December 20, 2024 • 58 mins
D&A Live - Season 3, Episode 50 "Artist/Musician Bronte Fall". Hosted by Danny & Althea. Tonight's guest is pop artist/musician Bronte Fall. D&A Live is aired live from Paradise Studios NY via the Strong Island Entertainment Network. www.strongisland.com
#DAlive #Enjetic #Althea #Live #TV #Radio #TalkShow #Music #HipHop #Rap #Arts #Entertainment #StrongIslandTV #StrongIsland #LongIsland #Nassau #Suffolk #Brooklyn #Queens #NewYork
#DAlive #Enjetic #Althea #Live #TV #Radio #TalkShow #Music #HipHop #Rap #Arts #Entertainment #StrongIslandTV #StrongIsland #LongIsland #Nassau #Suffolk #Brooklyn #Queens #NewYork
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:13):
I'm Diddy and I'm Alfia and we are seeing a
live ave.
Speaker 2 (00:17):
It's my show.
Speaker 1 (00:18):
No, it's my show.
Speaker 2 (00:20):
It's our show.
Speaker 1 (00:21):
Okay, it's our show. Okay if you want to look,
if you want to call it that, Okay, what just kidding?
Speaker 3 (00:27):
That's why kick me out? I how to start this show?
Heybody please listening to the DJ and a Jetic show?
Speaker 1 (00:33):
Are you kidding me?
Speaker 2 (00:35):
If it was kidding, I would be serious.
Speaker 1 (00:37):
Yeah, okay, whatever. Anyway, so let's just start the show
off with some December birthdays. Okay, all my Sagittarius is
out there. That would be uh Anna, Miguel Frank et cetera,
and yours truly okay me me, oh.
Speaker 2 (00:56):
Wait, hold on then you know I got yourself for you?
Speaker 3 (00:58):
What everybody watching the show, please sing this song with me? No, no, no,
Happy birthday too.
Speaker 1 (01:06):
You're doing you know what?
Speaker 2 (01:11):
All of you I have met at all of you?
You are some sick people?
Speaker 1 (01:17):
Are you done? Now?
Speaker 2 (01:19):
Do I look?
Speaker 4 (01:19):
Then?
Speaker 1 (01:19):
Okay? So anyway, I want to thank also our sponsors. Sponsors, Okay,
you got Slapwood's Villain, Maverick Global Distribution YNVS and natural
Born Clothing Brand natural Born natural Born and I actually
got them on. You can't really see it, but it's
(01:41):
right there. So anyway, with that, also look forward to
the show next week.
Speaker 2 (01:48):
Oh what's happening next week?
Speaker 1 (01:50):
Next week, we're going to have a special show with
some of the artists that we've had previously. We're going
to kind of like critique the music not good.
Speaker 2 (02:01):
I'm going to lose a lot of fans.
Speaker 1 (02:03):
You're not going to lose a lot of fans. Oh yeah, no,
you're not. So we're going to do that. And we're
also going to have a live chat. Okay, so people can,
you know, type in their questions and we'll answer.
Speaker 3 (02:13):
And do not say anything about me, because I want
to tell anybody right now that's listening.
Speaker 2 (02:18):
Okay.
Speaker 3 (02:18):
I'm trying to be as fair as a DJ that
I can be, But if I don't like.
Speaker 2 (02:23):
Your music, You're out of here, are you?
Speaker 5 (02:28):
Now?
Speaker 2 (02:29):
Can I get an appluse for that instead of a.
Speaker 1 (02:35):
So anyway, we have an alternative pop artist on our
show tonight. Her name is Bronte Fall and after these
commercial messages, we'll bring it right to you.
Speaker 2 (02:48):
So stay tuned, Stay tuned, ladies and gentlemen. It has been.
Speaker 6 (03:09):
No kidra, no Geheira many logo, LaVeta he do this,
he does.
Speaker 4 (03:19):
It is be.
Speaker 2 (03:21):
I'm thinking about you all the time. But it's been.
Speaker 6 (03:25):
Two years now since Zalasa you in no salles.
Speaker 7 (03:33):
DNA in the house.
Speaker 8 (03:35):
Shure you check out the radio station at what miss
m and Pitzman.
Speaker 1 (03:39):
Let's go.
Speaker 9 (03:43):
Over twenty million fans have made Transburian Orchestra their holiday tradition.
Bring the whole family and make.
Speaker 2 (03:52):
It part of yours.
Speaker 9 (03:53):
The Lost Christmas Eve returning to the stage for the
first time in over ten years. Coming to a city
near you. Go to TSO tickets dot com for show
dates and tickets.
Speaker 2 (04:09):
Don't miss the long new show.
Speaker 9 (04:13):
Soaring Guitars, jens ling La series and enough Piro to
keep you warm all season.
Speaker 2 (04:28):
Coming to a city near you.
Speaker 9 (04:32):
Go to TSO tickets dot com for show dates and tickets.
The Lost Christmas Eve Live in.
Speaker 3 (04:40):
Concerts and we have back, ladies, gentlemen, that commercial so
farre I got to go up the head?
Speaker 1 (04:48):
Okay? Is it that hot in here? O?
Speaker 2 (04:53):
Man?
Speaker 1 (04:53):
You know tell you every time every time that commercial
comes on now it brings me to the back, to
back to that where we were sitting and watching that show.
If you still did not see it, go get your tickets.
They're at the Prudential Center on December twentieth. Anyway, uh huh,
we have a beautiful woman coming on our show. Her
(05:14):
name is Bronte Fall and she's an alternative pop artist.
So just give a big one. I'm real good.
Speaker 2 (05:27):
Welcome to DNA.
Speaker 10 (05:29):
Welcome, welcome, Thank you guys. This is such a fun
Sunday evening.
Speaker 1 (05:34):
I know it is always so it's so much fun
with us, isn't it. Crickets, no crickets, we didn't get
no cre Okay, got the crickets. We'd good with the crickets. Okay.
So I'm I know. So she's a singer, songwriter and
a multi instrumentalist. Okay, so we got a powerhouse over here. Okay.
(05:56):
So I wanted to start off because I always start
off the show like with the question, and I like
to get into a conversation. Okay, So I know that
you picked up the piano at age seven, violin lessons, choir,
in orchestra, go.
Speaker 10 (06:15):
Yeah you know what.
Speaker 5 (06:16):
A lot of that too is hard to remember because
I was so young, but I guess I was begging
my mom to play each of these instruments, and so
started piano at seven. I always sang like my whole
since I was like in preschool. The teachers would tell
my mom how I would wouldn't stop singing, but then
(06:38):
that you know what that is, that's a big question.
But definitely did acquire an orchestra through high school and
parts of college. But I always just wanted to be
in a rock band. That's what I wanted. I wanted
to be Paul McCartney. I wanted to be Stevie Nicks.
So kind of had to spent early twenties trying to
like pursue that and find that. And I ended up
(07:01):
in Boston at Berkeley School of Music, and that's where
I really started to learn how to write pop songs
and take, you know, my music education and turn it
into music I really want to make.
Speaker 10 (07:14):
So, yeah, that's it in a nutshell a little bit.
Speaker 1 (07:18):
But you were you were the lead singer and the
violinist in the college rock band.
Speaker 5 (07:23):
Correct, Yes, that's when I my undergrad I started at
like a small liberal arts college and I told this
guy in my Spanish class.
Speaker 10 (07:33):
Like, yeah, like I jam on my violin, like not
really knowing how to jam on my violin.
Speaker 5 (07:38):
But and I told him I sang and he's like, oh,
why don't you let come to rehearsal. And so I
went to a rehearsal and I sang Journey Don't Stop Believing,
and I say softly, and they're like, you're in the band,
and and I would improvise however I was. I didn't
really know what I was doing, but to like Oaar
(07:59):
Wonderwall and thanks.
Speaker 1 (08:02):
Yeah. But you know what it is too, if there
are certain songs back in that era, if you could
really sing it, if you could really catch it, then
you had real talent. Because def Leppard's songs and Journey
songs were very hard to try to emulate. Try to
you know. You know what I'm trying to say, right.
Speaker 10 (08:22):
Yeah, I mean that chorus is not easy to sing
a high belty song. And it's really fun too to
just belt that song out.
Speaker 1 (08:32):
But yeah, I do that in the car while I'm driving.
But no, I do not turn them. No, the windows
do not go down.
Speaker 2 (08:43):
No I'm talking about you cracked the window.
Speaker 1 (08:44):
I do you know what?
Speaker 10 (08:48):
You know what?
Speaker 1 (08:50):
Maybe I do, I don't know, But all I'm saying
is those are the kind of songs that you put
in your head that you could be singing in the
chow well all the car right blasting. Are you gonna
keep making fun of me? Now?
Speaker 2 (09:03):
No?
Speaker 1 (09:04):
Okay, so you know the audiences. I'm just saying. I'm
just there are just certain songs, like with Whitney Houston songs. Right,
there's just certain songs that you know, you gotta have.
Speaker 2 (09:16):
The right to No, you gotta have the right singer.
Speaker 1 (09:19):
Well that too.
Speaker 3 (09:22):
I understand the tone, the pipes and everything we're saying,
but you haven't see a lot of times right.
Speaker 2 (09:27):
Artists might think they can actually.
Speaker 3 (09:29):
Singing certain records, and then when they do it, it's
like it's.
Speaker 2 (09:33):
Just not good enough. You know what.
Speaker 3 (09:37):
You ever been to a performance, were really excited to
see somebody because they have such a good and okay,
one genre they're really good at, but then they try
a new genre and it's just like, please just go
back to your old genre. Like, yeah, you don't want
to be rude, but it's kind of like you're not
an alto, you know what I mean?
Speaker 2 (09:55):
Yeah, you know, and it's like.
Speaker 1 (09:57):
And you're not just stay in your lane, you like,
are you a soprano alto?
Speaker 5 (10:02):
I'm kind of metso like in between both of them
crews soprano, and I probably can't go as low as altos.
Speaker 10 (10:13):
So I'm just kind of in the middle.
Speaker 1 (10:16):
See, I don't know what I am. What do you
think I am? You know, I don't even answer that question.
It's okay. So how was it growing up in the
Chicago suburbs with that kind of you know, vibe.
Speaker 10 (10:27):
I think it was.
Speaker 5 (10:30):
I honestly, I needed to like get to Boston, and
I feel like I wasn't exposed.
Speaker 10 (10:35):
I mean, I was exposed to the Beatles, but.
Speaker 5 (10:38):
You know, if you were musical in high school, you
were like doing quiet, you were doing uh like musical theater.
And I knew that, like that wasn't my path. And
I was in the orchestra, and I knew I didn't
love classical music like I wanted to be boy Tinsley
and from Dave Matthews. And so I feel like I really,
I mean very supportive parents and supporting my musical aspirations,
(11:02):
but it's I didn't grow up in la or Nashville
or New York where you're kind of like super exposed
to the pop and the American like what all these
other genres, you know, So you.
Speaker 3 (11:14):
Felt like me in Chicago kind of was there like
a certain sound that everybody would just be listening to
instead of like New York is like a variety of
different types of things, so you'll always see something new.
Speaker 2 (11:26):
Yeah, idea in.
Speaker 3 (11:28):
Chicago, like I guess, like in the radios, what do
they play just like the same exact kind of like
rotations and stuff didn't really play well.
Speaker 10 (11:37):
I guess I would listen to like the mix.
Speaker 5 (11:40):
We have the mix, and we did have a cool
rock station that was ninety three nine. But in Chicago
does have a cool music scene. I will say when
I was there, I felt like rap was really big
when I lived. I lived in the city for two years,
and I feel like, if you want to go into
(12:00):
like rap and hip hop, it's like definitely a really
good place to be.
Speaker 1 (12:04):
Do you know any rappers?
Speaker 2 (12:06):
I'm kidding, yeah, common everybody like, I don't want to
get on that. I'm trying to talk about her.
Speaker 1 (12:16):
I'm sorry, I was just trying to make a joke.
Speaker 2 (12:18):
But no, that that's pretty cool though. That's very interesting.
Speaker 3 (12:21):
So even Chicago, coming from Chicago, like it wasn't well.
Speaker 10 (12:27):
I grew up in the suburbs too.
Speaker 5 (12:28):
I guess I was talking about like being really little
and like being in junior high in high school, I
wasn't like going to the city a.
Speaker 10 (12:35):
Ton and like if I wanted.
Speaker 5 (12:38):
Yeah, I mean, just trying to like play pop music
and play the violin was kind.
Speaker 10 (12:44):
Of a hard thing to figure out.
Speaker 5 (12:45):
I would you, guys, I would jam to eminem in
my bedroom in high school, like I would what song?
Speaker 10 (12:51):
So like lose yourself.
Speaker 7 (12:57):
Dan Dan Dan d d ding.
Speaker 2 (13:00):
That's ill.
Speaker 1 (13:01):
You know what, there's a very popular violin Are you
really good at the violin?
Speaker 10 (13:05):
I probably used to be better.
Speaker 5 (13:07):
I feel like I concentrate more on songwriting now, but
I do play out Yeah.
Speaker 1 (13:12):
No, because on Instagram recently, I just saw this other
girl I forgot her name, but she's a very popular
violinist and she has these shows and everything.
Speaker 6 (13:25):
Is that her name?
Speaker 1 (13:25):
Yes?
Speaker 10 (13:26):
Yeah, way better than me. Yeah, but I am decent.
Speaker 1 (13:31):
I'm just saying that it's okay, we know you know,
but no, I'm just saying because oddly enough, it's like
it's always either guitar, right or the drums, like those
are the main items, right. But I've seen a lot
of women even a group that have I think it
(13:51):
was Born Yorn something like that. Born. It was a
group of four women violins.
