July 28, 2024 • 55 mins
D&A Live - Season 3, Episode 35 "DJ Versatile and Alaina Renae". Hosted by Danny & Althea. Tonight's guests are DJ Versatile and R&B artist Alaina Renae. D&A Live is aired live from Paradise Studios NY via the Strong Island Entertainment Network. www.strongisland.com
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
M I'm Danny.
Speaker 2 (00:23):
Are you kidding me? Do it over? No? No, no, no,
the way you usually I'm Danny. I'm out there and
we're all dn a live baby. What what is with
the subtle tone? Dude?
Speaker 3 (00:34):
Well you want me to lower it down out of
the conversation.
Speaker 2 (00:37):
Well yeah, but not not not not the announcement, dude,
not the intro. I mean, but come on.
Speaker 3 (00:43):
All right.
Speaker 2 (00:43):
First of all, I want to thank our sponsors.
Speaker 3 (00:46):
As usual, let's go.
Speaker 2 (00:48):
You've got Slapwood's the Lawn, Maverick global distribution, the Heype Magazine,
natural Born Clothing brands, and y n B.
Speaker 3 (00:58):
S a big, big shout out there and everybody.
Speaker 2 (01:02):
And a special day coming up. But we're not going to.
Speaker 3 (01:03):
Spend global distribution, yes, and the Hype magazine.
Speaker 2 (01:08):
There you go. So anyway, I also wanted to give
a special network you got anything else to say?
Speaker 3 (01:17):
Yeah, you won't let me say to you.
Speaker 2 (01:19):
Okay, So no, no, no, no, you are not starting
on that conversation again. I will we will get No,
we won't. So I wanted to give a special shout
out to DJ hot Ride excellent okay, because we were
on the Boss Lady last night, and I mean the boat. Okay,
it was a cruise.
Speaker 3 (01:39):
It was excellent, Thank you so much. Hot ride. It
was so dope. I can't wait to start doing the events.
But can I say sound quick?
Speaker 2 (01:44):
Okay? Good?
Speaker 3 (01:46):
Normal sexy drill.
Speaker 2 (01:47):
Normal sexy drill. Okay. So it's just weird. This is
a this is an ongoing debate. But wait a minute,
holds a second, because you were talking, we were talking
about sexy drill, and you had said that you kind
of did a little bit of a sexy drill thing
back in the day, right right right.
Speaker 4 (02:08):
Thank you Voice Walkins for making me make a whole
musical that was just like the West Side Story.
Speaker 3 (02:16):
And that sounds just like sexy drill.
Speaker 4 (02:18):
And bby shout out to Hip Hop twenty four for
writing the article and putting sexy drill on that article.
Speaker 3 (02:25):
So thank you so much for making me look like saying.
Speaker 2 (02:30):
Yeah, I have another word, but I can't use that
on the air.
Speaker 3 (02:33):
He didn't. I did from Long Island, too fool.
Speaker 2 (02:37):
Yeah, but you know what it was, just that's gonna
be a debate for the ages. I don't want to.
Speaker 4 (02:42):
Vent that genre. You can keep that genre. I'll give
you that genre. You can keep that genre. I don't
know nothing about that drama. Okay, that's just weird to me. Okay,
let me go on a rent.
Speaker 2 (02:51):
Okay, he's gonna go on the rant. People.
Speaker 4 (02:52):
First off, New York, if you're out there, the real
artist is in New York.
Speaker 3 (02:58):
Can you hear me?
Speaker 4 (02:59):
Can you see me? Please come back, come back? The
New York is terrible right now. Everything that I'm hearing
is straight up trash, and I'm gonna say that right here.
I can't stomach eighty percent of YR rappers. First off,
(03:20):
I don't like the raggedy ann Look, I don't like
the way that you talk.
Speaker 3 (03:24):
I don't even I don't even yo.
Speaker 4 (03:26):
Shout out to Chicago because New York is the new Chicago.
Speaker 2 (03:30):
And that's all.
Speaker 3 (03:31):
I'm gonna leave it right there. Y'all. Wish y'all were
from Chicago. Y'all, wish you were from Miami, and y'all
wish you from Milanta.
Speaker 4 (03:37):
Up to you now, Oh jesus, up to me. Okay,
you're terrible. Step your game up, New York. You sound
like I'm not even gonna.
Speaker 3 (03:43):
Go in there.
Speaker 2 (03:44):
Okay, So thank you for coming to our sexy Joe.
Speaker 3 (03:48):
What a sexy drill.
Speaker 2 (03:50):
Well, I don't really know what sexy drill is. I
mean everything, it's I can't even you know me, don't.
Speaker 3 (03:57):
I'm gonna tell you what sexy drill is. It's a
bunch of guy that never kiss females. All right now,
we're on.
Speaker 2 (04:01):
To the next let's go okay, So anyway and.
Speaker 3 (04:04):
The females man, y'all disgusting? Gets your game up.
Speaker 2 (04:07):
You know what. Okay, you want to talk about that
real p Yeah, let's go okay. I'm going to talk
about that real quick. Because I see all the new
songs and stuff like that, like Cardi B and Nice
Spice and all these girls that are you know, coming
out with these new songs your talent. I'm sorry, you
all sound the same. You're all trying to jump on
the same bandwagon, and it is not working because you
know why, when I see the comments in the in
(04:29):
the actual posts of the new videos coming out and
stuff like that, we're not impressed anymore. Well at least
I'm not.
Speaker 3 (04:36):
Well. First off, those ain't real women. Those are women
that all had.
Speaker 4 (04:39):
Issue daddy issues that you could actually see all of them,
most of them happy the time I'm hearing her and
She's like, look at me, look at me, look at
the way I shake, Like I really care, Ladies. I
miss like real talent, like Foxy Brown, I miss miss Kims,
Missy Elliott, Miss Elliott gotta have her everything else, like yo,
I can't even stomach in anymore. The talent, the talent
(05:00):
that we used to have in New York has literally.
Speaker 3 (05:04):
Desecrated all the way down into this.
Speaker 4 (05:07):
They were like, you want to listen to the guy?
I'm like, all I know A sudden he sounded the same, like, okay,
a boogie originated it a boogie. A boogie is dope.
I don't know any other cats in a boogie because
I don't really listen to anybody. They say, Chef G Okay,
I heard Chef G. He cool, Sleepy Hollow Okay, he's cool.
But they're all going over not them, but they're all
from like that pop smoke era, so I don't I
(05:28):
can't really put them in a category. And then I
never liked k Flop because I thought that Kak I
didn't understand it.
Speaker 3 (05:34):
You know what I'm saying. It sounded like a dead bird.
Speaker 2 (05:36):
Dead bird, you know what I'm saying. So we're gonna
go from dead Bird and we're gonna have a songbird
on this show.
Speaker 4 (05:43):
You know, Fabios was a little dope, but everything else
whatever I could live I could live without.
Speaker 2 (05:50):
Can we end this right now?
Speaker 3 (05:50):
Go ahead?
Speaker 2 (05:51):
Okay, So we're going to a songbird right now. Okay,
So as usual, mister DJ versus Tile is in the building,
and also Elena Renee, Elena Renee, Sorry, sorry about that,
and we're gonna have them on the show after this
commercial break. And now you'll understand what true talent looks like.
(06:14):
So be right back.
Speaker 4 (06:47):
And now we're inside of war with ourselves, your America.
We're gonna wake up from this where the real Americans.
Speaker 3 (06:59):
Man, you're blooded in you lie.
Speaker 4 (07:00):
You just send suicide your home ivery one pretenses love
you for messing you wopping homes, laughing with that the
way you can't even afford food, and everybody looking at
you act it's so rude.
Speaker 3 (07:11):
They're thinking that they love you. Your skin, that's what
they see.
Speaker 4 (07:14):
They don't understand the militant will of speed, but they
ain't good that they got. They just play for each other,
the civil water trying to come for us. Kill one enough.
But I woke up last night I gotta talk to
my pants, tell them listen, we gotta march, and what
do we get you laughing? You cry and you think
where you feel in the status and say you went
all the time They just him and were straining you
(07:36):
inside the cars.
Speaker 3 (07:36):
They don't mona sy you.
Speaker 4 (07:38):
They leave you lock doors, breaking your jaws over the lock.
Speaker 3 (07:41):
They're like you what they want to travel?
Speaker 4 (07:42):
Put you inside where the lock of smid no block,
it's on your whe They hear we're just the cops
streaming likeness now all the send and we thinking prices
and putting that to you there before crashing their crisis.
Speaker 3 (07:53):
Now they hate didn't tell the way how they even look.
Speaker 4 (07:56):
They shry to lock uself go with them, trying to
play the foot one that get trying to get him
for turning that we're close with the phone next two week,
SHOT's years, but we have a social distance, say cale
hoony years and try to acting like we ain't one
to side out home. We acting like that we ain't
(08:16):
wanted what I said.
Speaker 3 (08:29):
You can't say we're back, ladies and gentlemen after that
crazy brand.
Speaker 2 (08:49):
Yes we are so I would love you.
Speaker 4 (08:53):
This is my therapy right here, you know, yeah, you
know what, I haven't talked for like three days and
three three episodes kind of and I just after just.
Speaker 2 (09:01):
You kind of kind of let loose once in a while.
Speaker 4 (09:03):
Well, I'm just shocked, between you and me, how much
more talent I'm seeing coming out of the state.
Speaker 2 (09:07):
And speaking of talents, and.
Speaker 3 (09:09):
There's no hate.
Speaker 4 (09:10):
Listen, hold up, I want anybody to here, because I
know a lot of people listening right now. I'm not
dissing everybody. I'm dissing the ones that you don't have
the go hoops to say anything about because you're scared
of your little Oh we need to be a part
of the fan bay, the fan club.
Speaker 3 (09:29):
Now, I don't. I don't care. I say how I feel.
Speaker 2 (09:33):
He doesn't.
Speaker 3 (09:33):
I throw your listen, you send me, you give me
your phone, and that's so long, is terrible. I'm throwing
that right.
Speaker 4 (09:38):
I'm throwing that right in the garbage, right in front
of you, and say pick it up where you stand, brother,
New York baby, they taught me.
Speaker 2 (09:45):
Okay. So with that said, I'm going to introduce to
the show the one and only DJ Versatile and Elena
the Mad Day ding.
Speaker 3 (09:58):
Well Solson.
Speaker 2 (09:59):
Everybody, can you do that? You know, Elena do that?
You know, I love it. She's like your own personal
beautiful horn. I love it. Can you do that? Anyway?
(10:20):
I just want to reiterate that we are not to
talk about sexy drill ever, Like, what.
Speaker 3 (10:26):
Are you talking about? I love it.
Speaker 4 (10:28):
It's a bunch of a bunch of people that don't
probably not even should.
Speaker 2 (10:31):
Have said anything. I should have said anything. Let's just talk.
Let's just focus on the game.
Speaker 3 (10:35):
It was more feminine than the female. Okay, I'm gonna
give you know.
Speaker 2 (10:37):
Oh my god, they do. Okay, So I was like,
yo with a brawler gain like I'm brawling.
Speaker 4 (10:45):
I'm sitting here like this, man, remember the years of
fifty cent and everybody like, yeah, we up here like
this and I see them and they look like twizzlers.
Speaker 3 (10:52):
Oh I saw them.
Speaker 4 (10:59):
She's down on my knee, and I'm like, what's going
on here?
Speaker 2 (11:03):
We are going to get such backlash, like.
Speaker 3 (11:06):
I'm going to listen to New York like that.
Speaker 2 (11:08):
Yeah, baby matter, we can always move to Chicago.
Speaker 4 (11:13):
There we got yeah, yeah, where y'all stole your styles from?
Speaker 2 (11:17):
Right, Okay, So anyway, I'm okay.
Speaker 4 (11:25):
Yeah, No, I just wanted to do that because a
lot of people are now watching the rant, so everyone's having.
Speaker 2 (11:29):
Everybody's laughing right now.
Speaker 3 (11:30):
Oh yeah, they're like, thank you, Energetic, You're welcome.
Speaker 2 (11:33):
You're welcome. Okay, So let's get to know a little
bit about Elena. So obviously, the only thing I know
really much about you so far is that you're from Gary, Indiana.
And that's pretty cool.
Speaker 4 (11:46):
That's amazing because I've been meeting artists coming from Indiana
and no offense.
Speaker 3 (11:53):
One of them said that, what was the sleepy city
or something like that, right, the sleepy they call like
the no slept on.
Speaker 2 (11:59):
Slept on Wait no no, they say, no, no no.
Speaker 4 (12:07):
When I was talking to him, because a lot of
people really don't like, I'm not gonna lie to you,
I got I got in tune with Indiana because we
were on Power one on four point nine Cocomo, Indiana.
So I started to learn a lot more from like
a year shouts, I started to learn more and and
a year and stuff like that about it and the
artists that come out of them, and you guys are phenomenal.
Speaker 5 (12:30):
Thank you.
Speaker 3 (12:31):
You know what I'm saying.
Speaker 4 (12:32):
I haven't seen one bad artist that I have not liked.
You heard New York from Indiana.
