Episode Transcript
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Speaker 1 (00:16):
And I'm out there being a live baby.
Speaker 2 (00:19):
Ladies and gentlemen, we have definitely a.
Speaker 1 (00:22):
Special, special, special shout. But I'm gonna start off first. Okay,
I'm gonna start off with congratulating a very special couple,
mister and missus Ashton. There they go, I and Danielle.
They just got married last week.
Speaker 2 (00:42):
Okay, let's go.
Speaker 1 (00:43):
And we had so much fun. Tell me we did
not have any fun, but I mean, we don't have to. Well,
we're gonna roll a clip anyway, but we're gonna roll
a clip of how much fun Danny was having with Ian.
That was too funny. On it was so come on, dude,
it was really funny and it was so cute.
Speaker 3 (01:04):
I try to staying in Pennsylvania is hearing this right now?
Speaker 1 (01:06):
And that's okay, that's okay.
Speaker 4 (01:08):
Well to take Bobby.
Speaker 2 (01:37):
This table.
Speaker 1 (01:38):
No, I'm just saying it was. Listen, we had such
a nice time.
Speaker 2 (01:41):
And somebody blackmail. You just blackmailed me.
Speaker 1 (01:44):
I do know. I didn't that he had so much fun.
Speaker 5 (01:46):
You just blackmailed me and my own your second I'm glad. Look,
look he probably was watching it. He got all real quick.
Speaker 1 (01:52):
No, he did more moves. He wouldn't do that, but
it was.
Speaker 2 (01:55):
It was beautiful.
Speaker 1 (01:56):
We had such a good time and we weren't even drinking. Okay, no,
we weren't drinking. I got a little gangster at one
point and I kind of threw up my back too afterwards.
So you can roll that too, because I am not
embarrassed at all. No, I am not embarrassed.
Speaker 2 (02:13):
Go ahead, let a while out.
Speaker 1 (02:48):
But anyway, we had such a nice time and I
want to again congratulate Ian and Danielle, mister missus Ashton
a beautiful night. We had such a good time and
I wish them all the best. And you can see
we got Sector's shirt out there, okay, natural Born Clothing
brand that.
Speaker 3 (03:06):
You can shout to all of our sponsors as well,
all of us sponsors.
Speaker 1 (03:09):
You got the Hype magazine, you got Maverck Global Distribution,
you got the lawn, you got Ynvs and of course
natural Born Bland and of course slap Woods. There you go.
So anyway, those are our sponsors.
Speaker 2 (03:22):
Yes, so we.
Speaker 1 (03:23):
Also have another announcement okay on September seventh. Well, why
don't we just roll it so we can show everybody
what's going on in two weeks Okay.
Speaker 3 (03:38):
This is DNA Sports on ninety seven point three FM,
ESPN South Jersey.
Speaker 1 (03:46):
On Saturdays from nine to nine thirty Me and Danny
ESPN South Jersey, ninety seven point three, we will be
doing the DNA Sports Show exactly.
Speaker 5 (03:59):
So everybody being tuned in for that. Shout out the
Philadelphia shout out to ESPN. We about to kill her
right now.
Speaker 1 (04:06):
Yeah, We're gonna have so much fun with Yeah.
Speaker 2 (04:08):
New York love us. I think I hate us one
of the other.
Speaker 1 (04:11):
You know, but you never know. Well, we'll see how
it happened, you know, we'll see how it works out right.
You gotta try new things, baby, you gotta try new things.
Speaker 3 (04:18):
Why sitting there saying why?
Speaker 1 (04:22):
Well, I mean, listen, I am a adventurous person, so
I will try anything once. Don't get into stupid ideas people, Okay,
but all I'm saying is I would try anything once.
Speaker 2 (04:36):
So with that said, you scare a lot of people
doing that.
Speaker 1 (04:39):
Okay, coming up, Uh huh, we're gonna have back to
the show.
Speaker 2 (04:44):
Let's go drum roll.
Speaker 1 (04:45):
A very very very important individual in my life. His
name is Chris Milo and he's a singer, songwriter, professional
recording artist, multi instrumentalist and dear to my heart. So
when we come back from commercial break, right here in
the studio we will have Chris Milow. So stay tuned.
Speaker 2 (05:36):
Put your hand up right now. We're inside the war
with ourselves, you know, America.
Speaker 5 (05:43):
We're gonna wake up from this where the real Americans
out where we are.
Speaker 3 (05:50):
Man, you blinded and you blind, you just send inside
your own. Every one pretenses love you, but messing you
upping homes, laughing without the way, you can't even afford food,
and never body looking at you acting so rude. They
thinking that they love you. Your skin, that's what they see.
They don't understand the militant one of the speed. But
they ain't good that they got. They just play for
(06:10):
each other, a sivil wanter trying to come for us,
chill one another. But I woke up last night. I
gotta talked to my PIDs, tell them listen, we gotta marching.
Speaker 6 (06:19):
What do we get?
Speaker 7 (06:20):
You laughing?
Speaker 3 (06:21):
You cry and you think where you feel in the
skating and say you win all the time.
Speaker 2 (06:25):
They just them and with streat Maybe you inside of
cars ain't the motaty you.
Speaker 3 (06:29):
They leave you lock doors, bringing.
Speaker 4 (06:31):
Your jawls over the line.
Speaker 3 (06:32):
They're licking what they want to try and put you
inside where the lock of smith or black.
Speaker 2 (06:36):
It's all you whether they hear, we're.
Speaker 3 (06:37):
Just the cop screaming likeness now all the same and
we're thinking prices putting that two there before crashing the crisis.
Speaker 2 (06:44):
Now they hate and tell the way how they even look.
Speaker 3 (06:47):
They try to lock a sup and up with down,
trying to play the foot one that gets chuck every time,
trying to get it.
Speaker 2 (06:53):
For Overshow tell you ain't got us?
Speaker 3 (06:55):
They have and lovers, so they try a churning that
we're close with the phone next to each other's hears,
but be in my social just to say how many
years and trying to act like we ain't want inside
of home?
Speaker 2 (07:06):
We acting like that we ain't want to Wade.
Speaker 8 (07:10):
Said, you can't say you ain't no please.
Speaker 6 (07:32):
Us been here.
Speaker 1 (07:35):
It does me.
Speaker 9 (07:37):
No care, no carehead make it look like a bass
we do this, he does no no read all edis
been here. I was thinking about you all the time.
