January 12, 2025 • 58 mins
D&A Live - Season 4, Episode 2 "Rock Artist, Miss J". Hosted by Danny & Althea. D&A Live is aired live from Paradise Studios NY via the Strong Island Entertainment Network. www.strongisland.com
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
I'm Danny and amalthea and we all DNA live.
Speaker 2 (00:14):
Baby, what's going on, everybody?
Speaker 3 (00:16):
Man?
Speaker 4 (00:17):
So today we're gonna actually announce because everybody keeps acting,
where has DNA been played?
Speaker 2 (00:23):
Where's this gonna be played?
Speaker 4 (00:25):
So you know what, let's put up the charts real quick.
So we got go ahead, explained to everybody. Let's go
all right, I'm gonna try.
Speaker 1 (00:33):
I mean, you do see the places on the bottom
of the screen. But internationally, we are in the United Kingdom, Australia,
New Zealand, Brazil, Chile, France, India, Italy, Bangladesh, Wow, Germany, Japan, Canada,
I mean, Pakistan, Philippines, Columbia, Malaysia, Kuwait, Turkey, and that's
(00:55):
just to name a few. Yes, okay, but we've gotten
the list and everything. We're gonna put that up on
our site just to show you. So this way you
can see the radio stations and the areas and what
times and stuff like that. We'll get that all together
because this.
Speaker 4 (01:10):
Is a lot exactly because you know what, when everybody
asks us about why, how how do like you know,
I keep the DNA brand keep going, I keep pushing
it like right now too, we're gonna show you real quick,
put up the DJ Energetic Show that I have as well.
Uh not that, actually you know what put that? So
we are basically we have an app that I think
(01:31):
everybody needs to start downloading this called DNA Media. We
had the company called DNA Digital Elite Media. Yes, so
to everybody out there, definitely download that app and make
sure you guys download that app as well.
Speaker 1 (01:46):
Yes, please do because it'll bring you everything, all the music,
all the interviews and everything from our show.
Speaker 4 (01:52):
So now we're gonna put up the DJ Energetic Show
real quick. So now the DJ Energetic Show with the
DNA Show is syndicated on all of these radio stations
right here, these platforms all across every day we're at
least playing in another ten radio stations across the country
and internationally. So right down in there, because everybody key's
asking me right down and there there's the radio stations
(02:15):
right there for everybody to see.
Speaker 1 (02:16):
So then if you want to take a screenshot of that,
because the thing is is that we were you know,
we don't sit there and like brag about everything that
we have, right but in twenty twenty five, we said
we're gonna bring it real.
Speaker 4 (02:31):
We're just gonna put it all together. We're just gonna
put it all together. So this show right here that
you guys are watching right now is on other stations
in the country.
Speaker 5 (02:40):
I don't get it.
Speaker 1 (02:41):
I'll read it to you, Okay, you got right now.
It's in New Mexico and that's on Saturdays, right channel eight.
It's also Channel twenty seven on Fridays in San Francisco
and that's from nine to ten. Then you have ten
in Fairfax, Virginia, and we're on sixty seven on Tuesdays,
(03:06):
and one more for now Denver, Colorado SETI and Sunday's
channel forty two from eight to nine.
Speaker 4 (03:14):
A lot more other stations, but right now we really
can't get to them.
Speaker 1 (03:17):
We would need an hour to list everything.
Speaker 2 (03:19):
Listen to it. Yeah, I know I built. I built
such a crazy conglomerate ladies and gentlemen.
Speaker 1 (03:24):
Yeah, it's cfy.
Speaker 2 (03:26):
But now what.
Speaker 4 (03:27):
We're gonna actually talk about real quick? My favorite too,
built up the media base charts.
Speaker 1 (03:31):
Please, there we go.
Speaker 2 (03:33):
Media based charts right now is showing a lot of
you guys want to know a little bit more about
the media based media base.
Speaker 4 (03:39):
You guys definitely, as artists need to go in and
need to put all your information on media base so
you guys can actually be seen and that's how a
lot of your artists is making into the charts.
Speaker 2 (03:50):
Next, so this is DTR.
Speaker 4 (03:53):
DTR is a DRT Yeah, DRT Wow, my just Lexia
just show I'm playing but the not go ahead.
Speaker 2 (03:59):
You can talk about the.
Speaker 1 (04:00):
DNA, a digital radio tracker.
Speaker 2 (04:02):
Well, we're on right now. You know the DNA.
Speaker 4 (04:05):
I always tell a lot of independent artists too, men
that really you know, are trying to really learn and
trying to get on there too.
Speaker 6 (04:11):
Man.
Speaker 4 (04:11):
The charts are right there, that's the international charts. You
got a lot of artists that are in there right now,
a lot of artists that we've been playing that are
on there as well as media Base. So this is
going to be the new DNA show basically where we
definitely start putting up stats and showing how artists are
doing on our radio station on iHeart. What you guys
(04:32):
are listening to right now? Tell them what the radio
station is on.
Speaker 1 (04:35):
Well, yeah, the iHeart radio station that we have the
we have the obviously the radio station on there. You
can find us obviously DNA Radio d and person A
Radio and that plays twenty four to seven. Okay, so
every show that we have is rotated onto our station.
(04:58):
So if you miss a show, you can hear it.
If you want to see it, you can go on
YouTube and go under Strong Island TV. You'll find DNA
live there. You know you can find this everywhere really.
Speaker 2 (05:10):
Exactly, so remember that. Can you put that app up
for more time?
Speaker 4 (05:13):
Please make sure y'all download that app as well, and
please definitely we are on ro Cool, Apple TV, Amazon
and Amazon five TV, so guys out there, man, if
y'all keep loving the show. Key supporting the show is
a free app. Download it and listen to the DNA show.
Speaker 2 (05:35):
Okay.
Speaker 4 (05:36):
Now, let's get to our sponsors quick because you know
they're here right now.
Speaker 2 (05:40):
Go ahead, figure it out.
Speaker 1 (05:41):
Okay, you got slap Woods Vision, you got Maverick Global Distribution,
the Hype Magazine, Natural Born Clothing brand, and of course
yn VS.
Speaker 4 (05:52):
And if you guys asks too, and you guys see
all them stations too. Over there, these are the stations
that me and are on. We own five stations in
the international station called eighty eight point nine FM.
Speaker 2 (06:04):
We got DNA ninety three point seven.
Speaker 4 (06:08):
That's the that's the one that everybody hears on the
iHeart Joint Power one O four point nine, Power one
O four point nine.
Speaker 2 (06:15):
Right now we're working on a couple of things to
making the FM.
Speaker 1 (06:18):
Yes.
Speaker 4 (06:18):
And then we got the one in La as well,
kW D one O three point nine, So big shout
out to everybody.
Speaker 2 (06:25):
And then one of my favorites you ready for this.
Speaker 1 (06:28):
I'm ready my Australian stage. He loves the Australian one.
Speaker 4 (06:33):
So that's all I gotta say, ladies and gentlemen, We done, mate,
We done, Matt. This is my thing is everybody's been
asking me, and there's your information, ladies, gentlemen.
Speaker 1 (06:43):
And if you want to know anything else, just hit
him up on IG Yes.
Speaker 2 (06:48):
So let's get to this wait here.
Speaker 1 (06:49):
To help Zach okay. So with that said, this show
is a very very special one for me, okay, because
this is a very very talented individual makes me laugh
all the time. She goes by the name of Miss
Jay and she's a rock artist and she's going to
come back to the show because she is premiering a
(07:12):
new song. So right after this commercial break, sit where
you are, do not change and we'll be right back
with miss Jay.
Speaker 2 (07:32):
It is berea, no kidd.
Speaker 7 (07:47):
It is.
Speaker 2 (07:50):
I'm thinking about you all the time.
Speaker 8 (07:52):
But it's been two years now, sinzala.
Speaker 4 (07:58):
In no salis.
Speaker 9 (08:15):
Put your hands up.
Speaker 2 (08:18):
Right now. We're inside the water with ourselves.
Speaker 4 (08:21):
You America, We're gonna wake up from this where the
real Americans got hurt, where we at.
Speaker 5 (08:29):
Man, you blinded and you lie, You just send suicide
your own everyone pretending love you for messing you, upping homes,
laughing with that, the way you can't even afford food,
and everybody looking at you acting so rude, they thinking that.
Speaker 2 (08:42):
They love you.
Speaker 5 (08:42):
Your skin, that's what they see. They still don't understand
the militant will of speed, but they ain't good that
they got it. They just play for each other, a
sip of water, trying to come for us, kill one another.
But I woke up last night. I gotta talk to
my parts. Tell them listen, we gotta march, and what
do we hear? You let then you cry and you
hang where you feel in the skating and say you
(09:03):
went all the time. They just them and with standing Man,
you inside the cars. They don't want to see you.
Speaker 2 (09:08):
They leave you lock doors, bringing your jaws over the line.
Speaker 8 (09:11):
They're like you what they want to try to put
you inside with a lock of spend no block. It's
all your whether they hear we're just the cops streaming
likes us gravel the side and were thinking prices and
putting that too there because crashing the crisis. Now they
hate didn't have the way how they even look. They
try to lock itself up with damn, trying to play
the book one that get his child every time, try
(09:31):
to get.
Speaker 5 (09:31):
Him fo overshow telling God his head and love and
try to churning that we're close with the phone next
to week each other's years, but we in my social
gest and say cale hoo ony years and try to
act like we ain't want inside at home.
Speaker 2 (09:45):
We acting like that we ain't want a wayside.
Speaker 7 (09:49):
I said, God looks fine.
Speaker 2 (09:56):
Hold on, you can't say.
Speaker 7 (10:16):
DNA isn't the house.
Speaker 1 (10:18):
Make sure you check out the radio station?
Speaker 9 (10:20):
That what mister and the miskits on.
Speaker 1 (10:22):
Let's go. I know the two seconds yea, we are back.
Speaker 4 (10:32):
I just don't know how you did that move yeah
like this and then flew away and I'm looking and
I'm like, God, damn, that would break my knees.
Speaker 1 (10:44):
That you know, it really wasn't that bad anyway, No,
you did it perfect.
Speaker 2 (10:49):
She went up like this.
Speaker 1 (10:52):
I was like, it was like a tinker bell.
Speaker 2 (10:55):
I don't know what to say on that one. That
was really good from.
Speaker 1 (10:57):
Both got light feet, she got light feet flew. Oh
my gosh. I was like, I can't believe we're talking
about my dance move because you know, now she.
Speaker 4 (11:05):
Got the best dance when she goes like just hear
her legs and all of a sudden, the leg what's
the hands?
Speaker 1 (11:09):
Okay, So anyway, we're back on the show here with
the fabulous Miss Jay.
Speaker 9 (11:17):
There we go.
Speaker 1 (11:18):
Okay, now you know what, I've actually had the pleasure
of actually seeing her live. Okay, yes, let me tell you.
Speaker 3 (11:26):
I was You saw me my best fan ever. You
were like right there with me, giving me all that love.
Speaker 10 (11:31):
You know.
Speaker 1 (11:32):
I stood in the front, I was taking video. I
was singing her song You were My First.
Speaker 2 (11:37):
I was driving all watching it. So what do I
get at it?
Speaker 1 (11:41):
You don't get I was watching it. You're going back
and forth, back and forth emotional support, and.
Speaker 2 (11:45):
You're hurting my eyes. I'm like, man, where is she
going with?
Speaker 5 (11:48):
She was in it.
Speaker 1 (11:48):
She was feeling it. She couldn't even handle it.
Speaker 2 (11:51):
I'm talking about you, Oh me.
Speaker 9 (11:53):
You're going here.
Speaker 2 (11:56):
I was getting watching you and I was sitting.
Speaker 3 (11:59):
Down a wireless microphone and we are gold.
Speaker 2 (12:02):
Yeah. I've never seen you again. You'll be somewhere in
China unleashed.
Speaker 1 (12:06):
But you know what it is, it's it's not just
the singing, it's the talent or whatever. She's such a
great performer.
Speaker 2 (12:13):
Yeah, no, no doubt.
Speaker 1 (12:16):
You know, Okay, entertained. I can use that way.
Speaker 2 (12:19):
Give applause for that.
Speaker 1 (12:20):
Give her one, please, Vinnie, thank you.
Speaker 10 (12:23):
No.
Speaker 1 (12:24):
But all I'm saying is is that you know, you
can go and see somebody perform and be like, okay,
that was you know, like you entertained and everything. This
one had me going.
Speaker 4 (12:34):
I'm telling you, I watched the phone and my phone
literally looked like it started growing feet.
Speaker 2 (12:39):
We're just walking from here. I was like, what is
going on?
Speaker 3 (12:44):
Well, listen, shout out to Dave Black too, because that
stage that sounds like that whole experience.
Speaker 1 (12:49):
And famous foods. They are not playing there.
Speaker 3 (12:51):
And I'm telling you, you give me a good wireless
microphone and then it's over.
Speaker 1 (12:56):
But you know you just I don't know, you're just
very I don't know your mess horizon. When you when
you do a show, you don't take your eyes off
of her.
Speaker 2 (13:04):
Can I say something?