Speaker 2 (12:41):
I'm just mad, you know what it is, Elena, because
it is very refreshing to have artists like you on
the show, because we do get people that submit to
our show to come on and everything. And we just
had another bad apple today and first knows about it. So,
you know, a lot of times what we do believe
(13:01):
it or not. It's not just going by our taste.
Like if people like if Verse sends me somebody or
somebody else sends me somebody, we actually listen to their song.
We you know, we just don't get an opinion just
between me and him because we're displaying for a whole audience.
So it's not just what we think about the song.
(13:21):
So we have a few key people from time to
time that we will say, hey, what do you think
about this song? And there was a song that came
across that was submitted to us and we pretty much
you know, said no.
Speaker 4 (13:35):
Hey, it was like the Kitkak commercial give me a break, Okay,
give me a break, break me off the.
Speaker 3 (13:40):
Piece of that carpet song. Sorry, all right, I'm.
Speaker 2 (13:44):
Back, all right, So that's what happened. Make me.
Speaker 3 (13:55):
So, anyway, where did.
Speaker 6 (13:57):
You learn this this episode is gonna go viral everybody anyway.
Speaker 3 (14:03):
But anyway, this why I don't talk anyway. All right,
We're gonna get really serious in this, okay it anyway?
Speaker 2 (14:11):
Please?
Speaker 4 (14:12):
So anyway, where did you where did you like bring
it to? Like the beginning, like when you started liking music?
Like what got you into the music and what got
you into wanted to be an artist?
Speaker 7 (14:27):
Well, my parents, I'm being from Gary, Indiana, it's only
a few things that you could really like do. We
didn't have all the opportunities, Like I live in Indianapolis now,
but there's a lot more opportunity of things you can do.
Speaker 5 (14:38):
But like, so there you were even.
Speaker 7 (14:40):
The church, worked at the mill, or did some other
extracurricular activities. So for my household, we went to church,
so I got involved in singing there. And my whole family,
especially my father's side of the family, can sing.
Speaker 5 (14:55):
They all can sing.
Speaker 7 (14:56):
So we would all get together holidays and just sing
and it was just like the way it made me feel.
Speaker 5 (15:02):
And my parents will play their music around the house.
Speaker 7 (15:04):
They would clean it up and stuff, and I'm like,
how can you not want to hear something like this
every day?
Speaker 5 (15:09):
How can you not want this vibe every day.
Speaker 2 (15:13):
So you know, that's just you know, that's it's always
about church, write verse the church.
Speaker 3 (15:21):
I feel like the best artist.
Speaker 2 (15:23):
I'm sorry because I think people who sing in whether
it's a chorus or a choir, they know the control,
they know how to handle powerful songs low key. See
I'm not good with the verbiage in music, but they
know all registers. Is that correct for me to say
(15:44):
that all registers of music? You know what I'm saying.
Speaker 5 (15:48):
I understand what you're saying.
Speaker 4 (15:49):
So yeah, you got it, thank you?
Speaker 3 (15:56):
All right?
Speaker 2 (15:57):
No, you know, let me just say because my mom,
she grew up with opera, believe it or not, so
she was she performed in Carnegie Hall and she had
a very beautiful soprano voice. So I got nothing from her.
Let me tell you, I got nothing, bzil nothing. I mean,
(16:19):
you know, she she was embarrassed when I tried to sing.
But it's just that she again, my mother knew control.
She knew I could when she sang and everything. And
then I would try to sing, she was like no, no, no, honey,
you gotta go a little alone, you know, or you know,
like and then sometimes you're like no, no, no, no, no,
maybe you need singing lessons. You know, at least she
knew what I needed.
Speaker 4 (16:38):
Why can't anybody just be nice and be like, look,
you're not good at what she's trying to do. There's
plenty of job opportunities. You can go down the block
and all that and go to the apartment of labor
and go imply why what, Like like, I'm sorry, girl,
but back in our day when we were younger, if
you would you didn't have it.
Speaker 3 (16:55):
You just didn't have it.
Speaker 2 (16:57):
Yeah, that's true.
Speaker 4 (16:57):
That's all I'm trying to say, Like little to baby,
how much can it save you?
Speaker 2 (17:02):
I know?
Speaker 8 (17:02):
Yeah?
Speaker 2 (17:02):
Well yeah, I mean it's not bad to have order
tune once in a while.
Speaker 4 (17:07):
Mankind of people saynding like the same guy used to listen
to buy me a drink.
Speaker 2 (17:12):
Come on, man, I don't know what. We gotta have
this conversation after the show.
Speaker 4 (17:24):
I'm talking to her. The reason why I'm talking to
her is because I'm giving her credit. Because what I'm
trying to say is she grew up where real music
talent was.
Speaker 3 (17:33):
You know what I mean.
Speaker 4 (17:34):
Yeah, but anyway, she grew up from like real music talent, right,
So I'm excited to hear because you know, I keep
saying this man, Chicago and Indiana has been shocking me.
Speaker 3 (17:48):
Yeah, since I've literally been interviewing.
Speaker 2 (17:51):
Yeah, we gotta. We got to give a shout out
to DJ Manny Faces as well.
Speaker 3 (17:55):
Man these two right here and Homegirl too and Miss
Mina and you guys be bringing on so good talent.
Speaker 4 (18:05):
That's why when when you basically bought her right here,
I'm like, yeah, I gotta hear it.
Speaker 2 (18:09):
Yeah. Yeah, it wasn't like we were going to it wasn't.
It wasn't. I canna explain that. It wasn't that we
were going to get the song and be like, oh God,
here we go again. We knew it wasn't because it.
Speaker 3 (18:24):
Day in my life. But anyway, listen, listen.
Speaker 2 (18:28):
It was coming from Verse, so we knew it was No.
Speaker 4 (18:31):
We knew it was gonna be great. But no, I
want to get back to her. So who inspired you.
Speaker 5 (18:37):
Growing up?
Speaker 7 (18:38):
I would have to say, Uh, maybe Staples from the
Staples singers.
Speaker 2 (18:44):
She just has.
Speaker 7 (18:45):
I love Jill Scott, I love Kim McFarlane. She is
a gospel singer.
Speaker 1 (18:52):
Uh.
Speaker 5 (18:52):
Clark's sisters just.
Speaker 7 (18:53):
How they're tone and how they harmonize together, but just
soul singers like Aretha Franklin.
Speaker 5 (18:59):
But maybe Stay just does it for me. She just
does it for me.
Speaker 2 (19:02):
Gospel. Gospel is good. Actually, I just rest in peace
for those I think there was three members of a
gospel group, but very popular.
Speaker 3 (19:10):
No, no, no, you told about fives. What you told?
I'm sorry you're talking about the Was it the Tops?
Speaker 5 (19:17):
Yeah?
Speaker 3 (19:17):
It was the Tops.
Speaker 5 (19:18):
No, no, you're talking about the Nelson. It was a
family of them and they just passed away on a
plane crash.
Speaker 2 (19:28):
Yes, I mean Christian the other day. Yes, it was
so sad. They were very popular gospel group.
Speaker 3 (19:36):
Wow.
Speaker 2 (19:37):
Yeah, I mean I don't really know their stuff, but
it's just sad because when you read about them, and
then I started singing and clicking on some of their stuff,
I was like, damn, you.
Speaker 5 (19:46):
Know they were really good.
Speaker 2 (19:48):
Yeah, they were really good. Because I played a couple
of their songs just to see and I was like,
I'm so, you know, I'm.
Speaker 3 (19:54):
Not trying to make a joke, but God wanted that.
Speaker 2 (19:56):
Yeah. God wanted those.
Speaker 3 (19:58):
Yeah, man, he said that that group. That group was more.
That's that's crazy.
Speaker 2 (20:03):
Yeah.
Speaker 3 (20:04):
And the guy I think, if I'm correct, the four Tops.
The last person in the group passed away too.
Speaker 5 (20:10):
He did no, yeah he did. It just happened like
a couple of days ago.
Speaker 2 (20:15):
Oh I didn't last original member.
Speaker 3 (20:18):
Yeah, I love that. I love that group Temptations. That's
why you're saying names. But the gods. I'm like, yo,
you have to. Can you give us an example?
Speaker 2 (20:28):
Oh?
Speaker 3 (20:30):
Oh your voice?
Speaker 5 (20:31):
Anybody let me see?
Speaker 2 (20:35):
Give me something, girl, give me something.
Speaker 7 (20:39):
So are you familiar with speaking of Gary Indiana, you're
familiar with Denise Williams.
Speaker 2 (20:44):
Oh yeah, yeah, of course.
Speaker 9 (20:48):
And just got to be free free.
Speaker 6 (20:59):
That's a little bit and you know what, you can
tell that again used to how I do things too,
because that was my next thing I was gonna have you.
I was like, hey, look we usually do like this,
and you know, I have the people come on because
the thing is, they'll tell you, man, I'm so appreciative
of talent like yourself, you know, And I keep trying
to like, they'll tell you expose the true talent, you
(21:22):
know what I'm saying, the real heartfelt, soulful singers, rappers,
whatever they are doing.
Speaker 3 (21:27):
This is what you do. That their realness, you know
what I mean? And it's been lacking in the game
for a while.
Speaker 6 (21:32):
But it's back and so yeah, so that's one thing
I was gonna say, like, hey, can you give them
a sample?
Speaker 2 (21:37):
You know? But you know what, the one thing I
found with singers. Okay, you could be the best singer.
You could sing any song, but there's this one song
in our history that people cannot nail, and that it
would be Star Spangled banner.
Speaker 5 (22:00):
Actually, she her me.
Speaker 7 (22:03):
Just did the national anthem at the NASCAR Infinity Race
last weekend.
Speaker 2 (22:09):
Tell me I'm not here, tell me you're here.
Speaker 7 (22:13):
So the thing is, the thing is you are because
that song takes you from the bottom to the top
of everything in the middle.
Speaker 5 (22:19):
So if you start on the wrong key, it is
a rap.
Speaker 2 (22:22):
But when I say this, peace out ladies and gentlemen NASCAR,
she did it, Okay, goodbye.
Speaker 7 (22:31):
I just did like and im and I'm and I'm
not even trying to say it like that, but you
can totally google it. But I just did the NASCAR
Exfinity Race Speedway the Brickyard last Saturday, and I did
the national anthem.
Speaker 2 (22:45):
So you know why I'm saying that, because remember, I
think I don't know how far back versus if you
can remember this Fergie from the Black Eyed Peace, she
did it at a basketball game and she was just
completely horrible, right, and then some other singer just recently
you know, came by and said, here, hold my beer
because she was really that bad.
Speaker 4 (23:06):
You didn't see that, Okay, So that's why she did
it in the basketball she didn't do it in the NFL.
Speaker 2 (23:12):
No, But that's why when it comes to the voices,
when it when I guess, when it comes to like
testing you, the Star Spangled Banner is one song that
if you do not now you know, pack it up
and go home.
Speaker 3 (23:28):
It's crazy.
Speaker 4 (23:29):
Actually the history all the stars smingled Banner and how
it actually came to be, well, you got to think
of that, like I think of that like when she's
when the person singing it right, it has to have
a certain feeling to it, like Marvin Gay destroyed, He
killed it, killed it.
Speaker 5 (23:47):
You got like Marvin Gay. Whitney Houston to me, embodied
what it was like.
Speaker 7 (23:54):
They just smashed, yeah, smash it for no reason. Like
Whitney Houston got up there with a jogging suited. Actually
I think that was a track suit. She had on
a track suit with a headband, sweating and slay everybody
like that's how you're supposed to do it.
Speaker 5 (24:11):
Theyve me chills. She didn't do too much and she
didn't do too little.
Speaker 2 (24:15):
It was just you know, the overboard. She just sang
it perfectly. It was perfect. You could tell by her emotions.
And you know, you know when she did that, when
she was singing it, it was like she was wait,
what was that what you said?
Speaker 5 (24:27):
When she did what she was?
Speaker 2 (24:29):
I forgot what part of the song?
Speaker 1 (24:30):
No?
Speaker 5 (24:31):
No, no, exactly what you just said.
Speaker 2 (24:33):
You know she did that. You know she had, but
I'm just.
Speaker 3 (24:37):
Saying, please never do that again. You look like Eddie
Monster right there.
Speaker 2 (24:39):
But she and you know, like what she was doing,
she was she was getting.
Speaker 3 (24:44):
I don't do that again. I don't do that again.
Speaker 2 (24:50):
Maybe they're not watching, maybe they're just listening.
Speaker 3 (24:52):
No, they want to see me go crazy and throw
the microphone.
Speaker 2 (24:56):
I'm talking about the end, what I'm talking about near
the end, and she's just like a you know, awesome.
Speaker 3 (25:06):
What is wrong with you?
Speaker 2 (25:08):
So anyway, Elena, you have to say carry the note okay,
and not no, what are you doing?
Speaker 3 (25:16):
Your whole face changed?
Speaker 2 (25:18):
Okay, this is not about me. It's about Elena.
Speaker 3 (25:20):
Well sometimes I wonder.
Speaker 2 (25:22):
Okay, you know what do I But but when listening
to her, I do hear, are you.