Speaker 10 (13:58):
Oh yeah, can.
Speaker 1 (14:00):
Remember that was a wild bag we're talking for.
Speaker 2 (14:04):
I think it's called Born.
Speaker 1 (14:05):
I'm not sure, but I think like when you see
these people perform, just like we did in the orchestra
try trans Siberian, the violin is making a comeback.
Speaker 10 (14:17):
Yeah I do. That's a good point.
Speaker 1 (14:19):
You know what I'm saying, it's.
Speaker 2 (14:20):
No real music is making it.
Speaker 1 (14:22):
I'm not saying that, but I'm just saying there is real,
good talented music.
Speaker 3 (14:28):
At Anybody can go in a computer, right, go like this,
just press button here. It takes talent to hear an instrument.
An instrument will talk to you if you know how
to make it talk. Okay, So what you're seeing is
live performance. You're not seeing AI or you're not seeing
things computerized. So like when she's doing that, like, that's
(14:50):
what I miss in music.
Speaker 2 (14:52):
I miss it. It's just you.
Speaker 3 (14:54):
Could watch somebody do it, and that's what brings the
talent out. That's what made somebody ten times different from somebody.
I can just press a button and call itself an engineer.
Press a button and call yourself a beam maker.
Speaker 1 (15:05):
Yeah, but that's why I like her. She does piano.
Speaker 2 (15:09):
I want to hear some Can we get some of
your music?
Speaker 1 (15:12):
Oh? You want to hear it now?
Speaker 2 (15:13):
Yeah?
Speaker 1 (15:14):
Okay, excuse me.
Speaker 2 (15:16):
I heard it. I heard one of them and I
was like, this is fine.
Speaker 10 (15:19):
I want to play.
Speaker 1 (15:21):
I want to do the video. Okay, face the night.
I love.
Speaker 11 (15:54):
Why the color.
Speaker 12 (15:56):
Space settle in for the end of day, laugh, too
hard to hide.
Speaker 6 (16:08):
The truth, longing for the troubles, running from not running to.
Speaker 2 (16:29):
Broken windows, boarding.
Speaker 4 (16:35):
The hardest lessons of them all?
Speaker 11 (16:41):
Does love really conquer it over?
Speaker 12 (16:47):
I can't face the night, scare the tents out of
the class, save the monsters under my bed, Candy escapement
nine bad on MIU.
Speaker 7 (17:00):
Then I can't.
Speaker 10 (17:02):
Face the night.
Speaker 12 (17:03):
Spot of wet in the coon checks over my head.
Speaker 7 (17:09):
Can see this night mare?
Speaker 12 (17:13):
Man can face.
Speaker 4 (17:17):
The nice.
Speaker 7 (17:30):
Day I come.
Speaker 12 (17:31):
It's the sweet escape from all the.
Speaker 2 (17:36):
Things that I cannot shake. Just Winston heads in.
Speaker 1 (17:48):
The unress fans, it's way under.
Speaker 12 (17:54):
I can't facee the night, set the tins out of
the class, it uns STOs on my bed. There they
escape nine minutes night Okay, thete the night side webs
in the cor Shirts over my head.
Speaker 4 (18:16):
Can escape, beat nine Man, night.
Speaker 12 (18:23):
Up face n.
Speaker 7 (18:39):
They lost his loss and lost go my to hims down.
Speaker 4 (18:46):
Go was their hot me, my notes, It's me pay
the lost Daylight, call my name, mister.
Speaker 7 (18:58):
Hand, don't stay on me became me.
Speaker 12 (19:09):
I can't face the night Scare, the turns out of
the close, the monsters under my bed can escape night
Mail and night Man.
Speaker 2 (19:24):
Okay't face the night.
Speaker 4 (19:26):
I went to the coat chats over my head, Canny
escaped the nine Bear.
Speaker 1 (19:38):
I can't.
Speaker 10 (19:54):
Go back.
Speaker 2 (19:58):
Concept is dope.
Speaker 1 (20:00):
I know. I was thinking, you got did you come
up with that concept?
Speaker 5 (20:07):
I had a videographer who actually she was like, let's
do nineteen forties film noir.
Speaker 10 (20:13):
And I was like, I'm going to google what that means.
Speaker 5 (20:19):
And yeah, I was like, I really love that videographer
I work with because she had that She had that
idea and that's ridiculous.
Speaker 3 (20:28):
Like I love it. I loved because of the storyline. Yeah,
and it went really good with the record.
Speaker 1 (20:33):
It just melted right in there. It just it gave
me a Dick Tracy feel. Yeah. Yeah, you know, I
was like, oh yeah, I felt like the uh Dick
Tracy Lauren Decall. Yeah, the old movie scenes and stuff.
Speaker 2 (20:47):
You brought me.
Speaker 5 (20:48):
Back, You brought me back, and that song in particular,
I was like, I really want this to be about
the instruments, and I actually hired someone to compose like a.
Speaker 10 (20:59):
Horn section and a string section and like this.
Speaker 5 (21:03):
I wanted it to be about the music and the
instruments and like and I really I do like the product.
Speaker 3 (21:11):
The product was really good. And what I liked about
it too, is that your personality kind of like speaks
with the record, but then does it because it's kind
of like you're hidden. You hit it yourself in the
music because it's like you got like this, you know,
nice calm personality. But then when she comes on there
she gets just belt it. She can just kill it.
It sounds very good. I really do like it actually
(21:32):
a lot. I was telling her a little bit, no no, no.
Speaker 1 (21:35):
Let me go go ahead. We throw each other notes sometimes,
you know, when we're listening to somebody, and you were correct.
She had when you were talking just now about how
the scope of her it does remind you of Shania Twain.
That's what reminded me of because Shanaya has that very
(21:56):
year right and then she just pounds it. Yeah, and
she does the same. Yeah.
Speaker 3 (22:01):
You definitely reminded me of Shania Twain and my record
the record was that she reminded me of Twain.
Speaker 2 (22:08):
What's that record?
Speaker 5 (22:09):
Call?
Speaker 3 (22:10):
Uh so very facy? It's like a woman. That's why
I got the line. That's why I got it from
when I when I was sitting there and I was
analyzing it, and I was listening to it on that Yo,
this sounds like that.
Speaker 2 (22:24):
And what I loved about it though it was a
little bit of twist with who let's hear yours?
Speaker 1 (22:30):
Well, I was going along with the Shanaia Twain thing.
Like you said, I also, you know what, she does
have a little bit of a twang, a little bit
of that country in there. Okay, you hear it.
Speaker 3 (22:41):
I thought, honestly, I'm not gonna lie to you when
when I when she gave me your records, because I
analyzed him, so I started listening to him. I thought
you were a country Yeah for the first record I heard,
and I was like, we're not gonna We're gonna get
on that record right after this. But when I first
heard that record, I was like, and I'm gonna explain
it bit more on that record. But I thought you
were country country I.
Speaker 1 (23:03):
Got I almost thought for a second when I first
heard it too, I thought she was like a little
bit like Miranda Lambert.
Speaker 5 (23:08):
Oh that's a compliment too, telling you girl, you you
came to the right place.
Speaker 3 (23:14):
Yeah, we understand music and we understand. Where are any
of those people your influences?
Speaker 10 (23:23):
Yes, they both are, like.
Speaker 2 (23:25):
You can hear it, I got it?
Speaker 1 (23:26):
Correct? Ahead, No, no, no, there's no applaus. You do
not okay, But all I'm saying is, like, you know,
because we were in the industry, right, so all we
do is deal with artists.
Speaker 2 (23:42):
Yeah, we analyze a lot of stuff.
Speaker 1 (23:44):
And so we're constantly we're like, you know, we're like,
remember who was the other girl somewhere the movie? Remember
the movie critics Engelbert? What was it an angle and
Bert or whatever it was?
Speaker 10 (23:55):
It's is it ciscl Andbert or Ebert.
Speaker 1 (23:58):
And neighbor both he's Ebert. And every time we have
an artist, we do our critiques, do we not? Okay,
go ahead, you want to say something.
Speaker 3 (24:08):
I'm trying to think about, who's that woman that someone
Eminem would stand because it.
Speaker 2 (24:12):
Kind of threw me. It kind of gave me that vite. Yeah,
I know is on mountain.
Speaker 1 (24:21):
No good, okay, I'll look her up while you're talking. No, okay, no,
but you got that. That's a good one. Yeah.
Speaker 2 (24:34):
When I caught it, like no, no.
Speaker 1 (24:36):
A very simple name like oh no or.
Speaker 10 (24:38):
Something my window and I know who you're talking about.
I don't know who it is, but that's.
Speaker 3 (24:43):
Who you reminded. But that's that's your She just did her.
So I was correct, right, she just did her.
Speaker 2 (24:48):
When I analyzed that, ladies and gentlemen.
Speaker 1 (24:50):
Was like, yes, you were correct. Oh my god, give
him a pause. He's gonna die. Oh my god, give
them him a flaws please.
Speaker 3 (25:01):
I'm excited. Look and I gotta put on my glasses
and my look again. Feeling good again?
Speaker 2 (25:06):
Oh my gosh, I was looking. I you already know
dj inxetic back lads.
Speaker 1 (25:10):
Oh my god, here we go. So anyway good.
Speaker 2 (25:14):
I'm excited about the next record too.
Speaker 1 (25:16):
Okay, can we just get on a little bit of
a little conversation here if you don't mind.
Speaker 2 (25:20):
Let's I just love good music.
Speaker 1 (25:22):
I'm just saying, okay, so god no, because she started
the band, right, and that's how so explain Bronte because
I know why, but I would rather you explain.
Speaker 10 (25:34):
Yeah.
Speaker 5 (25:34):
Well, so then after I went to music school, I
moved back to Chicago for two years, and I was like,
I just and it was kind of like I moved
to Chicago because I knew I like for just temporarily,
and I wanted to make an EP and I wanted
to figure out if I was going to move to
New York or Nashville or LA. And I ended up
(25:55):
starting a band with my friend who I went to
music school with. And I was working at a music venue
and I told my I worked for the booker and
I told him I started a band. And me starting
a band was me writing three songs with my friend
like in a practice studio.
Speaker 10 (26:11):
I didn't have a name, we didn't have anything.
Speaker 5 (26:14):
And then my boss was like, oh, we have an
opening like May twenty ninth.
Speaker 10 (26:18):
Do you want to like put on a show here?
Speaker 5 (26:20):
And I was like yes, and he's like, all right,
send me a bio and name and photos by Monday.
Speaker 10 (26:25):
And we had like four days to conceptualize a band.
Speaker 5 (26:29):
Oh yeah, and we like went to a coffee shop
and we're like, we're going to pick a name.
Speaker 10 (26:34):
We can't leave this coffee shop without having a band name.
Speaker 5 (26:37):
And so we kind of like had jotted down words
we liked and thing, We're like, what's your favorite season
and we both said the Fall, and then we were
like looking up poems about the fall, and then we
found this poem by Emily Bronte that's about the fall,
and it's really pretty and it's simple and it's about
finding the beauty and the darker seasons of life.
Speaker 10 (26:59):
And so that's why we called it.
Speaker 1 (27:02):
Bronte. I love that. That's like, you know, I think
that's really cool.
Speaker 3 (27:09):
No, I do.
Speaker 2 (27:10):
I love it. I love it because it was coincidence.
Speaker 3 (27:12):
Kept going goat snowballing and right there and they came out.
Speaker 1 (27:15):
About the You know, you never know how things go.
Speaker 3 (27:18):
Oh, when you're an artist and your biggest hit you
can hit, you can hit your head on a door
and be like, oh, just like you know what I like.
It's just I'm not trying to be funny. I'm being serious,
Like it would just hit you. You can walk, like
I said, you go walk right into a.
Speaker 2 (27:33):
Door and make a hit record. You'd be like, what
just happened?
Speaker 1 (27:37):
It just comes from So let me ask you how
many times did you hit that wall?
Speaker 2 (27:41):
Five?
Speaker 1 (27:42):
Okay? Just check? All right, I wasn't sure.
Speaker 2 (27:44):
I say, what one?
Speaker 1 (27:46):
Are you serious? Let her know, I'll get out. Don't
even try it. That's my favorite. So anyway, now she
calls Nashville her home. Oh, Nashville, So when did you
move down there?
Speaker 10 (28:00):
Twenty eighteen?
Speaker 1 (28:02):
Oh? Okay, so you haven't been there that that long?
I mean it's been six years.
Speaker 2 (28:07):
Yeah, but yeah, I like the scene down there.
Speaker 10 (28:10):
What'd you say?
Speaker 2 (28:11):
How do you like the scene down there?
Speaker 1 (28:13):
You know what?
Speaker 10 (28:14):
I really I really like it.
Speaker 5 (28:15):
That's why I ended up moving here, just because well,
I was worried. I know, I have like a little
bit of a leaning towards country, but.
Speaker 10 (28:24):
I know I'm not like I'm I'm not in Miranda Lambert.
Speaker 5 (28:28):
She is an influence of mine, but I'm like not
from like Oklahoma or Mississippi. Like I'm from Chicago and
I listened to Shania Twain and the Dixie Chicks growing up,
so that kind of my.
Speaker 10 (28:40):
Sound annulates that.
Speaker 5 (28:43):
But I just love that they have pop rock Americana
country like I just it's a really cool fusion down here.
There's like so much different, so many different genres happening.
Speaker 2 (28:54):
Yeah, like were you're seeing hip hop starting to come
into country?