Speaker 1 (13:05):
Go ahead, you.
Speaker 2 (13:06):
Got it or you don't got it? That's it?
Speaker 9 (13:08):
You know.
Speaker 4 (13:09):
You know which ones are talented to the ones that
are the karaoke singers, and then the ones who say
you don't want to see them anymore.
Speaker 1 (13:16):
Yeah, that's you.
Speaker 2 (13:17):
I could watch you all day, but you really do
hurt my back when you start running in and.
Speaker 3 (13:23):
Listen, I stretched before and after it. Don't get it too, But.
Speaker 2 (13:26):
I ain't gonna be that for you in flexible running
around like that.
Speaker 1 (13:28):
Okay, it's not easy. Are you done now?
Speaker 2 (13:32):
Fortunately?
Speaker 1 (13:33):
Okay? So anyway, we had her back in May. She
was here crazy and we introduced her to the world,
or at least our world, right, and it's been a
world when ever since. And I just keep watching her grow.
I mean she's just.
Speaker 4 (13:51):
Oh absolutely you see on the Instagram and then you
see there inside of the studio.
Speaker 2 (13:55):
But she works all the time.
Speaker 1 (13:58):
This girl works. I mean she works everything she I mean,
we all have our own thing that we have to
do during the day or whatever, right, but this girl
is constantly working and she's constantly you know, that's the
kind of artists that you want to see thrive, and
she's doing that on her own, you know, So I
just give her roundabel pause, please round of a plus.
(14:19):
There we go. Okay, thank you. It's a little low,
but that's okay, Benny. You gotta put it up higher.
Speaker 2 (14:25):
What are you doing?
Speaker 1 (14:28):
Yeah?
Speaker 4 (14:28):
You go?
Speaker 1 (14:29):
So anyway, just give us a little thing about like
what you've been doing since the last time we saw love. Yes,
I mean it is.
Speaker 3 (14:37):
It's a lot of work, I think nowadays, especially when
you're doing it independently, you have to be everything right.
You have to be marketing, you have to be branding.
I mean, I have help, the best help ever. Shout
out to Barry, shout up every Barry. But we are
I mean it's a small team I'm in now. I
think we're around four different studios working with some incredible
(14:59):
people I'm super blessed to be with. But it's it's
also it's a health thing, right. I gotta I gotta
work out so I can run around most stages on
that show, you know what I mean. I gotta be
shooting videos. You have to be recording new songs. You know,
you gotta feed those algorithms, so you gotta keep pumping
out the content. It is definitely something I think when
we first spoke, does it feel so long ago? I
(15:24):
was kind of spinning like four plates, and now I
think I'm spinning about seventeen. But they all feel like
just smaller facets to be able to help to get
the music out, and that just fuels me. So whereas
I felt a little overwhelmed in the beginning, now there's
just like this this drive and this hunger to just
keep going even more that I've just like that fire
(15:46):
has just been litten litten. That's a new word, lit
even even bigger this time. So I actually am weirdly
busier than I've ever been. But I actually don't feel
as overwhelmed anymore as a way, because.
Speaker 1 (15:58):
You've got to control, you know, you've got to hang handle.
Speaker 7 (16:00):
On it right now.
Speaker 3 (16:01):
Yeah, And I think it's like it's exciting now everything
we do, every studio we go to, we're working with
new musicians, new people were getting this meeting, that meeting,
and it just kind of is help validating all the hard.
Speaker 1 (16:14):
Work I'm doing, because sometimes you are like I haven't slept.
Speaker 3 (16:19):
But then all the validation from these incredibly talented people
is just it's just priceless. So I cannot complain, and
I wouldn't have it any other way. Right now, actually
I want more.
Speaker 2 (16:31):
He's like that.
Speaker 1 (16:32):
You are like that too, You like I want more.
Speaker 2 (16:35):
Lady, I'm going to say this right now for everybody
to see. You need to stop me. I'm insane. I
looked at that list today and I said.
Speaker 1 (16:45):
And I want more.
Speaker 4 (16:47):
Yeah, New like her, he drives me crazy. I can't
keep up to her. Man, even in my best day,
I can't keep up to her wall.
Speaker 2 (16:54):
I was watching it. I'm like, oh no, no, no, no,
she's sitting there on the treadmill in there McDonald's. You
know what I'm saying, Like, yeah, she's saying, I let
your mail. I'm sitting there McDonald's.
Speaker 1 (17:06):
Listen.
Speaker 3 (17:06):
Different brands, different brands, you know what I mean. Let's
let's also remember that I'm also in four inch platforms.
Speaker 1 (17:12):
You know, I'm just saying. I'm just saying, oh, I.
Speaker 4 (17:15):
Remember I'm in Timberland's going right there, my big Mac.
Looking while you're sitting there running on the truck. Maill
like this, and I'm like, I'm not doing.
Speaker 1 (17:21):
That normal again again different brands, you know. And I'm
still trying to get up from my chair with my Saiatica.
Speaker 2 (17:26):
So you know, I bought her a Caneleys and gentlemen
clap for that.
Speaker 1 (17:30):
Oh my god, he bought me. He bought me a
nice cane. I mean, Sciatica is a real thing. My
sister is the real thing. And you are so bad
who you?
Speaker 2 (17:42):
I gave you my own cane. You should be happy
about it. I can't walk.
Speaker 1 (17:46):
Wait, you have a cane. He had a cane, and
then he gave it to me since he said, you know,
he's still gonna be struggling getting up from the couch.
So okay, so everybody has a cake. Yeah, everybody has
a cane.
Speaker 2 (17:56):
Now, and exactly you.
Speaker 1 (17:57):
Work out I can include in the bit.
Speaker 3 (18:00):
I don't know.
Speaker 2 (18:01):
I don't you know what.
Speaker 1 (18:01):
Maybe maybe I can step up to a walker who
knows there you go.
Speaker 2 (18:07):
Yeah, maybe I actually got ten in the bag.
Speaker 1 (18:10):
You want one?
Speaker 3 (18:11):
So anyway, let's go back to mister yes, please, enough
kne talk?
Speaker 1 (18:16):
Yeah, who okay, how about we start with one of
the videos.
Speaker 2 (18:21):
Yeah, let's get into one of the videos. Ladies and gentlemen.
Speaker 1 (18:24):
Run away. Yeah, let's do runaway, baby. I want to
see you runaway. I love this video.
Speaker 3 (18:32):
Look at that little school girl. Oh she's just so
studious it I just love reading her book, her business?
Speaker 1 (18:41):
Who's that m I can't even.
Speaker 3 (19:02):
Stop making me feel away, making me on fun away
with you because I'm making me.
Speaker 7 (19:10):
Feel away and I get lost in cost and feel
like God a day you only make cussing me the
way I get away because of the one of you.
(19:42):
I can ca that's a will.
Speaker 11 (20:13):
Such was the suck you saw your inn?
Speaker 7 (21:31):
You says?
Speaker 2 (22:23):
Oh really, ah, man, you made me grown.
Speaker 1 (22:28):
That's what rock does. Oh that's what punk rock.
Speaker 9 (22:31):
God.
Speaker 1 (22:32):
Oh but you'll have to go to YouTube to watch
it in sync. But that's what punk rock does.
Speaker 2 (22:36):
Do you want to grow?
Speaker 7 (22:37):
Here?
Speaker 1 (22:38):
Listen to that right, listen to run away? Just don't
put that we're going again.
Speaker 2 (22:42):
I don't know what that was.
Speaker 3 (22:43):
It was running away, you know, and tails all this time,
the good little school girl falls in love with the
rebel and wants to run away.
Speaker 2 (22:51):
Oh no, man, all I know I went into different
mode and it was scary.
Speaker 3 (22:55):
I like that.
Speaker 1 (22:56):
That's what I hope my music does. Is transport you
to a different Well.
Speaker 2 (23:00):
It made me look like I had here and grew back.
Speaker 1 (23:02):
Look there you go.
Speaker 2 (23:04):
It's not here no more, it's gone.
Speaker 1 (23:07):
That's what stressful do to you. Yeah, right there, there
you go. I mean that's a good time.
Speaker 2 (23:12):
I think.
Speaker 1 (23:12):
Okay, this is not the DJ and Jeddak hour. Okay,
let's just get that straight.
Speaker 2 (23:17):
I love that record, that record honestly, Okay. So I
just wanted to tell it real quick.
Speaker 4 (23:22):
So we had one of my friends who was actually
a very big writer inside Atlantic Records, and he loved
your song.
Speaker 2 (23:28):
That's one of the most records.
Speaker 4 (23:29):
Because what happened was he was getting tired of the
Lovely Dove records the guys were doing. So he's like,
I'm tired of this, and all of a sudden your
song came up, and all of a sudden it showed
the powd goes that's the type of record.
Speaker 2 (23:40):
I like, yeah, you woman turns the man with it.
Speaker 1 (23:43):
I'm like, yeah, I have that on video. So he's
telling me the truth. Yeah.
Speaker 3 (23:47):
One of my friends said is like, is that just
what you Is that just you screaming at your partner.
I was like, well, technically that's in my mind, that's
what I'm thinking.
Speaker 2 (23:54):
But yes, okay, so let's get to that record. Let's
dissect that record.
Speaker 1 (23:57):
Well, here we go.
Speaker 2 (23:58):
So my question to you is is where where where
did the concept come from?
Speaker 3 (24:03):
What was amazing about that record is I was in
Nashville after I recorded all day long, a shout out
to a lot of the people down there who are
just everything to me, and I was actually exhausted, And ironically,
when I'm exhausted sometimes I have to just like write
out all the songs and things that are going on
in my mind.
Speaker 1 (24:19):
Okay, and I had that idea.
Speaker 3 (24:22):
I think sometimes we get so caught up in like
this idea of I don't know, like relationships, you know,
monogamy and if God forbid, if you have a thought
about somebody else.
Speaker 1 (24:33):
Oh my gosh, now you're a cheat and all lot.
Speaker 3 (24:37):
So I just started to play around this idea of
like that that little thought becomes fuck it.
Speaker 1 (24:42):
Oh sorry, oh my god, I'm so sorry. My dad's
going to kill me.
Speaker 3 (24:49):
No, you know, I really ran literally no pun intended
with this idea of like what if you just said
screw it and like you just allowed your fantasy to
run wild? It doesn't mean you're gonna leave your partner
or like who cares, Like, just have a little fun
and a little a little I.
Speaker 4 (25:06):
Feel like you girls of mind readers. That's why, like
when the guy you know really messes around, it gets
really messed up, you already know what's gonna happen before
we do the next move. So that's what it kind
of makes me like when I see that and like
another guy doesn't the girl screaming at him because A,
actually I don't want to get there right now, because
somebody I'm watching that right now, she's reading my mind.
Speaker 1 (25:27):
Not put yourself in a ditch.
Speaker 2 (25:29):
No, I don't care because I ain't gonna do anything.
Speaker 1 (25:31):
Keep digging that hole. Go ahead, just keep digging the hole.
Speaker 2 (25:34):
Dig the grave the whole. Okay.
Speaker 4 (25:37):
But so like I do like that, and what I
did really like and I caught it kind of it
was kind of like the guy had the girl stuck
in his head?
Speaker 2 (25:46):
Was that like what you were going for?
Speaker 1 (25:47):
Literally?
Speaker 2 (25:48):
Yeah, because I can actually see that like with the girl.
Speaker 4 (25:51):
Basically the guys waking up and the guys trying to
like think about like, you know, the girl that he
fell in love with was a nice quiet school girl.
Speaker 2 (25:58):
Is that what you were going with?
Speaker 3 (26:00):
Yeah, it's both right, It's it's you have this girl
who just wants to For the music video, I actually
tried to make it a little bit more quote stereotypical
of this idea of the schoolgirl and the rebel. When
I was writing it, it was much more about this
idea of relationships and the fear of you know, stepping
(26:20):
out of bounds and what is boundaries. So it was
much more about relationships when I was writing it. But
for the video, I was like, you know, we're gonna
have some fun. We're gonna put me I haven't had
I haven't worn a cardigan in like twenty years of
my life, and we're just gonna go.
Speaker 1 (26:34):
For this kind of that That old tale is old
a time of the little school.
Speaker 3 (26:39):
Girl falling for the guy and then vice versa, then
the rebel who falls in love with this little school
girl and what happens. And I think that you see
this kind of little as I as I used to
be a short film producer with my sister, we tried
to make it a little bit more of a short
film of this this this hardships of what is she
gonna do? Is she get Is she gonna stay or
(26:59):
she and a go, And of course at the end
she goes, because why not.
Speaker 4 (27:03):
I want to know your perspective of seeing it, because
there's a guy's perspective. I saw it kind of like
the guy was thinking about, you know, like a girl
that he fell in love with, and then she became
his nightmare.
Speaker 3 (27:15):
This is what I love about creation because you have
no idea the perspective of the person listening or watching,
and that's amazing.
Speaker 2 (27:22):
I love that.
Speaker 1 (27:23):
Well, the way you guys were both talking about it,
right with the with the girl and everything in the
rebel and that the first thing I thought of was Greece.
