November 2, 2025 • 29 mins
A compilation of humorous shows ranging from slapstick sketches to witty banter and family sitcoms. This series highlights the timeless appeal of laughter and character-driven comedy. Explore a world of immersive, ad-free audio experiences from nature sounds to timeless stories at https://www.adfreesounds.com
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Episode Transcript
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Speaker 1 (00:00):
Craft presents the Great Guilder Sleeve, the Craft Cheese Company,
who also bring you Bing Crosby every Thursday night present
each week at this time. Harold Perry is the Great
(00:21):
Gilder Sleeve written by Leonard Alvens. We'll hear from the
Great Guilder Sleeve in just a moment, But first a
tip for you men, folks who love macaroni and cheese.
If you hanker for light macaroni with cheese goodness all
through and through, better mention Kraft Dinner to the little woman,
(00:43):
for with Kraft Dinner she can make swell macaroni and
cheese in just seven minutes cooking time. You see, the
Craft Dinner package holds a special kind of macaroni that
cooks tender in seven minutes by the clock, and then
you sprinkle the cheese goodness all through it with the
Craft grated that also comes in the Craft Dinner. You're
all set ready to park in sounds well it is.
(01:05):
Just say to your wife, let's have that quick made
macaroni and cheese Craft Dinner. Remind her to buy Kraft
Dinner tomorrow. And now let's join the Great Fielder Sleeve,
(01:25):
who's listening in the reception room at one of the
summerfield radio stations, while his friend Judge Hooker is finishing
his regular daily talk on the child in the home
and what to do about it.
Speaker 2 (01:43):
I always say, and that rocks the cradle rules the world.
So in conclusion, remember all you dear mother.
Speaker 3 (01:51):
You'll hurry up, you old gas bag.
Speaker 4 (01:53):
Remember that as the tree has been, the tree is inclined.
Speaker 3 (01:58):
Now he's branching off into forestry.
Speaker 2 (02:02):
Let us not forget that point in molding the little mind.
Speaker 3 (02:05):
You've certainly got a moldy little mind, Jess.
Speaker 2 (02:09):
And now I see that my time is up. So
until you next get around your.
Speaker 5 (02:15):
Radio with an axe in your hand.
Speaker 2 (02:19):
Is Judge Horace hook You're inviting you to send in your.
Speaker 5 (02:22):
Child problem and you'll get a childish answer.
Speaker 2 (02:26):
Until then, good evening.
Speaker 5 (02:28):
Yes, maybe now we can get home and have some dinner.
Imagine any silly woman listening to me too.
Speaker 4 (02:34):
Now you excuse me, later, I must dash away.
Speaker 6 (02:39):
It was so sweet of you to drop.
Speaker 3 (02:41):
In, Yes, simply peachy, Come on, Judge, all.
Speaker 4 (02:44):
Right, Billy, goodbye, goodbye girls.
Speaker 5 (02:51):
Sometimes I don't understand women, and this is one of
the times. What do you means rock Morton, Well, how
can they listen to advice on raising children from a
crabby old go who has any kids of his own?
Speaker 7 (03:02):
What's I've got to do with it?
Speaker 4 (03:03):
Just because a hen lays them doesn't mean she's a
judge of eggs.
Speaker 6 (03:06):
Doesn't.
Speaker 5 (03:08):
I don't know about that. You lay him too, and
you're certainly an egg judge.
Speaker 6 (03:14):
I know what's troubling you?
Speaker 7 (03:15):
Guilty? Just jealous?
Speaker 4 (03:17):
Jealous me of what of the popularity I've achieved on
the air.
Speaker 7 (03:21):
Every time you hear some.
Speaker 4 (03:22):
Woman praise my program, you look as green as a
pickle and twice a sour I do not.
Speaker 5 (03:28):
I wouldn't be jealous of you, even if you deserved
all this silly attention you've been getting.
Speaker 4 (03:31):
Oh no, I don't deserve what I'm getting.
Speaker 3 (03:33):
No, and you're not getting what you deserve either.
Speaker 5 (03:37):
I'd bet one hundred dollars you wouldn't last a month
if people had any other program to tune in on
instead of yours?
Speaker 7 (03:42):
Oh you would?
Speaker 3 (03:43):
Would you?
Speaker 6 (03:44):
Are you talking through your hat or do you mean that?
Speaker 4 (03:45):
Guilty?
Speaker 7 (03:46):
Leave?
Speaker 3 (03:46):
Of course? I mean it?
Speaker 4 (03:47):
Okay, put your money where your mouth is.
Speaker 6 (03:50):
What money?
Speaker 7 (03:51):
You just bet me?
Speaker 6 (03:52):
A hundred bucks? I won't stay on the air man.
Wait a minute, that isn't what I said.
Speaker 8 (03:55):
All crawling out of it?
Speaker 5 (03:57):
Huh, backwatering, George, I'm not I'll go through with it.
It's a bet. Okay shake, no, sir, this is gonna
be a grudge bet. We'll seal the deal by not
shaking hands. And the worst part about the whole bet
(04:19):
Leroy is that I was so excited I forgot to
ask for odds.
Speaker 8 (04:23):
Is that why you're writing all those? Let us the
station w v U telling them Judge Hooker should be
playing snooker?
Speaker 3 (04:29):
But how else can I win?
Speaker 8 (04:31):
Why don't you get the station to put you on
here instead.
Speaker 3 (04:33):
Of a judge? What could I do, my boy?
Speaker 8 (04:36):
Maybe you could tell jokes?
Speaker 3 (04:37):
Oh me, tell jokes in the radio. What do you
think I am? Leroy? A comedian?
Speaker 9 (04:44):
No?
Speaker 8 (04:44):
But gee, there must be something you could do. You
used to sounding junk.
Speaker 3 (04:49):
Yes in college. In fact, when I was young, I
had operatic aspirations?
Speaker 8 (04:52):
Did Did they hurt much? Uncle Moore?
Speaker 5 (04:56):
Only the neighbors, my boy, I'll over while I thought
I was going to be another Caruso.
Speaker 8 (05:02):
You mean the neighbor's Wand that put you on a
Desert Island.
Speaker 5 (05:08):
No LeRoi, not Robinson Crusoe, Enrico Caruso. He was a
very famous tenor.
Speaker 8 (05:13):
Wat stop you from being a famous tenor?
Speaker 5 (05:15):
Runk I was a baritone. You know all this brings
back memories of my old singing professor, senor to Mars Vocon.
Speaker 3 (05:23):
Oh dang it, no LeRoi.
Speaker 5 (05:25):
He was Portuguese from Brazil. I still remember how he
would talk to me Rock Martin. He would say, if
only JUW had less fortissimo in your morendo wouldn't have
so much cuscendo me.
Speaker 3 (05:39):
I never found out that. I think it was a
Portuguese compliment.
Speaker 8 (05:43):
Yeah, I'm convinced yours phillis well singer.
Speaker 3 (05:45):
Uncle Moore you are? When't you hear me sing well?
Speaker 8 (05:47):
Every time you take a bath? Is why yesterday morning
Bertie stopped to listen to you, and she said she
never heard anything like it. So why don't you sing
on the air?
Speaker 3 (05:57):
O LeRoi? Do you really think I could?
Speaker 7 (06:03):
Sure?
Speaker 8 (06:03):
Why don't you try the rival radio station to WVU.
Speaker 5 (06:07):
You mean k QQQ, Well, I never thought of that.
Speaker 3 (06:10):
What would I sing well?
Speaker 8 (06:12):
If you want the ladies to listen to you instead
of Judge Hooker you had better sing mushy love songs.
Speaker 3 (06:16):
Well, I have got a romantic voice.
Speaker 5 (06:19):
We're in the Boo Boo of the Baboo. I have
got a romantic voice. All right, Too bad, I haven't
got the figure to go with it, I.
Speaker 8 (06:32):
Say, Uncle Moore, why don't you be a mystery man
and we're a mask like the Lone Rangers.
Speaker 5 (06:38):
Oh, yes, a mask might help. And there's an evening
cape somewhere around the house too.
Speaker 8 (06:47):
Yeah, and you could pretend you're a Brazilian h like
your teacher, the senior senor.
Speaker 5 (06:52):
My Jorge is beginning to look like a very good idea,
my boy. Of course, we'll have to keep it all
a secret. Not very dignified of me, you.