Speaker 10 (28:58):
Yeah, it really is.
Speaker 3 (29:01):
Oh yeah, now hip hop is coming into car. I
like a little bit of.
Speaker 2 (29:04):
It, but it's kind of weird.
Speaker 3 (29:08):
Pats and Compton, we watched one of one of the
top rappers and I'm not gonna say his name.
Speaker 2 (29:15):
I want to barras some of you and me.
Speaker 3 (29:16):
No, we're in a country wearing a hat like this
and a cowboy thing looking like looking like freaking Woody.
Speaker 2 (29:23):
From Toy Story.
Speaker 1 (29:24):
I was like, man, like I used to watch you
as a kid.
Speaker 2 (29:28):
He used to have to chains on the ladies in
the hats comes in there.
Speaker 3 (29:31):
It looks like Woody from the Toy Story.
Speaker 1 (29:36):
Maybe he just likes it.
Speaker 2 (29:38):
No, man, you're ruining my childhood. Brow. To be honest
with you, I do like.
Speaker 3 (29:47):
A little bit of a hip hop country, but I
don't because I feel like hip hop and country are
just two different life and I don't want to keep
seeing like you know what I'm saying, like, no offense
to any of the watching this, because I know, man yelled,
I don't want to keep seeing country girls twirking man.
Speaker 2 (30:06):
Me is So it's it's it's real soul.
Speaker 3 (30:10):
Like when I watched all this and they getting drug
and they're doing all this, like say that for hip.
Speaker 1 (30:14):
Hop, that's that hip hop.
Speaker 3 (30:17):
The buffoonery, say that over there, go over there, go
sit over there, Go with your hoodie, go with your
toy story hat, go over there.
Speaker 1 (30:23):
What I'm saying like, no, well, you know what, I
would prefer that there was no twerking altogether. I don't
care what John.
Speaker 3 (30:33):
You know what it is though, hip hop grew up
in the strip club, so like that's kind of like
you can put that over to that side.
Speaker 2 (30:39):
I don't see country growing it.
Speaker 1 (30:41):
I never Hey, oh my god, imagine Carrie Underwood or
Shanaia Twain. Can you imagine that?
Speaker 2 (30:51):
No, that would exactly.
Speaker 3 (30:54):
You would have child, you would have strong women and
stuff like that in country. So you were them talk
about how much they love their man or you know
what I mean, Like you would hear faith, you.
Speaker 2 (31:05):
Would hear faith, and like I almost broke my hand.
What was that name? Look, Timmergroth. Yes, he almost broke
my hand.
Speaker 3 (31:13):
He tried to get I gave a pound and gave
me a pound of my hand like that, Like yeah, he's.
Speaker 2 (31:18):
Got a big fist, not gonna lie, but.
Speaker 3 (31:22):
Like, yeah, now he's like hey, by that, I was like, ah,
I'm gonna escalate it going down.
Speaker 2 (31:27):
I'm just holding my hand like ah, like trying to
play cool.
Speaker 1 (31:30):
Like you said, he's been haunted ever since.
Speaker 3 (31:35):
Yeah now, But all I'm just trying to say is
make a point real quick, is they need to stay
out of and anybody's listening.
Speaker 2 (31:41):
He might get mad, but.
Speaker 3 (31:42):
People we really got to stay out of. Like you know,
trying to mix that that's just weird to make.
Speaker 1 (31:46):
Yeah, beginning of there are some songs that actually fused together.
Speaker 2 (31:51):
I don't want pretty good, Okay.
Speaker 3 (31:54):
All I'm trying to make a point is leave I'm
country alone.
Speaker 2 (32:02):
That's it. Don't merge the two.
Speaker 1 (32:04):
It's weird, you know that that you know what one
song that I like, Baby, she'll agree with me when
Nelly and but.
Speaker 2 (32:11):
Nelly is a good song. Nelly is a good artist.
Speaker 1 (32:14):
I'm just saying the street artists.
Speaker 2 (32:17):
I'm talking about bringing the target and then the woody
guns and it just don't make no sense.
Speaker 1 (32:22):
That's all I'm trying. This is a totally different show.
Speaker 2 (32:24):
I'm being quiet though.
Speaker 1 (32:26):
The poor girl is sitting there, she's latching you right now? Okay,
I love it, but no, you want to get onto
one of her other songs.
Speaker 2 (32:35):
Yeah, but I want to ask a quick question question.
Speaker 3 (32:38):
So when you first came there, right, you were nervous,
you said, right, because you didn't know if your music
would gel with him?
Speaker 2 (32:45):
Right.
Speaker 1 (32:46):
Yeah.
Speaker 10 (32:46):
I was super hesitant to move here. And then well.
Speaker 5 (32:51):
Because I was like, oh, Nashville's like country music, that's
all you can do. And then but then I really
gave it a chance. I actually gave it a summer.
I came here for an entire summer to really feel
it out, and I was like, oh, this is really cool.
Speaker 10 (33:05):
There's a lot going on here, and it's not just
country the country.
Speaker 5 (33:10):
Yeah, you can have a fusion yeah, and do the
independent alternative thing.
Speaker 10 (33:16):
It's like really cool here to me Nashville.
Speaker 1 (33:20):
And she's not going to be doing anything work.
Speaker 3 (33:22):
Is that we're just saying and not wearing the wood
he had? But listen anyway, what I was going to
say though, What I was going to say though, was
when you literally, right, when you literally.
Speaker 2 (33:35):
Go into there, right, and you did the rock in there, but.
Speaker 3 (33:38):
You see the difference between crowds, right, So you see
like one crowds moving this way, one crowds moving one
thing about Nashville I always saw right, it always had
different type of crowds. It's not like New York because
a lot of the crowds in New York, Mitch like
come together.
Speaker 2 (33:55):
In New York. Nobody mean everybody's angry at each other.
Speaker 3 (33:57):
But anyway, I don't want to get on that because
a lot of people are gonna write me about the
wood he had, and uh, that's why I'm not craziness.
But sometimes I just let it out and how I
really feel. But can we get to the let's get
to the next record. Oh wait, wait, go ahead?
Speaker 1 (34:12):
Oh no, no, no, I'm what No, let's go. Okay,
so we got making it up? Old woman? Worth the money?
Which one do you want to?
Speaker 2 (34:20):
I want to worth the money?
Speaker 1 (34:21):
Baby, I could do that.
Speaker 10 (34:23):
That's the song I'm going to pitch to radio next.
Speaker 1 (34:25):
Okay, let's go, let's go.
Speaker 2 (34:29):
You already.
Speaker 12 (34:36):
Happy, but I can get you just a battle.
Speaker 1 (34:45):
It's a long long way.
Speaker 12 (34:50):
This hole in my park, It's like a hole in my.
Speaker 7 (35:03):
What of my trouble girl away? If I had money
would have been my head, the would fully the l
and so bad would then said, line my head. But
(35:23):
I said, what's the money?
Speaker 10 (35:28):
I set out set the world down fire.
Speaker 12 (35:32):
Now time's tacking down and I'm.
Speaker 10 (35:34):
Down to the wire.
Speaker 8 (35:36):
It's the symbol I'm busy ease.
Speaker 7 (35:39):
It was seeing soul.
Speaker 12 (35:44):
If I couldn't make hands met with thou saying and myself,
I'm making down a night.
Speaker 7 (35:51):
Come if I find where, don't my troubles go away?
If by money would be the killers pay the rule
of Folly Laylor look and so bad would tell me something?
(36:18):
What is it with the money? If I had money,
(36:44):
where on my troubles going away? If I ha mona worry,
be the kill pay the rule of Holly, the Laylor
and so.
Speaker 3 (37:17):
Money money listening to me right now, I definitely need
money to definitely come and donate.
Speaker 1 (37:26):
But you know what you've got to remember sometimes when
you're dancing that I'm right beside you.
Speaker 2 (37:31):
Okay, I apologize, be off the chair.
Speaker 1 (37:38):
No, no, I'm not looking for money.
Speaker 2 (37:40):
Try to assume you're looking for money, looking for money?
Speaker 1 (37:43):
No, but okay, now I have another I have another song, song,
a song or listen to me. A singer in my
head with.
Speaker 2 (37:50):
Her Let's go Norah Jones.
Speaker 1 (37:54):
Okay, am I good? What I mean? Come on, you
can tell me if I'm I'm wrong, If you think
I'm wrong, you can tell me I'm wrong.
Speaker 5 (38:02):
Nourah Jones Okay, oh my god, it this was not
a very Nora jonesy song though, do you think that?
Speaker 10 (38:08):
Or well or maybe my voice? Yeah, gave you my
voice bringing.
Speaker 2 (38:14):
Me back girl.
Speaker 3 (38:15):
Yeah, because Noah Jones is a different type of sound.
But but I can hear, I can hear the tone.
Speaker 1 (38:23):
Yeah, I'm talking about absolutely. Miranda Shanaya, Norah, you got competition.
Speaker 3 (38:34):
I'm sorry, this is what but I understand why did
you come up with that record?
Speaker 10 (38:40):
I came up with that because it's really hard to
make a living in music.
Speaker 5 (38:45):
And I think back in the day when I was
like twenty two and was like I want to be
Paul McCartney, and my parents were like, oh, music is
just a hobby, and I was like, I'll show them.
Speaker 10 (38:59):
I'm going to pursue you and I'm gonna make it's
going to be raining down on me money. And now
I'm kind of like, oh, yeah, this is way harder
than I thought.
Speaker 1 (39:07):
And drizzling at this time right.
Speaker 5 (39:09):
As drizzling, I'm making money a tip jar money. This
is a song for people who make money on tip jars.
Speaker 2 (39:15):
At least cloud raining on you. I'm still poking at
the thing.
Speaker 1 (39:20):
With Pumpkin. I don't do anything because I don't sing,
so I mean.
Speaker 3 (39:24):
No, but I definitely understand that and what I like
though what you said basically, but you are making money
off it, correct, I am.
Speaker 10 (39:32):
Making a little bit. I'm not making millions that I
wanted to make.
Speaker 2 (39:38):
A lot of people right now.
Speaker 3 (39:40):
Honestly, it's crazy because it's like you have to build
your own fan base.
Speaker 2 (39:44):
Back then, they used to give you a.
Speaker 1 (39:46):
Fan base, right, Yeah, you that way?
Speaker 2 (39:49):
Yeah, how do you feel about that?
Speaker 3 (39:51):
Actually, because twenty two being in there, you probbably sort
the same time when I did, Like when it was
in this prime music and they actually developed artists is
push artists, make sure artist is good.
Speaker 2 (40:03):
Nowadays they go, Okay, we're gonna give you.
Speaker 3 (40:05):
A zero point eight and we're gonna call it your stream.
Speaker 2 (40:11):
Yeah, and you're like, wait a minute, that's not even
a cent.
Speaker 1 (40:13):
Yeah, I know.
Speaker 2 (40:14):
So it's like when.
Speaker 3 (40:16):
You've seen it from now, From then to now, it
was more lucrative.
Speaker 5 (40:22):
Correct, Yeah, I think it was starting to change like,
especially when I was in music school, Like we would
get these guests come on, these guests like songwriters, and
they'd be like, yeah, in the nineties, like you would
have one cut on one album.
Speaker 10 (40:38):
And it didn't have to be a single, and you'd
be you'd be a millionaire. But now you have.
Speaker 5 (40:43):
To have like one song super blow up to like
really make money off of that song.
Speaker 1 (40:49):
No, you're right.
Speaker 3 (40:50):
I always looked at it as being a number game,
you know, because it goes it goes to me and
goes if I'm in the club, right, and just the
cluse for a hundred people, ten people like me, right, like.
Speaker 2 (41:02):
Really like me. Okay, I'll go buy your marrich. You
go out and go do that.
Speaker 3 (41:05):
Right, I'm going to put them all on an email list,
have them all be on an email list, even the
ones that don't like me and they put out a
fake email list. I'm still going to send you an
email list. But what I'm trying to see is nowadays
it's more of people don't I don't know why everyone
still has that hope and dream that a major label
(41:25):
or some millionaires is going to come in and scoop
them and.
Speaker 2 (41:28):
Say I'll take care of you for the rest of
your life.
Speaker 3 (41:31):
No, what's crazy is now is self promotion.
Speaker 5 (41:36):
Yeah, I mean exactly what you're talking about, the email list,
the social media, the merch, Like, you gotta.
Speaker 10 (41:42):
Do it kind of all yourself. You're running your own business, right.
Speaker 3 (41:46):
And I told her something that made a crack out too.
I said, if I knew it was this hard, I
would have became a lawyer.
Speaker 2 (41:54):
He is serious, Like, do you ever like wake up?
Tells me like, why did I pick this past? What happened?
Speaker 5 (42:02):
Yeah, it's just like it's so cool, like I love it,
But then at the same time, it's just like, oh
my god, I.
Speaker 1 (42:08):
Gotta it's good. Struggle.
Speaker 10 (42:10):
It's a lot. It's a struggle, is real.
Speaker 1 (42:13):
It's right. They don't, you know, they don't. They don't
look at that anymore. I mean, there are you're you're
not just competing with a few people.
Speaker 3 (42:22):
You can competing with four million people a day. Yeah,
you know, you better be up twenty four hours. Artists
take notes, you better be up twenty four hours. You
better be having yourself in the studio making another project,
and you be having your merch correct, and you better
be This is what I do three months later.
Speaker 2 (42:41):
Three, I prepare a year before another year.
Speaker 5 (42:44):
Wow.
Speaker 3 (42:45):
Yeah, you know what I'm saying, because you don't know
if you're gonna be making good money with this album
or this album is gonna go down the trash hill.
