October 23, 2025 • 30 mins
A compilation of humorous shows ranging from slapstick sketches to witty banter and family sitcoms. This series highlights the timeless appeal of laughter and character-driven comedy.
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Episode Transcript
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Speaker 1 (00:13):
A yell Camels, the cigarette that first in the service
Presents from the sixth Ferrying Group Air Transport Command at
Long Beach, California.
Speaker 2 (00:23):
The Abbott and Costello program, Everybody.
Speaker 1 (00:30):
Darkness hangs and the Cameo five The Nice des mis
Merle Oberon and starring what Abbott and Little Costello?
Speaker 3 (00:45):
Hey?
Speaker 1 (00:48):
Oh, come on?
Speaker 4 (00:49):
What's the matter with you? Costello?
Speaker 5 (00:50):
Hey?
Speaker 4 (00:50):
I want to ask you a very personal question.
Speaker 6 (00:52):
Do you think I'm pat where I'd say you were
on the plump side?
Speaker 4 (00:55):
Why do you ask? Well, I was hovering by one
of those big hangars, I was standing next to a blimp.
All of a sudden, enough's a point to me, and says,
look to making them with faces. Now, Oh, he was
just kidding.
Speaker 6 (01:07):
You know, there's nobody that has a better sense of
humor than a flying man.
Speaker 4 (01:10):
I know that too, have it because I'm a flying
man myself. What do you mean? I started flying when
I was a six months old baby. You flew when
you were a baby. Yet I flew out of my
nurse's arms and made a perfect one point landing. You
mean three pine, No, one point? My safety pin was open, Costello.
I don't believe you've ever been up in the air. Oh, yes,
I have. I used to be a hostess when you
(01:31):
walked into that with my friend.
Speaker 6 (01:33):
For your information, plane hostesses are always female.
Speaker 4 (01:36):
This was a male plane. Tell me, Costello, when was
the last time you were up in the plane. Do
you want the truth or my version? Oh no, no, no, no,
I want the trew. I think we'd get more last
year other way. No no, no, no, no, tell the drew. Okay,
I'll tell it truth, all right. I took my first
plane ride today. Captain Dick Lasher took me up in
(01:57):
a great big plane. Try himtor, try what I said,
try motor. Certainly we tried to motive. What do you
think we did? Push it? Gnawski. I'm not going to
get up there and don't.
Speaker 7 (02:07):
Try all right, forget about it saying.
Speaker 4 (02:09):
About the motor.
Speaker 2 (02:10):
Oh no, no, no, no, no, no, no the other things.
Speaker 7 (02:12):
By the way, what kind of a pilot is he?
Speaker 6 (02:14):
Was?
Speaker 4 (02:14):
He flying blind? Ah? He was perfectly stubber. What a dope,
of course he was sober. Well, never mind that, you know, Loom.
I wonder what these boys down here at Long Beach
do when they go on leave. Well, I saw a
bunch of the boys down at the beach with their girlfriends.
Did they get down there to school? Well, they didn't
get down there to wash their socks. Well, here's Ken, Niles.
(02:39):
I've been waiting to see you again. I was wondering
what your wife thought of the picture we made last week.
That's right, Niles. What does she think of my acting?
Speaker 1 (02:46):
Well, I don't mind telling you that she absolutely raved?
Speaker 4 (02:49):
She raved?
Speaker 2 (02:50):
Hey, yeah, they took her away the next morning.
Speaker 4 (02:55):
What's so funny about that? Did you make that up yourself? Yeah?
Out of my head. You certainly are quick hate that way,
I know you do. But quit arguing, Costell. I want
to hear more about the picture. Did you read any reviews? Ken? Yeah? Sure.
Speaker 1 (03:12):
The Druggis Weekly gave the picture four aspirds.
Speaker 7 (03:17):
See what happens?
Speaker 4 (03:18):
Don't We've got the band framed up. Surry's got the
band frame That wasn't a funny line. There was nothing
nothing funny about that, brother, Can you imagine lessen? Ken?
I read all the reviews, and even missus Roosevelt mentioned
our picture in her column. What did she say? She said?
My day was ruined? That's the one line. I don't
know why they got it in well, didn't we get
(03:41):
any compliments at all? Oh? Sure, we got one chair
that I remember where from the Bronx.
Speaker 3 (03:45):
The Bronx, you know?
Speaker 4 (03:47):
And Hitler's face without music?
Speaker 7 (03:49):
Oh yeah, Well, maybe.
Speaker 4 (03:51):
We should give up the idea of producing our own
pictures though, would you'll be silly? Her a few pictures incorporators?
Here to stay and I'm ready to start another picture
right now? Push the button for myselfecretary. What's the idea
of a horn for a buzzy? She used to be
a waitress and a driver?
Speaker 8 (04:06):
Oh O course, I'm sorry it was late this morning.
Speaker 4 (04:11):
Are you doing anything tonight?
Speaker 9 (04:13):
Why you no, not a thing?
Speaker 4 (04:15):
Then try and get here on time tomorrow morning, the
fine secretary, how did you get a job here?
Speaker 10 (04:23):
I used to be in pitches. I played in the
way of all flesh?
Speaker 4 (04:26):
What part did you play?
Speaker 10 (04:27):
One of the meetfuls?
Speaker 4 (04:31):
Everybody your slash for me? All right? Have patience? Have patience.
By the way, do I have any appointments today? Yes,
at twelve o'clock you have an appointment with Hetty Lamar.
What am I doing after that?
Speaker 6 (04:43):
N He asked, mister Costello, could I speak to you
for a moment? Why it's spots for Twink or sell
the man. What's on your mind? Bots Well, I want
you to know that I was terribly hurt because I
wasn't in your picture last week with Carmen Miranda. After all,
if you're looking for two faces, look at me. My
face is new, isn't it?
Speaker 4 (05:03):
Oh? Very new? In fact, your whole head has only
been slightly used. Please give me a chance, mister castell O. Help.
I really do have a lot of talent, you know.
Speaker 6 (05:12):
I do most of the voices and all the leons
schlessing your cartoons for Warner Brothers.
Speaker 4 (05:16):
Don't tell me. Yeah. For instance, here's a little porky pig.
Speaker 6 (05:21):
If if this is the way I did, heap talk
when I play it, heap the porkyp Parky the day.
Speaker 4 (05:29):
That's all.
Speaker 6 (05:37):
I'll play Parky for you for a thousand dollars you're
talking about Warner Brothers.
Speaker 4 (05:41):
Don't pay you that, I know, But pork has gone up?
What else do you do?
Speaker 10 (05:46):
Botsford?
Speaker 4 (05:47):
Did you ever hear bugs? Bunny? I have a carrot here,
so I'll give you a little sample. And what chip dock?
Speaker 5 (05:58):
Yeah?
Speaker 4 (05:59):
What do you say? He wats cooking? Huh?
Speaker 6 (06:01):
Of course if you use bugs, bunny, you'll have to
use my wife, missus bunny.
Speaker 4 (06:04):
But we can't use two rabbits in our picture. Well,
we couldn't separate them. That would be splitting hairs.
Speaker 6 (06:12):
Well, if you can't use the rabbit, maybe I could
furnish some of the musical background. I can imitate an
electric organ. Listen do you call it an organ?