Speaker 3 (25:32):
Gonna really no, I'm not laughing at you.
Speaker 2 (25:35):
I'm laughing at you, Okay, so I think stop laughing versatile.
Speaker 3 (25:40):
I was laughing. I was to say what you're gonna say.
Speaker 2 (25:44):
He has a little I wouldn't quite give her a
little bit. I really don't want to say Franklin. She
reminds me, and I might get her name wrong. Alita
Adda Alida Adams? Was it who? Alita?
Speaker 10 (26:03):
Like?
Speaker 5 (26:03):
Are you saying like vocally?
Speaker 2 (26:05):
Yeah, do you know who I'm talking about?
Speaker 7 (26:09):
Yeah? You can reach me about yeah, and exactly what
you're talking about. H. I mean, I'm gonna take that
because that's a whole compliment. But I would have to
I would have to respectfully disagree.
Speaker 2 (26:27):
Because that's because I know, put him on the top place.
We're gonna have one on one here, Okay, go ahead.
Speaker 5 (26:37):
It's because because I know myself and I know how
I sound. So it's just like, but if you hear like.
Speaker 7 (26:46):
I challenge you, okay, I challenge you, I'm gonna send you.
I don't know what all sounds if you've heard of mine.
But I'm gonna send you a couple and then you
tell me what you think after that.
Speaker 2 (26:56):
Okay, it's a deal. It's a deal. I'll go with virtually.
Speaker 5 (26:59):
Let's virtually, Shay, put your hand out, huddle, You got
all right?
Speaker 2 (27:09):
That was for me, not for you.
Speaker 3 (27:13):
Your hand can't reach that far.
Speaker 2 (27:15):
You know what it is? When? Uh? How do I?
How do you pronounce that name again? Alita? Is it Alida?
Speaker 5 (27:21):
Alida?
Speaker 2 (27:21):
Because yes, you know, when you're singing certain parts of
your song, it's you.
Speaker 3 (27:31):
You know what you know?
Speaker 2 (27:32):
No, be quiet, I'm talking. So when she's singing, son,
you can release me bye ca Van, that's what you like?
Speaker 3 (27:43):
You hit the note, but I don't.
Speaker 6 (27:46):
Did and did?
Speaker 2 (27:47):
Yeah, that's what I say that that that's Those are
the type of aura whatever you want to call the
sound waves or whatever it is. She has that same same.
Speaker 3 (28:00):
How about this we geting? Tell her record?
Speaker 4 (28:01):
Because I want the fans to hear and I want
everybody to hear it, and I want everybody to be
in see what you're saying.
Speaker 2 (28:08):
Okay, because so here we go with Alena. Here we
go with Alena Vinet's song it's yea, you're right now
listening rocking baby.
Speaker 11 (28:29):
I just saw you like yesterday, the biggest smile, always
sung on my face.
Speaker 12 (28:34):
It p like a vibe, but it's more like a dream.
Speaker 2 (28:37):
The way you make you feel.
Speaker 12 (28:39):
And you know what I'm meaning, Like.
Speaker 9 (28:41):
That old schooling on the phone.
Speaker 8 (28:43):
I can't wait to talk to you and now I'm alone.
Speaker 4 (28:46):
Hell's going on?
Speaker 8 (28:47):
You get all the time?
Speaker 11 (28:49):
Nothing like that in my head and my just friend,
no strings, no fresh us, just me like.
Speaker 8 (28:58):
If you cross the line, yeah I'm cool dad, But
if you don't, just know that I cool, but ain't
can no rush your foot.
Speaker 11 (29:27):
You see me smiling. I just know I can't playing homely.
Speaker 13 (29:31):
Love a friend and that's what you're gaining.
Speaker 8 (29:33):
I know you'll probably think that we all see, which
is something to you because you know I ain't playing.
Speaker 11 (29:38):
I got the five of you.
Speaker 1 (29:40):
Ain't nothing to let you.
Speaker 9 (29:41):
I said I won't do for you, and we both know.
Speaker 12 (29:44):
Pressure what you call do.
Speaker 2 (29:47):
Maybe what you gotta do?
Speaker 13 (29:49):
Yeah, yeah, sure, crush straight straight pressure the just me.
If you post the line you don't cover that.
Speaker 9 (30:00):
If you don't, no notice, cool but ain can no pressure.
Speaker 6 (30:19):
It is cool.
Speaker 11 (30:23):
Come just friends, no strains, no pressure, just made just friends,
no strains, no pressure, just me, just friends, no strains, no.
Speaker 7 (30:41):
Treasure, just me.
Speaker 9 (30:43):
And if you cross the line, can cool there. But
if your don't is no, that is cool.
Speaker 2 (31:13):
Okay, I'm done.
Speaker 3 (31:19):
Alida Adams, Okay, I think he has style.
Speaker 2 (31:23):
I'm not saying she don't have her own style. No,
I'm not saying she don't have her own stock. Or
I'm saying I feel like or veiling flowers and madam okay.
Speaker 3 (31:34):
And I feel not understanding.
Speaker 2 (31:36):
I don't even know who that is. But that's okay.
Speaker 3 (31:40):
It was definitely well gone sitting there sleeping in the
earth with you.
Speaker 2 (31:45):
Oh, I'm just saying. Is when she's telling that story
right about just right right. When she's telling that story,
it reminds me of the way Alita Adams used to
tell her stories. First off, I've done people, that's it.
First off, let's get to the nitny and gritty.
Speaker 4 (32:07):
Okay, God, you're out of your mind anyway, Now back
to you.
Speaker 2 (32:13):
No, no, no, no, no. So where did you come
up with that song? Though? Oh? No, strings, God it was.
Speaker 7 (32:26):
It was heavily inspired by a situation. I cannot say
if it's Karen or not because I need everybody out
of month business. Yeah, well we don't even do all
of that. But it's just it's just the dating scene now,
like people don't date anymore. They just kind of like
they get into situationships or they like each other.
Speaker 5 (32:44):
Next thing, you know, maybe you married or had a
kid or something.
Speaker 2 (32:47):
I don't know.
Speaker 5 (32:48):
So the thing is this, and most women are emotional.
We're emotional creatures. I am, but I'm not.
Speaker 7 (32:56):
So it's just like, I'm not thirsty for a relationship
by no means. So it's just somebody that I was feeling.
I'm pretty sure they're feeling me back. But if you're
not ready for whatever, then it's no pressure for me.
Like I'm not I'm pressure so but I'm not gonna
pressure you.
Speaker 3 (33:11):
But who's ever watching this right now and seeing this?
Speaker 4 (33:17):
You have just learned dating tips, ladies and gentlemen, and
she just basically gave you the keys.
Speaker 3 (33:23):
Men that don't your you're.
Speaker 4 (33:25):
Second, hold up, you're sexy, Joe Rapper. She gave you
the keys how to get a female. Okay, alright, dad,
I don't that's but.
Speaker 5 (33:33):
You know what, that's a whole another show. How to
do that that's all full another shut.
Speaker 2 (33:42):
She can give the keys, but you guys are too
stupid to unlock the door.
Speaker 3 (33:55):
Out of it.
Speaker 5 (33:57):
You're looking for my business because this ain't it.
Speaker 3 (34:01):
No, no, no, let's get back. I just playing around, like
jump around a little bit.
Speaker 10 (34:08):
No.
Speaker 2 (34:09):
What I wasn't say though, is got a skeleton key.
Speaker 3 (34:12):
I love it because, you know what, you could hear
the passion in the record. I knew.
Speaker 4 (34:17):
I knew again, I'm not trying to be funny, but
I knew it was a relationship kind of record because
you could hear the best records come from a breakup.
It comes from you just fall in love, and it
comes from just not knowing what the person's thinking, you know,
And you could hear that in those elements in that record.
When I heard it something it touches the soul because
(34:39):
when I felt that, I was like, whoa, I'm like,
she's passionate about somebody.
Speaker 5 (34:42):
Honestly wrote it.
Speaker 7 (34:44):
I wrote it for if I had the courage to
say something to this person, that's what it would be.
But I don't, so I wrote it in the song.
So it was my way of getting it off my
chest without actually telling.
Speaker 5 (34:58):
The person something.
Speaker 2 (35:00):
If that was the case, I would be writing a
whole chorus for somebody. But we ain't gonna name me.
Speaker 3 (35:08):
In order to can't save you lady. All right, listen anyway.
Speaker 2 (35:12):
It's okay, it's like this at home, Elena, trust me.
Speaker 3 (35:15):
No, actually this actually it's what do you want to
call it?
Speaker 2 (35:20):
But no, I'm playing that, he said, she said thing.
Speaker 3 (35:24):
No, this is marriage counseling. But listen, now we're back.
I know, maybe me laugh, but I really want to
get serious on this. So we're gonna get serious on this, okay,
because I feel.
Speaker 4 (35:34):
Bad she's in here, so I've been playing around a
little bit, but I'm really gonna get to Dan Grady.
Speaker 3 (35:41):
I'm gonna say, you said a lot like Alicia Keys.
Speaker 2 (35:44):
Hmmm, hmmm, Alicia Keys.
Speaker 5 (35:50):
I'm just with this all know for me. You gave
me Alida, you gave me Alicia.
Speaker 14 (35:55):
Well, I'm gonna the reason why I'm from one spectrum
to the other that it's just that that that it
reminds you of Alicia Keys's song a little bit, the melody.
Speaker 2 (36:06):
Who sings that song. Okay, let's keep it that way.
Speaker 6 (36:10):
Y'all are fun today, and it's funny though you guys
went to differ two different spectrums because actually we had
we had a convo about that, and you know, not
about those two people. I'm saying as far as the
spectrum of it, you know what I mean, as far
as being able to balance into the old school but
also the new you know what I mean, and being
able to navigate freely within that. You know what I'm saying,
(36:32):
because of her style of music and how she does
things in Hold nine and you know, there's there's a
lot more. There's a lot more to her, you know
what I'm saying, Like, Yeah, it's dope, man, That's what
I was talking about.
Speaker 2 (36:41):
Like before, when we we just don't do it between us,
we have other people listen to the song, because everybody's
going to give their own different perspective of what they
what they particularly take from that song, what they take
from her vocals, what they take from her the way
she's expressing it in the song. So you may view
it differently than I view it, but either way, we're
(37:03):
still comparison. The comparison is phenomenal.
Speaker 4 (37:07):
Your voice is a very classic voice. Yeah, That's where
I'm just trying to get at. Like when I heard it,
I was like, for I haven't heard anybody yet. Literally
strike my chords and go whoa. She sounds like Alicia
a little bit, a little it's she deal with that
that melody.
Speaker 2 (37:25):
I'm sticking with Alda.
Speaker 3 (37:26):
But go ahead, yeah you want you can stick all
the way up there.
Speaker 2 (37:30):
Oh Jesus, you drink that girl.
Speaker 12 (37:35):
Listen my hands behind my ears. Wow.
Speaker 15 (37:48):
Okay, you want to keep talking because I am just
choking here. Okay, I am literally choking. Okay, somebody called
one one god.
Speaker 3 (38:02):
Yeah, but anyway, just okay, O good.
Speaker 2 (38:06):
I can't you.
Speaker 3 (38:08):
Need to just I'm trying to. But one thing I
really want to say too. She got another record?
Speaker 2 (38:17):
No, that was it?
Speaker 6 (38:20):
Well, I have a folder that I created.
Speaker 3 (38:24):
I just sent the one.
Speaker 4 (38:26):
I'm gonna play you on the DJ and I'm gonna
play on the DJ Energetic makes that's in Miami and Atlanta,
and I'm gonna play you in the Chicago joint that
I got.
Speaker 3 (38:36):
Indiana right now. I got a couple of stations.
Speaker 4 (38:40):
Over in Indiana, so I'm gonna drop in Indiana a
little bit. But I love the music that you come
up like. I just love that song, So I'm gonna
be spending that song on the on the DNA mix
and the DNA.
Speaker 3 (38:53):
Not seriously, you know you always got really good talent, bro.
Speaker 2 (38:58):
I know, you know verse that's it. We gotta get
I can't even say we got to get rid of him,
because if we get rid of him, we're out of it.
Speaker 5 (39:04):
But I have I was gonna say. I released.
Speaker 7 (39:07):
I released the album in twenty sixteen, of course independently,
and I have a song on there that I wrote
after a massive, like dumb breakup, and it's called number.
Speaker 2 (39:18):
Two, number two.
Speaker 7 (39:19):
Every yes, every woman in the world, like will come
up to me this. I wrote this song like in
the like I wrote this song in the in the
kitchen on the floor with tears rolling down my face.
Just but yeah, this is this is this has been
a several years like this has been several years ago.
Speaker 2 (39:40):
I wrote this several years ago.
Speaker 7 (39:42):
But it's that's the it's a slow joint and it's
just it's for the ladies that are.
Speaker 6 (39:46):
Just okayund.
Speaker 2 (39:57):
Okay. But you just keep talking while I.
Speaker 4 (40:01):
Do you feel like as an artist, right, do you
feel like your best music is when you're more passionate
about a situation? Absolutely so, you feel basically what so
do you think number two, because that is a really
dope title. Everybody always is number one, you know, but
number two is ready.