Speaker 5 (42:53):
Yeah, and I mean I started planning the release of
this album. I recorded all the music in twenty twenty three,
and then I in December just like figured out the
dates that I was going to release each single and
the out like I decided last year October twenty fifth,
the album's coming out like it's a whole a whole
year of planning.
Speaker 1 (43:14):
I know that's true. Can we get to another one?
Speaker 2 (43:17):
Actually? I want to hear the record that you want
this on the radio.
Speaker 1 (43:20):
Making it making it up? Making did I say making
it up?
Speaker 2 (43:24):
Oh? Making it up? You make me up.
Speaker 1 (43:27):
Let's go, babes, make it happen.
Speaker 8 (43:39):
I'm gonna mystee room that hasn't scene in first page,
use a buzz in the unsigning and Emma East dancing
around cables and up eusdays patrons tables on it.
Speaker 1 (44:02):
The two jars half four with five off the whim.
Speaker 10 (44:07):
I'll give you my office.
Speaker 11 (44:08):
Someone could be listening. I got nolty what a loves
con that would change it for anything.
Speaker 7 (44:22):
He sounded creative, and the laugh a lot my life
be raw even I'm not gonna stop them a lot
less and travel is the one thing I know, how
thing it is I'm in.
Speaker 1 (44:49):
I could have found a better way. Both bills treated.
Speaker 10 (44:54):
The chaos for a life of standing still if you
want to.
Speaker 7 (45:00):
It tells me who everything I'm supposed to be.
Speaker 1 (45:04):
This is my favorite version.
Speaker 7 (45:07):
Oh but can you up? Created the last I got?
My not be the rawy. Im gonna stop the loness,
rivelness the one thing I say, I'm thinking it. I'm
(45:27):
thinking it making ahead up.
Speaker 1 (45:33):
And I'm so FuG and monkey.
Speaker 7 (45:36):
Always sir what happiness means. He's by piece up.
Speaker 10 (45:45):
Created the last someone.
Speaker 12 (45:48):
It might not be either raway, but I'm not gone
stop the bram.
Speaker 7 (45:57):
I don't die.
Speaker 2 (46:34):
Yeah, that's a good record that makes you really feel good.
And that's what I bought, honestly.
Speaker 3 (46:43):
Not gonna lie to you, Country, So I really felt
like you were like well like Country because of the
way that you sound.
Speaker 1 (46:51):
You know when I know he likes a song now
because he almost moves me off the chair right like
that when he's putting his arm around me. I enjoin
it and like it's like a couple things. I know
he enjoys it, and I'm like, yep, he likes the song.
Speaker 2 (47:08):
It just gives you a good feeling, like, you know,
that's something that music needs to get back to it. Yeah,
I can't.
Speaker 3 (47:17):
We're gonna hurt each other. And this guy hates this
guy and I have a bigger car. And to me,
to me, that's not music. Music is what comes from
your heart and you want the world to see. Like
I'm an artist as well, So I'm not gonna lie
about things I don't have because I was born in
to respect music and respect the craft and respect who
(47:39):
I am. And I always felt like honesty and music
will go farther than when you're talking about a car,
a whip and where that you lie.
Speaker 1 (47:49):
Yeah, that's true. Yeah, you just have like a it's
such a calming.
Speaker 6 (47:56):
Voice.
Speaker 1 (47:57):
You know when I said Jenai and no and Miranda,
I know what I was talking about. Yeah, that's all
I gotta say, you know, I just those are the
kind of tones that when she performs, it's like you're
talking in the restaurant, right or an arena something or whatever. Right,
(48:17):
and you're talking, talking, talk of talking, and you're not
paying attention. She comes on. You're like, oh, you know,
it's like other people who make show on the stage
and they're performing.
Speaker 2 (48:30):
You're like, yeah, okay, right now, this song's being played
out on radio.
Speaker 1 (48:33):
Yeah making it up right? Yeah it is.
Speaker 5 (48:37):
And I don't understand the charts, but on this media
database it's at number fifty five and it started at
one twenty.
Speaker 2 (48:44):
I know it.
Speaker 3 (48:44):
Ladies and gentlemen, you already know your boy DJ energetic category.
Speaker 2 (48:48):
I looked at her and said, this is charting.
Speaker 3 (48:49):
She's like, how do you know, I said, because we
mess with a lot of stations that have media base.
Speaker 1 (48:56):
Oh okay.
Speaker 2 (48:57):
Media base is very important.
Speaker 3 (48:58):
Media base gets you to the Billboard, right, Having enough
of them gets you to the Billboard charts.
Speaker 2 (49:03):
People don't understand that. But what happens to a media
base too, is it makes you into the talk of
being a professional artist.
Speaker 3 (49:10):
Right, cool, Okay, certain radio stations will not play like
a lot of people always get this miska screwge.
Speaker 2 (49:19):
That's what you said, Okay, go ahead. If I didn't,
that's what I meant.
Speaker 1 (49:23):
She always got it.
Speaker 3 (49:25):
What happens is, right, what happens is media base helps
you understand that you're really getting played, like you're on
the top of the media list in the nation.
Speaker 10 (49:36):
I'm at well, I'm at fifty five right now. I'm
competing with all these major labels.
Speaker 2 (49:40):
Yeah.
Speaker 3 (49:40):
But what I'm trying to say is that's in the nation, right, yeah,
in the nation. Please give it a clap, Please give
it an employment for this.
Speaker 2 (49:46):
Well, come on.
Speaker 3 (49:48):
Now, even being on fifty five, right, you're beating up
at least a million artists.
Speaker 1 (49:55):
Yeah, that's true.
Speaker 3 (49:55):
Okay, So you got to remember that media base is
not easy to get on, not easy to get charted,
and not easy.
Speaker 2 (50:02):
To get seen.
Speaker 10 (50:03):
Okay, it's not very good to know, you know what.
Speaker 2 (50:07):
So that means you're killing it right now.
Speaker 3 (50:08):
And where you're at, that song I could see played
like on like a b l I out here, uh
Z one hundred out here, uh Yo.
Speaker 1 (50:17):
Three, or maybe even DNA radio.
Speaker 2 (50:20):
Excuse me, I was trying to get people prom I
know DNA radio. Everybody loves DNA radio. And if you
don't know, to me, won't tune in. But listen I play.
Actually I'm gonna use that slang. Listen. It's a very
good thing that she got another record.
Speaker 1 (50:37):
We we got. I think we have one more right,
old woman.
Speaker 3 (50:41):
Yes.
Speaker 10 (50:44):
This is chiller. This is my chillest one.
Speaker 2 (50:48):
Ladies and gentlemen, she says, old woman. Never call the
female an old woman.
Speaker 12 (50:58):
Was The kids think, I'm will I be out of
touch with the ways of the world.
Speaker 10 (51:06):
Will it be tomorrow or when imady one?
Speaker 7 (51:11):
Is it over for me already?
Speaker 8 (51:13):
Because I feel I've just begne.
Speaker 12 (51:17):
Who will decide the day I get old?
Speaker 10 (51:22):
Will it be the man in charge of things?
Speaker 1 (51:25):
For my own riddled bones.
Speaker 11 (51:27):
I'm afraid of.
Speaker 1 (51:29):
The time the word starts to get it right, I'll.
Speaker 8 (51:32):
Be an old old woman at the end of my life.
Speaker 7 (51:38):
Oh warman, old.
Speaker 12 (51:46):
Woman, they say, Will men phrase and children and turn
them to the whole?
Speaker 8 (51:54):
Our careers are less important for man.
Speaker 1 (51:57):
They get to have old.
Speaker 11 (52:00):
Pmpkins and midnight.
Speaker 12 (52:02):
We're older, thirty five.
Speaker 8 (52:05):
We'll make the most of our lives before.
Speaker 11 (52:07):
Our passion sat to die decades down the road.
Speaker 8 (52:13):
Mothers run the world and willem mad I'm president.
Speaker 1 (52:18):
Bring home to the little girls.
Speaker 7 (52:21):
I'm afraid by the time the world starts to get.
Speaker 4 (52:25):
It right, I'll be in bold Oh woman, happy, He'm alive.
Speaker 7 (52:34):
Moment, Oh long, oh long a.
Speaker 10 (52:53):
Will any of this matter the music that I'm made?
Speaker 1 (52:58):
Will I regret? Macho, I says, we all the joy
out wait paind well.
Speaker 8 (53:04):
I am made a difference?
Speaker 10 (53:06):
Did I inspite change?
Speaker 2 (53:09):
And so the ones all?
Speaker 8 (53:11):
Did I say what I needed to say.
Speaker 1 (53:14):
For my failures?
Speaker 12 (53:15):
Advice who have become will be proud of my life
and battles that are woman. But time I start to
get it right, I'll be in bold old woman at
the animalize.
Speaker 7 (53:36):
Oh oh, warmer.
Speaker 2 (53:46):
A warmer.
Speaker 7 (53:52):
Ah.
Speaker 3 (54:19):
You know, I really love that record, but it's very
dangerous because I'm going to be singing that when somebody
gets me mad and asks like an old woman.
Speaker 1 (54:29):
Yeah, but let me just tell you a little cute
story about that song right now. Good because remember how
I tell you we always write notes back and forth
when we're listening to the song, right yeah, So you
know I'm listening to the words. I'm like, damn, that's me.
So then I wrote on the paper old woman, and
I put an arrow to myself. Oh no, no, no, no, no,
(54:49):
this is good. This is good because then he wrote back,
but I love that old Woman. Oh that's so cute,
and he pointed to me, so cute.
Speaker 3 (55:02):
Thank you, ladies and gentlemen, and do not again. And
I'm gonna say this, ladies and gentlemen, do not wear
the hoodie, the wood.
Speaker 1 (55:10):
He had the body has just don't wear. Okay, story
will be all right. But that was a beautiful song.
Speaker 2 (55:17):
That record remind you what seven years old?
Speaker 1 (55:20):
Oh my god? Yeah, I mean, oh my god, you're right,
holy cow.
Speaker 2 (55:28):
But it was in the woman form, That's what I
think it was. Ill. That's such a good point, you know,
because I was talking to a guy's thing. What's seven
years so she's saying.
Speaker 3 (55:39):
And she was speaking how female and how females experienced.
That's actually my favorite record of whole I.
Speaker 5 (55:45):
Like that, you know what. I was so nervous about
this record, but then a lot of people have been like,
that's my favorite.
Speaker 1 (55:52):
I I like it.
Speaker 4 (55:53):
I like it.
Speaker 1 (55:54):
I like it.
Speaker 2 (55:55):
That and the one that you got the radio hit
and I Need money so that that that was just.
Speaker 1 (56:00):
Gonna play all of them. Yeah, yeah, we we're just
gonna every week we'll just play something.
Speaker 2 (56:03):
So what happens with this with the DNA Show.
Speaker 3 (56:06):
The DNA Show is syndicated on three hundred and fifty
radio stations of course the country, right. Most of them
are media based chart media based ones as well as
digital radio tracker. So what we like to do with
the artists that come on here, we play them. So
you'll be playing in Atlanta, Indiana, Chicago, LA, don't forget
(56:29):
the UK and the UK as well.
Speaker 1 (56:31):
The UK.
Speaker 2 (56:32):
Yeah, so we got stationed over in.
Speaker 3 (56:35):
Greece, Greece, Italy, Italy, Germany, Germany and Australia.
Speaker 2 (56:39):
Okay, so all you fools listening, I made it.
Speaker 1 (56:44):
So anyway, I want to thank you very much. You know,
I like you know what it is. I'm trying to
put them all in order, from like one to four
or one to five. I can't.
Speaker 3 (56:54):
I can't do it because I just want to congratulate
you for being number fifty five.
Speaker 2 (56:58):
That is not easy, thank you. That's in the nation.
Speaker 3 (57:02):
That's not even like because you know, they got all
the ones that are like some small charts and stuff
like that, and they put like the people on cool.
Speaker 2 (57:09):
But that's the nation, So you got to really look
up to you.
Speaker 3 (57:11):
So like, man, I'm really good at my music because
a lot of people full short to even get to that.
Speaker 1 (57:17):
Yeah, my gosh, thank you.
Speaker 10 (57:19):
That makes me feel good. I wasn't really sure what
that chart was.
Speaker 2 (57:22):
And yeah, the biggest chart in music.
Speaker 1 (57:25):
You're very good. Don't worry.
Speaker 2 (57:26):
That's the biggest chart of music.
Speaker 1 (57:28):
Oh yay, Okay, yeah, must be an old woman or something.
She doesn't have a good guess you.
Speaker 2 (57:34):
But the thing about that chart, it gets you on
the billboards. Yes it does.
Speaker 10 (57:38):
Yeh sug that would be great.
Speaker 1 (57:40):
You know, we'll have to be watching out for her.
Speaker 2 (57:43):
Oh no, she's gonna blow up.
Speaker 1 (57:45):
Okay. So anyway, welcome, Thank you again for coming on
the show. Just let everybody know where they can.
Speaker 10 (57:53):
Find you, you know, all over the socials.
Speaker 5 (57:57):
Broncho All, I'm on Instagram, Facebook, TikTok and I'm streaming
everywhere Spotify, Amazon, Apple, all the things there.
Speaker 1 (58:06):
You go.
Speaker 3 (58:06):
Make sure you guys pick up a single as well,
and make sure you guys always tune into that d
DNA show.
Speaker 2 (58:12):
Akaa you ready, No, I stole the show with the
DJ show.
Speaker 1 (58:15):
It's my show, okay whatever. Anyway, thank you again, Bronte.
