operate from separate studios most days, Chopov fine tuning
(04:17):
his melodic signatures, the brothers dialing in their high octane energy.
But for collabs like this, they converge in one space.
Feeding off each other's vibes. It started with a cool
bassline paired with catchy indie dance drums, energetic hip hop vocals,
(04:38):
and dark driving. Since they explained no overthinking, no committee,
just instinct guiding the flow, it happened naturally. That's the
most creative way for us to produce music. Chapav leaned
into his history of emotional depth, drawing from grooves he'd
(04:59):
honed with hard rock sofa, while Swanky Tunes tempered their
big room bombbast with suppler groove heavy elements. The result
a track that's sharp and energetic, built for the dance floor,
but with enough nuance to reward repeated listens. What struck
(05:21):
me most was their unapologetic hunger. After all these years,
Swanky Tunes, with three decades under their belts, admitted to
a pivotal pivot. We've experimented with different genres for almost
thirty years now moving toward indie dance and afro house.
(05:42):
Thip Dat is a great experience in this new direction.
It's a nod to the genre's fluidity. How afro house's
tribal pulses can inject soul into indie's retrocol while melodic
technos soaring arcs tie it all into a coheed narrative.
In a scene often criticized for chasing trends, they're flipping
(06:06):
the script, using their tenure to lead, not follow. Music
changes every year, they reflected, we keep our roots while
always looking for new sounds to refresh our production. This
isn't just talk, it's action. Flipped At captures a dark
club vibe with sexy grooves and modern drums that people
(06:29):
can dance to, enjoy and relax with. Imagine it thumping
in a dimly lit Berlin club or an open air
rave under Miami's neon glow. Versatile enough for global circuits,
intimate enough for underground spots, and experimentation. It's their life blood.
(06:50):
Experimentation is key, They insisted, we stay connected with new
trends and always explore new genres. No specific tours yet,
but with Talk Talks backing, expect flipp'd At to soundtrack
their next wave of shows, bridging old fans with fresh converts.
(07:12):
As we wrapped, the wisdom flowed freely on creative partnerships.
Listening to each other is essential to keep the process
smooth and enjoyable. On feedback, they iterate demos until one clicks,
never compromising the vision, and for their younger selves, always
(07:34):
keep moving forward and never give up. It's advice that
echoes through every bar of flip dat, a reminder that
an electronic music, the beat goes on evolving with every generation.
Chapav and Swanky Tunes aren't chasing immortality, They're redefining it,
one fresh vision at a time. As the dust settles
(07:58):
on this release, one thing's cl decades in, there's still
the spark that ignites the floor stream flipped at. Now
feel the fusion and join the conversation. What's your take?
Does this blend hit the mark or are you craving more?
Hit us up on club wires, Socials until next time,
(08:21):
keep the wires live, the base low, and the vision sharp.
This is your name, signing off
Welcome to Club Wire, the pulse of the underground, where
beats collide with stories that shape the dance floor. I'm
your host, Coral, and today we're diving deep into a
collaboration that's proving experience doesn't dull the edge, it sharpens it.
Shopov and Swanky Tunes aren't just names etched in electronic
(00:24):
music history. They're architects who've built empires from basslines and breakdowns.
Their latest joint venture, Flipped At, isn't just a track,
it's a manifesto for reinvention. Buckle up as we unpack
decades of sound distilled into one fresh vision picture this.
(00:45):
It's the early twenty tens and the world of EDM
is exploding like a supernova. Festival stages are getting bigger,
drops are hitting harder, and two Russian powerhouses are at
the epicenter. Swanky Tunes brothers Dmitri and Vadim Smirnov burst
onto the scene with their signature big rhumanthems, tracks like
(01:09):
Till the Sun Rise Up that turned main stages into
seismic events. They've racked up nearly thirty years in the game,
collaborating with everyone from Tiesto to Hardwell, always chasing that
euphoric rush that makes crowds lose their minds, then their Chapov,
(01:30):
the melodic maestro whose productions carry an emotional undercurrent, like
a heartbeat pulsing through the sins. He's lent his touch
to Axwell's emotive builds and Armin van Buren's trancetinged journeys,
lending club grooves with festival ready fire. Their paths have
(01:54):
criss crossed for years, borne from mutual respect in Moscow's
thriving But fast forward to twenty twenty five and something's shifted.
