August 11, 2025 • 29 mins
The Shadow was a fictional character created by American magazine publishers Street & Smith and writer Walter B. Gibson. He was an invincible crime fighter who possessed many gifts which enabled him to overcome any enemy. In addition to his great strength, he defied gravity, spoke any language, unraveled any codes and most notably, he became invisible with his ability to "cloud men's minds." The Shadow was originally created to be a mysterious radio show narrator but developed into a distinct literary character. The Shadow has been adapted in many forms of media, such as American comic books, comic strips, serials, video games, and at least five feature films.
Hope you enjoy this episode of The Shadow! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple Channel | YouTube Music
Hope you enjoy this episode of The Shadow! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple Channel | YouTube Music
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:18):
Who knows what evil in the hearts of men. The
Shadow now.
Speaker 2 (00:31):
Now the Carry Saut Company, producer of fault for every
farm and home use, bringses the thrilling adventures of the
Shadow hard and will let the spider one man against
the horses of evil. These dramatizations are designed to demonstrate,
possibly to old I'm young alike, that crime does not pay.
Just the minute, today's exciting intention will begin. But first,
when you go to the store to pick out apples,
(00:52):
it's easy to choose the best apples. You can see
the difference, but it's not so easy to pick the
best salt. By its appearance. Most salts looks alike. But
just you try using carry salt, See how different it is,
See how its goodness goes deep down.
Speaker 1 (01:05):
Into the heart of foods.
Speaker 2 (01:07):
Yes, ma'am, once you use carry salt, you'll agree carry
salt is different. Carry salt is deep penetrating. Here's why
carry salt is extray fine. So of course it always
carries the flavor. Get carries table salt at your favorite
food store tomorrow in the round pipe box with the
bright red band. It comes either iodized for added health
protection or planes. But now the Shadow.
Speaker 1 (01:37):
The shadow who aids the forces of law and order is,
in reality Lamont Cranston, wealthy young man about town. Years ago,
the orient Cranston learned a strange and mysterious secret, the
hypnotic power to cloud men's minds so they cannot see him.
Cranston's friend and companion, the lovely Margot Lane, is the
(01:57):
only person who knows to whom the voice of the
in visible Shadow belongs. Today's drama Gang Doctor. It is
midnight in a sub cellar of an old brown stone house.
(02:22):
An operation is being performed. The patient, sprawled out on
a makeshift operating table, winces as a man in a
soiled surgical gown applies the scalpel to portions.
Speaker 3 (02:33):
Of his face.
Speaker 4 (02:35):
Could you give me something to called? Crappy?
Speaker 5 (02:37):
Duer?
Speaker 1 (02:37):
Can't stand?
Speaker 6 (02:39):
We can do no vaca? Oh, I like this bears
the electric chair. Don't please, Joey, eat up the paraffin.
Speaker 3 (02:51):
Okay, God, what's that for?
Speaker 6 (02:54):
You're gonna build up those cheek bones of yours. Give
your face a different expression.
Speaker 7 (02:59):
It never could to go with this.
Speaker 6 (03:01):
You should have thought of that before.
Speaker 5 (03:02):
You killed that bank messenger trigger.
Speaker 8 (03:04):
I didn't figure I'm paying any one time, would I
pull that back shop if that back message hadn't got
so lose ice shoe, you should have got to be
a new face dog something nobody will recognize.
Speaker 6 (03:15):
Results guaranteed.
Speaker 5 (03:17):
Trigger.
Speaker 6 (03:18):
It ought to be a good job.
Speaker 5 (03:19):
It's going to cost you, en us, I hadn't figured
it that way, doc, How much twenty grand?
Speaker 1 (03:26):
Twenty? Are you whatady?
Speaker 4 (03:27):
My duck? I got that kind of toe.
Speaker 5 (03:29):
There was forty thousand dollars in that pouch you got
from the bank messenger, and my fee runs to fifty
percent of the gross for a job like this.
Speaker 1 (03:36):
Twenty grand. That's a hold up, tuck, I will pay
half ready, I won't pay that.
Speaker 6 (03:42):
You're going to get a new face, and you're gonna
pay for.
Speaker 1 (03:44):
It now, nice easy, easy time.
Speaker 5 (03:47):
There, Take a more paraffin, Joey, No more, please hold
his head, Joey.
Speaker 6 (03:54):
We're going near the eye fill the more time.
Speaker 8 (04:01):
Can't think?
Speaker 6 (04:01):
What's triggers? Only the beginning?
Speaker 3 (04:17):
M h.
Speaker 6 (04:22):
Oh, murph, will it be?
Speaker 1 (04:24):
I ain't drinking gush.
Speaker 3 (04:26):
Some guy waiting to see me? Yeah, the guy in
the check suit over there, urph that he knows you.
Speaker 1 (04:32):
I never seen him before.
Speaker 6 (04:34):
He ain't copper is he looks more like a Losimer.
Speaker 1 (04:38):
Really white skin of his looks.
Speaker 3 (04:39):
Strictly big house to me.
Speaker 6 (04:41):
Yeah, he guides a copper with no better than to
come working on this joint alone.
Speaker 3 (04:45):
Yeah, okay, guys, thanks a last and see what's in
his mind?
Speaker 1 (04:51):
Hey? Here, you was looking for me? Mister?
Speaker 4 (04:55):
Yeah, I sit down.
Speaker 6 (04:57):
So, I how do you know my name?
Speaker 4 (05:00):
You'd get friendlier if I mentioned my name, The boys
will know me. Call me trigger Twick.
Speaker 6 (05:06):
You're kidding.
Speaker 1 (05:07):
You gotta look no more like trigger and I.
Speaker 8 (05:10):
So you didn't expect me to be showing that all
kiss her mind under the CoP's noses to get I
had embroidery done.
Speaker 7 (05:16):
Geez.
Speaker 6 (05:17):
Yeah, it's a beautiful job too.
Speaker 1 (05:21):
Well what do you want? Look, you're still chilling with
that private eyele.
Speaker 4 (05:25):
I'm on Crampston nature.
Speaker 3 (05:27):
I know.
Speaker 8 (05:29):
Him and Commissioner Western never broke that corning case that
happened about five years ago.
Speaker 4 (05:32):
Today Cranston would like to break it. I suppose I
help him break it. How could they got one print
of the killer? They never matched it? I suppose I
tell them whe they can match it?
Speaker 6 (05:43):
Where do you get out of it?
Speaker 1 (05:44):
Is nothing?
Speaker 4 (05:45):
You've got to play off.
Speaker 8 (05:47):
There's a guy trying to put the tap on it
for twenty grand. Now with Cranston on his tail, maybe
he'll end up where he won't worry.
Speaker 4 (05:53):
About me or the twenty grand.
Speaker 1 (05:56):
I'd remake never mind to the deal.
Speaker 6 (05:59):
I'll ca Yeah, it's good.
Speaker 4 (06:02):
Here's what you do called Crapston tonight.
Speaker 3 (06:22):
May help your mind.
Speaker 1 (06:23):
What you're gonna do about the windows invitations of the weekend, Darling,
it looks like I'll have to accept. Margot doesn't seem
to be any way out of it.