Speaker 8 (06:58):
Know, sure, not only any it's a different name, something
Portugal and.
Speaker 3 (07:03):
Romantical, Portugal and matical.
Speaker 5 (07:04):
Let me see if how about Ricardo Ricardo?
Speaker 3 (07:08):
Yeah, not bad at all.
Speaker 8 (07:10):
Sounds like the name of a cigar.
Speaker 5 (07:11):
What do you think I'm smoking?
Speaker 3 (07:26):
Does this hat look all right? Leroy?
Speaker 8 (07:28):
Sure it's a super duper. Now that's for caper on
your closer so you don't look so spread out.
Speaker 6 (07:36):
How's that?
Speaker 8 (07:36):
That's what I'm an ask?
Speaker 9 (07:38):
There?
Speaker 5 (07:39):
It's warm under here. I hope this doesn't slip down
when I hit a high note.
Speaker 3 (07:43):
Me me me, me, me me me me. Yeah, I
guess it's all right.
Speaker 8 (07:47):
Don't forget your Brazilian accidom oh no, my boy.
Speaker 5 (07:50):
Well, as they say in Portuguese, abuse lepasine that's goodbye
in Brazil.
Speaker 8 (07:55):
Oh well, carbolic as.
Speaker 3 (08:00):
What's that? Leroy?
Speaker 8 (08:01):
That's goodbye?
Speaker 3 (08:01):
And any go for Corn's sake, cle you go back
and sit in the car. Young man.
Speaker 8 (08:15):
Hello k QQ cue the boy to tell it you
one moment, Adams, Hello k qqque.
Speaker 5 (08:22):
Good evening, Senorita, I am demanding to see the managa O,
my goodness.
Speaker 8 (08:28):
What a hold up?
Speaker 3 (08:29):
What do you mean?
Speaker 5 (08:30):
Oh he's the mask and no, Senorita, I know, hold
up Jew and don't Jew hold up me?
Speaker 3 (08:37):
Where is the manager of this radio.
Speaker 8 (08:38):
Station, Misty Newsbowers back in there.
Speaker 5 (08:41):
In the studios, manager news fouser, Yeah, senor the time
has come from now on today's pink letter day for
the station on caqque. And because it was the day Ricardo,
the mysterious romantic Platilian baritone she's first made the show
up to sing, Oh you're a singer, sure, I am
(09:02):
the best ballot one decide the Amazon River and on
the other side she's no better.
Speaker 6 (09:06):
Also, well, you have to give us an audition someday.
Speaker 3 (09:11):
Audition sure, no time like the president.
Speaker 5 (09:14):
Please to have a see diamond, relaxemnity, eh, I will
play and sing for you like thank goodness you never
heard of till lately, Sweet girl of my dreams, hear
my song, I flow, soul of my soul.
Speaker 3 (09:35):
Here my guess serena.
Speaker 9 (09:41):
Deep.
Speaker 3 (09:42):
I can't stand it is too beautiful?
Speaker 5 (09:57):
Are you like Senor terrifical note, say that's wonderful?
Speaker 6 (10:01):
Who are you anyway?
Speaker 3 (10:02):
I am not anyway. I am Ricardo deed Is Nelson
of South America?
Speaker 6 (10:09):
Say what are you doing here? In some of you?
Speaker 5 (10:11):
Well, perhaps there is in this city Senorita, for whom's
my heart she beats?
Speaker 3 (10:15):
But but but fir, who should be telling me?
Speaker 6 (10:19):
Oh, I see romance.
Speaker 5 (10:20):
I am not saying yes, and I'm not saying do
you want me on your station?
Speaker 6 (10:26):
Well, that depends on how much money you want.
Speaker 5 (10:28):
What I care for money. All I want is to
sing every day from five toy to six.
Speaker 9 (10:33):
Well, fine, but that's not such a good time. That's
when Judge Hooker talks over WVU, the rival station.
Speaker 3 (10:39):
What I care for George Hooker, Joe, wait and look.
Speaker 5 (10:42):
Once Ricardo starts singing, no one listened to George is Hooker,
She's will get the hook.
Speaker 9 (11:01):
Ladies and gentlemen, Tonight, it is k qqq's extreme pleasure
to introduce for the first time on the air, that
sensational Brazilian baritone.
Speaker 6 (11:09):
The masked mystery of melody Ricardo.
Speaker 5 (11:12):
Boys, Senor Senorita cantig ivocanta balado delicado, which she is
meaning in plain inglus, ladies and girls, good night, greetings.
Speaker 3 (11:25):
From Ricardo, the singing local. For my first song, I
will murder you with a lovely ballad, Sweet girl of
my dreams. Hear my song, I.
Speaker 5 (11:42):
Implore you, soul of my soul?
Speaker 3 (11:48):
Here my seven.
Speaker 8 (11:58):
After que clad. Oh girls, did you hear that?
Speaker 9 (12:03):
Go?
Speaker 8 (12:04):
Just you say gone? Take qqq lish now, Oh you
mean Ricardo? Oh yes, he's simply divine. Everybody in town
is talking about him. Two shades, Oh yes, one, this
one is getting lost your many accent. I like it
because it's so foreign. He's in Brazil and I'm just two.
No Trump, have you heard him? Mighty no? No, I
(12:24):
was out yesterday. Who is this Ricardo you know, miss Glaha.
Speaker 10 (12:29):
Well, I'm one of the owners of the station. But
all I can find out is that he sneaks into
the studio wearing a ride brimmed hat down over his
eyes and a black crook up to his chin and
a mask across his face. Sounds like a combination of Superman,
The Shadow and Red Riders.
Speaker 8 (12:45):
Oh, I mean, he's just he has some missing with
grasic brown eyes and long long legs and three no
Trump and the willowy figure. Oh I heard he had
blonde hair with blue eyes and the most athletic bill. Well,
he isn't really a real Brasilian. She cinally comes from
some place in South America for no Trump. Well, I
(13:06):
certainly have to listen. What time is he on at
the same time as George Hooker?
Speaker 11 (13:10):
Only from now on, I'm going to listen to Ricordo.
Speaker 8 (13:13):
Oh som me too. I just love to listen to it. Bite,
It's got equality in it. It just makes my captain
of five no Trump.
Speaker 11 (13:22):
My goodness, look at because how did I even be
tricking a being five no Trump?
Speaker 3 (13:31):
All right, I love of you, my roll she.
Speaker 5 (13:41):
Ah Abeu's lovely ladies. I want to thank you for
the fan letters, the telephone numbers and everything the mallow
at the same time, I'll be with you again. Oh
how I'll be with you again. It's sweet dream.
Speaker 8 (14:10):
Say where'd you go with cakes and cookies and donuts?
Speaker 3 (14:13):
Fan mail? My boy, he's all for ricadoo.
Speaker 8 (14:15):
Oh can I have some Uncle ricado?
Speaker 3 (14:17):
LeRoi? Of course you can try that chocolate pudge cake. Huh.
Speaker 8 (14:21):
Didn't you see the cordon with us? Just to show
you what a little oven can do? From miss Rosina.
Speaker 5 (14:27):
Callahan, little oven? That old maid say she and her
brother owned that row of stores we've been trying to buy.
Speaker 8 (14:34):
Gosh, maybe now you didn't get across saw.
Speaker 3 (14:36):
Huh, No, LeRoi, she wouldn't like it if she learned
the truth.
Speaker 7 (14:40):
Oh, missus, you've got Oh who is it?
Speaker 3 (14:42):
Bertie?
Speaker 8 (14:43):
There's a gentleman and awful Judge Hooker.
Speaker 5 (14:45):
I'll be right there. Hide the pastry, my boy.
Speaker 8 (14:50):
Okay, I got a swell place to hide it.
Speaker 3 (14:53):
Dunk he's well.
Speaker 5 (14:55):
I collect a hundred bucks and Judge Hooker, Judge, how's
mother's little helper?
Speaker 3 (15:02):
These days?
Speaker 5 (15:03):
Hey, I understand that since KQQ has had this wonderful
new singer. You're getting about as much attention as father
gets on Mother's Day.
Speaker 4 (15:11):
Yildi, we came to talk to you about that Tella.
Oh you know Pat Callahan, don't you go?
Speaker 5 (15:15):
Oh yeah, hello, Hello. We've had an important real estate
deal pending for a long time, haven't we Callahan?
Speaker 6 (15:20):
Well? I can wait, Yildish leave.
