August 13, 2025 • 26 mins
Inner Sanctum was a hugely popular Old Time Radio series created by producer Himan Brown. It was based on the popular Inner Sanctum mystery series of books. It aired from January 7, 1941, to October 5, 1952. Inner Sanctum featured tales of mystery, horror and suspense, with a mix of humor. That humor was what made Inner Sanctum different from similar horror and mystery series like Suspense, or The Whistler aired during the golden age of radio. Each episode started with the sound of a creaking door, some creepy organ music, followed by the opening narration. It's been said that the listening to the show was like celebrating Halloween every week. Many established stars played roles or were guest stars in the series, including Peter Lorre, Helen Hayes, Mary Astor, Frank Sinatra, Bela Lugosi, Orson Welles, and many more. Of the several hundred episodes of Inner Sanctum that aired, only about 150 survived.
Hope you enjoy this episode of Inner Sanctum! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart
Hope you enjoy this episode of Inner Sanctum! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group - All Podcasts @ Spreaker | Apple | YouTube | Spotify | iHeart
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
M hm.
Speaker 2 (00:03):
In a sanctum mystery brought to you buy a Bromo
help and starring Ben Het. Good evening friends of me,
(00:38):
and I thank him. This is your host inviting you
into the streaking. There, came in, came in, want you.
They're having a gala pair tonight, a grand pineer at
the downtown Martalum and anybody who is anybody will be there. Yes,
(00:59):
it's formal cut which it doesn't have to wear evening clothes.
You can come in morning, but you'll come early. We're
having a few people in the sky for us, and
you mustn't miss the opening Kicker the Night's Inner Think
(01:20):
the mystery. The Specter of the Rose is an adaptation
of Ben Hex's Ewart's motion picture, which will have it
Broadway premiere on August thirty first. It was adapted by
Robert Sloane and it's presented by the Emerton Drug Company
of Baltimore, Maryland, whose registered pharmacists compound that speedy refreshing
headache help in the familiar blue bottle. Grow More felt
(01:45):
this is her host, ready with tonight's story. It's all
about a ballet dancers and made a woman's heart kirouette
and kept the detectives on his toes. Our guest tonight
is only a student for the ballet, but a telling stories.
He has no masters. So here is the spect of
the road and the doator. Then he people like Andrey
(02:09):
Standing were born with one foot in heaven. The grace,
the charm, the effortless majesty of his movements to a learning, perhaps,
but never really studied. To him, the valley was like
food or sleep, the normal function of the body, an
incparable part of the soul. And when hands they danced
in the theater, usher's watch stay hands stood by.
Speaker 3 (02:31):
In the wings and stairs. Even the manager of the
company apparted.
Speaker 4 (02:35):
Is the last act cutting sun.
Speaker 3 (02:39):
Born. We heard you from that year to Jeb and.
Speaker 2 (02:42):
All, Josh protacoput cover and I used to thank more,
but from May it was even more the same.
Speaker 3 (02:47):
Already they're calling you a ste that's madame Latius.
Speaker 5 (02:50):
And isn't handing the mic? Isn't that hand to give you?
Speaker 6 (02:54):
It's for you, madam.
Speaker 2 (02:55):
You're an aspector of the row at the property, brings.
Speaker 1 (02:58):
Your dancers to li of We'll go out there taking
another call.
Speaker 4 (03:01):
No no, no more calls without me and my.
Speaker 6 (03:03):
Wife is entirely some of the story. If he's dancing
heart outs and.
Speaker 3 (03:06):
I mind will go before the curtains. Nyna, Naina, where
are you? We're gonna take a car together, very still,
less blasting.
Speaker 5 (03:14):
No, he hadn't them out the state.
Speaker 2 (03:15):
Maybe one of the girls.
Speaker 6 (03:16):
No good, Heaven, there is one of the girls.
Speaker 2 (03:21):
Comow, don't be a propoly car, he said, little one hiding.
Something must have happened.
Speaker 4 (03:25):
Make I'm going come anywhere here? What's the map? You
some look?
Speaker 2 (03:30):
He just do.
Speaker 5 (03:33):
I carn't you wait to hut seeing.
Speaker 2 (03:35):
My darling be too meet.
Speaker 4 (03:39):
Okay, he said, no, No, I can't believe it. God
right here on.
Speaker 7 (03:47):
The stake, understand, have some of a rose? Not thing
like it had ever happened before. A ballerina dies in
costume at the.
Speaker 3 (04:05):
End of the performance, and her husband's grief closes the show.
Speaker 2 (04:09):
But men like Pelicop, men who are full of ego
and intulgancy, never let a good show stay closed. It
took a month to find you in a backer for
another ballet starring Andrey Sanni, but as soon as he
found one, he went to a kilt for his plan
is bigger and better. It's the gold mining.
Speaker 5 (04:31):
Why are you putting with your soul?
Speaker 4 (04:32):
Right?
Speaker 3 (04:33):
I'm getting my girls a less I'm bring.
Speaker 2 (04:38):
I don't believe in that seek its nerve?
Speaker 4 (04:42):
All right?
Speaker 5 (04:43):
S then all right, that's the momic will start again.
Speaker 4 (04:48):
Again.
Speaker 3 (04:50):
But how long can a man proper over a dead rise?
Speaker 5 (04:53):
Or two weeks?
Speaker 2 (04:54):
But the months at ridiculous? In the music? Please you?
I told you a dozen dance lies in bed.
Speaker 1 (05:00):
Steering doesn't move him up. He doesn't even know to
day or night. That's not the don He's moody, but
he can turn in each.
Speaker 4 (05:07):
Other to this poor child here brings in soup like
this is riding well, every even looks at it.
Speaker 6 (05:14):
You know what?
Speaker 2 (05:15):
Sweet? If you heard you? As long as one woman
through the doors. A man here isn't duke, He isn't mad?
Speaker 5 (05:21):
Yes, what did it me? You?
Speaker 4 (05:24):
Madam?
Speaker 2 (05:24):
Looks spell?
Speaker 4 (05:25):
O's right.
Speaker 6 (05:26):
My name is mc farland.
Speaker 2 (05:28):
I'm from a homicide girl the mind. If I ask you,
if your questions, what about not a dancer you know
called Andre Sanine? You know I can find him?
Speaker 1 (05:38):
Well, I imagine you can find him that way. He's
been for the last seven months at home and he's fat.
Speaker 2 (05:43):
Where is that.
Speaker 5 (05:44):
Why do you want to see him?
Speaker 2 (05:46):
Oh, that's the report I'm investigating. You know how the
police are. We never really close our books on a
cave are books? What are you talking about?
