The Crossroad to Witchlight | 9 | Prison break - Crossroad Guild Adventures

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Welcome to the cross Road Guild Adventures. I'm hearing the
monster lover. You're dunge master. Here's what happened last time?
Hello everyone, welcome back to our daring adventures in the
Fay Wilds with the Crossroad Guild. Anybody want to tell

(00:25):
us what happened last week? Anybody?

Speaker 2 (00:28):
I was to trade?

Speaker 3 (00:31):
Okay, So through we went, We held a bunch of people.
We got to the Frog King, who was supposed to
help us get a meeting. The frog King basically explained
to us that if he died, whoever killed him.

Speaker 1 (00:49):
Well, it wasn't it the if I recall right, wasn't
it the disembodied head of the former.

Speaker 2 (00:54):
King, specifically king twice?

Speaker 3 (00:57):
In fact, when I re listened to make that, he
asked again, he said, so.

Speaker 2 (01:02):
You're telling me whoever kills you get some become king.

Speaker 3 (01:05):
Then you stated, the guards get a little bit antsy
and move towards you. The king says, yes, whoever kills
me becomes king. So we killed him, and the guards
didn't like that, and we got put in jail. They
got a pet alligator nutlegator.

Speaker 2 (01:20):
He had to go back home.

Speaker 3 (01:22):
Uh, they went to the jail, they left us in
the jail. They talked to somebody who talked about us,
and they talked shit about us.

Speaker 2 (01:31):
Well, they help what they helped the other person. So
my puppet pretended to have a heart.

Speaker 3 (01:37):
The pretended he was wrongfully put in jail and cast
a spell on me.

Speaker 1 (01:42):
A minor illusion.

Speaker 2 (01:44):
So and I am stuck in and then we had
a stop. So I said I had something I want
to do it as soon as we started. I'm gonna
try to fut my escape. So whenever you're ready, I'm ready.

Speaker 1 (01:59):
Okay, start with uh, start with Jeff and hate Jeff.
Where are you currently?

Speaker 3 (02:06):
So I would be right outside of the prison with
the guards, all the guards who was escorting me out
with the puppet, which you.

Speaker 2 (02:12):
Would say to was everybody.

Speaker 3 (02:14):
So the puppet is going to use his second charge
to cast the visibility on interest a little bit longer,
and the puppet is gonna put his hand over his
heart and.

Speaker 2 (02:24):
Go, oh my heart, I'm having a heart attacked.

Speaker 3 (02:28):
And I'm gonna talk to the puppet because the puppet
does not have to be an on me for the
spell to work, so it's gonna look like he's falling
having a heart attack, and I'm going to dart back
in the door as invisible.

Speaker 2 (02:40):
And head to his cell. Okay, when I get to
his cell, I.

Speaker 3 (02:44):
Am going to go to the bars. You're not gonna
what are you doing? When I get to the cell,
I'm invisible. So when I get back to your cell.

Speaker 2 (02:53):
Contemplating, I've got my dagger out. Thank you. Maybe I
should just end it all.

Speaker 1 (02:59):
Fuck?

Speaker 2 (03:00):
Do you want to get out of here? I'm a visible?
But who you your brother? Dumbass? I'm gonna prove it.

Speaker 3 (03:10):
I'm gonna cast create or destroy water, and you're gonna
smell slim gems. You're automatic notes me. And I'm gonna
destroy all the waters in.

Speaker 2 (03:20):
Your wooden bars that are soaked in water.

Speaker 3 (03:23):
So you now just see, I mean, it'd be up
to him, would it just be brittlewood?

Speaker 1 (03:28):
Now that all the waters it is now dry wood.

Speaker 2 (03:32):
I cast burning hands on the.

Speaker 1 (03:34):
Wood, so all the wood in the tree, like, I
just chock it out of the bars. And so the
bars of wood bars these are right? Did you take
all the moisture out of them? So they are just dry?

Speaker 2 (03:53):
The bar and I could only get the bar in
front of his cell.

Speaker 3 (03:57):
Yes, okay, so I completely destroyed the the spill works
as I destroyed all the water inside that little ten
foot cone.

Speaker 2 (04:05):
So be your bars, or at.

Speaker 3 (04:08):
Least ten feet of your bars, or maybe a little
bit of the bars next to you.

Speaker 4 (04:11):
But I cast okay, cast burning hands, and I'm assuming
there's no moisture.

Speaker 5 (04:19):
It just goes up in a puff of smoking ash.

Speaker 6 (04:23):
Just burning hands. And I'm gonna cast out fire again.

Speaker 2 (04:25):
No, I'm gonna do that again, just burning hands. I
don't even think you have that now, No, I don't
have fire.

Speaker 1 (04:31):
Okay, cleric, Okay, see it is me.

Speaker 2 (04:38):
You smell the divine power?

Speaker 3 (04:39):
Right, Yeah, our friends abandoned us. You attacked him, which
I would have disagreed with. But one are the tenants
is we have to stick up for our party. They
didn't fight with us.

Speaker 1 (04:56):
The guards don't smell the fire.

Speaker 3 (04:59):
They didn't fight with us. They left us after we died.
We gotta get out of here.

Speaker 2 (05:07):
We get out of here. You're invisible, I'm not.

Speaker 1 (05:12):
And you threw the puppet off.

Speaker 2 (05:14):
Yeah, well that's the only way he can.

Speaker 3 (05:17):
I make a perception check to see if there's any
like nice way out of here, Like is there any
like windows or anything that I could absorb them.

Speaker 1 (05:25):
There's not There is one way in and one way out.
Either way you're gonna have to go through there.

Speaker 3 (05:31):
Gonna roll a perception check to see if there's any
barrels or anything.

Speaker 2 (05:34):
We're half wings. We can hide in the barrel.

Speaker 1 (05:36):
Okay, roll perception check.

Speaker 2 (05:40):
Right, they were dwarves.

Speaker 6 (05:46):
I've seen this movie.

Speaker 1 (05:50):
Okay, rolled soon.

Speaker 2 (05:52):
Yeah, I'm gonna reroll, and I have no more luck
points until it is in nineteen.

Speaker 1 (06:14):
You that's saying the everything is quite sure, but as
we Not'm saying you see nothing. That's saying you they
have kept everything at the bare minimum in this in
this bog infested area. That's saying that it is strictly
one way in and one way out.

Speaker 2 (06:34):
Well, everybody's distracted. I've got a blanket and a ring
I could give you. What do they do?

Speaker 3 (06:41):
The ring of evasion will It was my wedding ring almars. Okay,
an adversary had given it to me. I'm gonna give you.

Speaker 7 (06:53):
The Ring of Evasion has all of its charges. It's
for deck it's the help of decks fells. So bringing
evasion out. And I have a blanket.

Speaker 3 (07:08):
You're really sure we could put a blank it over
you and try to sneak you out of the front.

Speaker 1 (07:16):
So do you want to try to go do two
people in the trench coat?

Speaker 2 (07:21):
Well, I mean I will. I still have that rabbits cloak.

Speaker 1 (07:29):
And still you still you still have Agdon's long scarf.

Speaker 2 (07:34):
I have a makeup kit.

Speaker 3 (07:35):
I could possibly we could do a you stand on
my shoulders, you put the thing over top.

Speaker 2 (07:43):
We'll break the scarf over rest his leg. It's a cloak.
Because we're little guys. Well yeah, let's do that. What
do you want me to roll to see if I
can make him look different?

Speaker 1 (07:53):
Roll a let us see here? O't they rare? Roll
a persuasion checks.

Speaker 2 (08:06):
Calling Hollie, this isn't no Howie puts her name? My knife?

Speaker 6 (08:13):
Oh?

Speaker 2 (08:14):
I want eighth?

Speaker 1 (08:15):
Would you like to take the the cow upstairs?

Speaker 2 (08:20):
Still chick?

Speaker 6 (08:21):
Okay? Is he said last week? I had a look
a camouflage?