Speaker 3 (06:30):
It won't.
Speaker 7 (06:31):
I'll be there, I get it.
Speaker 1 (06:35):
Yes, this is my is mister Crinston. There just the second, Murph,
see you, Darling. Thanks hello Murph, House crime?
Speaker 8 (06:46):
Could you.
Speaker 1 (06:48):
You know I give that up years ago? Got on
your mind?
Speaker 6 (06:52):
Murv I got.
Speaker 1 (06:52):
Something for you, mister Christen, something hot good? What is it?
A line? And that guy who did the coin in
killing Corning? Uh? How good is your tip? Mark?
Speaker 5 (07:03):
Pretty good?
Speaker 8 (07:03):
Pretty good?
Speaker 1 (07:04):
There comes my red hot who's on the lamb.
Speaker 3 (07:06):
He's got a grudge against the killer.
Speaker 1 (07:09):
This red hot says he you'll spill it to you.
That's very flattering. But why I mean, I guess he
knows you're pretty anxious to crack the corning case. Besides,
like I said, he got a grudge against the killer.
Might be worth looking into, Murph. When and where do
I get this information? It's better it's very few and
me ain't seen together in town. Bet I mean about
my place tonight, mister Cresson, You know it is no better.
(07:30):
Give me the direction. It's a they'll hide out two
miles outside of walk kill. Can't miss it.
Speaker 3 (07:34):
It's an all shock like on the left side of
the road.
Speaker 1 (07:38):
Okay, morh, I'll be there.
Speaker 3 (07:41):
You'll beware, Darling.
Speaker 1 (07:43):
Burph's place, lames Hays A line on the stadtis to
kill the corner child five years ago. Why doesn't you
get this information of the police. He knows that my
personal interest in the case, besides his informant apparently isn't
on speaking terms with the police. Don't get mixed up
on a case again, Darling, Please bad kill.
Speaker 3 (08:00):
It was a cold blooded man.
Speaker 1 (08:02):
Yes, I know. That's all the more reason why I'm
not going to rest until he's brought to justice. I'm comming,
I'm commentated easy that I am coming.
Speaker 6 (08:24):
Your Murph. Oh are you just call me doc? We
thought we'd have a little talk with you, Murph. Let's
go in where we'll be comfortable.
Speaker 3 (08:35):
Us to pardon me. I didn't know you had your
foot against the door. Wait a minute, you guys, I'm
busy here.
Speaker 1 (08:42):
I'm expecting someone.
Speaker 6 (08:44):
Better hold the door, Joey. We don't want to be disturbed.
Speaker 1 (08:46):
It is sold.
Speaker 5 (08:48):
We've got mutual friend, Murph. Trigger Joe here has been
keeping an eye on trigger. He saw you and triggered
talking today very confidentially.
Speaker 1 (09:00):
Well we are talking.
Speaker 3 (09:03):
You're going to be difficult. I don't mind, but you may.
Speaker 4 (09:11):
Break into it.
Speaker 3 (09:13):
Tell us about it.
Speaker 1 (09:15):
We were talking about no snatch job, cornering job?
Speaker 6 (09:21):
What about the corning jab? Rph.
Speaker 5 (09:24):
He wanted me to contact with my Cranston for Oh
that's clear?
Speaker 6 (09:30):
And did you yeah?
Speaker 2 (09:32):
Yeah, I just.
Speaker 6 (09:34):
Was it you guys, let me tell you about the
corning jab or nothing at all?
Speaker 3 (09:41):
You talk, man, tell me nothing.
Speaker 6 (09:43):
I told you why to set up a date with
transdon tonight here here.
Speaker 3 (09:49):
We don't have much time time.
Speaker 6 (09:51):
No, we better get started, Joey.
Speaker 1 (09:53):
What are you gonna do?
Speaker 5 (09:54):
He seem so interested in the corning case, Murph.
Speaker 6 (09:56):
I thought maybe i'd show you how it was done.
You you are according to your yes, bur and I
think we'd better reenact the operations from you.
Speaker 1 (10:07):
What are you talking about?
Speaker 6 (10:09):
Okay, Joey, take over?
Speaker 3 (10:11):
Thanks God, Come.
Speaker 1 (10:14):
Here, mar cut up to knife.
Speaker 7 (10:16):
I ain't gonna do no talk.
Speaker 3 (10:17):
Come here, do keep Come here, Come to the way, Joey,
Come to Joey.
Speaker 1 (10:43):
Should be pretty nearly there, Margaret, according to pedometer, with
just about two miles beyond walk you listen, unpainted old
shack over there on the marg the windows are all
boarded out. Would be this wagon path leading up to it.
Doesn't look very good for the springs. M h uh.
Not as far as we can go. Have to walk
(11:04):
the rest of the way, Darling. Oh what a desolate place.
Speaker 3 (11:10):
I suppose really lives here.
Speaker 1 (11:12):
No, but I wouldn't be surprised with what it's ideal
for some of his enterprises. Like you said, Mirk was
a reformed character, Darling, Well, I suspect he still has
occasional relapses.
Speaker 6 (11:23):
Lamont.
Speaker 3 (11:23):
Is not even a light in the place, Darling.
Speaker 1 (11:27):
Maybe you better go back and sit in the car.
I'll go investigate.
Speaker 5 (11:29):
Nothing doing where you go I go, mister Cranston.
Speaker 1 (11:33):
Okay, come on then, still don't.
Speaker 2 (11:37):
Think this can be the place.
Speaker 3 (11:39):
So the he's looking if he's expecting, it's why I
didn't got a light of some sort.
Speaker 1 (11:43):
We'll find out soon enough. Doors open, okay, right, you
win them.
Speaker 3 (11:56):
Mark.
Speaker 1 (11:59):
You, Stela Montes, No one, let's go back. Someone's in there,
all right, give me that pleasure. I don't see anyone,
the mad the man he's getting up in the floor,
Murph uster fallen asleep? Is that you? Murph? What is
(12:22):
anything wrong with better? Not? Look jolly, you're it's all right, Murph.
It's Cranston. Who who did this to you? Put that note?
Speaker 5 (12:35):
Pin to his shirt?
Speaker 1 (12:36):
I don't know, not pinned to his shirt? Margaret? Stuck
through his chest with a knife.
Speaker 4 (12:45):
What did saute?
Speaker 1 (12:48):
Here's another one to baffle your Cranston, just as the
corning case baffled your corner killer. He knows you're here, Yes,
he must look. Look there, Margaret, that's not coming in
under the door. Second, but look, when does the part solid.
We've got to get out of here. Yes, we've got
to take Murph with us. He's written something blood on
(13:13):
the floor.
Speaker 6 (13:15):
I say, gee, are I g g.
Speaker 1 (13:23):
Our trigger? Is he the one who did this? Murph?
Speaker 3 (13:28):
He's shaking his head now, is he the.
Speaker 1 (13:30):
One who had the information about the corner killer? Where
where can I find him? Urph?
Speaker 3 (13:38):
Can't they got what he's writing?
Speaker 4 (13:39):
Going?
Speaker 1 (13:40):
So he's shaky?
Speaker 4 (13:42):
M h m.