Speaker 7 (06:27):
Now?
Speaker 4 (06:27):
Listen Potsford, I can't use any of that stuff in
my picture. Now, will you get out of here? Now?
Look what you now? Look what you now?
Speaker 1 (06:36):
Look at you?
Speaker 4 (06:37):
Every time you yell at, yell at, yell at me?
Speaker 6 (06:39):
I guess why do you yell what? I know?
Speaker 4 (06:43):
I know I talk loud.
Speaker 7 (06:44):
He gets to hit.
Speaker 4 (06:46):
I don't yell at him. Do something for the pastor
these spots toots. But I'm talking a lot and easy,
not take it easy, No more hiccups. That brings him
out of it. That brings him out of it because
I didn't know that. All right, take it is? How
do you feel? Uh better? Now?
Speaker 1 (07:00):
Oh? You do?
Speaker 4 (07:01):
I see you're fine? Oh my glad?
Speaker 5 (07:02):
That have it?
Speaker 4 (07:03):
Now let's get back to this picture. But mister Castell,
are you sure you can't use the organ?
Speaker 3 (07:07):
Fox?
Speaker 4 (07:07):
But How many times do I have to tell you that? Please?
Speaker 2 (07:12):
You know what I'm doing? Hey, Lolu Castello or yes, Niles.
Speaker 1 (07:26):
I want to ask you something. Do you know anything
about winter sports?
Speaker 4 (07:29):
Are you kidding? I'm one of the best jumpers in
the country, really sure? Last winter late lass if I
made my biggest jump. I climbed up to the tump
of a slide. Thousands of people were looking up at me.
And when I leaped into the year, I went down
at sixty miles an hour, and I made a sensational
jump up two hundred feet two hundred feet yep. And
I could have even come further if there was snow.
(07:53):
Oh tonight, Thank you, Lou.
Speaker 1 (07:57):
I know another good skier, and his name is Dick Duran,
and he's one of the finest skiers in the world.
In fact, he's so good that the government asked him
to give instructions to ski troopers in.
Speaker 11 (08:07):
Lightning fast mountain warfare.
Speaker 2 (08:09):
Dick knows he's smoking too, he said.
Speaker 4 (08:12):
Quote, I've smoked camels for years.
Speaker 11 (08:14):
They have the full rich flavor that I want in
a cigarette. No matter how often I smoke camels, never
tire my taste, never get my throat unquote yes.
Speaker 1 (08:23):
And with many in all the services, camel is the
favorite too, according to actual sales records in the stores
where they buy cigarettes. Try camels yourself for steady pleasure.
You'll like the way they hold up were well pack
after pack, no matter how many you smoke. The reason
is extra flavor. And you know camels always have more
flavor better. Yet camels combine flavor with extra mildness, the
(08:47):
extra mildness that goes with slow burning and cool smoking.
One reason for that is costlier tobaccos blend. It is
only camels know how to blend. I remember, you're the
one who's doing your smoke. Your throat and your taste
will tell you he camel's get up back tonight. Send
a carton too, that fellow in the service.
Speaker 2 (09:15):
With the orchest dry and the camel file with a
new treatment for an old tune. By the light of
the silvery moon, By thee of.
Speaker 10 (09:49):
The silvery moon, My.
Speaker 5 (09:55):
Money lost, honey moon, Keep listen, Your silvery peas will
bring not peace, will because them buy the silberry boom, oh,
(10:42):
buy the silberry.
Speaker 4 (10:57):
Costel, and we can't hold up production on your new
picture any longer. Now we've got to get a leading lady.
How about giving that secretary view as a chance. She
has blue eyes and blonde hair and a supreme court figure.
Speaker 7 (11:06):
What do you mean a supreme card figure?
Speaker 4 (11:08):
A supreme court figure? What are your appeals? Oh, besides
typhone Merle o'bron about playing a leading card. You did, yes,
I picked up the receiver. I said, Merle Darling, Merle sweetheart,
Merle my love, And then then I dialed.
Speaker 3 (11:23):
Her number, Merle Obron, Merle o'bron. The s in our picture,
you know.
Speaker 4 (11:30):
And I sent for a new fashion designer. What is
this but just popping hair? What what happened?
Speaker 6 (11:36):
Well?
Speaker 4 (11:36):
Now wait, even I sent for a new fashion designer.
Speaker 2 (11:39):
Is that it?
Speaker 4 (11:41):
Now he's saying, come in, you don't even in James
and Man, I'm your new fashion designer. Uh, pier up
a to my friends, I'm pu you said it, but hey,
get over that guy's hair. He's a male Ronica Lake. Yeah,
this is Lilule Castello. How do you do?
Speaker 2 (12:02):
Mister Costello?
Speaker 4 (12:03):
You are just the man I'm looking at.
Speaker 2 (12:06):
I'm not seeing you in.
Speaker 3 (12:06):
Your long distance.
Speaker 4 (12:09):
He wear his hair hangs over his face. Pardon me, Pierre,
does your mother have to stay by a ship dog
lean the man alone. We've got to get him to
the design miss O'Brien's clothes. Now, no more remarks about
his hair looks like a palm tree in a high.
Speaker 12 (12:22):
Wind, doesn't where mister Costello, I admit that my hair
is a standing joke.
Speaker 4 (12:28):
Well, it needs a new switch. I don't know what's
wrong there. I keep quiet.
Speaker 6 (12:34):
We must have miss O'Brien's wadrobe design before she gets here. Pierre,
would you mind telling us some of your ideas on
women's clothes?
Speaker 4 (12:41):
Oh not at all.
Speaker 5 (12:42):
You know.
Speaker 4 (12:43):
The main thing is color harmony. Color harmony. What's that? Well,
it's very simple, mister Constello. For instance, if you were
carrying a pink bag, you would not wear a green
dress with you. Oh gracious no, I wouldn't there. I'd
be the laughing stock of my sewing circle. All right,
(13:07):
forget a skip those things. Tell me.
Speaker 6 (13:09):
If you are with a shortage of materials, how about
something plain for miss o'bron to wear.
Speaker 4 (13:15):
We'll call it a defense. How about that? How about
making a lot of bob wire that isn't the fence
ain't exactly an invitation? Go ahead, beer, suggest a dress
for Merle O'Brien. You know something that she can wear
in our picture?
Speaker 12 (13:27):
Well, being a brunette, I would suggest that I make
miss soberon a gown of apple green with a peach skirt,
a lemon trimmings, plum ruffles, an orange belt, and a
tangerine scarf and a dress that's.
Speaker 4 (13:41):
A fruit salad. Nevertheless, that sounds fine. Now what about
Merle's hat? Well, the hat should be a very simple,
but very smart. Do you think the boys in camp
here would like miser in a hat that has three
roses and a ribbon on the side, No, they'd right,
I have four roses with a chase around a side.
(14:04):
I'll get out of here and I'll design to close
myself of costelly. You can't design cloth, that's all. I
just invented a lady's leg paint that takes the place
of stockings. It even covers knees. It disguises the knees.
You said it, you can hardly recognize the old joints. Well,
we let Merle Obron design her own clothes with a picture.
Speaker 1 (14:21):
What do you say?