Speaker 2 (08:25):
But yeah, forget you all? Yeah? Okay.

Speaker 1 (08:30):
So Heath is successfully disguised, but is he able to
pull it off?

Speaker 2 (08:38):
He's on top of me, so I'm like his base.

Speaker 1 (08:49):
So while we were waiting for Heath, what do you
want to doing?

Speaker 2 (08:53):
So I think we should head towards drink and bobble.
M hm, you're not in trouble for anything. Does your does.

Speaker 1 (09:05):
Long as long a cause that's saying I think that
was a special items. As long as it is worn
it it will.

Speaker 2 (09:16):
As you're talking about the camouflage cloak.

Speaker 1 (09:22):
Though, no, no, it's like why you were, Well.

Speaker 6 (09:27):
He had left before you and me did so have
we made it outside the.

Speaker 3 (09:30):
Prison yet walked out right as I was starting to leave.

Speaker 8 (09:36):
So you guys, now, how does my foken camouflage work?

Speaker 1 (09:43):
As long as you like, As long as the cloak
is on and they stay quiet and hidden, it will
keep them like unseen. It's like, uh, just a classic
cloak of invisibility. Okay, so they would still have to
do like stealth checks and stuff like that, but like
you know, for steps and stuff. Other than that, they

(10:03):
are invincible.

Speaker 2 (10:04):
Are you pretending to be a hair a rabbit lawyer
who was coming to what?

Speaker 1 (10:10):
So describe real quick? What did you dress?

Speaker 2 (10:12):
Heath out asked, well, I he'saw my shoulders. Now, yeah,
you've got we're a single female lawyer.

Speaker 3 (10:19):
The scar wrapped around whatever else you had. I might
have chopped a blanket up real quick and make a.

Speaker 2 (10:27):
Nice looking big, and I've got long hair anyways, outside
don't even have to make away.

Speaker 3 (10:34):
Yeah, I use part of the blanket to make you
a bode to put your hair in a pony tail.

Speaker 2 (10:39):
Do you give me permission to shave you real quick? Yeah?
Shave him real quick and put some makeup on him
for my disguis.

Speaker 1 (10:46):
Get about how long does this process take?

Speaker 3 (10:50):
It would probably take about five minutes quickly working together
as half wings.

Speaker 2 (10:55):
Who's remember okay? And I still think it's.

Speaker 6 (10:58):
Gonna be one ugly looking dry and.

Speaker 3 (11:00):
Ride the shoes gets done invisibility or nineteen eighteen eighteen.
My visibility probably wears off right now as you're jumping
on my shoulders.

Speaker 1 (11:11):
Heath, throw the performance. See how well you're able to
perform as a single female lawyer.

Speaker 2 (11:26):
You get fourteen.

Speaker 3 (11:28):
I'm gonna use my intertoken we did epically to get
out of here.

Speaker 1 (11:33):
Fair enough it is you come out and give the
best performance of your life. Heath, give a performance of
escaping and describe to us how you escaped this prison.

Speaker 2 (11:47):
We work like.

Speaker 3 (11:48):
A well oled machine, me as the legs, you as
the head and on. We did this before our parents
got divorced. Slash told as they were dead. We used
to go sneak in the rate at our plays all
the time, so we got this down path. So what

(12:08):
do you say as you walk out, because you have
to explain why we're leaving.

Speaker 1 (12:13):
Because I'm saying that they were distracted while the so
called puppet was having a I'm gonna.

Speaker 2 (12:19):
Be like, hey, they took the other person.

Speaker 3 (12:23):
They could pretend to be their lawyer, and you can say,
where the fuck is my client?

Speaker 2 (12:26):
Yeah, we're a little where the personal they took.

Speaker 9 (12:31):
I'm saying, I'm I'm I'm coming to be their lawyer.

Speaker 3 (12:34):
That's my client and your client. Our client's missing. We
just came in to see them.

Speaker 2 (12:38):
Yeah, so well we call the guards in to let
them know that my client is gone. Now. Either either
you did something to him or he escaped. Either way,
you need to figure it out.

Speaker 3 (12:52):
They're gonna be real confused because it's a her whatever,
it's what where a way?

Speaker 2 (13:00):
We're just gaslight them? Are you sure it was a hurt?

Speaker 3 (13:03):
Are you trans How do you know what their pronouns were?
I hear you just arrest people for nothing. I'm just
adding what words you would probably say.

Speaker 1 (13:12):
Okay, Luckily, luckily for you they got stuck with with
Wingus and Dingus, the dumbest of the of the crew,
and we got lucky because they decided to run off
instead and try to like not even double looking to
see if there was any people in the seals and

(13:36):
try to find my client. So they do that while
you are on now escapes a half of do so
and where and you can see within the distance these two.

Speaker 3 (13:55):
I have a question, why where not there? I have
to know how hard they try to save the puppets lives.

Speaker 1 (14:08):
Wayne Gus and Ingus did everything they knew and all
their med you know what, maybe they they tried their dangus.
They are I'm calling it. They are. They are not
having a good day. They are like ones in tears,
ones like the other's hyperventilating, trying to do everything they can.

(14:31):
That's saying because like they legit think this puppet is
dead and they'll never be fair.

Speaker 2 (14:36):
They appet by the way, well it.

Speaker 1 (14:39):
Was a hand puppet that you fully disguised with minor illusion.

Speaker 2 (14:43):
So they think it's a wizard.

Speaker 3 (14:45):
So as we're walking, we might have crossed lines. I
just made myself invisible. It was clearly still.

Speaker 1 (14:53):
A walking Yeah, so it's it's.

Speaker 2 (14:56):
On the to the other does what does that? When
does the spell wear off and it just turns into
a little puppet? It was it should have already been
a puppet. I just made me invisible, so it.

Speaker 1 (15:09):
Was just an like it gives a cantrip of minor illusion.
That's all the puppet does.

Speaker 3 (15:14):
So it was always a hand puppet floating and they
just went with it because I got a.

Speaker 2 (15:19):
Twinty Persuadeon's jack.

Speaker 3 (15:22):
So when did they finally realize did they realize it
was just a puppet and any thing?

Speaker 1 (15:28):
Oh no, no, that's the thing. They were still dealing
with it when immediately you guys showed up afterwards. So
as of right now, like they ran off while the
puppets just laying there.

Speaker 3 (15:39):
If we walk past it and I just like pick
up the puppete.

Speaker 1 (15:44):
It's it's whatever you all want. It still has one
more charge.

Speaker 2 (15:48):
Okay, I just reached my arm and just.

Speaker 1 (15:50):
Grab yep, you got it has And that's saying you
can feel that it has one more charge before it disappears.
And then the distance, well, no, they're they're already gone.
They're they've they've left. Okay, in the distance, you can
see Sam and you can see Jess heading towards the UH.

(16:11):
A big back, a big black balloon floating over a lake,
tugging it at its mornings. Beneath it's hung at the
back a basket made of black wicker and wood, but
serves as a merchants stall. A large pane of gray
glasses drawn closed across an opening above the counter. A

(16:32):
sign mounted above the window reads one UH Wondrous Wears
and fair Fares. The balloon is not made of fabric,
but rather a pairs as a rolling dark rain cloud
that has been continued contained somehow within lines and netting.
So before we go any further, this is between Heath

(16:55):
and Sam's character. So because that's saying, I want to
refresher on this. So Sam, at any point in time,
and if Heath will correct that. Heath's character has said
he is always yours and if there's anything you want
from him, you can have. Do I say this, Has

(17:18):
there been any something of said among the lines here?
And that's the saying that's saying, That's what I'm asking
both of you, because you have been pining over and
then you had in the wheel and multiple times and like,
have any point in time he fed me and then
I So, at any point in time have you said

(17:40):
to Sam's character and like, at any point in time
have you said to Vosh what like you're saying, I
am yours in any way shape or for okay, or
as he promised to give you whatever he wants.

Speaker 2 (17:56):
I think the.