Speaker 1 (13:44):
The mermaid hurry, Murph, hurry? What's it riding now? Looks
like E L A.
Speaker 4 (13:56):
N stopped?
Speaker 1 (13:58):
What else? Murph? M what is it? It's written always
the right, Margot.
Speaker 2 (14:07):
We better get out of here before we are too.
Speaker 5 (14:10):
Getting worse.
Speaker 1 (14:13):
Place going up like tend to hold the flesh on
the door that say we can smash our way off
giving way that didn't. Let's stay close behind me. Let's
get out of here.
Speaker 3 (14:28):
I want to come out that door if I were you,
Miss I'm a very good god.
Speaker 1 (14:33):
Drop that gunp that down. We'll return to the shadow
in just a minute. Now it's Winters time again.
Speaker 2 (14:55):
Yes, sir, Here are the two winners the carrys All
Contest for the weekending November eighth. Each these listeners. When
the gorgeous one hundred dollars seventeen ju Harmon gold watch
just for writing an interesting letter about carry salt, the
lady's watch goes to missus Aoobles Junior of Gainesville, Florida.
First suggestion tells you how to remove the printed die
from sugar bags or white feed bags. She suggests you
(15:15):
damp the bags with kerosene and sprinkline carries table salt,
then roll them up tied and let them stand overnight.
Next day, just wash in soapy water and watch the
dye rents away. Sounds like a wonderful idea. And here's
the winner of the Man's Watch. He is mister Sandy
Riza of Fleaburn, Texas, and he bases his suggestion on
thirty years of experience. He says, the best thing I
(15:36):
have ever found for smoothing rough gears and silencing their
noise is the use of carry salt mixed with gear,
grease or compounds. Congratulations to both of the winners and posts.
If you'd like to win one of these beautiful watches,
listen for the easy rules later in this program. Meanwhile,
remember is a fine carry salt for every farm and
home use. There's deep penetrating carries, table salt, carries meat,
(15:58):
curing salt, carries mineral suffle, mon salt, and many others.
Always look for a white bag box or cotton with
a bright red band. But now back to the shadow,
(16:22):
the mont and Margot, on the trail of a solution
of a five year old crime, find the mutilated body
of Mirth, one of Cranston's undercover assistance. Before they can
get out of Merph's hideout. However, the killer sets the.
Speaker 1 (16:36):
Old House of Fire and fires at Cranston as he
tries to get Margo out of the flaming building the month.
I'm all right, Margaret, I guess the bullet just graves
my skill, not a coupling. I guess she thinks she
got me. Let's get out of here. This root can't
(16:57):
last much longer. What are you going to do? Donald
claims will hide all evidence of the crist evidence of
no evidence. We know what happened back in their model.
Now I'm determined that the Corning killer is going to
be caught. I'm telling we're going to the Mermaid and
see what Trigger knows about the letters p La s oh,
(17:31):
this is the Mermaid, Lamont, not exactly the Stalk Club,
is it?
Speaker 6 (17:36):
This is Trigger?
Speaker 1 (17:38):
I don't see him. Are you sure you know what
he looks like? That gunman. I've seen his face in
the Rogues gallery so many times.
Speaker 4 (17:45):
What let be there?
Speaker 1 (17:46):
We're looking for a trigger, a bartender so a ten
thousand copy friend of ours named Murph, so as we'd
find him here.
Speaker 6 (17:53):
Oh you know Merph?
Speaker 3 (17:55):
Yeah, okay, try the guy in the check suit over.
Speaker 4 (17:58):
There while let me boys stout trigging him off.
Speaker 1 (18:03):
Oh doesn't look like him exactly. Come on, let's go
up and talk to him anyway. I got an idea.
Good evening.
Speaker 4 (18:16):
The table's taken and so I see. Oh, mister, I
ain't no talking more.
Speaker 1 (18:21):
It's about Merph. It said, blow light for that cigarette.
Speaker 4 (18:25):
Get that latch out of my face.
Speaker 1 (18:27):
Murph's the dead figure slashed to death.
Speaker 4 (18:30):
What I don't know what you're talking about? None that
I don't know, merchant.
Speaker 1 (18:35):
I don't know you. You're not leaving us.
Speaker 4 (18:38):
Yeah, but you figure not trying to stop me?
Speaker 1 (18:42):
No, not at all. Sorry, you don't like our company.
That breaks my heart.
Speaker 3 (18:48):
I let him get away the worry.
Speaker 1 (18:50):
When I want to begin, I don't know where to
find him. Oh, sitting over here and giving Shreevy the
highest sign like this, you'll follow him in his car,
think of everything.
Speaker 6 (19:00):
Hey, better not let the bar tend to see you
wrapping that glass and Hank.
Speaker 1 (19:03):
Not risk it, Margot. We got to make sure that
our check suited friend was who I think he was
in spite of plastic surgery. Plastic surgery? Yes, did you
notice when I offered him light for a cigarette? Yes?
I couldn't understand why you think so commodated. I held
the match very close to his face. That way I
was able to see the tiny scars that would be
invisible otherwise. So let us pla plastic surgery.
Speaker 5 (19:25):
Of course, then you think.
Speaker 1 (19:27):
That was Trigger with that doctor, Well, I'll be sure
when I get a set of Trigger's prints in the police,
then compare them in the lab. But the Prince, I
get off this glass and if they match, Margot, our friend,
Trigger is going to receive a visit from the Shadow. Hello, Trigger,
(19:58):
why are you packing a truck planning on going somewhere?
Who said that were away the gun? Trigger? I'm right here,
only you can't see me.
Speaker 4 (20:07):
What do you want?
Speaker 1 (20:08):
I'm the Shadow and I want the truth? Figure? Why
are you running away?
Speaker 4 (20:11):
You think I want to get camped up like Murph?
Speaker 1 (20:13):
Figure?
Speaker 8 (20:15):
You know shatter too much.
Speaker 4 (20:18):
I make a deal with you, I'll give That makes
no deal.
Speaker 1 (20:21):
The Shadow's only interest is justice. Who killed Merp? I
don't know I killed Murph figure.
Speaker 8 (20:25):
I guess it was either the doctor that Yeah, that's
the way they killed with it with the knife.
Speaker 1 (20:30):
They killed Mirth because he knew something about the corningcase figure?
Was that why they killed him? Yeah? I get who
murdered the Corning child? If I tell you, let's know,
if about a figure, tell me who killed the Corning child?
Speaker 7 (20:41):
Doc Winter?
Speaker 1 (20:43):
Where is this? Doc Winston?
Speaker 4 (20:45):
Sixty eighth Street, Second, that's across levity.
Speaker 1 (20:48):
I'm going to pay a visit to doctor Winston. Trigger
if you haven't told the truth, you'll answer to the.
Speaker 7 (20:54):
Shadow betterating again, dying.
Speaker 4 (21:15):
Again?
Speaker 1 (21:16):
I'm positive. Sixty eighth Street, second House, your second kick
in for night?
Speaker 6 (21:22):
Pretty good?
Speaker 1 (21:23):
Oh, we'd like to see doctor Winston.
Speaker 3 (21:26):
He's not here. You'll have to come back.