Speaker 6 (05:54):
Well?
Speaker 2 (05:54):
Here perfectly, Frank. Mister Fannin seems to be making some
peculiar statements about his way, and I'm not altogether sure
they aren't true. What did he say that his wife
is murdered? Yeah, that's why I'd like to talk to him.
Get some of these statements first hand.
Speaker 4 (06:11):
It is truly he's sick.
Speaker 2 (06:13):
If he takes the things, that's the same. I want
to talk to her.
Speaker 3 (06:16):
You care.
Speaker 2 (06:18):
How would you think that, I'm said, you'll have to,
young lady.
Speaker 5 (06:23):
Who did he say?
Speaker 2 (06:24):
Did he t That's just that he said he did
it himself. Let's get one day straight, miss till him.
I didn't kill her, And if I told somebody I
did it, told her because I'm sure I got a
bad bug, so help me.
Speaker 4 (06:41):
It was stuck in my mind.
Speaker 7 (06:43):
What was stop mister Sonny and the idea that I
killed her that night from mistake.
Speaker 4 (06:48):
It's sort of a dream. He's all right, honey, I
can talk about him.
Speaker 2 (06:51):
You have missus Shanny and talk. Well, it's like I
was telling him before, I get these dreamings, they dreams
of my column on the real.
Speaker 3 (07:00):
Yeah.
Speaker 7 (07:00):
First I hear the violins in the heart the way
upon it, that's who such when I see myself coming
in in a jacket of roses.
Speaker 4 (07:09):
Ance in my head?
Speaker 2 (07:10):
You know, No, I don't. Is that one of the
characters that you play on the sage? That's it. It's
the dance calls the spectre of the.
Speaker 6 (07:18):
Rose, Only you don't really kill a nice It's it's
only in the dream.
Speaker 4 (07:21):
It's what I mean, thee it's the dreams all mixed cup.
Speaker 2 (07:26):
Well, ye're a little next step still rock here? No, no, no,
not anymore. No, it's only in the dream that I
have killed.
Speaker 6 (07:33):
But I haven't had that dream or I've heard those
gray violin for some time. Not kidding.
Speaker 2 (07:37):
In other words, you're normal, No, sure, like a rocket.
Speaker 4 (07:40):
Even the music doesn't bother me anymore. But I'll kill
you play upon me.
Speaker 2 (07:46):
I said, I've graduated.
Speaker 4 (07:56):
There's nothing going to walk to me now. I take
it back about saying you might. I've been working.
Speaker 2 (08:02):
In the proma that turn take me up and down
the wall.
Speaker 3 (08:05):
It's just to walk me now, just lost me a gentleman.
This is and historic moments of it. You see the
compact of a genie.
Speaker 2 (08:13):
Today to come back to me, Polygar, I'll dance to
get your sportio dance will build the entire ballet season
around to see me. By profuctioning a few orchestra, you
can do your own choreography like or brom Gargo Garage.
Speaker 7 (08:26):
Careful, oh angel, little angel, would have a makes sense to.
Speaker 4 (08:30):
Make me back to health. I'm well again. So you
have made me what what?
Speaker 5 (08:35):
What?
Speaker 2 (08:36):
Your beautiful galley?
Speaker 4 (08:37):
And I want you to dance with me?
Speaker 2 (08:38):
Don't you understand you shall be my ballery?
Speaker 5 (08:43):
Do you mean I don't know?
Speaker 4 (08:44):
You want you to be?
Speaker 7 (08:45):
Allow cast my balley together, which I've danced the Specter.
Speaker 4 (08:50):
Of the Row.
Speaker 2 (08:56):
In two weeks Andrews standing was ready to start, and
another two of the Specter of the Road that already
begun to take shape. With hiding in the Ballerina Road,
and one night before the openings were forming, Madam must
put hide aside after the hurt those and pulls us
something she never.
Speaker 3 (09:15):
Expected to hear.
Speaker 4 (09:17):
We must leave the show hiding.
Speaker 5 (09:19):
They cannot play the solly. Ultimately I've done more terrible wrong.
Speaker 1 (09:24):
Let me go this far, but they're still timey today
as I take you must not see undo anymore, my child,
He must see you, but you to always come him
runaway tore, but don't come back to get anymore.
Speaker 5 (09:40):
Haven't been ground? Why didn't leave? Andrey? I will do
it now.
Speaker 4 (09:44):
I know you do, my darling.
Speaker 3 (09:46):
But he's begun to ado with you.
Speaker 5 (09:47):
Didn't want into WiDi see get me. There's something more
important than my.
Speaker 4 (09:52):
Life than love.
Speaker 5 (09:53):
But he's going to. Don't you understand he's been made
for you, chimed I wasn't made for anybody.
Speaker 4 (09:58):
He's a madman.
Speaker 5 (09:58):
And don't think Andre.
Speaker 1 (10:00):
He killed Ena and he'll kill you with I let
you know he didn't kill Meina, you can't kill yourself
life everyone.
Speaker 6 (10:06):
I'm told the police because he's been around.
Speaker 4 (10:09):
Here a dozen times. He knows the thing that happened.
He kills the truth sudn't be true. I'm gonna the color.
Speaker 5 (10:16):
Yeah, no, I'm not come to.
Speaker 7 (10:18):
Listen to you.
Speaker 4 (10:18):
You listen.
Speaker 7 (10:21):
It the stem a dusting humber half all because he
died a mistake.
Speaker 1 (10:25):
He had a nice and ataban and he was tighting
him off with a tear when I came in, he
was in a heart attall.
Speaker 4 (10:30):
He died from the blows you did. I say her
life for one last performance, but he killed her. Dostice
that he stabbed there were that night.
Speaker 5 (10:41):
Don't kill me too. I had.
Speaker 4 (10:46):
His head, his head in a ad and that's the
way it started with Meina.
Speaker 5 (10:50):
He has the same looking to God.
Speaker 4 (10:53):
That's why I want you to go away. We go.
Speaker 5 (10:57):
I kill I t to the course.
Speaker 8 (11:01):
Even know it's just say you know, what.
Speaker 4 (11:14):
Do you do? But I'm just going matter. I can
write the case, body across the case.
Speaker 6 (11:18):
You're gonna walk some one like it.
Speaker 4 (11:21):
Now I can like you.
Speaker 5 (11:23):
Oh yeah, three come.
Speaker 2 (11:24):
To greatness is and.
Speaker 4 (11:27):
I'll talk it all from you.
Speaker 2 (11:31):
Want. I'll take it.
Speaker 3 (11:33):
Matter.
