September 21, 2025 • 25 mins
Lights Out was one of the premier American old time radio programs and was devoted primarily to horror and the supernatural. Created by Wyllis Cooper and then eventually taken over by Arch Oboler, versions of Lights Out aired on different networks, at various times, from January 3, 1934 to the summer of 1947 and the series eventually made the transition to television.
Hope you enjoy this episode of Lights Out! Find all our radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. Podcasts @ Apple | Spreaker | YouTube | Spotify | iHeart | Amazon
Hope you enjoy this episode of Lights Out! Find all our radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. Podcasts @ Apple | Spreaker | YouTube | Spotify | iHeart | Amazon
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Ionized yeast presents lights out.
Speaker 2 (00:05):
Everybody is.
Speaker 3 (00:13):
Later than you think.
Speaker 4 (00:22):
This is our Joebler.
Speaker 5 (00:24):
Yes, this tonight is not a play of horror. There
is no terror in it, only wonder. For the day
of which we speak was a strange, wonderful day.
Speaker 6 (00:40):
About it.
Speaker 4 (00:41):
Worried you're a worried you're a paper read all about it, worried.
Speaker 7 (00:45):
Express the observation rope going up.
Speaker 4 (00:47):
You'm heresy face front place.
Speaker 7 (00:55):
I forget all about what's happening outside, newspapers and things.
Speaker 2 (01:00):
Don't let it spoil this.
Speaker 3 (01:02):
Nothing can spoil being with you. Michael, Sweet, you can't
hardly feel the elevator movie. It is moving, Michael, sure.
Speaker 7 (01:10):
Look at the Lion's twenty fifth floor already.
Speaker 3 (01:12):
It doesn't seem possible.
Speaker 2 (01:14):
Oh, you're mine too, because we're going too fast.
Speaker 7 (01:16):
No, it's something about air pressure, you know, like getting.
Speaker 4 (01:19):
On top of a mountain.
Speaker 7 (01:20):
Gee, look at those lights. We're the fiftieth floor at least,
they says.
Speaker 3 (01:24):
So it's so scary wonderful.
Speaker 2 (01:26):
Just think one hundred and two floors up in the air.
Speaker 4 (01:28):
I'm this elevator, mister h you gonna have to change
thirty searched again.
Speaker 7 (01:33):
Oh oh, thanks, but the seventieth floor already. Of course,
this is one of the longest elevator shafts in the wild. Yeah,
I should think it is.
Speaker 2 (01:40):
I think they're fooling is.
Speaker 7 (01:42):
Yeah, I had there's an extra paper out that the walls.
Please huh if you don't mind, we don't want to
talk about those things.
Speaker 4 (01:48):
Ah, yeah, I don't fland you How fire as we go?
Speaker 7 (01:54):
Or where do we next?
Speaker 4 (01:55):
Elevator right over there, sir, Thanks, got to hold.
Speaker 7 (01:58):
Out of my army.
Speaker 3 (01:59):
Yeah. Why does everyone have to talk about the war
all the time, Michael.
Speaker 7 (02:03):
That's just the way it is. Yes, come step, I
wonder how much you can see out there?
Speaker 3 (02:15):
Oh, New York. The guide book says, how as we go?
Speaker 2 (02:22):
Yeah, I mean this is where we're eighty six.
Speaker 7 (02:24):
Mister, take the elevator right over there for the observation
rope fence. Come on, we no sooner got him than
we got out six floors higher, and at least he said.
Speaker 2 (02:33):
So, I guess this is the place where we get there.
Speaker 7 (02:35):
Oh, come on, evil and have to get closer to heaven.
Speaker 4 (02:40):
Observation roof next up a hundred the second floor.
Speaker 7 (02:44):
And I used to think that I was getting up
high when I climbed the Apple.
Speaker 4 (02:47):
Tree Observation roof hunt at the second floor.
Speaker 2 (02:56):
Gosh, its price is right all right, Eve, this is
in the window.
Speaker 3 (03:00):
Will it be all well? Michael, it's all glassed in.
Speaker 2 (03:04):
Yeah.
Speaker 3 (03:04):
Oh, Michael, how wonderful. Go Michael. Come over here. Look
the ocean out there.
Speaker 7 (03:09):
I can see the Statue of Liberty.
Speaker 3 (03:11):
Oh, it's wonderful.
Speaker 7 (03:12):
And you didn't want to come up here.
Speaker 3 (03:13):
It's like the world right under it.
Speaker 7 (03:15):
I'm scared of it, are you?
Speaker 3 (03:16):
Oh? Why should I be? It's just wonderful. I look
over here.
Speaker 7 (03:19):
Anyway, you're quit running around here like a doodle bug just.
Speaker 3 (03:22):
Over the river? Which one is?
Speaker 7 (03:24):
Say, well, I don't know, Brooklyn or something.
Speaker 3 (03:26):
Oh, so many buildings. I had no idea New York
was so so spread out, so many buildings, so wonderful.
Speaker 2 (03:34):
Yeah, from up here, what did you see?
Speaker 3 (03:37):
Michael?
Speaker 7 (03:37):
I said, it's all wonderful from up here. But get
down there, and you know, I bet it's like one
of those Hollywood you know, glamour stars when she gets
up in the morning.
Speaker 3 (03:47):
Michael, what do you know about things like that?
Speaker 7 (03:49):
I know you're super colossal or something when you wake up. Oh,
you are your eyelash is sort of fluttering, and then
you stretch out just like a little pup dog.
Speaker 3 (03:57):
Like a pup dog. Michael, is that room? Oh?
Speaker 7 (04:01):
I don't know the words. I just know that I'm
glader every minute that you're married me.
Speaker 3 (04:05):
You married me.
Speaker 7 (04:06):
I don't argue with your husband. Husband, Eh, lips is
so soft yours, unt glad.
Speaker 3 (04:16):
No one else's up here, Michael, to the high and
twenty cents to make love to me or to see
the sight.
Speaker 7 (04:22):
I married a beautiful cash resister.
Speaker 3 (04:25):
You're going to see me for ninety nine years. Maybe
this is the last time we'll ever be able to
get away from the farm and see New York this
way and were Michael?
Speaker 7 (04:33):
Huh?
Speaker 3 (04:34):
Look over there?
Speaker 2 (04:36):
Hey, how do you like that? Clouds?
Speaker 3 (04:38):
Where did they come from?
Speaker 2 (04:40):
The usual place clouds come from, I suppose, but so
quickly or up plenty high?
Speaker 3 (04:44):
Look at them? You're coming right at us.
Speaker 2 (04:46):
It's a strong window, guys.
Speaker 3 (04:47):
Oh, Michael, this is so exciting.
Speaker 2 (04:49):
Up in the clouds made the order for you and the.
Speaker 3 (04:54):
Rain there goes the rest of our day.
Speaker 2 (04:56):
You sure a good thing?