Speaker 3 (17:57):
Only thing you ever said is like, if you ever
want me in a sexual way.

Speaker 2 (18:02):
Yeah, I'm down. But we got down in the well
way down.

Speaker 6 (18:08):
Yeah, I think now, I.

Speaker 3 (18:12):
Before Whiskers went missing and we were kind of courting
each other, I said I would always be.

Speaker 1 (18:19):
There for I think so you all have strictly said
and so you all have not said that whatever that
Bosh could have anything of yours. Okay, Then you all
enter a shop. They you two enter a shop, and.

Speaker 2 (18:44):
Yeah, we go off into the woods and eyeshot of anything.
We need to get out of the town.

Speaker 1 (18:50):
Yeah, you all walk off like as they are doing whatever.
You all have entered a you've all have entered the establishment,
and you see it's kind of dark. You see two
figures standing at like just kind of hunched over the
like the front stall just don't even acknowledging, doesn't even
acknowledge you and just kind of look at you just

(19:14):
no like, no how high I no like. They just
stare at you. What are you all going to do?

Speaker 6 (19:28):
So what do y'all got for salad? Here?

Speaker 2 (19:40):
Emotion, no doubt.

Speaker 1 (19:46):
You feel better, heath, Okay, they'll tell.

Speaker 2 (19:51):
You got your rocks up.

Speaker 8 (19:54):
Well, you're still giving him a rite to the story, right,
So if you know missing.

Speaker 1 (19:58):
Later, that's saying they just look at you, said we
got whatever we feel like selling at the moment. That's saying,
if you really want to look, take a look.

Speaker 6 (20:11):
I take a look around, and.

Speaker 1 (20:13):
You see you see ah. You see a few items
that said available for a limited time only. You see
a very good thimble, take a look at it. Fingertip
not included. A mug of bumble beer has a nice
sting to it. You see a dusk mallow pie with

(20:35):
decorative bite marks. You see a bundle of dry wood,
great for starting a fire. You see ink portraits. If
we have to look at you, so should you, And
they look at you as when like when you look
at the ink portrait, you see a moonlit monocle and
one of them kinds no fun fumbling around in the dark.

(20:58):
And you see something interesting. You see something unique and
it kind of gives it a little glow of it.

Speaker 2 (21:05):
You see a.

Speaker 1 (21:05):
Unicorn horn, and they just they just keep staring at you. So,
so take your pick. What do you want?

Speaker 8 (21:18):
I've got a few questions about your wares here? What's
this moonlit monical?

Speaker 2 (21:23):
Do well?

Speaker 1 (21:25):
To my knowledge, all it does is helps you singing
the not seeing the dark? M hm.

Speaker 2 (21:32):
That's the thimble due.

Speaker 1 (21:34):
Just a thimble.

Speaker 2 (21:37):
What about the unicorn horn?

Speaker 1 (21:39):
Oh, we actually just got that in here recently. It's
actually quite rare. It's we've acquired it from somebody. That's
all I'm gonna.

Speaker 2 (21:49):
Tell you on that.

Speaker 6 (21:51):
So you don't know what it does.

Speaker 1 (21:52):
It's a unicorn horn. It's full of magic and everything else.
It's it's a fucking unicorn horn. I'm saying, do you
do you know what what a unicorn is is? Are
you sure about that? Because apparently you're asking me do.

Speaker 2 (22:06):
You know what a unicorn has?

Speaker 6 (22:07):
Because you can't explain it properly, so it makes me
think you don't.

Speaker 1 (22:10):
That's saying we just acquired it. Do you want it
or not?

Speaker 2 (22:13):
What do you want for it?

Speaker 3 (22:16):
Hmm?

Speaker 1 (22:23):
I will tell It's saying if you will are willing
to give me your sense of rhythm? You can have
it that have a different think.

Speaker 2 (22:34):
Okay, yeah, we might have to tell it here.

Speaker 1 (22:37):
Is that possible? Well, it depends on what it is.

Speaker 2 (22:41):
I look at Agdin.

Speaker 10 (22:43):
I say, you're not using your other foot that was
already taken right, I mean still technically yours.

Speaker 1 (22:50):
Yeah, I guess could you train that to them?

Speaker 2 (22:54):
I can just magically, they can magically acquire it.

Speaker 1 (23:00):
Mm. He gives a big old grin on his face, going,
oh ah, we'll have to make this deal. Said, I'll
trade you that unicorn horn for my uh, which foot
did you cut off? Heath his right foot, I'll trade
you from my right foot, and she's She looks at

(23:24):
it and said I like that offer. Said, there's a
shake on it. They shake hands you hear a little
bit of a thunder from the uh from the clouds above,
and she hands on the horn, and then I had
a puff of smoke. His right foot's on the counter.

Speaker 6 (23:49):
Do you no longer have a rabbit foot?

Speaker 2 (23:52):
Well, I haven't had it since I've got put in jail.

Speaker 3 (23:54):
Anyways, I thought you just said you still had it
cause you were gonna use those.

Speaker 1 (24:00):
Far because I was wearing that, well, you still had
everything on you.

Speaker 2 (24:04):
When that's like, technically, did I still have the king's head?
Because I was wielding that.

Speaker 1 (24:13):
That was the other one, So I.

Speaker 3 (24:17):
Take that and I was like putting it next to
my side.

Speaker 1 (24:20):
When so that's saying, have you still yes, we still
have the.

Speaker 2 (24:25):
King's head and our magic. So my talk, you make
that as a part of our diskuys ill still kidding
unicorn Horn, how much you want with the monocle?

Speaker 1 (24:38):
The monocle?

Speaker 6 (24:41):
Okay, I'll it just this complete without a monocle.

Speaker 1 (24:46):
Will Let's saying Trinket looks at you and says, I
will take your eye collaring like the collar of my eyes,
the call of your eye.

Speaker 6 (25:02):
What if I offer something else.

Speaker 1 (25:07):
That's not gonna work for me? We don't make deals
like that here. That's saying. It's unless you're willing to
willing to sell somebody else. That's saying, if you have
any aspect of somebody else, the king, does he still.

Speaker 6 (25:25):
Have his eye color? His eyes?

Speaker 2 (25:28):
He should?

Speaker 6 (25:29):
Yeah?

Speaker 2 (25:29):
The problem.

Speaker 6 (25:33):
Would we be able to offer the king's eye collar.

Speaker 1 (25:36):
The king would have? The King would have to give
it up on that one. Unless you have something worthy
of trade.

Speaker 6 (25:43):
Mm hmm, what do I.

Speaker 1 (25:49):
So?

Speaker 6 (25:49):
What would happen to my eyes? Would they just be
like white?

Speaker 1 (25:52):
Why they would just they were just dull. You would
lose their collar like almost transparent. M they that's saying
they'd still work. No curse. You just lose the color
of your eyes.

Speaker 6 (26:07):
There's no side effects, no side effects.

Speaker 1 (26:09):
You just lose the color of your eyes.

Speaker 6 (26:12):
Have pretty pink eyes. Now you'll have guys.

Speaker 1 (26:18):
Thank you that or And then the uh babble kind
of looks up and says, well, unless you'd be willing
to trade me your uh your rhythm.

Speaker 6 (26:31):
What's the side effects of the rhythm?

Speaker 1 (26:33):
You just kind of lose a kick in your step.
You just kind of be a little awkward.

Speaker 3 (26:38):
You're gonna be a librarian in a small town who
used who fell a sleep in a metro non factory
and lost their rhythm.

Speaker 2 (26:46):
Until two little boys come up and you're vincin you
still have.

Speaker 11 (26:48):
Your them, and that you need to join your own
band love Camble because it's their parents anniversy.

Speaker 6 (26:56):
I think I'll trade my eye color.