Speaker 4 (15:22):
We represent a group of substantial citizens who are set up.
Speaker 6 (15:25):
With his singer, Ricardo.
Speaker 9 (15:26):
Yes, we dislike his effect on our women folks. All
they do is listen to Ricardo and talk about Ricardo
and dream about Ricardo.
Speaker 4 (15:37):
Oh yes, man comes home from work tired and hungry.
Speaker 6 (15:40):
What does he get Ricardo?
Speaker 3 (15:43):
Is that bad?
Speaker 8 (15:46):
Terrible?
Speaker 9 (15:47):
Look at my sister just because her name's Rosita and
this bumbaba baritone sings a theme song called Rosita, she
thinks he's warbling to her. As a result of what happens,
I catch her bacon cakes for this guy with sugar
She got.
Speaker 7 (15:59):
With mine generation. But why have you boys come to me?
Speaker 9 (16:10):
Well, you haven't any women folk who'd put you in
the doghouse if they found out what you've done.
Speaker 3 (16:14):
Why don't you get Judge Hooker to do something?
Speaker 2 (16:16):
Oh, I'm in a peculiar position.
Speaker 6 (16:18):
Everybody would think I was jealous.
Speaker 3 (16:19):
Yes, and everybody would be right. I'm through horsing around
guildless lee.
Speaker 9 (16:25):
If you still want to buy that property at your
own price, of course, And first you've got to see
that this wandering minstrel starts wandering again.
Speaker 5 (16:31):
Understand yes, I'm afraid so, but I really hate to
do it. Well, if I succeed in removing this wonderful
artist with a golden voice from the radio, good music
in this country is going to be set back another
ten years.
Speaker 1 (16:49):
The great yelders Lave will be with us again in
just a few minutes. Meanwhile, let's consider that chicken or
roat you have left over from dinner today, not quite
enough for dinner tomorrow. Well, let me tell you how
to stretch and glamorize what is left into a thrifty
main dish. Cream the left over meat and serve it
in a delicious ring of macaroni and cheese. Macaroni and
(17:09):
cheese that you cook in just seven minutes. You do
it with the product called Kraft Dinner. In every box
of Kraft Dinner there's a special quick cooking macaroni. Also,
some craft grated that puts the cheese flavor through and
through in a jiffy. Just seven minutes at the stove
and you have fluffy, tender macaroni drenched in cheese. Goodness
for the smart macaroni ring. Press the macaroni and cheese
(17:31):
into a ring, mold, let it stand for a few minutes,
unmold on a platter, and pour your cream meat into
the center. A very exciting looking, thrifty dish. Kraft Dinner
itself costs very little, so stock up tomorrow on several
packages of Kraft Dinner. Now back to Uncle Morre, who
(17:58):
buy now, is about half dead from eating a double life.
As Ricardo the Romeo from Rio's got the wives of
Summerfield throwing rocks at their husband, and as rock Morton p.
Gillers slave, He's promised to run Riccardo out of town,
but at the moment Ricardo was still going to sound.
Speaker 5 (18:17):
Keep in my heart, I will always all you, I
love the you, my Rosita all and so once more Ricardo,
She's saying abuse caaslands, which means in the language of
(18:39):
my country, by bios, you sweet ladies, my art and me,
we stop beating each other till we meet again.
Speaker 3 (18:47):
Good night.
Speaker 6 (18:50):
I tell Ricardo that program was absolutely tough.
Speaker 3 (18:53):
Tops.
Speaker 5 (18:54):
Oh yes, Tops is Yoyo's what has been grounded?
Speaker 3 (18:56):
Yes, it was wonderful.
Speaker 6 (18:59):
Tell old lines are simply funded with messages for you.
Speaker 3 (19:02):
Just messages. No more cookies.
Speaker 6 (19:05):
Oh yes, lots of them too.
Speaker 9 (19:06):
Wait a minute, Ricky, before you sneak out the back
way again, I'd like to talk business with you.
Speaker 5 (19:10):
No I, mister news bother music and business is done mixed,
so I am.
Speaker 3 (19:14):
Keeping the music and giving you the business. No, hold on,
don't go eh.
Speaker 9 (19:18):
I'm not going to keep asking you to reveal your
identity or even take off that mask.
Speaker 6 (19:22):
But I'm in a spot and I need your help
to get off it.
Speaker 3 (19:24):
Sorry, but the regard who is not spot to remove her?
Speaker 6 (19:26):
No, all, this is serious.
Speaker 9 (19:29):
One of our biggest stockholders phoned up and said that
if I didn't arrange a meeting between the masked baritone
and her, she'd fire me.
Speaker 3 (19:36):
Oh at the Dorry Thrieck.
Speaker 6 (19:38):
She's waiting to see you, Ricky. You'll go out and
meet her, won't you, to save my job?
Speaker 5 (19:42):
Well, okay, but only because that's an awful dory thrick
on you.
Speaker 9 (19:46):
Swell or the lady's name is Rosita Callahan.
Speaker 3 (19:51):
Ooh, that's a awful me.
Speaker 5 (20:06):
Oh yes, I am supposed to be having a disappointment
with Synora.
Speaker 3 (20:12):
How did you him?
Speaker 8 (20:14):
And you?
Speaker 11 (20:15):
Ricardo? I recognize you immediately by your mask only come in,
Come in? Well, what are you afraid of?
Speaker 3 (20:23):
We're all alone, I'm afraid. Well, don't just say America,
thank you.
Speaker 10 (20:32):
I've had a lovely dinners for dous I prepared it
all with my own little hair.
Speaker 3 (20:37):
I'm very sorry, but I never eat such a big dinners.
Speaker 11 (20:41):
Now, won't you take off your hat and your case
and your mask?
Speaker 3 (20:45):
Oh no, we have such nice visitation.
Speaker 5 (20:47):
And I got to leave, And Shakespeare say, parting is
such sweet sorrow.
Speaker 3 (20:51):
Goodbye. Maybe I see you doing after tomorrow.
Speaker 10 (20:56):
Don't leave so soon, But I.
Speaker 7 (20:57):
Got to go.
Speaker 3 (20:58):
It's not shaping the city. The man's are jealous.
Speaker 5 (21:01):
They are gunning for me with a ropemente. They tell
me if I'm not left Summerville by noon tomorrow, they'll
all take me.
Speaker 3 (21:09):
Out to lynch.
Speaker 7 (21:18):
These men.
Speaker 5 (21:19):
The men are your brother George Luker, and lots of
jealous fellows.
Speaker 11 (21:22):
Well, the women to have something to say about that, Yeah, oh,
let my brothers. You must find you.
Speaker 3 (21:31):
Here, lady, you are saying house cool.
Speaker 6 (21:34):
Hi.
Speaker 11 (21:34):
Sometimes I get onto the sofa.
Speaker 5 (21:37):
Open, madam. I am a singer, not a midget. Which
way is the back door?
Speaker 10 (21:42):
Were carried out?
Speaker 3 (21:44):
Yeah? Goodbye?
Speaker 5 (21:45):
Sit If I never see you some more, the pleasure
is all mine.
Speaker 8 (21:57):
Study d.
Speaker 3 (22:03):
Bertie, must you sing that song?
Speaker 11 (22:05):
Well, it ain't compulsorary, mister gil three bus might have purty.
Speaker 8 (22:09):
That's the song that Ricardo Boy used to sing.
Speaker 3 (22:11):
Oh yes, Ricardo Boy, Uh huh.
Speaker 1 (22:14):
He might have been a farmer, but he sure had
a nice domesticated boy.
Speaker 8 (22:18):
Any news in the.
Speaker 5 (22:19):
Paper, let's see Precisian baritone missing failed to appear on
schedule program Last evening, Paul played fears women storm city
Hall police Chief Ken Dolan the orders dragnet.
Speaker 9 (22:30):
Well, then he show his a bonus and at time
they orders a dragnet drug.
Speaker 6 (22:34):
That means the worst has already happened.
Speaker 5 (22:37):
Now, now, Bertie, don't let this thing upset you. After all,
man was just a gypsy who probably tired of summerfield
and merely rolled up his tent and stole away.
Speaker 8 (22:45):
Jesus let sold my far away too? Well, did you
excuse me?
Speaker 9 (22:51):
I'll just finished my Dustin later.
Speaker 5 (22:56):
Oh my goodness, Bertie too, well, maybe I shouldn't have.