But it's been two years now since Allas you in
(07:58):
no sist.
Speaker 1 (08:03):
We all back, ladies and gentlemen, Yes, yes, yes we are,
and welcome to the show. Chris Milow. You're welcome. You're welcome.
This is such a great thing. I you know, we
have you know what, because I was looking up on
my computer because I looked at the date May one
of twenty twenty two on our first season. He was
(08:27):
on our ninth show. Yeah wow, right, because I looked
it up, I was like, you know, because let me
just you know, go back and everything in time, and
I was like, he was a holy cow, right, so
he's come a long way. Yeah, okay, because when we
first met him, you were with Poison Love, right right, Okay,
so you were with that and then he started doing
(08:50):
like a lot of venues and stuff. And now you
guys had a lot of fun that time. When you
went to the rally, all the girls, I mean they
were chanting more for him, they were for you anyway.
So don't matter. I'm just saying, you know, you know, oh,
I'm just saying, though he just had we we went
through like his his background and stuff like that. So
for any of you that don't know Chris, okay, Chris
(09:14):
is multi talented. He's we were comparing him to like
a Richie Valens and a Sewan Mandas. I remember that
was back in the days. I still think he's just fabulous.
And not only that, you should really take some dancing
lessons from him because he's really really good. I mean,
I'm not trying to blow my own horn here. You
(09:35):
saw my moves, Okay, I was pretty you know, I
was pretty good. You know my little jiu jitsu move
or whatever.
Speaker 2 (09:40):
What were you doing?
Speaker 1 (09:41):
I don't know what I was doing, so it don't matter.
Speaker 2 (09:43):
It looks like he tried to do.
Speaker 1 (09:46):
Listen, between me and him, who's the better dancer? Go ahead,
you can say it. It's okay.
Speaker 2 (09:50):
I gotta give to her.
Speaker 10 (09:54):
She has the moves.
Speaker 1 (09:56):
I'm just saying, Okay, well.
Speaker 5 (09:58):
And so I don't know how she does that weird
think wear her hands and then her feet. And then
I was like when she first danced, I was like,
how did she do that?
Speaker 10 (10:06):
Well?
Speaker 1 (10:06):
You knew what it was too? Is I just go
with the beat. But like when it comes to flair
and choreography, this one got a downpack. He's really good, yeah,
I mean, and that's what's so great about him. It's
not because it's just singing. Talent is unbelievable. Dancing you
can play the instrument you play the guitar, right, you
(10:28):
play the piano, you play the keyboard. Yeah, and what's
that other thing that you played with the yeah.
Speaker 10 (10:34):
Lout pedal, bass guitar.
Speaker 2 (10:36):
Yeah, he does it all.
Speaker 1 (10:38):
Yeah, that's what I'm saying.
Speaker 3 (10:39):
When we were doing the practice, man, and I was listening,
I was like, wow.
Speaker 2 (10:43):
It's getting very talented.
Speaker 1 (10:44):
Yeah.
Speaker 10 (10:45):
I appreciate that.
Speaker 9 (10:45):
Yeah, I know.
Speaker 10 (10:46):
It's come a long way, definitely from doing all these
instruments and stuff like that. And I'm getting more into
like the Latin beat, you know, because I feel that
I feel when.
Speaker 2 (10:55):
You went in Puerto Rico for a while.
Speaker 10 (10:57):
Yeah, I was living in Puerto Rico for a while,
and I feel like when I connect with that stuff dancing.
I've been dancing since I was twelve, and I've been
listening to this type of music is like four So now,
you know, it just feels like it all came together
really well.
Speaker 2 (11:10):
So what kind of Spanish music were you listening to?
Speaker 5 (11:13):
We listened into more like the but chatta because I'm
a bachatta.
Speaker 2 (11:17):
Boy, man a man. Oh didn't didn't, didn't didn't.
Speaker 1 (11:23):
I'm a tortilla kind of girl. But go ahead, I'm sorry.
Speaker 10 (11:28):
Like I would say some sell some music, some Mark Anthony,
some like early reggaetone music. I was always listening to
that type of music.
Speaker 2 (11:37):
You can hear it though. You can hear it like
even in a lot of the records that you make,
like Poison.
Speaker 1 (11:41):
Love to someone to Love, Somebody to love. I just
said someone to love, you know, somebody? Okay, let it
slide this time.
Speaker 5 (11:50):
You know why I said that? Because I wanted to
see what she's gonna say.
Speaker 1 (11:53):
You know, because he likes testing me on your songs.
I don't know why, but he does that all the time. Well.
Speaker 3 (11:58):
The thing is, man, the kids very talented. I play
his records all the time. We've been playing it from
here all the way to Australia, you know what I mean.
So your records are really dope.
Speaker 2 (12:08):
Everything that you've been doing, honestly has had me every time. See.
Speaker 5 (12:13):
The reason why I gotta really commend you and say
great job is because a lot of people that are
like your age, they really don't have that, you know
what I mean, They don't have that if factor. And
the thing about it is, every time you hear me,
another song gets better and better and better because a
lot of times, you know, a lot of people if
you're listening slick, because I know you're out there listening.
Speaker 2 (12:35):
A lot of people get stuck on one record and
one sound.
Speaker 1 (12:40):
Yeah you change he changes it up.
Speaker 10 (12:42):
I change it.
Speaker 1 (12:43):
Yeah.
Speaker 10 (12:44):
I have a lot of influences from like the fifties
sixties music, and then I have something Richie you actually
here with Edis Baya comes in with that little like
fifties vibe.
Speaker 2 (12:53):
You know what I mean.
Speaker 1 (12:53):
So I love him.
Speaker 2 (12:54):
It's it's a mix.
Speaker 10 (12:56):
I mix it up, mix it up, makes it interesting.
Speaker 5 (12:59):
You know What's funny though, is not a lot of
people can get to cover the news Day and you
got the cover. Yes, he did at what nineteen and eighteen?
I think it was It's poison Love.
Speaker 2 (13:11):
It was Poisoned Love.
Speaker 10 (13:12):
So it was eighteen.
Speaker 5 (13:13):
Eighteen years old. He got the Newsday cover. That's right, Yeah,
you know what I mean. And I remember when I
first grabbed it. I was in the gas station. The
funny thing is you and we came out the same day.
But the thing is you had the big page.
Speaker 2 (13:25):
I had a small article.