Speaker 1 (27:00):
She says, Hugh be gone, and it opens up her
palm and a little glass eye like appears and it
turns the color of your eyes. I said, thank you.
That's saying we'll be here for a while. We're waiting
for our for our leader to show back up. She's

(27:22):
making a home visit to an old friend. Her name,
what is her name? Her name's charm. That's saying right now,
she's actually she'll be making acquiring a few new deals

(27:43):
for us. Not saying is there anything else we can
we can help you with?

Speaker 2 (27:55):
Can you tell me if any long tel will let
us hire?

Speaker 1 (28:06):
Be honest? Where we travel ourselves in this? And that's
saying this whole building itself is a is a balloon
of some sort. But if I'm being honest, I think
when we were flying in, there may been a an
airship over by, uh by the entrance of the bag.

(28:30):
If y'all came in through that route, you may have
passed it. Thank you, sir, and kind of look over
at you also, is there anything else you uh y'all want?

Speaker 6 (28:47):
You wouldn't happen to have any information on the hag,
would you?

Speaker 2 (28:52):
What's it to you? I'm wondering how to make him
deal with her?

Speaker 6 (28:59):
It seems to be that we just want to make
a deal with her, have a conversation.

Speaker 1 (29:04):
Hm hmm, I'd say we wouldn't make a deal with
that bitch.

Speaker 6 (29:11):
That's saying.

Speaker 1 (29:13):
Where I'm saying, that's the reason our sister is kind
of dealing with herself. That's saying because right now I
don't know if you're here, but the hacks don't really
care for each other.

Speaker 2 (29:32):
How much siblings are. It's true siblings love each other
and to their parents.

Speaker 3 (29:41):
And say they're dead when they're not actually dead, and
you have to find each other years later.

Speaker 1 (29:46):
I can tell you obviously, thank you.

Speaker 2 (29:50):
Good Yeah, Mark Keith Kinder faith sleeping at seven. Well,
my dad was a whore. So I have two two
half siblings, and like by step siblings, I have.

Speaker 6 (30:18):
One brother and one half further few.

Speaker 8 (30:19):
For years, I had committed suicide in a forest until
here a couple of years ago, when they're like.

Speaker 2 (30:26):
Yeah, he's so alive in a forest in Japan where
I'm just grown up.

Speaker 6 (30:32):
Always told you committed suicide like out in the woods, And.

Speaker 9 (30:37):
It's like, I didn't know my brother Ryan existed until
I was till my parents got divorced.

Speaker 5 (30:42):
So that was like, uh, eleven or twelve, and my
parents get divorced and my Dad's like, oh, you have
a brother. Yeah, he's brother Matthew. And he's like, oh, no,
you have another one.

Speaker 6 (30:56):
No, I don't, what's the name. Let's just of my
previous marriage that I haven't This was from an infidelity.

Speaker 2 (31:06):
Yeah, so.

Speaker 1 (31:08):
That's a and they kind of give it you a look.
And so there's anything else you won't want, that's just
get the hell out.

Speaker 2 (31:16):
The knife shop.

Speaker 1 (31:17):
Keep it me. They're both girls.

Speaker 6 (31:21):
Yeah, oh that's why my services didn't work.

Speaker 2 (31:26):
Females.

Speaker 6 (31:27):
Then I go both ways.

Speaker 1 (31:29):
Yeah, she doesn't give two ships. Just stick at the
funk out if you're not gonna buy anything, and get out.

Speaker 6 (31:37):
That's angry lesbian there and all the kicking us out
of the shell.

Speaker 2 (31:44):
Mm hmm.

Speaker 1 (31:46):
So as you all exit out, what are you all
gonna What are you gonna do?

Speaker 6 (31:55):
Now?

Speaker 1 (31:55):
I have a monocle, you're monocle. That's a your monic.
Coal is actually goggles of nights, so they are night
seeing goggles. Sam.

Speaker 6 (32:05):
Everything's really bright right now?

Speaker 1 (32:11):
Yeah, so what do you what are you all going
to do? That's say, are you where are you all at?

Speaker 3 (32:17):
We tailed it straight through the woods because we just
wanted people, and once we get far enough in the woods.
You know, we get out of a ridiculous outfit and
I'm like, I'm radiating with energy. And you know, I'm
usually wearing my bright red and yellow plate armor that
looks like cloth, with my cowboy hat and my long

(32:40):
hair and my.

Speaker 2 (32:40):
Beard and the energy. Depending on what my task for
my God is, my outfit changes. All of a sudden,
you just see ripped both your perception let me perceiving.

Speaker 3 (32:58):
I'm just finishing. What's happening. A motherfucker have a six
pack of abs with wrist guards. I've got a goateee,
and now I have a black bandana. I'm wearing black pants.
Nat Twining.

Speaker 1 (33:19):
Y'all look around and you see a little frog, a
little frog like creature looking at over at you all.

Speaker 2 (33:28):
Well, I just saw me completely transformed.

Speaker 1 (33:34):
So the rumor is, y'all want to make a deal
with bab Lorna.

Speaker 2 (33:40):
Yeah, we wanna. We want to talk to bad letter.
Grab the head. My My understanding is that every time
the Kings die, the heads can talk, because that's the
only thing we've experienced. I want to hold up the
head and be like, do you know this guy didn't talk.

Speaker 1 (33:54):
It's just it's just there, he's a shitty king anyway.
She doesn't even no, that's saying the little uh little
toe no we need well, it's more of like a
necromancy spell. That's saying, as you all kick the kick

(34:17):
the head, and.

Speaker 2 (34:17):
Don't kick the head. I stopped, yea, lady, don't.

Speaker 1 (34:23):
Just the little toadling just looks as I can make
it happen when it's in the direction. Yeah, okay, Well
come on, and she starts leading you, and the little
Toadlings leads you back into town.

Speaker 2 (34:37):
I'm not well if we start going forward to town,
I'm gon stop be like, why are you taking Where
are we going to the rabbit Town?

Speaker 1 (34:44):
No, taking you back to bad Lorna.

Speaker 2 (34:46):
I mean back to Badrna.

Speaker 1 (34:48):
She's taking you to meet bad Lorna.

Speaker 2 (34:50):
You said the.

Speaker 1 (34:52):
Town you just came from.

Speaker 2 (34:54):
Yeah, if we start heading back that direction, we're gonna
stop being like, where are you taking us?

Speaker 3 (34:59):
We're not going back to this down I'm taking understanding,
Mad Lada is here, the rabbit town is here, and
we were going down this way.

Speaker 2 (35:10):
We're being tricked to go back to get arrested. Is
what's happening.

Speaker 1 (35:14):
She just looked the little toe land suck. As long
as I'm with you.

Speaker 6 (35:18):
Who are you?

Speaker 1 (35:20):
I'm a lorda ling, I'm sent by by Lorna herself.

Speaker 2 (35:24):
She let's go somewhere other than the tow.

Speaker 1 (35:27):
She's heard for what you've done, and that's saying, do.

Speaker 2 (35:31):
An urn of check on this little to do insight
on this toad. See if he's trying to like this
to go ahead, go ahead. That was the one so
I could re roll that they got him Apple.

Speaker 6 (35:44):
None of us knows what goes on in the head.
That's a scary Part.

Speaker 2 (35:51):
Sixteen because I get a plus sixty inside. Okay at
dirt for a kount of change.

Speaker 1 (36:01):
You can tell this a little Norley is telling the truth.

Speaker 2 (36:04):
Well, I would be looking to tell the truth. You're
checking for magic.

Speaker 1 (36:07):
Yeah it is magic, but you can tell it's telling
the truth.

Speaker 6 (36:12):
Yeah, yeah, I think who killed them?

Speaker 1 (36:16):
As long as you're with me, and I tell them
that Lorna would like to speak with you two.

Speaker 2 (36:22):
Maybe she wanted the king.

Speaker 3 (36:23):
Did Alright, Well, I'm gonna put the king's head back
of my bag and I'm gonna take blankets cut them
forst to have what a like?

Speaker 2 (36:30):
Yeah, I'm gonna take the bon I look similar, but
I look different because.