We really appreciate you coming on this show and we
will keep in touch until then. Everybody, have a good night.
Sunday nights are always fun over here at DNA, and
we'll see you next week.
Speaker 2 (58:30):
See you next week,
I'm Diddy and I'm Alfia and we are seeing a
live ave.
Speaker 2 (00:17):
It's my show.
Speaker 1 (00:18):
No, it's my show.
Speaker 2 (00:20):
It's our show.
Speaker 1 (00:21):
Okay, it's our show. Okay if you want to look,
if you want to call it that, Okay, what just kidding?
Speaker 3 (00:27):
That's why kick me out? I how to start this show?
Heybody please listening to the DJ and a Jetic show?
Speaker 1 (00:33):
Are you kidding me?
Speaker 2 (00:35):
If it was kidding, I would be serious.
Speaker 1 (00:37):
Yeah, okay, whatever. Anyway, so let's just start the show
off with some December birthdays. Okay, all my Sagittarius is
out there. That would be uh Anna, Miguel Frank et cetera,
and yours truly okay me me, oh.
Speaker 2 (00:56):
Wait, hold on then you know I got yourself for you?
Speaker 3 (00:58):
What everybody watching the show, please sing this song with me? No, no, no,
Happy birthday too.
Speaker 1 (01:06):
You're doing you know what?
Speaker 2 (01:11):
All of you I have met at all of you?
You are some sick people?
Speaker 1 (01:17):
Are you done? Now?
Speaker 2 (01:19):
Do I look?
Speaker 4 (01:19):
Then?
Speaker 1 (01:19):
Okay? So anyway, I want to thank also our sponsors. Sponsors, Okay,
you got Slapwood's Villain, Maverick Global Distribution YNVS and natural
Born Clothing Brand natural Born natural Born and I actually
got them on. You can't really see it, but it's
(01:41):
right there. So anyway, with that, also look forward to
the show next week.
Speaker 2 (01:48):
Oh what's happening next week?
Speaker 1 (01:50):
Next week, we're going to have a special show with
some of the artists that we've had previously. We're going
to kind of like critique the music not good.
Speaker 2 (02:01):
I'm going to lose a lot of fans.
Speaker 1 (02:03):
You're not going to lose a lot of fans. Oh yeah, no,
you're not. So we're going to do that. And we're
also going to have a live chat. Okay, so people can,
you know, type in their questions and we'll answer.
Speaker 3 (02:13):
And do not say anything about me, because I want
to tell anybody right now that's listening.
Speaker 2 (02:18):
Okay.
Speaker 3 (02:18):
I'm trying to be as fair as a DJ that
I can be, But if I don't like.
Speaker 2 (02:23):
Your music, You're out of here, are you?
Speaker 5 (02:28):
Now?
Speaker 2 (02:29):
Can I get an appluse for that instead of a.
Speaker 1 (02:35):
So anyway, we have an alternative pop artist on our
show tonight. Her name is Bronte Fall and after these
commercial messages, we'll bring it right to you.
Speaker 2 (02:48):
So stay tuned, Stay tuned, ladies and gentlemen. It has been.
Speaker 6 (03:09):
No kidra, no Geheira many logo, LaVeta he do this,
he does.
Speaker 4 (03:19):
It is be.
Speaker 2 (03:21):
I'm thinking about you all the time. But it's been.
Speaker 6 (03:25):
Two years now since Zalasa you in no salles.
Speaker 7 (03:33):
DNA in the house.
Speaker 8 (03:35):
Shure you check out the radio station at what miss
m and Pitzman.
Speaker 1 (03:39):
Let's go.
Speaker 9 (03:43):
Over twenty million fans have made Transburian Orchestra their holiday tradition.
Bring the whole family and make.
Speaker 2 (03:52):
It part of yours.
Speaker 9 (03:53):
The Lost Christmas Eve returning to the stage for the
first time in over ten years. Coming to a city
near you. Go to TSO tickets dot com for show
dates and tickets.
Speaker 2 (04:09):
Don't miss the long new show.
Speaker 9 (04:13):
Soaring Guitars, jens ling La series and enough Piro to
keep you warm all season.
Speaker 2 (04:28):
Coming to a city near you.
Speaker 9 (04:32):
Go to TSO tickets dot com for show dates and tickets.
The Lost Christmas Eve Live in.
Speaker 3 (04:40):
Concerts and we have back, ladies, gentlemen, that commercial so
farre I got to go up the head?
Speaker 1 (04:48):
Okay? Is it that hot in here? O?
Speaker 2 (04:53):
Man?
Speaker 1 (04:53):
You know tell you every time every time that commercial
comes on now it brings me to the back, to
back to that where we were sitting and watching that show.
If you still did not see it, go get your tickets.
They're at the Prudential Center on December twentieth. Anyway, uh huh,
we have a beautiful woman coming on our show. Her
(05:14):
name is Bronte Fall and she's an alternative pop artist.
So just give a big one. I'm real good.
Speaker 2 (05:27):
Welcome to DNA.
Speaker 10 (05:29):
Welcome, welcome, Thank you guys. This is such a fun
Sunday evening.
Speaker 1 (05:34):
I know it is always so it's so much fun
with us, isn't it. Crickets, no crickets, we didn't get
no cre Okay, got the crickets. We'd good with the crickets. Okay.
So I'm I know. So she's a singer, songwriter and
a multi instrumentalist. Okay, so we got a powerhouse over here. Okay.
(05:56):
So I wanted to start off because I always start
off the show like with the question, and I like
to get into a conversation. Okay, So I know that
you picked up the piano at age seven, violin lessons, choir,
in orchestra, go.
Speaker 10 (06:15):
Yeah you know what.
Speaker 5 (06:16):
A lot of that too is hard to remember because
I was so young, but I guess I was begging
my mom to play each of these instruments, and so
started piano at seven. I always sang like my whole
since I was like in preschool. The teachers would tell
my mom how I would wouldn't stop singing, but then
(06:38):
that you know what that is, that's a big question.
But definitely did acquire an orchestra through high school and
parts of college. But I always just wanted to be
in a rock band. That's what I wanted. I wanted
to be Paul McCartney. I wanted to be Stevie Nicks.
So kind of had to spent early twenties trying to
like pursue that and find that. And I ended up
(07:01):
in Boston at Berkeley School of Music, and that's where
I really started to learn how to write pop songs
and take, you know, my music education and turn it
into music I really want to make.
Speaker 10 (07:14):
So, yeah, that's it in a nutshell a little bit.
Speaker 1 (07:18):
But you were you were the lead singer and the
violinist in the college rock band.
Speaker 5 (07:23):
Correct, Yes, that's when I my undergrad I started at
like a small liberal arts college and I told this
guy in my Spanish class.
Speaker 10 (07:33):
Like, yeah, like I jam on my violin, like not
really knowing how to jam on my violin.
Speaker 5 (07:38):
But and I told him I sang and he's like, oh,
why don't you let come to rehearsal. And so I
went to a rehearsal and I sang Journey Don't Stop Believing,
and I say softly, and they're like, you're in the band,
and and I would improvise however I was. I didn't
really know what I was doing, but to like Oaar
(07:59):
Wonderwall and thanks.
Speaker 1 (08:02):
Yeah. But you know what it is too, if there
are certain songs back in that era, if you could
really sing it, if you could really catch it, then
you had real talent. Because def Leppard's songs and Journey
songs were very hard to try to emulate. Try to
you know. You know what I'm trying to say, right.
Speaker 10 (08:22):
Yeah, I mean that chorus is not easy to sing
a high belty song. And it's really fun too to
just belt that song out.
Speaker 1 (08:32):
But yeah, I do that in the car while I'm driving.
But no, I do not turn them. No, the windows
do not go down.
Speaker 2 (08:43):
No I'm talking about you cracked the window.
Speaker 1 (08:44):
I do you know what?
Speaker 10 (08:48):
You know what?
Speaker 1 (08:50):
Maybe I do, I don't know, But all I'm saying
is those are the kind of songs that you put
in your head that you could be singing in the
chow well all the car right blasting. Are you gonna
keep making fun of me? Now?
Speaker 2 (09:03):
No?
Speaker 1 (09:04):
Okay, so you know the audiences. I'm just saying. I'm
just there are just certain songs, like with Whitney Houston songs. Right,
there's just certain songs that you know, you gotta have.
Speaker 2 (09:16):
The right to No, you gotta have the right singer.
Speaker 1 (09:19):
Well that too.
Speaker 3 (09:22):
I understand the tone, the pipes and everything we're saying,
but you haven't see a lot of times right.
Speaker 2 (09:27):
Artists might think they can actually.
Speaker 3 (09:29):
Singing certain records, and then when they do it, it's
like it's.
Speaker 2 (09:33):
Just not good enough. You know what.
Speaker 3 (09:37):
You ever been to a performance, were really excited to
see somebody because they have such a good and okay,
one genre they're really good at, but then they try
a new genre and it's just like, please just go
back to your old genre. Like, yeah, you don't want
to be rude, but it's kind of like you're not
an alto, you know what I mean?
Speaker 2 (09:55):
Yeah, you know, and it's like.
Speaker 1 (09:57):
And you're not just stay in your lane, you like,
are you a soprano alto?
Speaker 5 (10:02):
I'm kind of metso like in between both of them
crews soprano, and I probably can't go as low as altos.
Speaker 10 (10:13):
So I'm just kind of in the middle.
Speaker 1 (10:16):
See, I don't know what I am. What do you
think I am? You know, I don't even answer that question.
It's okay. So how was it growing up in the
Chicago suburbs with that kind of you know, vibe.
Speaker 10 (10:27):
I think it was.
Speaker 5 (10:30):
I honestly, I needed to like get to Boston, and
I feel like I wasn't exposed.
Speaker 10 (10:35):
I mean, I was exposed to the Beatles, but.
Speaker 5 (10:38):
You know, if you were musical in high school, you
were like doing quiet, you were doing uh like musical theater.
And I knew that, like that wasn't my path. And
I was in the orchestra, and I knew I didn't
love classical music like I wanted to be boy Tinsley
and from Dave Matthews. And so I feel like I really,
I mean very supportive parents and supporting my musical aspirations,
(11:02):
but it's I didn't grow up in la or Nashville
or New York where you're kind of like super exposed
to the pop and the American like what all these
other genres, you know, So you.
Speaker 3 (11:14):
Felt like me in Chicago kind of was there like
a certain sound that everybody would just be listening to
instead of like New York is like a variety of
different types of things, so you'll always see something new.
Speaker 2 (11:26):
Yeah, idea in.
Speaker 3 (11:28):
Chicago, like I guess, like in the radios, what do
they play just like the same exact kind of like
rotations and stuff didn't really play well.
Speaker 10 (11:37):
I guess I would listen to like the mix.
Speaker 5 (11:40):
We have the mix, and we did have a cool
rock station that was ninety three nine. But in Chicago
does have a cool music scene. I will say when
I was there, I felt like rap was really big
when I lived. I lived in the city for two years,
and I feel like, if you want to go into
(12:00):
like rap and hip hop, it's like definitely a really
good place to be.
Speaker 1 (12:04):
Do you know any rappers?
Speaker 2 (12:06):
I'm kidding, yeah, common everybody like, I don't want to
get on that. I'm trying to talk about her.
Speaker 1 (12:16):
I'm sorry, I was just trying to make a joke.
Speaker 2 (12:18):
But no, that that's pretty cool though. That's very interesting.
Speaker 3 (12:21):
So even Chicago, coming from Chicago, like it wasn't well.
Speaker 10 (12:27):
I grew up in the suburbs too.
Speaker 5 (12:28):
I guess I was talking about like being really little
and like being in junior high in high school, I
wasn't like going to the city a.
Speaker 10 (12:35):
Ton and like if I wanted.
Speaker 5 (12:38):
Yeah, I mean, just trying to like play pop music
and play the violin was kind.
Speaker 10 (12:44):
Of a hard thing to figure out.
Speaker 5 (12:45):
I would you, guys, I would jam to eminem in
my bedroom in high school, like I would what song?
Speaker 10 (12:51):
So like lose yourself.
Speaker 7 (12:57):
Dan Dan Dan d d ding.
Speaker 2 (13:00):
That's ill.
Speaker 1 (13:01):
You know what, there's a very popular violin Are you
really good at the violin?
Speaker 10 (13:05):
I probably used to be better.
Speaker 5 (13:07):
I feel like I concentrate more on songwriting now, but
I do play out Yeah.
Speaker 1 (13:12):
No, because on Instagram recently, I just saw this other
girl I forgot her name, but she's a very popular
violinist and she has these shows and everything.
Speaker 6 (13:25):
Is that her name?
Speaker 1 (13:25):
Yes?
Speaker 10 (13:26):
Yeah, way better than me. Yeah, but I am decent.
Speaker 1 (13:31):
I'm just saying that it's okay, we know you know,
but no, I'm just saying because oddly enough, it's like
it's always either guitar, right or the drums, like those
are the main items, right. But I've seen a lot
of women even a group that have I think it
(13:51):
was Born Yorn something like that. Born. It was a
group of four women violins.
Speaker 10 (13:58):
Oh yeah, can.
Speaker 1 (14:00):
Remember that was a wild bag we're talking for.
Speaker 2 (14:04):
I think it's called Born.
Speaker 1 (14:05):
I'm not sure, but I think like when you see
these people perform, just like we did in the orchestra
try trans Siberian, the violin is making a comeback.
Speaker 10 (14:17):
Yeah I do. That's a good point.
Speaker 1 (14:19):
You know what I'm saying, it's.
Speaker 2 (14:20):
No real music is making it.