Speaker 7 (04:57):
They got this place glass day?
Speaker 2 (04:58):
Oh e it don'tly like me?
Speaker 7 (05:04):
Oh no, you been in thunderstars before.
Speaker 3 (05:07):
What is the clouds they're fighting? Huh? Look at them
fighting each other?
Speaker 7 (05:14):
Well, was that any reason to be afraid? Gosh, thunderclouds
always sort of boil around.
Speaker 2 (05:21):
Like armies bike eve. What kind of talk is then.
Speaker 3 (05:31):
Armies fighting?
Speaker 2 (05:33):
Why do you keep saying that I can't help it?
I keep saying, well, don't think.
Speaker 7 (05:37):
Remember we said our honeymoon we wouldn't think about anything
but us.
Speaker 3 (05:40):
But this is how can I be happy when all
over the world.
Speaker 7 (05:48):
All right, I will talk about it. I'll talk about
it once and for all. I mean, you and I
won't have to talk about it anymore. Gosh, I don't
know anything about those things the newspapers are always talking about.
Maybe I'm not so smart as the people who live
in this town and all the other big towns when
it comes to dodging taxi cabs and throwing wise cracks.
(06:10):
But I know this. I don't wanna own everything I can.
Speaker 2 (06:13):
Get my hands on. And I know that it isn't
right for some people to have too much and some
people have too little.
Speaker 7 (06:20):
And I know that when I go to fight, I
will fight, and it'll be for what I know is right.
Speaker 2 (06:26):
For the kind of world where all.
Speaker 7 (06:28):
The little people have a chance, no matter what they
look like, or what their name is, or what their
blood is, because I know that no matter what any
little dictator says, people all over the world are just
like you and me. All they want and all I
want is happy work and someone they care about to
work for, and and a little time left over and
(06:52):
which just to enjoy being alive.
Speaker 3 (07:00):
I love you, Michael.
Speaker 2 (07:02):
Let's go down.
Speaker 3 (07:05):
Just a minute more. Storm's breaking. Yeah, I guess it is.
Speaker 7 (07:12):
The first time in my life I ever talked like that.
Speaker 3 (07:14):
You're very good, Michael. I'm not bright, but good, Michael.
Look look at what you just can't see anything down there?
Speaker 7 (07:25):
Yeah, there's full of mess.
Speaker 3 (07:26):
That's why see things, and yet you don't see them.
Speaker 2 (07:31):
Let's go huh all right, hold out of my arm.
It's still raining.
Speaker 7 (07:35):
When we get down, we'll take a taxi back to
the hotel.
Speaker 3 (07:37):
Right.
Speaker 7 (07:38):
I guess this is the button I pressed get the
elevator up here.
Speaker 2 (07:42):
I know how to bring them up.
Speaker 7 (07:44):
Gosh, thunderstorms and everything.
Speaker 2 (07:47):
It's been some experience, hasn't it.
Speaker 7 (07:48):
Yes, Yeah, I sure jumped out of my skin when
you scream, I mean when you saw those thunderclosts.
Speaker 3 (07:53):
I didn't scream, Michael, Well.
Speaker 2 (07:54):
You certainly did kind of.
Speaker 7 (07:58):
I sure don't know much about it, and I I mean,
you were afraid of the clouds, and then you weren't.
Speaker 2 (08:04):
Afraid of the thunder and lightning.
Speaker 3 (08:05):
Clouds were horrible.
Speaker 2 (08:09):
Hey, what's the matter with that elevator? We'll ring again,
that's all I've been doing.
Speaker 3 (08:13):
Something must be wrong with it the button.
Speaker 7 (08:15):
Yeah, no answer, that's plain enough.
Speaker 3 (08:17):
Don't be so impatient.
Speaker 7 (08:18):
Oh, we certainly can't walk down.
Speaker 3 (08:19):
You'll come up for it.
Speaker 7 (08:21):
Gosh, my thumb's.
Speaker 2 (08:21):
Getting sore punching this thing something.
Speaker 7 (08:24):
Sure he is out of water.
Speaker 2 (08:25):
Because we had They walked down one hundred and two florid.
Speaker 3 (08:28):
No, no, I mean just to the next landing where
we can get the next elevator. So you stair away.
Speaker 2 (08:32):
Huh okay, I guess there's nothing else to do about it.
Speaker 3 (08:35):
Come on, don't walk so fast. It isn't so bad
walking downstairs.
Speaker 7 (08:43):
You're just well, you take my arm, we go, missus Smith. No,
elevators are all right, but me, I'll take the good
old fashioned horse step one hundred and fifty fifty one
(09:05):
fifty two fifty.
Speaker 3 (09:07):
Michael, look that door since eighty six?
Speaker 2 (09:10):
Hello, Loujah, we're here. Sure a heavy door?
Speaker 4 (09:17):
All right?
Speaker 7 (09:18):
Eve go through?
Speaker 2 (09:19):
Yeah, yeah, and I we'll find out what was the matter? Elevators?
Speaker 7 (09:24):
Uh, here we are.
Speaker 3 (09:27):
Georgia Rope.
Speaker 2 (09:28):
Yeah, gosh, we're the elevator there.
Speaker 3 (09:32):
Maybe we just better wait?
Speaker 7 (09:33):
Wait? I want to ride? Where are they?
Speaker 3 (09:35):
Nobody in the hall?
Speaker 2 (09:36):
Hey, Michael doom, I gotta get someone to run the contraptions.
Speaker 4 (09:39):
Hey, elevator man.
Speaker 3 (09:40):
I they won't like it.
Speaker 2 (09:41):
Gosh, I don't like being stuck up here?
Speaker 4 (09:43):
Hey? Is there someone here to run these elevators?
Speaker 7 (09:47):
No one?
Speaker 3 (09:48):
Now?
Speaker 7 (09:49):
What'll we do?
Speaker 3 (09:50):
What the last elevator stopped at the eightieth floor, didn't it?
Speaker 7 (09:53):
You mean walk again?
Speaker 3 (09:55):
I guess we'll have to.
Speaker 2 (09:57):
Yeah, and what could have happened to him?
Speaker 7 (10:05):
Hey?
Speaker 4 (10:07):
Hey, isn't anyone here?
Speaker 7 (10:09):
Everyone to get downstairs?
Speaker 3 (10:11):
Hey, there's no use to you.
Speaker 2 (10:12):
Well, there's got to be somebody on this floor.
Speaker 3 (10:14):
Don't get so excited, Michael.
Speaker 7 (10:15):
Gosh, there's any floors between us and the street.
Speaker 2 (10:17):
We can't walk all that way. We'll have to telephone.
Speaker 7 (10:21):
Yeah, telephone, that's it. I'll call the operator and tell
her what's happening.
Speaker 2 (10:24):
Come on, Michael, await for.
Speaker 3 (10:25):
Me, Michael, you can't go in there.