Speaker 7 (40:20):
Here because that's when I wrote it, Like I felt
like that's what I was. Like, he made me number two,
like he put me behind a lot of different things
in life, so I felt like I was number two.
Speaker 5 (40:32):
Like I definitely did not win in that situation.
Speaker 7 (40:34):
So it was just my way. I wasn't bitter. I
don't get better when I break up or nothing like that.
You know, I take my ale or whatever. But when
you give your all, like literally give your all in
its race, and you still lose.
Speaker 5 (40:48):
Like I was, I was legit number two.
Speaker 2 (40:52):
So mister producer, man back there, if you get that
new song that I just sent on the Emmy, y'all,
I would love to play number two in the meantime,
let you see if he can hook that up. But
in the meantime, I'm actually I don't. I can really,
I can't relate to number two because I've always been
(41:14):
number one.
Speaker 7 (41:15):
So but a lot of women don't know that, a
lot of women don't know that they're number two.
Speaker 2 (41:20):
Yeah, right, exactly, No, you're right good.
Speaker 5 (41:23):
A lot of women are like me and my mey
and my man, and she's over here saying the same thing. Man,
y'all saying about the same man. And but the thing is,
I wasn't number two to another woman.
Speaker 7 (41:33):
I was number two to his job. I was number
two to a lot of different things. So it wasn't
about another woman. It was just like I wasn't. I
didn't feel like I was first.
Speaker 2 (41:44):
Right, Yeah, okay, so no number you know what, Let's
just hear the song and decipher it ourselves. How about that?
Speaker 5 (41:53):
No way, you gotta hit a whole joint like it's
you understand it. You gotta hit a whole song.
Speaker 2 (41:57):
But mind you, this.
Speaker 3 (41:58):
Has been like years ago, years Please have you ever
felt number two? Number one?
Speaker 2 (42:04):
What do you like? David?
Speaker 3 (42:08):
Are you?
Speaker 6 (42:10):
That's about the equivalently how you feel?
Speaker 3 (42:12):
You already know.
Speaker 2 (42:18):
Even my co.
Speaker 9 (42:24):
You can't even.
Speaker 13 (42:28):
In the eye gona.
Speaker 9 (42:31):
Jump sit around.
Speaker 3 (42:34):
Every bride.
Speaker 9 (42:40):
Waited it for you to call Mmberly.
Speaker 13 (42:46):
You on eve rap nasty, but.
Speaker 7 (42:52):
Know that I do anything fun.
Speaker 13 (42:58):
But now I realized, Daddy, you just don't.
Speaker 2 (43:03):
Know me, and you don't even.
Speaker 1 (43:12):
That.
Speaker 13 (43:14):
You can't even be in the asylo to.
Speaker 2 (43:23):
Sit around and run cold.
Speaker 9 (43:28):
But joy.
Speaker 13 (43:34):
Don't wait more than we know.
Speaker 2 (43:40):
Me at all.
Speaker 3 (43:43):
I don't need even know.
Speaker 13 (43:47):
To do we would real.
Speaker 2 (43:51):
John show.
Speaker 13 (43:56):
Yeah you told me is a no what did you do.
Speaker 2 (44:10):
As not just to it?
Speaker 13 (44:14):
Didn't right?
Speaker 9 (44:16):
Correct?
Speaker 13 (44:21):
Imagine love me.
Speaker 2 (44:27):
Me with your.
Speaker 13 (44:29):
Las your case that you don't to me?
Speaker 9 (44:37):
I should be.
Speaker 13 (44:40):
I was thought, boo loud should no.
Speaker 9 (44:54):
No no, no, no, no, no no good.
Speaker 3 (45:01):
How could you do me?
Speaker 9 (45:04):
Baby? Oh baby?
Speaker 13 (45:08):
You did me wrong, so wrong, Yes you did. I
was the one of babe.
Speaker 9 (45:16):
She fails when you didn't have a time. I'm stuck
it out with you.
Speaker 13 (45:22):
Three fourgiarsts just waste of time, baby, baby, baby, what
does she do that I didn't do?
Speaker 9 (45:31):
All? You stood by your side to my mama, had.
Speaker 2 (45:36):
The faith that you.
Speaker 4 (45:42):
I'm not gonna make a scene even though I'm hurt.
Speaker 2 (45:49):
You don't know me, okay, okay, okay, okay, So you
know me, Andre. I'm always writing notes ahead okay, I
was always writing real quick no no no. So I
was writing notes and I said, Riah carry and then
I wrote, and I said to him, wait for it,
(46:12):
and then she did that high note all over.
Speaker 3 (46:16):
Yeah, all over.
Speaker 2 (46:18):
Yeah.
Speaker 3 (46:19):
He first bought yon Mariah carry.
Speaker 2 (46:22):
Now we're gonna we're just gonna get all all the
icons in one show. That's insane.
Speaker 3 (46:32):
It's insane talent.
Speaker 5 (46:34):
Thank you.
Speaker 2 (46:38):
I'm still talking to the leader Adams. We went into
Mariah carry mode with that one. Dude.
Speaker 3 (46:43):
She hit that note perfect.
Speaker 2 (46:45):
And I even said to him, Elena, I said, wait
for it, it's coming, because once you started like the
vibrado whatever whatever you call it, okay whatever, So when
you started with that, and I'm saying, here, I I'm
picturing Mariah Carey, I'm closing my eyes. I picture Mariah Carey,
and I'm like, oh, she's gonna give me that note.
(47:06):
She's gonna give us that note sooner or later in
this song, we're gonna get that note. And you gave
us the note end of the game.
Speaker 3 (47:14):
Yeah, that's that's not an easy note to hit that note.
I will take you to hit that note.
Speaker 5 (47:22):
I'm gonna be honest with you.
Speaker 7 (47:23):
I recorded it twice. I hit it and I'm not
even trying to say it like that. One time because
I called my producer that produced that particular track and
I was just like, yo, I feel like I still
had like tears in my eyes and I was just
like I feel like I need I don't know, I
feel like this a high note can go well in
that spot.
Speaker 5 (47:43):
He was like, went back into the studio. And then
in that part I went in and.
Speaker 7 (47:48):
I was like, if I don't hit it, or if
it doesn't sound right, scratch it, we're not gonna do it.
And I went in there and that was it, and
I was like, I think it'll work.
Speaker 2 (47:56):
She should do a sequel because in this day and age,
you could do a sequel call number three because this
day and age, you know, man be like playing all
over the place because listen, we would be in order,
don't you think more so? No more?
Speaker 4 (48:15):
Sorry that wark just got viral, gentlemen. It's been taken
off since we first started.
Speaker 2 (48:22):
I know.
Speaker 3 (48:23):
But anyway, we're about to land soon.
Speaker 2 (48:25):
I don't know if we're ever landing.
Speaker 3 (48:27):
I don't think that.
Speaker 2 (48:27):
I don't think so. I think we just coop and
we're done.
Speaker 4 (48:32):
This is my favorite episode. This is you know, because
a she's got talent too. She she's from a place
where you don't even expect.
Speaker 3 (48:40):
That from no offense.
Speaker 4 (48:43):
I'm a New York slicker, so you hear people.
Speaker 5 (48:47):
Actually will be in New York next month come through. No,
I will be no, for real.
Speaker 7 (48:54):
I will be August fifteenth and sixteenth. I'll be singing
at the Sugar Bar Lounge.
Speaker 2 (49:01):
Where's that?
Speaker 5 (49:02):
Mm hmmmm. Don't don't, don't, don't, don't don't.
Speaker 4 (49:05):
I don't know.
Speaker 5 (49:06):
It's a New.
Speaker 2 (49:07):
York Brooklyn didn't have for there.
Speaker 3 (49:10):
No, I think no, I think it's.
Speaker 7 (49:11):
I feel like it might be because it's I know
Ashdon Simpson, Asherton Simpson, Miss Valerie.
Speaker 5 (49:17):
Simpson of the iconic Oh Simpson.
Speaker 7 (49:20):
She has a bar called the Sugar Bar, and my
friend Raymon and I are doing a show on the
sixteenth and then they have like some kind of open
mic situation on the fifteenth, So he told me to
come through a little bit early to to sing something there.
So I will be there that the fifteenth, which is
uh yeah, August fifteenth, third.
Speaker 2 (49:38):
You know that that was that song, that song lack
a Rock right, Yeah, yeah right, I mean I.
Speaker 7 (49:47):
Don't know that solid Yeah, yes, that is them, And
they actually wrote a whole bunch of songs for people
on motown and stuff like that.
Speaker 5 (49:59):
They're just iconic and uh like, like I.
Speaker 7 (50:02):
Said, the wife, Miss Valerie Simster, she has a wonderful
dope spot in New.
Speaker 5 (50:07):
York and I was invited to sing at this. I
can't wait.
Speaker 2 (50:09):
I love Ashford and Simpson.
Speaker 5 (50:11):
And she frequents she's there like at the open light situation.
So you should pull up.
Speaker 2 (50:16):
I should.
Speaker 5 (50:19):
And you can meet me in real life.
Speaker 2 (50:24):
Because I used to love those kind of couple of
singers like Peatures and Herb. Yeah so good.
Speaker 7 (50:32):
Yes, they wrote most of the duets like what they
were just saying on the he They wrote most of
the songs a motown. So a lot of those singers,
those wonderful songs that we love. They were like a
writing engine. So they wrote a lot of those hits
that we love. Oh wow, look up that the Marvin Gaye,
temmyterreal stuff. Like, they wrote a lot of a lot
(50:52):
of stuff.
Speaker 2 (50:53):
So sugar Bar August fifteenth through the sixteenth, right, correct, Yeah, yeah,
I'm writing it down now. I'm writing it down now. Yes,
I'm putting it in there. It's in my account. Well
it's not in my calendar yet, but it will be.
But I just want to say that, I mean, I
think she's just phenomenal, Alida, and I think she's really great, right,
(51:15):
and you know, you know Alita Mariah.
Speaker 5 (51:18):
We got Maria.
Speaker 2 (51:25):
I am pagging at Maria. I'm gonna put that Marita.
I think she is like phenomenal and I love both
songs that you played and obviously send me more songs.
I want to hear them all.
Speaker 5 (51:38):
That's another joint. I was gonna say, it's another joint
called loving that I did with but I did, you
know what. I want to publicly apologize. I want to publicly.
Speaker 6 (51:54):
I'm sorry because I knew it was coming.
Speaker 3 (51:59):
I knew it was coming.
Speaker 6 (52:00):
I was like, Okay, she asked that she gont want
to know and watch this. So yeah, they still say
the one you know you love me?
Speaker 7 (52:06):
I actually did, uh because Keiki Whyett is from Indianapolis
and I'm really good friends with our brothers. So the
guy that's singing on there is Keev West, which is
Keithy Why's brother.
Speaker 5 (52:16):
So I did that song with him.
Speaker 2 (52:19):
She just just she's just good, Jesus good, top tier,
top tier Marita on State, hear you there, you go?
You know we can do it like a little state.
Speaker 3 (52:35):
Maria to her is like fears, I don't call me that.
Speaker 5 (52:40):
I'm not gonna know you talking to me?
Speaker 7 (52:43):
Like who are they talking to because I'm Alaine, who
is Marita.
Speaker 3 (52:48):
Mine?
Speaker 4 (52:51):
Sounds like she could though you ever had you know
what I'm saying, because I always ask what do you
see yourself in about ten years?
Speaker 5 (52:59):
Definitely off my grammys.
Speaker 2 (53:01):
Oh I love that. That's the best answer I have
heard ever.
Speaker 7 (53:06):
God, Yeah, I'm just I can see it and just
having longevity in this business. I've been singing for a
long time and it's just like it's the kind of
stuff that keeps me up at night, like I know
what's coming, I know what I pray for, and I
know what's coming next. It's just that one moment that
I'm just I know that that is going to catapult
(53:27):
me to the next. So in ten years, my daughter
will be out of school.
Speaker 5 (53:31):
I gonna be like, listen, your mama's out here touring
doing what she do.
Speaker 7 (53:35):
Like I said, you want to come through, you know,
But that's my grammy right there, like my grandmy.
Speaker 6 (53:41):
Is right, that's right, you know, most of memory on me.
Speaker 7 (53:46):
But honestly, I want to do like I want to
continue doing music, and I definitely want to be like
like almost.
Speaker 5 (53:53):
Like I have a career almost like Jill Scott, like
you know, just Scott.
Speaker 7 (53:55):
She does movies, she does commercials, she does She's not
just in a box.
Speaker 5 (54:00):
She can have a show and people are still.
Speaker 2 (54:03):
We are not ever putting you in a box, girlfriend,
So make me say it because this is Elena Renee. Everybody,
it's a l A I N A R E n
A E music find I G Baby. Thank you again
for coming. Thank you as always, mister DJ Versatile. We
love you guys.
Speaker 7 (54:26):
What don't don't don't look, I'll be working out a
little bit, okay, and.
Speaker 3 (54:36):
We ride out together, so they.
Speaker 2 (54:37):
Scared going on anymore, no more flexing. Thank you Elena,
Thank you DJ.