Speaker 9 (14:22):
Yes, and I'm just a girl looking do it?
Speaker 5 (14:24):
Now?
Speaker 4 (14:24):
Listen, kid, you keep out of this look who it is.
Speaker 3 (14:27):
It's Merle, Obron, Merle.
Speaker 4 (14:37):
I'm overjoyed. I'm overcome, I'm overwhelmed. I'm over here, Merl.
I've always been in love with you. You're so beautiful.
Can I give you a kiss?
Speaker 6 (14:50):
Well?
Speaker 9 (14:51):
All right, for just one? Where did he hand a
kiss like that?
Speaker 4 (15:00):
I used to be a buger and a boy scout love.
If you folks don't mind, we'll go over the script
of the picture that you are going to play tonight.
It's a story of the Knights of Old Merle. You
play a beautiful princess and you wear a hoopskirt.
Speaker 3 (15:15):
Hoopskirt, Yeah, hoopskirt.
Speaker 4 (15:17):
That's a parachute with lags. Costello plays the part of
the night he's in love with you.
Speaker 9 (15:23):
I thought nights, but all.
Speaker 4 (15:25):
Well, kid, on account of daylight saving time, the nights
are getting short. As the first scene opens, Marle, you're
in the palace, so we din the arrival of your lover.
You are playing the organ organs like this, Bosphor and
tin it u to come be in this part. I
(15:46):
got it in again. Shout at him. I'm sorry, I'm
starting shout all right, I'm showing up talking me last.
All right, once we got.
Speaker 2 (15:56):
Out of him in the I'm talking, I'm okay.
Speaker 4 (15:59):
I'm sorry, pot, but I'm okay. Now, mister Costello, I'm
glad you're now keep out of the picture. You get
it all, but I'm sorry. Please put a gag in
his mouth. Put a gag in heir's mouth. If I
had a gag, I'd tell it myself.
Speaker 1 (16:20):
Come on, let's get back with this story.
Speaker 4 (16:22):
Costello as a knight. Your costume is a suit of armor.
Speaker 9 (16:26):
That's right blue. You wear an iron coat and iron
vest and iron trousers. In fact, you wear a whole
iron suit.
Speaker 4 (16:31):
What do I get A person lucky?
Speaker 9 (16:35):
Now your suit may become rusty, so you better keep
yourself well.
Speaker 3 (16:38):
Oil.
Speaker 4 (16:38):
I'd have to be oiled to make love to you
in an iron suit, merco. You walk out on the balcony, yes,
and I sneak.
Speaker 3 (16:46):
Right up to it.
Speaker 9 (16:47):
How do you get across the moat?
Speaker 4 (16:48):
I caught the guard with his bridges down. Then we
have the big scene where Costello tranaded you with a.
Speaker 9 (16:55):
Song of love and lou I will drop a flower
on you in a man.
Speaker 7 (17:00):
That moment of love in a pot, you signal that
the coast is clear and costello.
Speaker 4 (17:10):
You climbed a balcony, you reach Merle's side. You're panting
from the long climb in that suit of armor. Yes,
that's it. You gaze into her eyes. Remember this is
your big chance. Never buy no more pants here by
that there's a motion in your voice as you stand
there in your riding suit. What do you say to her?
Speaker 13 (17:31):
Hey kid, if you got a can opener, here's Connie
Haynes or the camel five with a new room with
a pan of coal, parner as still awego.
Speaker 8 (17:50):
In a small canteen on an aisles, and you read
the lean.
Speaker 10 (17:59):
To a hot guitar.
Speaker 8 (18:01):
All the things gone Dandy used together about when the
lovely Lena Lady Zana.
Speaker 10 (18:10):
Were given and given up to too bad remark.
Speaker 2 (18:24):
Hot sole.
Speaker 10 (18:30):
Food, Chuck Queen Hall.
Speaker 8 (18:37):
Once they'd married, Lena and her rich cool guys moved
past the sina where the best people go to die.
But when she collected on his copper prefers back to
her canteena lovely Lena, when Lyon and she paned.
Speaker 3 (19:00):
Alas si.
Speaker 10 (19:03):
Angle to we musta.
Speaker 14 (19:10):
Saa angles and there's mood sya just last sweet home.
How to wagle, to be we muscle to wargle, and
(19:37):
that glues yard squeeze.
Speaker 2 (19:57):
And all ladies and gentlemen.
Speaker 1 (19:58):
Perfume Pictures Incorporated resents the great Costume drama entitled The
Brave Knight cut Off the Dragon's Tale or the Dragon
Isn't Wagon Anymore. The beautiful Princess Guinevere is played by
Merle Oberon. Lou Costello is the brave Knight, Sir Porterhouse,
and Bud Abbott is his good friend, Sir Lloin I
played the part of the king. As the scene opens,
(20:21):
the Princess and I await the arrival of two brave
knights in our kingdom curtain. Greetings, brave knights, kindly approached
the throne.
Speaker 4 (20:35):
Greeting your majesty.
Speaker 11 (20:36):
I am sir Lyin Knight of the Bath from Saxony,
and I.
Speaker 4 (20:39):
Am Sir Porterhouse, not of the Bath from Constantinople.
Speaker 6 (20:43):
What kind of worse.
Speaker 3 (20:46):
I'm Stantanople, Yeah, Turkish Beth.
Speaker 9 (20:50):
Greetings, brave Knights, I'm the Princess Guinevere.
Speaker 4 (20:53):
And who are those beautiful dames with you?
Speaker 2 (20:55):
There?
Speaker 9 (20:56):
My ladies and' waiting?
Speaker 4 (20:57):
Well? What are we waiting for?
Speaker 9 (21:01):
Oh supporter House? You must save our kingdom. The people
are angry, they're camering outside the gates of the palace.
Just listen to them, clamor.
Speaker 4 (21:14):
Did you hear that the people are rebolting? They certainly are.
Speaker 9 (21:18):
No, no, no, the people are starving. They've not eaten
in five days.
Speaker 4 (21:24):
Or they should try and force themselves. They gotta eat. But,
my dear princess, have we no food?
Speaker 9 (21:32):
And last, no, the dragon has destroyed our crops.
Speaker 4 (21:35):
You mean all our corner's gone?
Speaker 9 (21:37):
Yes, there's only enough left for this program.
Speaker 4 (21:41):
What's so funny about that? What a fresh princess? Listen,
listen to the people shouting. They have been shouting for
five days.
Speaker 2 (21:51):
But I dare not speak to them.
Speaker 4 (21:53):
I will speak to the people, Your majesty, open the door.
I'm make your speech me. I got him now, my
dear princess, just what do you desire us to do?
Speaker 9 (22:10):
My dear night. For several years now, my father has
been bothered by a terrible dragon.
Speaker 4 (22:15):
Why does he pick up his feet? You don't understand,
You don't understand. Nobody understood that.
Speaker 1 (22:26):
Today the dragon is coming to carry off the princess Guinneville.
Speaker 9 (22:29):
You must save me from this mean monster.
Speaker 4 (22:31):
Supporterhouse. He's a very mean beast.
Speaker 10 (22:34):
He has two heads, one at each end.
Speaker 4 (22:37):
How does she shut down.