Speaker 5 (11:36):
How about youth?
Speaker 6 (11:38):
You can make it go away?
Speaker 4 (11:40):
Go me something kind?
Speaker 3 (11:43):
I can't.
Speaker 5 (11:43):
I love you one day. He'll always see what you want.
Speaker 4 (11:45):
Ever you need me, just week so much. I'll never
find you.
Speaker 2 (11:52):
To leave you.
Speaker 4 (11:54):
I never hurt you, no matter what happens.
Speaker 5 (11:57):
I don't talk.
Speaker 4 (11:58):
I think, hell, are you trinking back? I just want
to Amber. I don't get I'm going to do.
Speaker 6 (12:10):
In fact, I don't.
Speaker 4 (12:12):
What can you do to me?
Speaker 5 (12:14):
That moved it?
Speaker 4 (12:14):
For me.
Speaker 3 (12:17):
He's like, how are the patent?
Speaker 1 (12:20):
The man with the knife take to see he's coming
cont ms but it's cut the horse, Come.
Speaker 5 (12:29):
Tell me the bout of an.
Speaker 4 (12:33):
And he.
Speaker 6 (12:38):
Oh my darling, love me, love me.
Speaker 2 (13:00):
Do you know that the experts in radio have a
way of telling how many people listen to a programs.
When they figure this out, the program gets what's called
a rating. If last week's audience there's any indications many
millions are listening tonight to Inner Thank Them. Yes, Inner
Thankum is a top rating show. And among those millions
of people, it's assured bet that some of them are
(13:21):
going to have a headache tomorrow or Wednesday or the
next day. And when that happens, many of them have
a product on hand that gets the top rating for
headache help. It comes in a blue bottle. It fights
headache free ways. Yes it's Bromo seltzis the headache help
that millions know because of the fast relief. It brings
fast relief not only from a headache itself, but also
(13:43):
from a stomach upset and jittery nerves that may go
along with a headache.
Speaker 1 (13:47):
And Girlithelter also rates time as the week because It's
such a pleasant way of from darting a headache while.
Speaker 8 (13:52):
Brood with Selter is so nice and me pressing.
Speaker 5 (13:55):
There's nothing I'd read it.
Speaker 4 (13:56):
Take for a headache.
Speaker 2 (13:57):
That's what modern folks everywhere say. So remember, friends, gomolt
that your doggess fountain encounter. The next time you have
a headache, get past relief from that headache. Great, take refreshing,
(14:22):
were ar that you've had a chance to catch your breath.
Let's give this ballet dance to another. Find out what
makes him take no no, no no, not Andrew the
other one, the gay play the dancers up and down
the walls with a nice he's our one eye only
(14:44):
it's a pity he never uses a fork. But then
what can you expect of a specter that he's an
artist and the artist to paint with a sword, have
a nasty habit of drawing blur. See you well, let's
get on the story. Here's mister, he continued. The minds
(15:07):
of the ballet dancer is hard enough to fathom, even
under normal conditions. Set on symbolic thoughts and childlike enthusiasm.
It's simplicity of the seasing, like I find what an
expensive radio a delicately adjusted mechanism that givest balance can
become distorted, one cost wild, one loose connection, and instead
(15:31):
of hearing a beautiful symphony, outcome static. That's why Detective
McFarland was unhand at the theater the night respect to
the road was scheduled to hope. I don't get excited myself.
I'm not here to arrest anybody. I just got a
hunch that something might happen. But you know, I went
(15:52):
crazy last time he danced bon He's like him, I
have a way of repeating himself.
Speaker 5 (15:55):
Will you kindly not add to rob?
Speaker 7 (15:57):
But I've explained about there's just a thousand times.
Speaker 2 (16:02):
That's the trouble. Normal death needs only one explanation, but
a thousand nine enough when it's the case of murder.
Speaker 5 (16:12):
See't nobody up there?
Speaker 2 (16:14):
Don't getting out herself. That scream wasn't up there, It
was right down here and Andre Funny and the girls.
Speaker 4 (16:23):
What's going there?
Speaker 2 (16:26):
Why who's making all the noise? I don't mind about that.
What's going on here?
Speaker 4 (16:29):
Oh? Nothing all over?
Speaker 2 (16:32):
See nobody screamed in here?
Speaker 4 (16:34):
Where is she? What are you talking about?
Speaker 2 (16:37):
Your wife? Where is she? She's a she's lying down, resting.
We're always asked before a performing you wanted to be
Oh yeah, but uh, something might have happened now he
heard scream here.
Speaker 5 (16:49):
No, no, nothing's happened to my husband. And I was corning.
I extreamed. I couldn't help it.
Speaker 2 (16:56):
I'll pretre that not so fad It look a little pale, all.
Speaker 5 (17:01):
Right, cut an, What can I tell you if I
I don't know?
Speaker 2 (17:05):
I said, I know it isn't very pretty, but everything
is all right. After the show, you can hit me
on ahead if you want to, But right now you've
got to leave.
Speaker 6 (17:11):
It's along.
Speaker 3 (17:11):
We're dancing tonight exact.
Speaker 4 (17:13):
Mccar leads him alone.
Speaker 2 (17:14):
Okay, I don't bother you anymore. I mean I'll be
standing right outside the door, fairling. Could I do in
your garden?
Speaker 4 (17:26):
I stuck you tonight? You know I stuck you with
my face. He struck you him, that willing devil. I
thought I was.
Speaker 2 (17:32):
Watching him, but it was me.
Speaker 8 (17:35):
I don't know one.
Speaker 5 (17:36):
I know, I love you, I'm thinking to hear me,
I love you.
Speaker 2 (17:38):
I'm trying no good.
Speaker 4 (17:39):
D you get a lot of muscles that can to
ance the rest of me is Robbie spoken to no.
Speaker 5 (17:46):
Please don't.
Speaker 8 (17:48):
How can I not think again?
Speaker 4 (17:51):
I do sure? I don't look you tell me it's
God not it's because the car. I did that to deny.
I touch you whip and a load of night still
lighting me. How do you do what?
Speaker 5 (18:04):
I tried to kill you with the next.
Speaker 3 (18:05):
And I fell against the glass, catches.
Speaker 4 (18:07):
Me the edge of it. He stop and I he me.
Speaker 5 (18:14):
I tried to hide it from you in my rope?
Speaker 4 (18:15):
Did I did?
Speaker 6 (18:16):
I'm out of my head. Take it hiding, Take it
and take it into my height and no never agel
you might kill me before.
Speaker 2 (18:24):
I kill you.