I love that, Thank you, right, you know it was
that was what I thought of. I thought of Sandy
and Danny. Yes, okay, you know the schoolgirl wanted you know,
and then at the end she turned it up on him,
(27:43):
and you know, they both flipped each other. You know
what I'm saying, and that's what she multiplying.
Speaker 2 (27:48):
Yeah, okay, you.
Speaker 1 (27:49):
Know what I'm saying. So it kind of it. They didn't.
She didn't remind me of the actual video, but it
just the concept of feeling the feeling of that was like, oh.
Speaker 2 (27:59):
Okay, so I know who does she remind you of?
Speaker 1 (28:02):
You got to say that me or in the video.
Speaker 4 (28:05):
No, I'm just saying that record like, who does she
remind you of? She has God, I say pink.
Speaker 1 (28:11):
Man a little I can see, Okay, I'll give you.
Speaker 4 (28:16):
I'm gonna say pink I'm gonna say the woman with
the blonde hair to the bond. No, no, no, no, no,
no no, that was that the blonde Yeah, the one
that did the song with Eve the Rapper.
Speaker 1 (28:34):
Oh, thank you so much. That's probably the best. You
know what you say. This is the first time you've
actually compared. We've done this and you actually nailed it.
You know what I'm saying. I can't. I can't even
go above that.
Speaker 3 (28:50):
I wrote the song I can hear to nod to
my one of my one of my idols is jone Jet.
Speaker 1 (28:55):
So, oh my god, I was sticking jone Jet. Oh
my god, Oh my god, I love roll. Oh my god.
Speaker 2 (29:01):
Yes, I could see that.
Speaker 1 (29:02):
I was thinking thank you so much hashtag.
Speaker 2 (29:05):
The reason why is because Gwen always had those CODs.
Speaker 1 (29:10):
I was thinking jone Jet, I swear on my mother.
I was thinking joan Jet.
Speaker 2 (29:14):
A certain note that you hit reminds me of her.
Speaker 1 (29:18):
Yeah, she kind of had that little.
Speaker 2 (29:21):
Yeah that reminds me of Gwencefani.
Speaker 1 (29:24):
Yeah, I was kind of evoking that punk that.
Speaker 3 (29:27):
I mean, when we were recording it, I was like,
we're like in it, let's be in a basement and
let's get grungey with it and let's have a good time.
But then once, once you throw horns on it, then
you get a little Scott And that's what I was
thinking out.
Speaker 1 (29:38):
I was thinking j Jet, but I didn't want to
say it.
Speaker 3 (29:41):
Besides, Dolly, she's in Jet and she's like my ultimate queen,
you know.
Speaker 1 (29:45):
I mean, she's in a little bit of Pat Benatar,
Thank you, a little bit of She's got a smidgeen.
I feel like I'm on a first date and I'm
just fully. If you ever hear one of her songs
fire and Ice, yeah I know about I love that.
This one.
Speaker 2 (30:04):
Hard comparison.
Speaker 3 (30:05):
Yeah, that's good company. I'll take all of them. I'll
take I'll take all of them.
Speaker 1 (30:10):
We'll just write them all down.
Speaker 4 (30:12):
So my thing to you now right is now seeing
the growth that you have. What do you see a
lot differently now as an artists.
Speaker 1 (30:21):
Well, what I think is great.
Speaker 3 (30:23):
I think we sent you spiteful and run away right,
and run away is now, and spiteful now is almost
two years ago, which is crazy. A I think what
I love is we're still running and gun in it.
When it comes to filming, I mean, it's still us.
We shot that in a day. I mean it's still
us ragtagging it and doing what we can, trying to
(30:44):
bring about the best art we can get with what
we have. But I think artistically, because now I've worked
with like some goats and a lot more producers and
a lot more artists and musicians, I just feel like
I've finally gained a confidence that I.
Speaker 1 (31:02):
Never had.
Speaker 3 (31:03):
People think that because of my personality that I was
always confident. It took a long time for me to
even say the word confident. I think, actually, this is
gonna be the first ever said the word confident. So
I think that developing more of my community of producers
and writers and in different states and everywhere, and musicians,
(31:24):
and now I have a sense of groundedness where I
just feel confident, so I can allow my ideas to
come out so much more easily, and then I don't
second guess myself. So I'm like, you know what, we're
just going I had the vision and we're just gonna
shoot it and who cares? Whereas before I'd be like,
(31:45):
huh oh, maybe I don't. And now it's like I
got my homie Franco. Shout out to Franco who shot that,
and he shoots a lot for me, and we just
we just go for it. And I think that that
is what has been giving me so much of my
success right now, is that I'm not second guessing myself anymore,
and we're just going for it because the worst that
(32:05):
could happen is it doesn't work. Or I mean, I
haven't even I haven't even experienced that yet, because even if.
Speaker 4 (32:12):
You know why, you haven't experienced that yet, because you're
still hustling no matter what. Mean. Just being in the
industry a long time, I've seen songs that everybody hated
two years ago become.
Speaker 2 (32:21):
One of the biggest records the next year.
Speaker 4 (32:23):
You know, So like if you always work a record,
the record will finally click, you know what I'm saying.
And the reason why I could say that is because
experiences again with mine, three years it's taken and then
all of a sudden that in nowhere, we look the
next way and the sale is.
Speaker 2 (32:41):
Blown up to number twenty two on the billboards. You
know what I'm saying.
Speaker 4 (32:44):
So like when people always say, yo, the record is dead,
you could kill a record. The only way you can
kill a record if you don't promote it no more.
But if you keep promoting like this is two years old?
Speaker 1 (32:54):
Right, no, no, no, this one isn't. We're gonna watch
the spiteful.
Speaker 2 (32:56):
Yeah, spitfel is two years old? Yeah, okay, so the one,
let's roll to that one.
Speaker 1 (33:00):
Okay, let's do spiteful little bitter? Shall we? Huh?
Speaker 4 (33:07):
Sorry?
Speaker 1 (33:07):
What's going on here?
Speaker 7 (33:11):
Is she?
Speaker 1 (33:12):
Okay? Does she need help?
Speaker 7 (33:17):
It's a passle bitter. You can't taste.
Speaker 9 (33:23):
You guys are deliver.
Speaker 7 (33:26):
This sings to say you're not you win the bigger im.
Speaker 9 (33:35):
Focus on your lens.
Speaker 7 (33:38):
Do you wind up?
Speaker 1 (33:47):
My girl.
Speaker 7 (33:50):
Up? Says does don't make me away? Goes someone else?
Speaker 11 (34:01):
The plea yes, let me honest size, I'm anxious.
Speaker 9 (34:07):
Nothing made.
Speaker 1 (34:11):
I know the worst shout out Chris Ledge away everybody.
It takes two to tango. I'm nothing to you only one.
Speaker 7 (34:24):
You're saing your hair a coma short.
Speaker 11 (34:29):
It comes are coming to the devil, But the.
Speaker 7 (34:34):
Devil don't speak of the truth.
Speaker 1 (34:37):
We've got something to settle.
Speaker 6 (34:39):
And also up with the special painted of you hold say.
Speaker 7 (34:56):
Take me away.
Speaker 11 (35:01):
The Swain, a real size of pictures and.
Speaker 7 (35:09):
A good don't make the candy shot angle Shi make
you those guys pay no song, just.
Speaker 9 (35:22):
So, I says.
Speaker 7 (35:37):
Away later.
Speaker 11 (35:42):
Somewhere the house sun of Pature and.
Speaker 9 (35:51):
Let's go it's a real sun.
Speaker 2 (35:59):
I'm gonna be Yeah.
Speaker 1 (36:00):
I play your record.
Speaker 2 (36:02):
And I know I know your record.
Speaker 1 (36:04):
Yeah yeah.
Speaker 2 (36:06):
When playing it, I was like, man, I know that
right here.
Speaker 1 (36:09):
Yeah, I love that.
Speaker 2 (36:12):
Well, you know what it is though, I play your
record a lot.
Speaker 4 (36:14):
You know, we played in Atlanta, Chicago, Indiana, Miami. Your
record is that record is always really spinning. So I like,
I always make sure I call up out there. I
go out there and she goes put that record in.
So we always put that record in. So that's why
I know that reg because and that.
Speaker 1 (36:37):
But we've played all of them. We've played.
Speaker 2 (36:41):
Yeah, I'm saying like that record.
Speaker 4 (36:43):
Saving that record always stands out to me because of
the guitar thing.
Speaker 7 (36:47):
So d D and.
Speaker 1 (36:51):
I love the most about the video at the beginning, Yes,
the way she tips her hat.
Speaker 4 (36:56):
Some I thing to you is you said you weren't
confident the way she's like that then, but you couldn't
even tell it.
Speaker 2 (37:01):
I kind of looked like you were.
Speaker 4 (37:03):
You wanted to be cocky back then, like you know
what I'm saying, Like she did perfect like this and
she goes in like it's.
Speaker 1 (37:10):
Really the way I was like, you go, girl, yeah,
you know she just had this idea.
Speaker 2 (37:17):
Was that yours?
Speaker 1 (37:18):
That was mine? That was just me messing around.
Speaker 2 (37:20):
That was you messing around, and you are cocky back then.
Speaker 3 (37:23):
Well, but you see the difference between being cocky and
confident a very different thing. So I think I mean again,
we shot that in it. I think we shot that
in like four to five hours in the water, in.
Speaker 1 (37:36):
The rain, and then not.
Speaker 2 (37:39):
Yeah so you shot it in the rain or did
you It was a rain room?
Speaker 1 (37:42):
Yes, yes, in Brooklyn, yes, shout out.
Speaker 2 (37:49):
The reason why I know that is because they only
they're the only ones with the rain room. So when
she said that, oh.
Speaker 3 (37:54):
Wow, Well for independent artists, they're they're amazing because they
are they're open a lot, and they're pretty afford will
and they have a lot of options.
Speaker 2 (38:02):
And they shoot. Yeah, very nice that that video was
very nice. Yeah, that video was very nice.
Speaker 1 (38:08):
Yeah, but the way she tipped the hat at the
beginning just had me going.
Speaker 4 (38:13):
She sunded, No, I'm not trying to do anything like that,
but she sounded like your boy, the one that you
love to death.
Speaker 2 (38:20):
Think about it.
Speaker 6 (38:21):
I just.
Speaker 2 (38:23):
Chris Miles. I'm not gonna say his name. You didn't
be quiet about him? And what's his name? Show?
Speaker 1 (38:29):
What are you talking about? Are you shade right now?
Speaker 7 (38:32):
No?
Speaker 1 (38:35):
Talking about shade bomb? Is that a new phrase? I
think it's made a shade bomb?
Speaker 3 (38:40):
No, no, no, no, no, Vinnie, thank you for the
sham pointing that sea circle that's today.
Speaker 1 (38:45):
Yeah, what is who we talk to? Say it now
that you're like, I forgot it?
Speaker 4 (38:49):
Oh my gosh, moving on, moving on, Lenny Cravis, Oh well,
come on hello, hello.
Speaker 3 (38:58):
I love you.
Speaker 1 (39:00):
Listening because let's do a song together.
Speaker 2 (39:03):
The reason why you can laugh, you can laugh, you
could die laughing, but the thing is, come on.
Speaker 1 (39:09):
Man, thank you So again, that's this is like you
guys fueling this.
Speaker 4 (39:13):
I'm not fueling you. I'm just being honest, and you
were terrible. I would be like, can you get all
my stage here. I don't want you to be here
next to me.
Speaker 2 (39:21):
But no, yeah, yeah, yeah, you're superb man.
Speaker 1 (39:23):
You know. It was funny was because we had a
gentleman on the show, a very good artist. His name
is ron Kat. Hail to vron Kat, love him, and
he had told us some stories and he brought up
Lenny Kravitz and yeah, just you know, like give me
for years, like oh me and Lenny, yeah, you know,
like the studio and Prince and Rick James. I was like,
(39:48):
can you get him on the phone? Oh my god,
here No, But it was just so funny. And then
he was talking about there it is, thank you listening.
Speaker 2 (40:02):
But my thing is, how did you not really you know,
put that two to two together? I wasn't. I just
I don't know, because that's all you kept saying in
the whole interview was Lenny.
Speaker 1 (40:11):
Gravis, Travis Tell and the guitar.
Speaker 2 (40:14):
So I can't you guys wants to this chair right here?
Speaker 1 (40:18):
Gosh, yeah we could, Yeah we can do that. Maybe
we can do Lenny.
Speaker 7 (40:24):
No.
Speaker 1 (40:24):
But I like his new song too. Oh gosh, Angel,
I think it's CA's really good.
Speaker 7 (40:31):
See.
Speaker 2 (40:31):
I like this show. This show is actually funny today.
But look.
Speaker 1 (40:35):
Out there.
Speaker 4 (40:36):
So one thing about you, I just love the I
just honestly, you really are really great entertainer.
Speaker 2 (40:45):
I can't.
Speaker 4 (40:46):
I really ain't got words to really say because everybody
who I really want to compare.
Speaker 2 (40:50):
You to is legendary.