Speaker 1 (13:31):
I'm like, oh, look, honey, you're because he's like, look
at Chris, Look at Chris, and I'm looking at it
and I'm like, yeah, that's really cool and everything, and
then you open up the pages and everything like, oh baby,
look you got a little spot right there.
Speaker 2 (13:41):
And I looked at him and I'm like, let's just
not talk about this.
Speaker 1 (13:45):
But I brought it up anyway. No, actually you brought
it up, so it's your fault.
Speaker 5 (13:49):
No, I'm just saying no, I'm just saying like I
And then you got put on News twelve for.
Speaker 2 (13:57):
The Hall of Fame for Stony Brook.
Speaker 10 (13:58):
Yeah, that was big, and and that whole day they
were rerunning the same the same ads the whole day.
So it's cool just to put the channel on in
every hour would be the segment playing you know somebody
Love Live.
Speaker 1 (14:11):
What was that like? What is that like? To watch
yourself on TV somewhere?
Speaker 10 (14:15):
It's crazy when you could tell someone, hey, put on
Channel twelve and then they could see the same thing
you're seeing, and it's like it was cool because I
got a lot of people calling me.
Speaker 1 (14:23):
Be like oh I just saw you.
Speaker 2 (14:26):
Yeah, it was cool. It's crazy.
Speaker 1 (14:28):
Yeah, they wouldn't do that with me. They like, oh,
you're on TV out there, like yeah. Sometimes I do
a live stream on Sunday nights you know, you might
want to check it out.
Speaker 5 (14:36):
Yeah, nobody really pays Nobody pays attention to me.
Speaker 1 (14:40):
Nobody out there, nobody loves me anymore. It's so loud.
You listen when he is here here, you do not sing, okay,
especially one of his songs. Oh hell no, sorry fifty bucks. Okay.
(15:01):
So anyway, I'm going to get to Well, the thing
is that he had not finished his music video for Edisbella.
So we put a little thing together that we can
kind of highlight the song so everybody can hear the
song and get to know Chris a little bit better. Okay,
So if we can play that right now and everybody
(15:25):
can see that, go ahead.
Speaker 7 (15:42):
And nod.
Speaker 9 (15:43):
No, it is I think mess you all the time.
Speaker 1 (15:57):
Have you any entered any dance competitions? Right?
Speaker 10 (16:00):
Yes, I have with my teacher who is also a
salsa champion and salsa and we but we do like
the Latin style, so chacha rumba.
Speaker 9 (16:12):
But it's been two years now since Salao in No
sallyst Me and.
Speaker 11 (16:27):
Janosity pleasent.
Speaker 10 (16:32):
That was a song that I wrote the melody for
first and over the time. You know, lyrics are tough.
Lyrics is a tough thing to get into. It's like, okay,
you know, how does this feel? What's the vibe of
the song? And but for me, it's the melody. I
always write the melody yoda.
Speaker 7 (16:52):
But I don't know, don't who know?
Speaker 6 (16:57):
I guys, so tell me you love me?
Speaker 7 (17:12):
But I don't know.
Speaker 10 (17:13):
I know, just playing a beat over and over again.
So I'm at my house and I play like a beat,
maybe that I like this in my head and over
like I don't know. It could even be a couple
of days of just fixing it up, taking stuff out,
fixing it up.
Speaker 6 (17:29):
Easy.
Speaker 9 (17:30):
I say, guys, girl, I'm a Kryptoni brollo me no
(17:50):
no sa yofami.
Speaker 10 (18:00):
It's definitely something I developed. I can't say I was
born with it, you know, over time, but I guess
it started when I was around eight. I started singing
in front of my own classroom, doing things.
Speaker 1 (18:09):
My dad uh.
Speaker 10 (18:11):
Enrolled me into a music school, music school, like you know,
like a little school to play instruments and stuff like that.
It's kind of where I got my start.
Speaker 9 (18:19):
No say yobami movies. Thing is a mandate, No say
thing wich is ghana a manda.
Speaker 7 (18:34):
De No saying yoda n ge who's daddy?
Speaker 6 (18:45):
Whose daddy is?
Speaker 7 (18:46):
But I don't know, I don't know, but get the yes,
but get thee.
Speaker 6 (18:51):
I know guy said.
Speaker 7 (19:01):
To tell me you love me, but the man goes
that that but I don't know, I don't know. Put
the devin health at least, but put the healthy least.
Speaker 6 (19:11):
See I know say God says.
Speaker 12 (19:16):
It's one of this.
Speaker 1 (19:21):
It's hit.
Speaker 6 (19:24):
Does know?
Speaker 9 (19:25):
And okay, ok, nok ahead, but then it looking like
a vesta?
Speaker 2 (19:31):
Do you still to hear me?
Speaker 6 (19:33):
Do you still love me?
Speaker 9 (19:35):
So?
Speaker 7 (19:36):
I will wait for you no matter where we can go.
Speaker 1 (19:41):
Whoa, Hey, it's it's still my heart. I know, I
know you just get you know, I could watch that
over and over, you know, just because with all the
(20:02):
little clips that we have together with him and stuff,
and then you know, watching all the performances and the
dancing and stuff like that. You know, yeah, you really
can't get any better than that. You just can't thank you.
Speaker 2 (20:15):
That video was dope when they were doing that interview.
Was that the ABC interview that was on the Donna
Drake Show. Yeah, she's ABC.
Speaker 6 (20:25):
No, No.
Speaker 2 (20:27):
Shout to Donna. Man, No, Donna's dope.
Speaker 1 (20:30):
I forgotten but he does so many.
Speaker 2 (20:35):
You know when I saw that on that that's Donna's set.
Speaker 1 (20:38):
Yeah, yeah, yeah, Well you know what it is.
Speaker 4 (20:41):
It says that.
Speaker 1 (20:43):
He is so everybody wants to Everybody gravitates to him.
That's what. He's the kind of artist that everybody gravitates to.
I mean, you you know, people gravitate to you too,
not no more, not as much.
Speaker 2 (20:55):
But we know I lost I lost my fanbase because
of my mouth.
Speaker 1 (20:58):
Yeah, well that's a given.
Speaker 2 (21:01):
That's why.
Speaker 3 (21:02):
That's why I'm doing podcasts and in the radio, stay
away from people exactly.