Speaker 1 (18:26):
Oh I I mean tonight you miss dance.
Speaker 2 (18:40):
They were like music that night, not like people, like
music flowing through the air, like residents, notes echoing down
a car there when the curtain fell, the ovation was tremendous.
Hiding and standing were an overnight sensation, and the specty
of the Road was only the first of their triumphs
o it played the capacity houses, and then one night,
(19:03):
just before certain time, it happened.
Speaker 3 (19:06):
They're not here yet, he does not hear your cur
tidy and telling they're nothing to fear.
Speaker 4 (19:11):
No time to day.
Speaker 3 (19:13):
Twenty five five minutes before curtain time. They're not here yet.
Speaker 2 (19:16):
How can they do the sea?
Speaker 5 (19:19):
Have they called up for anything?
Speaker 4 (19:20):
Nothing?
Speaker 6 (19:20):
Nothing?
Speaker 3 (19:21):
They hadn't called the phoning their apartment.
Speaker 7 (19:22):
Doesn't then, for Hender's been calling them for clumping in
the ting?
Speaker 2 (19:26):
Yeah, madam, what do they do? Bring them again?
Speaker 5 (19:28):
No?
Speaker 6 (19:28):
No, no?
Speaker 4 (19:28):
Can they go over? There're not a waying. Something must
have happened.
Speaker 1 (19:31):
The better tell the audience telcottera're not coming?
Speaker 2 (19:33):
How do you know they're not coming?
Speaker 3 (19:35):
I tell you, wait a minute, you call, I'm going
to call the police.
Speaker 5 (19:44):
Hid, I'm going to open.
Speaker 2 (19:45):
The door and I mind, I'm knocking myself. I got
a key from a super nobody called mcfarl and Henry
would have called up if they were here.
Speaker 4 (19:53):
That's the same.
Speaker 2 (19:54):
Are going in fride.
Speaker 4 (19:57):
This?
Speaker 3 (19:57):
They made a mess of his place before they left?
Speaker 2 (20:00):
How do you know all that that? I don't I
know what to fight for her? That somebody gonna fos
tell me what happened?
Speaker 1 (20:09):
Uh?
Speaker 4 (20:11):
Yeah?
Speaker 1 (20:11):
God?
Speaker 3 (20:11):
Where now?
Speaker 2 (20:13):
They don't know? He took him away? Where'd they go?
What happened to you know? Hey? He hit me with
that cher. He was like a wise man. What did
you think to him? Nothing? I I just wanted to
give this guy.
Speaker 5 (20:27):
Never mind about that.
Speaker 2 (20:28):
Why they don't he told you, I don't know. She
was afraid your doctor would come and take him away.
And why they there? She didn't want any doctor see him.
Speaker 4 (20:38):
But oh, holy a child. He must find him to follow.
Speaker 2 (20:43):
The point too, lady, I'll find he at this guy
getting and he started a leaders All I know is
what they told you. He said he was going to
hide and dress from everybody too. He got aware of
a game.
Speaker 4 (20:54):
Ky bad he is, ma'am he he.
Speaker 2 (20:57):
He was talking about buy herns and herbs way up
high the way they beginning the inspect the road. And
there was baden for three days and three nights. The
mustuffy hotel room where Hiding had hidden him, he topped
(21:19):
and turned over in his bed like a man with
tropical fever, and all the while the demon sang in
his head. And the third night Hardy went out with Kimpoon.
When he came back and there was very still.
Speaker 4 (21:33):
On the bed. Oh oh, I was hopping of the
sleeping and.
Speaker 2 (21:42):
Let the saw he dances all the time.
Speaker 4 (21:45):
I in my mind, I can't stop.
Speaker 5 (21:49):
Talk s.
Speaker 4 (21:53):
M h.
Speaker 5 (21:53):
I got to control from him.
Speaker 2 (21:55):
I'm not hungry.
Speaker 5 (21:56):
You must be hungry and you haven't eaten for sets.
Speaker 4 (22:00):
You pregonde the I need to.
Speaker 5 (22:02):
Get the nose.
Speaker 6 (22:03):
So I didn't just say, how do you do here alone?
Speaker 2 (22:07):
I'm not alone. He's here.
Speaker 6 (22:10):
He's always here.
Speaker 5 (22:15):
To me, I thought you the rose.
Speaker 2 (22:18):
I please, I must don't get on.
Speaker 5 (22:22):
See if I can only get different kills, but they
won't give them to you. At a doctor to good.
Speaker 6 (22:27):
They call the yes real.
Speaker 4 (22:30):
I wouldn't call anybody.
Speaker 2 (22:32):
Yeah, I.
Speaker 5 (22:36):
Look too well, againt the way I get before.
Speaker 4 (22:40):
You mustn't take your eyes off me. I don't they
have to feel it.
Speaker 2 (22:50):
I can it for tonight.
Speaker 4 (22:52):
I can get it to right.
Speaker 6 (22:55):
I got you hide him trying adult and out a
crazy man. Riah, look that I'm a dance.
Speaker 4 (23:01):
I don't I down.
Speaker 5 (23:03):
You don't haven't chance to make you want to the
most dollar.
Speaker 3 (23:11):
He's gone.
Speaker 5 (23:13):
I can't hold you anymore.
Speaker 4 (23:15):
You can stopping no one here.
Speaker 2 (23:18):
I tell you you don't let me wrong, youness.
Speaker 4 (23:22):
I don't stop him the kind of walk. Yeah, I
was trying because you want to do my face to here.
Speaker 5 (23:29):
He wants to stay cooking with me? Y yeah, and
I need to say.
Speaker 4 (23:38):
Couldn't do mm hmm. I'm dropping about Oh.
Speaker 8 (23:47):
Please, I can't sep the waiting here.
Speaker 5 (23:54):
I got to sleep.
Speaker 6 (23:57):
Yeah yeah, love my bod and I'm I will dance
to the rule. I won't a my own moaning, my
own meaning.
Speaker 4 (24:16):
No, well you I can't do it.
Speaker 2 (24:21):
I'm here, I'm you one here pick up the night
and that you must dance on right, Yeah, picking the law.
Speaker 4 (24:37):
For you.
Speaker 3 (24:41):
For you mean.
Speaker 2 (24:44):
The dance when you die.
Speaker 4 (24:46):
Mm hmm.
Speaker 3 (24:47):
While the road it's been drowned with.
Speaker 5 (24:49):
The mine, my kid, I.
Speaker 2 (24:55):
Come to the thing, I.
Speaker 3 (25:00):
Dan, I s.
Speaker 4 (25:20):
No darling, my poor girl.