Speaker 4 (40:52):
So for me to come out here and to actually
say anything is wrong with your type of sound, your music,
or try to give you point is, I really can't
because honestly I feel like you.
Speaker 2 (41:03):
You you got every base that you need.
Speaker 1 (41:05):
You can't. You can't give advice to something that is perfection. Yeah, okay,
you can't. You just can't. You can't change it, you
can't mutilate it, you can't alter it or anything. This
is the diamond in the rough and you do not
mess with it. And it don't hurt my ears, No
(41:27):
it doesn't, and it won't hurt your you know, your
head or anything.
Speaker 10 (41:29):
You know.
Speaker 4 (41:30):
When you're a DJ man and you play a lot
of records, right your record even know a lot of
times I put it into like the rotation where it's.
Speaker 2 (41:37):
Not supposed to be because of a certain genre.
Speaker 4 (41:40):
But I like your record so much that I even
get a call back from my programmed directors, and he goes,
just keep it in, just keep it in, because it's
like it's supposed.
Speaker 1 (41:49):
To be on the urban mix.
Speaker 9 (41:51):
So I like it.
Speaker 4 (41:55):
Keep it in.
Speaker 1 (41:56):
I like it well.
Speaker 3 (41:57):
And what's funny that you love that song so much,
because that was probably one of the biggest moments of
my career writing with David Ray Stevens, and I mean
getting to write with he writes he's huge jelly roll.
Getting to write with somebody at that caliber and you know,
those fake it that you make it moments and being like, oh, yeah,
I do this all the time. Had that experience just
(42:21):
like fueled me in a way. And then and then
playing with Travis Kareem Thompson, I mean these incredible, like
these artists that see me on their level, which I
had never had before until then. And then when we
were recording even the demo for that I even I
had a moment. And this is when the engineer Hefley,
and I became so close of you know, second guessing myself,
(42:43):
and I had a moment and then all the guys
rallied behind me. But you know, I think every artist
has those moments in general. But I think what I finally, yeah,
I think what. I finally though, got to the places
of just of just moving through it. I those moments
used to be the hurdles that kept me back and
kept me in my circle, in my little box. And
(43:04):
now I see those moments and I just blast through it.
And every time I do that, then we get a
song like Spiteful and Better and it doesn't get old
to me.
Speaker 4 (43:10):
But it's cold experience, yeah, because you're thinking, well, you
gotta remember to You're going into the studio with somebody
that got Grabby's hit records, and you're just somebody that's
first coming into it. So you're looking and you're trying
to observe and trying to figure out, dang man, I
got to this point, so I must have something. And
then all of a sudden he starts showing you know
why he's the man, and then you kind of like
(43:32):
try to take a step back and try to analyze things,
and then you kind of get out. You know, you
get nervous when you're inside the mic because you hear
that knowing and you're second guessing yourself and you're not knowing.
I don't know if you ever had that moment, but
I had moments where I was doing my verse and
then all of a sudden, I would be next to
one of the big producers and I'll be just looking
at him the whole time to see if you know
(43:53):
what I mean. Yeah, So it's like it comes with
experience and timing.
Speaker 1 (43:59):
But with that will with that said, Okay, okay, the
finale of the show is almost here, and you know
I wanted to get the premiere in really really do
job opening, job opening. You just wound it for me.
But that's okay. It wasn't my phone, No it wasn't.
(44:20):
This song is her new song. It's a premiere here
on the DNA Live show Let's Go, and it's called
so Cruel, So let's let's get it, turn it out,
turn it up. Yet I cannot.
Speaker 9 (44:59):
Street just scream, and you.
Speaker 7 (45:01):
Blame me for dest time.
Speaker 3 (45:08):
Can gave them.
Speaker 7 (45:09):
As you can gave you every port of meet.
Speaker 9 (45:13):
Love fool love. So let you.
Speaker 12 (45:30):
I'll let them, many of us, let the light shine.
I've been running around letting my head down.
Speaker 7 (45:44):
You'll gost no longer. Oh this down.
Speaker 9 (45:52):
Was it to see?
Speaker 11 (45:54):
I'm catch the street loves a fool?
Speaker 7 (46:00):
No honesty, ya.
Speaker 1 (46:30):
Gotta not so copenn okat.
Speaker 7 (46:33):
Thing so long to.
Speaker 10 (46:45):
Think so holy cow got I had to actually I
had to add like that that was like making me,
don't I know, I'm just making me move in spots
I didn't think I could move.
Speaker 2 (47:04):
So yeah, that soone was hot A banger.
Speaker 1 (47:10):
The banger you did say.
Speaker 4 (47:11):
Yeah, that's a very dangerous record to put out In
twenty twenty five.
Speaker 3 (47:17):
Shout out to Vibra Moon Studios. Shout out to Peter Cooper,
Danny Gold, al Levi, not.
Speaker 1 (47:25):
Sean Murray.
Speaker 3 (47:26):
I mean talk about again working with different studios, getting
to work with some of the goats. I mean, Danny
Gold is incredible. He's on the guitar, he helped me
produce the song, write the song. He is just a writer, composer,
extraordin error. And then Peter Cooper, I mean, look him up.
You don't even I don't even have to say his list.
Joan Jet, Dolly, I'm Jon Jet, just trying to closer
(47:50):
to my queen, so trying to be like hello John.
Speaker 2 (47:53):
Yeah, all right, so Lenny, let's go to the process
of that record.
Speaker 4 (47:59):
Yes, yes, I'm excited, because what I really do like
about you do you take you take your time, You
do not rush, correct you make sure everything is good.
Speaker 2 (48:08):
You don't be like jumping right in.
Speaker 1 (48:10):
Wait on what process, the writing process, the recording process.
Speaker 2 (48:14):
What process I'm going to say, the recording and the writing.
Speaker 3 (48:17):
Okay, so writing, not to quote my favor glow Rilla,
I honestly wrote that song.
Speaker 1 (48:22):
Well, okay, So Danny is a new producer I'm working with.
Speaker 3 (48:25):
He has incredible songs. We met in the summer and
went over some songs that he had, and then he
showed me with shout out to Barry. He jumped on
the kit in the rehearsal space and he showed me
this blues riff and of course me, out of all
the songs, I fell in love with this blues riff.
Unbeknownst to him, I wrote this song, I would say
in like twenty minutes to his riff because I couldn't
(48:48):
get out of my head. And when we met to
record some demos, he thought I was going to record
these other songs.
Speaker 1 (48:53):
And I was like, so I remember that riff and
he was like what.
Speaker 3 (48:57):
And then we recorded the demo and then the recording
pros us though we really took our time. We got
some amazing musicians in It was me and Danny at first,
and then we got Sean uh and Al and they
are just I mean these like it's almost like little duos.
Speaker 1 (49:10):
It's Janny and Peter Sean.
Speaker 2 (49:13):
You can hear it, you know, you can hear an
artists that takes the time, that an artist.
Speaker 3 (49:18):
That just goes yeah, yeah, we take our time recording.
We try, we you know, multiple mixes, we all and
I am a super and I don't know if this
is similar with you, but like I feed off of collaboration,
so it's not like this is my song and you're
all recording this for me, it's like what do you think?
Speaker 1 (49:38):
Peter? What do you think? Danny? What do you think? Sean?
Speaker 3 (49:40):
And I think that's what builds such a family when
we record together, because I think at least I'm speaking
for them, but that's what I think gets them excited
to work with me, because everybody's voice matters, and we're
all like, you're in this really because you're in this
room because I I want your talent, I want your
a knowledge and talking about experience and I mean, these guys,
(50:03):
but you're smart.
Speaker 4 (50:04):
Because what you do is you basically let them take
the flow a lot of times and then what you
want to do is you go, Okay, here's my lyrics
and also say, hey, you know what I heard right here?
Speaker 2 (50:12):
You see that little rivething and you go whoa.
Speaker 4 (50:15):
Because again they got experience and they made they got
gold records, they got platinum records, I got they got.
Speaker 1 (50:22):
Grammys, right, yeah, to do that, yeah, I think they
got just a few.
Speaker 2 (50:26):
But that's what But that's what I'm saying.
Speaker 4 (50:28):
Would you want to sit here and tell somebody that
basically already did your job and how to do your job. No,
you want to sit there and you want to go
with the process and the flow, and that's what makes
the hit records.
Speaker 1 (50:40):
Yeah, and that's what allows me to then entertain on
the stage. I can see it. Oh you can't see
that time? No, no, no, I got good you know. Yeah,
but you know what it is. It's it's also when
it feels right like that, when you're in sync together
with the other people that are playing with you, they
(51:00):
don't feel like they're just playing for you what I'm saying,
they don't feel like, you know, they feel like they're
part of the experience, part of the experience, you know.
And that comes from my background. I mean, I come.
Speaker 3 (51:13):
You know, I come from a producer like, I mean,
it's all about everybody that's in the room. It's not
just about me, And I think that that's something that
that's what I love about rock and roll.
Speaker 1 (51:24):
I mean, I'm an old soul. I'm like, isn't it
just about getting everybody in the room and recording And that's.
Speaker 3 (51:30):
What that's where I live and thrive the most. So,
and what's exciting about this EP. We're working on a
few songs with this same group. We're kind of Danny's
pushing me and this is the first time I'm able
to work with the producer.
Speaker 1 (51:43):
He's pushing me in ways that I haven't been.
Speaker 3 (51:45):
So we have a little pop and we have a
little a slight, little dash of R and B coming,
and then we have a little dash of this. And
I think that's what's the most exciting about uh. Still
being independent as I can go in any direction I want,
as long as I feel the song.
Speaker 1 (51:59):
But you know, as you said earlier.
Speaker 3 (52:01):
Like being an entertainer, that's what I've always said first,
because I think I've always been afraid of labels like
oh I'm a singer, Oh I'm a this, Like no
I'm an entertainer, which means I want you to come
into my world feel really good. Whether you've got to
dance it out, whether you've got to cry it out,
whether you're got to rock it out, whether you got
to head bang it out. You can do whatever in
(52:22):
my world. And as long as you just feel good
and you like you feel something at least, yeah, that's
my goal.
Speaker 1 (52:28):
You know what to R and B.
Speaker 2 (52:29):
Back to what she said with the Independent right they
tuned to save Me. If you really just look at it.
Speaker 4 (52:35):
Man, it's just marketing yourself, and then that's it just
a puh really if you look at it as just
marketing yourself.
Speaker 3 (52:43):
And music is universal, and I feel like a good
song is a good song, And I don't think somebody
listens to run Away and then they're going to listen
to Spiteful and they're going to listen and they're.
Speaker 1 (52:50):
Going to not going to be like, oh well, excuse me,
she's not sticking out.
Speaker 4 (52:55):
But how do you feel that now you have different
type of sounds of different type of But because that
I feel like is more with the new record that
they did, I feel like that's going to be more
in your pocket. Because if you can hear the way
that you came off and the way you says that
to me is one of your best I'm gonna say
right now, I think that's the record you really need
(53:16):
to push because I could hear it, you know, and
just being in radio and hearing it, and a lot
I know there's going to be a lot of more
people gravitating towards it because it's like a fun type
of record.
Speaker 3 (53:26):
Well it's gross, right, I mean, I've never had it's
always just been in the beginning of it's just me.
It's just me in a basement with my friends all
listening to me. And now I finally have been privileged
to now be in rooms where I have different eyes
and ears and opinions and perspectives and I'm listening.
Speaker 1 (53:45):
I think a lot of people don't.
Speaker 3 (53:46):
As my mom says, listen, I'm listening to their opinions
because they believe in me, and I'm just allowing them
to bring out things in me. And you'll hear some
other songs coming through that are a little bit more,
you know, again, like I said, in the different fields,
but this is this is me, this is rock, this
is blues, this is this is a you.
Speaker 1 (54:05):
Know, screw I won't curse. Sorry.
Speaker 3 (54:07):
This is that screw you song to that person that
told you X Y and Z, you know. And at
the end of the song, it's like, yeah, I'm gonna
just strip myself of you. I'm gonna I'm gonna love
me and then I'm gonna find someone who loves me
and then I'm we're just gonna go, you know.
Speaker 1 (54:23):
So it's definitely there'll be a video coming. Of course.
I'm waiting. We'll be marketing it like crazy. I'm waiting.
It's gonna be all over this.
Speaker 2 (54:29):
I'm excited.
Speaker 1 (54:30):
Man, ladies, this is let me just say, this is
why I love her.
Speaker 2 (54:34):
This this this is wait fly stop because this woman
knows all the hits.
Speaker 1 (54:38):
I'm just saying this is certified. Yeah, okay, I'm just
saying this is you know, no.
Speaker 4 (54:45):
Her she I know it's gonna sound crazy, but she's
been five for five so far, so varid.
Speaker 2 (54:53):
So for me, I can't say nothing because I've been
over time.
Speaker 1 (54:58):
So that's what it's called partnership. Yeah, exactly. He feeds,
but that's okay, he feeds off.
Speaker 4 (55:05):
I feel like the woman rule music. So when you
get it to a woman and she's jamming to it.
I'm like, yeah, go anywhere.