Speaker 5 (54:45):
Thanks so much for having me.
Speaker 10 (54:47):
You guys next week, Bye bye, everybody.
Speaker 1 (55:10):
Six
M I'm Danny.
Speaker 2 (00:23):
Are you kidding me? Do it over? No? No, no, no,
the way you usually I'm Danny. I'm out there and
we're all dn a live baby. What what is with
the subtle tone? Dude?
Speaker 3 (00:34):
Well you want me to lower it down out of
the conversation.
Speaker 2 (00:37):
Well yeah, but not not not not the announcement, dude,
not the intro. I mean, but come on.
Speaker 3 (00:43):
All right.
Speaker 2 (00:43):
First of all, I want to thank our sponsors.
Speaker 3 (00:46):
As usual, let's go.
Speaker 2 (00:48):
You've got Slapwood's the Lawn, Maverick global distribution, the Heype Magazine,
natural Born Clothing brands, and y n B.
Speaker 3 (00:58):
S a big, big shout out there and everybody.
Speaker 2 (01:02):
And a special day coming up. But we're not going to.
Speaker 3 (01:03):
Spend global distribution, yes, and the Hype magazine.
Speaker 2 (01:08):
There you go. So anyway, I also wanted to give
a special network you got anything else to say?
Speaker 3 (01:17):
Yeah, you won't let me say to you.
Speaker 2 (01:19):
Okay, So no, no, no, no, you are not starting
on that conversation again. I will we will get No,
we won't. So I wanted to give a special shout
out to DJ hot Ride excellent okay, because we were
on the Boss Lady last night, and I mean the boat. Okay,
it was a cruise.
Speaker 3 (01:39):
It was excellent, Thank you so much. Hot ride. It
was so dope. I can't wait to start doing the events.
But can I say sound quick?
Speaker 2 (01:44):
Okay? Good?
Speaker 3 (01:46):
Normal sexy drill.
Speaker 2 (01:47):
Normal sexy drill. Okay. So it's just weird. This is
a this is an ongoing debate. But wait a minute,
holds a second, because you were talking, we were talking
about sexy drill, and you had said that you kind
of did a little bit of a sexy drill thing
back in the day, right right right.
Speaker 4 (02:08):
Thank you Voice Walkins for making me make a whole
musical that was just like the West Side Story.
Speaker 3 (02:16):
And that sounds just like sexy drill.
Speaker 4 (02:18):
And bby shout out to Hip Hop twenty four for
writing the article and putting sexy drill on that article.
Speaker 3 (02:25):
So thank you so much for making me look like saying.
Speaker 2 (02:30):
Yeah, I have another word, but I can't use that
on the air.
Speaker 3 (02:33):
He didn't. I did from Long Island, too fool.
Speaker 2 (02:37):
Yeah, but you know what it was, just that's gonna
be a debate for the ages. I don't want to.
Speaker 4 (02:42):
Vent that genre. You can keep that genre. I'll give
you that genre. You can keep that genre. I don't
know nothing about that drama. Okay, that's just weird to me. Okay,
let me go on a rent.
Speaker 2 (02:51):
Okay, he's gonna go on the rant. People.
Speaker 4 (02:52):
First off, New York, if you're out there, the real
artist is in New York.
Speaker 3 (02:58):
Can you hear me?
Speaker 4 (02:59):
Can you see me? Please come back, come back? The
New York is terrible right now. Everything that I'm hearing
is straight up trash, and I'm gonna say that right here.
I can't stomach eighty percent of YR rappers. First off,
(03:20):
I don't like the raggedy ann Look, I don't like
the way that you talk.
Speaker 3 (03:24):
I don't even I don't even yo.
Speaker 4 (03:26):
Shout out to Chicago because New York is the new Chicago.
Speaker 2 (03:30):
And that's all.
Speaker 3 (03:31):
I'm gonna leave it right there. Y'all. Wish y'all were
from Chicago. Y'all, wish you were from Miami, and y'all
wish you from Milanta.
Speaker 4 (03:37):
Up to you now, Oh jesus, up to me. Okay,
you're terrible. Step your game up, New York. You sound
like I'm not even gonna.
Speaker 3 (03:43):
Go in there.
Speaker 2 (03:44):
Okay, So thank you for coming to our sexy Joe.
Speaker 3 (03:48):
What a sexy drill.
Speaker 2 (03:50):
Well, I don't really know what sexy drill is. I
mean everything, it's I can't even you know me, don't.
Speaker 3 (03:57):
I'm gonna tell you what sexy drill is. It's a
bunch of guy that never kiss females. All right now,
we're on.
Speaker 2 (04:01):
To the next let's go okay, So anyway and.
Speaker 3 (04:04):
The females man, y'all disgusting? Gets your game up.
Speaker 2 (04:07):
You know what. Okay, you want to talk about that
real p Yeah, let's go okay. I'm going to talk
about that real quick. Because I see all the new
songs and stuff like that, like Cardi B and Nice
Spice and all these girls that are you know, coming
out with these new songs your talent. I'm sorry, you
all sound the same. You're all trying to jump on
the same bandwagon, and it is not working because you
know why, when I see the comments in the in
(04:29):
the actual posts of the new videos coming out and
stuff like that, we're not impressed anymore. Well at least
I'm not.
Speaker 3 (04:36):
Well. First off, those ain't real women. Those are women
that all had.
Speaker 4 (04:39):
Issue daddy issues that you could actually see all of them,
most of them happy the time I'm hearing her and
She's like, look at me, look at me, look at
the way I shake, Like I really care, Ladies. I
miss like real talent, like Foxy Brown, I miss miss Kims,
Missy Elliott, Miss Elliott gotta have her everything else, like yo,
I can't even stomach in anymore. The talent, the talent
(05:00):
that we used to have in New York has literally.
Speaker 3 (05:04):
Desecrated all the way down into this.
Speaker 4 (05:07):
They were like, you want to listen to the guy?
I'm like, all I know A sudden he sounded the same, like, okay,
a boogie originated it a boogie. A boogie is dope.
I don't know any other cats in a boogie because
I don't really listen to anybody. They say, Chef G Okay,
I heard Chef G. He cool, Sleepy Hollow Okay, he's cool.
But they're all going over not them, but they're all
from like that pop smoke era, so I don't I
(05:28):
can't really put them in a category. And then I
never liked k Flop because I thought that Kak I
didn't understand it.
Speaker 3 (05:34):
You know what I'm saying. It sounded like a dead bird.
Speaker 2 (05:36):
Dead bird, you know what I'm saying. So we're gonna
go from dead Bird and we're gonna have a songbird
on this show.
Speaker 4 (05:43):
You know, Fabios was a little dope, but everything else
whatever I could live I could live without.
Speaker 2 (05:50):
Can we end this right now?
Speaker 3 (05:50):
Go ahead?
Speaker 2 (05:51):
Okay, So we're going to a songbird right now. Okay,
So as usual, mister DJ versus Tile is in the building,
and also Elena Renee, Elena Renee, Sorry, sorry about that,
and we're gonna have them on the show after this
commercial break. And now you'll understand what true talent looks like.
(06:14):
So be right back.
Speaker 4 (06:47):
And now we're inside of war with ourselves, your America.
We're gonna wake up from this where the real Americans.
Speaker 3 (06:59):
Man, you're blooded in you lie.
Speaker 4 (07:00):
You just send suicide your home ivery one pretenses love
you for messing you wopping homes, laughing with that the
way you can't even afford food, and everybody looking at
you act it's so rude.
Speaker 3 (07:11):
They're thinking that they love you. Your skin, that's what
they see.
Speaker 4 (07:14):
They don't understand the militant will of speed, but they
ain't good that they got. They just play for each other,
the civil water trying to come for us. Kill one enough.
But I woke up last night I gotta talk to
my pants, tell them listen, we gotta march, and what
do we get you laughing? You cry and you think
where you feel in the status and say you went
all the time They just him and were straining you
(07:36):
inside the cars.
Speaker 3 (07:36):
They don't mona sy you.
Speaker 4 (07:38):
They leave you lock doors, breaking your jaws over the lock.
Speaker 3 (07:41):
They're like you what they want to travel?
Speaker 4 (07:42):
Put you inside where the lock of smid no block,
it's on your whe They hear we're just the cops
streaming likeness now all the send and we thinking prices
and putting that to you there before crashing their crisis.
Speaker 3 (07:53):
Now they hate didn't tell the way how they even look.
Speaker 4 (07:56):
They shry to lock uself go with them, trying to
play the foot one that get trying to get him
for turning that we're close with the phone next two week,
SHOT's years, but we have a social distance, say cale
hoony years and try to acting like we ain't one
to side out home. We acting like that we ain't
(08:16):
wanted what I said.
Speaker 3 (08:29):
You can't say we're back, ladies and gentlemen after that
crazy brand.
Speaker 2 (08:49):
Yes we are so I would love you.
Speaker 4 (08:53):
This is my therapy right here, you know, yeah, you
know what, I haven't talked for like three days and
three three episodes kind of and I just after just.
Speaker 2 (09:01):
You kind of kind of let loose once in a while.
Speaker 4 (09:03):
Well, I'm just shocked, between you and me, how much
more talent I'm seeing coming out of the state.
Speaker 2 (09:07):
And speaking of talents, and.
Speaker 3 (09:09):
There's no hate.
Speaker 4 (09:10):
Listen, hold up, I want anybody to here, because I
know a lot of people listening right now. I'm not
dissing everybody. I'm dissing the ones that you don't have
the go hoops to say anything about because you're scared
of your little Oh we need to be a part
of the fan bay, the fan club.
Speaker 3 (09:29):
Now, I don't. I don't care. I say how I feel.
Speaker 2 (09:33):
He doesn't.
Speaker 3 (09:33):
I throw your listen, you send me, you give me
your phone, and that's so long, is terrible. I'm throwing
that right.
Speaker 4 (09:38):
I'm throwing that right in the garbage, right in front
of you, and say pick it up where you stand, brother,
New York baby, they taught me.
Speaker 2 (09:45):
Okay. So with that said, I'm going to introduce to
the show the one and only DJ Versatile and Elena
the Mad Day ding.
Speaker 3 (09:58):
Well Solson.
Speaker 2 (09:59):
Everybody, can you do that? You know, Elena do that?
You know, I love it. She's like your own personal
beautiful horn. I love it. Can you do that? Anyway?
(10:20):
I just want to reiterate that we are not to
talk about sexy drill ever, Like, what.
Speaker 3 (10:26):
Are you talking about? I love it.
Speaker 4 (10:28):
It's a bunch of a bunch of people that don't
probably not even should.
Speaker 2 (10:31):
Have said anything. I should have said anything. Let's just talk.
Let's just focus on the game.
Speaker 3 (10:35):
It was more feminine than the female. Okay, I'm gonna
give you know.
Speaker 2 (10:37):
Oh my god, they do. Okay, So I was like,
yo with a brawler gain like I'm brawling.
Speaker 4 (10:45):
I'm sitting here like this, man, remember the years of
fifty cent and everybody like, yeah, we up here like
this and I see them and they look like twizzlers.
Speaker 3 (10:52):
Oh I saw them.
Speaker 4 (10:59):
She's down on my knee, and I'm like, what's going
on here?
Speaker 2 (11:03):
We are going to get such backlash, like.
Speaker 3 (11:06):
I'm going to listen to New York like that.
Speaker 2 (11:08):
Yeah, baby matter, we can always move to Chicago.
Speaker 4 (11:13):
There we got yeah, yeah, where y'all stole your styles from?
Speaker 2 (11:17):
Right, Okay, So anyway, I'm okay.
Speaker 4 (11:25):
Yeah, No, I just wanted to do that because a
lot of people are now watching the rant, so everyone's having.
Speaker 2 (11:29):
Everybody's laughing right now.
Speaker 3 (11:30):
Oh yeah, they're like, thank you, Energetic, You're welcome.
Speaker 2 (11:33):
You're welcome. Okay, So let's get to know a little
bit about Elena. So obviously, the only thing I know
really much about you so far is that you're from Gary, Indiana.
And that's pretty cool.
Speaker 4 (11:46):
That's amazing because I've been meeting artists coming from Indiana
and no offense.
Speaker 3 (11:53):
One of them said that, what was the sleepy city
or something like that, right, the sleepy they call like
the no slept on.
Speaker 2 (11:59):
Slept on Wait no no, they say, no, no no.
Speaker 4 (12:07):
When I was talking to him, because a lot of
people really don't like, I'm not gonna lie to you,
I got I got in tune with Indiana because we
were on Power one on four point nine Cocomo, Indiana.
So I started to learn a lot more from like
a year shouts, I started to learn more and and
a year and stuff like that about it and the
artists that come out of them, and you guys are phenomenal.
Speaker 5 (12:30):
Thank you.
Speaker 3 (12:31):
You know what I'm saying.
Speaker 4 (12:32):
I haven't seen one bad artist that I have not liked.
You heard New York from Indiana.
Speaker 2 (12:41):
I'm just mad, you know what it is, Elena, because
it is very refreshing to have artists like you on
the show, because we do get people that submit to
our show to come on and everything. And we just
had another bad apple today and first knows about it. So,
you know, a lot of times what we do believe
(13:01):
it or not. It's not just going by our taste.