Speaker 1 (21:28):
Pardon me. I think we'll come in and see for ourselves.
Speaker 3 (21:31):
Take your foot out of that door.
Speaker 1 (21:32):
Sorry to be so rough, not very hospitable. Come in, Margot,
what is this? Didn't we almost meet face to face
at wall Kill earlier this evening?
Speaker 3 (21:43):
Joey, I did miss you, didn't? I I never did
trust guns missus Clanston. They do so much shouting and
get so furious though, drop that knife, Joy who had
your chance to get away, mister, drop that knife. Joy,
I'm gonna.
Speaker 6 (22:04):
High arm.
Speaker 1 (22:05):
I'll wrap it.
Speaker 6 (22:06):
Up, take up the night, Joey.
Speaker 1 (22:10):
A few questions. Where's Winston?
Speaker 6 (22:12):
I won't tell you.
Speaker 1 (22:14):
You haven't had enough, all right, Joey, he's.
Speaker 5 (22:20):
Gone to see somebody.
Speaker 6 (22:23):
Patient name Twigger ticket.
Speaker 1 (22:25):
You're not lying, Joey.
Speaker 6 (22:26):
No, I'm not lying to get the right away.
Speaker 1 (22:28):
What about Joey. That's something here. It'll keep him quiet
till the police can pick him up. The hand has
wonderful there, Joey. Now, in case you get the wander less,
you can carry that radiator along with you. I think
it'll be much more comfortable just to sit tight until
the police get here.
Speaker 6 (22:57):
Figgure expecting me. Don't move fast, Figger, turn around real
slow fast, said, what's.
Speaker 4 (23:07):
The idea of contact? I had done nothing?
Speaker 5 (23:10):
Looks like you had planning a trip trigger funk And
couldn't be that you were skipping down because some plans
of yours didn't quite work out?
Speaker 6 (23:20):
Could have trigger?
Speaker 4 (23:21):
Look, I got the hit that that's what you wanted
to do.
Speaker 6 (23:26):
And I'll take the door and then i'll take you.
Speaker 5 (23:30):
You talking about I tried to frame me trigger and
I'm going to kill you for it. I wait before
we parked company. Trigger, I'm going to take back something
I gave you talk about. I'm going to repossess that
face of your figger piece by piece.
Speaker 4 (23:48):
You could you could do that to me.
Speaker 6 (23:50):
I gave it to you.
Speaker 5 (23:51):
I ought to have a chance to take it away
again if I want to.
Speaker 6 (23:53):
Oh, shouldn't I trigger? That's don't be fair.
Speaker 1 (23:57):
You talk too much?
Speaker 6 (23:58):
Doctor, Oh, I underestimated you.
Speaker 4 (24:04):
It kind of looks a little different from this end
on the list your listen.
Speaker 8 (24:08):
Do you put a lot of cutting going on? You're
not male nursey.
Speaker 4 (24:13):
Your has been talking big with the knife.
Speaker 1 (24:15):
I'm a pretty fair kid with a gun.
Speaker 8 (24:19):
But now I'm gonna try a little of this knife
work too.
Speaker 4 (24:23):
You're gonna be my first patient.
Speaker 6 (24:24):
I'll wait a seconds to a butcher.
Speaker 8 (24:27):
When I was a kid, Doc, you didn't know that
was here.
Speaker 4 (24:30):
But I never worked on a person before. But I'm
not too old to.
Speaker 6 (24:33):
Learn at my back, stay away from me.
Speaker 1 (24:35):
Triggered your sweat and Doc, oh.
Speaker 4 (24:38):
You ain't one of them soft phones that can't take
his own medicine.
Speaker 1 (24:41):
And I light down on that fat trigger.
Speaker 4 (24:44):
Oh, you forgot the ate but didn't.
Speaker 6 (24:46):
You well he baggage trapped for door set your answer,
I don't get moving.
Speaker 4 (24:54):
Let me see what kind of instruments you brought it?
Speaker 8 (24:56):
Oh, personally, I like this long bladed knight.
Speaker 1 (24:59):
I haven't take trigger, use the gun, kill me clean
use the guy'll have the trust go away.
Speaker 8 (25:04):
No, you wouldn't want that?
Speaker 1 (25:05):
What your no? You in a good patience doki yo
before you're even hurt?
Speaker 8 (25:10):
A tee you when I really.
Speaker 1 (25:14):
That out of my head? It's a shadow trigger. I
said i'd come back. You can't stop me.
Speaker 8 (25:20):
I'm gonna kill him.
Speaker 1 (25:21):
He's gotta come a toll Avery Shadow, Savy, I'll save
your Winston, but not because I have any mercy for you.
So you'll die an electric chair for the corning murder.
I'll confess to what I'll do anything, and Timey don't
let him do it. Kill it doc, and I'll kill
your toe shadow. You can't kill what you can't see.
You'll finished trigger. Police are already on their way, maybe,
but I'll get you before they get me.
Speaker 5 (25:40):
I'm Timey Shadow. I'm t.
Speaker 1 (25:44):
Stay away from him, stir away off should my gun?
Speaker 5 (25:49):
What's take it off me?
Speaker 1 (25:51):
Take it off me it's only a bag instat trigger
hold until the police arrive here.
Speaker 5 (26:00):
All right, now, Shadow, you said you don't time me
was just a trap?
Speaker 1 (26:04):
Ring trigger is a better I can tie you both
up with this trap. Oh when sen, you'll stay tired,
and so will you Trigger. When the police arrived, they'll
find you booth ready and waiting to be taken to
the electric chair.
Speaker 2 (26:32):
Friends again, Today, the carry Saw Company is giving away
two gorgeous one dollar seventeen jewel Harmon gold watches and
an easy to win contest one man's watch one lady's
watch every week.
Speaker 1 (26:42):
If you'd like to hear.
Speaker 2 (26:43):
Your name announced as a winner, listen to these easy rules.
First right, one hundred words or less describing some new
and unusual way of using any carry Stall product, so
I can print your name and address on your entry.
Third mail two carries ce A R E Y S
carry salt in care of this station. That's all nothing
to buy, no box stops to send in. You can
write about deep penetrating carries round packaged table salt, or
(27:05):
carries mineral supplement salt or any carry salt products. Let
us postmark before midnight Friday. We'll be judged in this
week's contest and winners. Around three weeks from today, the
judge's positions are final. All letters become Carry's property. In
case of ties, duplicate prizes will be awarded. Remember the
man and woman who write the most interesting letters describing
some new and unusual way of using any carry Salt
(27:25):
products will each win a gorgeous one hundred dollars Watch. Remember,
send your letter to carry Salt in care of this station.
Get a job that addressed down Now it's carry Salt
in care of the station. Mail your letter today.
Speaker 1 (27:56):
This story is copyrighted by Street and Smith's Publications Corporated.
The characters, names, laces, and spots are pectations. Any similarity
to persons living or dead is purely to went Todmeral. Again,
next week, the Shadow will demonstrate that the weed of crime,
there's bitter fruit. Crime does not pay the shadow.
Speaker 2 (28:22):
Now next week, same time, same station, the Carry Saw
Company brings you another strange and thrilling adventure in the
shadows daring battle against.