Speaker 1 (55:11):
You know why because I always tell him when when
when he first did his first album, we were just dating,
I don't know, five or six months or whatever, and
we were breaking up. Well, I was breaking up with him,
and he went he went correct, right, he went into
the studio and he poured his heart out. So you're welcome, yes, exactly.
(55:33):
And he came back with an album and I he
made me listen to the album, right, and and of
all the songs that he played, I turned around to
him and I said, let her know, is the single
that's going to propel the rest of the album. I'm like, dude,
(55:54):
let her know. And what happened? And she let her know.
I let him know. You got that right.
Speaker 3 (56:02):
But again, if you weren't in the space to listen
and take that advice right, then you would have just
shot yourself in the foot.
Speaker 1 (56:09):
So I think that's yeah, he's been shooting himself in
the foot ever since. But that sha Nnie, where's the
shade bomb there? It is, shade, mom. But that's what
we're for, Okay, that's what females are for.
Speaker 2 (56:23):
I'm not gonna win in a room for two females.
So I'm just letting let it go.
Speaker 1 (56:28):
This female do like the movie Frozen and just let
it go.
Speaker 2 (56:33):
Drop a bomb on that one.
Speaker 1 (56:34):
Please shade bomb, shade bomb. We need another shade bomb.
Save a little bit delayed, Vinnie, but we'll forgive you.
But anyway, it's been a pleasure, let me tell you,
because I love this woman and everything everything she does.
I watch, I follow. Okay, she knows I do because
(56:56):
I'm always bugging her about it. I love it. You're
never bugging me, Okay, Well I bug I bug him.
I bug Will Barry. Oh yeah. And you know, half
the time when I'm bugging him, he's like, I'll call
you back. I'm at the studio, okay, we're doing things. Yeah,
were on the way the street. At least he's nice
about it. You know, he'll turn around and be like,
I'll call you right back. I'll call you right back,
(57:17):
and he does. He does. He's a very good guy.
So anyway, thank you very much for coming. Listen to
her song so Cruel, her new one. We're premiering it
on DNA. It'll be on all this.
Speaker 3 (57:26):
Week and it'll be out to stream January twenty fourth,
all the things, and there'll be a video.
Speaker 1 (57:30):
It's going to be great anything any last words, dear, Honestly,
you already know it's your boy DJ Energetic and we're
gonna push this song all the way up. Yeah we go.
So Cruel Baby by Miss Jay. See you next week,
everybody pease
Speaker 7 (58:05):
Foo
I'm Danny and amalthea and we all DNA live.
Speaker 2 (00:14):
Baby, what's going on, everybody?
Speaker 3 (00:16):
Man?
Speaker 4 (00:17):
So today we're gonna actually announce because everybody keeps acting,
where has DNA been played?
Speaker 2 (00:23):
Where's this gonna be played?
Speaker 4 (00:25):
So you know what, let's put up the charts real quick.
So we got go ahead, explained to everybody. Let's go
all right, I'm gonna try.
Speaker 1 (00:33):
I mean, you do see the places on the bottom
of the screen. But internationally, we are in the United Kingdom, Australia,
New Zealand, Brazil, Chile, France, India, Italy, Bangladesh, Wow, Germany, Japan, Canada,
I mean, Pakistan, Philippines, Columbia, Malaysia, Kuwait, Turkey, and that's
(00:55):
just to name a few. Yes, okay, but we've gotten
the list and everything. We're gonna put that up on
our site just to show you. So this way you
can see the radio stations and the areas and what
times and stuff like that. We'll get that all together
because this.
Speaker 4 (01:10):
Is a lot exactly because you know what, when everybody
asks us about why, how how do like you know,
I keep the DNA brand keep going, I keep pushing
it like right now too, we're gonna show you real quick,
put up the DJ Energetic Show that I have as well.
Uh not that, actually you know what put that? So
we are basically we have an app that I think
(01:31):
everybody needs to start downloading this called DNA Media. We
had the company called DNA Digital Elite Media. Yes, so
to everybody out there, definitely download that app and make
sure you guys download that app as well.
Speaker 1 (01:46):
Yes, please do because it'll bring you everything, all the music,
all the interviews and everything from our show.
Speaker 4 (01:52):
So now we're gonna put up the DJ Energetic Show
real quick. So now the DJ Energetic Show with the
DNA Show is syndicated on all of these radio stations
right here, these platforms all across every day we're at
least playing in another ten radio stations across the country
and internationally. So right down in there, because everybody key's
asking me right down and there there's the radio stations
(02:15):
right there for everybody to see.
Speaker 1 (02:16):
So then if you want to take a screenshot of that,
because the thing is is that we were you know,
we don't sit there and like brag about everything that
we have, right but in twenty twenty five, we said
we're gonna bring it real.
Speaker 4 (02:31):
We're just gonna put it all together. We're just gonna
put it all together. So this show right here that
you guys are watching right now is on other stations
in the country.
Speaker 5 (02:40):
I don't get it.
Speaker 1 (02:41):
I'll read it to you, Okay, you got right now.
It's in New Mexico and that's on Saturdays, right channel eight.
It's also Channel twenty seven on Fridays in San Francisco
and that's from nine to ten. Then you have ten
in Fairfax, Virginia, and we're on sixty seven on Tuesdays,
(03:06):
and one more for now Denver, Colorado SETI and Sunday's
channel forty two from eight to nine.
Speaker 4 (03:14):
A lot more other stations, but right now we really
can't get to them.
Speaker 1 (03:17):
We would need an hour to list everything.
Speaker 2 (03:19):
Listen to it. Yeah, I know I built. I built
such a crazy conglomerate ladies and gentlemen.
Speaker 1 (03:24):
Yeah, it's cfy.
Speaker 2 (03:26):
But now what.
Speaker 4 (03:27):
We're gonna actually talk about real quick? My favorite too,
built up the media base charts.
Speaker 1 (03:31):
Please, there we go.
Speaker 2 (03:33):
Media based charts right now is showing a lot of
you guys want to know a little bit more about
the media based media base.
Speaker 4 (03:39):
You guys definitely, as artists need to go in and
need to put all your information on media base so
you guys can actually be seen and that's how a
lot of your artists is making into the charts.
Speaker 2 (03:50):
Next, so this is DTR.
Speaker 4 (03:53):
DTR is a DRT Yeah, DRT Wow, my just Lexia
just show I'm playing but the not go ahead.
Speaker 2 (03:59):
You can talk about the.
Speaker 1 (04:00):
DNA, a digital radio tracker.
Speaker 2 (04:02):
Well, we're on right now. You know the DNA.
Speaker 4 (04:05):
I always tell a lot of independent artists too, men
that really you know, are trying to really learn and
trying to get on there too.
Speaker 6 (04:11):
Man.
Speaker 4 (04:11):
The charts are right there, that's the international charts. You
got a lot of artists that are in there right now,
a lot of artists that we've been playing that are
on there as well as media Base. So this is
going to be the new DNA show basically where we
definitely start putting up stats and showing how artists are
doing on our radio station on iHeart. What you guys
(04:32):
are listening to right now? Tell them what the radio
station is on.
Speaker 1 (04:35):
Well, yeah, the iHeart radio station that we have the
we have the obviously the radio station on there. You
can find us obviously DNA Radio d and person A
Radio and that plays twenty four to seven. Okay, so
every show that we have is rotated onto our station.
(04:58):
So if you miss a show, you can hear it.
If you want to see it, you can go on
YouTube and go under Strong Island TV. You'll find DNA
live there. You know you can find this everywhere really.
Speaker 2 (05:10):
Exactly, so remember that. Can you put that app up
for more time?
Speaker 4 (05:13):
Please make sure y'all download that app as well, and
please definitely we are on ro Cool, Apple TV, Amazon
and Amazon five TV, so guys out there, man, if
y'all keep loving the show. Key supporting the show is
a free app. Download it and listen to the DNA show.
Speaker 2 (05:35):
Okay.
Speaker 4 (05:36):
Now, let's get to our sponsors quick because you know
they're here right now.
Speaker 2 (05:40):
Go ahead, figure it out.
Speaker 1 (05:41):
Okay, you got slap Woods Vision, you got Maverick Global Distribution,
the Hype Magazine, Natural Born Clothing brand, and of course
yn VS.
Speaker 4 (05:52):
And if you guys asks too, and you guys see
all them stations too. Over there, these are the stations
that me and are on. We own five stations in
the international station called eighty eight point nine FM.
Speaker 2 (06:04):
We got DNA ninety three point seven.
Speaker 4 (06:08):
That's the that's the one that everybody hears on the
iHeart Joint Power one O four point nine, Power one
O four point nine.
Speaker 2 (06:15):
Right now we're working on a couple of things to
making the FM.
Speaker 1 (06:18):
Yes.
Speaker 4 (06:18):
And then we got the one in La as well,
kW D one O three point nine, So big shout
out to everybody.
Speaker 2 (06:25):
And then one of my favorites you ready for this.
Speaker 1 (06:28):
I'm ready my Australian stage. He loves the Australian one.
Speaker 4 (06:33):
So that's all I gotta say, ladies and gentlemen, We done, mate,
We done, Matt. This is my thing is everybody's been
asking me, and there's your information, ladies, gentlemen.
Speaker 1 (06:43):
And if you want to know anything else, just hit
him up on IG Yes.
Speaker 2 (06:48):
So let's get to this wait here.
Speaker 1 (06:49):
To help Zach okay. So with that said, this show
is a very very special one for me, okay, because
this is a very very talented individual makes me laugh
all the time. She goes by the name of Miss
Jay and she's a rock artist and she's going to
come back to the show because she is premiering a
(07:12):
new song. So right after this commercial break, sit where
you are, do not change and we'll be right back
with miss Jay.
Speaker 2 (07:32):
It is berea, no kidd.
Speaker 7 (07:47):
It is.
Speaker 2 (07:50):
I'm thinking about you all the time.
Speaker 8 (07:52):
But it's been two years now, sinzala.
Speaker 4 (07:58):
In no salis.
Speaker 9 (08:15):
Put your hands up.
Speaker 2 (08:18):
Right now. We're inside the water with ourselves.
Speaker 4 (08:21):
You America, We're gonna wake up from this where the
real Americans got hurt, where we at.
Speaker 5 (08:29):
Man, you blinded and you lie, You just send suicide
your own everyone pretending love you for messing you, upping homes,
laughing with that, the way you can't even afford food,
and everybody looking at you acting so rude, they thinking that.
Speaker 2 (08:42):
They love you.
Speaker 5 (08:42):
Your skin, that's what they see. They still don't understand
the militant will of speed, but they ain't good that
they got it. They just play for each other, a
sip of water, trying to come for us, kill one another.
But I woke up last night. I gotta talk to
my parts. Tell them listen, we gotta march, and what
do we hear? You let then you cry and you
hang where you feel in the skating and say you
(09:03):
went all the time. They just them and with standing Man,
you inside the cars. They don't want to see you.
Speaker 2 (09:08):
They leave you lock doors, bringing your jaws over the line.
Speaker 8 (09:11):
They're like you what they want to try to put
you inside with a lock of spend no block. It's
all your whether they hear we're just the cops streaming
likes us gravel the side and were thinking prices and
putting that too there because crashing the crisis. Now they
hate didn't have the way how they even look. They
try to lock itself up with damn, trying to play
the book one that get his child every time, try
(09:31):
to get.
Speaker 5 (09:31):
Him fo overshow telling God his head and love and
try to churning that we're close with the phone next
to week each other's years, but we in my social
gest and say cale hoo ony years and try to
act like we ain't want inside at home.
Speaker 2 (09:45):
We acting like that we ain't want a wayside.
Speaker 7 (09:49):
I said, God looks fine.
Speaker 2 (09:56):
Hold on, you can't say.
Speaker 7 (10:16):
DNA isn't the house.
Speaker 1 (10:18):
Make sure you check out the radio station?
Speaker 9 (10:20):
That what mister and the miskits on.
Speaker 1 (10:22):
Let's go. I know the two seconds yea, we are back.
Speaker 4 (10:32):
I just don't know how you did that move yeah
like this and then flew away and I'm looking and
I'm like, God, damn, that would break my knees.
Speaker 1 (10:44):
That you know, it really wasn't that bad anyway, No,
you did it perfect.
Speaker 2 (10:49):
She went up like this.
Speaker 1 (10:52):
I was like, it was like a tinker bell.
Speaker 2 (10:55):
I don't know what to say on that one. That
was really good from.
Speaker 1 (10:57):
Both got light feet, she got light feet flew. Oh
my gosh. I was like, I can't believe we're talking
about my dance move because you know, now she.
Speaker 4 (11:05):
Got the best dance when she goes like just hear
her legs and all of a sudden, the leg what's
the hands?
Speaker 1 (11:09):
Okay, So anyway, we're back on the show here with
the fabulous Miss Jay.
Speaker 9 (11:17):
There we go.
Speaker 1 (11:18):
Okay, now you know what, I've actually had the pleasure
of actually seeing her live. Okay, yes, let me tell you.
Speaker 3 (11:26):
I was You saw me my best fan ever. You
were like right there with me, giving me all that love.
Speaker 10 (11:31):
You know.