Speaker 1 (14:22):
I'm not saying that, but I'm just saying there is real,
good talented music.
Speaker 3 (14:28):
At Anybody can go in a computer, right, go like this,
just press button here. It takes talent to hear an instrument.
An instrument will talk to you if you know how
to make it talk. Okay, So what you're seeing is
live performance. You're not seeing AI or you're not seeing
things computerized. So like when she's doing that, like, that's
(14:50):
what I miss in music.
Speaker 2 (14:52):
I miss it. It's just you.
Speaker 3 (14:54):
Could watch somebody do it, and that's what brings the
talent out. That's what made somebody ten times different from somebody.
I can just press a button and call itself an engineer.
Press a button and call yourself a beam maker.
Speaker 1 (15:05):
Yeah, but that's why I like her. She does piano.
Speaker 2 (15:09):
I want to hear some Can we get some of
your music?
Speaker 1 (15:12):
Oh? You want to hear it now?
Speaker 2 (15:13):
Yeah?
Speaker 1 (15:14):
Okay, excuse me.
Speaker 2 (15:16):
I heard it. I heard one of them and I
was like, this is fine.
Speaker 10 (15:19):
I want to play.
Speaker 1 (15:21):
I want to do the video. Okay, face the night.
I love.
Speaker 11 (15:54):
Why the color.
Speaker 12 (15:56):
Space settle in for the end of day, laugh, too
hard to hide.
Speaker 6 (16:08):
The truth, longing for the troubles, running from not running to.
Speaker 2 (16:29):
Broken windows, boarding.
Speaker 4 (16:35):
The hardest lessons of them all?
Speaker 11 (16:41):
Does love really conquer it over?
Speaker 12 (16:47):
I can't face the night, scare the tents out of
the class, save the monsters under my bed, Candy escapement
nine bad on MIU.
Speaker 7 (17:00):
Then I can't.
Speaker 10 (17:02):
Face the night.
Speaker 12 (17:03):
Spot of wet in the coon checks over my head.
Speaker 7 (17:09):
Can see this night mare?
Speaker 12 (17:13):
Man can face.
Speaker 4 (17:17):
The nice.
Speaker 7 (17:30):
Day I come.
Speaker 12 (17:31):
It's the sweet escape from all the.
Speaker 2 (17:36):
Things that I cannot shake. Just Winston heads in.
Speaker 1 (17:48):
The unress fans, it's way under.
Speaker 12 (17:54):
I can't facee the night, set the tins out of
the class, it uns STOs on my bed. There they
escape nine minutes night Okay, thete the night side webs
in the cor Shirts over my head.
Speaker 4 (18:16):
Can escape, beat nine Man, night.
Speaker 12 (18:23):
Up face n.
Speaker 7 (18:39):
They lost his loss and lost go my to hims down.
Speaker 4 (18:46):
Go was their hot me, my notes, It's me pay
the lost Daylight, call my name, mister.
Speaker 7 (18:58):
Hand, don't stay on me became me.
Speaker 12 (19:09):
I can't face the night Scare, the turns out of
the close, the monsters under my bed can escape night
Mail and night Man.
Speaker 2 (19:24):
Okay't face the night.
Speaker 4 (19:26):
I went to the coat chats over my head, Canny
escaped the nine Bear.
Speaker 1 (19:38):
I can't.
Speaker 10 (19:54):
Go back.
Speaker 2 (19:58):
Concept is dope.
Speaker 1 (20:00):
I know. I was thinking, you got did you come
up with that concept?
Speaker 5 (20:07):
I had a videographer who actually she was like, let's
do nineteen forties film noir.
Speaker 10 (20:13):
And I was like, I'm going to google what that means.
Speaker 5 (20:19):
And yeah, I was like, I really love that videographer
I work with because she had that She had that
idea and that's ridiculous.
Speaker 3 (20:28):
Like I love it. I loved because of the storyline. Yeah,
and it went really good with the record.
Speaker 1 (20:33):
It just melted right in there. It just it gave
me a Dick Tracy feel. Yeah. Yeah, you know, I
was like, oh yeah, I felt like the uh Dick
Tracy Lauren Decall. Yeah, the old movie scenes and stuff.
Speaker 2 (20:47):
You brought me.
Speaker 5 (20:48):
Back, You brought me back, and that song in particular,
I was like, I really want this to be about
the instruments, and I actually hired someone to compose like a.
Speaker 10 (20:59):
Horn section and a string section and like this.
Speaker 5 (21:03):
I wanted it to be about the music and the
instruments and like and I really I do like the product.
Speaker 3 (21:11):
The product was really good. And what I liked about
it too, is that your personality kind of like speaks
with the record, but then does it because it's kind
of like you're hidden. You hit it yourself in the
music because it's like you got like this, you know,
nice calm personality. But then when she comes on there
she gets just belt it. She can just kill it.
It sounds very good. I really do like it actually
(21:32):
a lot. I was telling her a little bit, no no, no.
Speaker 1 (21:35):
Let me go go ahead. We throw each other notes sometimes,
you know, when we're listening to somebody, and you were correct.
She had when you were talking just now about how
the scope of her it does remind you of Shania Twain.
That's what reminded me of because Shanaya has that very
(21:56):
year right and then she just pounds it. Yeah, and
she does the same. Yeah.
Speaker 3 (22:01):
You definitely reminded me of Shania Twain and my record
the record was that she reminded me of Twain.
Speaker 2 (22:08):
What's that record?
Speaker 5 (22:09):
Call?
Speaker 3 (22:10):
Uh so very facy? It's like a woman. That's why
I got the line. That's why I got it from
when I when I was sitting there and I was
analyzing it, and I was listening to it on that Yo,
this sounds like that.
Speaker 2 (22:24):
And what I loved about it though it was a
little bit of twist with who let's hear yours?
Speaker 1 (22:30):
Well, I was going along with the Shanaia Twain thing.
Like you said, I also, you know what, she does
have a little bit of a twang, a little bit
of that country in there. Okay, you hear it.
Speaker 3 (22:41):
I thought, honestly, I'm not gonna lie to you when
when I when she gave me your records, because I
analyzed him, so I started listening to him. I thought
you were a country Yeah for the first record I heard,
and I was like, we're not gonna We're gonna get
on that record right after this. But when I first
heard that record, I was like, and I'm gonna explain
it bit more on that record. But I thought you
were country country I.
Speaker 1 (23:03):
Got I almost thought for a second when I first
heard it too, I thought she was like a little
bit like Miranda Lambert.
Speaker 5 (23:08):
Oh that's a compliment too, telling you girl, you you
came to the right place.
Speaker 3 (23:14):
Yeah, we understand music and we understand. Where are any
of those people your influences?
Speaker 10 (23:23):
Yes, they both are, like.
Speaker 2 (23:25):
You can hear it, I got it?
Speaker 1 (23:26):
Correct? Ahead, No, no, no, there's no applaus. You do
not okay, But all I'm saying is, like, you know,
because we were in the industry, right, so all we
do is deal with artists.
Speaker 2 (23:42):
Yeah, we analyze a lot of stuff.
Speaker 1 (23:44):
And so we're constantly we're like, you know, we're like,
remember who was the other girl somewhere the movie? Remember
the movie critics Engelbert? What was it an angle and
Bert or whatever it was?
Speaker 10 (23:55):
It's is it ciscl Andbert or Ebert.
Speaker 1 (23:58):
And neighbor both he's Ebert. And every time we have
an artist, we do our critiques, do we not? Okay,
go ahead, you want to say something.
Speaker 3 (24:08):
I'm trying to think about, who's that woman that someone
Eminem would stand because it.
Speaker 2 (24:12):
Kind of threw me. It kind of gave me that vite. Yeah,
I know is on mountain.
Speaker 1 (24:21):
No good, okay, I'll look her up while you're talking. No, okay, no,
but you got that. That's a good one. Yeah.
Speaker 2 (24:34):
When I caught it, like no, no.
Speaker 1 (24:36):
A very simple name like oh no or.
Speaker 10 (24:38):
Something my window and I know who you're talking about.
I don't know who it is, but that's.
Speaker 3 (24:43):
Who you reminded. But that's that's your She just did her.
So I was correct, right, she just did her.
Speaker 2 (24:48):
When I analyzed that, ladies and gentlemen.
Speaker 1 (24:50):
Was like, yes, you were correct. Oh my god, give
him a pause. He's gonna die. Oh my god, give
them him a flaws please.
Speaker 3 (25:01):
I'm excited. Look and I gotta put on my glasses
and my look again. Feeling good again?
Speaker 2 (25:06):
Oh my gosh, I was looking. I you already know
dj inxetic back lads.
Speaker 1 (25:10):
Oh my god, here we go. So anyway good.
Speaker 2 (25:14):
I'm excited about the next record too.
Speaker 1 (25:16):
Okay, can we just get on a little bit of
a little conversation here if you don't mind.
Speaker 2 (25:20):
Let's I just love good music.
Speaker 1 (25:22):
I'm just saying, okay, so god no, because she started
the band, right, and that's how so explain Bronte because
I know why, but I would rather you explain.
Speaker 10 (25:34):
Yeah.
Speaker 5 (25:34):
Well, so then after I went to music school, I
moved back to Chicago for two years, and I was like,
I just and it was kind of like I moved
to Chicago because I knew I like for just temporarily,
and I wanted to make an EP and I wanted
to figure out if I was going to move to
New York or Nashville or LA. And I ended up
(25:55):
starting a band with my friend who I went to
music school with. And I was working at a music venue
and I told my I worked for the booker and
I told him I started a band. And me starting
a band was me writing three songs with my friend
like in a practice studio.
Speaker 10 (26:11):
I didn't have a name, we didn't have anything.
Speaker 5 (26:14):
And then my boss was like, oh, we have an
opening like May twenty ninth.
Speaker 10 (26:18):
Do you want to like put on a show here?
Speaker 5 (26:20):
And I was like yes, and he's like, all right,
send me a bio and name and photos by Monday.
Speaker 10 (26:25):
And we had like four days to conceptualize a band.
Speaker 5 (26:29):
Oh yeah, and we like went to a coffee shop
and we're like, we're going to pick a name.
Speaker 10 (26:34):
We can't leave this coffee shop without having a band name.
Speaker 5 (26:37):
And so we kind of like had jotted down words
we liked and thing, We're like, what's your favorite season
and we both said the Fall, and then we were
like looking up poems about the fall, and then we
found this poem by Emily Bronte that's about the fall,
and it's really pretty and it's simple and it's about
finding the beauty and the darker seasons of life.
Speaker 10 (26:59):
And so that's why we called it.
Speaker 1 (27:02):
Bronte. I love that. That's like, you know, I think
that's really cool.
Speaker 3 (27:09):
No, I do.
Speaker 2 (27:10):
I love it. I love it because it was coincidence.
Speaker 3 (27:12):
Kept going goat snowballing and right there and they came out.
Speaker 1 (27:15):
About the You know, you never know how things go.
Speaker 3 (27:18):
Oh, when you're an artist and your biggest hit you
can hit, you can hit your head on a door
and be like, oh, just like you know what I like.
It's just I'm not trying to be funny. I'm being serious,
Like it would just hit you. You can walk, like
I said, you go walk right into a.
Speaker 2 (27:33):
Door and make a hit record. You'd be like, what
just happened?
Speaker 1 (27:37):
It just comes from So let me ask you how
many times did you hit that wall?
Speaker 2 (27:41):
Five?
Speaker 1 (27:42):
Okay? Just check? All right, I wasn't sure.
Speaker 2 (27:44):
I say, what one?
Speaker 1 (27:46):
Are you serious? Let her know, I'll get out. Don't
even try it. That's my favorite. So anyway, now she
calls Nashville her home. Oh, Nashville, So when did you
move down there?
Speaker 10 (28:00):
Twenty eighteen?
Speaker 1 (28:02):
Oh? Okay, so you haven't been there that that long?
I mean it's been six years.
Speaker 2 (28:07):
Yeah, but yeah, I like the scene down there.
Speaker 10 (28:10):
What'd you say?
Speaker 2 (28:11):
How do you like the scene down there?
Speaker 1 (28:13):
You know what?
Speaker 10 (28:14):
I really I really like it.
Speaker 5 (28:15):
That's why I ended up moving here, just because well,
I was worried. I know, I have like a little
bit of a leaning towards country, but.
Speaker 10 (28:24):
I know I'm not like I'm I'm not in Miranda Lambert.
Speaker 5 (28:28):
She is an influence of mine, but I'm like not
from like Oklahoma or Mississippi. Like I'm from Chicago and
I listened to Shania Twain and the Dixie Chicks growing up,
so that kind of my.
Speaker 10 (28:40):
Sound annulates that.
Speaker 5 (28:43):
But I just love that they have pop rock Americana
country like I just it's a really cool fusion down here.
There's like so much different, so many different genres happening.
Speaker 2 (28:54):
Yeah, like were you're seeing hip hop starting to come
into country?
Speaker 10 (28:58):
Yeah, it really is.
Speaker 3 (29:01):
Oh yeah, now hip hop is coming into car. I
like a little bit of.
Speaker 2 (29:04):
It, but it's kind of weird.
Speaker 3 (29:08):
Pats and Compton, we watched one of one of the
top rappers and I'm not gonna say his name.
Speaker 2 (29:15):
I want to barras some of you and me.
Speaker 3 (29:16):
No, we're in a country wearing a hat like this
and a cowboy thing looking like looking like freaking Woody.
Speaker 2 (29:23):
From Toy Story.
Speaker 1 (29:24):
I was like, man, like I used to watch you
as a kid.