Speaker 3 (23:00):
Do you mind seeing who that is?
Speaker 7 (23:02):
My boy?
Speaker 9 (23:06):
Where? Oh?
Speaker 6 (23:08):
Hello, Gilder.
Speaker 2 (23:10):
He congratulations, that was a swell job.
Speaker 3 (23:13):
You did, good job. What do you mean getting rid.
Speaker 4 (23:14):
Of that soft soap outist who made all of the
ladies neglect my nice educational program?
Speaker 2 (23:19):
Stay here, I'm going back on the head.
Speaker 3 (23:21):
I still collect on that bet though the.
Speaker 8 (23:23):
More, I don't mind paying it at all.
Speaker 6 (23:24):
I'll send you a check in the morning.
Speaker 3 (23:25):
You better not forget Riccardo might forget to who stay away?
Speaker 6 (23:29):
How did you manage it? Gildy?
Speaker 4 (23:30):
No, no, no, don't don't tell me. That'll make me
an access.
Speaker 5 (23:33):
Right, yeah, Leroy, okay, rock Morton, p Giller hair please,
Tory does if you don't use a rise of sudden.
Speaker 11 (23:43):
Look, Hooker, that's the one for Ricardo told.
Speaker 8 (23:47):
Me I'm roping?
Speaker 3 (23:48):
What's that?
Speaker 6 (23:48):
Bruce Ea Callahan?
Speaker 3 (23:50):
Oh hello, miss Callahan? And to what do we owe
the pleasure of this visit?
Speaker 6 (23:53):
To ut.
Speaker 1 (23:56):
Speak to me?
Speaker 11 (23:56):
I finally wormed the truth out of my brother.
Speaker 3 (23:58):
Oh my goodness, you did this.
Speaker 7 (24:00):
He told me how.
Speaker 11 (24:01):
You've threatened and instimidated my little Ricardo and probably did
away with him too old risk that man for the
murder of my fian save Ricardo and not.
Speaker 6 (24:11):
Just a second, Misskeller. And we haven't any evidence.
Speaker 5 (24:13):
Yes, don't you go aroun accusing a man of being
your fiance unless you can back it up.
Speaker 9 (24:16):
Quiet you, we're investigating the disappearance of that singer from
k QUQQ.
Speaker 3 (24:24):
Did you do it?
Speaker 1 (24:25):
Me?
Speaker 3 (24:25):
Why? I never even heard him sing over kq QQQQ?
Have have I leroid?
Speaker 8 (24:29):
Oh no, you never heard him on the radio?
Speaker 1 (24:31):
Unt?
Speaker 9 (24:31):
Yeah, Well, if that's true, lady, he hasn't got no
motive for bumping the guy off.
Speaker 11 (24:35):
If I tell you my brother confessed the whole thing.
It was a plot to keep me in my starling
Ricardo apouse and.
Speaker 6 (24:42):
Judge, what to excuse me?
Speaker 2 (24:43):
I'm busy with an important case.
Speaker 9 (24:45):
Oh my, judge, come on back here one moment.
Speaker 5 (24:48):
You quit giving orders to my guest officer. I know
a little bit about law myself. If you haven't any
evidence that a crime was committed, you can't come in
barging in here.
Speaker 3 (24:55):
Bothering us.
Speaker 5 (24:56):
Skilly, your right, Yeah, I'll drag those big flat feet
of yours out of here and take Rosita with you.
Speaker 6 (25:02):
Mon Come on, miss Callahan, he's right are own? Oh
that's my partner.
Speaker 9 (25:07):
Never mind coming in, Wally. We can't pin nothing on
this guy.
Speaker 3 (25:11):
Oh no, well look.
Speaker 9 (25:12):
What I found out in this guy's garage, in the
trunk of his car.
Speaker 11 (25:15):
Oh, it's Ricardo's tape and NURST and it's what.
Speaker 3 (25:20):
Okay, kill the slave.
Speaker 6 (25:22):
Why don't you toe of the body?
Speaker 3 (25:25):
You won't talk?
Speaker 7 (25:26):
Uh, why tell a monk?
Speaker 3 (25:28):
You quiet? Young man?
Speaker 9 (25:30):
All right, we're dragging you and the kid down the headquarters.
Speaker 6 (25:33):
We got ye to make it. You guys talk, Come on.
Speaker 3 (25:36):
This is gonna be one of my bad days.
Speaker 8 (25:49):
Most supper time. They'll keep us here, all right if
you don't tell him the truth.
Speaker 5 (25:53):
If I ever told the truth, young man, I'd be
the lapping sock of Summerfield. Besides, I'd never collect that
hundred bucks from Judge Hooker.
Speaker 8 (25:59):
Yeah, you don't confess. They're gonna hang you for bumping
yourself off.
Speaker 3 (26:03):
They can't. They can't do that. They haven't even got
his dead body.
Speaker 8 (26:07):
They will have that, so they hang you.
Speaker 3 (26:11):
Here, come the police back again.
Speaker 6 (26:13):
I don't know what's with this guy. Let's see what
we can get out of them by throwing a skin.
Speaker 9 (26:17):
In him here, sure day, okay, gilder sleeve. We're gonna
give you a little third degree, Kenny. You got the
rubber hoses, Yeah.
Speaker 3 (26:25):
Right here, Wally, rubber hoses, all great jumping jeeps. All right,
let's come in.
Speaker 9 (26:30):
Sure, only suppose he starts yelling and we don't want
any kickback.
Speaker 6 (26:34):
Turn on the radio real loud so nobody will hear them.
Speaker 3 (26:37):
Okay, you guys, cut that out.
Speaker 8 (26:39):
We were on from Waterlows. He never hurt anybody in
his life.
Speaker 6 (26:42):
Don't do that.
Speaker 8 (26:43):
Touch him.
Speaker 7 (26:45):
You might tall for.
Speaker 6 (26:51):
All of my Hey wait a minute, that's him. That's
the guy on the radio.
Speaker 3 (26:56):
Turn it off.
Speaker 9 (26:57):
Okay, say what's going on around here?
Speaker 5 (27:01):
I'll tell you what's going on. There will be a
super false arrest going on here if you don't let
my nephew and me out of here right now.
Speaker 7 (27:07):
But I don't get it.
Speaker 5 (27:08):
You heard that fellow Ricardo singing you on the radio
just now, didn't you.
Speaker 9 (27:10):
Yeah?
Speaker 3 (27:11):
But how dare you hold me for his disappearance? I
opened that door?
Speaker 6 (27:15):
Well sure, sure, No hard feelings is here, mister Gilbers.
Speaker 3 (27:18):
No, not at all. Never do that for me again.
Come on, leroy, I.
Speaker 9 (27:25):
Don't get it.
Speaker 8 (27:26):
I don't get it either anymore. How can you be
here with me and still things can take qqq at
the same.
Speaker 5 (27:32):
Time, Leroy, let's hurry out of here before these policemen
find out that they were listening to an electrical transcription.
Speaker 3 (28:01):
Frankly, Marjorie, what did you think of this? Ricardo?
Speaker 10 (28:04):
Oh uncle?
Speaker 9 (28:04):
What?
Speaker 1 (28:05):
I thought?
Speaker 3 (28:06):
You were just wonderful if you knew it was me
all along? How'd you know the evening.
Speaker 8 (28:12):
Cakes we're wearing all around town happened to be mine?
Speaker 3 (28:15):
What good night?
Speaker 1 (28:32):
O eginal music heard on this program of composed and
conducted by William Ramdall. This is Jim Bannon speaking for
the Class Teas Company and inviting you to be with
us again next week at the same time for the
further adventures of the Great Yilder Slave. Ever wonder about
how to cut down the food budget these days, well,
(28:53):
most filmmakers do, so here's a hint. You can economize
and please your family too by serving them Parquet margarine,
the delicious spread for bread made by craft Upine. Park
Margarine is a mighty good tasting spread on bread or
toast or rolls. Yes, and park is so economical you
can use all you want in cooking too, to add
that delicate extra flavor.
Speaker 3 (29:13):
That only a delicious spread for bread can give.
Speaker 1 (29:16):
So get a pound or two of economical Park Margarine tomorrow.
Remember it's nourishing and wholesome, one of the best energy
foods you can serve, and every pound contains nine thousand
units of important vitamin A. Yes, tomorrow, sure ask for
Park p A r Kay Park Margarine, one of craft
(29:37):
fine food. This program has come to you from Hollywood.