Speaker 1 (11:32):
I stood in the front, I was taking video. I
was singing her song You were My First.
Speaker 2 (11:37):
I was driving all watching it. So what do I
get at it?
Speaker 1 (11:41):
You don't get I was watching it. You're going back
and forth, back and forth emotional support, and.
Speaker 2 (11:45):
You're hurting my eyes. I'm like, man, where is she
going with?
Speaker 5 (11:48):
She was in it.
Speaker 1 (11:48):
She was feeling it. She couldn't even handle it.
Speaker 2 (11:51):
I'm talking about you, Oh me.
Speaker 9 (11:53):
You're going here.
Speaker 2 (11:56):
I was getting watching you and I was sitting.
Speaker 3 (11:59):
Down a wireless microphone and we are gold.
Speaker 2 (12:02):
Yeah. I've never seen you again. You'll be somewhere in
China unleashed.
Speaker 1 (12:06):
But you know what it is, it's it's not just
the singing, it's the talent or whatever. She's such a
great performer.
Speaker 2 (12:13):
Yeah, no, no doubt.
Speaker 1 (12:16):
You know, Okay, entertained. I can use that way.
Speaker 2 (12:19):
Give applause for that.
Speaker 1 (12:20):
Give her one, please, Vinnie, thank you.
Speaker 10 (12:23):
No.
Speaker 1 (12:24):
But all I'm saying is is that you know, you
can go and see somebody perform and be like, okay,
that was you know, like you entertained and everything. This
one had me going.
Speaker 4 (12:34):
I'm telling you, I watched the phone and my phone
literally looked like it started growing feet.
Speaker 2 (12:39):
We're just walking from here. I was like, what is
going on?
Speaker 3 (12:44):
Well, listen, shout out to Dave Black too, because that
stage that sounds like that whole experience.
Speaker 1 (12:49):
And famous foods. They are not playing there.
Speaker 3 (12:51):
And I'm telling you, you give me a good wireless
microphone and then it's over.
Speaker 1 (12:56):
But you know you just I don't know, you're just
very I don't know your mess horizon. When you when
you do a show, you don't take your eyes off
of her.
Speaker 2 (13:04):
Can I say something?
Speaker 1 (13:05):
Go ahead, you.
Speaker 2 (13:06):
Got it or you don't got it? That's it?
Speaker 9 (13:08):
You know.
Speaker 4 (13:09):
You know which ones are talented to the ones that
are the karaoke singers, and then the ones who say
you don't want to see them anymore.
Speaker 1 (13:16):
Yeah, that's you.
Speaker 2 (13:17):
I could watch you all day, but you really do
hurt my back when you start running in and.
Speaker 3 (13:23):
Listen, I stretched before and after it. Don't get it too, But.
Speaker 2 (13:26):
I ain't gonna be that for you in flexible running
around like that.
Speaker 1 (13:28):
Okay, it's not easy. Are you done now?
Speaker 2 (13:32):
Fortunately?
Speaker 1 (13:33):
Okay? So anyway, we had her back in May. She
was here crazy and we introduced her to the world,
or at least our world, right, and it's been a
world when ever since. And I just keep watching her grow.
I mean she's just.
Speaker 4 (13:51):
Oh absolutely you see on the Instagram and then you
see there inside of the studio.
Speaker 2 (13:55):
But she works all the time.
Speaker 1 (13:58):
This girl works. I mean she works everything she I mean,
we all have our own thing that we have to
do during the day or whatever, right, but this girl
is constantly working and she's constantly you know, that's the
kind of artists that you want to see thrive, and
she's doing that on her own, you know, So I
just give her roundabel pause, please round of a plus.
(14:19):
There we go. Okay, thank you. It's a little low,
but that's okay, Benny. You gotta put it up higher.
Speaker 2 (14:25):
What are you doing?
Speaker 1 (14:28):
Yeah?
Speaker 4 (14:28):
You go?
Speaker 1 (14:29):
So anyway, just give us a little thing about like
what you've been doing since the last time we saw love. Yes,
I mean it is.
Speaker 3 (14:37):
It's a lot of work, I think nowadays, especially when
you're doing it independently, you have to be everything right.
You have to be marketing, you have to be branding.
I mean, I have help, the best help ever. Shout
out to Barry, shout up every Barry. But we are
I mean it's a small team I'm in now. I
think we're around four different studios working with some incredible
(14:59):
people I'm super blessed to be with. But it's it's
also it's a health thing, right. I gotta I gotta
work out so I can run around most stages on
that show, you know what I mean. I gotta be
shooting videos. You have to be recording new songs. You know,
you gotta feed those algorithms, so you gotta keep pumping
out the content. It is definitely something I think when
we first spoke, does it feel so long ago? I
(15:24):
was kind of spinning like four plates, and now I
think I'm spinning about seventeen. But they all feel like
just smaller facets to be able to help to get
the music out, and that just fuels me. So whereas
I felt a little overwhelmed in the beginning, now there's
just like this this drive and this hunger to just
keep going even more that I've just like that fire
(15:46):
has just been litten litten. That's a new word, lit
even even bigger this time. So I actually am weirdly
busier than I've ever been. But I actually don't feel
as overwhelmed anymore as a way, because.
Speaker 1 (15:58):
You've got to control, you know, you've got to hang handle.
Speaker 7 (16:00):
On it right now.
Speaker 3 (16:01):
Yeah, And I think it's like it's exciting now everything
we do, every studio we go to, we're working with
new musicians, new people were getting this meeting, that meeting,
and it just kind of is help validating all the hard.
Speaker 1 (16:14):
Work I'm doing, because sometimes you are like I haven't slept.
Speaker 3 (16:19):
But then all the validation from these incredibly talented people
is just it's just priceless. So I cannot complain, and
I wouldn't have it any other way. Right now, actually
I want more.
Speaker 2 (16:31):
He's like that.
Speaker 1 (16:32):
You are like that too, You like I want more.
Speaker 2 (16:35):
Lady, I'm going to say this right now for everybody
to see. You need to stop me. I'm insane. I
looked at that list today and I said.
Speaker 1 (16:45):
And I want more.
Speaker 4 (16:47):
Yeah, New like her, he drives me crazy. I can't
keep up to her. Man, even in my best day,
I can't keep up to her wall.
Speaker 2 (16:54):
I was watching it. I'm like, oh no, no, no, no,
she's sitting there on the treadmill in there McDonald's. You
know what I'm saying, Like, yeah, she's saying, I let
your mail. I'm sitting there McDonald's.
Speaker 1 (17:06):
Listen.
Speaker 3 (17:06):
Different brands, different brands, you know what I mean. Let's
let's also remember that I'm also in four inch platforms.
Speaker 1 (17:12):
You know, I'm just saying. I'm just saying, oh, I.
Speaker 4 (17:15):
Remember I'm in Timberland's going right there, my big Mac.
Looking while you're sitting there running on the truck. Maill
like this, and I'm like, I'm not doing.
Speaker 1 (17:21):
That normal again again different brands, you know. And I'm
still trying to get up from my chair with my Saiatica.
Speaker 2 (17:26):
So you know, I bought her a Caneleys and gentlemen
clap for that.
Speaker 1 (17:30):
Oh my god, he bought me. He bought me a
nice cane. I mean, Sciatica is a real thing. My
sister is the real thing. And you are so bad
who you?
Speaker 2 (17:42):
I gave you my own cane. You should be happy
about it. I can't walk.
Speaker 1 (17:46):
Wait, you have a cane. He had a cane, and
then he gave it to me since he said, you know,
he's still gonna be struggling getting up from the couch.
So okay, so everybody has a cake. Yeah, everybody has
a cane.
Speaker 2 (17:56):
Now, and exactly you.
Speaker 1 (17:57):
Work out I can include in the bit.
Speaker 3 (18:00):
I don't know.
Speaker 2 (18:01):
I don't you know what.
Speaker 1 (18:01):
Maybe maybe I can step up to a walker who
knows there you go.
Speaker 2 (18:07):
Yeah, maybe I actually got ten in the bag.
Speaker 1 (18:10):
You want one?
Speaker 3 (18:11):
So anyway, let's go back to mister yes, please, enough
kne talk?
Speaker 1 (18:16):
Yeah, who okay, how about we start with one of
the videos.
Speaker 2 (18:21):
Yeah, let's get into one of the videos. Ladies and gentlemen.
Speaker 1 (18:24):
Run away. Yeah, let's do runaway, baby. I want to
see you runaway. I love this video.
Speaker 3 (18:32):
Look at that little school girl. Oh she's just so
studious it I just love reading her book, her business?
Speaker 1 (18:41):
Who's that m I can't even.
Speaker 3 (19:02):
Stop making me feel away, making me on fun away
with you because I'm making me.
Speaker 7 (19:10):
Feel away and I get lost in cost and feel
like God a day you only make cussing me the
way I get away because of the one of you.
(19:42):
I can ca that's a will.
Speaker 11 (20:13):
Such was the suck you saw your inn?
Speaker 7 (21:31):
You says?
Speaker 2 (22:23):
Oh really, ah, man, you made me grown.
Speaker 1 (22:28):
That's what rock does. Oh that's what punk rock.
Speaker 9 (22:31):
God.
Speaker 1 (22:32):
Oh but you'll have to go to YouTube to watch
it in sync. But that's what punk rock does.
Speaker 2 (22:36):
Do you want to grow?
Speaker 7 (22:37):
Here?
Speaker 1 (22:38):
Listen to that right, listen to run away? Just don't
put that we're going again.
Speaker 2 (22:42):
I don't know what that was.
Speaker 3 (22:43):
It was running away, you know, and tails all this time,
the good little school girl falls in love with the
rebel and wants to run away.
Speaker 2 (22:51):
Oh no, man, all I know I went into different
mode and it was scary.
Speaker 3 (22:55):
I like that.
Speaker 1 (22:56):
That's what I hope my music does. Is transport you
to a different Well.
Speaker 2 (23:00):
It made me look like I had here and grew back.
Speaker 1 (23:02):
Look there you go.
Speaker 2 (23:04):
It's not here no more, it's gone.
Speaker 1 (23:07):
That's what stressful do to you. Yeah, right there, there
you go. I mean that's a good time.
Speaker 2 (23:12):
I think.
Speaker 1 (23:12):
Okay, this is not the DJ and Jeddak hour. Okay,
let's just get that straight.
Speaker 2 (23:17):
I love that record, that record honestly, Okay. So I
just wanted to tell it real quick.
Speaker 4 (23:22):
So we had one of my friends who was actually
a very big writer inside Atlantic Records, and he loved
your song.
Speaker 2 (23:28):
That's one of the most records.
Speaker 4 (23:29):
Because what happened was he was getting tired of the
Lovely Dove records the guys were doing. So he's like,
I'm tired of this, and all of a sudden your
song came up, and all of a sudden it showed
the powd goes that's the type of record.
Speaker 2 (23:40):
I like, yeah, you woman turns the man with it.
Speaker 1 (23:43):
I'm like, yeah, I have that on video. So he's
telling me the truth. Yeah.
Speaker 3 (23:47):
One of my friends said is like, is that just
what you Is that just you screaming at your partner.
I was like, well, technically that's in my mind, that's
what I'm thinking.
Speaker 2 (23:54):
But yes, okay, so let's get to that record. Let's
dissect that record.
Speaker 1 (23:57):
Well, here we go.
Speaker 2 (23:58):
So my question to you is is where where where
did the concept come from?
Speaker 3 (24:03):
What was amazing about that record is I was in
Nashville after I recorded all day long, a shout out
to a lot of the people down there who are
just everything to me, and I was actually exhausted, And ironically,
when I'm exhausted sometimes I have to just like write
out all the songs and things that are going on
in my mind.
Speaker 1 (24:19):
Okay, and I had that idea.
Speaker 3 (24:22):
I think sometimes we get so caught up in like
this idea of I don't know, like relationships, you know,
monogamy and if God forbid, if you have a thought
about somebody else.
Speaker 1 (24:33):
Oh my gosh, now you're a cheat and all lot.
Speaker 3 (24:37):
So I just started to play around this idea of
like that that little thought becomes fuck it.
Speaker 1 (24:42):
Oh sorry, oh my god, I'm so sorry. My dad's
going to kill me.
Speaker 3 (24:49):
No, you know, I really ran literally no pun intended
with this idea of like what if you just said
screw it and like you just allowed your fantasy to
run wild? It doesn't mean you're gonna leave your partner
or like who cares, Like, just have a little fun
and a little a little I.
Speaker 4 (25:06):
Feel like you girls of mind readers. That's why, like
when the guy you know really messes around, it gets
really messed up, you already know what's gonna happen before
we do the next move. So that's what it kind
of makes me like when I see that and like
another guy doesn't the girl screaming at him because A,
actually I don't want to get there right now, because
somebody I'm watching that right now, she's reading my mind.
Speaker 1 (25:27):
Not put yourself in a ditch.
Speaker 2 (25:29):
No, I don't care because I ain't gonna do anything.
Speaker 1 (25:31):
Keep digging that hole. Go ahead, just keep digging the hole.
Speaker 2 (25:34):
Dig the grave the whole. Okay.