Speaker 1 (28:43):
The forces of evil.
Speaker 2 (28:45):
Meanwhile, remember there's a carry saw for every farm and
home youth. Look for the package with a bright red band.
And here's the reminder. The U attend church regularly. There's
a place for you and your talent in the church
of your choice, part of the United Church Cansus
Speaker 1 (29:10):
That's putual broadcasting Christmas
Who knows what evil in the hearts of men. The
Shadow now.
Speaker 2 (00:31):
Now the Carry Saut Company, producer of fault for every
farm and home use, bringses the thrilling adventures of the
Shadow hard and will let the spider one man against
the horses of evil. These dramatizations are designed to demonstrate,
possibly to old I'm young alike, that crime does not pay.
Just the minute, today's exciting intention will begin. But first,
when you go to the store to pick out apples,
(00:52):
it's easy to choose the best apples. You can see
the difference, but it's not so easy to pick the
best salt. By its appearance. Most salts looks alike. But
just you try using carry salt, See how different it is,
See how its goodness goes deep down.
Speaker 1 (01:05):
Into the heart of foods.
Speaker 2 (01:07):
Yes, ma'am, once you use carry salt, you'll agree carry
salt is different. Carry salt is deep penetrating. Here's why
carry salt is extray fine. So of course it always
carries the flavor. Get carries table salt at your favorite
food store tomorrow in the round pipe box with the
bright red band. It comes either iodized for added health
protection or planes. But now the Shadow.
Speaker 1 (01:37):
The shadow who aids the forces of law and order is,
in reality Lamont Cranston, wealthy young man about town. Years ago,
the orient Cranston learned a strange and mysterious secret, the
hypnotic power to cloud men's minds so they cannot see him.
Cranston's friend and companion, the lovely Margot Lane, is the
(01:57):
only person who knows to whom the voice of the
in visible Shadow belongs. Today's drama Gang Doctor. It is
midnight in a sub cellar of an old brown stone house.
(02:22):
An operation is being performed. The patient, sprawled out on
a makeshift operating table, winces as a man in a
soiled surgical gown applies the scalpel to portions.
Speaker 3 (02:33):
Of his face.
Speaker 4 (02:35):
Could you give me something to called? Crappy?
Speaker 5 (02:37):
Duer?
Speaker 1 (02:37):
Can't stand?
Speaker 6 (02:39):
We can do no vaca? Oh, I like this bears
the electric chair. Don't please, Joey, eat up the paraffin.
Speaker 3 (02:51):
Okay, God, what's that for?
Speaker 6 (02:54):
You're gonna build up those cheek bones of yours. Give
your face a different expression.
Speaker 7 (02:59):
It never could to go with this.
Speaker 6 (03:01):
You should have thought of that before.
Speaker 5 (03:02):
You killed that bank messenger trigger.
Speaker 8 (03:04):
I didn't figure I'm paying any one time, would I
pull that back shop if that back message hadn't got
so lose ice shoe, you should have got to be
a new face dog something nobody will recognize.
Speaker 6 (03:15):
Results guaranteed.
Speaker 5 (03:17):
Trigger.
Speaker 6 (03:18):
It ought to be a good job.
Speaker 5 (03:19):
It's going to cost you, en us, I hadn't figured
it that way, doc, How much twenty grand?
Speaker 1 (03:26):
Twenty? Are you whatady?
Speaker 4 (03:27):
My duck? I got that kind of toe.
Speaker 5 (03:29):
There was forty thousand dollars in that pouch you got
from the bank messenger, and my fee runs to fifty
percent of the gross for a job like this.
Speaker 1 (03:36):
Twenty grand. That's a hold up, tuck, I will pay
half ready, I won't pay that.
Speaker 6 (03:42):
You're going to get a new face, and you're gonna
pay for.
Speaker 1 (03:44):
It now, nice easy, easy time.
Speaker 5 (03:47):
There, Take a more paraffin, Joey, No more, please hold
his head, Joey.
Speaker 6 (03:54):
We're going near the eye fill the more time.
Speaker 8 (04:01):
Can't think?
Speaker 6 (04:01):
What's triggers? Only the beginning?
Speaker 3 (04:17):
M h.
Speaker 6 (04:22):
Oh, murph, will it be?
Speaker 1 (04:24):
I ain't drinking gush.
Speaker 3 (04:26):
Some guy waiting to see me? Yeah, the guy in
the check suit over there, urph that he knows you.
Speaker 1 (04:32):
I never seen him before.
Speaker 6 (04:34):
He ain't copper is he looks more like a Losimer.
Speaker 1 (04:38):
Really white skin of his looks.
Speaker 3 (04:39):
Strictly big house to me.
Speaker 6 (04:41):
Yeah, he guides a copper with no better than to
come working on this joint alone.
Speaker 3 (04:45):
Yeah, okay, guys, thanks a last and see what's in
his mind?
Speaker 1 (04:51):
Hey? Here, you was looking for me? Mister?
Speaker 4 (04:55):
Yeah, I sit down.
Speaker 6 (04:57):
So, I how do you know my name?
Speaker 4 (05:00):
You'd get friendlier if I mentioned my name, The boys
will know me. Call me trigger Twick.
Speaker 6 (05:06):
You're kidding.
Speaker 1 (05:07):
You gotta look no more like trigger and I.
Speaker 8 (05:10):
So you didn't expect me to be showing that all
kiss her mind under the CoP's noses to get I
had embroidery done.
Speaker 7 (05:16):
Geez.
Speaker 6 (05:17):
Yeah, it's a beautiful job too.
Speaker 1 (05:21):
Well what do you want? Look, you're still chilling with
that private eyele.
Speaker 4 (05:25):
I'm on Crampston nature.
Speaker 3 (05:27):
I know.
Speaker 8 (05:29):
Him and Commissioner Western never broke that corning case that
happened about five years ago.
Speaker 4 (05:32):
Today Cranston would like to break it. I suppose I
help him break it. How could they got one print
of the killer? They never matched it? I suppose I
tell them whe they can match it?
Speaker 6 (05:43):
Where do you get out of it?
Speaker 1 (05:44):
Is nothing?
Speaker 4 (05:45):
You've got to play off.
Speaker 8 (05:47):
There's a guy trying to put the tap on it
for twenty grand. Now with Cranston on his tail, maybe
he'll end up where he won't worry.
Speaker 4 (05:53):
About me or the twenty grand.
Speaker 1 (05:56):
I'd remake never mind to the deal.
Speaker 6 (05:59):
I'll ca Yeah, it's good.
Speaker 4 (06:02):
Here's what you do called Crapston tonight.
Speaker 3 (06:22):
May help your mind.
Speaker 1 (06:23):
What you're gonna do about the windows invitations of the weekend, Darling,
it looks like I'll have to accept. Margot doesn't seem
to be any way out of it.
Speaker 3 (06:30):
It won't.
Speaker 7 (06:31):
I'll be there, I get it.
Speaker 1 (06:35):
Yes, this is my is mister Crinston. There just the second, Murph,
see you, Darling. Thanks hello Murph, House crime?
Speaker 8 (06:46):
Could you.
Speaker 1 (06:48):
You know I give that up years ago? Got on
your mind?