Speaker 3 (36:39):
One tenant of my God is you always stick up
for your team, and that's what I did. But half
of our team turned against this. So another tenant is
you never go hill unless you're given reason to. So
now I'm in my hill ark.

Speaker 8 (36:58):
According to my God, whenever you get never if they
made a bad decision when they turned against you, attacked
the snail, and I fucking killed that snaill for you.

Speaker 2 (37:12):
I want to stay when you attack that king, I
was standing right next to him with snoodle. You almost
hit me, yeah, prison, yeah, you almost fired me. I
offered my camera SMI but no no. But after the
fact you killed the.

Speaker 1 (37:28):
Snaill Jeff later, I want you all to write me
exactly what your God does and does not allow.

Speaker 2 (37:37):
Okay, I mean you're gonna need to watch them wrestling
because he wrestling God. That's the same, if you understand,
because it's all about storylines.

Speaker 1 (37:50):
So you will need to you will need to write madness.

Speaker 2 (37:55):
There we go. We've got like a folder filled this
ship prayer.

Speaker 1 (38:01):
So are you guys gonna follow the Lord lornally? I'm
I'm meeting more ripped as that goes on. As that's
going on as you are making your way back through
the swamp. Move back to you all, I'm gonna look.

Speaker 2 (38:19):
At Bosh and suggest when you find a hot air.

Speaker 1 (38:22):
Balloon to track back, just like tower Morgrot speaks up.
Morgat looks up, kind of speaks up to you. Did
you guys not see the repair shop when you like
the balloon repair shop? When you guys came through there
was there's usually always a balloon for rents, like at

(38:43):
the beginning of a thing. Did you not pass anything?

Speaker 2 (38:47):
I don't remember.

Speaker 1 (38:51):
Well, the factory is a little further down from it,
but normally old uh oh Iggle is usually working on
his balloons and stuff. And he saying he's always a
he's always been a good man. It's always been reliable.

Speaker 2 (39:09):
What do you say.

Speaker 6 (39:10):
I say, let's let's give it a shot.

Speaker 2 (39:13):
Okay, we'll walk on down.

Speaker 1 (39:16):
As you all walk on down, you all pass Clapperclaw
m and so you got anything to say for Clapperclaw
looks at you all say hey, everybody, Hey, you two,
where's the rest of you?

Speaker 6 (39:29):
That's a long story. Oh yeah, long story, long story.

Speaker 1 (39:37):
He kind of looks over and just kind of says,
is there somebody else?

Speaker 3 (39:42):
Here.

Speaker 1 (39:44):
Is there somebody else here with you all? Morgan kind
of kind of speaks up and goes, clapper, it's me.
How'd you get free?

Speaker 2 (39:57):
Said?

Speaker 1 (39:57):
These two broke me out, but I I I'll let
you know that the revolutions still want don't worry, we'll
get your head back. And they said, i'd I highly appreciate.
What what can I do? He l she uh me
says she looks over and says, I need a guide
copper clock. It looks over, so I can do that.

Speaker 2 (40:23):
If you wouldn't follow, Why don't you that after tell
I guess you would follow?

Speaker 8 (40:26):
It's such well we you know we're whisper to you
when it would be really funny, hm is if you
know we help them out with a revolution.

Speaker 2 (40:35):
You know we've made.

Speaker 6 (40:36):
Friends with so it's loose move.

Speaker 8 (40:39):
Uh Whatevery's name is uh uh uh that they're so
grateful that they make us king and queen, and since
they weren't able to become kings, when have you so poetic?

Speaker 2 (40:53):
Be very funny. I'm not really an important or some
way here's a burner he's talking about. Just also let
you know, because we didn't do a session zero, I
have a war cleric remains a war guy. So imagine
ferries crazy. Okay, not one of these people are really

(41:16):
mad because.

Speaker 1 (41:18):
Okay, okay, so as 'all Clapper Clapper starts following you
all down to the main balloon.

Speaker 6 (41:26):
So he's a scare curses.

Speaker 1 (41:29):
I will show you what Clapper is.

Speaker 6 (41:32):
He is this like a house movie castle where he's like,
this is what he looks like. You doesn't have a
stick that he bounces off.

Speaker 12 (41:43):
I feel like, yeah, when we when we did that,
that d had him on a stick in the Yeah, that's.

Speaker 6 (41:56):
My favorite scarecrow. And u.

Speaker 1 (42:00):
As that's saying, you all make it all the way back.

Speaker 2 (42:06):
They all make it back down to the to where you.

Speaker 6 (42:09):
See the balloon. Check.

Speaker 1 (42:11):
That's saying you still see to uh, you still see
one giant for one frog on the top of the
balloon trying to stitch it back together. As you get closer,
they look at you. How to friends walk Welcome back.
That's saying, uh, what was all that commotion I heard

(42:32):
over yonder?

Speaker 2 (42:33):
Oh?

Speaker 6 (42:34):
Just some people made poor decisions.

Speaker 2 (42:37):
Oh that's the same.

Speaker 6 (42:38):
I'll we'll find out eventually.

Speaker 2 (42:40):
Have when you killed an innocence? Now, well we'll find out.

Speaker 1 (42:44):
I hate to say it, but this is a bit
of a gossiping town. So usually once one thing happens,
everybody knows within a certain amount of time.

Speaker 6 (42:52):
So what what what brings you?

Speaker 1 (42:54):
What brings you down my way to the repair shop.

Speaker 6 (43:00):
Eating a hot air balloon right now?

Speaker 1 (43:03):
Well that's saying I really do would like to help,
but we're in the process of preparing this one at
the moment.

Speaker 6 (43:11):
Like, do y'all have a know any way to help
make mending faster? You know, I have a member.

Speaker 2 (43:22):
You're saying, hope.

Speaker 1 (43:25):
You could have fixed the first time and you guys
walked in, but yeah, all decide to walk a want
walk away.

Speaker 11 (43:31):
I was just following the person who's leaving before the
next week. If he wants our gospel, we're gonna hascitate.

(43:51):
Can watch the ship from wrestling, so it makes.

Speaker 2 (43:54):
Sense, Yes, at least watch thy three. There's many six. Yeah,
you've got to see the betrayal to understand what. Okay,
we had just stitch.

Speaker 1 (44:16):
Yeah, unless like, yeah start help you jump up there.

Speaker 6 (44:20):
Say that's so what do you say to him?

Speaker 2 (44:23):
Pretty good?

Speaker 1 (44:29):
Yeah, I happily take the help, any any help.

Speaker 6 (44:32):
We can get.

Speaker 1 (44:34):
You're saying any any ways to help.

Speaker 6 (44:40):
I have in here and I don't remember what it was.

Speaker 2 (44:44):
I have a little spider.

Speaker 6 (44:47):
Okay, would the spider be able to help mend the
the balloon? I don't remember if it's a dead spider
or a life spider.

Speaker 1 (44:54):
I think it was a spider toy to where it
would give you spider powers.

Speaker 8 (45:00):
Oh, I can hang off their outside of the balloon then,
and does like webbing come out of my butt?

Speaker 2 (45:06):
Or yeah?

Speaker 1 (45:08):
Well for the for this all tensive purposes, yeah.

Speaker 6 (45:12):
I'll help mend the balloon.

Speaker 8 (45:13):
Then I'll climb up the side of balloon here and
I'll start squirting spider juices out of my butt.

Speaker 1 (45:22):
Okay, so as this goes up more you can hear
uh more got slowly started with like kind of pulls
her pulls in a visibility cloak off herself and only
showing her hat.

Speaker 2 (45:36):
What was his name, duke?

Speaker 1 (45:38):
Duke or what are you doing? You're supposed to be
in jail. So we're starting to get back, We're starting
to get things back moving the right way. That's saying
anyway you can give us a hand, And he's a yeah,
well we'll get this start rolling quick. Give It takes
about thirty minutes and you all get the air air

(45:58):
balloon up and running and you immediately start in and
that saying, within like thirty minutes, you guys have had
it inflated, ready to go, and you guys uh start
making your way out so that sing wow, and you
guys start making your way towards slanty tower. Okay, back

(46:19):
to you all, yeah, okay, we're following that saying you
all have made it back into town. That's saying everything
is very foggy and you don't see like when they
took you in a path to where you ended up
on the other side of the of the uh A
downfall and they uh take you off to a lift.