Speaker 2 (25:33):
Well, let's sit your old choreographer and let that be
a lesson to all you whirling dervites. If you must
commit a murder, don't wind up like a top now
only in this case our hear round up.
Speaker 6 (25:49):
At the bottom. Well, And I always say a.
Speaker 2 (25:53):
Rolling stone gathers no mocksterlen or a red but vice
friends from a man who made quite a mask for himself,
cutting stroke murder. He says, it's a Matthew business. But
business always comes before a pleasure.
Speaker 1 (26:11):
That
M hm.
Speaker 2 (00:03):
In a sanctum mystery brought to you buy a Bromo
help and starring Ben Het. Good evening friends of me,
(00:38):
and I thank him. This is your host inviting you
into the streaking. There, came in, came in, want you.
They're having a gala pair tonight, a grand pineer at
the downtown Martalum and anybody who is anybody will be there. Yes,
(00:59):
it's formal cut which it doesn't have to wear evening clothes.
You can come in morning, but you'll come early. We're
having a few people in the sky for us, and
you mustn't miss the opening Kicker the Night's Inner Think
(01:20):
the mystery. The Specter of the Rose is an adaptation
of Ben Hex's Ewart's motion picture, which will have it
Broadway premiere on August thirty first. It was adapted by
Robert Sloane and it's presented by the Emerton Drug Company
of Baltimore, Maryland, whose registered pharmacists compound that speedy refreshing
headache help in the familiar blue bottle. Grow More felt
(01:45):
this is her host, ready with tonight's story. It's all
about a ballet dancers and made a woman's heart kirouette
and kept the detectives on his toes. Our guest tonight
is only a student for the ballet, but a telling stories.
He has no masters. So here is the spect of
the road and the doator. Then he people like Andrey
(02:09):
Standing were born with one foot in heaven. The grace,
the charm, the effortless majesty of his movements to a learning, perhaps,
but never really studied. To him, the valley was like
food or sleep, the normal function of the body, an
incparable part of the soul. And when hands they danced
in the theater, usher's watch stay hands stood by.
Speaker 3 (02:31):
In the wings and stairs. Even the manager of the
company apparted.
Speaker 4 (02:35):
Is the last act cutting sun.
Speaker 3 (02:39):
Born. We heard you from that year to Jeb and.
Speaker 2 (02:42):
All, Josh protacoput cover and I used to thank more,
but from May it was even more the same.
Speaker 3 (02:47):
Already they're calling you a ste that's madame Latius.
Speaker 5 (02:50):
And isn't handing the mic? Isn't that hand to give you?
Speaker 6 (02:54):
It's for you, madam.
Speaker 2 (02:55):
You're an aspector of the row at the property, brings.
Speaker 1 (02:58):
Your dancers to li of We'll go out there taking
another call.
Speaker 4 (03:01):
No no, no more calls without me and my.
Speaker 6 (03:03):
Wife is entirely some of the story. If he's dancing
heart outs and.
Speaker 3 (03:06):
I mind will go before the curtains. Nyna, Naina, where
are you? We're gonna take a car together, very still,
less blasting.
Speaker 5 (03:14):
No, he hadn't them out the state.
Speaker 2 (03:15):
Maybe one of the girls.
Speaker 6 (03:16):
No good, Heaven, there is one of the girls.
Speaker 2 (03:21):
Comow, don't be a propoly car, he said, little one hiding.
Something must have happened.
Speaker 4 (03:25):
Make I'm going come anywhere here? What's the map? You
some look?
Speaker 2 (03:30):
He just do.
Speaker 5 (03:33):
I carn't you wait to hut seeing.
Speaker 2 (03:35):
My darling be too meet.
Speaker 4 (03:39):
Okay, he said, no, No, I can't believe it. God
right here on.
Speaker 7 (03:47):
The stake, understand, have some of a rose? Not thing
like it had ever happened before. A ballerina dies in
costume at the.
Speaker 3 (04:05):
End of the performance, and her husband's grief closes the show.
Speaker 2 (04:09):
But men like Pelicop, men who are full of ego
and intulgancy, never let a good show stay closed. It
took a month to find you in a backer for
another ballet starring Andrey Sanni, but as soon as he
found one, he went to a kilt for his plan
is bigger and better. It's the gold mining.
Speaker 5 (04:31):
Why are you putting with your soul?
Speaker 4 (04:32):
Right?
Speaker 3 (04:33):
I'm getting my girls a less I'm bring.
Speaker 2 (04:38):
I don't believe in that seek its nerve?
Speaker 4 (04:42):
All right?
Speaker 5 (04:43):
S then all right, that's the momic will start again.
Speaker 4 (04:48):
Again.
Speaker 3 (04:50):
But how long can a man proper over a dead rise?
Speaker 5 (04:53):
Or two weeks?
Speaker 2 (04:54):
But the months at ridiculous? In the music? Please you?
I told you a dozen dance lies in bed.
Speaker 1 (05:00):
Steering doesn't move him up. He doesn't even know to
day or night. That's not the don He's moody, but
he can turn in each.
Speaker 4 (05:07):
Other to this poor child here brings in soup like
this is riding well, every even looks at it.
Speaker 6 (05:14):
You know what?
Speaker 2 (05:15):
Sweet? If you heard you? As long as one woman
through the doors. A man here isn't duke, He isn't mad?
Speaker 5 (05:21):
Yes, what did it me? You?
Speaker 4 (05:24):
Madam?
Speaker 2 (05:24):
Looks spell?
Speaker 4 (05:25):
O's right.
Speaker 6 (05:26):
My name is mc farland.
Speaker 2 (05:28):
I'm from a homicide girl the mind. If I ask you,
if your questions, what about not a dancer you know
called Andre Sanine? You know I can find him?
Speaker 1 (05:38):
Well, I imagine you can find him that way. He's
been for the last seven months at home and he's fat.
Speaker 2 (05:43):
Where is that.
Speaker 5 (05:44):
Why do you want to see him?
Speaker 2 (05:46):
Oh, that's the report I'm investigating. You know how the
police are. We never really close our books on a
cave are books? What are you talking about?
Speaker 6 (05:54):
Well?
Speaker 2 (05:54):
Here perfectly, Frank. Mister Fannin seems to be making some
peculiar statements about his way, and I'm not altogether sure
they aren't true. What did he say that his wife
is murdered? Yeah, that's why I'd like to talk to him.
Get some of these statements first hand.
Speaker 4 (06:11):
It is truly he's sick.
Speaker 2 (06:13):
If he takes the things, that's the same. I want
to talk to her.