Speaker 6 (06:52):
Murv I got.
Speaker 1 (06:52):
Something for you, mister Christen, something hot good? What is it?
A line? And that guy who did the coin in
killing Corning? Uh? How good is your tip? Mark?
Speaker 5 (07:03):
Pretty good?
Speaker 8 (07:03):
Pretty good?
Speaker 1 (07:04):
There comes my red hot who's on the lamb.
Speaker 3 (07:06):
He's got a grudge against the killer.
Speaker 1 (07:09):
This red hot says he you'll spill it to you.
That's very flattering. But why I mean, I guess he
knows you're pretty anxious to crack the corning case. Besides,
like I said, he got a grudge against the killer.
Might be worth looking into, Murph. When and where do
I get this information? It's better it's very few and
me ain't seen together in town. Bet I mean about
my place tonight, mister Cresson, You know it is no better.
(07:30):
Give me the direction. It's a they'll hide out two
miles outside of walk kill. Can't miss it.
Speaker 3 (07:34):
It's an all shock like on the left side of
the road.
Speaker 1 (07:38):
Okay, morh, I'll be there.
Speaker 3 (07:41):
You'll beware, Darling.
Speaker 1 (07:43):
Burph's place, lames Hays A line on the stadtis to
kill the corner child five years ago. Why doesn't you
get this information of the police. He knows that my
personal interest in the case, besides his informant apparently isn't
on speaking terms with the police. Don't get mixed up
on a case again, Darling, Please bad kill.
Speaker 3 (08:00):
It was a cold blooded man.
Speaker 1 (08:02):
Yes, I know. That's all the more reason why I'm
not going to rest until he's brought to justice. I'm comming,
I'm commentated easy that I am coming.
Speaker 6 (08:24):
Your Murph. Oh are you just call me doc? We
thought we'd have a little talk with you, Murph. Let's
go in where we'll be comfortable.
Speaker 3 (08:35):
Us to pardon me. I didn't know you had your
foot against the door. Wait a minute, you guys, I'm
busy here.
Speaker 1 (08:42):
I'm expecting someone.
Speaker 6 (08:44):
Better hold the door, Joey. We don't want to be disturbed.
Speaker 1 (08:46):
It is sold.
Speaker 5 (08:48):
We've got mutual friend, Murph. Trigger Joe here has been
keeping an eye on trigger. He saw you and triggered
talking today very confidentially.
Speaker 1 (09:00):
Well we are talking.
Speaker 3 (09:03):
You're going to be difficult. I don't mind, but you may.
Speaker 4 (09:11):
Break into it.
Speaker 3 (09:13):
Tell us about it.
Speaker 1 (09:15):
We were talking about no snatch job, cornering job?
Speaker 6 (09:21):
What about the corning jab? Rph.
Speaker 5 (09:24):
He wanted me to contact with my Cranston for Oh
that's clear?
Speaker 6 (09:30):
And did you yeah?
Speaker 2 (09:32):
Yeah, I just.
Speaker 6 (09:34):
Was it you guys, let me tell you about the
corning jab or nothing at all?
Speaker 3 (09:41):
You talk, man, tell me nothing.
Speaker 6 (09:43):
I told you why to set up a date with
transdon tonight here here.
Speaker 3 (09:49):
We don't have much time time.
Speaker 6 (09:51):
No, we better get started, Joey.
Speaker 1 (09:53):
What are you gonna do?
Speaker 5 (09:54):
He seem so interested in the corning case, Murph.
Speaker 6 (09:56):
I thought maybe i'd show you how it was done.
You you are according to your yes, bur and I
think we'd better reenact the operations from you.
Speaker 1 (10:07):
What are you talking about?
Speaker 6 (10:09):
Okay, Joey, take over?
Speaker 3 (10:11):
Thanks God, Come.
Speaker 1 (10:14):
Here, mar cut up to knife.
Speaker 7 (10:16):
I ain't gonna do no talk.
Speaker 3 (10:17):
Come here, do keep Come here, Come to the way, Joey,
Come to Joey.
Speaker 1 (10:43):
Should be pretty nearly there, Margaret, according to pedometer, with
just about two miles beyond walk you listen, unpainted old
shack over there on the marg the windows are all
boarded out. Would be this wagon path leading up to it.
Doesn't look very good for the springs. M h uh.
Not as far as we can go. Have to walk
(11:04):
the rest of the way, Darling. Oh what a desolate place.
Speaker 3 (11:10):
I suppose really lives here.
Speaker 1 (11:12):
No, but I wouldn't be surprised with what it's ideal
for some of his enterprises. Like you said, Mirk was
a reformed character, Darling, Well, I suspect he still has
occasional relapses.
Speaker 6 (11:23):
Lamont.
Speaker 3 (11:23):
Is not even a light in the place, Darling.
Speaker 1 (11:27):
Maybe you better go back and sit in the car.
I'll go investigate.
Speaker 5 (11:29):
Nothing doing where you go I go, mister Cranston.
Speaker 1 (11:33):
Okay, come on then, still don't.
Speaker 2 (11:37):
Think this can be the place.
Speaker 3 (11:39):
So the he's looking if he's expecting, it's why I
didn't got a light of some sort.
Speaker 1 (11:43):
We'll find out soon enough. Doors open, okay, right, you
win them.
Speaker 3 (11:56):
Mark.
Speaker 1 (11:59):
You, Stela Montes, No one, let's go back. Someone's in there,
all right, give me that pleasure. I don't see anyone,
the mad the man he's getting up in the floor,
Murph uster fallen asleep? Is that you? Murph? What is
(12:22):
anything wrong with better? Not? Look jolly, you're it's all right, Murph.
It's Cranston. Who who did this to you? Put that note?
Speaker 5 (12:35):
Pin to his shirt?
Speaker 1 (12:36):
I don't know, not pinned to his shirt? Margaret? Stuck
through his chest with a knife.
Speaker 4 (12:45):
What did saute?
Speaker 1 (12:48):
Here's another one to baffle your Cranston, just as the
corning case baffled your corner killer. He knows you're here, Yes,
he must look. Look there, Margaret, that's not coming in
under the door. Second, but look, when does the part solid.
We've got to get out of here. Yes, we've got
to take Murph with us. He's written something blood on
(13:13):
the floor.
Speaker 6 (13:15):
I say, gee, are I g g.
Speaker 1 (13:23):
Our trigger? Is he the one who did this? Murph?
Speaker 3 (13:28):
He's shaking his head now, is he the.
Speaker 1 (13:30):
One who had the information about the corner killer? Where
where can I find him? Urph?
Speaker 3 (13:38):
Can't they got what he's writing?
Speaker 4 (13:39):
Going?
Speaker 1 (13:40):
So he's shaky?
Speaker 4 (13:42):
M h m.
Speaker 1 (13:44):
The mermaid hurry, Murph, hurry? What's it riding now? Looks
like E L A.
Speaker 4 (13:56):
N stopped?
Speaker 1 (13:58):
What else? Murph? M what is it? It's written always
the right, Margot.
Speaker 2 (14:07):
We better get out of here before we are too.
Speaker 5 (14:10):
Getting worse.