Speaker 2 (10:28):
I'm a private off. Oh sure, but they won't mind it.
But say, can you beat there?
Speaker 7 (10:34):
No one here going off with the elevator now, I'll
bet you well. At least they left the telephone. I
hope I can dial this thing right here.
Speaker 2 (10:42):
It says operating, Michael.
Speaker 3 (10:44):
They won't like it at all if they come back
in here. In fine, we walked right in with out
of gosh, what's the matter a telephone here?
Speaker 7 (10:51):
Listen?
Speaker 2 (10:53):
Son sort of did I'll say, he'll give it to me.
Speaker 7 (10:57):
I gotta get somebody. Hey, yeah, it's an operator. How
about answering operator?
Speaker 4 (11:03):
Operator?
Speaker 7 (11:04):
No U?
Speaker 3 (11:04):
Michael? Yeah?
Speaker 7 (11:07):
Oh is this a mess?
Speaker 3 (11:09):
Have to walk down?
Speaker 2 (11:11):
I guess where is every one in this building?
Speaker 3 (11:13):
Guys you Michael? Maybe there's been a fire.
Speaker 2 (11:15):
Fire?
Speaker 7 (11:16):
Yeah, maybe, Michael.
Speaker 3 (11:17):
Quick. Let's get to the show and get out of
here quick, Michael, how are we going?
Speaker 2 (11:29):
Five or six floors? Are this whole Touch my arm?
Speaker 7 (11:33):
We have to walk? We have to walk.
Speaker 3 (11:36):
Yeah, the whole building can't be empty, Michael.
Speaker 7 (11:43):
I tried every office on that floor. I tell you
there was no one, no one. Oh gosh, this is
a scurious thing.
Speaker 3 (11:59):
It can't be a fire, Michael.
Speaker 2 (12:00):
No, it's no smoke or anything.
Speaker 3 (12:03):
But where is everyone, Michael?
Speaker 7 (12:05):
Where? I don't know?
Speaker 2 (12:06):
I don't know.
Speaker 7 (12:07):
I don't.
Speaker 2 (12:19):
Michael, Honey, I'm as tired of trying to figure it out.
Speaker 7 (12:22):
As I am walking down the whole blast one hundred
and truthful horse, floor after floor, offices all fixed up
as if people were.
Speaker 2 (12:30):
Working in them, and no one there. I give up, I'd.
Speaker 3 (12:34):
Say, Michael. The war huh, I mean the war news.
Everybody ran out into the street.
Speaker 2 (12:40):
No, does that makes sense? A whole skyscraper emptied out
just to grab newspaper.
Speaker 7 (12:45):
Michael, about a war that's all the way over the ocean. Oh,
that makes about as little sense as everything else. Well,
this says it, are we?
Speaker 2 (12:55):
So help me? The main floor all out?
Speaker 3 (12:59):
Oh gosh, Michael, don't don't sit down. Hurry hurry away
out here in the street. Don't you want to know
what's happened?
Speaker 7 (13:05):
Well, yeah, sure, that door says to the street.
Speaker 2 (13:09):
Let's go.
Speaker 3 (13:10):
He'll wait for me. Michael.
Speaker 2 (13:12):
You're glad to get out of this place.
Speaker 3 (13:14):
Come on up, we go, yes, Michael, God, Oh Michael.
Speaker 2 (13:24):
It's all right, dear, it's all right.
Speaker 3 (13:27):
Michael, what's happened?
Speaker 2 (13:32):
Not a person in the streets?
Speaker 3 (13:34):
There were so many, yeah, Michael, Michael, listen, I don't
hear anything.
Speaker 2 (13:43):
Listen the wind.
Speaker 3 (13:45):
Yes, that's it. That's did only the wind, Michael. Don't
you remember ever since we got to New York, all
day yesterday, all night, all morning. The noise, Michael, don't
you remember the noise? Yes, sir, you know nothing but
the wind. What's happened? Why is it's so quiet? Now?
What are the people? Michael? Tell me?
Speaker 7 (14:22):
Do you want to rest?
Speaker 3 (14:24):
No? Just keep walking?
Speaker 7 (14:26):
All right.
Speaker 3 (14:28):
If we don't need one, Michael, if we do only
need one person, you don't stop it.
Speaker 2 (14:34):
Of course we'll meet someone.
Speaker 7 (14:35):
We've got to. There's millions of people in this town. Millions,
I tell you, of course, Dog, there's an explanation. I
tell you, there's an explanation for everything. Everyone's gone somewhere,
that's all gone somewhere.
Speaker 3 (14:48):
Where have they gone? Michael?
Speaker 7 (14:52):
Careful?
Speaker 2 (14:52):
Lot of mobile.
Speaker 3 (14:54):
Standing still like all the rest.
Speaker 7 (14:57):
Crazy people leave their cars standing right in the middle
of the street.
Speaker 2 (15:01):
But they'll come back.
Speaker 3 (15:02):
They got you.
Speaker 2 (15:02):
Millions of people, I tell you, people, Where are you?
Speaker 4 (15:06):
People?
Speaker 2 (15:06):
Hey?
Speaker 7 (15:06):
Somebody come out blast here, come.
Speaker 6 (15:08):
Out people, people, your people?
Speaker 3 (15:11):
Where are you? Empty streets?
Speaker 4 (15:13):
People?
Speaker 2 (15:18):
Oh? Hold me, what's happened to ys?
Speaker 7 (15:25):
What? No, No, I gotta stop asking questions. I gotta
keep going. I gotta find someone.
Speaker 2 (15:35):
They'll tell us here, what tremble? What is it here?
Speaker 3 (15:43):
Michael? I just thought, I thought, why all these empty streets?
Michael listened to me. What if there is no one else?
Speaker 7 (15:54):
Huh?
Speaker 3 (15:55):
What if you and I are the only ones live? Michael?
Speaker 7 (16:10):
Yes, I can't walk another step. All right, we'll rest
where anywhere. It doesn't matter much, doesn't all New York sellars.
Speaker 4 (16:21):
You ought to know that by now.
Speaker 7 (16:25):
You know where we are? Broadway Times Square? Well, I
give you Times Square. It's all yours wedding press, Yeah,
yours shops and big signs, and all the taxi cabs
and buses and cars standing around yours.
Speaker 2 (16:36):
E here is to have and a loser burnout. I'm sorry, honey,
guess I'm a little goofy. Let's keep going all right, time.
Speaker 3 (16:53):
Yeah, it's going to get dark soon.
Speaker 2 (16:56):
Yeah, we're here be Nope, how do you know?
Speaker 7 (17:03):
I tried the light switches all along the way.
Speaker 3 (17:07):
I won't be afraid in the dark.
Speaker 2 (17:10):
I guess that's one advantage we've got.
Speaker 7 (17:11):
Coming from the country.
Speaker 3 (17:14):
There'll be people there, won't there, I don't think so,
why do you see that?