(46:47):
That's sing. So well that's going on.

Speaker 6 (46:55):
I will say, while I'm using.

Speaker 8 (46:56):
The spider toy, Cromer like a spider I pictured me
sounding like one of the aliens from next Generation and skis.

Speaker 1 (47:03):
Them so Heath, I will give you this, do not
touch anything yet.

Speaker 2 (47:15):
Well, we're meeting Beadlorna.

Speaker 6 (47:16):
The right they take.

Speaker 1 (47:18):
He takes you to the cottage to meet her.

Speaker 6 (47:21):
Yes, the cottage.

Speaker 2 (47:26):
Set.

Speaker 1 (47:27):
Don't get your answers yet.

Speaker 6 (47:29):
He sat with that place.

Speaker 10 (47:32):
I can tell you you're not going to get your
answers yet, so he takes so immediately takes you up
to the lift to the cottage and both of you
are now.

Speaker 3 (47:45):
Here.

Speaker 1 (47:46):
You got you are right, you're right here where it
says down to D twelve, so you know, don't reveal
that you There is a little track you all notice
is a trap door at the very like get right
above here. I feel like you should have numbered those
you can tell them, well, I'll show them on here,

(48:07):
which wonder people I didn't have time to. So you
guys are now at the like in the at B
one you all look around a recessed pool lined with
moldy clay tiles take up most of the large square room.
Stagnant water feels the depression to a depth of one

(48:30):
foot rising from the pole center as a head of
stone well that gives off an unpleasant pungent odor. In
one corner of the pool stands a tall, dirty, free
standing mirror in an oval frame, and floating and floating
on the water is a large lillipad.

Speaker 2 (48:49):
Is there anybody else in this room?

Speaker 1 (48:50):
With this? Criaky wooden floorboards are arranged in ten foot
wide raised walkways around the pool. This walkway is crowded
with shelves, tables, and stools in all shapes and styles.
Almost every available surface is littered with stacks of dirty plates,
scraps of food, and old junk. Dressing of dummies are

(49:12):
pushed together in one corner, and a wooden staircase spiraled
up from one from another corner. Five closed doors lead
from the room. So as you all enter, you see
the see the little Lorna line. Just Matt White just
kind of runs and disappears through a crack. You guys

(49:33):
are now in the first floor above Lorna's cottage. What
are you gonna do?

Speaker 2 (49:41):
Hello, we're here to meet Babylonna.

Speaker 1 (49:45):
You hear nothing, and you think to yourself, I've made
it in here. Might as well stake out the place
while we try to find bat Lorna.

Speaker 2 (50:00):
Do you want to we want? Do we have to
find Bablona.

Speaker 1 (50:02):
She's in the house somewhere.

Speaker 2 (50:05):
Yeah. A couple of things. Yeah. I need you to
be logical that this we're being tested. Okay, you've been
put in an empty room.

Speaker 7 (50:14):
You're a very powerful person who wants to know your
intentions and what we're playing to do.

Speaker 2 (50:21):
Second thing, I did you just stand still and trust
me for a second. I want to pull out my compass.
Is my compass pointing anywhere?

Speaker 1 (50:31):
Now? No just going around in circles. There's let's say
whatever your heart well, currently, what is your heart's desire?

Speaker 3 (50:42):
Even though I'm pisseding everybody and I'm on my hill art,
I want whisteners.

Speaker 1 (50:49):
It is spinning around, way to give it.

Speaker 2 (50:53):
Way to give you a thing. So I'll take the
compass my heart's desire because I want to meet Bevlon Haye.

Speaker 1 (51:01):
Tell me strictly.

Speaker 2 (51:04):
Things are changed so that I'm angry and bitterer. I
want to meet bad Horna more than anything else in
the world. Right now, my comrade has abandoned me. Wouldn't
have hurt so much if you didn't care. Be sure
she's not still your heart's desire. She is my heart's desire. Okay,

(51:28):
But one desire in this world it is to talk
to bad Horna. It points.

Speaker 6 (51:36):
Over to the bad feeling about this.

Speaker 1 (51:41):
It points over to let's say, answer you are looking
this way. It points over to the door to the
middle door on the on the right. Here, yes, a
middle door. That's saying, so you attempt to be four.

Speaker 6 (52:01):
And watch at the end, we have to say it's
a frog kingdom from him. So the stairs here.

Speaker 2 (52:07):
Queens over his.

Speaker 6 (52:08):
Bad So okay, so we'll go down the stairs.

Speaker 1 (52:11):
A flight of stairs runs along the other outside of
the wall the cottage with wooden doors from top to
bottom of it. A rickety railing hugs the edge of
the staircase, which looms over the froggy lake, a steady
downing thing. Heath, I need you all to roll a

(52:31):
perception check.

Speaker 2 (52:38):
Plus five person. Let use it. Okay, Yeah, that's ship nineteen.

Speaker 1 (52:53):
You see, there's a giant hornet nest seven foot tall
and three foot wide right when you when you slowly
open the.

Speaker 2 (53:02):
Corner door, and then I'm gonna close that door right back. Okay,
So now where do you go?

Speaker 1 (53:12):
It's looking at that's that's that's the quickest way to
where you want to go. Oh and it's above the

(53:32):
door right when you open the door.

Speaker 6 (53:36):
Is what they're relaxing gloom right.

Speaker 3 (53:41):
You should, uh, if you ever get a chance that
we're still in that area next time, just do the it'saf.

Speaker 2 (53:46):
Of midnight sounds right, so while you like it.

Speaker 1 (53:53):
So, while Heath and them are figuring this out, what
are you all doing. What are you all discussing while
you're all up in the So?

Speaker 6 (54:02):
Who's on with us?

Speaker 3 (54:03):
In?

Speaker 1 (54:05):
So you have? You have Clacker, Claw Mart and you two,
So that's the same.

Speaker 2 (54:16):
Do we not bring.

Speaker 6 (54:19):
Huh? Do we not have no Doucas?

Speaker 1 (54:21):
No, he's just the repair and you have Agdon with you. Yes, yes,
that's saying Heath, do you still have your map of
a Father?

Speaker 3 (54:36):
M hm?

Speaker 1 (54:38):
You bought a map Hither? You said, he yeah, I
mean Sam, do you still have your map of Hither?
I'm sorry, so you still.

Speaker 2 (54:47):
Have your map?

Speaker 1 (54:51):
Do you still have your map of Hither?

Speaker 6 (54:53):
I believe so.

Speaker 2 (54:54):
Yeah, we have the hand you remember, I only have
one story sway.

Speaker 1 (55:01):
So as this is gone. So while they're deciding you all,
you all see a pallethora thing. I need both of
you to roll a perception check.

Speaker 2 (55:13):
I actually thinks too, I'm casting you. It's it depends.

Speaker 11 (55:20):
It's a concentration, so you can't catch anything else consation.

Speaker 2 (55:26):
Spell, slot and man ship.

Speaker 6 (55:30):
I guess you're right, I would twenty one.

Speaker 1 (55:35):
Okay, that's saying, okay, you guys see everything that is
like as you guys have no problems seeing in the
land of Hither.

Speaker 2 (55:46):
You guys.