The electronic landscape is more fragmented than ever. Techno purists
in Berlin bunkers, afro house grooves echoing from Johannesburg's sunsets,
(02:20):
and melodic techno weaving ethereal tales under Abiza's stars. In
this mosaic Shopov and Swanky Tunes aren't content to rest
on laurels. They're experimenter flip d at their first release
on Talk Talk Records, a label synonymous with boundary pushing sounds,
(02:44):
dropped just days ago. It's a sonic cocktail indie dance
drums that snap like vinyl underfoot afro house rhythms that
sway with primal energy and melodic techno layers that build
to cathartic peaks. I caught up with the duo for
an excrusive chat, and what unfolded was a masterclass in
(03:09):
creative longevity. We've worked together for a long time, releasing
tracks on major labels with a main stage sound. They
shared their voices, carrying the easy camaraderie of old friends.
This time we wanted to explore something new, a mix
(03:30):
of indie dance, afro house, and melodic techno that fits
the modern club landscape. It's not hyperbole. Flip Dat kicks
off with a bassline that's equal parts gritty and seductive,
layered over hip hop infused vocals that add an urban edge.
(03:52):
As the track unfolds, those dark, driving sins creep in,
evoking late night warehouse where the line between euphoria and
introspection blurs. The production story pure alchemy. Chapov and Swanky
Tunes operate from separate studios most days, Chopov fine tuning
(04:17):
his melodic signatures, the brothers dialing in their high octane energy.
But for collabs like this, they converge in one space.
Feeding off each other's vibes. It started with a cool
bassline paired with catchy indie dance drums, energetic hip hop vocals,
(04:38):
and dark driving. Since they explained no overthinking, no committee,
just instinct guiding the flow, it happened naturally. That's the
most creative way for us to produce music. Chapav leaned
into his history of emotional depth, drawing from grooves he'd
(04:59):
honed with hard rock sofa, while Swanky Tunes tempered their
big room bombbast with suppler groove heavy elements. The result
a track that's sharp and energetic, built for the dance floor,
but with enough nuance to reward repeated listens. What struck
(05:21):
me most was their unapologetic hunger. After all these years,
Swanky Tunes, with three decades under their belts, admitted to
a pivotal pivot. We've experimented with different genres for almost
thirty years now moving toward indie dance and afro house.
(05:42):
Thip Dat is a great experience in this new direction.
It's a nod to the genre's fluidity. How afro house's
tribal pulses can inject soul into indie's retrocol while melodic
technos soaring arcs tie it all into a coheed narrative.
In a scene often criticized for chasing trends, they're flipping
(06:06):
the script, using their tenure to lead, not follow. Music
changes every year, they reflected, we keep our roots while
always looking for new sounds to refresh our production. This
isn't just talk, it's action. Flipped At captures a dark
club vibe with sexy grooves and modern drums that people
(06:29):
can dance to, enjoy and relax with. Imagine it thumping
in a dimly lit Berlin club or an open air
rave under Miami's neon glow. Versatile enough for global circuits,
intimate enough for underground spots, and experimentation. It's their life blood.
(06:50):
Experimentation is key, They insisted, we stay connected with new
trends and always explore new genres. No specific tours yet,
but with Talk Talks backing, expect flipp'd At to soundtrack
their next wave of shows, bridging old fans with fresh converts.
(07:12):
As we wrapped, the wisdom flowed freely on creative partnerships.
Listening to each other is essential to keep the process
smooth and enjoyable. On feedback, they iterate demos until one clicks,
never compromising the vision, and for their younger selves, always
(07:34):
keep moving forward and never give up. It's advice that
echoes through every bar of flip dat, a reminder that
an electronic music, the beat goes on evolving with every generation.
Chapav and Swanky Tunes aren't chasing immortality, They're redefining it,
one fresh vision at a time. As the dust settles
(07:58):
on this release, one thing's cl decades in, there's still
the spark that ignites the floor stream flipped at. Now
feel the fusion and join the conversation. What's your take?
Does this blend hit the mark or are you craving more?
Hit us up on club wires, Socials until next time,
(08:21):
keep the wires live, the base low, and the vision sharp.
This is your name, signing off
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