Speaker 3 (22:41):
Be can't?
Speaker 10 (22:42):
That's what makes him so mean.
Speaker 4 (22:43):
Well, don't be mean. I don't worry all right, I'm
about one mistake. I am not afraid of nothing. One
time I climbed up a tree and I bagged a
ferocious tiger.
Speaker 9 (22:58):
You went up a tree after a tiger.
Speaker 4 (23:00):
No, he came up after me, But you said you
bagged him. I did bag him. I begged him to
go away.
Speaker 9 (23:09):
But what happened?
Speaker 4 (23:12):
Well, I snapped at the tiger, snapped at me, and
suddenly something was past me.
Speaker 10 (23:17):
What was it?
Speaker 4 (23:17):
Hamanamona Falk says, will you? Then my uncle came to
my rescue, and I finally brought that tiger home. Stuff?
Speaker 2 (23:24):
What was he stepped with?
Speaker 4 (23:25):
My uncle? Oh, your majesty, the dragon is almost a polis.
He's coming to get the princess. Quick, princess, button up
my iron suit. Just a minute, I thought you were
a pristal.
Speaker 9 (23:40):
I worked a spring shift on the side.
Speaker 4 (23:46):
Look at that thing belching smoking fire? Is that the dragon?
It ain't a smuch. Pop. I'm getting out of here.
Speaker 9 (23:52):
He's got us trapped.
Speaker 4 (23:55):
Here he comes, I'll do what he does, do exactly
what he does. He still ring at you. Stare back
at him. I can't all right, I can't do it quiet.
He's roaring at you.
Speaker 2 (24:04):
Roll back at him.
Speaker 4 (24:08):
Wait a minute, now he's wagging his tail. That lets
me out. You guy even got a joge's gonna charge?
How much.
Speaker 1 (24:22):
Dragon got I haven't got this.
Speaker 4 (24:25):
There's a fancy line. I know what the gulls got
it the dragon's neck. Let him know what do I
care about their love life? Give me my short, Give
me my short. Somebody, I'll cut as nose off. That
is something that should only interest I'm not a dragon.
Speaker 6 (24:46):
God.
Speaker 4 (24:47):
He's coming at you. Be catul hostello. You back this,
turn to him.
Speaker 5 (24:50):
He's coming up behind you.
Speaker 2 (24:56):
He got me.
Speaker 4 (24:57):
Where did he get you? Where the fire was? Wearing
a licnise plate. He would have cut off the last
three numbers. Hey, he ruined my shuit, my good iron shuit.
He wronged you, nasty dragon.
Speaker 3 (25:10):
Get out of here.
Speaker 4 (25:12):
Oh, don't do that.
Speaker 13 (25:13):
Don't yell me.
Speaker 2 (25:16):
How did I do the dress?
Speaker 4 (25:18):
I can't do that. What can I do to keep
your clients butts?
Speaker 7 (25:21):
But we're gonna cut it out.
Speaker 4 (25:22):
Sorry yoursall for hollering at him. There's only one, only
one thing that will kill in my hiccups. If you
let me kiss Miss Oberon.
Speaker 9 (25:30):
Oh very well, I'll kiss you if only you stop
those awful hiccups.
Speaker 4 (25:33):
Go ahead, Botsford, kiss her.
Speaker 5 (25:34):
Okay, how do you.
Speaker 4 (25:41):
Feel now, Botsford?
Speaker 5 (25:42):
Oh?
Speaker 4 (25:42):
I feel fine.
Speaker 1 (25:44):
What some tunes you whistle for a while and then
forget another stay with you for years. I think the
ones you remember are the ones that have character. I
(26:06):
believe that goes for cigarettes too. We say that camels
have character, and we back that up with the thousands
of smokers who have stood by camels for twenty years
and more. We think it's true that more people have
smoked camels longer than any other cigarette. Try camels and
see for yourself. Try them in your tea zone. That's
tea for taste and tea for throat, your own proving
(26:29):
ground for cigarettes. Your taste will tell you that camels
have more flavor, and it's extra flavor that helps make
camels hold up day in and day out, makes the
second pact better than the first, and the third better
than the second. Your throat will tell you about mildness too.
If the best judge, you'll find yes, camels are mild, cool, smoking,
(26:51):
slow burning because they're expertly blended of costlier tobaccos. Your
throat and your taste will tell you see damn out
camel's get it back tonight.
Speaker 4 (27:02):
You'll want to buy a carton tomorrow.
Speaker 1 (27:07):
Here's more news about the camel Caravans, those traveling shows
which entertained the men in the army camps. Thirty two
performances of the camel caravan units will be given to
men in the training station throughout the coming week. And
(27:32):
now here are bud Habbit at lu Costello.
Speaker 4 (27:34):
With a final word, thanks ken ladies and gentlemen. It's
really been a thrill forgotton me to do this program
from the Ferry in Command airburs here at Long Beach,
and an added thrill to be here with Merril o'bron.
Speaker 2 (27:45):
Thank you, Lou.
Speaker 4 (27:45):
I had a wonderful time.
Speaker 9 (27:47):
And it's been lots of fun.
Speaker 6 (27:48):
That's right, Marl, And we'd like to extend our sincere
thanks to Colonel Ralph Eastpeake, Lieutenant Colonel John P.
Speaker 4 (27:56):
Frame Junior.
Speaker 6 (27:57):
And there's splendid staff of officers for the opportunity to
make this visit. Next week, we'll be back in Hollywood
on Thanksgiving Days. In addition to the regular gang, we'll
have us our guest Herbert Marshalls, and we do hope
you'll all join us until next Thursday. But night, wish
you all a very pleasant good night.
Speaker 2 (28:22):
She's got four great shows each week.
Speaker 1 (28:24):
Tomorrow Night to Cambel Caravan with Lanny Ross, Xavier Kugat,
Herb Triner, lou Lair and their guest star Bob Holp,
Saturday Night Thanks to the Yanks with Bob Hawk, Monday
Night Blondie, and next Thursday at the same time ab
In Costello with their guests Herbert Marshall. Our broadcast this
evening was from the sixth Ferrying Group Air Transport Command
(28:45):
at Long Beach and does not constitute an endorsement of
our product by the War Department, as they do not
endorse any product. The Army has also requested us to
make this announcement to all men of eighteen and nineteen.
There is a serious need for young men, so serious
at the Art is willing to let man of eighteen
and nineteen choose whatever branch of service they desire go
to your nearest Army recruiting office or induction station tomorrow
(29:08):
learn about the jobs the Army has open in thirteen
different branches, all explained by men who know these jobs
inside and out. Listen to the Camel Caravan tomorrow night
with Manny Ross, Xavier Kugat, perb Shiner, lu Lair and
their guest star Bob Hope.
Speaker 2 (29:22):
And now this is Kendles wherehy you are?
Speaker 4 (29:24):
Good eyes.
Speaker 11 (29:32):
Mister. If you've got a pipe that's biting you, why,
it just means one thing. Your pipe's hungry, yes, sir,
hungry for Prince Albert, the mild rich, tasty tobacco that
won't bite your tongue because it's no bite treated PA's
crimp cut two for easy packing and stay lit, burning
around fifty pipefuls in every handy pocket package. Get Prince
(29:52):
Albert tonight. You'll see why men call it the National
Joy Smoke. This is the National Broadcasting Company
A yell Camels, the cigarette that first in the service
Presents from the sixth Ferrying Group Air Transport Command at
Long Beach, California.