Speaker 1 (21:06):
There you go. But all I'm saying is a lot
of people just gravitate to him, and so I think,
you know, when whatever song he comes out with, I mean,
the cover is that he does too. I mean, jesus,
what is your favorite.
Speaker 4 (21:19):
Cover that that?
Speaker 10 (21:22):
That's tough, but I do like doing the Michael Jackson mashup.
I knew that's it's just it's just fun.
Speaker 1 (21:28):
Yeah that with the.
Speaker 2 (21:32):
Yeah, but that you know.
Speaker 1 (21:35):
And then there was that other one too, with the
other one that you guys did, oh god, I can't remember.
Speaker 10 (21:40):
Fiasco was yeah if you're a superstar, and yeah, you're
a superstar. That one I liked, and we did a
Rihanna song, we did a couple of cool, cool mashups.
Speaker 5 (21:50):
Yeah, I just think that whole thing. But how did
you ever talk to your friend after that? Like what
did he think about it? Because like I was trying
to talk to him, but it was kind of like
the drummer, I mean, he was aesthetic. Afterwards, he was like, dude,
that was crazy.
Speaker 2 (22:03):
It's crazy, you know, the just the ambiance of that. No,
but it's so dope to see like them, like first
getting like the like you know what was ill.
Speaker 5 (22:11):
It's like I got used to performing the big crowds
at one point, right, But when I first started, it
was funny because I'm watching you and I'm just seeing
like you guys having like that whole Oh this is great,
and I'm like, oh man, that's how I felt when
I was younger.
Speaker 1 (22:24):
Yeah, because it was a different crowd because you know,
all the different type of venues you're getting what you're
not just getting like eighteen to twenty four. You're also
getting older crowds as well because of the genre of
music that he does, and plus he does the older
stuff as well, which people really grab it. I mean,
if I go to a restaurant, right, A lot of
(22:46):
times they have a singer there or a band or
something like that. And it doesn't matter how old you are,
a lot of the songs that he does, people will
get up and dance too. You know what I'm saying.
Speaker 2 (22:57):
You know, It's My thing is, it's such a different crowd.
So like, I feel like your younger audience really needs
to start paying attention to real cook music because my
thing is, you got really good music. And I don't know,
but the thing is, it might be my urban crowd,
but I just feel like you're way talented than your era,
(23:22):
if that makes any sense.
Speaker 1 (23:23):
I see what you're saying. I do get what you're saying.
He okay, he's more mature in his music than of
most people.
Speaker 2 (23:34):
Yeah, and and and when I.
Speaker 3 (23:35):
See that, I go, man, I'm like, but that's different
you mean because that's real, real mainstream.
Speaker 2 (23:42):
That's like k one O, like kiss like kiss Z
one hundred. So like his music is really music that
will make an impact because I know I heard of
people feelings on here, but he's gonna do it again.
Speaker 5 (24:03):
I'm just gonna say this, that would be quiet, Chris,
you actually have talent, and eighty percent of your generation don't.
Speaker 2 (24:13):
That's it.
Speaker 1 (24:14):
I appreciate that he's telling the truth.
Speaker 3 (24:16):
Though, because you can actually really sing and not be
in order to you can actually play the guitar and
not be on the computer with electronics, you know what
I mean. So whoever that you look up to in
music and whoever pushed you into doing the music the
right way, knew what they were doing because you're gonna
(24:38):
last a long time. These other like if you ever
see it and you ever get down, you're.
Speaker 2 (24:43):
Like, man, why why ain't I making it right now?
Speaker 3 (24:46):
The reason why you're not making it right now or
in front of everybody that's like, you know, trying to
push you into like that direction.
Speaker 2 (24:52):
Is because you have a different type.
Speaker 1 (24:54):
Of He's actually really good, he's really talent.
Speaker 2 (24:57):
It's not that he has a different journey.
Speaker 5 (25:00):
So then when he catches it, it's gonna hit higher,
it's gonna hit more stronger than these dudes that just.
Speaker 2 (25:06):
Catch a wave. You're not gonna catch a wave.
Speaker 3 (25:09):
You're gonna catch a real core fan base.
Speaker 10 (25:13):
Well, I appreciate that, and I and I am trying
to like capture even with the old music I'm making
it timeless. I like music that's timeless, a lot of
ed sharing stuff.
Speaker 12 (25:21):
You know.
Speaker 10 (25:22):
He has a fan base that's really young. But also
like anyone can listen to anybody. So that's what I'm
trying to do. And I'm trying to bring back like
music in a way that's like okay, that that's really cool.
I'm not trying to overthink it either, you know, I
just want to be fresh with the organic. At the
same time, it's like a mix.
Speaker 13 (25:40):
You know.
Speaker 5 (25:40):
It's funny, like your sound is coming back full throw
because people nowadays and young guys nowadays is just terrible.
Speaker 2 (25:49):
And I don't I don't care.
Speaker 5 (25:50):
I'll always say I get in trouble all the time,
even even my sponsori why are you saying this?
Speaker 1 (25:55):
But but it's true.
Speaker 2 (25:57):
It's it's honestly truth.
Speaker 5 (25:59):
It's just this is it just all sounds repetitive, It
all sounds the same, and it just makes you want
to throw up.
Speaker 2 (26:06):
But like when I hear you and something like that,
I go, Okay, there's a fresher air.
Speaker 3 (26:10):
Maybe we got one in the generation that can actually push.
Speaker 1 (26:13):
Yeah, but you know what it is, because like even
with you know he did, you're gonna remind me which
song it was, because you posted it on Instagram and
you said, imagine this song was done today. Do you
remember that?
Speaker 6 (26:29):
Oh?
Speaker 10 (26:29):
Yeah, yeah, they come together?
Speaker 13 (26:31):
Right?
Speaker 3 (26:32):
Yeah, come together, come together, come together.
Speaker 1 (26:35):
Don't don't do it, don't.
Speaker 2 (26:37):
No, it's not that it's before that song too.
Speaker 1 (26:39):
But I know. But all I'm saying is he did
it on Instagram, right, And what I'm saying is he
is bringing that old feel back to the genre. Now,
he's bringing it back. Not many people can do that.
Why are you looking at me like that one?
Speaker 5 (26:58):
I'm just because you know, there's no word is that
you can actually really say towards that, because he he
just has it, man, Like Chris just has.
Speaker 1 (27:07):
Do you know you have it? Do you actually know
that you got it?