Speaker 1 (14:13):
Place going up like tend to hold the flesh on
the door that say we can smash our way off
giving way that didn't. Let's stay close behind me. Let's
get out of here.
Speaker 3 (14:28):
I want to come out that door if I were you,
Miss I'm a very good god.
Speaker 1 (14:33):
Drop that gunp that down. We'll return to the shadow
in just a minute. Now it's Winters time again.
Speaker 2 (14:55):
Yes, sir, Here are the two winners the carrys All
Contest for the weekending November eighth. Each these listeners. When
the gorgeous one hundred dollars seventeen ju Harmon gold watch
just for writing an interesting letter about carry salt, the
lady's watch goes to missus Aoobles Junior of Gainesville, Florida.
First suggestion tells you how to remove the printed die
from sugar bags or white feed bags. She suggests you
(15:15):
damp the bags with kerosene and sprinkline carries table salt,
then roll them up tied and let them stand overnight.
Next day, just wash in soapy water and watch the
dye rents away. Sounds like a wonderful idea. And here's
the winner of the Man's Watch. He is mister Sandy
Riza of Fleaburn, Texas, and he bases his suggestion on
thirty years of experience. He says, the best thing I
(15:36):
have ever found for smoothing rough gears and silencing their
noise is the use of carry salt mixed with gear,
grease or compounds. Congratulations to both of the winners and posts.
If you'd like to win one of these beautiful watches,
listen for the easy rules later in this program. Meanwhile,
remember is a fine carry salt for every farm and
home use. There's deep penetrating carries, table salt, carries meat,
(15:58):
curing salt, carries mineral suffle, mon salt, and many others.
Always look for a white bag box or cotton with
a bright red band. But now back to the shadow,
(16:22):
the mont and Margot, on the trail of a solution
of a five year old crime, find the mutilated body
of Mirth, one of Cranston's undercover assistance. Before they can
get out of Merph's hideout. However, the killer sets the.
Speaker 1 (16:36):
Old House of Fire and fires at Cranston as he
tries to get Margo out of the flaming building the month.
I'm all right, Margaret, I guess the bullet just graves
my skill, not a coupling. I guess she thinks she
got me. Let's get out of here. This root can't
(16:57):
last much longer. What are you going to do? Donald
claims will hide all evidence of the crist evidence of
no evidence. We know what happened back in their model.
Now I'm determined that the Corning killer is going to
be caught. I'm telling we're going to the Mermaid and
see what Trigger knows about the letters p La s oh,
(17:31):
this is the Mermaid, Lamont, not exactly the Stalk Club,
is it?
Speaker 6 (17:36):
This is Trigger?
Speaker 1 (17:38):
I don't see him. Are you sure you know what
he looks like? That gunman. I've seen his face in
the Rogues gallery so many times.
Speaker 4 (17:45):
What let be there?
Speaker 1 (17:46):
We're looking for a trigger, a bartender so a ten
thousand copy friend of ours named Murph, so as we'd
find him here.
Speaker 6 (17:53):
Oh you know Merph?
Speaker 3 (17:55):
Yeah, okay, try the guy in the check suit over.
Speaker 4 (17:58):
There while let me boys stout trigging him off.
Speaker 1 (18:03):
Oh doesn't look like him exactly. Come on, let's go
up and talk to him anyway. I got an idea.
Good evening.
Speaker 4 (18:16):
The table's taken and so I see. Oh, mister, I
ain't no talking more.
Speaker 1 (18:21):
It's about Merph. It said, blow light for that cigarette.
Speaker 4 (18:25):
Get that latch out of my face.
Speaker 1 (18:27):
Murph's the dead figure slashed to death.
Speaker 4 (18:30):
What I don't know what you're talking about? None that
I don't know, merchant.
Speaker 1 (18:35):
I don't know you. You're not leaving us.
Speaker 4 (18:38):
Yeah, but you figure not trying to stop me?
Speaker 1 (18:42):
No, not at all. Sorry, you don't like our company.
That breaks my heart.
Speaker 3 (18:48):
I let him get away the worry.
Speaker 1 (18:50):
When I want to begin, I don't know where to
find him. Oh, sitting over here and giving Shreevy the
highest sign like this, you'll follow him in his car,
think of everything.
Speaker 6 (19:00):
Hey, better not let the bar tend to see you
wrapping that glass and Hank.
Speaker 1 (19:03):
Not risk it, Margot. We got to make sure that
our check suited friend was who I think he was
in spite of plastic surgery. Plastic surgery? Yes, did you
notice when I offered him light for a cigarette? Yes?
I couldn't understand why you think so commodated. I held
the match very close to his face. That way I
was able to see the tiny scars that would be
invisible otherwise. So let us pla plastic surgery.
Speaker 5 (19:25):
Of course, then you think.
Speaker 1 (19:27):
That was Trigger with that doctor, Well, I'll be sure
when I get a set of Trigger's prints in the police,
then compare them in the lab. But the Prince, I
get off this glass and if they match, Margot, our friend,
Trigger is going to receive a visit from the Shadow. Hello, Trigger,
(19:58):
why are you packing a truck planning on going somewhere?
Who said that were away the gun? Trigger? I'm right here,
only you can't see me.
Speaker 4 (20:07):
What do you want?
Speaker 1 (20:08):
I'm the Shadow and I want the truth? Figure? Why
are you running away?
Speaker 4 (20:11):
You think I want to get camped up like Murph?
Speaker 1 (20:13):
Figure?
Speaker 8 (20:15):
You know shatter too much.
Speaker 4 (20:18):
I make a deal with you, I'll give That makes
no deal.
Speaker 1 (20:21):
The Shadow's only interest is justice. Who killed Merp? I
don't know I killed Murph figure.
Speaker 8 (20:25):
I guess it was either the doctor that Yeah, that's
the way they killed with it with the knife.
Speaker 1 (20:30):
They killed Mirth because he knew something about the corningcase figure?
Was that why they killed him? Yeah? I get who
murdered the Corning child? If I tell you, let's know,
if about a figure, tell me who killed the Corning child?
Speaker 7 (20:41):
Doc Winter?
Speaker 1 (20:43):
Where is this? Doc Winston?
Speaker 4 (20:45):
Sixty eighth Street, Second, that's across levity.
Speaker 1 (20:48):
I'm going to pay a visit to doctor Winston. Trigger
if you haven't told the truth, you'll answer to the.
Speaker 7 (20:54):
Shadow betterating again, dying.
Speaker 4 (21:15):
Again?
Speaker 1 (21:16):
I'm positive. Sixty eighth Street, second House, your second kick
in for night?
Speaker 6 (21:22):
Pretty good?
Speaker 1 (21:23):
Oh, we'd like to see doctor Winston.
Speaker 3 (21:26):
He's not here. You'll have to come back.
Speaker 1 (21:28):
Pardon me. I think we'll come in and see for ourselves.
Speaker 3 (21:31):
Take your foot out of that door.
Speaker 1 (21:32):
Sorry to be so rough, not very hospitable. Come in, Margot,
what is this? Didn't we almost meet face to face
at wall Kill earlier this evening?