Speaker 2 (00:23):
The Abbott and Costello program, Everybody.
Speaker 1 (00:30):
Darkness hangs and the Cameo five The Nice des mis
Merle Oberon and starring what Abbott and Little Costello?
Speaker 3 (00:45):
Hey?
Speaker 1 (00:48):
Oh, come on?
Speaker 4 (00:49):
What's the matter with you? Costello?
Speaker 5 (00:50):
Hey?
Speaker 4 (00:50):
I want to ask you a very personal question.
Speaker 6 (00:52):
Do you think I'm pat where I'd say you were
on the plump side?
Speaker 4 (00:55):
Why do you ask? Well, I was hovering by one
of those big hangars, I was standing next to a blimp.
All of a sudden, enough's a point to me, and says,
look to making them with faces. Now, Oh, he was
just kidding.
Speaker 6 (01:07):
You know, there's nobody that has a better sense of
humor than a flying man.
Speaker 4 (01:10):
I know that too, have it because I'm a flying
man myself. What do you mean? I started flying when
I was a six months old baby. You flew when
you were a baby. Yet I flew out of my
nurse's arms and made a perfect one point landing. You
mean three pine, No, one point? My safety pin was open, Costello.
I don't believe you've ever been up in the air. Oh, yes,
I have. I used to be a hostess when you
(01:31):
walked into that with my friend.
Speaker 6 (01:33):
For your information, plane hostesses are always female.
Speaker 4 (01:36):
This was a male plane. Tell me, Costello, when was
the last time you were up in the plane. Do
you want the truth or my version? Oh no, no, no, no,
I want the trew. I think we'd get more last
year other way. No no, no, no, no, tell the drew. Okay,
I'll tell it truth, all right. I took my first
plane ride today. Captain Dick Lasher took me up in
(01:57):
a great big plane. Try himtor, try what I said,
try motor. Certainly we tried to motive. What do you
think we did? Push it? Gnawski. I'm not going to
get up there and don't.
Speaker 7 (02:07):
Try all right, forget about it saying.
Speaker 4 (02:09):
About the motor.
Speaker 2 (02:10):
Oh no, no, no, no, no, no, no the other things.
Speaker 7 (02:12):
By the way, what kind of a pilot is he?
Speaker 6 (02:14):
Was?
Speaker 4 (02:14):
He flying blind? Ah? He was perfectly stubber. What a dope,
of course he was sober. Well, never mind that, you know, Loom.
I wonder what these boys down here at Long Beach
do when they go on leave. Well, I saw a
bunch of the boys down at the beach with their girlfriends.
Did they get down there to school? Well, they didn't
get down there to wash their socks. Well, here's Ken, Niles.
(02:39):
I've been waiting to see you again. I was wondering
what your wife thought of the picture we made last week.
That's right, Niles. What does she think of my acting?
Speaker 1 (02:46):
Well, I don't mind telling you that she absolutely raved?
Speaker 4 (02:49):
She raved?
Speaker 2 (02:50):
Hey, yeah, they took her away the next morning.
Speaker 4 (02:55):
What's so funny about that? Did you make that up yourself? Yeah?
Out of my head. You certainly are quick hate that way,
I know you do. But quit arguing, Costell. I want
to hear more about the picture. Did you read any reviews? Ken? Yeah? Sure.
Speaker 1 (03:12):
The Druggis Weekly gave the picture four aspirds.
Speaker 7 (03:17):
See what happens?
Speaker 4 (03:18):
Don't We've got the band framed up. Surry's got the
band frame That wasn't a funny line. There was nothing
nothing funny about that, brother, Can you imagine lessen? Ken?
I read all the reviews, and even missus Roosevelt mentioned
our picture in her column. What did she say? She said?
My day was ruined? That's the one line. I don't
know why they got it in well, didn't we get
(03:41):
any compliments at all? Oh? Sure, we got one chair
that I remember where from the Bronx.
Speaker 3 (03:45):
The Bronx, you know?
Speaker 4 (03:47):
And Hitler's face without music?
Speaker 7 (03:49):
Oh yeah, Well, maybe.
Speaker 4 (03:51):
We should give up the idea of producing our own
pictures though, would you'll be silly? Her a few pictures incorporators?
Here to stay and I'm ready to start another picture
right now? Push the button for myselfecretary. What's the idea
of a horn for a buzzy? She used to be
a waitress and a driver?
Speaker 8 (04:06):
Oh O course, I'm sorry it was late this morning.
Speaker 4 (04:11):
Are you doing anything tonight?
Speaker 9 (04:13):
Why you no, not a thing?
Speaker 4 (04:15):
Then try and get here on time tomorrow morning, the
fine secretary, how did you get a job here?
Speaker 10 (04:23):
I used to be in pitches. I played in the
way of all flesh?
Speaker 4 (04:26):
What part did you play?
Speaker 10 (04:27):
One of the meetfuls?
Speaker 4 (04:31):
Everybody your slash for me? All right? Have patience? Have patience.
By the way, do I have any appointments today? Yes,
at twelve o'clock you have an appointment with Hetty Lamar.
What am I doing after that?
Speaker 6 (04:43):
N He asked, mister Costello, could I speak to you
for a moment? Why it's spots for Twink or sell
the man. What's on your mind? Bots Well, I want
you to know that I was terribly hurt because I
wasn't in your picture last week with Carmen Miranda. After all,
if you're looking for two faces, look at me. My
face is new, isn't it?
Speaker 4 (05:03):
Oh? Very new? In fact, your whole head has only
been slightly used. Please give me a chance, mister castell O. Help.
I really do have a lot of talent, you know.
Speaker 6 (05:12):
I do most of the voices and all the leons
schlessing your cartoons for Warner Brothers.
Speaker 4 (05:16):
Don't tell me. Yeah. For instance, here's a little porky pig.
Speaker 6 (05:21):
If if this is the way I did, heap talk
when I play it, heap the porkyp Parky the day.
Speaker 4 (05:29):
That's all.
Speaker 6 (05:37):
I'll play Parky for you for a thousand dollars you're
talking about Warner Brothers.
Speaker 4 (05:41):
Don't pay you that, I know, But pork has gone up?
What else do you do?
Speaker 10 (05:46):
Botsford?
Speaker 4 (05:47):
Did you ever hear bugs? Bunny? I have a carrot here,
so I'll give you a little sample. And what chip dock?
Speaker 5 (05:58):
Yeah?
Speaker 4 (05:59):
What do you say? He wats cooking? Huh?
Speaker 6 (06:01):
Of course if you use bugs, bunny, you'll have to
use my wife, missus bunny.
Speaker 4 (06:04):
But we can't use two rabbits in our picture. Well,
we couldn't separate them. That would be splitting hairs.
Speaker 6 (06:12):
Well, if you can't use the rabbit, maybe I could
furnish some of the musical background. I can imitate an
electric organ. Listen do you call it an organ?
Speaker 7 (06:27):
Now?