Speaker 10 (27:11):
I don't think about it. I just kind of like,
you know, I I just try to give it the
best that I can. Like if I'm going into the studio,
like Okay, what's what's every angle? I could push this,
you know, and and I know I'm doing something right.
If I'm like, Okay, I'm learning something, or this is
better than before, it's different, you know. So I'm always
I'm not always gonna make like the best thing. That's
not always the goal, Like yeah, you know, sometimes I
(27:33):
don't know. Sometimes I'm like, okay, this could be.
Speaker 1 (27:35):
Well not everyone is not every song is a hit.
You should know that.
Speaker 2 (27:40):
Oh mine's all we'll be talking about now I'm playing.
Speaker 1 (27:43):
But there are a lot of times he comes to
me with a song and I'm like, that's not it.
I'm just saying, I'm just throwing it out there.
Speaker 2 (27:51):
And even am I always thrown on the bus. But look, wait,
can I can I talk?
Speaker 1 (27:56):
Okay, go ahead?
Speaker 5 (27:57):
Sorry, So when I'm trying to say too, let's just
I'm just gonna wrap it up real quick.
Speaker 1 (28:02):
Okay.
Speaker 5 (28:02):
What I'm trying to say is is great to see
somebody with real talent, and it's great to see you
really coming out because yeah, you're right, you're gonna make
music that everyone's gonna remember. You got Patty, you got
it right now, we're going in a curve right now
in the nineties style. Now, that's why the girls addressing
inside the not like, come on, man, food Boo's coming back.
Speaker 3 (28:22):
For food Boo's coming back, Tommy Hill figure is coming back?
Speaker 9 (28:25):
Is it really?
Speaker 1 (28:26):
Yeah?
Speaker 2 (28:26):
Like all of these dudes right now look like ninety
have ninety. That's trashion.
Speaker 1 (28:31):
I do see that.
Speaker 2 (28:32):
I do see that, you know what I mean.
Speaker 3 (28:33):
So your era is about to come up strong, because
now we're leaving the nineteenth like the early the nineties.
Speaker 5 (28:42):
Now we're getting into the mid nineties. Nineteen ninety eight,
nineteen ninety nine, nineteen ninety nine was one of the
best years in music.
Speaker 1 (28:49):
Thank you, Prince.
Speaker 2 (28:51):
Yeah and your boy.
Speaker 1 (28:53):
No, I don't know who you're talking about.
Speaker 2 (28:55):
Okay, you don't know.
Speaker 3 (28:56):
I'm talking about the Prince Prince in the other month.
Speaker 7 (29:00):
Who's that?
Speaker 2 (29:01):
Oh man, he's gonna make me forget the name on
nationals right now.
Speaker 1 (29:04):
Okay, I forget it. Then who am I talking about?
Oh man, he was dope and we were just talking
about him. We were just talking about him a while ago. Okay, anyway,
doesn't matter now. But I was thinking, but it's gotta be.
Speaker 2 (29:15):
Prince ninety, you know. But back to it.
Speaker 3 (29:19):
You're gonna start seeing more rock and pop start taking
over because hip hop right now, the genre actually is falling,
and it's.
Speaker 5 (29:29):
Not a bad thing, it's it's fallings. So you're gonna
start seeing more rock come in. You're gonna see more
pop come in.
Speaker 1 (29:36):
He can do it all.
Speaker 2 (29:38):
So your error is about to come.
Speaker 1 (29:41):
But what is your Yeah, but what is your favorite
genre to do?
Speaker 10 (29:45):
I'm really getting into this, Like Spanish English mix. I
like it really connects with me.
Speaker 13 (29:51):
I like it.
Speaker 10 (29:52):
I feel like when I do that and I'm doing
the Latin beat, I can dance of it too, So
something about it makes me feel comfortable. You know, I'm
not lead in the English like fully, no, I'm always
gonna have like the English song because you know, I'm
better in writing in English and stuff like that. But
there's there's something to it and it's catchy and I
love it. And even when I do my Spanish songs live, like,
there's like a reaction with the audience.
Speaker 2 (30:14):
No, even if they don't know it.
Speaker 1 (30:15):
They're like they still like it anyway, this is cool.
Speaker 10 (30:18):
Yeah, And there's there's like a type of flow with
Spanish that's different from English. It's kind of like it
just like flows off the tongue. You know, you don't
need it sounds musical language.
Speaker 3 (30:28):
So you're saying, if we put that record on Telemundo
in Univisio, right, because they they did this to me
when I was younger, I'm not gonna say what record,
But how do you feel that record would do if
if somebody just added noway just say yo, we're gonna
throw that right on UNIV.
Speaker 10 (30:43):
I think if there was something, if it was with
the song and something visual, because I feel like with
the Telemundo and everything, there needs.
Speaker 2 (30:50):
To be like no, no, I'm saying your video is
going to be done.
Speaker 7 (30:52):
I was like, if the video was done.
Speaker 10 (30:54):
Yeah, yeah, yeah, I think it would do pretty good.
Speaker 14 (30:56):
I don't know, I don't know.
Speaker 2 (30:57):
I feel like I think it would.
Speaker 5 (30:59):
I really think it would because just taking the clips
to see in the clips, I'm like, yo, I want
to see more of what he's gonna do. Because in
the Spanish market, Spanish market sticks together, so people think, oh,
you know, the urban market is the heart, is the
hardest market.
Speaker 2 (31:15):
The rock pop market is similar.
Speaker 5 (31:18):
But it's different because you got people that if you
come in a certain wave in a certain time, you're
gonna carry that wave until the end of time, you know,
like Katy Perry, like we were talking at sharing, the
Spanish market always make sure their type of artists always
has love.
Speaker 3 (31:39):
Name one artist that is Spanish right now that doesn't
have the same exact.
Speaker 5 (31:43):
Love Mark Anthony, we're talking about still, We're still talking
about Carlos Santana, We're still talking about Romeo Santas, We're
still talking about Nikki Jams. Even though young Buddy, so
Daddy Yankee, I could go on with a lot of
other Spanish thing is the stuff they still have that
fan base. Because Spanish artist is always have a core
(32:07):
fan base.
Speaker 2 (32:07):
Is going to market.
Speaker 5 (32:09):
That's why when people ask me what's the best market
to get into, I always tell them the Spanish. But
one thing about the Spanish market that you gotta understand
is they don't it's not the same as the English
market will It'll let you do one hundred different things
and and be disrespectful and do certain things.