Speaker 1 (55:47):
That's saying it's twilight hour. That's saying like you could
still see you see a that's saying you see a little.
That's saying the little You see a moving house on
the legs, slowly crossing over the land far in the
far in the distance, you can see the slanty tower

(56:07):
like emitting us a light glow. And then the distance
you can see like tell like tell me hill glowing
with fire like with lights all over, like showing within
to like within lighting from the tunnels, and and looking
and looking down and looking down on the ground. You

(56:30):
can see the wells, but it looks like little fireflies,
like just like the wells are like popping in and
out of lights like it's a little fireflies. Do you
all have any any questions while you're all in the
air seeing what conversation is going on while you're up
There was another destruction I can't remember well. Tavolar was

(56:56):
actually a he was a night of a summer court,
one like part of one of the Faye, part of
the Faye wild like part of the face well. When
they were coming to warn warn the Queen of Prismere
about the treacheries of the three hags, but when he

(57:18):
got here, they already took over, and so he was
trying to get to them, like get back home so
we could warn his queen and the rest of the
courts so they would be able to get help. But
he was captured by by bat Lorna, and so me

(57:38):
and Wigglewalk we we did everything we can to escape,
and they helped him escape. Wiglewalk got him got I
was able to get him out, but I was captured
in the process. So that's saying there's a spark of hope.
It's to find them. And that's second. The direction it

(58:00):
seemed like they were. They were heading this way, but
from what the rumor is, something went down its slanty tower.

Speaker 6 (58:10):
Okay on the way.

Speaker 2 (58:13):
You didn't see a balloon go down.

Speaker 1 (58:16):
That sound a good sign. That's the saying. I I
I pray that they're okay.

Speaker 2 (58:22):
I don't play them.

Speaker 1 (58:25):
So that's yes, that's sane. As you all continue to
fly height, we are you older.

Speaker 2 (58:32):
Yeah, I can't shoot a face like he can't shoot
a face on me. And it does what it uh,
it's to a to A plus two to our armor racy. Okay, last,
so we're gonna a thousand rounds of combat. We're going
to open the doorway and stick to the other side

(58:52):
of the wall, roll stealth check, trying to make our
way bad because I get disadvantage and stiff. I'm wearing plate.

Speaker 6 (59:06):
That you played on wrong.

Speaker 11 (59:08):
That would still tad because the my ac is gonna
give down from eighteen to like fifteen.

Speaker 2 (59:19):
Sixteen. I'm the seventeen sixteen eighteen, I got a nine.

Speaker 1 (59:26):
Are used a coin or anything?

Speaker 6 (59:28):
He yeah, I'll use a coin alright.

Speaker 2 (59:35):
Now that's a dairy.

Speaker 1 (59:36):
Point, okay, and you all are able to you guys
are opened the door and you were like and you
were successfully able to not disturb the nest of giant
hornets as you all make up.

Speaker 8 (59:49):
And the way he had asked, if you're going to
use the point means you are going to get stun
more horribly, so heath next, you.

Speaker 1 (59:57):
Are going to do this this one right here here,
that's how about?

Speaker 2 (01:00:18):
Okay? Okay, So I'm in a room. We're in a room.

Speaker 1 (01:00:39):
The door of this room is closed and cold to
the touch.

Speaker 6 (01:00:45):
That's sank.

Speaker 2 (01:00:46):
Which room will we in? That one? There's two rooms there,
those are two rooms. There's a room with a treasure chests,
and there's a.

Speaker 1 (01:00:55):
Room with you're you're right here.

Speaker 2 (01:00:58):
There's rooms.

Speaker 6 (01:00:59):
Let me see it.

Speaker 2 (01:01:00):
That's the hallway on the stairs. It's a separate room.
And we in the hallway, or were in the room.
We came into the room.

Speaker 1 (01:01:08):
No, no, browe that's how I'll reveal that one. Anyway,
in the big one. You're in the big one.

Speaker 13 (01:01:17):
He was explaining, Okay, you have arrived in the kitchen
and the gore spattered kitchen, A.

Speaker 1 (01:01:28):
Stout figure with stained apron iron boots and a crimson
cap and a bloody meat cleaver chases a pair of
vultures around the butcher's block while the squawking birds fight
over a scrap of meat.

Speaker 6 (01:01:40):
God, don't you get here. That's how your guys.

Speaker 1 (01:01:43):
Gonna be dinner tonight. And you all look and you
see a red cap, red cap goblin. Okay, And as
you all walk through, she looks over, he said, what
the fuck do you want?

Speaker 3 (01:01:55):
Want?

Speaker 2 (01:01:57):
Well, we're just trying to make it the bad ruin. Huh.
Might you know where she's at?

Speaker 1 (01:02:05):
Yeah, I'm making her fucking dinner right now.

Speaker 2 (01:02:07):
What do you need any help?

Speaker 3 (01:02:09):
It's hey, I've got about a pound and a half
a snail meat and a pound and a half a
rat meat.

Speaker 2 (01:02:14):
Does that help you?

Speaker 1 (01:02:16):
That's saying actually, and I say, if you're all willing
to work, we may be able to make a deal here.

Speaker 6 (01:02:22):
You can you take us to Babylrna.

Speaker 1 (01:02:24):
That's saying she's in the next room, but she's currently
with somebody, so it made me a minute before she
shows up, before they're done. That's saying, so if y'all
wanna h help prepare food and get it ready, it
may look better in your favor.

Speaker 2 (01:02:38):
Well, what do you want us to do?

Speaker 1 (01:02:40):
That's saying right now? Just help in the kitchen. That's
singing right now. I had to say it, fuck you
guys in general?

Speaker 2 (01:02:53):
What did we do? You've entered his.

Speaker 1 (01:02:56):
Kitchen for her kitchen. I'm sorry, her kitchen's very.

Speaker 2 (01:03:02):
Manly, So why did you shay fuck us?

Speaker 1 (01:03:08):
The Red Cap despises everyone and everything but her hatred.
Most of all that she hates bath Lorna.

Speaker 3 (01:03:18):
Oh, okay, you know, I will help you in the kitchen,
but I do have a question for you. You seem
like a very cultured person. Have you ever heard the
phrase don't judge a book by its cover?

Speaker 1 (01:03:31):
Have you ever heard the succession the expression I don't
give a fuck.

Speaker 6 (01:03:38):
I have some numbers like this.

Speaker 2 (01:03:40):
I kind of want an arka over. I'm not gonna
find her right now, but I really do kind of
want an ark over. She can hear it. I don't care.
I wanna trying to persuade her to take a break
and wool finish cooking.

Speaker 1 (01:04:05):
Okay, that's saying role, I'm gonna what does she want
to eat?

Speaker 2 (01:04:10):
Because I have a king's head and I'm want to
hold up the head.

Speaker 1 (01:04:15):
Now are you not saying yeah? Are you guys really
trying to piss her off? Now? That's saying she's already
in a bit of a mood because of everything that's
going on right now in town.

Speaker 2 (01:04:24):
She's a hag.

Speaker 9 (01:04:25):
I think she's probably always in a mood. But what
why don't you take a rest and a break and
we'll finish cooking and everything.

Speaker 1 (01:04:35):
That's saying like I'm saying, I'll say you fine, if
you don't want it, I'll take that head off your hands.

Speaker 2 (01:04:42):
You wanna will give us advantage for this role?

Speaker 3 (01:04:47):
Role for advantage advantage with advantage head.

Speaker 2 (01:04:53):
Oh that's a that's an that one. So that's a
road twelve on persuasion. She looks over you.

Speaker 1 (01:05:07):
I said, I'll be I'll be grudgingly, but I'll do
it because this gives me something to do. And she
and she happily takes the head and just starts stabbing
it over and over and over with a s happily
like just delightful, gleap.

Speaker 2 (01:05:24):
I hear you. I cut his head off. You know,
he made us a promise that if we killed him
with kings.

Speaker 1 (01:05:31):
I really don't give a shit what you did or
anything like that. The fact that you guys are here
bothering me just pisses me off. So I suggest you all,
like you can cook whatever you can cook wherever the
fuck you want. But that's saying like you're just remember
you're the ones giving it to her, not me. And

(01:05:52):
she kind of looks over you and said, if you
play your cards right, I can probably I'll probably tell
you a secret.

Speaker 2 (01:05:59):
Look cards do I need to play? You just seem
really angry.