Speaker 7 (17:21):
Well, when we went to that store before, there were
radio sets, battery ones. I tried them.
Speaker 2 (17:27):
We weren't looking, there was nothing on the air.
Speaker 3 (17:31):
What does that mean?
Speaker 7 (17:33):
It means what you said before. Maybe it's true we're.
Speaker 3 (17:39):
The only the only Yeah, somehow I'm not as frightened
as I was.
Speaker 2 (17:47):
Me neither my head. I'm just all mixed up, that's all.
Speaker 7 (17:52):
They left the doors open, and the automobile is right
in the middle of the street, and everything's just as
if they stopped right.
Speaker 2 (17:58):
In the middle of what they were doing. Why Why
that word's got.
Speaker 7 (18:02):
Me dizzy, chasing around in my head myself millions of people,
Where have they disappeared?
Speaker 3 (18:06):
To it?
Speaker 2 (18:07):
If we only had some idea, any idea, what's the matter?
Why that newspaper write at your feet? Huh?
Speaker 3 (18:15):
Pick it up? The headline.
Speaker 7 (18:22):
Or fury rages, Armies march in Europe? Well the headline, well,
what other the same one as this morning? Couldn't that
be the answer answer to what?
Speaker 2 (18:34):
What are you talking about?
Speaker 3 (18:35):
Why disappeared?
Speaker 7 (18:38):
You get hold of yourself. What's a war thousands of
miles away got to do with this?
Speaker 3 (18:42):
Maybe it's the same over there, people.
Speaker 2 (18:45):
Gone, Yes, let's keep going, No the curb. Let's sit here.
Speaker 3 (18:53):
All right now.
Speaker 2 (18:54):
You gotta tell me what you started to say.
Speaker 3 (18:56):
Don't laugh at me when I say it.
Speaker 2 (18:58):
Just tell me.
Speaker 3 (19:01):
Maybe God got tired of it. What He's been so
patient waiting all these years for people to learn how
to live on the earth, so today, well he just
got tired and took everybody away. Yam, Michael, don't look
at me like that. It is what I said any
more crazy than than what's happened. Look, this street should
(19:25):
be like daylight with electric signs. There should be so
many people around us, and automobiles coming and growing in
a street, cars and and a whole city living. But
there's nothing, Michael. Who else could have taken them away?
(19:55):
Why can't it be true he got so tired of
the horrible mystic were making of things that he he
took them away.
Speaker 2 (20:04):
Yes, I stopped it. No, it's crazy talk. I won't listen.
Speaker 3 (20:08):
Crazy because we don't understand.
Speaker 2 (20:09):
It's impossible.
Speaker 3 (20:11):
Why is it impossible? Michael? I don't know very much,
but I know this. I've been thinking about it all
the time, we've been walking, all the way people got
here on earth. Anything you want, But no matter how
you say it, when you really think about it, it's
all a miracle. Things joining in the empty air and grueling,
(20:33):
burning and cooling, the animals growing out of things that
couldn't move, the animals changing for millions of years until
there were men. I tell you, it's all crazy and impossible,
and yet someone made it happen. So why not this? Yes,
if he made men, why couldn't he get tired of
the way they were doing things and destroy them?
Speaker 7 (20:57):
I can't believe it's you talking, Michael.
Speaker 3 (21:00):
I think I'm saying the truth. Someone made mankind and
that someone just destroyed them.
Speaker 2 (21:08):
And what are we doing here?
Speaker 7 (21:10):
We're flesh and blood like the rest.
Speaker 3 (21:13):
Maybe he just forgot us, or maybe why it doesn't matter.
Tell me maybe you and I, Well, maybe he wanted
just a couple of people to start over with.
Speaker 7 (21:32):
You say crazy things, and then you say crazy or.
Speaker 3 (21:35):
What if it's true? Michael? Think what if it's true?
The things you set up on the roof during the storm,
those good things, Maybe he heard them and liked them,
Getting so dark. Maybe he heard them and liked them.
Speaker 2 (21:50):
I'm awfully tired. Let's find a place to sleep, all right,
I'll help you.
Speaker 3 (21:59):
Where'll we go?
Speaker 7 (22:00):
Any place?
Speaker 2 (22:01):
We can go, any place now, Yes, put.
Speaker 3 (22:08):
A hurry, You'll be terrible in the streets when it's
very dark.
Speaker 7 (22:11):
Yes.
Speaker 3 (22:11):
No, wait, Michael, huh why should we hurry and be afraid?
Who can harm us? Now?
Speaker 7 (22:18):
You're right over The harm is out of the city.
Speaker 3 (22:23):
Now, Michael, you don't quite believe all the things I
said before. But tomorrow, when the sun is shining again,
and we really know that this happened and isn't kind
of a dream, you will believe then, won't you. Michael?
Speaker 2 (22:37):
Maybe you're you're thinking something.
Speaker 3 (22:42):
Tell me what?
Speaker 2 (22:44):
Huh?
Speaker 7 (22:45):
If what you think could happen? Maybe maybe he left
a few more people like us, said different places on
the earth. I mean, plain ordinary people to join together
and make a new world. We'll have to help things, Michael. Yes,
But but if we don't.
Speaker 2 (23:04):
Know anything about running a world you and I.
Speaker 7 (23:07):
Were, we're just you and me? How can we do
better than than they did? And millions of them?
Speaker 3 (23:15):
Maybe maybe by remembering something they sort of forgot what
It's just two they going to do others as they
should do.
Speaker 6 (23:28):
Unto you, ladies and gentlemen. This is Linda Darnell.
Speaker 3 (23:40):
I speak to you now while your hearts and minds
are full of tonight's.
Speaker 6 (23:44):
Play, because what I'm about to say.
Speaker 8 (23:46):
To you is close to what you've been hearing. The
victories a few days ago sang in the headlines, But
today's headlines speak in a deeper voice of reality, a
voice which says, more of.
Speaker 4 (23:59):
Our men must die before this war is won.
Speaker 8 (24:03):
If that realistic thought is unpleasant, you and I can
do something about it. We can give our men all
of the finest war equipment possible when they need it,
at the time they need it. And the time has
come now, because the attack is now. It's hard to conceive,
isn't it, of any decent human being wanting to make.
Speaker 3 (24:26):
Profits out of this war.
Speaker 8 (24:28):
So if there's extra money in your pay envelope, spend
it in the only manner that will enable you to
face the future with a clear conscience. Put those dollars
into war bonds. Back the attack now with your dollars,
and when that final victory does come, a.
Speaker 3 (24:45):
Part of it will be yours.
Speaker 7 (24:48):
Thank you.
Speaker 1 (24:48):
Linda, Darnell, Ladies and gentlemen, the makers of ironized yeast,
we're happy to devote their entire commercial time on Tonight's
program to the Third Warlawn Drive in cooperation with the drug,
cosmetic and Allied industries.