Speaker 4 (06:27):
Listen Potsford, I can't use any of that stuff in
my picture. Now, will you get out of here? Now?
Look what you now? Look what you now?
Speaker 1 (06:36):
Look at you?
Speaker 4 (06:37):
Every time you yell at, yell at, yell at me?
Speaker 6 (06:39):
I guess why do you yell what? I know?
Speaker 4 (06:43):
I know I talk loud.
Speaker 7 (06:44):
He gets to hit.
Speaker 4 (06:46):
I don't yell at him. Do something for the pastor
these spots toots. But I'm talking a lot and easy,
not take it easy, No more hiccups. That brings him
out of it. That brings him out of it because
I didn't know that. All right, take it is? How
do you feel? Uh better? Now?
Speaker 1 (07:00):
Oh? You do?
Speaker 4 (07:01):
I see you're fine? Oh my glad?
Speaker 5 (07:02):
That have it?
Speaker 4 (07:03):
Now let's get back to this picture. But mister Castell,
are you sure you can't use the organ?
Speaker 3 (07:07):
Fox?
Speaker 4 (07:07):
But How many times do I have to tell you that? Please?
Speaker 2 (07:12):
You know what I'm doing? Hey, Lolu Castello or yes, Niles.
Speaker 1 (07:26):
I want to ask you something. Do you know anything
about winter sports?
Speaker 4 (07:29):
Are you kidding? I'm one of the best jumpers in
the country, really sure? Last winter late lass if I
made my biggest jump. I climbed up to the tump
of a slide. Thousands of people were looking up at me.
And when I leaped into the year, I went down
at sixty miles an hour, and I made a sensational
jump up two hundred feet two hundred feet yep. And
I could have even come further if there was snow.
(07:53):
Oh tonight, Thank you, Lou.
Speaker 1 (07:57):
I know another good skier, and his name is Dick Duran,
and he's one of the finest skiers in the world.
In fact, he's so good that the government asked him
to give instructions to ski troopers in.
Speaker 11 (08:07):
Lightning fast mountain warfare.
Speaker 2 (08:09):
Dick knows he's smoking too, he said.
Speaker 4 (08:12):
Quote, I've smoked camels for years.
Speaker 11 (08:14):
They have the full rich flavor that I want in
a cigarette. No matter how often I smoke camels, never
tire my taste, never get my throat unquote yes.
Speaker 1 (08:23):
And with many in all the services, camel is the
favorite too, according to actual sales records in the stores
where they buy cigarettes. Try camels yourself for steady pleasure.
You'll like the way they hold up were well pack
after pack, no matter how many you smoke. The reason
is extra flavor. And you know camels always have more
flavor better. Yet camels combine flavor with extra mildness, the
(08:47):
extra mildness that goes with slow burning and cool smoking.
One reason for that is costlier tobaccos blend. It is
only camels know how to blend. I remember, you're the
one who's doing your smoke. Your throat and your taste
will tell you he camel's get up back tonight. Send
a carton too, that fellow in the service.
Speaker 2 (09:15):
With the orchest dry and the camel file with a
new treatment for an old tune. By the light of
the silvery moon, By thee of.
Speaker 10 (09:49):
The silvery moon, My.
Speaker 5 (09:55):
Money lost, honey moon, Keep listen, Your silvery peas will
bring not peace, will because them buy the silberry boom, oh,
(10:42):
buy the silberry.
Speaker 4 (10:57):
Costel, and we can't hold up production on your new
picture any longer. Now we've got to get a leading lady.
How about giving that secretary view as a chance. She
has blue eyes and blonde hair and a supreme court figure.
Speaker 7 (11:06):
What do you mean a supreme card figure?
Speaker 4 (11:08):
A supreme court figure? What are your appeals? Oh, besides
typhone Merle o'bron about playing a leading card. You did, yes,
I picked up the receiver. I said, Merle Darling, Merle sweetheart,
Merle my love, And then then I dialed.
Speaker 3 (11:23):
Her number, Merle Obron, Merle o'bron. The s in our picture,
you know.
Speaker 4 (11:30):
And I sent for a new fashion designer. What is
this but just popping hair? What what happened?
Speaker 6 (11:36):
Well?
Speaker 4 (11:36):
Now wait, even I sent for a new fashion designer.
Speaker 2 (11:39):
Is that it?
Speaker 4 (11:41):
Now he's saying, come in, you don't even in James
and Man, I'm your new fashion designer. Uh, pier up
a to my friends, I'm pu you said it, but hey,
get over that guy's hair. He's a male Ronica Lake. Yeah,
this is Lilule Castello. How do you do?
Speaker 2 (12:02):
Mister Costello?
Speaker 4 (12:03):
You are just the man I'm looking at.
Speaker 2 (12:06):
I'm not seeing you in.
Speaker 3 (12:06):
Your long distance.
Speaker 4 (12:09):
He wear his hair hangs over his face. Pardon me, Pierre,
does your mother have to stay by a ship dog
lean the man alone. We've got to get him to
the design miss O'Brien's clothes. Now, no more remarks about
his hair looks like a palm tree in a high.
Speaker 12 (12:22):
Wind, doesn't where mister Costello, I admit that my hair
is a standing joke.
Speaker 4 (12:28):
Well, it needs a new switch. I don't know what's
wrong there. I keep quiet.
Speaker 6 (12:34):
We must have miss O'Brien's wadrobe design before she gets here. Pierre,
would you mind telling us some of your ideas on
women's clothes?
Speaker 4 (12:41):
Oh not at all.
Speaker 5 (12:42):
You know.
Speaker 4 (12:43):
The main thing is color harmony. Color harmony. What's that? Well,
it's very simple, mister Constello. For instance, if you were
carrying a pink bag, you would not wear a green
dress with you. Oh gracious no, I wouldn't there. I'd
be the laughing stock of my sewing circle. All right,
(13:07):
forget a skip those things. Tell me.
Speaker 6 (13:09):
If you are with a shortage of materials, how about
something plain for miss o'bron to wear.
Speaker 4 (13:15):
We'll call it a defense. How about that? How about
making a lot of bob wire that isn't the fence
ain't exactly an invitation? Go ahead, beer, suggest a dress
for Merle O'Brien. You know something that she can wear
in our picture?
Speaker 12 (13:27):
Well, being a brunette, I would suggest that I make
miss soberon a gown of apple green with a peach skirt,
a lemon trimmings, plum ruffles, an orange belt, and a
tangerine scarf and a dress that's.
Speaker 4 (13:41):
A fruit salad. Nevertheless, that sounds fine. Now what about
Merle's hat? Well, the hat should be a very simple,
but very smart. Do you think the boys in camp
here would like miser in a hat that has three
roses and a ribbon on the side, No, they'd right,
I have four roses with a chase around a side.
(14:04):
I'll get out of here and I'll design to close
myself of costelly. You can't design cloth, that's all. I
just invented a lady's leg paint that takes the place
of stockings. It even covers knees. It disguises the knees.
You said it, you can hardly recognize the old joints. Well,
we let Merle Obron design her own clothes with a picture.
Speaker 1 (14:21):
What do you say?
Speaker 9 (14:22):
Yes, and I'm just a girl looking do it?
Speaker 5 (14:24):
Now?