Like if people like if Verse sends me somebody or
somebody else sends me somebody, we actually listen to their song.
We you know, we just don't get an opinion just
between me and him because we're displaying for a whole audience.
So it's not just what we think about the song.
(13:21):
So we have a few key people from time to
time that we will say, hey, what do you think
about this song? And there was a song that came
across that was submitted to us and we pretty much
you know, said no.
Speaker 4 (13:35):
Hey, it was like the Kitkak commercial give me a break, Okay,
give me a break, break me off the.
Speaker 3 (13:40):
Piece of that carpet song. Sorry, all right, I'm.
Speaker 2 (13:44):
Back, all right, So that's what happened. Make me.
Speaker 3 (13:55):
So, anyway, where did.
Speaker 6 (13:57):
You learn this this episode is gonna go viral everybody anyway.
Speaker 3 (14:03):
But anyway, this why I don't talk anyway. All right,
We're gonna get really serious in this, okay it anyway?
Speaker 2 (14:11):
Please?
Speaker 4 (14:12):
So anyway, where did you where did you like bring
it to? Like the beginning, like when you started liking music?
Like what got you into the music and what got
you into wanted to be an artist?
Speaker 7 (14:27):
Well, my parents, I'm being from Gary, Indiana, it's only
a few things that you could really like do. We
didn't have all the opportunities, Like I live in Indianapolis now,
but there's a lot more opportunity of things you can do.
Speaker 5 (14:38):
But like, so there you were even.
Speaker 7 (14:40):
The church, worked at the mill, or did some other
extracurricular activities. So for my household, we went to church,
so I got involved in singing there. And my whole family,
especially my father's side of the family, can sing.
Speaker 5 (14:55):
They all can sing.
Speaker 7 (14:56):
So we would all get together holidays and just sing
and it was just like the way it made me feel.
Speaker 5 (15:02):
And my parents will play their music around the house.
Speaker 7 (15:04):
They would clean it up and stuff, and I'm like,
how can you not want to hear something like this
every day?
Speaker 5 (15:09):
How can you not want this vibe every day.
Speaker 2 (15:13):
So you know, that's just you know, that's it's always
about church, write verse the church.
Speaker 3 (15:21):
I feel like the best artist.
Speaker 2 (15:23):
I'm sorry because I think people who sing in whether
it's a chorus or a choir, they know the control,
they know how to handle powerful songs low key. See
I'm not good with the verbiage in music, but they
know all registers. Is that correct for me to say
(15:44):
that all registers of music? You know what I'm saying.
Speaker 5 (15:48):
I understand what you're saying.
Speaker 4 (15:49):
So yeah, you got it, thank you?
Speaker 3 (15:56):
All right?
Speaker 2 (15:57):
No, you know, let me just say because my mom,
she grew up with opera, believe it or not, so
she was she performed in Carnegie Hall and she had
a very beautiful soprano voice. So I got nothing from her.
Let me tell you, I got nothing, bzil nothing. I mean,
(16:19):
you know, she she was embarrassed when I tried to sing.
But it's just that she again, my mother knew control.
She knew I could when she sang and everything. And
then I would try to sing, she was like no, no, no, honey,
you gotta go a little alone, you know, or you know,
like and then sometimes you're like no, no, no, no, no,
maybe you need singing lessons. You know, at least she
knew what I needed.
Speaker 4 (16:38):
Why can't anybody just be nice and be like, look,
you're not good at what she's trying to do. There's
plenty of job opportunities. You can go down the block
and all that and go to the apartment of labor
and go imply why what, Like like, I'm sorry, girl,
but back in our day when we were younger, if
you would you didn't have it.
Speaker 3 (16:55):
You just didn't have it.
Speaker 2 (16:57):
Yeah, that's true.
Speaker 4 (16:57):
That's all I'm trying to say, Like little to baby,
how much can it save you?
Speaker 2 (17:02):
I know?
Speaker 8 (17:02):
Yeah?
Speaker 2 (17:02):
Well yeah, I mean it's not bad to have order
tune once in a while.
Speaker 4 (17:07):
Mankind of people saynding like the same guy used to listen
to buy me a drink.
Speaker 2 (17:12):
Come on, man, I don't know what. We gotta have
this conversation after the show.
Speaker 4 (17:24):
I'm talking to her. The reason why I'm talking to
her is because I'm giving her credit. Because what I'm
trying to say is she grew up where real music
talent was.
Speaker 3 (17:33):
You know what I mean.
Speaker 4 (17:34):
Yeah, but anyway, she grew up from like real music talent, right,
So I'm excited to hear because you know, I keep
saying this man, Chicago and Indiana has been shocking me.
Speaker 3 (17:48):
Yeah, since I've literally been interviewing.
Speaker 2 (17:51):
Yeah, we gotta. We got to give a shout out
to DJ Manny Faces as well.
Speaker 3 (17:55):
Man these two right here and Homegirl too and Miss
Mina and you guys be bringing on so good talent.
Speaker 4 (18:05):
That's why when when you basically bought her right here,
I'm like, yeah, I gotta hear it.
Speaker 2 (18:09):
Yeah. Yeah, it wasn't like we were going to it wasn't.
It wasn't. I canna explain that. It wasn't that we
were going to get the song and be like, oh God,
here we go again. We knew it wasn't because it.
Speaker 3 (18:24):
Day in my life. But anyway, listen, listen.
Speaker 2 (18:28):
It was coming from Verse, so we knew it was No.
Speaker 4 (18:31):
We knew it was gonna be great. But no, I
want to get back to her. So who inspired you.
Speaker 5 (18:37):
Growing up?
Speaker 7 (18:38):
I would have to say, Uh, maybe Staples from the
Staples singers.
Speaker 2 (18:44):
She just has.
Speaker 7 (18:45):
I love Jill Scott, I love Kim McFarlane. She is
a gospel singer.
Speaker 1 (18:52):
Uh.
Speaker 5 (18:52):
Clark's sisters just.
Speaker 7 (18:53):
How they're tone and how they harmonize together, but just
soul singers like Aretha Franklin.
Speaker 5 (18:59):
But maybe Stay just does it for me. She just
does it for me.
Speaker 2 (19:02):
Gospel. Gospel is good. Actually, I just rest in peace
for those I think there was three members of a
gospel group, but very popular.
Speaker 3 (19:10):
No, no, no, you told about fives. What you told?
I'm sorry you're talking about the Was it the Tops?
Speaker 5 (19:17):
Yeah?
Speaker 3 (19:17):
It was the Tops.
Speaker 5 (19:18):
No, no, you're talking about the Nelson. It was a
family of them and they just passed away on a
plane crash.
Speaker 2 (19:28):
Yes, I mean Christian the other day. Yes, it was
so sad. They were very popular gospel group.
Speaker 3 (19:36):
Wow.
Speaker 2 (19:37):
Yeah, I mean I don't really know their stuff, but
it's just sad because when you read about them, and
then I started singing and clicking on some of their stuff,
I was like, damn, you.
Speaker 5 (19:46):
Know they were really good.
Speaker 2 (19:48):
Yeah, they were really good. Because I played a couple
of their songs just to see and I was like,
I'm so, you know, I'm.
Speaker 3 (19:54):
Not trying to make a joke, but God wanted that.
Speaker 2 (19:56):
Yeah. God wanted those.
Speaker 3 (19:58):
Yeah, man, he said that that group. That group was more.
That's that's crazy.
Speaker 2 (20:03):
Yeah.
Speaker 3 (20:04):
And the guy I think, if I'm correct, the four Tops.
The last person in the group passed away too.
Speaker 5 (20:10):
He did no, yeah he did. It just happened like
a couple of days ago.
Speaker 2 (20:15):
Oh I didn't last original member.
Speaker 3 (20:18):
Yeah, I love that. I love that group Temptations. That's
why you're saying names. But the gods. I'm like, yo,
you have to. Can you give us an example?
Speaker 2 (20:28):
Oh?
Speaker 3 (20:30):
Oh your voice?
Speaker 5 (20:31):
Anybody let me see?
Speaker 2 (20:35):
Give me something, girl, give me something.
Speaker 7 (20:39):
So are you familiar with speaking of Gary Indiana, you're
familiar with Denise Williams.
Speaker 2 (20:44):
Oh yeah, yeah, of course.
Speaker 9 (20:48):
And just got to be free free.
Speaker 6 (20:59):
That's a little bit and you know what, you can
tell that again used to how I do things too,
because that was my next thing I was gonna have you.
I was like, hey, look we usually do like this,
and you know, I have the people come on because
the thing is, they'll tell you, man, I'm so appreciative
of talent like yourself, you know, And I keep trying
to like, they'll tell you expose the true talent, you
(21:22):
know what I'm saying, the real heartfelt, soulful singers, rappers,
whatever they are doing.
Speaker 3 (21:27):
This is what you do. That their realness, you know
what I mean? And it's been lacking in the game
for a while.
Speaker 6 (21:32):
But it's back and so yeah, so that's one thing
I was gonna say, like, hey, can you give them
a sample?
Speaker 2 (21:37):
You know? But you know what, the one thing I
found with singers. Okay, you could be the best singer.
You could sing any song, but there's this one song
in our history that people cannot nail, and that it
would be Star Spangled banner.
Speaker 5 (22:00):
Actually, she her me.
Speaker 7 (22:03):
Just did the national anthem at the NASCAR Infinity Race
last weekend.
Speaker 2 (22:09):
Tell me I'm not here, tell me you're here.
Speaker 7 (22:13):
So the thing is, the thing is you are because
that song takes you from the bottom to the top
of everything in the middle.
Speaker 5 (22:19):
So if you start on the wrong key, it is
a rap.
Speaker 2 (22:22):
But when I say this, peace out ladies and gentlemen NASCAR,
she did it, Okay, goodbye.
Speaker 7 (22:31):
I just did like and im and I'm and I'm
not even trying to say it like that, but you
can totally google it. But I just did the NASCAR
Exfinity Race Speedway the Brickyard last Saturday, and I did
the national anthem.
Speaker 2 (22:45):
So you know why I'm saying that, because remember, I
think I don't know how far back versus if you
can remember this Fergie from the Black Eyed Peace, she
did it at a basketball game and she was just
completely horrible, right, and then some other singer just recently
you know, came by and said, here, hold my beer
because she was really that bad.
Speaker 4 (23:06):
You didn't see that, Okay, So that's why she did
it in the basketball she didn't do it in the NFL.
Speaker 2 (23:12):
No, But that's why when it comes to the voices,
when it when I guess, when it comes to like
testing you, the Star Spangled Banner is one song that
if you do not now you know, pack it up
and go home.
Speaker 3 (23:28):
It's crazy.
Speaker 4 (23:29):
Actually the history all the stars smingled Banner and how
it actually came to be, well, you got to think
of that, like I think of that like when she's
when the person singing it right, it has to have
a certain feeling to it, like Marvin Gay destroyed, He
killed it, killed it.
Speaker 5 (23:47):
You got like Marvin Gay. Whitney Houston to me, embodied
what it was like.
Speaker 7 (23:54):
They just smashed, yeah, smash it for no reason. Like
Whitney Houston got up there with a jogging suited. Actually
I think that was a track suit. She had on
a track suit with a headband, sweating and slay everybody
like that's how you're supposed to do it.
Speaker 5 (24:11):
Theyve me chills. She didn't do too much and she
didn't do too little.
Speaker 2 (24:15):
It was just you know, the overboard. She just sang
it perfectly. It was perfect. You could tell by her emotions.
And you know, you know when she did that, when
she was singing it, it was like she was wait,
what was that what you said?
Speaker 5 (24:27):
When she did what she was?
Speaker 2 (24:29):
I forgot what part of the song?
Speaker 1 (24:30):
No?
Speaker 5 (24:31):
No, no, exactly what you just said.
Speaker 2 (24:33):
You know she did that. You know she had, but
I'm just.
Speaker 3 (24:37):
Saying, please never do that again. You look like Eddie
Monster right there.
Speaker 2 (24:39):
But she and you know, like what she was doing,
she was she was getting.
Speaker 3 (24:44):
I don't do that again. I don't do that again.
Speaker 2 (24:50):
Maybe they're not watching, maybe they're just listening.
Speaker 3 (24:52):
No, they want to see me go crazy and throw
the microphone.
Speaker 2 (24:56):
I'm talking about the end, what I'm talking about near
the end, and she's just like a you know, awesome.
Speaker 3 (25:06):
What is wrong with you?
Speaker 2 (25:08):
So anyway, Elena, you have to say carry the note okay,
and not no, what are you doing?
Speaker 3 (25:16):
Your whole face changed?
Speaker 2 (25:18):
Okay, this is not about me. It's about Elena.
Speaker 3 (25:20):
Well sometimes I wonder.
Speaker 2 (25:22):
Okay, you know what do I But but when listening
to her, I do hear, are you.
Speaker 3 (25:32):
Gonna really no, I'm not laughing at you.
Speaker 2 (25:35):
I'm laughing at you, Okay, so I think stop laughing versatile.