Speaker 2 (29:28):
He used to have to chains on the ladies in
the hats comes in there.
Speaker 3 (29:31):
It looks like Woody from the Toy Story.
Speaker 1 (29:36):
Maybe he just likes it.
Speaker 2 (29:38):
No, man, you're ruining my childhood. Brow. To be honest
with you, I do like.
Speaker 3 (29:47):
A little bit of a hip hop country, but I
don't because I feel like hip hop and country are
just two different life and I don't want to keep
seeing like you know what I'm saying, like, no offense
to any of the watching this, because I know, man yelled,
I don't want to keep seeing country girls twirking man.
Speaker 2 (30:06):
Me is So it's it's it's real soul.
Speaker 3 (30:10):
Like when I watched all this and they getting drug
and they're doing all this, like say that for hip.
Speaker 1 (30:14):
Hop, that's that hip hop.
Speaker 3 (30:17):
The buffoonery, say that over there, go over there, go
sit over there, Go with your hoodie, go with your
toy story hat, go over there.
Speaker 1 (30:23):
What I'm saying like, no, well, you know what, I
would prefer that there was no twerking altogether. I don't
care what John.
Speaker 3 (30:33):
You know what it is though, hip hop grew up
in the strip club, so like that's kind of like
you can put that over to that side.
Speaker 2 (30:39):
I don't see country growing it.
Speaker 1 (30:41):
I never Hey, oh my god, imagine Carrie Underwood or
Shanaia Twain. Can you imagine that?
Speaker 2 (30:51):
No, that would exactly.
Speaker 3 (30:54):
You would have child, you would have strong women and
stuff like that in country. So you were them talk
about how much they love their man or you know
what I mean, Like you would hear faith, you.
Speaker 2 (31:05):
Would hear faith, and like I almost broke my hand.
What was that name? Look, Timmergroth. Yes, he almost broke
my hand.
Speaker 3 (31:13):
He tried to get I gave a pound and gave
me a pound of my hand like that, Like yeah, he's.
Speaker 2 (31:18):
Got a big fist, not gonna lie, but.
Speaker 3 (31:22):
Like, yeah, now he's like hey, by that, I was like, ah,
I'm gonna escalate it going down.
Speaker 2 (31:27):
I'm just holding my hand like ah, like trying to
play cool.
Speaker 1 (31:30):
Like you said, he's been haunted ever since.
Speaker 3 (31:35):
Yeah now, But all I'm just trying to say is
make a point real quick, is they need to stay
out of and anybody's listening.
Speaker 2 (31:41):
He might get mad, but.
Speaker 3 (31:42):
People we really got to stay out of. Like you know,
trying to mix that that's just weird to make.
Speaker 1 (31:46):
Yeah, beginning of there are some songs that actually fused together.
Speaker 2 (31:51):
I don't want pretty good, Okay.
Speaker 3 (31:54):
All I'm trying to make a point is leave I'm
country alone.
Speaker 2 (32:02):
That's it. Don't merge the two.
Speaker 1 (32:04):
It's weird, you know that that you know what one
song that I like, Baby, she'll agree with me when
Nelly and but.
Speaker 2 (32:11):
Nelly is a good song. Nelly is a good artist.
Speaker 1 (32:14):
I'm just saying the street artists.
Speaker 2 (32:17):
I'm talking about bringing the target and then the woody
guns and it just don't make no sense.
Speaker 1 (32:22):
That's all I'm trying. This is a totally different show.
Speaker 2 (32:24):
I'm being quiet though.
Speaker 1 (32:26):
The poor girl is sitting there, she's latching you right now? Okay,
I love it, but no, you want to get onto
one of her other songs.
Speaker 2 (32:35):
Yeah, but I want to ask a quick question question.
Speaker 3 (32:38):
So when you first came there, right, you were nervous,
you said, right, because you didn't know if your music
would gel with him?
Speaker 2 (32:45):
Right.
Speaker 1 (32:46):
Yeah.
Speaker 10 (32:46):
I was super hesitant to move here. And then well.
Speaker 5 (32:51):
Because I was like, oh, Nashville's like country music, that's
all you can do. And then but then I really
gave it a chance. I actually gave it a summer.
I came here for an entire summer to really feel
it out, and I was like, oh, this is really cool.
Speaker 10 (33:05):
There's a lot going on here, and it's not just
country the country.
Speaker 5 (33:10):
Yeah, you can have a fusion yeah, and do the
independent alternative thing.
Speaker 10 (33:16):
It's like really cool here to me Nashville.
Speaker 1 (33:20):
And she's not going to be doing anything work.
Speaker 3 (33:22):
Is that we're just saying and not wearing the wood
he had? But listen anyway, what I was going to
say though, What I was going to say though, was
when you literally, right, when you literally.
Speaker 2 (33:35):
Go into there, right, and you did the rock in there, but.
Speaker 3 (33:38):
You see the difference between crowds, right, So you see
like one crowds moving this way, one crowds moving one
thing about Nashville I always saw right, it always had
different type of crowds. It's not like New York because
a lot of the crowds in New York, Mitch like
come together.
Speaker 2 (33:55):
In New York. Nobody mean everybody's angry at each other.
Speaker 3 (33:57):
But anyway, I don't want to get on that because
a lot of people are gonna write me about the
wood he had, and uh, that's why I'm not craziness.
But sometimes I just let it out and how I
really feel. But can we get to the let's get
to the next record. Oh wait, wait, go ahead?
Speaker 1 (34:12):
Oh no, no, no, I'm what No, let's go. Okay,
so we got making it up? Old woman? Worth the money?
Which one do you want to?
Speaker 2 (34:20):
I want to worth the money?
Speaker 1 (34:21):
Baby, I could do that.
Speaker 10 (34:23):
That's the song I'm going to pitch to radio next.
Speaker 1 (34:25):
Okay, let's go, let's go.
Speaker 2 (34:29):
You already.
Speaker 12 (34:36):
Happy, but I can get you just a battle.
Speaker 1 (34:45):
It's a long long way.
Speaker 12 (34:50):
This hole in my park, It's like a hole in my.
Speaker 7 (35:03):
What of my trouble girl away? If I had money
would have been my head, the would fully the l
and so bad would then said, line my head. But
(35:23):
I said, what's the money?
Speaker 10 (35:28):
I set out set the world down fire.
Speaker 12 (35:32):
Now time's tacking down and I'm.
Speaker 10 (35:34):
Down to the wire.
Speaker 8 (35:36):
It's the symbol I'm busy ease.
Speaker 7 (35:39):
It was seeing soul.
Speaker 12 (35:44):
If I couldn't make hands met with thou saying and myself,
I'm making down a night.
Speaker 7 (35:51):
Come if I find where, don't my troubles go away?
If by money would be the killers pay the rule
of Folly Laylor look and so bad would tell me something?
(36:18):
What is it with the money? If I had money,
(36:44):
where on my troubles going away? If I ha mona worry,
be the kill pay the rule of Holly, the Laylor
and so.
Speaker 3 (37:17):
Money money listening to me right now, I definitely need
money to definitely come and donate.
Speaker 1 (37:26):
But you know what you've got to remember sometimes when
you're dancing that I'm right beside you.
Speaker 2 (37:31):
Okay, I apologize, be off the chair.
Speaker 1 (37:38):
No, no, I'm not looking for money.
Speaker 2 (37:40):
Try to assume you're looking for money, looking for money?
Speaker 1 (37:43):
No, but okay, now I have another I have another song, song,
a song or listen to me. A singer in my
head with.
Speaker 2 (37:50):
Her Let's go Norah Jones.
Speaker 1 (37:54):
Okay, am I good? What I mean? Come on, you
can tell me if I'm I'm wrong, If you think
I'm wrong, you can tell me I'm wrong.
Speaker 5 (38:02):
Nourah Jones Okay, oh my god, it this was not
a very Nora jonesy song though, do you think that?
Speaker 10 (38:08):
Or well or maybe my voice? Yeah, gave you my
voice bringing.
Speaker 2 (38:14):
Me back girl.
Speaker 3 (38:15):
Yeah, because Noah Jones is a different type of sound.
But but I can hear, I can hear the tone.
Speaker 1 (38:23):
Yeah, I'm talking about absolutely. Miranda Shanaya, Norah, you got competition.
Speaker 3 (38:34):
I'm sorry, this is what but I understand why did
you come up with that record?
Speaker 10 (38:40):
I came up with that because it's really hard to
make a living in music.
Speaker 5 (38:45):
And I think back in the day when I was
like twenty two and was like I want to be
Paul McCartney, and my parents were like, oh, music is
just a hobby, and I was like, I'll show them.
Speaker 10 (38:59):
I'm going to pursue you and I'm gonna make it's
going to be raining down on me money. And now
I'm kind of like, oh, yeah, this is way harder
than I thought.
Speaker 1 (39:07):
And drizzling at this time right.
Speaker 5 (39:09):
As drizzling, I'm making money a tip jar money. This
is a song for people who make money on tip jars.
Speaker 2 (39:15):
At least cloud raining on you. I'm still poking at
the thing.
Speaker 1 (39:20):
With Pumpkin. I don't do anything because I don't sing,
so I mean.
Speaker 3 (39:24):
No, but I definitely understand that and what I like
though what you said basically, but you are making money
off it, correct, I am.
Speaker 10 (39:32):
Making a little bit. I'm not making millions that I
wanted to make.
Speaker 2 (39:38):
A lot of people right now.
Speaker 3 (39:40):
Honestly, it's crazy because it's like you have to build
your own fan base.
Speaker 2 (39:44):
Back then, they used to give you a.
Speaker 1 (39:46):
Fan base, right, Yeah, you that way?
Speaker 2 (39:49):
Yeah, how do you feel about that?
Speaker 3 (39:51):
Actually, because twenty two being in there, you probbably sort
the same time when I did, Like when it was
in this prime music and they actually developed artists is
push artists, make sure artist is good.
Speaker 2 (40:03):
Nowadays they go, Okay, we're gonna give you.
Speaker 3 (40:05):
A zero point eight and we're gonna call it your stream.
Speaker 2 (40:11):
Yeah, and you're like, wait a minute, that's not even
a cent.
Speaker 1 (40:13):
Yeah, I know.
Speaker 2 (40:14):
So it's like when.
Speaker 3 (40:16):
You've seen it from now, From then to now, it
was more lucrative.
Speaker 5 (40:22):
Correct, Yeah, I think it was starting to change like,
especially when I was in music school, Like we would
get these guests come on, these guests like songwriters, and
they'd be like, yeah, in the nineties, like you would
have one cut on one album.
Speaker 10 (40:38):
And it didn't have to be a single, and you'd
be you'd be a millionaire. But now you have.
Speaker 5 (40:43):
To have like one song super blow up to like
really make money off of that song.
Speaker 1 (40:49):
No, you're right.
Speaker 3 (40:50):
I always looked at it as being a number game,
you know, because it goes it goes to me and
goes if I'm in the club, right, and just the
cluse for a hundred people, ten people like me, right, like.
Speaker 2 (41:02):
Really like me. Okay, I'll go buy your marrich. You
go out and go do that.
Speaker 3 (41:05):
Right, I'm going to put them all on an email list,
have them all be on an email list, even the
ones that don't like me and they put out a
fake email list. I'm still going to send you an
email list. But what I'm trying to see is nowadays
it's more of people don't I don't know why everyone
still has that hope and dream that a major label
(41:25):
or some millionaires is going to come in and scoop
them and.
Speaker 2 (41:28):
Say I'll take care of you for the rest of
your life.
Speaker 3 (41:31):
No, what's crazy is now is self promotion.
Speaker 5 (41:36):
Yeah, I mean exactly what you're talking about, the email list,
the social media, the merch, Like, you gotta.
Speaker 10 (41:42):
Do it kind of all yourself. You're running your own business, right.
Speaker 3 (41:46):
And I told her something that made a crack out too.
I said, if I knew it was this hard, I
would have became a lawyer.
Speaker 2 (41:54):
He is serious, Like, do you ever like wake up?
Tells me like, why did I pick this past? What happened?
Speaker 5 (42:02):
Yeah, it's just like it's so cool, like I love it,
But then at the same time, it's just like, oh
my god, I.
Speaker 1 (42:08):
Gotta it's good. Struggle.
Speaker 10 (42:10):
It's a lot. It's a struggle, is real.
Speaker 1 (42:13):
It's right. They don't, you know, they don't. They don't
look at that anymore. I mean, there are you're you're
not just competing with a few people.
Speaker 3 (42:22):
You can competing with four million people a day. Yeah,
you know, you better be up twenty four hours. Artists
take notes, you better be up twenty four hours. You
better be having yourself in the studio making another project,
and you be having your merch correct, and you better
be This is what I do three months later.
Speaker 2 (42:41):
Three, I prepare a year before another year.
Speaker 5 (42:44):
Wow.
Speaker 3 (42:45):
Yeah, you know what I'm saying, because you don't know
if you're gonna be making good money with this album
or this album is gonna go down the trash hill.
Speaker 5 (42:53):
Yeah, and I mean I started planning the release of
this album. I recorded all the music in twenty twenty three,
and then I in December just like figured out the
dates that I was going to release each single and
the out like I decided last year October twenty fifth,
the album's coming out like it's a whole a whole
year of planning.
Speaker 1 (43:14):
I know that's true. Can we get to another one?
Speaker 2 (43:17):
Actually? I want to hear the record that you want
this on the radio.
Speaker 1 (43:20):
Making it making it up? Making did I say making
it up?
Speaker 2 (43:24):
Oh? Making it up? You make me up.
Speaker 1 (43:27):
Let's go, babes, make it happen.