Speaker 7 (25:02):
Mister Well, first, a.
Speaker 5 (25:04):
Word of thanks to Linda Darnell and of course Diversities,
Mcambridge and Byron Kine for Tonight's beautiful performances.
Speaker 7 (25:33):
And is.
Speaker 2 (25:37):
Later you
Speaker 7 (25:43):
Think h
Ionized yeast presents lights out.
Speaker 2 (00:05):
Everybody is.
Speaker 3 (00:13):
Later than you think.
Speaker 4 (00:22):
This is our Joebler.
Speaker 5 (00:24):
Yes, this tonight is not a play of horror. There
is no terror in it, only wonder. For the day
of which we speak was a strange, wonderful day.
Speaker 6 (00:40):
About it.
Speaker 4 (00:41):
Worried you're a worried you're a paper read all about it, worried.
Speaker 7 (00:45):
Express the observation rope going up.
Speaker 4 (00:47):
You'm heresy face front place.
Speaker 7 (00:55):
I forget all about what's happening outside, newspapers and things.
Speaker 2 (01:00):
Don't let it spoil this.
Speaker 3 (01:02):
Nothing can spoil being with you. Michael, Sweet, you can't
hardly feel the elevator movie. It is moving, Michael, sure.
Speaker 7 (01:10):
Look at the Lion's twenty fifth floor already.
Speaker 3 (01:12):
It doesn't seem possible.
Speaker 2 (01:14):
Oh, you're mine too, because we're going too fast.
Speaker 7 (01:16):
No, it's something about air pressure, you know, like getting.
Speaker 4 (01:19):
On top of a mountain.
Speaker 7 (01:20):
Gee, look at those lights. We're the fiftieth floor at least,
they says.
Speaker 3 (01:24):
So it's so scary wonderful.
Speaker 2 (01:26):
Just think one hundred and two floors up in the air.
Speaker 4 (01:28):
I'm this elevator, mister h you gonna have to change
thirty searched again.
Speaker 7 (01:33):
Oh oh, thanks, but the seventieth floor already. Of course,
this is one of the longest elevator shafts in the wild. Yeah,
I should think it is.
Speaker 2 (01:40):
I think they're fooling is.
Speaker 7 (01:42):
Yeah, I had there's an extra paper out that the walls.
Please huh if you don't mind, we don't want to
talk about those things.
Speaker 4 (01:48):
Ah, yeah, I don't fland you How fire as we go?
Speaker 7 (01:54):
Or where do we next?
Speaker 4 (01:55):
Elevator right over there, sir, Thanks, got to hold.
Speaker 7 (01:58):
Out of my army.
Speaker 3 (01:59):
Yeah. Why does everyone have to talk about the war
all the time, Michael.
Speaker 7 (02:03):
That's just the way it is. Yes, come step, I
wonder how much you can see out there?
Speaker 3 (02:15):
Oh, New York. The guide book says, how as we go?
Speaker 2 (02:22):
Yeah, I mean this is where we're eighty six.
Speaker 7 (02:24):
Mister, take the elevator right over there for the observation
rope fence. Come on, we no sooner got him than
we got out six floors higher, and at least he said.
Speaker 2 (02:33):
So, I guess this is the place where we get there.
Speaker 7 (02:35):
Oh, come on, evil and have to get closer to heaven.
Speaker 4 (02:40):
Observation roof next up a hundred the second floor.
Speaker 7 (02:44):
And I used to think that I was getting up
high when I climbed the Apple.
Speaker 4 (02:47):
Tree Observation roof hunt at the second floor.
Speaker 2 (02:56):
Gosh, its price is right all right, Eve, this is
in the window.
Speaker 3 (03:00):
Will it be all well? Michael, it's all glassed in.
Speaker 2 (03:04):
Yeah.
Speaker 3 (03:04):
Oh, Michael, how wonderful. Go Michael. Come over here. Look
the ocean out there.
Speaker 7 (03:09):
I can see the Statue of Liberty.
Speaker 3 (03:11):
Oh, it's wonderful.
Speaker 7 (03:12):
And you didn't want to come up here.
Speaker 3 (03:13):
It's like the world right under it.
Speaker 7 (03:15):
I'm scared of it, are you?
Speaker 3 (03:16):
Oh? Why should I be? It's just wonderful. I look
over here.
Speaker 7 (03:19):
Anyway, you're quit running around here like a doodle bug just.
Speaker 3 (03:22):
Over the river? Which one is?
Speaker 7 (03:24):
Say, well, I don't know, Brooklyn or something.
Speaker 3 (03:26):
Oh, so many buildings. I had no idea New York
was so so spread out, so many buildings, so wonderful.
Speaker 2 (03:34):
Yeah, from up here, what did you see?
Speaker 3 (03:37):
Michael?
Speaker 7 (03:37):
I said, it's all wonderful from up here. But get
down there, and you know, I bet it's like one
of those Hollywood you know, glamour stars when she gets
up in the morning.
Speaker 3 (03:47):
Michael, what do you know about things like that?
Speaker 7 (03:49):
I know you're super colossal or something when you wake up. Oh,
you are your eyelash is sort of fluttering, and then
you stretch out just like a little pup dog.
Speaker 3 (03:57):
Like a pup dog. Michael, is that room? Oh?
Speaker 7 (04:01):
I don't know the words. I just know that I'm
glader every minute that you're married me.
Speaker 3 (04:05):
You married me.
Speaker 7 (04:06):
I don't argue with your husband. Husband, Eh, lips is
so soft yours, unt glad.
Speaker 3 (04:16):
No one else's up here, Michael, to the high and
twenty cents to make love to me or to see
the sight.
Speaker 7 (04:22):
I married a beautiful cash resister.
Speaker 3 (04:25):
You're going to see me for ninety nine years. Maybe
this is the last time we'll ever be able to
get away from the farm and see New York this
way and were Michael?
Speaker 7 (04:33):
Huh?
Speaker 3 (04:34):
Look over there?
Speaker 2 (04:36):
Hey, how do you like that? Clouds?
Speaker 3 (04:38):
Where did they come from?
Speaker 2 (04:40):
The usual place clouds come from, I suppose, but so
quickly or up plenty high?
Speaker 3 (04:44):
Look at them? You're coming right at us.
Speaker 2 (04:46):
It's a strong window, guys.
Speaker 3 (04:47):
Oh, Michael, this is so exciting.
Speaker 2 (04:49):
Up in the clouds made the order for you and the.
Speaker 3 (04:54):
Rain there goes the rest of our day.
Speaker 2 (04:56):
You sure a good thing?
Speaker 7 (04:57):
They got this place glass day?
Speaker 2 (04:58):
Oh e it don'tly like me?
Speaker 7 (05:04):
Oh no, you been in thunderstars before.
Speaker 3 (05:07):
What is the clouds they're fighting? Huh? Look at them
fighting each other?