Speaker 1 (01:06:07):
I don't even want you to touch me. That's the
saying I have. I don't even know what the hell
you are, but I'm actually quite disgusted by just your
also general half.

Speaker 2 (01:06:18):
We're pretty much related, yeah, we're cousins.

Speaker 1 (01:06:23):
I am dropped at gorgeous. You guys are absolutely fucking hideous.

Speaker 4 (01:06:29):
Making it really hard time. Well, let's cook everyone of
his food. So as you all, you all cook, do
I get the roll to see. I'll get the cooking
in in a minute.

Speaker 2 (01:06:43):
So back to you all.

Speaker 1 (01:06:46):
You all have you all have made it up to
Slanty tower. You guys are seeing within your like you
guys are seeing within like within like within view all
a perception check, wonderful. You all looked at you all

(01:07:15):
look down at the entrance of the tower, and you
see looks like something happened, looks like you see multiple
dead bodies. You see like two giant dead snakes just
completely ripped apart dead snakes, No, not snakes, snake people,

(01:07:37):
actual snakes. Giant snakes just ripped, like ripped apart, Like
we something went by that completely destroyed this thing, like
destroyed it looked like somebody like committed genocide here. Okay,
are you all going to land?

Speaker 3 (01:07:59):
M hm.

Speaker 1 (01:08:01):
That's saying acting like acting look uh, looks around like
kind of sniffs the air and says, so that's saying
it does smell safe. I don't sense anything dangerous. Here,
but you do see something like. But looking down you
do see something like. It looks like somebody a freshly

(01:08:25):
dug grave.

Speaker 8 (01:08:28):
There's a freshly dug grave. That means someone survived in
order to be able to bury something.

Speaker 2 (01:08:35):
I won't look at acting before we land, I'm going
to ask him to give me the unicorn horn and
promise him his freedom if he helps us get through
Slanty Tower. Deal.

Speaker 1 (01:08:44):
Okay, you now have a unicornn Okay. You all are
at the entrance of Slanty Tower. You see the doors
are open. That's a hold on. Let me yeah, very.

Speaker 2 (01:09:02):
Alex thing that it shut up.

Speaker 1 (01:09:08):
Regular doors.

Speaker 6 (01:09:11):
On.

Speaker 2 (01:09:12):
Mm hmm yeah.

Speaker 1 (01:09:16):
A crumbling stone tower raise rises in the swamp, leaning
in such an angle that threatens it to keel over.
Black amble surrounding the base of the tower and clings
to its lower half, hanging from the uh surrelltons. I
don't know how to say that. C R E N
E L l A T I O N S cyrilliations.

Speaker 2 (01:09:39):
I'm actually I just want to see the name.

Speaker 1 (01:09:42):
Well, that's saying it's it's fun.

Speaker 2 (01:09:51):
That relations. Yeah.

Speaker 1 (01:09:56):
On the lower side of the tower's peak is a
large woven basket at the into the tower and of
ropes and tethered fabric. The basket dangles thirty feet above
the surface of the swamp.

Speaker 2 (01:10:09):
She knows anything about the naga or who they're associated with.

Speaker 1 (01:10:13):
The the snakes always guarded like Slanny tower, so it
kind of to be honest, I just know about them.
But but this one, that's their balloon and it's and
seeing that grave, it's not looking good so far.

Speaker 6 (01:10:31):
So these are the same snakes that attack us here?

Speaker 1 (01:10:35):
No, no, these are these are different ones. So yeah,
so you you do hear, it's saying as like as
you can get closer, you hear humming up at the
top of the tower, just a slight humming them.

Speaker 2 (01:11:00):
M hmm.

Speaker 6 (01:11:06):
What if I walk over and start digging up the
grave to see who it is?

Speaker 2 (01:11:13):
What's that? What's that? What we want to do?

Speaker 6 (01:11:15):
Yes, I walk over, you take activating you okay.

Speaker 1 (01:11:20):
You start, you started doing it and the others that's
saying you're gonna help them, Jess, Can I do a
perception to check around the grave to see if I
know it's anything.

Speaker 2 (01:11:31):
Else or anything that would hit who it is?

Speaker 6 (01:11:37):
I guess that would have been the smart thing today
that I just start digging people up? What I do?

Speaker 1 (01:11:43):
You see two sets of footprints. One seems to be
a bear, the others seems to be goblin.

Speaker 2 (01:11:54):
M Which do I see?

Speaker 1 (01:11:56):
Like where the footprints are going to from? Or they
just around the grave there? It looks like they're a
little bit of around the grave. But as you do
look out in the distance, they disappear.

Speaker 2 (01:12:08):
Where they disappear into.

Speaker 1 (01:12:12):
It looks like they were they started heading off towards
north okay, so out in the woods, then like out
towards the swamp they are They look like they are
legit heading this direction, so pretty much.

Speaker 6 (01:12:30):
The way we just came from.

Speaker 8 (01:12:33):
Hm.

Speaker 6 (01:12:33):
Hm, So I continue to dig.

Speaker 1 (01:12:37):
Okay, After a few minutes, you do find a fresh body.
It looks to be a bully walk. Margaret walks over
and she starts to You can see her face. She
is she is truly upset and you can hear.

Speaker 2 (01:13:01):
Like a walk.

Speaker 1 (01:13:05):
But we haven't found so maybe there's still something that's saying.
And she immediates like she hears something and immediately starts
heading up towards this uh up the tower.

Speaker 2 (01:13:17):
Oh, I think we should follow her, hopefully she'll trigger
any traps.

Speaker 6 (01:13:21):
Is there any agree very efficient.

Speaker 1 (01:13:27):
It takes a quick no traps saying, no traps for thing.
It is a straight straight up there and you everywhere,
and that's the saying. Like you you can hear mum,
you can hear mumbling as it gets uh hi. As
you all get higher, as you do see you start

(01:13:51):
to see blood against the walls. You see scratch marks.
You see that something was indeed here and it was
not pretty a Legit looked like there was a full
battle that was held here. As you get closer up
to the top, and as you reach the top, you

(01:14:13):
you see her shaking something and you can hear rattling.
But then you hear no, no, stop, margot. It's no use.
We've tried everything. It will not work. We can The
only way we can open it is a key.

Speaker 2 (01:14:28):
Who's the frenchman?

Speaker 6 (01:14:30):
I mean, I'm hoping.

Speaker 1 (01:14:32):
I don't know, you hear Tavolac. Don't worry. We will
get you out of here. That's things. What happened? You
have to tell me. Like and as you all get
closer you do see a pink faery dragon in a
cage and he has it. He is has gauntlets, a

(01:14:58):
mighty mustach and a sword at at his side.

Speaker 6 (01:15:03):
So we found a.

Speaker 1 (01:15:06):
M so and we will and at that point we
will we will cut it as a session short today.

Speaker 6 (01:15:27):
So I do have thieves tools.

Speaker 2 (01:15:30):
I feel like.

Speaker 1 (01:15:33):
Okay, but we will cut it off until then for
next week when we actually do have time. We do
apologize for everything going on. Due to some unforeseen circumstances
and bullshit, we we have to cut tonight's session short.
So until then we will continue these fantastic adventures next week. Hey,

(01:15:55):
if you want to get it out of your system now,
it's a chance he did really good.

Speaker 2 (01:16:00):
Yeah. Yeah, give me a freemattory. You just kind of
off your work, yourself off.

Speaker 1 (01:16:10):
Here is a few minutes of die say a s
m R. Thank you for listening to this podcast by

(01:16:32):
the Real Cuddal Productions. We hope you enjoyed it as
much as we did making it. Reach out to us
on our Facebook page at facebook dot com slash the
Real Cuddal Productions, or at our email at Kaiju Review
for you at gmail dot com. The Real Cldal Productions

(01:16:55):
hope you've enjoyed this program.

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The Crossroad to Witchlight | 9 | Prison break

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}The Crossroad to Witchlight | 9 | Prison break