Speaker 8 (43:39):
I'm gonna mystee room that hasn't scene in first page,
use a buzz in the unsigning and Emma East dancing
around cables and up eusdays patrons tables on it.
Speaker 1 (44:02):
The two jars half four with five off the whim.
Speaker 10 (44:07):
I'll give you my office.
Speaker 11 (44:08):
Someone could be listening. I got nolty what a loves
con that would change it for anything.
Speaker 7 (44:22):
He sounded creative, and the laugh a lot my life
be raw even I'm not gonna stop them a lot
less and travel is the one thing I know, how
thing it is I'm in.
Speaker 1 (44:49):
I could have found a better way. Both bills treated.
Speaker 10 (44:54):
The chaos for a life of standing still if you
want to.
Speaker 7 (45:00):
It tells me who everything I'm supposed to be.
Speaker 1 (45:04):
This is my favorite version.
Speaker 7 (45:07):
Oh but can you up? Created the last I got?
My not be the rawy. Im gonna stop the loness,
rivelness the one thing I say, I'm thinking it. I'm
(45:27):
thinking it making ahead up.
Speaker 1 (45:33):
And I'm so FuG and monkey.
Speaker 7 (45:36):
Always sir what happiness means. He's by piece up.
Speaker 10 (45:45):
Created the last someone.
Speaker 12 (45:48):
It might not be either raway, but I'm not gone
stop the bram.
Speaker 7 (45:57):
I don't die.
Speaker 2 (46:34):
Yeah, that's a good record that makes you really feel good.
And that's what I bought, honestly.
Speaker 3 (46:43):
Not gonna lie to you, Country, So I really felt
like you were like well like Country because of the
way that you sound.
Speaker 1 (46:51):
You know when I know he likes a song now
because he almost moves me off the chair right like
that when he's putting his arm around me. I enjoin
it and like it's like a couple things. I know
he enjoys it, and I'm like, yep, he likes the song.
Speaker 2 (47:08):
It just gives you a good feeling, like, you know,
that's something that music needs to get back to it. Yeah,
I can't.
Speaker 3 (47:17):
We're gonna hurt each other. And this guy hates this
guy and I have a bigger car. And to me,
to me, that's not music. Music is what comes from
your heart and you want the world to see. Like
I'm an artist as well, So I'm not gonna lie
about things I don't have because I was born in
to respect music and respect the craft and respect who
(47:39):
I am. And I always felt like honesty and music
will go farther than when you're talking about a car,
a whip and where that you lie.
Speaker 1 (47:49):
Yeah, that's true. Yeah, you just have like a it's
such a calming.
Speaker 6 (47:56):
Voice.
Speaker 1 (47:57):
You know when I said Jenai and no and Miranda,
I know what I was talking about. Yeah, that's all
I gotta say, you know, I just those are the
kind of tones that when she performs, it's like you're
talking in the restaurant, right or an arena something or whatever. Right,
(48:17):
and you're talking, talking, talk of talking, and you're not
paying attention. She comes on. You're like, oh, you know,
it's like other people who make show on the stage
and they're performing.
Speaker 2 (48:30):
You're like, yeah, okay, right now, this song's being played
out on radio.
Speaker 1 (48:33):
Yeah making it up right? Yeah it is.
Speaker 5 (48:37):
And I don't understand the charts, but on this media
database it's at number fifty five and it started at
one twenty.
Speaker 2 (48:44):
I know it.
Speaker 3 (48:44):
Ladies and gentlemen, you already know your boy DJ energetic category.
Speaker 2 (48:48):
I looked at her and said, this is charting.
Speaker 3 (48:49):
She's like, how do you know, I said, because we
mess with a lot of stations that have media base.
Speaker 1 (48:56):
Oh okay.
Speaker 2 (48:57):
Media base is very important.
Speaker 3 (48:58):
Media base gets you to the Billboard, right, Having enough
of them gets you to the Billboard charts.
Speaker 2 (49:03):
People don't understand that. But what happens to a media
base too, is it makes you into the talk of
being a professional artist.
Speaker 3 (49:10):
Right, cool, Okay, certain radio stations will not play like
a lot of people always get this miska screwge.
Speaker 2 (49:19):
That's what you said, Okay, go ahead. If I didn't,
that's what I meant.
Speaker 1 (49:23):
She always got it.
Speaker 3 (49:25):
What happens is, right, what happens is media base helps
you understand that you're really getting played, like you're on
the top of the media list in the nation.
Speaker 10 (49:36):
I'm at well, I'm at fifty five right now. I'm
competing with all these major labels.
Speaker 2 (49:40):
Yeah.
Speaker 3 (49:40):
But what I'm trying to say is that's in the nation, right, yeah,
in the nation. Please give it a clap, Please give
it an employment for this.
Speaker 2 (49:46):
Well, come on.
Speaker 3 (49:48):
Now, even being on fifty five, right, you're beating up
at least a million artists.
Speaker 1 (49:55):
Yeah, that's true.
Speaker 3 (49:55):
Okay, So you got to remember that media base is
not easy to get on, not easy to get charted,
and not easy.
Speaker 2 (50:02):
To get seen.
Speaker 10 (50:03):
Okay, it's not very good to know, you know what.
Speaker 2 (50:07):
So that means you're killing it right now.
Speaker 3 (50:08):
And where you're at, that song I could see played
like on like a b l I out here, uh
Z one hundred out here, uh Yo.
Speaker 1 (50:17):
Three, or maybe even DNA radio.
Speaker 2 (50:20):
Excuse me, I was trying to get people prom I
know DNA radio. Everybody loves DNA radio. And if you
don't know, to me, won't tune in. But listen I play.
Actually I'm gonna use that slang. Listen. It's a very
good thing that she got another record.
Speaker 1 (50:37):
We we got. I think we have one more right,
old woman.
Speaker 3 (50:41):
Yes.
Speaker 10 (50:44):
This is chiller. This is my chillest one.
Speaker 2 (50:48):
Ladies and gentlemen, she says, old woman. Never call the
female an old woman.
Speaker 12 (50:58):
Was The kids think, I'm will I be out of
touch with the ways of the world.
Speaker 10 (51:06):
Will it be tomorrow or when imady one?
Speaker 7 (51:11):
Is it over for me already?
Speaker 8 (51:13):
Because I feel I've just begne.
Speaker 12 (51:17):
Who will decide the day I get old?
Speaker 10 (51:22):
Will it be the man in charge of things?
Speaker 1 (51:25):
For my own riddled bones.
Speaker 11 (51:27):
I'm afraid of.
Speaker 1 (51:29):
The time the word starts to get it right, I'll.
Speaker 8 (51:32):
Be an old old woman at the end of my life.
Speaker 7 (51:38):
Oh warman, old.
Speaker 12 (51:46):
Woman, they say, Will men phrase and children and turn
them to the whole?
Speaker 8 (51:54):
Our careers are less important for man.
Speaker 1 (51:57):
They get to have old.
Speaker 11 (52:00):
Pmpkins and midnight.
Speaker 12 (52:02):
We're older, thirty five.
Speaker 8 (52:05):
We'll make the most of our lives before.
Speaker 11 (52:07):
Our passion sat to die decades down the road.
Speaker 8 (52:13):
Mothers run the world and willem mad I'm president.
Speaker 1 (52:18):
Bring home to the little girls.
Speaker 7 (52:21):
I'm afraid by the time the world starts to get.
Speaker 4 (52:25):
It right, I'll be in bold Oh woman, happy, He'm alive.
Speaker 7 (52:34):
Moment, Oh long, oh long a.
Speaker 10 (52:53):
Will any of this matter the music that I'm made?
Speaker 1 (52:58):
Will I regret? Macho, I says, we all the joy
out wait paind well.
Speaker 8 (53:04):
I am made a difference?
Speaker 10 (53:06):
Did I inspite change?
Speaker 2 (53:09):
And so the ones all?
Speaker 8 (53:11):
Did I say what I needed to say.
Speaker 1 (53:14):
For my failures?
Speaker 12 (53:15):
Advice who have become will be proud of my life
and battles that are woman. But time I start to
get it right, I'll be in bold old woman at
the animalize.
Speaker 7 (53:36):
Oh oh, warmer.
Speaker 2 (53:46):
A warmer.
Speaker 7 (53:52):
Ah.
Speaker 3 (54:19):
You know, I really love that record, but it's very
dangerous because I'm going to be singing that when somebody
gets me mad and asks like an old woman.
Speaker 1 (54:29):
Yeah, but let me just tell you a little cute
story about that song right now. Good because remember how
I tell you we always write notes back and forth
when we're listening to the song, right yeah, So you
know I'm listening to the words. I'm like, damn, that's me.
So then I wrote on the paper old woman, and
I put an arrow to myself. Oh no, no, no, no, no,
(54:49):
this is good. This is good because then he wrote back,
but I love that old Woman. Oh that's so cute,
and he pointed to me, so cute.
Speaker 3 (55:02):
Thank you, ladies and gentlemen, and do not again. And
I'm gonna say this, ladies and gentlemen, do not wear
the hoodie, the wood.
Speaker 1 (55:10):
He had the body has just don't wear. Okay, story
will be all right. But that was a beautiful song.
Speaker 2 (55:17):
That record remind you what seven years old?
Speaker 1 (55:20):
Oh my god? Yeah, I mean, oh my god, you're right,
holy cow.
Speaker 2 (55:28):
But it was in the woman form, That's what I
think it was. Ill. That's such a good point, you know,
because I was talking to a guy's thing. What's seven
years so she's saying.
Speaker 3 (55:39):
And she was speaking how female and how females experienced.
That's actually my favorite record of whole I.
Speaker 5 (55:45):
Like that, you know what. I was so nervous about
this record, but then a lot of people have been like,
that's my favorite.
Speaker 1 (55:52):
I I like it.
Speaker 4 (55:53):
I like it.
Speaker 1 (55:54):
I like it.
Speaker 2 (55:55):
That and the one that you got the radio hit
and I Need money so that that that was just.
Speaker 1 (56:00):
Gonna play all of them. Yeah, yeah, we we're just
gonna every week we'll just play something.
Speaker 2 (56:03):
So what happens with this with the DNA Show.
Speaker 3 (56:06):
The DNA Show is syndicated on three hundred and fifty
radio stations of course the country, right. Most of them
are media based chart media based ones as well as
digital radio tracker. So what we like to do with
the artists that come on here, we play them. So
you'll be playing in Atlanta, Indiana, Chicago, LA, don't forget
(56:29):
the UK and the UK as well.
Speaker 1 (56:31):
The UK.
Speaker 2 (56:32):
Yeah, so we got stationed over in.
Speaker 3 (56:35):
Greece, Greece, Italy, Italy, Germany, Germany and Australia.
Speaker 2 (56:39):
Okay, so all you fools listening, I made it.
Speaker 1 (56:44):
So anyway, I want to thank you very much. You know,
I like you know what it is. I'm trying to
put them all in order, from like one to four
or one to five. I can't.
Speaker 3 (56:54):
I can't do it because I just want to congratulate
you for being number fifty five.
Speaker 2 (56:58):
That is not easy, thank you. That's in the nation.
Speaker 3 (57:02):
That's not even like because you know, they got all
the ones that are like some small charts and stuff
like that, and they put like the people on cool.
Speaker 2 (57:09):
But that's the nation, So you got to really look
up to you.
Speaker 3 (57:11):
So like, man, I'm really good at my music because
a lot of people full short to even get to that.
Speaker 1 (57:17):
Yeah, my gosh, thank you.
Speaker 10 (57:19):
That makes me feel good. I wasn't really sure what
that chart was.
Speaker 2 (57:22):
And yeah, the biggest chart in music.
Speaker 1 (57:25):
You're very good. Don't worry.
Speaker 2 (57:26):
That's the biggest chart of music.
Speaker 1 (57:28):
Oh yay, Okay, yeah, must be an old woman or something.
She doesn't have a good guess you.
Speaker 2 (57:34):
But the thing about that chart, it gets you on
the billboards. Yes it does.
Speaker 10 (57:38):
Yeh sug that would be great.
Speaker 1 (57:40):
You know, we'll have to be watching out for her.
Speaker 2 (57:43):
Oh no, she's gonna blow up.
Speaker 1 (57:45):
Okay. So anyway, welcome, Thank you again for coming on
the show. Just let everybody know where they can.
Speaker 10 (57:53):
Find you, you know, all over the socials.
Speaker 5 (57:57):
Broncho All, I'm on Instagram, Facebook, TikTok and I'm streaming
everywhere Spotify, Amazon, Apple, all the things there.
Speaker 1 (58:06):
You go.
Speaker 3 (58:06):
Make sure you guys pick up a single as well,
and make sure you guys always tune into that d
DNA show.
Speaker 2 (58:12):
Akaa you ready, No, I stole the show with the
DJ show.
Speaker 1 (58:15):
It's my show, okay whatever. Anyway, thank you again, Bronte.
We really appreciate you coming on this show and we
will keep in touch until then. Everybody, have a good night.
Sunday nights are always fun over here at DNA, and
we'll see you next week.
Speaker 2 (58:30):
See you next week,
Popular Podcasts
Las Culturistas with Matt Rogers and Bowen Yang
Ding dong! Join your culture consultants, Matt Rogers and Bowen Yang, on an unforgettable journey into the beating heart of CULTURE. Alongside sizzling special guests, they GET INTO the hottest pop-culture moments of the day and the formative cultural experiences that turned them into Culturistas. Produced by the Big Money Players Network and iHeartRadio.
The Joe Rogan Experience
The official podcast of comedian Joe Rogan.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.