Speaker 4 (25:37):
But so like I do like that, and what I
did really like and I caught it kind of it
was kind of like the guy had the girl stuck
in his head?
Speaker 2 (25:46):
Was that like what you were going for?
Speaker 1 (25:47):
Literally?
Speaker 2 (25:48):
Yeah, because I can actually see that like with the girl.
Speaker 4 (25:51):
Basically the guys waking up and the guys trying to
like think about like, you know, the girl that he
fell in love with was a nice quiet school girl.
Speaker 2 (25:58):
Is that what you were going with?
Speaker 3 (26:00):
Yeah, it's both right, It's it's you have this girl
who just wants to For the music video, I actually
tried to make it a little bit more quote stereotypical
of this idea of the schoolgirl and the rebel. When
I was writing it, it was much more about this
idea of relationships and the fear of you know, stepping
(26:20):
out of bounds and what is boundaries. So it was
much more about relationships when I was writing it. But
for the video, I was like, you know, we're gonna
have some fun. We're gonna put me I haven't had
I haven't worn a cardigan in like twenty years of
my life, and we're just gonna go.
Speaker 1 (26:34):
For this kind of that That old tale is old
a time of the little school.
Speaker 3 (26:39):
Girl falling for the guy and then vice versa, then
the rebel who falls in love with this little school
girl and what happens. And I think that you see
this kind of little as I as I used to
be a short film producer with my sister, we tried
to make it a little bit more of a short
film of this this this hardships of what is she
gonna do? Is she get Is she gonna stay or
(26:59):
she and a go, And of course at the end
she goes, because why not.
Speaker 4 (27:03):
I want to know your perspective of seeing it, because
there's a guy's perspective. I saw it kind of like
the guy was thinking about, you know, like a girl
that he fell in love with, and then she became
his nightmare.
Speaker 3 (27:15):
This is what I love about creation because you have
no idea the perspective of the person listening or watching,
and that's amazing.
Speaker 2 (27:22):
I love that.
Speaker 1 (27:23):
Well, the way you guys were both talking about it,
right with the with the girl and everything in the
rebel and that the first thing I thought of was Greece.
I love that, Thank you, right, you know it was
that was what I thought of. I thought of Sandy
and Danny. Yes, okay, you know the schoolgirl wanted you know,
and then at the end she turned it up on him,
(27:43):
and you know, they both flipped each other. You know
what I'm saying, and that's what she multiplying.
Speaker 2 (27:48):
Yeah, okay, you.
Speaker 1 (27:49):
Know what I'm saying. So it kind of it. They didn't.
She didn't remind me of the actual video, but it
just the concept of feeling the feeling of that was like, oh.
Speaker 2 (27:59):
Okay, so I know who does she remind you of?
Speaker 1 (28:02):
You got to say that me or in the video.
Speaker 4 (28:05):
No, I'm just saying that record like, who does she
remind you of? She has God, I say pink.
Speaker 1 (28:11):
Man a little I can see, Okay, I'll give you.
Speaker 4 (28:16):
I'm gonna say pink I'm gonna say the woman with
the blonde hair to the bond. No, no, no, no, no,
no no, that was that the blonde Yeah, the one
that did the song with Eve the Rapper.
Speaker 1 (28:34):
Oh, thank you so much. That's probably the best. You
know what you say. This is the first time you've
actually compared. We've done this and you actually nailed it.
You know what I'm saying. I can't. I can't even
go above that.
Speaker 3 (28:50):
I wrote the song I can hear to nod to
my one of my one of my idols is jone Jet.
Speaker 1 (28:55):
So, oh my god, I was sticking jone Jet. Oh
my god, Oh my god, I love roll. Oh my god.
Speaker 2 (29:01):
Yes, I could see that.
Speaker 1 (29:02):
I was thinking thank you so much hashtag.
Speaker 2 (29:05):
The reason why is because Gwen always had those CODs.
Speaker 1 (29:10):
I was thinking jone Jet, I swear on my mother.
I was thinking joan Jet.
Speaker 2 (29:14):
A certain note that you hit reminds me of her.
Speaker 1 (29:18):
Yeah, she kind of had that little.
Speaker 2 (29:21):
Yeah that reminds me of Gwencefani.
Speaker 1 (29:24):
Yeah, I was kind of evoking that punk that.
Speaker 3 (29:27):
I mean, when we were recording it, I was like,
we're like in it, let's be in a basement and
let's get grungey with it and let's have a good time.
But then once, once you throw horns on it, then
you get a little Scott And that's what I was
thinking out.
Speaker 1 (29:38):
I was thinking j Jet, but I didn't want to
say it.
Speaker 3 (29:41):
Besides, Dolly, she's in Jet and she's like my ultimate queen,
you know.
Speaker 1 (29:45):
I mean, she's in a little bit of Pat Benatar,
Thank you, a little bit of She's got a smidgeen.
I feel like I'm on a first date and I'm
just fully. If you ever hear one of her songs
fire and Ice, yeah I know about I love that.
This one.
Speaker 2 (30:04):
Hard comparison.
Speaker 3 (30:05):
Yeah, that's good company. I'll take all of them. I'll
take I'll take all of them.
Speaker 1 (30:10):
We'll just write them all down.
Speaker 4 (30:12):
So my thing to you now right is now seeing
the growth that you have. What do you see a
lot differently now as an artists.
Speaker 1 (30:21):
Well, what I think is great.
Speaker 3 (30:23):
I think we sent you spiteful and run away right,
and run away is now, and spiteful now is almost
two years ago, which is crazy. A I think what
I love is we're still running and gun in it.
When it comes to filming, I mean, it's still us.
We shot that in a day. I mean it's still
us ragtagging it and doing what we can, trying to
(30:44):
bring about the best art we can get with what
we have. But I think artistically, because now I've worked
with like some goats and a lot more producers and
a lot more artists and musicians, I just feel like
I've finally gained a confidence that I.
Speaker 1 (31:02):
Never had.
Speaker 3 (31:03):
People think that because of my personality that I was
always confident. It took a long time for me to
even say the word confident. I think, actually, this is
gonna be the first ever said the word confident. So
I think that developing more of my community of producers
and writers and in different states and everywhere, and musicians,
(31:24):
and now I have a sense of groundedness where I
just feel confident, so I can allow my ideas to
come out so much more easily, and then I don't
second guess myself. So I'm like, you know what, we're
just going I had the vision and we're just gonna
shoot it and who cares? Whereas before I'd be like,
(31:45):
huh oh, maybe I don't. And now it's like I
got my homie Franco. Shout out to Franco who shot that,
and he shoots a lot for me, and we just
we just go for it. And I think that that
is what has been giving me so much of my
success right now, is that I'm not second guessing myself anymore,
and we're just going for it because the worst that
(32:05):
could happen is it doesn't work. Or I mean, I
haven't even I haven't even experienced that yet, because even if.
Speaker 4 (32:12):
You know why, you haven't experienced that yet, because you're
still hustling no matter what. Mean. Just being in the
industry a long time, I've seen songs that everybody hated
two years ago become.
Speaker 2 (32:21):
One of the biggest records the next year.
Speaker 4 (32:23):
You know, So like if you always work a record,
the record will finally click, you know what I'm saying.
And the reason why I could say that is because
experiences again with mine, three years it's taken and then
all of a sudden that in nowhere, we look the
next way and the sale is.
Speaker 2 (32:41):
Blown up to number twenty two on the billboards. You
know what I'm saying.
Speaker 4 (32:44):
So like when people always say, yo, the record is dead,
you could kill a record. The only way you can
kill a record if you don't promote it no more.
But if you keep promoting like this is two years old?
Speaker 1 (32:54):
Right, no, no, no, this one isn't. We're gonna watch
the spiteful.
Speaker 2 (32:56):
Yeah, spitfel is two years old? Yeah, okay, so the one,
let's roll to that one.
Speaker 1 (33:00):
Okay, let's do spiteful little bitter? Shall we? Huh?
Speaker 4 (33:07):
Sorry?
Speaker 1 (33:07):
What's going on here?
Speaker 7 (33:11):
Is she?
Speaker 1 (33:12):
Okay? Does she need help?
Speaker 7 (33:17):
It's a passle bitter. You can't taste.
Speaker 9 (33:23):
You guys are deliver.
Speaker 7 (33:26):
This sings to say you're not you win the bigger im.
Speaker 9 (33:35):
Focus on your lens.
Speaker 7 (33:38):
Do you wind up?
Speaker 1 (33:47):
My girl.
Speaker 7 (33:50):
Up? Says does don't make me away? Goes someone else?
Speaker 11 (34:01):
The plea yes, let me honest size, I'm anxious.
Speaker 9 (34:07):
Nothing made.
Speaker 1 (34:11):
I know the worst shout out Chris Ledge away everybody.
It takes two to tango. I'm nothing to you only one.
Speaker 7 (34:24):
You're saing your hair a coma short.
Speaker 11 (34:29):
It comes are coming to the devil, But the.
Speaker 7 (34:34):
Devil don't speak of the truth.
Speaker 1 (34:37):
We've got something to settle.
Speaker 6 (34:39):
And also up with the special painted of you hold say.
Speaker 7 (34:56):
Take me away.
Speaker 11 (35:01):
The Swain, a real size of pictures and.
Speaker 7 (35:09):
A good don't make the candy shot angle Shi make
you those guys pay no song, just.
Speaker 9 (35:22):
So, I says.
Speaker 7 (35:37):
Away later.
Speaker 11 (35:42):
Somewhere the house sun of Pature and.
Speaker 9 (35:51):
Let's go it's a real sun.
Speaker 2 (35:59):
I'm gonna be Yeah.
Speaker 1 (36:00):
I play your record.
Speaker 2 (36:02):
And I know I know your record.
Speaker 1 (36:04):
Yeah yeah.
Speaker 2 (36:06):
When playing it, I was like, man, I know that
right here.
Speaker 1 (36:09):
Yeah, I love that.
Speaker 2 (36:12):
Well, you know what it is though, I play your
record a lot.
Speaker 4 (36:14):
You know, we played in Atlanta, Chicago, Indiana, Miami. Your
record is that record is always really spinning. So I like,
I always make sure I call up out there. I
go out there and she goes put that record in.
So we always put that record in. So that's why
I know that reg because and that.
Speaker 1 (36:37):
But we've played all of them. We've played.
Speaker 2 (36:41):
Yeah, I'm saying like that record.
Speaker 4 (36:43):
Saving that record always stands out to me because of
the guitar thing.
Speaker 7 (36:47):
So d D and.
Speaker 1 (36:51):
I love the most about the video at the beginning, Yes,
the way she tips her hat.
Speaker 4 (36:56):
Some I thing to you is you said you weren't
confident the way she's like that then, but you couldn't
even tell it.
Speaker 2 (37:01):
I kind of looked like you were.
Speaker 4 (37:03):
You wanted to be cocky back then, like you know
what I'm saying, Like she did perfect like this and
she goes in like it's.
Speaker 1 (37:10):
Really the way I was like, you go, girl, yeah,
you know she just had this idea.
Speaker 2 (37:17):
Was that yours?
Speaker 1 (37:18):
That was mine? That was just me messing around.
Speaker 2 (37:20):
That was you messing around, and you are cocky back then.
Speaker 3 (37:23):
Well, but you see the difference between being cocky and
confident a very different thing. So I think I mean again,
we shot that in it. I think we shot that
in like four to five hours in the water, in.
Speaker 1 (37:36):
The rain, and then not.
Speaker 2 (37:39):
Yeah so you shot it in the rain or did
you It was a rain room?
Speaker 1 (37:42):
Yes, yes, in Brooklyn, yes, shout out.
Speaker 2 (37:49):
The reason why I know that is because they only
they're the only ones with the rain room. So when
she said that, oh.
Speaker 3 (37:54):
Wow, Well for independent artists, they're they're amazing because they
are they're open a lot, and they're pretty afford will
and they have a lot of options.
Speaker 2 (38:02):
And they shoot. Yeah, very nice that that video was
very nice. Yeah, that video was very nice.
Speaker 1 (38:08):
Yeah, but the way she tipped the hat at the
beginning just had me going.
Speaker 4 (38:13):
She sunded, No, I'm not trying to do anything like that,
but she sounded like your boy, the one that you
love to death.
Speaker 2 (38:20):
Think about it.
Speaker 6 (38:21):
I just.
Speaker 2 (38:23):
Chris Miles. I'm not gonna say his name. You didn't
be quiet about him? And what's his name? Show?
Speaker 1 (38:29):
What are you talking about? Are you shade right now?
Speaker 7 (38:32):
No?
Speaker 1 (38:35):
Talking about shade bomb? Is that a new phrase? I
think it's made a shade bomb?
Speaker 3 (38:40):
No, no, no, no, no, Vinnie, thank you for the
sham pointing that sea circle that's today.
Speaker 1 (38:45):
Yeah, what is who we talk to? Say it now
that you're like, I forgot it?
Speaker 4 (38:49):
Oh my gosh, moving on, moving on, Lenny Cravis, Oh well,
come on hello, hello.
Speaker 3 (38:58):
I love you.