Speaker 2 (32:27):
One disrespectful thing you do in the Spanish.
Speaker 5 (32:29):
Market doesn't go down. That's true, you know, but you
don't seem like that. So I think, honestly, your best
fit right now is actually the Spanish market.
Speaker 1 (32:37):
Who thinks what okay?
Speaker 2 (32:40):
First of all, he can dance in Spanish, he can
sing in Spanish. The beat sound, the beat sound really good.
Speaker 3 (32:45):
I'm gonna I'm gonna show it to a couple of
my people in Telemundo, just a song, if that's cool
with you right now, want anybody to hear this, So
I'm gonna send it to some of my people in
Telemundo and I'm gonna see the feedback out there.
Speaker 1 (33:00):
I guarantee you he gets good feedback.
Speaker 5 (33:02):
I yeah, no, definitely, I guarantee you definitely Latin market.
Speaker 10 (33:07):
Yeah, And I didn't just like you know, stumble a
card like it was always in the back of my head,
like I want to do something lying ever since I
was a kid, you know, I was thinking about it.
But you know, obviously English was I got better in
speaking Spanish because I do speak Spanish. My mom's from
Puerto Rico, right, there's a big connection there, and I'm
not leaving the English market. But I definitely want I
definitely feel a connection to it. I definitely love it,
and I'm gonna I'm gonna give it a shot, you
(33:28):
know what.
Speaker 1 (33:28):
Too, because like when I think about what you were
talking about, I mean, to this day, Shakira can move
me no matter what she's singing in Spanish and I
do not understand a word, but the way she sings
it in her body language, the way she you know,
provides the story of the song. I could watch her
forever too. It's captivating, right, She's always she's always like
(33:52):
you know, she's always there. And there's another one, I fick.
I think her name is Thalia. Oh yeah, Tahalia Dahlia.
She's really good too. I watch her not all the time,
but I do watch and that's not now. There's another
Greek singer. You can believe that or not whatever. Her
(34:13):
name is, very famous singer in grace. Just like you said,
she was popular back in the eighties. Still to this day,
she can get on that stage and it's just like
yesterday she was on.
Speaker 5 (34:26):
I'm gonna be real honest for both of you. The
only thing that counts is if you're three, you have
three generations, right, so three decades, whatever, thirty years, and
you still can sell out a stage in a crowd.
Speaker 2 (34:39):
That's what's the.
Speaker 1 (34:40):
Only thing that matter is longetivities, longevity, longevity. I don't
know why I said that, and.
Speaker 5 (34:48):
People don't realize that. They think, oh, because I have
this hit, one hit record, I'm gonna be forever. You
have to make a classic that is called the time capsule.
So then when someone hears that sound, they'll.
Speaker 1 (35:00):
Love that sound to the day they die right, And
that's what somebody to love for me. That song. I
will hear that song no matter how old I get,
where I'm at, what country.
Speaker 2 (35:13):
That means, I'm not gonna lie to you.
Speaker 13 (35:14):
Man.
Speaker 5 (35:14):
That song is so powerful that that song could reservate
for years. Yeah, it's just you got to have the
right back in the right promotion and the right push.
Speaker 2 (35:27):
That's basically just because I keep.
Speaker 3 (35:30):
Every time I tell so, like, I bump into a
and rs A lot and I go, Yo, listen to
this kid all the time because I believe in your craft.
Speaker 2 (35:39):
I believe in what you do, and I believe what
you're really pushing your put.
Speaker 3 (35:42):
But thing about this era, and I keep telling everybody
this era man, for some reason, does it like innocent?
Speaker 9 (35:51):
No more?
Speaker 2 (35:52):
No, it likes raunchiness anger.
Speaker 1 (35:55):
Do you know how to work?
Speaker 10 (35:57):
No, I can't say.
Speaker 1 (35:59):
I'm just asked again. I was just asking. It wasn't
you know. I wasn't going anywhere with them, just saying
it may help him.
Speaker 7 (36:07):
These days.
Speaker 2 (36:10):
You're shaking.
Speaker 1 (36:12):
He needed to grow some braids, made some great maybe
some ponytail, you know, a little scart tarp.
Speaker 12 (36:18):
No, but.
Speaker 14 (36:21):
In a good way.
Speaker 1 (36:21):
Stop, I'm stopping yelling at it right now, Okay, I'm stopping.
Speaker 2 (36:25):
But seriously, they're gonna make you grow. They're gonna make
you grow dreads like this.
Speaker 1 (36:29):
I cannot picture this.
Speaker 2 (36:30):
You can't say three words, you can't say not.
Speaker 1 (36:34):
Stop this. Man cannot I'm gonna say that, but I'm
he cannot wait.
Speaker 10 (36:39):
I think people are craving that, like, you know that
what you guys are talking about. I feel like it's
it's saturated.
Speaker 1 (36:44):
With that type of like it's saturated and it's like it's.
Speaker 10 (36:46):
Like a fresh air when you hear someone that's not
you know, I don't like the curse of my songs. Actually,
I never have cursed myself, and I'm not like saying, oh,
you don't curse in your songs. This is something that
I don't do.
Speaker 1 (36:55):
Don't do, so you know, I keep it Silk, you
know what, all up look at Silk.
Speaker 2 (37:02):
They were all church boys and they don't curse in
their records.
Speaker 1 (37:04):
They don't and they were one of the biggest females
love them, you know what I mean?
Speaker 2 (37:08):
So you gotta what you.
Speaker 5 (37:10):
Gotta just stay the way you are because I'm just
joking about that. I'm just telling everybody because everybody's laughing
right now.
Speaker 2 (37:16):
It's not the chat room.
Speaker 5 (37:17):
But I was just saying because to me, it's pitiful. Yeah,
I don't like to look like somebody else. I don't
want to dress like somebody else. If I'm an artist,
I want to have my own look, my own sound.
Speaker 1 (37:28):
And he doesn't have to work either, So you know
there's that. You know, he's not good at working. I'm
not good at you stop talking about working. Okay, I'm
gonna I'm gonna stop talking about.
Speaker 3 (37:36):
You need to be quiet for like two seconds on
your own show, be quiet because that's just inappropriate.
Speaker 2 (37:42):
Really, I don't want to see you see that nasty
stuff all the time on Instagram, Like I really care
about that.