Speaker 7 (05:14):
Well, was that any reason to be afraid? Gosh, thunderclouds
always sort of boil around.
Speaker 2 (05:21):
Like armies bike eve. What kind of talk is then.
Speaker 3 (05:31):
Armies fighting?
Speaker 2 (05:33):
Why do you keep saying that I can't help it?
I keep saying, well, don't think.
Speaker 7 (05:37):
Remember we said our honeymoon we wouldn't think about anything
but us.
Speaker 3 (05:40):
But this is how can I be happy when all
over the world.
Speaker 7 (05:48):
All right, I will talk about it. I'll talk about
it once and for all. I mean, you and I
won't have to talk about it anymore. Gosh, I don't
know anything about those things the newspapers are always talking about.
Maybe I'm not so smart as the people who live
in this town and all the other big towns when
it comes to dodging taxi cabs and throwing wise cracks.
(06:10):
But I know this. I don't wanna own everything I can.
Speaker 2 (06:13):
Get my hands on. And I know that it isn't
right for some people to have too much and some
people have too little.
Speaker 7 (06:20):
And I know that when I go to fight, I
will fight, and it'll be for what I know is right.
Speaker 2 (06:26):
For the kind of world where all.
Speaker 7 (06:28):
The little people have a chance, no matter what they
look like, or what their name is, or what their
blood is, because I know that no matter what any
little dictator says, people all over the world are just
like you and me. All they want and all I
want is happy work and someone they care about to
work for, and and a little time left over and
(06:52):
which just to enjoy being alive.
Speaker 3 (07:00):
I love you, Michael.
Speaker 2 (07:02):
Let's go down.
Speaker 3 (07:05):
Just a minute more. Storm's breaking. Yeah, I guess it is.
Speaker 7 (07:12):
The first time in my life I ever talked like that.
Speaker 3 (07:14):
You're very good, Michael. I'm not bright, but good, Michael.
Look look at what you just can't see anything down there?
Speaker 7 (07:25):
Yeah, there's full of mess.
Speaker 3 (07:26):
That's why see things, and yet you don't see them.
Speaker 2 (07:31):
Let's go huh all right, hold out of my arm.
It's still raining.
Speaker 7 (07:35):
When we get down, we'll take a taxi back to
the hotel.
Speaker 3 (07:37):
Right.
Speaker 7 (07:38):
I guess this is the button I pressed get the
elevator up here.
Speaker 2 (07:42):
I know how to bring them up.
Speaker 7 (07:44):
Gosh, thunderstorms and everything.
Speaker 2 (07:47):
It's been some experience, hasn't it.
Speaker 7 (07:48):
Yes, Yeah, I sure jumped out of my skin when
you scream, I mean when you saw those thunderclosts.
Speaker 3 (07:53):
I didn't scream, Michael, Well.
Speaker 2 (07:54):
You certainly did kind of.
Speaker 7 (07:58):
I sure don't know much about it, and I I mean,
you were afraid of the clouds, and then you weren't.
Speaker 2 (08:04):
Afraid of the thunder and lightning.
Speaker 3 (08:05):
Clouds were horrible.
Speaker 2 (08:09):
Hey, what's the matter with that elevator? We'll ring again,
that's all I've been doing.
Speaker 3 (08:13):
Something must be wrong with it the button.
Speaker 7 (08:15):
Yeah, no answer, that's plain enough.
Speaker 3 (08:17):
Don't be so impatient.
Speaker 7 (08:18):
Oh, we certainly can't walk down.
Speaker 3 (08:19):
You'll come up for it.
Speaker 7 (08:21):
Gosh, my thumb's.
Speaker 2 (08:21):
Getting sore punching this thing something.
Speaker 7 (08:24):
Sure he is out of water.
Speaker 2 (08:25):
Because we had They walked down one hundred and two florid.
Speaker 3 (08:28):
No, no, I mean just to the next landing where
we can get the next elevator. So you stair away.
Speaker 2 (08:32):
Huh okay, I guess there's nothing else to do about it.
Speaker 3 (08:35):
Come on, don't walk so fast. It isn't so bad
walking downstairs.
Speaker 7 (08:43):
You're just well, you take my arm, we go, missus Smith. No,
elevators are all right, but me, I'll take the good
old fashioned horse step one hundred and fifty fifty one
(09:05):
fifty two fifty.
Speaker 3 (09:07):
Michael, look that door since eighty six?
Speaker 2 (09:10):
Hello, Loujah, we're here. Sure a heavy door?
Speaker 4 (09:17):
All right?
Speaker 7 (09:18):
Eve go through?
Speaker 2 (09:19):
Yeah, yeah, and I we'll find out what was the matter? Elevators?
Speaker 7 (09:24):
Uh, here we are.
Speaker 3 (09:27):
Georgia Rope.
Speaker 2 (09:28):
Yeah, gosh, we're the elevator there.
Speaker 3 (09:32):
Maybe we just better wait?
Speaker 7 (09:33):
Wait? I want to ride? Where are they?
Speaker 3 (09:35):
Nobody in the hall?
Speaker 2 (09:36):
Hey, Michael doom, I gotta get someone to run the contraptions.
Speaker 4 (09:39):
Hey, elevator man.
Speaker 3 (09:40):
I they won't like it.
Speaker 2 (09:41):
Gosh, I don't like being stuck up here?
Speaker 4 (09:43):
Hey? Is there someone here to run these elevators?
Speaker 7 (09:47):
No one?
Speaker 3 (09:48):
Now?
Speaker 7 (09:49):
What'll we do?
Speaker 3 (09:50):
What the last elevator stopped at the eightieth floor, didn't it?
Speaker 7 (09:53):
You mean walk again?
Speaker 3 (09:55):
I guess we'll have to.
Speaker 2 (09:57):
Yeah, and what could have happened to him?
Speaker 7 (10:05):
Hey?
Speaker 4 (10:07):
Hey, isn't anyone here?
Speaker 7 (10:09):
Everyone to get downstairs?
Speaker 3 (10:11):
Hey, there's no use to you.
Speaker 2 (10:12):
Well, there's got to be somebody on this floor.
Speaker 3 (10:14):
Don't get so excited, Michael.
Speaker 7 (10:15):
Gosh, there's any floors between us and the street.
Speaker 2 (10:17):
We can't walk all that way. We'll have to telephone.
Speaker 7 (10:21):
Yeah, telephone, that's it. I'll call the operator and tell
her what's happening.
Speaker 2 (10:24):
Come on, Michael, await for.
Speaker 3 (10:25):
Me, Michael, you can't go in there.
Speaker 2 (10:28):
I'm a private off. Oh sure, but they won't mind it.
But say, can you beat there?
Speaker 7 (10:34):
No one here going off with the elevator now, I'll
bet you well. At least they left the telephone. I
hope I can dial this thing right here.
Speaker 2 (10:42):
It says operating, Michael.