Speaker 4 (14:24):
Listen, kid, you keep out of this look who it is.
Speaker 3 (14:27):
It's Merle, Obron, Merle.
Speaker 4 (14:37):
I'm overjoyed. I'm overcome, I'm overwhelmed. I'm over here, Merl.
I've always been in love with you. You're so beautiful.
Can I give you a kiss?
Speaker 6 (14:50):
Well?
Speaker 9 (14:51):
All right, for just one? Where did he hand a
kiss like that?
Speaker 4 (15:00):
I used to be a buger and a boy scout love.
If you folks don't mind, we'll go over the script
of the picture that you are going to play tonight.
It's a story of the Knights of Old Merle. You
play a beautiful princess and you wear a hoopskirt.
Speaker 3 (15:15):
Hoopskirt, Yeah, hoopskirt.
Speaker 4 (15:17):
That's a parachute with lags. Costello plays the part of
the night he's in love with you.
Speaker 9 (15:23):
I thought nights, but all.
Speaker 4 (15:25):
Well, kid, on account of daylight saving time, the nights
are getting short. As the first scene opens, Marle, you're
in the palace, so we din the arrival of your lover.
You are playing the organ organs like this, Bosphor and
tin it u to come be in this part. I
(15:46):
got it in again. Shout at him. I'm sorry, I'm
starting shout all right, I'm showing up talking me last.
All right, once we got.
Speaker 2 (15:56):
Out of him in the I'm talking, I'm okay.
Speaker 4 (15:59):
I'm sorry, pot, but I'm okay. Now, mister Costello, I'm
glad you're now keep out of the picture. You get
it all, but I'm sorry. Please put a gag in
his mouth. Put a gag in heir's mouth. If I
had a gag, I'd tell it myself.
Speaker 1 (16:20):
Come on, let's get back with this story.
Speaker 4 (16:22):
Costello as a knight. Your costume is a suit of armor.
Speaker 9 (16:26):
That's right blue. You wear an iron coat and iron
vest and iron trousers. In fact, you wear a whole
iron suit.
Speaker 4 (16:31):
What do I get A person lucky?
Speaker 9 (16:35):
Now your suit may become rusty, so you better keep
yourself well.
Speaker 3 (16:38):
Oil.
Speaker 4 (16:38):
I'd have to be oiled to make love to you
in an iron suit, merco. You walk out on the balcony, yes,
and I sneak.
Speaker 3 (16:46):
Right up to it.
Speaker 9 (16:47):
How do you get across the moat?
Speaker 4 (16:48):
I caught the guard with his bridges down. Then we
have the big scene where Costello tranaded you with a.
Speaker 9 (16:55):
Song of love and lou I will drop a flower
on you in a man.
Speaker 7 (17:00):
That moment of love in a pot, you signal that
the coast is clear and costello.
Speaker 4 (17:10):
You climbed a balcony, you reach Merle's side. You're panting
from the long climb in that suit of armor. Yes,
that's it. You gaze into her eyes. Remember this is
your big chance. Never buy no more pants here by
that there's a motion in your voice as you stand
there in your riding suit. What do you say to her?
Speaker 13 (17:31):
Hey kid, if you got a can opener, here's Connie
Haynes or the camel five with a new room with
a pan of coal, parner as still awego.
Speaker 8 (17:50):
In a small canteen on an aisles, and you read
the lean.
Speaker 10 (17:59):
To a hot guitar.
Speaker 8 (18:01):
All the things gone Dandy used together about when the
lovely Lena Lady Zana.
Speaker 10 (18:10):
Were given and given up to too bad remark.
Speaker 2 (18:24):
Hot sole.
Speaker 10 (18:30):
Food, Chuck Queen Hall.
Speaker 8 (18:37):
Once they'd married, Lena and her rich cool guys moved
past the sina where the best people go to die.
But when she collected on his copper prefers back to
her canteena lovely Lena, when Lyon and she paned.
Speaker 3 (19:00):
Alas si.
Speaker 10 (19:03):
Angle to we musta.
Speaker 14 (19:10):
Saa angles and there's mood sya just last sweet home.
How to wagle, to be we muscle to wargle, and
(19:37):
that glues yard squeeze.
Speaker 2 (19:57):
And all ladies and gentlemen.
Speaker 1 (19:58):
Perfume Pictures Incorporated resents the great Costume drama entitled The
Brave Knight cut Off the Dragon's Tale or the Dragon
Isn't Wagon Anymore. The beautiful Princess Guinevere is played by
Merle Oberon. Lou Costello is the brave Knight, Sir Porterhouse,
and Bud Abbott is his good friend, Sir Lloin I
played the part of the king. As the scene opens,
(20:21):
the Princess and I await the arrival of two brave
knights in our kingdom curtain. Greetings, brave knights, kindly approached
the throne.
Speaker 4 (20:35):
Greeting your majesty.
Speaker 11 (20:36):
I am sir Lyin Knight of the Bath from Saxony,
and I.
Speaker 4 (20:39):
Am Sir Porterhouse, not of the Bath from Constantinople.
Speaker 6 (20:43):
What kind of worse.
Speaker 3 (20:46):
I'm Stantanople, Yeah, Turkish Beth.
Speaker 9 (20:50):
Greetings, brave Knights, I'm the Princess Guinevere.
Speaker 4 (20:53):
And who are those beautiful dames with you?
Speaker 2 (20:55):
There?
Speaker 9 (20:56):
My ladies and' waiting?
Speaker 4 (20:57):
Well? What are we waiting for?
Speaker 9 (21:01):
Oh supporter House? You must save our kingdom. The people
are angry, they're camering outside the gates of the palace.
Just listen to them, clamor.
Speaker 4 (21:14):
Did you hear that the people are rebolting? They certainly are.
Speaker 9 (21:18):
No, no, no, the people are starving. They've not eaten
in five days.
Speaker 4 (21:24):
Or they should try and force themselves. They gotta eat. But,
my dear princess, have we no food?
Speaker 9 (21:32):
And last, no, the dragon has destroyed our crops.
Speaker 4 (21:35):
You mean all our corner's gone?
Speaker 9 (21:37):
Yes, there's only enough left for this program.
Speaker 4 (21:41):
What's so funny about that? What a fresh princess? Listen,
listen to the people shouting. They have been shouting for
five days.
Speaker 2 (21:51):
But I dare not speak to them.
Speaker 4 (21:53):
I will speak to the people, Your majesty, open the door.
I'm make your speech me. I got him now, my
dear princess, just what do you desire us to do?
Speaker 9 (22:10):
My dear night. For several years now, my father has
been bothered by a terrible dragon.
Speaker 4 (22:15):
Why does he pick up his feet? You don't understand,
You don't understand. Nobody understood that.
Speaker 1 (22:26):
Today the dragon is coming to carry off the princess Guinneville.
Speaker 9 (22:29):
You must save me from this mean monster.
Speaker 4 (22:31):
Supporterhouse. He's a very mean beast.
Speaker 10 (22:34):
He has two heads, one at each end.
Speaker 4 (22:37):
How does she shut down.
Speaker 3 (22:41):
Be can't?
Speaker 10 (22:42):
That's what makes him so mean.