Speaker 1 (37:47):
Okay, he's talent, but it was wrong. But that's what
I'm talking about. He's got talent. He's got a lot
of talent. If they if half of them could dance
the way he does and sing and play music and write.
You know this this whole genre of what is going
on right now in the music industry, it does need
(38:08):
to change, but you.
Speaker 5 (38:08):
Know what it is changing because what they need is
like a well, you got Molly Cyrus saying when I
was young.
Speaker 2 (38:18):
No, I'm not talking now, thank you. The other one
that started this no no.
Speaker 1 (38:23):
But all I'm saying is, well, she kind of did
when she did.
Speaker 5 (38:26):
Exactly so yeah, and then she's like when I was young,
like you want to apologize now, well a bunch of
this no.
Speaker 1 (38:32):
No, but yeah she she. What I'm saying about him, though,
is that he has he's good in his own skin.
He's not trying to be somebody else, and he does
his own work, his own lyrics, his own everything. So everything,
the product that comes out of him is true. That's it.
(38:54):
That's all I got. It's just true. When I hear
his songs, when I hear his lyrics, when I see
him performing and everything, it makes you happy inside.
Speaker 2 (39:04):
He's not a carbon copy, no, and it just you know,
and you.
Speaker 1 (39:07):
Don't see that. You just don't see that anymore. Well
we can we can, I actually can we get Oh yeah,
if we can go to commercial break and when we
come back.
Speaker 2 (39:19):
We got special.
Speaker 1 (39:21):
We got a little special performance from him. There we go. Okay,
so take us to commercial break and we'll be right
back with Chris Milo.
Speaker 7 (39:58):
You know what I want, you man, I got don't
get by my money.
Speaker 4 (40:05):
My money not talking about why are you telling me?
Speaker 2 (40:08):
You know, I try to keep you, I said, he's
trying to worry.
Speaker 7 (40:16):
Somebody charged charge you.
Speaker 2 (40:18):
Better get your full better part, he said, everybody would.
Speaker 3 (40:22):
Again he doesn't care because you know the indices about
the wise that he is doing.
Speaker 7 (40:27):
To chack check Hi for the money and ship change.
Chack him for the money and check change chake.
Speaker 6 (40:32):
Him for the money.
Speaker 2 (41:28):
And we're back, Ladies and gentlemen.
Speaker 1 (41:30):
Yes we are, okay, announce it okay. So here he's
gonna give us a little something something right now. So
mister Chris Maluk, just give us what you got.
Speaker 3 (41:39):
Babies, you already notice your boy DJ and the jetty man.
We alive right now in New York, New Jersey, Connecticut
and Pennsylvania. Yes, ladies and gentlemen, the Tri state area.
We'll be hearing Christopher Milo set it off.
Speaker 2 (42:00):
Gentlemen, this is real talent Ersbaha and no quira, no kira.
Speaker 9 (42:10):
We then looking like a vesado Ersbahia thinking about you
all the time. But it's been two years now, Sala,
so you in no sallesti.
Speaker 1 (42:33):
Betters dan in Barsada.
Speaker 2 (42:35):
You know starts on me Lada Johanno Cito.
Speaker 1 (42:40):
Present day.
Speaker 7 (42:43):
Yoa miss greeb.
Speaker 9 (42:48):
But I don't know, don't know baka hell Belie Bolizzi
and got sa.
Speaker 2 (42:58):
Is a away.
Speaker 6 (43:00):
Girl.
Speaker 7 (43:01):
I'm kristni ad.
Speaker 2 (43:04):
Bro thank the look.
Speaker 9 (43:08):
Alone Mina and no say z parity yo weas be
oba me do we stay too? No say zipparity yomas
obami do we stay?
Speaker 6 (43:27):
Then?
Speaker 9 (43:27):
Him is gonna here ramandod hey, no say hey thank him?
Just gonna Ramando dee hey you wanna say hey, thank him?
Just gonna us?
Speaker 7 (43:39):
Danad know starts on me, lad, Jihano so prais and day.
Speaker 2 (43:48):
There is Danasada you know starts on me?
Speaker 6 (43:52):
Lad.
Speaker 15 (43:54):
Johanna said, present, Oh god God, all right, stay one
encore right now?
Speaker 1 (44:07):
So are you kidding?
Speaker 2 (44:09):
I think? Can we do her favorite record?
Speaker 5 (44:13):
All right, ladies and gentlemen, man on core right now,
we're about to go off right now. Let's give it
for Christopher Milo right now, ladies and gentlemen listening to
us all across the Child state area, Pennsylvania, and let's
set it off right now.
Speaker 2 (44:31):
We are live right now, ladies and gentlemen, go ahead.
Speaker 9 (44:37):
I do nobody at party? Nobody at party? Who's there?
Speaker 7 (44:46):
Mama said, try to find someone you need?
Speaker 9 (44:53):
How could this be?
Speaker 1 (44:55):
I love nobody, trust.
Speaker 9 (45:00):
Tonight, I'm all illove nobody, trust all loven find somebody
that you won't let go? When you find nobody on
their gloves? I have nobody at this party, loved someone
(45:29):
AT's party, son a'sparty, love somebody love?
Speaker 2 (45:39):
Who's the Hello, ladies and gentlemen. That's like to call talent.
Speaker 1 (45:50):
It's not even talent, it's brilliant. Okay, we're talking brilliant here.
When when even just the acoustic version of somebody Loves?
Oh god, he's gonna try to sing it again? Oh
my god? Can we can we play some of the
video of the actual video?
Speaker 2 (46:05):
Play that?
Speaker 1 (46:06):
Can we do the actual Somebody to Love video? Because
it's one of my favorite videos, it really is. Please
put it on.
Speaker 9 (46:23):
I one nobody at this party, nobody at this party?
Speaker 7 (46:29):
Who's there?
Speaker 3 (46:30):
Love?
Speaker 9 (46:32):
Mama said, trying to find someone you need? It heart's
gonna break so easily.
Speaker 15 (46:39):
How good it be?
Speaker 9 (46:41):
I'm all, I love nobody, trust all love, n I'm all,
I love nobody, trust all.
Speaker 14 (46:55):
Love to night.
Speaker 6 (46:57):
Night, Hi, somebody that you won't let go?
Speaker 11 (47:02):
And when you find nobody, Oh the cl say nobody
at this party left, not.
Speaker 12 (47:14):
No one that this party, no one that this party loved,
nobody loves?