Speaker 3 (10:44):
They won't like it at all if they come back
in here. In fine, we walked right in with out
of gosh, what's the matter a telephone here?
Speaker 7 (10:51):
Listen?
Speaker 2 (10:53):
Son sort of did I'll say, he'll give it to me.
Speaker 7 (10:57):
I gotta get somebody. Hey, yeah, it's an operator. How
about answering operator?
Speaker 4 (11:03):
Operator?
Speaker 7 (11:04):
No U?
Speaker 3 (11:04):
Michael? Yeah?
Speaker 7 (11:07):
Oh is this a mess?
Speaker 3 (11:09):
Have to walk down?
Speaker 2 (11:11):
I guess where is every one in this building?
Speaker 3 (11:13):
Guys you Michael? Maybe there's been a fire.
Speaker 2 (11:15):
Fire?
Speaker 7 (11:16):
Yeah, maybe, Michael.
Speaker 3 (11:17):
Quick. Let's get to the show and get out of
here quick, Michael, how are we going?
Speaker 2 (11:29):
Five or six floors? Are this whole Touch my arm?
Speaker 7 (11:33):
We have to walk? We have to walk.
Speaker 3 (11:36):
Yeah, the whole building can't be empty, Michael.
Speaker 7 (11:43):
I tried every office on that floor. I tell you
there was no one, no one. Oh gosh, this is
a scurious thing.
Speaker 3 (11:59):
It can't be a fire, Michael.
Speaker 2 (12:00):
No, it's no smoke or anything.
Speaker 3 (12:03):
But where is everyone, Michael?
Speaker 7 (12:05):
Where? I don't know?
Speaker 2 (12:06):
I don't know.
Speaker 7 (12:07):
I don't.
Speaker 2 (12:19):
Michael, Honey, I'm as tired of trying to figure it out.
Speaker 7 (12:22):
As I am walking down the whole blast one hundred
and truthful horse, floor after floor, offices all fixed up
as if people were.
Speaker 2 (12:30):
Working in them, and no one there. I give up, I'd.
Speaker 3 (12:34):
Say, Michael. The war huh, I mean the war news.
Everybody ran out into the street.
Speaker 2 (12:40):
No, does that makes sense? A whole skyscraper emptied out
just to grab newspaper.
Speaker 7 (12:45):
Michael, about a war that's all the way over the ocean. Oh,
that makes about as little sense as everything else. Well,
this says it, are we?
Speaker 2 (12:55):
So help me? The main floor all out?
Speaker 3 (12:59):
Oh gosh, Michael, don't don't sit down. Hurry hurry away
out here in the street. Don't you want to know
what's happened?
Speaker 7 (13:05):
Well, yeah, sure, that door says to the street.
Speaker 2 (13:09):
Let's go.
Speaker 3 (13:10):
He'll wait for me. Michael.
Speaker 2 (13:12):
You're glad to get out of this place.
Speaker 3 (13:14):
Come on up, we go, yes, Michael, God, Oh Michael.
Speaker 2 (13:24):
It's all right, dear, it's all right.
Speaker 3 (13:27):
Michael, what's happened?
Speaker 2 (13:32):
Not a person in the streets?
Speaker 3 (13:34):
There were so many, yeah, Michael, Michael, listen, I don't
hear anything.
Speaker 2 (13:43):
Listen the wind.
Speaker 3 (13:45):
Yes, that's it. That's did only the wind, Michael. Don't
you remember ever since we got to New York, all
day yesterday, all night, all morning. The noise, Michael, don't
you remember the noise? Yes, sir, you know nothing but
the wind. What's happened? Why is it's so quiet? Now?
What are the people? Michael? Tell me?
Speaker 7 (14:22):
Do you want to rest?
Speaker 3 (14:24):
No? Just keep walking?
Speaker 7 (14:26):
All right.
Speaker 3 (14:28):
If we don't need one, Michael, if we do only
need one person, you don't stop it.
Speaker 2 (14:34):
Of course we'll meet someone.
Speaker 7 (14:35):
We've got to. There's millions of people in this town. Millions,
I tell you, of course, Dog, there's an explanation. I
tell you, there's an explanation for everything. Everyone's gone somewhere,
that's all gone somewhere.
Speaker 3 (14:48):
Where have they gone? Michael?
Speaker 7 (14:52):
Careful?
Speaker 2 (14:52):
Lot of mobile.
Speaker 3 (14:54):
Standing still like all the rest.
Speaker 7 (14:57):
Crazy people leave their cars standing right in the middle
of the street.
Speaker 2 (15:01):
But they'll come back.
Speaker 3 (15:02):
They got you.
Speaker 2 (15:02):
Millions of people, I tell you, people, Where are you?
Speaker 4 (15:06):
People?
Speaker 2 (15:06):
Hey?
Speaker 7 (15:06):
Somebody come out blast here, come.
Speaker 6 (15:08):
Out people, people, your people?
Speaker 3 (15:11):
Where are you? Empty streets?
Speaker 4 (15:13):
People?
Speaker 2 (15:18):
Oh? Hold me, what's happened to ys?
Speaker 7 (15:25):
What? No, No, I gotta stop asking questions. I gotta
keep going. I gotta find someone.
Speaker 2 (15:35):
They'll tell us here, what tremble? What is it here?
Speaker 3 (15:43):
Michael? I just thought, I thought, why all these empty streets?
Michael listened to me. What if there is no one else?
Speaker 7 (15:54):
Huh?
Speaker 3 (15:55):
What if you and I are the only ones live? Michael?
Speaker 7 (16:10):
Yes, I can't walk another step. All right, we'll rest
where anywhere. It doesn't matter much, doesn't all New York sellars.
Speaker 4 (16:21):
You ought to know that by now.
Speaker 7 (16:25):
You know where we are? Broadway Times Square? Well, I
give you Times Square. It's all yours wedding press, Yeah,
yours shops and big signs, and all the taxi cabs
and buses and cars standing around yours.
Speaker 2 (16:36):
E here is to have and a loser burnout. I'm sorry, honey,
guess I'm a little goofy. Let's keep going all right, time.
Speaker 3 (16:53):
Yeah, it's going to get dark soon.
Speaker 2 (16:56):
Yeah, we're here be Nope, how do you know?
Speaker 7 (17:03):
I tried the light switches all along the way.
Speaker 3 (17:07):
I won't be afraid in the dark.
Speaker 2 (17:10):
I guess that's one advantage we've got.
Speaker 7 (17:11):
Coming from the country.
Speaker 3 (17:14):
There'll be people there, won't there, I don't think so,
why do you see that?
Speaker 7 (17:21):
Well, when we went to that store before, there were
radio sets, battery ones. I tried them.
Speaker 2 (17:27):
We weren't looking, there was nothing on the air.
Speaker 3 (17:31):
What does that mean?
Speaker 7 (17:33):
It means what you said before. Maybe it's true we're.
