Skrillex Kobe 2025

Dive into the seismic hype shaking the EDM world: Skrillex drops cryptic X teasers for his exclusive Nov 12 b2b with Dylan Brady at Kobe World Memorial Hall. Relive the Niteharts fire with ISOxo, speculate on warped dubstep-hyperpop chaos, and snag ticket tips before they're gone. Bassheads, this is your wake-up call—stay wired on CLUB WIRE!


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Episode Transcript

Speaker 1 (00:00):
Welcome to Club Wire, your pulse on the underground and
overground worlds of electronic dance music. I'm your host, Coral,
and today we're diving headfirst into the seismic rumble that's
got the base head community buzzing. If you're a fan
of those earth shattering drops, genre bending IDs and sets
that leave you questioning reality, buckle up. Scrillis is back,

(00:24):
and the hype train for his exclusive November twelfth showdown
in Kobe, Japan just left the station with teasers dropping
on X Today that are pure adrenaline fuel Picture this.
It's October seventeenth, twenty twenty five, and the electronic music
scene is still reeling from Scrillix's blistering back to back

(00:46):
with Isoexo at Night Hearts just days ago. That ninety
minute onslaught of mashups, unreleased collabs and classics like Bangareng
remixed into Oblivion has fans worldwide hitting replay on YouTube uploads,
declaring it the best set I'll ever witness. The energy

(01:07):
was electric, pure, unfiltered, base heavy edm that fused dubsteps,
gritty edges with melodic builds that hit like a freight train.
Clips from the event are flooding timelines, with one fan
captioning a snippet I will never get over this set,
racking up thousands of views and shares. Another called it

(01:29):
history made, a sentiment echoed across the dubstep diaspora that night,
Heart's Madness was the appetizer. Scrilex's upcoming exclusive set at
Kobe World Memorial Hall is shaping up to be the
main course, and the hype is already boiling over. Announced
earlier this year as part of his twenty twenty five

(01:51):
twenty twenty six tor slate, the November twelfth gig marks
Skrilex's return to Japan in a big way, teaming up
for a B to B with one hundred get Dylan Brady.
Kobe World Memorial Hall, a sprawling venue known for its
crystal clear sound system and capacity to hold over ten
thousand ravers, is the perfect battleground for what promises to

(02:15):
be a base heavy apocalypse. Tickets are moving fast via
platforms like Songkick and Bands in Town, with fans scrambling
for spots before they're gone. This isn't just another festival swat.
It's billed as an intimate, ish exclusive sandwiched between massive
runs like Jakarta Warehouse Project in December and Yegenyegev Fest

(02:39):
in Uganda for EDM purists craving that raw, heavy, bassed
sound the kind at skrillickx pioneered back in the dubstep
explosion of the early twenty tens. This is pilgrimage material,
but here's where it gets juicy. The real spark ignited today.
Scrilliks hit x with cryptic teasers that are tailor made

(03:01):
for the base head faithful short clips of warped since
layering over thunderous low ends overlaid with glitchy visuals and
a time stamp flashing eleven twelve twenty five. Kobe awaits
one post teases a radical idea for the future, hinting
at experimental twists that could blend his signature dubstep with

(03:24):
Brady's hyperpop chaos. Fans are losing it. Who else is
ready to relive the iconic energy? One user posted linking
back to the is oxob two B footage that's now
clocking millions of streams. Another shared a fan edit mashup
inspired by Scrillix's try it Out, captioning it a tik

(03:45):
tok typa edit that's already going viral in Tokyo's club
scene to thread exploded with reactions. Drop the set for
the culture from a raver still buzzing from night hearts
and this was the best set I've ever seen my
entire life of raving, tying the past high to future expectations.
It's a digital rave all its own, with replies pouring

(04:08):
in from La to London, plotting travel hacks and speculating
on setless staples like scary monsters and nice sprites. Reworked
for twenty twenty five, Skryllix's trajectory this year has been
nothing short of legendary. Fresh off a five hour marathon
red Rocks in May where he dissected his catalog and

(04:29):
previewed album cuts from his thirty four track Behemoth, he's
been on a tear. Ultra Miami twenty twenty five's main
stage set, now streaming in full, showcased his evolution. Heavier
bass drops, seamless transitions into house tinged brakes and collapse
that nod to his Owsla roots while pushing boundaries. Teaming

(04:51):
with Chris Lake on Lenoch earlier this month added a
commercial edge, but it's the underground fire like that Bysock
so link up that reminds us why he's the dubstep Dawn.
With Dylan Brady in the mix for Kobe, expect glitchy
hyperpop injections into those base heavy anthems. Brady's chaotic energy

(05:13):
from one hundred gex could warp Scrillis's drops into something
utterly unhinged. Think roughneck meets glitchcore frenzy For the uninitiated,
Scrillix's base heavy sound is the sonic equivalent of a
mosh pit in zero gravity, wobbly subs that rattle your chest,

(05:34):
builds that tease euphoria, and releases that shatter it all.
It's the soundtrack to lost weekends in warhouses and festival
fields alike. And with X lighting up today, the global
edmfam is syncing up. Japanese fans are already flooding local
forums with travel plans, while stateside base heads mourn the

(05:58):
distance but vow to stream every bootleg as we wrap
this wire. One thing's clear. November twelfth in Kobe isn't
just a set, It's a statement. Scrillicks isn't slowing down.
He's accelerating, pulling us all into his Orbit. If you're

(06:18):
chasing that heavy base, high mark your calendars, snag those tickets,
and keep your ears to X for more drops. This
is Club Wire signing off Stay Wired, Stay raven. What's
your ultimate scrillick? Strowdown? Hit us up on socials, Peace,