This is the National Broadcasting Company
Speaker 6 (29:45):
OOO.
Craft presents the Great Guilder Sleeve, the Craft Cheese Company,
who also bring you Bing Crosby every Thursday night present
each week at this time. Harold Perry is the Great
(00:21):
Gilder Sleeve written by Leonard Alvens. We'll hear from the
Great Guilder Sleeve in just a moment, But first a
tip for you men, folks who love macaroni and cheese.
If you hanker for light macaroni with cheese goodness all
through and through, better mention Kraft Dinner to the little woman,
(00:43):
for with Kraft Dinner she can make swell macaroni and
cheese in just seven minutes cooking time. You see, the
Craft Dinner package holds a special kind of macaroni that
cooks tender in seven minutes by the clock, and then
you sprinkle the cheese goodness all through it with the
Craft grated that also comes in the Craft Dinner. You're
all set ready to park in sounds well it is.
(01:05):
Just say to your wife, let's have that quick made
macaroni and cheese Craft Dinner. Remind her to buy Kraft
Dinner tomorrow. And now let's join the Great Fielder Sleeve,
(01:25):
who's listening in the reception room at one of the
summerfield radio stations, while his friend Judge Hooker is finishing
his regular daily talk on the child in the home
and what to do about it.
Speaker 2 (01:43):
I always say, and that rocks the cradle rules the world.
So in conclusion, remember all you dear mother.
Speaker 3 (01:51):
You'll hurry up, you old gas bag.
Speaker 4 (01:53):
Remember that as the tree has been, the tree is inclined.
Speaker 3 (01:58):
Now he's branching off into forestry.
Speaker 2 (02:02):
Let us not forget that point in molding the little mind.
Speaker 3 (02:05):
You've certainly got a moldy little mind, Jess.
Speaker 2 (02:09):
And now I see that my time is up. So
until you next get around your.
Speaker 5 (02:15):
Radio with an axe in your hand.
Speaker 2 (02:19):
Is Judge Horace hook You're inviting you to send in your.
Speaker 5 (02:22):
Child problem and you'll get a childish answer.
Speaker 2 (02:26):
Until then, good evening.
Speaker 5 (02:28):
Yes, maybe now we can get home and have some dinner.
Imagine any silly woman listening to me too.
Speaker 4 (02:34):
Now you excuse me, later, I must dash away.
Speaker 6 (02:39):
It was so sweet of you to drop.
Speaker 3 (02:41):
In, Yes, simply peachy, Come on, Judge, all.
Speaker 4 (02:44):
Right, Billy, goodbye, goodbye girls.
Speaker 5 (02:51):
Sometimes I don't understand women, and this is one of
the times. What do you means rock Morton, Well, how
can they listen to advice on raising children from a
crabby old go who has any kids of his own?
Speaker 7 (03:02):
What's I've got to do with it?
Speaker 4 (03:03):
Just because a hen lays them doesn't mean she's a
judge of eggs.
Speaker 6 (03:06):
Doesn't.
Speaker 5 (03:08):
I don't know about that. You lay him too, and
you're certainly an egg judge.
Speaker 6 (03:14):
I know what's troubling you?
Speaker 7 (03:15):
Guilty? Just jealous?
Speaker 4 (03:17):
Jealous me of what of the popularity I've achieved on
the air.
Speaker 7 (03:21):
Every time you hear some.
Speaker 4 (03:22):
Woman praise my program, you look as green as a
pickle and twice a sour I do not.
Speaker 5 (03:28):
I wouldn't be jealous of you, even if you deserved
all this silly attention you've been getting.
Speaker 4 (03:31):
Oh no, I don't deserve what I'm getting.
Speaker 3 (03:33):
No, and you're not getting what you deserve either.
Speaker 5 (03:37):
I'd bet one hundred dollars you wouldn't last a month
if people had any other program to tune in on
instead of yours?
Speaker 7 (03:42):
Oh you would?
Speaker 3 (03:43):
Would you?
Speaker 6 (03:44):
Are you talking through your hat or do you mean that?
Speaker 4 (03:45):
Guilty?
Speaker 7 (03:46):
Leave?
Speaker 3 (03:46):
Of course? I mean it?
Speaker 4 (03:47):
Okay, put your money where your mouth is.
Speaker 6 (03:50):
What money?
Speaker 7 (03:51):
You just bet me?
Speaker 6 (03:52):
A hundred bucks? I won't stay on the air man.
Wait a minute, that isn't what I said.
Speaker 8 (03:55):
All crawling out of it?
Speaker 5 (03:57):
Huh, backwatering, George, I'm not I'll go through with it.
It's a bet. Okay shake, no, sir, this is gonna
be a grudge bet. We'll seal the deal by not
shaking hands. And the worst part about the whole bet
(04:19):
Leroy is that I was so excited I forgot to
ask for odds.
Speaker 8 (04:23):
Is that why you're writing all those? Let us the
station w v U telling them Judge Hooker should be
playing snooker?
Speaker 3 (04:29):
But how else can I win?
Speaker 8 (04:31):
Why don't you get the station to put you on
here instead.
Speaker 3 (04:33):
Of a judge? What could I do, my boy?
Speaker 8 (04:36):
Maybe you could tell jokes?
Speaker 3 (04:37):
Oh me, tell jokes in the radio. What do you
think I am? Leroy? A comedian?
Speaker 9 (04:44):
No?
Speaker 8 (04:44):
But gee, there must be something you could do. You
used to sounding junk.
Speaker 3 (04:49):
Yes in college. In fact, when I was young, I
had operatic aspirations?
Speaker 8 (04:52):
Did Did they hurt much? Uncle Moore?
Speaker 5 (04:56):
Only the neighbors, my boy, I'll over while I thought
I was going to be another Caruso.
Speaker 8 (05:02):
You mean the neighbor's Wand that put you on a
Desert Island.
Speaker 5 (05:08):
No LeRoi, not Robinson Crusoe, Enrico Caruso. He was a
very famous tenor.
Speaker 8 (05:13):
Wat stop you from being a famous tenor?
Speaker 5 (05:15):
Runk I was a baritone. You know all this brings
back memories of my old singing professor, senor to Mars Vocon.
Speaker 3 (05:23):
Oh dang it, no LeRoi.
Speaker 5 (05:25):
He was Portuguese from Brazil. I still remember how he
would talk to me Rock Martin. He would say, if
only JUW had less fortissimo in your morendo wouldn't have
so much cuscendo me.
Speaker 3 (05:39):
I never found out that. I think it was a
Portuguese compliment.
Speaker 8 (05:43):
Yeah, I'm convinced yours phillis well singer.
Speaker 3 (05:45):
Uncle Moore you are? When't you hear me sing well?
Speaker 8 (05:47):
Every time you take a bath? Is why yesterday morning
Bertie stopped to listen to you, and she said she
never heard anything like it. So why don't you sing
on the air?
Speaker 3 (05:57):
O LeRoi? Do you really think I could?
Speaker 7 (06:03):
Sure?
Speaker 8 (06:03):
Why don't you try the rival radio station to WVU.
Speaker 5 (06:07):
You mean k QQQ, Well, I never thought of that.
Speaker 3 (06:10):
What would I sing well?
Speaker 8 (06:12):
If you want the ladies to listen to you instead
of Judge Hooker you had better sing mushy love songs.
Speaker 3 (06:16):
Well, I have got a romantic voice.
Speaker 5 (06:19):
We're in the Boo Boo of the Baboo. I have
got a romantic voice. All right, Too bad, I haven't
got the figure to go with it, I.
Speaker 8 (06:32):
Say, Uncle Moore, why don't you be a mystery man
and we're a mask like the Lone Rangers.
Speaker 5 (06:38):
Oh, yes, a mask might help. And there's an evening
cape somewhere around the house too.
Speaker 8 (06:47):
Yeah, and you could pretend you're a Brazilian h like
your teacher, the senior senor.
Speaker 5 (06:52):
My Jorge is beginning to look like a very good idea,
my boy. Of course, we'll have to keep it all
a secret. Not very dignified of me, you.
Speaker 8 (06:58):
Know, sure, not only any it's a different name, something
Portugal and.
Speaker 3 (07:03):
Romantical, Portugal and matical.
Speaker 5 (07:04):
Let me see if how about Ricardo Ricardo?