Speaker 4 (22:43):
Well, don't be mean. I don't worry all right, I'm
about one mistake. I am not afraid of nothing. One
time I climbed up a tree and I bagged a
ferocious tiger.
Speaker 9 (22:58):
You went up a tree after a tiger.
Speaker 4 (23:00):
No, he came up after me, But you said you
bagged him. I did bag him. I begged him to
go away.
Speaker 9 (23:09):
But what happened?
Speaker 4 (23:12):
Well, I snapped at the tiger, snapped at me, and
suddenly something was past me.
Speaker 10 (23:17):
What was it?
Speaker 4 (23:17):
Hamanamona Falk says, will you? Then my uncle came to
my rescue, and I finally brought that tiger home. Stuff?
Speaker 2 (23:24):
What was he stepped with?
Speaker 4 (23:25):
My uncle? Oh, your majesty, the dragon is almost a polis.
He's coming to get the princess. Quick, princess, button up
my iron suit. Just a minute, I thought you were
a pristal.
Speaker 9 (23:40):
I worked a spring shift on the side.
Speaker 4 (23:46):
Look at that thing belching smoking fire? Is that the dragon?
It ain't a smuch. Pop. I'm getting out of here.
Speaker 9 (23:52):
He's got us trapped.
Speaker 4 (23:55):
Here he comes, I'll do what he does, do exactly
what he does. He still ring at you. Stare back
at him. I can't all right, I can't do it quiet.
He's roaring at you.
Speaker 2 (24:04):
Roll back at him.
Speaker 4 (24:08):
Wait a minute, now he's wagging his tail. That lets
me out. You guy even got a joge's gonna charge?
How much.
Speaker 1 (24:22):
Dragon got I haven't got this.
Speaker 4 (24:25):
There's a fancy line. I know what the gulls got
it the dragon's neck. Let him know what do I
care about their love life? Give me my short, Give
me my short. Somebody, I'll cut as nose off. That
is something that should only interest I'm not a dragon.
Speaker 6 (24:46):
God.
Speaker 4 (24:47):
He's coming at you. Be catul hostello. You back this,
turn to him.
Speaker 5 (24:50):
He's coming up behind you.
Speaker 2 (24:56):
He got me.
Speaker 4 (24:57):
Where did he get you? Where the fire was? Wearing
a licnise plate. He would have cut off the last
three numbers. Hey, he ruined my shuit, my good iron shuit.
He wronged you, nasty dragon.
Speaker 3 (25:10):
Get out of here.
Speaker 4 (25:12):
Oh, don't do that.
Speaker 13 (25:13):
Don't yell me.
Speaker 2 (25:16):
How did I do the dress?
Speaker 4 (25:18):
I can't do that. What can I do to keep
your clients butts?
Speaker 7 (25:21):
But we're gonna cut it out.
Speaker 4 (25:22):
Sorry yoursall for hollering at him. There's only one, only
one thing that will kill in my hiccups. If you
let me kiss Miss Oberon.
Speaker 9 (25:30):
Oh very well, I'll kiss you if only you stop
those awful hiccups.
Speaker 4 (25:33):
Go ahead, Botsford, kiss her.
Speaker 5 (25:34):
Okay, how do you.
Speaker 4 (25:41):
Feel now, Botsford?
Speaker 5 (25:42):
Oh?
Speaker 4 (25:42):
I feel fine.
Speaker 1 (25:44):
What some tunes you whistle for a while and then
forget another stay with you for years. I think the
ones you remember are the ones that have character. I
(26:06):
believe that goes for cigarettes too. We say that camels
have character, and we back that up with the thousands
of smokers who have stood by camels for twenty years
and more. We think it's true that more people have
smoked camels longer than any other cigarette. Try camels and
see for yourself. Try them in your tea zone. That's
tea for taste and tea for throat, your own proving
(26:29):
ground for cigarettes. Your taste will tell you that camels
have more flavor, and it's extra flavor that helps make
camels hold up day in and day out, makes the
second pact better than the first, and the third better
than the second. Your throat will tell you about mildness too.
If the best judge, you'll find yes, camels are mild, cool, smoking,
(26:51):
slow burning because they're expertly blended of costlier tobaccos. Your
throat and your taste will tell you see damn out
camel's get it back tonight.
Speaker 4 (27:02):
You'll want to buy a carton tomorrow.
Speaker 1 (27:07):
Here's more news about the camel Caravans, those traveling shows
which entertained the men in the army camps. Thirty two
performances of the camel caravan units will be given to
men in the training station throughout the coming week. And
(27:32):
now here are bud Habbit at lu Costello.
Speaker 4 (27:34):
With a final word, thanks ken ladies and gentlemen. It's
really been a thrill forgotton me to do this program
from the Ferry in Command airburs here at Long Beach,
and an added thrill to be here with Merril o'bron.
Speaker 2 (27:45):
Thank you, Lou.
Speaker 4 (27:45):
I had a wonderful time.
Speaker 9 (27:47):
And it's been lots of fun.
Speaker 6 (27:48):
That's right, Marl, And we'd like to extend our sincere
thanks to Colonel Ralph Eastpeake, Lieutenant Colonel John P.
Speaker 4 (27:56):
Frame Junior.
Speaker 6 (27:57):
And there's splendid staff of officers for the opportunity to
make this visit. Next week, we'll be back in Hollywood
on Thanksgiving Days. In addition to the regular gang, we'll
have us our guest Herbert Marshalls, and we do hope
you'll all join us until next Thursday. But night, wish
you all a very pleasant good night.
Speaker 2 (28:22):
She's got four great shows each week.
Speaker 1 (28:24):
Tomorrow Night to Cambel Caravan with Lanny Ross, Xavier Kugat,
Herb Triner, lou Lair and their guest star Bob Holp,
Saturday Night Thanks to the Yanks with Bob Hawk, Monday
Night Blondie, and next Thursday at the same time ab
In Costello with their guests Herbert Marshall. Our broadcast this
evening was from the sixth Ferrying Group Air Transport Command
(28:45):
at Long Beach and does not constitute an endorsement of
our product by the War Department, as they do not
endorse any product. The Army has also requested us to
make this announcement to all men of eighteen and nineteen.
There is a serious need for young men, so serious
at the Art is willing to let man of eighteen
and nineteen choose whatever branch of service they desire go
to your nearest Army recruiting office or induction station tomorrow
(29:08):
learn about the jobs the Army has open in thirteen
different branches, all explained by men who know these jobs
inside and out. Listen to the Camel Caravan tomorrow night
with Manny Ross, Xavier Kugat, perb Shiner, lu Lair and
their guest star Bob Hope.
Speaker 2 (29:22):
And now this is Kendles wherehy you are?
Speaker 4 (29:24):
Good eyes.
Speaker 11 (29:32):
Mister. If you've got a pipe that's biting you, why,
it just means one thing. Your pipe's hungry, yes, sir,
hungry for Prince Albert, the mild rich, tasty tobacco that
won't bite your tongue because it's no bite treated PA's
crimp cut two for easy packing and stay lit, burning
around fifty pipefuls in every handy pocket package. Get Prince
(29:52):
Albert tonight. You'll see why men call it the National
Joy Smoke. This is the National Broadcasting Company
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