Speaker 3 (06:16):
You care.
Speaker 2 (06:18):
How would you think that, I'm said, you'll have to,
young lady.
Speaker 5 (06:23):
Who did he say?
Speaker 2 (06:24):
Did he t That's just that he said he did
it himself. Let's get one day straight, miss till him.
I didn't kill her, And if I told somebody I
did it, told her because I'm sure I got a
bad bug, so help me.
Speaker 4 (06:41):
It was stuck in my mind.
Speaker 7 (06:43):
What was stop mister Sonny and the idea that I
killed her that night from mistake.
Speaker 4 (06:48):
It's sort of a dream. He's all right, honey, I
can talk about him.
Speaker 2 (06:51):
You have missus Shanny and talk. Well, it's like I
was telling him before, I get these dreamings, they dreams
of my column on the real.
Speaker 3 (07:00):
Yeah.
Speaker 7 (07:00):
First I hear the violins in the heart the way
upon it, that's who such when I see myself coming
in in a jacket of roses.
Speaker 4 (07:09):
Ance in my head?
Speaker 2 (07:10):
You know, No, I don't. Is that one of the
characters that you play on the sage? That's it. It's
the dance calls the spectre of the.
Speaker 6 (07:18):
Rose, Only you don't really kill a nice It's it's
only in the dream.
Speaker 4 (07:21):
It's what I mean, thee it's the dreams all mixed cup.
Speaker 2 (07:26):
Well, ye're a little next step still rock here? No, no, no,
not anymore. No, it's only in the dream that I
have killed.
Speaker 6 (07:33):
But I haven't had that dream or I've heard those
gray violin for some time. Not kidding.
Speaker 2 (07:37):
In other words, you're normal, No, sure, like a rocket.
Speaker 4 (07:40):
Even the music doesn't bother me anymore. But I'll kill
you play upon me.
Speaker 2 (07:46):
I said, I've graduated.
Speaker 4 (07:56):
There's nothing going to walk to me now. I take
it back about saying you might. I've been working.
Speaker 2 (08:02):
In the proma that turn take me up and down
the wall.
Speaker 3 (08:05):
It's just to walk me now, just lost me a gentleman.
This is and historic moments of it. You see the
compact of a genie.
Speaker 2 (08:13):
Today to come back to me, Polygar, I'll dance to
get your sportio dance will build the entire ballet season
around to see me. By profuctioning a few orchestra, you
can do your own choreography like or brom Gargo Garage.
Speaker 7 (08:26):
Careful, oh angel, little angel, would have a makes sense to.
Speaker 4 (08:30):
Make me back to health. I'm well again. So you
have made me what what?
Speaker 5 (08:35):
What?
Speaker 2 (08:36):
Your beautiful galley?
Speaker 4 (08:37):
And I want you to dance with me?
Speaker 2 (08:38):
Don't you understand you shall be my ballery?
Speaker 5 (08:43):
Do you mean I don't know?
Speaker 4 (08:44):
You want you to be?
Speaker 7 (08:45):
Allow cast my balley together, which I've danced the Specter.
Speaker 4 (08:50):
Of the Row.
Speaker 2 (08:56):
In two weeks Andrews standing was ready to start, and
another two of the Specter of the Road that already
begun to take shape. With hiding in the Ballerina Road,
and one night before the openings were forming, Madam must
put hide aside after the hurt those and pulls us
something she never.
Speaker 3 (09:15):
Expected to hear.
Speaker 4 (09:17):
We must leave the show hiding.
Speaker 5 (09:19):
They cannot play the solly. Ultimately I've done more terrible wrong.
Speaker 1 (09:24):
Let me go this far, but they're still timey today
as I take you must not see undo anymore, my child,
He must see you, but you to always come him
runaway tore, but don't come back to get anymore.
Speaker 5 (09:40):
Haven't been ground? Why didn't leave? Andrey? I will do
it now.
Speaker 4 (09:44):
I know you do, my darling.
Speaker 3 (09:46):
But he's begun to ado with you.
Speaker 5 (09:47):
Didn't want into WiDi see get me. There's something more
important than my.
Speaker 4 (09:52):
Life than love.
Speaker 5 (09:53):
But he's going to. Don't you understand he's been made
for you, chimed I wasn't made for anybody.
Speaker 4 (09:58):
He's a madman.
Speaker 5 (09:58):
And don't think Andre.
Speaker 1 (10:00):
He killed Ena and he'll kill you with I let
you know he didn't kill Meina, you can't kill yourself
life everyone.
Speaker 6 (10:06):
I'm told the police because he's been around.
Speaker 4 (10:09):
Here a dozen times. He knows the thing that happened.
He kills the truth sudn't be true. I'm gonna the color.
Speaker 5 (10:16):
Yeah, no, I'm not come to.
Speaker 7 (10:18):
Listen to you.
Speaker 4 (10:18):
You listen.
Speaker 7 (10:21):
It the stem a dusting humber half all because he
died a mistake.
Speaker 1 (10:25):
He had a nice and ataban and he was tighting
him off with a tear when I came in, he
was in a heart attall.
Speaker 4 (10:30):
He died from the blows you did. I say her
life for one last performance, but he killed her. Dostice
that he stabbed there were that night.
Speaker 5 (10:41):
Don't kill me too. I had.
Speaker 4 (10:46):
His head, his head in a ad and that's the
way it started with Meina.
Speaker 5 (10:50):
He has the same looking to God.
Speaker 4 (10:53):
That's why I want you to go away. We go.
Speaker 5 (10:57):
I kill I t to the course.
Speaker 8 (11:01):
Even know it's just say you know, what.
Speaker 4 (11:14):
Do you do? But I'm just going matter. I can
write the case, body across the case.
Speaker 6 (11:18):
You're gonna walk some one like it.
Speaker 4 (11:21):
Now I can like you.
Speaker 5 (11:23):
Oh yeah, three come.
Speaker 2 (11:24):
To greatness is and.
Speaker 4 (11:27):
I'll talk it all from you.
Speaker 2 (11:31):
Want. I'll take it.
Speaker 3 (11:33):
Matter.
Speaker 5 (11:36):
How about youth?
Speaker 6 (11:38):
You can make it go away?
Speaker 4 (11:40):
Go me something kind?
Speaker 3 (11:43):
I can't.
Speaker 5 (11:43):
I love you one day. He'll always see what you want.
Speaker 4 (11:45):
Ever you need me, just week so much. I'll never
find you.
Speaker 2 (11:52):
To leave you.
Speaker 4 (11:54):
I never hurt you, no matter what happens.
Speaker 5 (11:57):
I don't talk.