Speaker 3 (25:40):
I was laughing. I was to say what you're gonna say.
Speaker 2 (25:44):
He has a little I wouldn't quite give her a
little bit. I really don't want to say Franklin. She
reminds me, and I might get her name wrong. Alita
Adda Alida Adams? Was it who? Alita?
Speaker 10 (26:03):
Like?
Speaker 5 (26:03):
Are you saying like vocally?
Speaker 2 (26:05):
Yeah, do you know who I'm talking about?
Speaker 7 (26:09):
Yeah? You can reach me about yeah, and exactly what
you're talking about. H. I mean, I'm gonna take that
because that's a whole compliment. But I would have to
I would have to respectfully disagree.
Speaker 2 (26:27):
Because that's because I know, put him on the top place.
We're gonna have one on one here, Okay, go ahead.
Speaker 5 (26:37):
It's because because I know myself and I know how
I sound. So it's just like, but if you hear like.
Speaker 7 (26:46):
I challenge you, okay, I challenge you, I'm gonna send you.
I don't know what all sounds if you've heard of mine.
But I'm gonna send you a couple and then you
tell me what you think after that.
Speaker 2 (26:56):
Okay, it's a deal. It's a deal. I'll go with virtually.
Speaker 5 (26:59):
Let's virtually, Shay, put your hand out, huddle, You got
all right?
Speaker 2 (27:09):
That was for me, not for you.
Speaker 3 (27:13):
Your hand can't reach that far.
Speaker 2 (27:15):
You know what it is? When? Uh? How do I?
How do you pronounce that name again? Alita? Is it Alida?
Speaker 5 (27:21):
Alida?
Speaker 2 (27:21):
Because yes, you know, when you're singing certain parts of
your song, it's you.
Speaker 3 (27:31):
You know what you know?
Speaker 2 (27:32):
No, be quiet, I'm talking. So when she's singing, son,
you can release me bye ca Van, that's what you like?
Speaker 3 (27:43):
You hit the note, but I don't.
Speaker 6 (27:46):
Did and did?
Speaker 2 (27:47):
Yeah, that's what I say that that that's Those are
the type of aura whatever you want to call the
sound waves or whatever it is. She has that same same.
Speaker 3 (28:00):
How about this we geting? Tell her record?
Speaker 4 (28:01):
Because I want the fans to hear and I want
everybody to hear it, and I want everybody to be
in see what you're saying.
Speaker 2 (28:08):
Okay, because so here we go with Alena. Here we
go with Alena Vinet's song it's yea, you're right now
listening rocking baby.
Speaker 11 (28:29):
I just saw you like yesterday, the biggest smile, always
sung on my face.
Speaker 12 (28:34):
It p like a vibe, but it's more like a dream.
Speaker 2 (28:37):
The way you make you feel.
Speaker 12 (28:39):
And you know what I'm meaning, Like.
Speaker 9 (28:41):
That old schooling on the phone.
Speaker 8 (28:43):
I can't wait to talk to you and now I'm alone.
Speaker 4 (28:46):
Hell's going on?
Speaker 8 (28:47):
You get all the time?
Speaker 11 (28:49):
Nothing like that in my head and my just friend,
no strings, no fresh us, just me like.
Speaker 8 (28:58):
If you cross the line, yeah I'm cool dad, But
if you don't, just know that I cool, but ain't
can no rush your foot.
Speaker 11 (29:27):
You see me smiling. I just know I can't playing homely.
Speaker 13 (29:31):
Love a friend and that's what you're gaining.
Speaker 8 (29:33):
I know you'll probably think that we all see, which
is something to you because you know I ain't playing.
Speaker 11 (29:38):
I got the five of you.
Speaker 1 (29:40):
Ain't nothing to let you.
Speaker 9 (29:41):
I said I won't do for you, and we both know.
Speaker 12 (29:44):
Pressure what you call do.
Speaker 2 (29:47):
Maybe what you gotta do?
Speaker 13 (29:49):
Yeah, yeah, sure, crush straight straight pressure the just me.
If you post the line you don't cover that.
Speaker 9 (30:00):
If you don't, no notice, cool but ain can no pressure.
Speaker 6 (30:19):
It is cool.
Speaker 11 (30:23):
Come just friends, no strains, no pressure, just made just friends,
no strains, no pressure, just me, just friends, no strains, no.
Speaker 7 (30:41):
Treasure, just me.
Speaker 9 (30:43):
And if you cross the line, can cool there. But
if your don't is no, that is cool.
Speaker 2 (31:13):
Okay, I'm done.
Speaker 3 (31:19):
Alida Adams, Okay, I think he has style.
Speaker 2 (31:23):
I'm not saying she don't have her own style. No,
I'm not saying she don't have her own stock. Or
I'm saying I feel like or veiling flowers and madam okay.
Speaker 3 (31:34):
And I feel not understanding.
Speaker 2 (31:36):
I don't even know who that is. But that's okay.
Speaker 3 (31:40):
It was definitely well gone sitting there sleeping in the
earth with you.
Speaker 2 (31:45):
Oh, I'm just saying. Is when she's telling that story
right about just right right. When she's telling that story,
it reminds me of the way Alita Adams used to
tell her stories. First off, I've done people, that's it.
First off, let's get to the nitny and gritty.
Speaker 4 (32:07):
Okay, God, you're out of your mind anyway, Now back
to you.
Speaker 2 (32:13):
No, no, no, no, no. So where did you come
up with that song? Though? Oh? No, strings, God it was.
Speaker 7 (32:26):
It was heavily inspired by a situation. I cannot say
if it's Karen or not because I need everybody out
of month business. Yeah, well we don't even do all
of that. But it's just it's just the dating scene now,
like people don't date anymore. They just kind of like
they get into situationships or they like each other.
Speaker 5 (32:44):
Next thing, you know, maybe you married or had a
kid or something.
Speaker 2 (32:47):
I don't know.
Speaker 5 (32:48):
So the thing is this, and most women are emotional.
We're emotional creatures. I am, but I'm not.
Speaker 7 (32:56):
So it's just like, I'm not thirsty for a relationship
by no means. So it's just somebody that I was feeling.
I'm pretty sure they're feeling me back. But if you're
not ready for whatever, then it's no pressure for me.
Like I'm not I'm pressure so but I'm not gonna
pressure you.
Speaker 3 (33:11):
But who's ever watching this right now and seeing this?
Speaker 4 (33:17):
You have just learned dating tips, ladies and gentlemen, and
she just basically gave you the keys.
Speaker 3 (33:23):
Men that don't your you're.
Speaker 4 (33:25):
Second, hold up, you're sexy, Joe Rapper. She gave you
the keys how to get a female. Okay, alright, dad,
I don't that's but.
Speaker 5 (33:33):
You know what, that's a whole another show. How to
do that that's all full another shut.
Speaker 2 (33:42):
She can give the keys, but you guys are too
stupid to unlock the door.
Speaker 3 (33:55):
Out of it.
Speaker 5 (33:57):
You're looking for my business because this ain't it.
Speaker 3 (34:01):
No, no, no, let's get back. I just playing around, like
jump around a little bit.
Speaker 10 (34:08):
No.
Speaker 2 (34:09):
What I wasn't say though, is got a skeleton key.
Speaker 3 (34:12):
I love it because, you know what, you could hear
the passion in the record. I knew.
Speaker 4 (34:17):
I knew again, I'm not trying to be funny, but
I knew it was a relationship kind of record because
you could hear the best records come from a breakup.
It comes from you just fall in love, and it
comes from just not knowing what the person's thinking, you know,
And you could hear that in those elements in that record.
When I heard it something it touches the soul because
(34:39):
when I felt that, I was like, whoa, I'm like,
she's passionate about somebody.
Speaker 5 (34:42):
Honestly wrote it.
Speaker 7 (34:44):
I wrote it for if I had the courage to
say something to this person, that's what it would be.
But I don't, so I wrote it in the song.
So it was my way of getting it off my
chest without actually telling.
Speaker 5 (34:58):
The person something.
Speaker 2 (35:00):
If that was the case, I would be writing a
whole chorus for somebody. But we ain't gonna name me.
Speaker 3 (35:08):
In order to can't save you lady. All right, listen anyway.
Speaker 2 (35:12):
It's okay, it's like this at home, Elena, trust me.
Speaker 3 (35:15):
No, actually this actually it's what do you want to
call it?
Speaker 2 (35:20):
But no, I'm playing that, he said, she said thing.
Speaker 3 (35:24):
No, this is marriage counseling. But listen, now we're back.
I know, maybe me laugh, but I really want to
get serious on this. So we're gonna get serious on this, okay,
because I feel.
Speaker 4 (35:34):
Bad she's in here, so I've been playing around a
little bit, but I'm really gonna get to Dan Grady.
Speaker 3 (35:41):
I'm gonna say, you said a lot like Alicia Keys.
Speaker 2 (35:44):
Hmmm, hmmm, Alicia Keys.
Speaker 5 (35:50):
I'm just with this all know for me. You gave
me Alida, you gave me Alicia.
Speaker 14 (35:55):
Well, I'm gonna the reason why I'm from one spectrum
to the other that it's just that that that it
reminds you of Alicia Keys's song a little bit, the melody.
Speaker 2 (36:06):
Who sings that song. Okay, let's keep it that way.
Speaker 6 (36:10):
Y'all are fun today, and it's funny though you guys
went to differ two different spectrums because actually we had
we had a convo about that, and you know, not
about those two people. I'm saying as far as the
spectrum of it, you know what I mean, as far
as being able to balance into the old school but
also the new you know what I mean, and being
able to navigate freely within that. You know what I'm saying,
(36:32):
because of her style of music and how she does
things in Hold nine and you know, there's there's a
lot more. There's a lot more to her, you know
what I'm saying, Like, Yeah, it's dope, man, That's what
I was talking about.
Speaker 2 (36:41):
Like before, when we we just don't do it between us,
we have other people listen to the song, because everybody's
going to give their own different perspective of what they
what they particularly take from that song, what they take
from her vocals, what they take from her the way
she's expressing it in the song. So you may view
it differently than I view it, but either way, we're
(37:03):
still comparison. The comparison is phenomenal.
Speaker 4 (37:07):
Your voice is a very classic voice. Yeah, That's where
I'm just trying to get at. Like when I heard it,
I was like, for I haven't heard anybody yet. Literally
strike my chords and go whoa. She sounds like Alicia
a little bit, a little it's she deal with that
that melody.
Speaker 2 (37:25):
I'm sticking with Alda.
Speaker 3 (37:26):
But go ahead, yeah you want you can stick all
the way up there.
Speaker 2 (37:30):
Oh Jesus, you drink that girl.
Speaker 12 (37:35):
Listen my hands behind my ears. Wow.
Speaker 15 (37:48):
Okay, you want to keep talking because I am just
choking here. Okay, I am literally choking. Okay, somebody called
one one god.
Speaker 3 (38:02):
Yeah, but anyway, just okay, O good.
Speaker 2 (38:06):
I can't you.
Speaker 3 (38:08):
Need to just I'm trying to. But one thing I
really want to say too. She got another record?
Speaker 2 (38:17):
No, that was it?
Speaker 6 (38:20):
Well, I have a folder that I created.
Speaker 3 (38:24):
I just sent the one.
Speaker 4 (38:26):
I'm gonna play you on the DJ and I'm gonna
play on the DJ Energetic makes that's in Miami and Atlanta,
and I'm gonna play you in the Chicago joint that
I got.
Speaker 3 (38:36):
Indiana right now. I got a couple of stations.
Speaker 4 (38:40):
Over in Indiana, so I'm gonna drop in Indiana a
little bit. But I love the music that you come
up like. I just love that song, So I'm gonna
be spending that song on the on the DNA mix
and the DNA.
Speaker 3 (38:53):
Not seriously, you know you always got really good talent, bro.
Speaker 2 (38:58):
I know, you know verse that's it. We gotta get
I can't even say we got to get rid of him,
because if we get rid of him, we're out of it.
Speaker 5 (39:04):
But I have I was gonna say. I released.
Speaker 7 (39:07):
I released the album in twenty sixteen, of course independently,
and I have a song on there that I wrote
after a massive, like dumb breakup, and it's called number.
Speaker 2 (39:18):
Two, number two.
Speaker 7 (39:19):
Every yes, every woman in the world, like will come
up to me this. I wrote this song like in
the like I wrote this song in the in the
kitchen on the floor with tears rolling down my face.
Just but yeah, this is this is this has been
a several years like this has been several years ago.
Speaker 2 (39:40):
I wrote this several years ago.
Speaker 7 (39:42):
But it's that's the it's a slow joint and it's
just it's for the ladies that are.
Speaker 6 (39:46):
Just okayund.
Speaker 2 (39:57):
Okay. But you just keep talking while I.
Speaker 4 (40:01):
Do you feel like as an artist, right, do you
feel like your best music is when you're more passionate
about a situation? Absolutely so, you feel basically what so
do you think number two, because that is a really
dope title. Everybody always is number one, you know, but
number two is ready.
Speaker 7 (40:20):
Here because that's when I wrote it, Like I felt
like that's what I was. Like, he made me number two,
like he put me behind a lot of different things
in life, so I felt like I was number two.