Speaker 3 (17:39):
The only the only Yeah, somehow I'm not as frightened
as I was.
Speaker 2 (17:47):
Me neither my head. I'm just all mixed up, that's all.
Speaker 7 (17:52):
They left the doors open, and the automobile is right
in the middle of the street, and everything's just as
if they stopped right.
Speaker 2 (17:58):
In the middle of what they were doing. Why Why
that word's got.
Speaker 7 (18:02):
Me dizzy, chasing around in my head myself millions of people,
Where have they disappeared?
Speaker 3 (18:06):
To it?
Speaker 2 (18:07):
If we only had some idea, any idea, what's the matter?
Why that newspaper write at your feet? Huh?
Speaker 3 (18:15):
Pick it up? The headline.
Speaker 7 (18:22):
Or fury rages, Armies march in Europe? Well the headline, well,
what other the same one as this morning? Couldn't that
be the answer answer to what?
Speaker 2 (18:34):
What are you talking about?
Speaker 3 (18:35):
Why disappeared?
Speaker 7 (18:38):
You get hold of yourself. What's a war thousands of
miles away got to do with this?
Speaker 3 (18:42):
Maybe it's the same over there, people.
Speaker 2 (18:45):
Gone, Yes, let's keep going, No the curb. Let's sit here.
Speaker 3 (18:53):
All right now.
Speaker 2 (18:54):
You gotta tell me what you started to say.
Speaker 3 (18:56):
Don't laugh at me when I say it.
Speaker 2 (18:58):
Just tell me.
Speaker 3 (19:01):
Maybe God got tired of it. What He's been so
patient waiting all these years for people to learn how
to live on the earth, so today, well he just
got tired and took everybody away. Yam, Michael, don't look
at me like that. It is what I said any
more crazy than than what's happened. Look, this street should
(19:25):
be like daylight with electric signs. There should be so
many people around us, and automobiles coming and growing in
a street, cars and and a whole city living. But
there's nothing, Michael. Who else could have taken them away?
(19:55):
Why can't it be true he got so tired of
the horrible mystic were making of things that he he
took them away.
Speaker 2 (20:04):
Yes, I stopped it. No, it's crazy talk. I won't listen.
Speaker 3 (20:08):
Crazy because we don't understand.
Speaker 2 (20:09):
It's impossible.
Speaker 3 (20:11):
Why is it impossible? Michael? I don't know very much,
but I know this. I've been thinking about it all
the time, we've been walking, all the way people got
here on earth. Anything you want, But no matter how
you say it, when you really think about it, it's
all a miracle. Things joining in the empty air and grueling,
(20:33):
burning and cooling, the animals growing out of things that
couldn't move, the animals changing for millions of years until
there were men. I tell you, it's all crazy and impossible,
and yet someone made it happen. So why not this? Yes,
if he made men, why couldn't he get tired of
the way they were doing things and destroy them?
Speaker 7 (20:57):
I can't believe it's you talking, Michael.
Speaker 3 (21:00):
I think I'm saying the truth. Someone made mankind and
that someone just destroyed them.
Speaker 2 (21:08):
And what are we doing here?
Speaker 7 (21:10):
We're flesh and blood like the rest.
Speaker 3 (21:13):
Maybe he just forgot us, or maybe why it doesn't matter.
Tell me maybe you and I, Well, maybe he wanted
just a couple of people to start over with.
Speaker 7 (21:32):
You say crazy things, and then you say crazy or.
Speaker 3 (21:35):
What if it's true? Michael? Think what if it's true?
The things you set up on the roof during the storm,
those good things, Maybe he heard them and liked them,
Getting so dark. Maybe he heard them and liked them.
Speaker 2 (21:50):
I'm awfully tired. Let's find a place to sleep, all right,
I'll help you.
Speaker 3 (21:59):
Where'll we go?
Speaker 7 (22:00):
Any place?
Speaker 2 (22:01):
We can go, any place now, Yes, put.
Speaker 3 (22:08):
A hurry, You'll be terrible in the streets when it's
very dark.
Speaker 7 (22:11):
Yes.
Speaker 3 (22:11):
No, wait, Michael, huh why should we hurry and be afraid?
Who can harm us? Now?
Speaker 7 (22:18):
You're right over The harm is out of the city.
Speaker 3 (22:23):
Now, Michael, you don't quite believe all the things I
said before. But tomorrow, when the sun is shining again,
and we really know that this happened and isn't kind
of a dream, you will believe then, won't you. Michael?
Speaker 2 (22:37):
Maybe you're you're thinking something.
Speaker 3 (22:42):
Tell me what?
Speaker 2 (22:44):
Huh?
Speaker 7 (22:45):
If what you think could happen? Maybe maybe he left
a few more people like us, said different places on
the earth. I mean, plain ordinary people to join together
and make a new world. We'll have to help things, Michael. Yes,
But but if we don't.
Speaker 2 (23:04):
Know anything about running a world you and I.
Speaker 7 (23:07):
Were, we're just you and me? How can we do
better than than they did? And millions of them?
Speaker 3 (23:15):
Maybe maybe by remembering something they sort of forgot what
It's just two they going to do others as they
should do.
Speaker 6 (23:28):
Unto you, ladies and gentlemen. This is Linda Darnell.
Speaker 3 (23:40):
I speak to you now while your hearts and minds
are full of tonight's.
Speaker 6 (23:44):
Play, because what I'm about to say.
Speaker 8 (23:46):
To you is close to what you've been hearing. The
victories a few days ago sang in the headlines, But
today's headlines speak in a deeper voice of reality, a
voice which says, more of.
Speaker 4 (23:59):
Our men must die before this war is won.
Speaker 8 (24:03):
If that realistic thought is unpleasant, you and I can
do something about it. We can give our men all
of the finest war equipment possible when they need it,
at the time they need it. And the time has
come now, because the attack is now. It's hard to conceive,
isn't it, of any decent human being wanting to make.
Speaker 3 (24:26):
Profits out of this war.
Speaker 8 (24:28):
So if there's extra money in your pay envelope, spend
it in the only manner that will enable you to
face the future with a clear conscience. Put those dollars
into war bonds. Back the attack now with your dollars,
and when that final victory does come, a.
Speaker 3 (24:45):
Part of it will be yours.
Speaker 7 (24:48):
Thank you.
Speaker 1 (24:48):
Linda, Darnell, Ladies and gentlemen, the makers of ironized yeast,
we're happy to devote their entire commercial time on Tonight's
program to the Third Warlawn Drive in cooperation with the drug,
cosmetic and Allied industries.
Speaker 7 (25:02):
Mister Well, first, a.
Speaker 5 (25:04):
Word of thanks to Linda Darnell and of course Diversities,
Mcambridge and Byron Kine for Tonight's beautiful performances.
Speaker 7 (25:33):
And is.
Speaker 2 (25:37):
Later you
Speaker 7 (25:43):
Think h
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