Speaker 3 (07:08):
Yeah, not bad at all.
Speaker 8 (07:10):
Sounds like the name of a cigar.
Speaker 5 (07:11):
What do you think I'm smoking?
Speaker 3 (07:26):
Does this hat look all right? Leroy?
Speaker 8 (07:28):
Sure it's a super duper. Now that's for caper on
your closer so you don't look so spread out.
Speaker 6 (07:36):
How's that?
Speaker 8 (07:36):
That's what I'm an ask?
Speaker 9 (07:38):
There?
Speaker 5 (07:39):
It's warm under here. I hope this doesn't slip down
when I hit a high note.
Speaker 3 (07:43):
Me me me, me, me me me me. Yeah, I
guess it's all right.
Speaker 8 (07:47):
Don't forget your Brazilian accidom oh no, my boy.
Speaker 5 (07:50):
Well, as they say in Portuguese, abuse lepasine that's goodbye
in Brazil.
Speaker 8 (07:55):
Oh well, carbolic as.
Speaker 3 (08:00):
What's that? Leroy?
Speaker 8 (08:01):
That's goodbye?
Speaker 3 (08:01):
And any go for Corn's sake, cle you go back
and sit in the car. Young man.
Speaker 8 (08:15):
Hello k QQ cue the boy to tell it you
one moment, Adams, Hello k qqque.
Speaker 5 (08:22):
Good evening, Senorita, I am demanding to see the managa O,
my goodness.
Speaker 8 (08:28):
What a hold up?
Speaker 3 (08:29):
What do you mean?
Speaker 5 (08:30):
Oh he's the mask and no, Senorita, I know, hold
up Jew and don't Jew hold up me?
Speaker 3 (08:37):
Where is the manager of this radio.
Speaker 8 (08:38):
Station, Misty Newsbowers back in there.
Speaker 5 (08:41):
In the studios, manager news fouser, Yeah, senor the time
has come from now on today's pink letter day for
the station on caqque. And because it was the day Ricardo,
the mysterious romantic Platilian baritone she's first made the show
up to sing, Oh you're a singer, sure, I am
(09:02):
the best ballot one decide the Amazon River and on
the other side she's no better.
Speaker 6 (09:06):
Also, well, you have to give us an audition someday.
Speaker 3 (09:11):
Audition sure, no time like the president.
Speaker 5 (09:14):
Please to have a see diamond, relaxemnity, eh, I will
play and sing for you like thank goodness you never
heard of till lately, Sweet girl of my dreams, hear
my song, I flow, soul of my soul.
Speaker 3 (09:35):
Here my guess serena.
Speaker 9 (09:41):
Deep.
Speaker 3 (09:42):
I can't stand it is too beautiful?
Speaker 5 (09:57):
Are you like Senor terrifical note, say that's wonderful?
Speaker 6 (10:01):
Who are you anyway?
Speaker 3 (10:02):
I am not anyway. I am Ricardo deed Is Nelson
of South America?
Speaker 6 (10:09):
Say what are you doing here? In some of you?
Speaker 5 (10:11):
Well, perhaps there is in this city Senorita, for whom's
my heart she beats?
Speaker 3 (10:15):
But but but fir, who should be telling me?
Speaker 6 (10:19):
Oh, I see romance.
Speaker 5 (10:20):
I am not saying yes, and I'm not saying do
you want me on your station?
Speaker 6 (10:26):
Well, that depends on how much money you want.
Speaker 5 (10:28):
What I care for money. All I want is to
sing every day from five toy to six.
Speaker 9 (10:33):
Well, fine, but that's not such a good time. That's
when Judge Hooker talks over WVU, the rival station.
Speaker 3 (10:39):
What I care for George Hooker, Joe, wait and look.
Speaker 5 (10:42):
Once Ricardo starts singing, no one listened to George is Hooker,
She's will get the hook.
Speaker 9 (11:01):
Ladies and gentlemen, Tonight, it is k qqq's extreme pleasure
to introduce for the first time on the air, that
sensational Brazilian baritone.
Speaker 6 (11:09):
The masked mystery of melody Ricardo.
Speaker 5 (11:12):
Boys, Senor Senorita cantig ivocanta balado delicado, which she is
meaning in plain inglus, ladies and girls, good night, greetings.
Speaker 3 (11:25):
From Ricardo, the singing local. For my first song, I
will murder you with a lovely ballad, Sweet girl of
my dreams. Hear my song, I.
Speaker 5 (11:42):
Implore you, soul of my soul?
Speaker 3 (11:48):
Here my seven.
Speaker 8 (11:58):
After que clad. Oh girls, did you hear that?
Speaker 9 (12:03):
Go?
Speaker 8 (12:04):
Just you say gone? Take qqq lish now, Oh you
mean Ricardo? Oh yes, he's simply divine. Everybody in town
is talking about him. Two shades, Oh yes, one, this
one is getting lost your many accent. I like it
because it's so foreign. He's in Brazil and I'm just two.
No Trump, have you heard him? Mighty no? No, I
(12:24):
was out yesterday. Who is this Ricardo you know, miss Glaha.
Speaker 10 (12:29):
Well, I'm one of the owners of the station. But
all I can find out is that he sneaks into
the studio wearing a ride brimmed hat down over his
eyes and a black crook up to his chin and
a mask across his face. Sounds like a combination of Superman,
The Shadow and Red Riders.
Speaker 8 (12:45):
Oh, I mean, he's just he has some missing with
grasic brown eyes and long long legs and three no
Trump and the willowy figure. Oh I heard he had
blonde hair with blue eyes and the most athletic bill. Well,
he isn't really a real Brasilian. She cinally comes from
some place in South America for no Trump. Well, I
(13:06):
certainly have to listen. What time is he on at
the same time as George Hooker?
Speaker 11 (13:10):
Only from now on, I'm going to listen to Ricordo.
Speaker 8 (13:13):
Oh som me too. I just love to listen to it. Bite,
It's got equality in it. It just makes my captain
of five no Trump.
Speaker 11 (13:22):
My goodness, look at because how did I even be
tricking a being five no Trump?
Speaker 3 (13:31):
All right, I love of you, my roll she.
Speaker 5 (13:41):
Ah Abeu's lovely ladies. I want to thank you for
the fan letters, the telephone numbers and everything the mallow
at the same time, I'll be with you again. Oh
how I'll be with you again. It's sweet dream.
Speaker 8 (14:10):
Say where'd you go with cakes and cookies and donuts?
Speaker 3 (14:13):
Fan mail? My boy, he's all for ricadoo.
Speaker 8 (14:15):
Oh can I have some Uncle ricado?
Speaker 3 (14:17):
LeRoi? Of course you can try that chocolate pudge cake. Huh.
Speaker 8 (14:21):
Didn't you see the cordon with us? Just to show
you what a little oven can do? From miss Rosina.
Speaker 5 (14:27):
Callahan, little oven? That old maid say she and her
brother owned that row of stores we've been trying to buy.
Speaker 8 (14:34):
Gosh, maybe now you didn't get across saw.
Speaker 3 (14:36):
Huh, No, LeRoi, she wouldn't like it if she learned
the truth.
Speaker 7 (14:40):
Oh, missus, you've got Oh who is it?
Speaker 3 (14:42):
Bertie?
Speaker 8 (14:43):
There's a gentleman and awful Judge Hooker.
Speaker 5 (14:45):
I'll be right there. Hide the pastry, my boy.
Speaker 8 (14:50):
Okay, I got a swell place to hide it.
Speaker 3 (14:53):
Dunk he's well.
Speaker 5 (14:55):
I collect a hundred bucks and Judge Hooker, Judge, how's
mother's little helper?
Speaker 3 (15:02):
These days?
Speaker 5 (15:03):
Hey, I understand that since KQQ has had this wonderful
new singer. You're getting about as much attention as father
gets on Mother's Day.
Speaker 4 (15:11):
Yildi, we came to talk to you about that Tella.
Oh you know Pat Callahan, don't you go?
Speaker 5 (15:15):
Oh yeah, hello, Hello. We've had an important real estate
deal pending for a long time, haven't we Callahan?
Speaker 6 (15:20):
Well? I can wait, Yildish leave.
Speaker 4 (15:22):
We represent a group of substantial citizens who are set up.
Speaker 6 (15:25):
With his singer, Ricardo.