Speaker 5 (40:32):
Like I definitely did not win in that situation.
Speaker 7 (40:34):
So it was just my way. I wasn't bitter. I
don't get better when I break up or nothing like that.
You know, I take my ale or whatever. But when
you give your all, like literally give your all in
its race, and you still lose.
Speaker 5 (40:48):
Like I was, I was legit number two.
Speaker 2 (40:52):
So mister producer, man back there, if you get that
new song that I just sent on the Emmy, y'all,
I would love to play number two in the meantime,
let you see if he can hook that up. But
in the meantime, I'm actually I don't. I can really,
I can't relate to number two because I've always been
(41:14):
number one.
Speaker 7 (41:15):
So but a lot of women don't know that, a
lot of women don't know that they're number two.
Speaker 2 (41:20):
Yeah, right, exactly, No, you're right good.
Speaker 5 (41:23):
A lot of women are like me and my mey
and my man, and she's over here saying the same thing. Man,
y'all saying about the same man. And but the thing is,
I wasn't number two to another woman.
Speaker 7 (41:33):
I was number two to his job. I was number
two to a lot of different things. So it wasn't
about another woman. It was just like I wasn't. I
didn't feel like I was first.
Speaker 2 (41:44):
Right, Yeah, okay, so no number you know what, Let's
just hear the song and decipher it ourselves. How about that?
Speaker 5 (41:53):
No way, you gotta hit a whole joint like it's
you understand it. You gotta hit a whole song.
Speaker 2 (41:57):
But mind you, this.
Speaker 3 (41:58):
Has been like years ago, years Please have you ever
felt number two? Number one?
Speaker 2 (42:04):
What do you like? David?
Speaker 3 (42:08):
Are you?
Speaker 6 (42:10):
That's about the equivalently how you feel?
Speaker 3 (42:12):
You already know.
Speaker 2 (42:18):
Even my co.
Speaker 9 (42:24):
You can't even.
Speaker 13 (42:28):
In the eye gona.
Speaker 9 (42:31):
Jump sit around.
Speaker 3 (42:34):
Every bride.
Speaker 9 (42:40):
Waited it for you to call Mmberly.
Speaker 13 (42:46):
You on eve rap nasty, but.
Speaker 7 (42:52):
Know that I do anything fun.
Speaker 13 (42:58):
But now I realized, Daddy, you just don't.
Speaker 2 (43:03):
Know me, and you don't even.
Speaker 1 (43:12):
That.
Speaker 13 (43:14):
You can't even be in the asylo to.
Speaker 2 (43:23):
Sit around and run cold.
Speaker 9 (43:28):
But joy.
Speaker 13 (43:34):
Don't wait more than we know.
Speaker 2 (43:40):
Me at all.
Speaker 3 (43:43):
I don't need even know.
Speaker 13 (43:47):
To do we would real.
Speaker 2 (43:51):
John show.
Speaker 13 (43:56):
Yeah you told me is a no what did you do.
Speaker 2 (44:10):
As not just to it?
Speaker 13 (44:14):
Didn't right?
Speaker 9 (44:16):
Correct?
Speaker 13 (44:21):
Imagine love me.
Speaker 2 (44:27):
Me with your.
Speaker 13 (44:29):
Las your case that you don't to me?
Speaker 9 (44:37):
I should be.
Speaker 13 (44:40):
I was thought, boo loud should no.
Speaker 9 (44:54):
No no, no, no, no, no no good.
Speaker 3 (45:01):
How could you do me?
Speaker 9 (45:04):
Baby? Oh baby?
Speaker 13 (45:08):
You did me wrong, so wrong, Yes you did. I
was the one of babe.
Speaker 9 (45:16):
She fails when you didn't have a time. I'm stuck
it out with you.
Speaker 13 (45:22):
Three fourgiarsts just waste of time, baby, baby, baby, what
does she do that I didn't do?
Speaker 9 (45:31):
All? You stood by your side to my mama, had.
Speaker 2 (45:36):
The faith that you.
Speaker 4 (45:42):
I'm not gonna make a scene even though I'm hurt.
Speaker 2 (45:49):
You don't know me, okay, okay, okay, okay, So you
know me, Andre. I'm always writing notes ahead okay, I
was always writing real quick no no no. So I
was writing notes and I said, Riah carry and then
I wrote, and I said to him, wait for it,
(46:12):
and then she did that high note all over.
Speaker 3 (46:16):
Yeah, all over.
Speaker 2 (46:18):
Yeah.
Speaker 3 (46:19):
He first bought yon Mariah carry.
Speaker 2 (46:22):
Now we're gonna we're just gonna get all all the
icons in one show. That's insane.
Speaker 3 (46:32):
It's insane talent.
Speaker 5 (46:34):
Thank you.
Speaker 2 (46:38):
I'm still talking to the leader Adams. We went into
Mariah carry mode with that one. Dude.
Speaker 3 (46:43):
She hit that note perfect.
Speaker 2 (46:45):
And I even said to him, Elena, I said, wait
for it, it's coming, because once you started like the
vibrado whatever whatever you call it, okay whatever, So when
you started with that, and I'm saying, here, I I'm
picturing Mariah Carey, I'm closing my eyes. I picture Mariah Carey,
and I'm like, oh, she's gonna give me that note.
(47:06):
She's gonna give us that note sooner or later in
this song, we're gonna get that note. And you gave
us the note end of the game.
Speaker 3 (47:14):
Yeah, that's that's not an easy note to hit that note.
I will take you to hit that note.
Speaker 5 (47:22):
I'm gonna be honest with you.
Speaker 7 (47:23):
I recorded it twice. I hit it and I'm not
even trying to say it like that. One time because
I called my producer that produced that particular track and
I was just like, yo, I feel like I still
had like tears in my eyes and I was just
like I feel like I need I don't know, I
feel like this a high note can go well in
that spot.
Speaker 5 (47:43):
He was like, went back into the studio. And then
in that part I went in and.
Speaker 7 (47:48):
I was like, if I don't hit it, or if
it doesn't sound right, scratch it, we're not gonna do it.
And I went in there and that was it, and
I was like, I think it'll work.
Speaker 2 (47:56):
She should do a sequel because in this day and age,
you could do a sequel call number three because this
day and age, you know, man be like playing all
over the place because listen, we would be in order,
don't you think more so? No more?
Speaker 4 (48:15):
Sorry that wark just got viral, gentlemen. It's been taken
off since we first started.
Speaker 2 (48:22):
I know.
Speaker 3 (48:23):
But anyway, we're about to land soon.
Speaker 2 (48:25):
I don't know if we're ever landing.
Speaker 3 (48:27):
I don't think that.
Speaker 2 (48:27):
I don't think so. I think we just coop and
we're done.
Speaker 4 (48:32):
This is my favorite episode. This is you know, because
a she's got talent too. She she's from a place
where you don't even expect.
Speaker 3 (48:40):
That from no offense.
Speaker 4 (48:43):
I'm a New York slicker, so you hear people.
Speaker 5 (48:47):
Actually will be in New York next month come through. No,
I will be no, for real.
Speaker 7 (48:54):
I will be August fifteenth and sixteenth. I'll be singing
at the Sugar Bar Lounge.
Speaker 2 (49:01):
Where's that?
Speaker 5 (49:02):
Mm hmmmm. Don't don't, don't, don't, don't don't.
Speaker 4 (49:05):
I don't know.
Speaker 5 (49:06):
It's a New.
Speaker 2 (49:07):
York Brooklyn didn't have for there.
Speaker 3 (49:10):
No, I think no, I think it's.
Speaker 7 (49:11):
I feel like it might be because it's I know
Ashdon Simpson, Asherton Simpson, Miss Valerie.
Speaker 5 (49:17):
Simpson of the iconic Oh Simpson.
Speaker 7 (49:20):
She has a bar called the Sugar Bar, and my
friend Raymon and I are doing a show on the
sixteenth and then they have like some kind of open
mic situation on the fifteenth, So he told me to
come through a little bit early to to sing something there.
So I will be there that the fifteenth, which is
uh yeah, August fifteenth, third.
Speaker 2 (49:38):
You know that that was that song, that song lack
a Rock right, Yeah, yeah right, I mean I.
Speaker 7 (49:47):
Don't know that solid Yeah, yes, that is them, And
they actually wrote a whole bunch of songs for people
on motown and stuff like that.
Speaker 5 (49:59):
They're just iconic and uh like, like I.
Speaker 7 (50:02):
Said, the wife, Miss Valerie Simster, she has a wonderful
dope spot in New.
Speaker 5 (50:07):
York and I was invited to sing at this. I
can't wait.
Speaker 2 (50:09):
I love Ashford and Simpson.
Speaker 5 (50:11):
And she frequents she's there like at the open light situation.
So you should pull up.
Speaker 2 (50:16):
I should.
Speaker 5 (50:19):
And you can meet me in real life.
Speaker 2 (50:24):
Because I used to love those kind of couple of
singers like Peatures and Herb. Yeah so good.
Speaker 7 (50:32):
Yes, they wrote most of the duets like what they
were just saying on the he They wrote most of
the songs a motown. So a lot of those singers,
those wonderful songs that we love. They were like a
writing engine. So they wrote a lot of those hits
that we love. Oh wow, look up that the Marvin Gaye,
temmyterreal stuff. Like, they wrote a lot of a lot
(50:52):
of stuff.
Speaker 2 (50:53):
So sugar Bar August fifteenth through the sixteenth, right, correct, Yeah, yeah,
I'm writing it down now. I'm writing it down now. Yes,
I'm putting it in there. It's in my account. Well
it's not in my calendar yet, but it will be.
But I just want to say that, I mean, I
think she's just phenomenal, Alida, and I think she's really great, right,
(51:15):
and you know, you know Alita Mariah.
Speaker 5 (51:18):
We got Maria.
Speaker 2 (51:25):
I am pagging at Maria. I'm gonna put that Marita.
I think she is like phenomenal and I love both
songs that you played and obviously send me more songs.
I want to hear them all.
Speaker 5 (51:38):
That's another joint. I was gonna say, it's another joint
called loving that I did with but I did, you
know what. I want to publicly apologize. I want to publicly.
Speaker 6 (51:54):
I'm sorry because I knew it was coming.
Speaker 3 (51:59):
I knew it was coming.
Speaker 6 (52:00):
I was like, Okay, she asked that she gont want
to know and watch this. So yeah, they still say
the one you know you love me?
Speaker 7 (52:06):
I actually did, uh because Keiki Whyett is from Indianapolis
and I'm really good friends with our brothers. So the
guy that's singing on there is Keev West, which is
Keithy Why's brother.
Speaker 5 (52:16):
So I did that song with him.
Speaker 2 (52:19):
She just just she's just good, Jesus good, top tier,
top tier Marita on State, hear you there, you go?
You know we can do it like a little state.
Speaker 3 (52:35):
Maria to her is like fears, I don't call me that.
Speaker 5 (52:40):
I'm not gonna know you talking to me?
Speaker 7 (52:43):
Like who are they talking to because I'm Alaine, who
is Marita.
Speaker 3 (52:48):
Mine?
Speaker 4 (52:51):
Sounds like she could though you ever had you know
what I'm saying, because I always ask what do you
see yourself in about ten years?
Speaker 5 (52:59):
Definitely off my grammys.
Speaker 2 (53:01):
Oh I love that. That's the best answer I have
heard ever.
Speaker 7 (53:06):
God, Yeah, I'm just I can see it and just
having longevity in this business. I've been singing for a
long time and it's just like it's the kind of
stuff that keeps me up at night, like I know
what's coming, I know what I pray for, and I
know what's coming next. It's just that one moment that
I'm just I know that that is going to catapult
(53:27):
me to the next. So in ten years, my daughter
will be out of school.
Speaker 5 (53:31):
I gonna be like, listen, your mama's out here touring
doing what she do.
Speaker 7 (53:35):
Like I said, you want to come through, you know,
But that's my grammy right there, like my grandmy.
Speaker 6 (53:41):
Is right, that's right, you know, most of memory on me.
Speaker 7 (53:46):
But honestly, I want to do like I want to
continue doing music, and I definitely want to be like
like almost.
Speaker 5 (53:53):
Like I have a career almost like Jill Scott, like
you know, just Scott.
Speaker 7 (53:55):
She does movies, she does commercials, she does She's not
just in a box.
Speaker 5 (54:00):
She can have a show and people are still.
Speaker 2 (54:03):
We are not ever putting you in a box, girlfriend,
So make me say it because this is Elena Renee. Everybody,
it's a l A I N A R E n
A E music find I G Baby. Thank you again
for coming. Thank you as always, mister DJ Versatile. We
love you guys.
Speaker 7 (54:26):
What don't don't don't look, I'll be working out a
little bit, okay, and.
Speaker 3 (54:36):
We ride out together, so they.
Speaker 2 (54:37):
Scared going on anymore, no more flexing. Thank you Elena,
Thank you DJ.
Speaker 5 (54:45):
Thanks so much for having me.
Speaker 10 (54:47):
You guys next week, Bye bye, everybody.
Speaker 1 (55:10):
Six
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