Speaker 7 (47:24):
Who's there love? Feel out of touch with doing things
that day and doesn't seem the.
Speaker 6 (47:33):
Same as wor.
Speaker 12 (47:37):
So afraid.
Speaker 9 (47:38):
I pray you am hours for bedding days only and
there were no Now.
Speaker 6 (47:46):
I'm all a love.
Speaker 9 (47:48):
Nobody is trust. I'm all out of love. No, I'm
all o love. Nobody is trust.
Speaker 13 (48:01):
Hi, n.
Speaker 6 (48:05):
Find somebody that.
Speaker 2 (48:06):
You won't let go.
Speaker 1 (48:08):
And when you find nobody, oh the clothes like No.
Speaker 13 (48:14):
It's not.
Speaker 12 (48:19):
No one, not this party, no one that this party love,
nobody love.
Speaker 6 (48:29):
Who's that discretion?
Speaker 7 (48:35):
She said, at this party?
Speaker 2 (48:37):
Nobody has the study.
Speaker 1 (48:39):
The lab who.
Speaker 13 (48:43):
She looked at me, she said, I guess I can say,
She said, just say, God, believe you're back.
Speaker 2 (48:56):
That's are things that mean most mean the more us.
Speaker 9 (49:01):
From there, I knew who that the score would be
in the world an if our love.
Speaker 14 (49:10):
We were both out love and nobody had trust started
changing in a moment with you. I was on our
love nobody trusst.
Speaker 2 (49:23):
I was on our light ny but nay.
Speaker 7 (49:29):
Thout nobody that I all that?
Speaker 11 (49:31):
Oh, God keeper close this and couser nobody at this
party loved to.
Speaker 12 (49:43):
Someone at this party, so that this party love somebody
who's a love.
Speaker 1 (50:23):
I think at the end, I'm like, yeah, mister, mister Casanova.
But let me tell you. If you're playing the video
version and then the acoustic version, it's like clear both.
You know, I'm trying to say, it's like there's no
difference now, you know, Okay, what are you going to say?
What are you going to say? Not to say.
Speaker 2 (50:44):
He's just like I want to say something, but he's
watching it.
Speaker 1 (50:49):
Don't say it. Don't say it. Don't say he loves
to bother people. So anyway, I think at Isabella and
Somebody Love are going to be my hits for the
rest of my life.
Speaker 2 (51:02):
Stop playing them.
Speaker 1 (51:03):
No I'm not.
Speaker 2 (51:04):
And DNA Radio stay playing it too, so let's give
it love.
Speaker 1 (51:07):
It's on rotation all the time, so it's always it's
always out there, whether it's in Italy or in London,
or in Wales, on Australia or in Italy sorry about
Italy sorry, or around the States obviously.
Speaker 2 (51:20):
New what New York, New Jersey, New York, New.
Speaker 1 (51:23):
Jersey, Connecticut. Pass the fan and you got Great Grand Rapids.
You got Miami, in Miami, LA. You're playing everywhere. Okay,
you're playing, Yeah, you're in Miami eighty eight point seven
in Miami, the.
Speaker 2 (51:36):
Blaze, the Blade lyon in ten minutes, yeah, and.
Speaker 1 (51:41):
Ten minutes on there. Okay. So anyway, I want to
thank Chris again, Chris Milo. You can find him Chris
Milo m I l O official on every social media platform,
and I would suggest you look him up. I would
suggest you download the songs, and I would suggest that
you follow him. And again, I want to thank you
so much for coming to the show. Thank you to
(52:02):
your brother Mark for bringing you and we really appreciate that.
But go ahead, I'm ahead. You got any last words
for us today?
Speaker 10 (52:11):
I just want to say thank you guys, especially for
you know, being a huge support for everything I do.
Of course, and you know at a lot of big
things are coming up. I have a lot of a
lot of big things in the work, a lot of
visual stuff now you know, I got all the music
to get a little bit well what's visual, so that
that's coming up soon and I'm excited about it.
Speaker 3 (52:29):
One thing before we leave, I like you playing the
guits well you playing you playing the guitar in the ocean, right.
Speaker 1 (52:35):
Yeah, oh yeah, that was fun. That was fun.
Speaker 6 (52:38):
It's fun fun.
Speaker 10 (52:38):
I got to give a shout out to my friend Nick.
Speaker 1 (52:41):
He's he's when who did that?
Speaker 2 (52:42):
Nick?
Speaker 10 (52:43):
Nick the Joys his name.
Speaker 1 (52:44):
He does a lot of like.
Speaker 10 (52:44):
Good videos, photography, great, great at that stuff.
Speaker 1 (52:47):
Okay, and also thank you to Steve for putting that
little mash together for us today. Really appreciate that. Thank
you to everybody out there. Remember you follow Chris my
little official. Okay, and if anything, please use check out
somebody loves Edis Bella. This newest hit is out there.
It's on all social media platforms.
Speaker 10 (53:06):
So Edis Bella elblaan elisa is what we're saying Spanish
beak is nice.
Speaker 1 (53:18):
Now I'm getting now, I'm getting a classic grammar. Okay, Okay,
how do I say?
Speaker 9 (53:22):
No?
Speaker 1 (53:23):
That is bad?
Speaker 2 (53:24):
There? Did I say it?
Speaker 1 (53:29):
Right?
Speaker 2 (53:29):
Absolutely? And he's not down the side and sorry.
Speaker 1 (53:33):
Slap woods, but it's okay. Edis bay is bad. There
you go.
Speaker 5 (53:38):
Okay, So listening to it on all platforms, all streaming everywhere. Man,
shout out to that boy, Christopher Milo and I want
to thank everybody for watching us on d NA Live.
Speaker 2 (53:49):
There you go.
Speaker 1 (53:50):
We're always live. You know how it is every Sunday,
seven pm. Live here in Paradise Studios, coming to you
in Massapa, baby, So have a good night. Thank you
again to Chris. Give my love to your father, Mark
out there and your mom and Mark over here. There's
all these marks.
Speaker 4 (54:07):
I love my Mark.
Speaker 1 (54:08):
It's like Mike Camel okay. So anyway, good okay, So
thank you for coming. Enjoy it. Thank you everybody. We
love you. Thank you for all the love and support
Christopher Milo. Remember Chris Milo Official on all social media
platform So we're out. Peace out everybody,