Speaker 4 (11:58):
I think, hell, are you trinking back? I just want
to Amber. I don't get I'm going to do.
Speaker 6 (12:10):
In fact, I don't.
Speaker 4 (12:12):
What can you do to me?
Speaker 5 (12:14):
That moved it?
Speaker 4 (12:14):
For me.
Speaker 3 (12:17):
He's like, how are the patent?
Speaker 1 (12:20):
The man with the knife take to see he's coming
cont ms but it's cut the horse, Come.
Speaker 5 (12:29):
Tell me the bout of an.
Speaker 4 (12:33):
And he.
Speaker 6 (12:38):
Oh my darling, love me, love me.
Speaker 2 (13:00):
Do you know that the experts in radio have a
way of telling how many people listen to a programs.
When they figure this out, the program gets what's called
a rating. If last week's audience there's any indications many
millions are listening tonight to Inner Thank Them. Yes, Inner
Thankum is a top rating show. And among those millions
of people, it's assured bet that some of them are
(13:21):
going to have a headache tomorrow or Wednesday or the
next day. And when that happens, many of them have
a product on hand that gets the top rating for
headache help. It comes in a blue bottle. It fights
headache free ways. Yes it's Bromo seltzis the headache help
that millions know because of the fast relief. It brings
fast relief not only from a headache itself, but also
(13:43):
from a stomach upset and jittery nerves that may go
along with a headache.
Speaker 1 (13:47):
And Girlithelter also rates time as the week because It's
such a pleasant way of from darting a headache while.
Speaker 8 (13:52):
Brood with Selter is so nice and me pressing.
Speaker 5 (13:55):
There's nothing I'd read it.
Speaker 4 (13:56):
Take for a headache.
Speaker 2 (13:57):
That's what modern folks everywhere say. So remember, friends, gomolt
that your doggess fountain encounter. The next time you have
a headache, get past relief from that headache. Great, take refreshing,
(14:22):
were ar that you've had a chance to catch your breath.
Let's give this ballet dance to another. Find out what
makes him take no no, no no, not Andrew the
other one, the gay play the dancers up and down
the walls with a nice he's our one eye only
(14:44):
it's a pity he never uses a fork. But then
what can you expect of a specter that he's an
artist and the artist to paint with a sword, have
a nasty habit of drawing blur. See you well, let's
get on the story. Here's mister, he continued. The minds
(15:07):
of the ballet dancer is hard enough to fathom, even
under normal conditions. Set on symbolic thoughts and childlike enthusiasm.
It's simplicity of the seasing, like I find what an
expensive radio a delicately adjusted mechanism that givest balance can
become distorted, one cost wild, one loose connection, and instead
(15:31):
of hearing a beautiful symphony, outcome static. That's why Detective
McFarland was unhand at the theater the night respect to
the road was scheduled to hope. I don't get excited myself.
I'm not here to arrest anybody. I just got a
hunch that something might happen. But you know, I went
(15:52):
crazy last time he danced bon He's like him, I
have a way of repeating himself.
Speaker 5 (15:55):
Will you kindly not add to rob?
Speaker 7 (15:57):
But I've explained about there's just a thousand times.
Speaker 2 (16:02):
That's the trouble. Normal death needs only one explanation, but
a thousand nine enough when it's the case of murder.
Speaker 5 (16:12):
See't nobody up there?
Speaker 2 (16:14):
Don't getting out herself. That scream wasn't up there, It
was right down here and Andre Funny and the girls.
Speaker 4 (16:23):
What's going there?
Speaker 2 (16:26):
Why who's making all the noise? I don't mind about that.
What's going on here?
Speaker 4 (16:29):
Oh? Nothing all over?
Speaker 2 (16:32):
See nobody screamed in here?
Speaker 4 (16:34):
Where is she? What are you talking about?
Speaker 2 (16:37):
Your wife? Where is she? She's a she's lying down, resting.
We're always asked before a performing you wanted to be
Oh yeah, but uh, something might have happened now he
heard scream here.
Speaker 5 (16:49):
No, no, nothing's happened to my husband. And I was corning.
I extreamed. I couldn't help it.
Speaker 2 (16:56):
I'll pretre that not so fad It look a little pale, all.
Speaker 5 (17:01):
Right, cut an, What can I tell you if I
I don't know?
Speaker 2 (17:05):
I said, I know it isn't very pretty, but everything
is all right. After the show, you can hit me
on ahead if you want to, But right now you've
got to leave.
Speaker 6 (17:11):
It's along.
Speaker 3 (17:11):
We're dancing tonight exact.
Speaker 4 (17:13):
Mccar leads him alone.
Speaker 2 (17:14):
Okay, I don't bother you anymore. I mean I'll be
standing right outside the door, fairling. Could I do in
your garden?
Speaker 4 (17:26):
I stuck you tonight? You know I stuck you with
my face. He struck you him, that willing devil. I
thought I was.
Speaker 2 (17:32):
Watching him, but it was me.
Speaker 8 (17:35):
I don't know one.
Speaker 5 (17:36):
I know, I love you, I'm thinking to hear me,
I love you.
Speaker 2 (17:38):
I'm trying no good.
Speaker 4 (17:39):
D you get a lot of muscles that can to
ance the rest of me is Robbie spoken to no.
Speaker 5 (17:46):
Please don't.
Speaker 8 (17:48):
How can I not think again?
Speaker 4 (17:51):
I do sure? I don't look you tell me it's
God not it's because the car. I did that to deny.
I touch you whip and a load of night still
lighting me. How do you do what?
Speaker 5 (18:04):
I tried to kill you with the next.
Speaker 3 (18:05):
And I fell against the glass, catches.
Speaker 4 (18:07):
Me the edge of it. He stop and I he me.
Speaker 5 (18:14):
I tried to hide it from you in my rope?
Speaker 4 (18:15):
Did I did?
Speaker 6 (18:16):
I'm out of my head. Take it hiding, Take it
and take it into my height and no never agel
you might kill me before.
Speaker 2 (18:24):
I kill you.
Speaker 1 (18:26):
Oh I I mean tonight you miss dance.
Speaker 2 (18:40):
They were like music that night, not like people, like
music flowing through the air, like residents, notes echoing down
a car there when the curtain fell, the ovation was tremendous.
Hiding and standing were an overnight sensation, and the specty
of the Road was only the first of their triumphs
o it played the capacity houses, and then one night,
(19:03):
just before certain time, it happened.
Speaker 3 (19:06):
They're not here yet, he does not hear your cur
tidy and telling they're nothing to fear.