Speaker 9 (15:26):
Yes, we dislike his effect on our women folks. All
they do is listen to Ricardo and talk about Ricardo
and dream about Ricardo.
Speaker 4 (15:37):
Oh yes, man comes home from work tired and hungry.
Speaker 6 (15:40):
What does he get Ricardo?
Speaker 3 (15:43):
Is that bad?
Speaker 8 (15:46):
Terrible?
Speaker 9 (15:47):
Look at my sister just because her name's Rosita and
this bumbaba baritone sings a theme song called Rosita, she
thinks he's warbling to her. As a result of what happens,
I catch her bacon cakes for this guy with sugar
She got.
Speaker 7 (15:59):
With mine generation. But why have you boys come to me?
Speaker 9 (16:10):
Well, you haven't any women folk who'd put you in
the doghouse if they found out what you've done.
Speaker 3 (16:14):
Why don't you get Judge Hooker to do something?
Speaker 2 (16:16):
Oh, I'm in a peculiar position.
Speaker 6 (16:18):
Everybody would think I was jealous.
Speaker 3 (16:19):
Yes, and everybody would be right. I'm through horsing around
guildless lee.
Speaker 9 (16:25):
If you still want to buy that property at your
own price, of course, And first you've got to see
that this wandering minstrel starts wandering again.
Speaker 5 (16:31):
Understand yes, I'm afraid so, but I really hate to
do it. Well, if I succeed in removing this wonderful
artist with a golden voice from the radio, good music
in this country is going to be set back another
ten years.
Speaker 1 (16:49):
The great yelders Lave will be with us again in
just a few minutes. Meanwhile, let's consider that chicken or
roat you have left over from dinner today, not quite
enough for dinner tomorrow. Well, let me tell you how
to stretch and glamorize what is left into a thrifty
main dish. Cream the left over meat and serve it
in a delicious ring of macaroni and cheese. Macaroni and
(17:09):
cheese that you cook in just seven minutes. You do
it with the product called Kraft Dinner. In every box
of Kraft Dinner there's a special quick cooking macaroni. Also,
some craft grated that puts the cheese flavor through and
through in a jiffy. Just seven minutes at the stove
and you have fluffy, tender macaroni drenched in cheese. Goodness
for the smart macaroni ring. Press the macaroni and cheese
(17:31):
into a ring, mold, let it stand for a few minutes,
unmold on a platter, and pour your cream meat into
the center. A very exciting looking, thrifty dish. Kraft Dinner
itself costs very little, so stock up tomorrow on several
packages of Kraft Dinner. Now back to Uncle Morre, who
(17:58):
buy now, is about half dead from eating a double life.
As Ricardo the Romeo from Rio's got the wives of
Summerfield throwing rocks at their husband, and as rock Morton p.
Gillers slave, He's promised to run Riccardo out of town,
but at the moment Ricardo was still going to sound.
Speaker 5 (18:17):
Keep in my heart, I will always all you, I
love the you, my Rosita all and so once more Ricardo,
She's saying abuse caaslands, which means in the language of
(18:39):
my country, by bios, you sweet ladies, my art and me,
we stop beating each other till we meet again.
Speaker 3 (18:47):
Good night.
Speaker 6 (18:50):
I tell Ricardo that program was absolutely tough.
Speaker 3 (18:53):
Tops.
Speaker 5 (18:54):
Oh yes, Tops is Yoyo's what has been grounded?
Speaker 3 (18:56):
Yes, it was wonderful.
Speaker 6 (18:59):
Tell old lines are simply funded with messages for you.
Speaker 3 (19:02):
Just messages. No more cookies.
Speaker 6 (19:05):
Oh yes, lots of them too.
Speaker 9 (19:06):
Wait a minute, Ricky, before you sneak out the back
way again, I'd like to talk business with you.
Speaker 5 (19:10):
No I, mister news bother music and business is done mixed,
so I am.
Speaker 3 (19:14):
Keeping the music and giving you the business. No, hold on,
don't go eh.
Speaker 9 (19:18):
I'm not going to keep asking you to reveal your
identity or even take off that mask.
Speaker 6 (19:22):
But I'm in a spot and I need your help
to get off it.
Speaker 3 (19:24):
Sorry, but the regard who is not spot to remove her?
Speaker 6 (19:26):
No, all, this is serious.
Speaker 9 (19:29):
One of our biggest stockholders phoned up and said that
if I didn't arrange a meeting between the masked baritone
and her, she'd fire me.
Speaker 3 (19:36):
Oh at the Dorry Thrieck.
Speaker 6 (19:38):
She's waiting to see you, Ricky. You'll go out and
meet her, won't you, to save my job?
Speaker 5 (19:42):
Well, okay, but only because that's an awful dory thrick
on you.
Speaker 9 (19:46):
Swell or the lady's name is Rosita Callahan.
Speaker 3 (19:51):
Ooh, that's a awful me.
Speaker 5 (20:06):
Oh yes, I am supposed to be having a disappointment
with Synora.
Speaker 3 (20:12):
How did you him?
Speaker 8 (20:14):
And you?
Speaker 11 (20:15):
Ricardo? I recognize you immediately by your mask only come in,
Come in? Well, what are you afraid of?
Speaker 3 (20:23):
We're all alone, I'm afraid. Well, don't just say America,
thank you.
Speaker 10 (20:32):
I've had a lovely dinners for dous I prepared it
all with my own little hair.
Speaker 3 (20:37):
I'm very sorry, but I never eat such a big dinners.
Speaker 11 (20:41):
Now, won't you take off your hat and your case
and your mask?
Speaker 3 (20:45):
Oh no, we have such nice visitation.
Speaker 5 (20:47):
And I got to leave, And Shakespeare say, parting is
such sweet sorrow.
Speaker 3 (20:51):
Goodbye. Maybe I see you doing after tomorrow.
Speaker 10 (20:56):
Don't leave so soon, But I.
Speaker 7 (20:57):
Got to go.
Speaker 3 (20:58):
It's not shaping the city. The man's are jealous.
Speaker 5 (21:01):
They are gunning for me with a ropemente. They tell
me if I'm not left Summerville by noon tomorrow, they'll
all take me.
Speaker 3 (21:09):
Out to lynch.
Speaker 7 (21:18):
These men.
Speaker 5 (21:19):
The men are your brother George Luker, and lots of
jealous fellows.
Speaker 11 (21:22):
Well, the women to have something to say about that, Yeah, oh,
let my brothers. You must find you.
Speaker 3 (21:31):
Here, lady, you are saying house cool.
Speaker 6 (21:34):
Hi.
Speaker 11 (21:34):
Sometimes I get onto the sofa.
Speaker 5 (21:37):
Open, madam. I am a singer, not a midget. Which
way is the back door?
Speaker 10 (21:42):
Were carried out?
Speaker 3 (21:44):
Yeah? Goodbye?
Speaker 5 (21:45):
Sit If I never see you some more, the pleasure
is all mine.
Speaker 8 (21:57):
Study d.
Speaker 3 (22:03):
Bertie, must you sing that song?
Speaker 11 (22:05):
Well, it ain't compulsorary, mister gil three bus might have purty.
Speaker 8 (22:09):
That's the song that Ricardo Boy used to sing.
Speaker 3 (22:11):
Oh yes, Ricardo Boy, Uh huh.
Speaker 1 (22:14):
He might have been a farmer, but he sure had
a nice domesticated boy.
Speaker 8 (22:18):
Any news in the.
Speaker 5 (22:19):
Paper, let's see Precisian baritone missing failed to appear on
schedule program Last evening, Paul played fears women storm city
Hall police Chief Ken Dolan the orders dragnet.
Speaker 9 (22:30):
Well, then he show his a bonus and at time
they orders a dragnet drug.
Speaker 6 (22:34):
That means the worst has already happened.
Speaker 5 (22:37):
Now, now, Bertie, don't let this thing upset you. After all,
man was just a gypsy who probably tired of summerfield
and merely rolled up his tent and stole away.
Speaker 8 (22:45):
Jesus let sold my far away too? Well, did you
excuse me?
Speaker 9 (22:51):
I'll just finished my Dustin later.
Speaker 5 (22:56):
Oh my goodness, Bertie too, well, maybe I shouldn't have.
Speaker 3 (23:00):
Do you mind seeing who that is?
Speaker 7 (23:02):
My boy?
Speaker 9 (23:06):
Where? Oh?