Speaker 3 (21:43):
Joey, I did miss you, didn't? I I never did
trust guns missus Clanston. They do so much shouting and
get so furious though, drop that knife, Joy who had
your chance to get away, mister, drop that knife. Joy,
I'm gonna.
Speaker 6 (22:04):
High arm.
Speaker 1 (22:05):
I'll wrap it.
Speaker 6 (22:06):
Up, take up the night, Joey.
Speaker 1 (22:10):
A few questions. Where's Winston?
Speaker 6 (22:12):
I won't tell you.
Speaker 1 (22:14):
You haven't had enough, all right, Joey, he's.
Speaker 5 (22:20):
Gone to see somebody.
Speaker 6 (22:23):
Patient name Twigger ticket.
Speaker 1 (22:25):
You're not lying, Joey.
Speaker 6 (22:26):
No, I'm not lying to get the right away.
Speaker 1 (22:28):
What about Joey. That's something here. It'll keep him quiet
till the police can pick him up. The hand has
wonderful there, Joey. Now, in case you get the wander less,
you can carry that radiator along with you. I think
it'll be much more comfortable just to sit tight until
the police get here.
Speaker 6 (22:57):
Figgure expecting me. Don't move fast, Figger, turn around real
slow fast, said, what's.
Speaker 4 (23:07):
The idea of contact? I had done nothing?
Speaker 5 (23:10):
Looks like you had planning a trip trigger funk And
couldn't be that you were skipping down because some plans
of yours didn't quite work out?
Speaker 6 (23:20):
Could have trigger?
Speaker 4 (23:21):
Look, I got the hit that that's what you wanted
to do.
Speaker 6 (23:26):
And I'll take the door and then i'll take you.
Speaker 5 (23:30):
You talking about I tried to frame me trigger and
I'm going to kill you for it. I wait before
we parked company. Trigger, I'm going to take back something
I gave you talk about. I'm going to repossess that
face of your figger piece by piece.
Speaker 4 (23:48):
You could you could do that to me.
Speaker 6 (23:50):
I gave it to you.
Speaker 5 (23:51):
I ought to have a chance to take it away
again if I want to.
Speaker 6 (23:53):
Oh, shouldn't I trigger? That's don't be fair.
Speaker 1 (23:57):
You talk too much?
Speaker 6 (23:58):
Doctor, Oh, I underestimated you.
Speaker 4 (24:04):
It kind of looks a little different from this end
on the list your listen.
Speaker 8 (24:08):
Do you put a lot of cutting going on? You're
not male nursey.
Speaker 4 (24:13):
Your has been talking big with the knife.
Speaker 1 (24:15):
I'm a pretty fair kid with a gun.
Speaker 8 (24:19):
But now I'm gonna try a little of this knife
work too.
Speaker 4 (24:23):
You're gonna be my first patient.
Speaker 6 (24:24):
I'll wait a seconds to a butcher.
Speaker 8 (24:27):
When I was a kid, Doc, you didn't know that
was here.
Speaker 4 (24:30):
But I never worked on a person before. But I'm
not too old to.
Speaker 6 (24:33):
Learn at my back, stay away from me.
Speaker 1 (24:35):
Triggered your sweat and Doc, oh.
Speaker 4 (24:38):
You ain't one of them soft phones that can't take
his own medicine.
Speaker 1 (24:41):
And I light down on that fat trigger.
Speaker 4 (24:44):
Oh, you forgot the ate but didn't.
Speaker 6 (24:46):
You well he baggage trapped for door set your answer,
I don't get moving.
Speaker 4 (24:54):
Let me see what kind of instruments you brought it?
Speaker 8 (24:56):
Oh, personally, I like this long bladed knight.
Speaker 1 (24:59):
I haven't take trigger, use the gun, kill me clean
use the guy'll have the trust go away.
Speaker 8 (25:04):
No, you wouldn't want that?
Speaker 1 (25:05):
What your no? You in a good patience doki yo
before you're even hurt?
Speaker 8 (25:10):
A tee you when I really.
Speaker 1 (25:14):
That out of my head? It's a shadow trigger. I
said i'd come back. You can't stop me.
Speaker 8 (25:20):
I'm gonna kill him.
Speaker 1 (25:21):
He's gotta come a toll Avery Shadow, Savy, I'll save
your Winston, but not because I have any mercy for you.
So you'll die an electric chair for the corning murder.
I'll confess to what I'll do anything, and Timey don't
let him do it. Kill it doc, and I'll kill
your toe shadow. You can't kill what you can't see.
You'll finished trigger. Police are already on their way, maybe,
but I'll get you before they get me.
Speaker 5 (25:40):
I'm Timey Shadow. I'm t.
Speaker 1 (25:44):
Stay away from him, stir away off should my gun?
Speaker 5 (25:49):
What's take it off me?
Speaker 1 (25:51):
Take it off me it's only a bag instat trigger
hold until the police arrive here.
Speaker 5 (26:00):
All right, now, Shadow, you said you don't time me
was just a trap?
Speaker 1 (26:04):
Ring trigger is a better I can tie you both
up with this trap. Oh when sen, you'll stay tired,
and so will you Trigger. When the police arrived, they'll
find you booth ready and waiting to be taken to
the electric chair.
Speaker 2 (26:32):
Friends again, Today, the carry Saw Company is giving away
two gorgeous one dollar seventeen jewel Harmon gold watches and
an easy to win contest one man's watch one lady's
watch every week.
Speaker 1 (26:42):
If you'd like to hear.
Speaker 2 (26:43):
Your name announced as a winner, listen to these easy rules.
First right, one hundred words or less describing some new
and unusual way of using any carry Stall product, so
I can print your name and address on your entry.
Third mail two carries ce A R E Y S
carry salt in care of this station. That's all nothing
to buy, no box stops to send in. You can
write about deep penetrating carries round packaged table salt, or
(27:05):
carries mineral supplement salt or any carry salt products. Let
us postmark before midnight Friday. We'll be judged in this
week's contest and winners. Around three weeks from today, the
judge's positions are final. All letters become Carry's property. In
case of ties, duplicate prizes will be awarded. Remember the
man and woman who write the most interesting letters describing
some new and unusual way of using any carry Salt
(27:25):
products will each win a gorgeous one hundred dollars Watch. Remember,
send your letter to carry Salt in care of this station.
Get a job that addressed down Now it's carry Salt
in care of the station. Mail your letter today.
Speaker 1 (27:56):
This story is copyrighted by Street and Smith's Publications Corporated.
The characters, names, laces, and spots are pectations. Any similarity
to persons living or dead is purely to went Todmeral. Again,
next week, the Shadow will demonstrate that the weed of crime,
there's bitter fruit. Crime does not pay the shadow.
Speaker 2 (28:22):
Now next week, same time, same station, the Carry Saw
Company brings you another strange and thrilling adventure in the
shadows daring battle against.
Speaker 1 (28:43):
The forces of evil.
Speaker 2 (28:45):
Meanwhile, remember there's a carry saw for every farm and
home youth. Look for the package with a bright red band.
And here's the reminder. The U attend church regularly. There's
a place for you and your talent in the church
of your choice, part of the United Church Cansus
Speaker 1 (29:10):
That's putual broadcasting Christmas
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