Speaker 4 (19:11):
No time to day.
Speaker 3 (19:13):
Twenty five five minutes before curtain time. They're not here yet.
Speaker 2 (19:16):
How can they do the sea?
Speaker 5 (19:19):
Have they called up for anything?
Speaker 4 (19:20):
Nothing?
Speaker 6 (19:20):
Nothing?
Speaker 3 (19:21):
They hadn't called the phoning their apartment.
Speaker 7 (19:22):
Doesn't then, for Hender's been calling them for clumping in
the ting?
Speaker 2 (19:26):
Yeah, madam, what do they do? Bring them again?
Speaker 5 (19:28):
No?
Speaker 6 (19:28):
No, no?
Speaker 4 (19:28):
Can they go over? There're not a waying. Something must
have happened.
Speaker 1 (19:31):
The better tell the audience telcottera're not coming?
Speaker 2 (19:33):
How do you know they're not coming?
Speaker 3 (19:35):
I tell you, wait a minute, you call, I'm going
to call the police.
Speaker 5 (19:44):
Hid, I'm going to open.
Speaker 2 (19:45):
The door and I mind, I'm knocking myself. I got
a key from a super nobody called mcfarl and Henry
would have called up if they were here.
Speaker 4 (19:53):
That's the same.
Speaker 2 (19:54):
Are going in fride.
Speaker 4 (19:57):
This?
Speaker 3 (19:57):
They made a mess of his place before they left?
Speaker 2 (20:00):
How do you know all that that? I don't I
know what to fight for her? That somebody gonna fos
tell me what happened?
Speaker 1 (20:09):
Uh?
Speaker 4 (20:11):
Yeah?
Speaker 1 (20:11):
God?
Speaker 3 (20:11):
Where now?
Speaker 2 (20:13):
They don't know? He took him away? Where'd they go?
What happened to you know? Hey? He hit me with
that cher. He was like a wise man. What did
you think to him? Nothing? I I just wanted to
give this guy.
Speaker 5 (20:27):
Never mind about that.
Speaker 2 (20:28):
Why they don't he told you, I don't know. She
was afraid your doctor would come and take him away.
And why they there? She didn't want any doctor see him.
Speaker 4 (20:38):
But oh, holy a child. He must find him to follow.
Speaker 2 (20:43):
The point too, lady, I'll find he at this guy
getting and he started a leaders All I know is
what they told you. He said he was going to
hide and dress from everybody too. He got aware of
a game.
Speaker 4 (20:54):
Ky bad he is, ma'am he he.
Speaker 2 (20:57):
He was talking about buy herns and herbs way up
high the way they beginning the inspect the road. And
there was baden for three days and three nights. The
mustuffy hotel room where Hiding had hidden him, he topped
(21:19):
and turned over in his bed like a man with
tropical fever, and all the while the demon sang in
his head. And the third night Hardy went out with Kimpoon.
When he came back and there was very still.
Speaker 4 (21:33):
On the bed. Oh oh, I was hopping of the
sleeping and.
Speaker 2 (21:42):
Let the saw he dances all the time.
Speaker 4 (21:45):
I in my mind, I can't stop.
Speaker 5 (21:49):
Talk s.
Speaker 4 (21:53):
M h.
Speaker 5 (21:53):
I got to control from him.
Speaker 2 (21:55):
I'm not hungry.
Speaker 5 (21:56):
You must be hungry and you haven't eaten for sets.
Speaker 4 (22:00):
You pregonde the I need to.
Speaker 5 (22:02):
Get the nose.
Speaker 6 (22:03):
So I didn't just say, how do you do here alone?
Speaker 2 (22:07):
I'm not alone. He's here.
Speaker 6 (22:10):
He's always here.
Speaker 5 (22:15):
To me, I thought you the rose.
Speaker 2 (22:18):
I please, I must don't get on.
Speaker 5 (22:22):
See if I can only get different kills, but they
won't give them to you. At a doctor to good.
Speaker 6 (22:27):
They call the yes real.
Speaker 4 (22:30):
I wouldn't call anybody.
Speaker 2 (22:32):
Yeah, I.
Speaker 5 (22:36):
Look too well, againt the way I get before.
Speaker 4 (22:40):
You mustn't take your eyes off me. I don't they
have to feel it.
Speaker 2 (22:50):
I can it for tonight.
Speaker 4 (22:52):
I can get it to right.
Speaker 6 (22:55):
I got you hide him trying adult and out a
crazy man. Riah, look that I'm a dance.
Speaker 4 (23:01):
I don't I down.
Speaker 5 (23:03):
You don't haven't chance to make you want to the
most dollar.
Speaker 3 (23:11):
He's gone.
Speaker 5 (23:13):
I can't hold you anymore.
Speaker 4 (23:15):
You can stopping no one here.
Speaker 2 (23:18):
I tell you you don't let me wrong, youness.
Speaker 4 (23:22):
I don't stop him the kind of walk. Yeah, I
was trying because you want to do my face to here.
Speaker 5 (23:29):
He wants to stay cooking with me? Y yeah, and
I need to say.
Speaker 4 (23:38):
Couldn't do mm hmm. I'm dropping about Oh.
Speaker 8 (23:47):
Please, I can't sep the waiting here.
Speaker 5 (23:54):
I got to sleep.
Speaker 6 (23:57):
Yeah yeah, love my bod and I'm I will dance
to the rule. I won't a my own moaning, my
own meaning.
Speaker 4 (24:16):
No, well you I can't do it.
Speaker 2 (24:21):
I'm here, I'm you one here pick up the night
and that you must dance on right, Yeah, picking the law.
Speaker 4 (24:37):
For you.
Speaker 3 (24:41):
For you mean.
Speaker 2 (24:44):
The dance when you die.
Speaker 4 (24:46):
Mm hmm.
Speaker 3 (24:47):
While the road it's been drowned with.
Speaker 5 (24:49):
The mine, my kid, I.
Speaker 2 (24:55):
Come to the thing, I.
Speaker 3 (25:00):
Dan, I s.
Speaker 4 (25:20):
No darling, my poor girl.
Speaker 2 (25:33):
Well, let's sit your old choreographer and let that be
a lesson to all you whirling dervites. If you must
commit a murder, don't wind up like a top now
only in this case our hear round up.
Speaker 6 (25:49):
At the bottom. Well, And I always say a.
Speaker 2 (25:53):
Rolling stone gathers no mocksterlen or a red but vice
friends from a man who made quite a mask for himself,
cutting stroke murder. He says, it's a Matthew business. But
business always comes before a pleasure.
Speaker 1 (26:11):
That
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