Speaker 6 (23:08):
Hello, Gilder.
Speaker 2 (23:10):
He congratulations, that was a swell job.
Speaker 3 (23:13):
You did, good job. What do you mean getting rid.
Speaker 4 (23:14):
Of that soft soap outist who made all of the
ladies neglect my nice educational program?
Speaker 2 (23:19):
Stay here, I'm going back on the head.
Speaker 3 (23:21):
I still collect on that bet though the.
Speaker 8 (23:23):
More, I don't mind paying it at all.
Speaker 6 (23:24):
I'll send you a check in the morning.
Speaker 3 (23:25):
You better not forget Riccardo might forget to who stay away?
Speaker 6 (23:29):
How did you manage it? Gildy?
Speaker 4 (23:30):
No, no, no, don't don't tell me. That'll make me
an access.
Speaker 5 (23:33):
Right, yeah, Leroy, okay, rock Morton, p Giller hair please,
Tory does if you don't use a rise of sudden.
Speaker 11 (23:43):
Look, Hooker, that's the one for Ricardo told.
Speaker 8 (23:47):
Me I'm roping?
Speaker 3 (23:48):
What's that?
Speaker 6 (23:48):
Bruce Ea Callahan?
Speaker 3 (23:50):
Oh hello, miss Callahan? And to what do we owe
the pleasure of this visit?
Speaker 6 (23:53):
To ut.
Speaker 1 (23:56):
Speak to me?
Speaker 11 (23:56):
I finally wormed the truth out of my brother.
Speaker 3 (23:58):
Oh my goodness, you did this.
Speaker 7 (24:00):
He told me how.
Speaker 11 (24:01):
You've threatened and instimidated my little Ricardo and probably did
away with him too old risk that man for the
murder of my fian save Ricardo and not.
Speaker 6 (24:11):
Just a second, Misskeller. And we haven't any evidence.
Speaker 5 (24:13):
Yes, don't you go aroun accusing a man of being
your fiance unless you can back it up.
Speaker 9 (24:16):
Quiet you, we're investigating the disappearance of that singer from
k QUQQ.
Speaker 3 (24:24):
Did you do it?
Speaker 1 (24:25):
Me?
Speaker 3 (24:25):
Why? I never even heard him sing over kq QQQQ?
Have have I leroid?
Speaker 8 (24:29):
Oh no, you never heard him on the radio?
Speaker 1 (24:31):
Unt?
Speaker 9 (24:31):
Yeah, Well, if that's true, lady, he hasn't got no
motive for bumping the guy off.
Speaker 11 (24:35):
If I tell you my brother confessed the whole thing.
It was a plot to keep me in my starling
Ricardo apouse and.
Speaker 6 (24:42):
Judge, what to excuse me?
Speaker 2 (24:43):
I'm busy with an important case.
Speaker 9 (24:45):
Oh my, judge, come on back here one moment.
Speaker 5 (24:48):
You quit giving orders to my guest officer. I know
a little bit about law myself. If you haven't any
evidence that a crime was committed, you can't come in
barging in here.
Speaker 3 (24:55):
Bothering us.
Speaker 5 (24:56):
Skilly, your right, Yeah, I'll drag those big flat feet
of yours out of here and take Rosita with you.
Speaker 6 (25:02):
Mon Come on, miss Callahan, he's right are own? Oh
that's my partner.
Speaker 9 (25:07):
Never mind coming in, Wally. We can't pin nothing on
this guy.
Speaker 3 (25:11):
Oh no, well look.
Speaker 9 (25:12):
What I found out in this guy's garage, in the
trunk of his car.
Speaker 11 (25:15):
Oh, it's Ricardo's tape and NURST and it's what.
Speaker 3 (25:20):
Okay, kill the slave.
Speaker 6 (25:22):
Why don't you toe of the body?
Speaker 3 (25:25):
You won't talk?
Speaker 7 (25:26):
Uh, why tell a monk?
Speaker 3 (25:28):
You quiet? Young man?
Speaker 9 (25:30):
All right, we're dragging you and the kid down the headquarters.
Speaker 6 (25:33):
We got ye to make it. You guys talk, Come on.
Speaker 3 (25:36):
This is gonna be one of my bad days.
Speaker 8 (25:49):
Most supper time. They'll keep us here, all right if
you don't tell him the truth.
Speaker 5 (25:53):
If I ever told the truth, young man, I'd be
the lapping sock of Summerfield. Besides, I'd never collect that
hundred bucks from Judge Hooker.
Speaker 8 (25:59):
Yeah, you don't confess. They're gonna hang you for bumping
yourself off.
Speaker 3 (26:03):
They can't. They can't do that. They haven't even got
his dead body.
Speaker 8 (26:07):
They will have that, so they hang you.
Speaker 3 (26:11):
Here, come the police back again.
Speaker 6 (26:13):
I don't know what's with this guy. Let's see what
we can get out of them by throwing a skin.
Speaker 9 (26:17):
In him here, sure day, okay, gilder sleeve. We're gonna
give you a little third degree, Kenny. You got the
rubber hoses, Yeah.
Speaker 3 (26:25):
Right here, Wally, rubber hoses, all great jumping jeeps. All right,
let's come in.
Speaker 9 (26:30):
Sure, only suppose he starts yelling and we don't want
any kickback.
Speaker 6 (26:34):
Turn on the radio real loud so nobody will hear them.
Speaker 3 (26:37):
Okay, you guys, cut that out.
Speaker 8 (26:39):
We were on from Waterlows. He never hurt anybody in
his life.
Speaker 6 (26:42):
Don't do that.
Speaker 8 (26:43):
Touch him.
Speaker 7 (26:45):
You might tall for.
Speaker 6 (26:51):
All of my Hey wait a minute, that's him. That's
the guy on the radio.
Speaker 3 (26:56):
Turn it off.
Speaker 9 (26:57):
Okay, say what's going on around here?
Speaker 5 (27:01):
I'll tell you what's going on. There will be a
super false arrest going on here if you don't let
my nephew and me out of here right now.
Speaker 7 (27:07):
But I don't get it.
Speaker 5 (27:08):
You heard that fellow Ricardo singing you on the radio
just now, didn't you.
Speaker 9 (27:10):
Yeah?
Speaker 3 (27:11):
But how dare you hold me for his disappearance? I
opened that door?
Speaker 6 (27:15):
Well sure, sure, No hard feelings is here, mister Gilbers.
Speaker 3 (27:18):
No, not at all. Never do that for me again.
Come on, leroy, I.
Speaker 9 (27:25):
Don't get it.
Speaker 8 (27:26):
I don't get it either anymore. How can you be
here with me and still things can take qqq at
the same.
Speaker 5 (27:32):
Time, Leroy, let's hurry out of here before these policemen
find out that they were listening to an electrical transcription.
Speaker 3 (28:01):
Frankly, Marjorie, what did you think of this? Ricardo?
Speaker 10 (28:04):
Oh uncle?
Speaker 9 (28:04):
What?
Speaker 1 (28:05):
I thought?
Speaker 3 (28:06):
You were just wonderful if you knew it was me
all along? How'd you know the evening.
Speaker 8 (28:12):
Cakes we're wearing all around town happened to be mine?
Speaker 3 (28:15):
What good night?
Speaker 1 (28:32):
O eginal music heard on this program of composed and
conducted by William Ramdall. This is Jim Bannon speaking for
the Class Teas Company and inviting you to be with
us again next week at the same time for the
further adventures of the Great Yilder Slave. Ever wonder about
how to cut down the food budget these days, well,
(28:53):
most filmmakers do, so here's a hint. You can economize
and please your family too by serving them Parquet margarine,
the delicious spread for bread made by craft Upine. Park
Margarine is a mighty good tasting spread on bread or
toast or rolls. Yes, and park is so economical you
can use all you want in cooking too, to add
that delicate extra flavor.
Speaker 3 (29:13):
That only a delicious spread for bread can give.
Speaker 1 (29:16):
So get a pound or two of economical Park Margarine tomorrow.
Remember it's nourishing and wholesome, one of the best energy
foods you can serve, and every pound contains nine thousand
units of important vitamin A. Yes, tomorrow, sure ask for
Park p A r Kay Park Margarine, one of craft
(29:37):
fine food. This program has come to you from Hollywood.
This is the National Broadcasting Company
Speaker 6 (29:45):
OOO.
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