Speaker 1 (39:00):
Listening because let's do a song together.
Speaker 2 (39:03):
The reason why you can laugh, you can laugh, you
could die laughing, but the thing is, come on.
Speaker 1 (39:09):
Man, thank you So again, that's this is like you
guys fueling this.
Speaker 4 (39:13):
I'm not fueling you. I'm just being honest, and you
were terrible. I would be like, can you get all
my stage here. I don't want you to be here
next to me.
Speaker 2 (39:21):
But no, yeah, yeah, yeah, you're superb man.
Speaker 1 (39:23):
You know. It was funny was because we had a
gentleman on the show, a very good artist. His name
is ron Kat. Hail to vron Kat, love him, and
he had told us some stories and he brought up
Lenny Kravitz and yeah, just you know, like give me
for years, like oh me and Lenny, yeah, you know,
like the studio and Prince and Rick James. I was like,
(39:48):
can you get him on the phone? Oh my god,
here No, But it was just so funny. And then
he was talking about there it is, thank you listening.
Speaker 2 (40:02):
But my thing is, how did you not really you know,
put that two to two together? I wasn't. I just
I don't know, because that's all you kept saying in
the whole interview was Lenny.
Speaker 1 (40:11):
Gravis, Travis Tell and the guitar.
Speaker 2 (40:14):
So I can't you guys wants to this chair right here?
Speaker 1 (40:18):
Gosh, yeah we could, Yeah we can do that. Maybe
we can do Lenny.
Speaker 7 (40:24):
No.
Speaker 1 (40:24):
But I like his new song too. Oh gosh, Angel,
I think it's CA's really good.
Speaker 7 (40:31):
See.
Speaker 2 (40:31):
I like this show. This show is actually funny today.
But look.
Speaker 1 (40:35):
Out there.
Speaker 4 (40:36):
So one thing about you, I just love the I
just honestly, you really are really great entertainer.
Speaker 2 (40:45):
I can't.
Speaker 4 (40:46):
I really ain't got words to really say because everybody
who I really want to compare.
Speaker 2 (40:50):
You to is legendary.
Speaker 4 (40:52):
So for me to come out here and to actually
say anything is wrong with your type of sound, your music,
or try to give you point is, I really can't
because honestly I feel like you.
Speaker 2 (41:03):
You you got every base that you need.
Speaker 1 (41:05):
You can't. You can't give advice to something that is perfection. Yeah, okay,
you can't. You just can't. You can't change it, you
can't mutilate it, you can't alter it or anything. This
is the diamond in the rough and you do not
mess with it. And it don't hurt my ears, No
(41:27):
it doesn't, and it won't hurt your you know, your
head or anything.
Speaker 10 (41:29):
You know.
Speaker 4 (41:30):
When you're a DJ man and you play a lot
of records, right your record even know a lot of
times I put it into like the rotation where it's.
Speaker 2 (41:37):
Not supposed to be because of a certain genre.
Speaker 4 (41:40):
But I like your record so much that I even
get a call back from my programmed directors, and he goes,
just keep it in, just keep it in, because it's
like it's supposed.
Speaker 1 (41:49):
To be on the urban mix.
Speaker 9 (41:51):
So I like it.
Speaker 4 (41:55):
Keep it in.
Speaker 1 (41:56):
I like it well.
Speaker 3 (41:57):
And what's funny that you love that song so much,
because that was probably one of the biggest moments of
my career writing with David Ray Stevens, and I mean
getting to write with he writes he's huge jelly roll.
Getting to write with somebody at that caliber and you know,
those fake it that you make it moments and being like, oh, yeah,
I do this all the time. Had that experience just
(42:21):
like fueled me in a way. And then and then
playing with Travis Kareem Thompson, I mean these incredible, like
these artists that see me on their level, which I
had never had before until then. And then when we
were recording even the demo for that I even I
had a moment. And this is when the engineer Hefley,
and I became so close of you know, second guessing myself,
(42:43):
and I had a moment and then all the guys
rallied behind me. But you know, I think every artist
has those moments in general. But I think what I finally, yeah,
I think what. I finally though, got to the places
of just of just moving through it. I those moments
used to be the hurdles that kept me back and
kept me in my circle, in my little box. And
(43:04):
now I see those moments and I just blast through it.
And every time I do that, then we get a
song like Spiteful and Better and it doesn't get old
to me.
Speaker 4 (43:10):
But it's cold experience, yeah, because you're thinking, well, you
gotta remember to You're going into the studio with somebody
that got Grabby's hit records, and you're just somebody that's
first coming into it. So you're looking and you're trying
to observe and trying to figure out, dang man, I
got to this point, so I must have something. And
then all of a sudden he starts showing you know
why he's the man, and then you kind of like
(43:32):
try to take a step back and try to analyze things,
and then you kind of get out. You know, you
get nervous when you're inside the mic because you hear
that knowing and you're second guessing yourself and you're not knowing.
I don't know if you ever had that moment, but
I had moments where I was doing my verse and
then all of a sudden, I would be next to
one of the big producers and I'll be just looking
at him the whole time to see if you know
(43:53):
what I mean. Yeah, So it's like it comes with
experience and timing.
Speaker 1 (43:59):
But with that will with that said, Okay, okay, the
finale of the show is almost here, and you know
I wanted to get the premiere in really really do
job opening, job opening. You just wound it for me.
But that's okay. It wasn't my phone, No it wasn't.
(44:20):
This song is her new song. It's a premiere here
on the DNA Live show Let's Go, and it's called
so Cruel, So let's let's get it, turn it out,
turn it up. Yet I cannot.
Speaker 9 (44:59):
Street just scream, and you.
Speaker 7 (45:01):
Blame me for dest time.
Speaker 3 (45:08):
Can gave them.
Speaker 7 (45:09):
As you can gave you every port of meet.
Speaker 9 (45:13):
Love fool love. So let you.
Speaker 12 (45:30):
I'll let them, many of us, let the light shine.
I've been running around letting my head down.
Speaker 7 (45:44):
You'll gost no longer. Oh this down.
Speaker 9 (45:52):
Was it to see?
Speaker 11 (45:54):
I'm catch the street loves a fool?
Speaker 7 (46:00):
No honesty, ya.
Speaker 1 (46:30):
Gotta not so copenn okat.
Speaker 7 (46:33):
Thing so long to.
Speaker 10 (46:45):
Think so holy cow got I had to actually I
had to add like that that was like making me,
don't I know, I'm just making me move in spots
I didn't think I could move.
Speaker 2 (47:04):
So yeah, that soone was hot A banger.
Speaker 1 (47:10):
The banger you did say.
Speaker 4 (47:11):
Yeah, that's a very dangerous record to put out In
twenty twenty five.
Speaker 3 (47:17):
Shout out to Vibra Moon Studios. Shout out to Peter Cooper,
Danny Gold, al Levi, not.
Speaker 1 (47:25):
Sean Murray.
Speaker 3 (47:26):
I mean talk about again working with different studios, getting
to work with some of the goats. I mean, Danny
Gold is incredible. He's on the guitar, he helped me
produce the song, write the song. He is just a writer, composer,
extraordin error. And then Peter Cooper, I mean, look him up.
You don't even I don't even have to say his list.
Joan Jet, Dolly, I'm Jon Jet, just trying to closer
(47:50):
to my queen, so trying to be like hello John.
Speaker 2 (47:53):
Yeah, all right, so Lenny, let's go to the process
of that record.
Speaker 4 (47:59):
Yes, yes, I'm excited, because what I really do like
about you do you take you take your time, You
do not rush, correct you make sure everything is good.
Speaker 2 (48:08):
You don't be like jumping right in.
Speaker 1 (48:10):
Wait on what process, the writing process, the recording process.
Speaker 2 (48:14):
What process I'm going to say, the recording and the writing.
Speaker 3 (48:17):
Okay, so writing, not to quote my favor glow Rilla,
I honestly wrote that song.
Speaker 1 (48:22):
Well, okay, So Danny is a new producer I'm working with.
Speaker 3 (48:25):
He has incredible songs. We met in the summer and
went over some songs that he had, and then he
showed me with shout out to Barry. He jumped on
the kit in the rehearsal space and he showed me
this blues riff and of course me, out of all
the songs, I fell in love with this blues riff.
Unbeknownst to him, I wrote this song, I would say
in like twenty minutes to his riff because I couldn't
(48:48):
get out of my head. And when we met to
record some demos, he thought I was going to record
these other songs.
Speaker 1 (48:53):
And I was like, so I remember that riff and
he was like what.
Speaker 3 (48:57):
And then we recorded the demo and then the recording
pros us though we really took our time. We got
some amazing musicians in It was me and Danny at first,
and then we got Sean uh and Al and they
are just I mean these like it's almost like little duos.
Speaker 1 (49:10):
It's Janny and Peter Sean.
Speaker 2 (49:13):
You can hear it, you know, you can hear an
artists that takes the time, that an artist.
Speaker 3 (49:18):
That just goes yeah, yeah, we take our time recording.
We try, we you know, multiple mixes, we all and
I am a super and I don't know if this
is similar with you, but like I feed off of collaboration,
so it's not like this is my song and you're
all recording this for me, it's like what do you think?
Speaker 1 (49:38):
Peter? What do you think? Danny? What do you think? Sean?
Speaker 3 (49:40):
And I think that's what builds such a family when
we record together, because I think at least I'm speaking
for them, but that's what I think gets them excited
to work with me, because everybody's voice matters, and we're
all like, you're in this really because you're in this
room because I I want your talent, I want your
a knowledge and talking about experience and I mean, these guys,
(50:03):
but you're smart.
Speaker 4 (50:04):
Because what you do is you basically let them take
the flow a lot of times and then what you
want to do is you go, Okay, here's my lyrics
and also say, hey, you know what I heard right here?
Speaker 2 (50:12):
You see that little rivething and you go whoa.
Speaker 4 (50:15):
Because again they got experience and they made they got
gold records, they got platinum records, I got they got.
Speaker 1 (50:22):
Grammys, right, yeah, to do that, yeah, I think they
got just a few.
Speaker 2 (50:26):
But that's what But that's what I'm saying.
Speaker 4 (50:28):
Would you want to sit here and tell somebody that
basically already did your job and how to do your job. No,
you want to sit there and you want to go
with the process and the flow, and that's what makes
the hit records.
Speaker 1 (50:40):
Yeah, and that's what allows me to then entertain on
the stage. I can see it. Oh you can't see
that time? No, no, no, I got good you know. Yeah,
but you know what it is. It's it's also when
it feels right like that, when you're in sync together
with the other people that are playing with you, they
(51:00):
don't feel like they're just playing for you what I'm saying,
they don't feel like, you know, they feel like they're
part of the experience, part of the experience, you know.
And that comes from my background. I mean, I come.
Speaker 3 (51:13):
You know, I come from a producer like, I mean,
it's all about everybody that's in the room. It's not
just about me, And I think that that's something that
that's what I love about rock and roll.
Speaker 1 (51:24):
I mean, I'm an old soul. I'm like, isn't it
just about getting everybody in the room and recording And that's.
Speaker 3 (51:30):
What that's where I live and thrive the most. So,
and what's exciting about this EP. We're working on a
few songs with this same group. We're kind of Danny's
pushing me and this is the first time I'm able
to work with the producer.
Speaker 1 (51:43):
He's pushing me in ways that I haven't been.
Speaker 3 (51:45):
So we have a little pop and we have a
little a slight, little dash of R and B coming,
and then we have a little dash of this. And
I think that's what's the most exciting about uh. Still
being independent as I can go in any direction I want,
as long as I feel the song.
Speaker 1 (51:59):
But you know, as you said earlier.
Speaker 3 (52:01):
Like being an entertainer, that's what I've always said first,
because I think I've always been afraid of labels like
oh I'm a singer, Oh I'm a this, Like no
I'm an entertainer, which means I want you to come
into my world feel really good. Whether you've got to
dance it out, whether you've got to cry it out,
whether you're got to rock it out, whether you got
to head bang it out. You can do whatever in
(52:22):
my world. And as long as you just feel good
and you like you feel something at least, yeah, that's
my goal.
Speaker 1 (52:28):
You know what to R and B.
Speaker 2 (52:29):
Back to what she said with the Independent right they
tuned to save Me. If you really just look at it.
Speaker 4 (52:35):
Man, it's just marketing yourself, and then that's it just
a puh really if you look at it as just
marketing yourself.
Speaker 3 (52:43):
And music is universal, and I feel like a good
song is a good song, And I don't think somebody
listens to run Away and then they're going to listen
to Spiteful and they're going to listen and they're.
Speaker 1 (52:50):
Going to not going to be like, oh well, excuse me,
she's not sticking out.
Speaker 4 (52:55):
But how do you feel that now you have different
type of sounds of different type of But because that
I feel like is more with the new record that
they did, I feel like that's going to be more
in your pocket. Because if you can hear the way
that you came off and the way you says that
to me is one of your best I'm gonna say
right now, I think that's the record you really need
(53:16):
to push because I could hear it, you know, and
just being in radio and hearing it, and a lot
I know there's going to be a lot of more
people gravitating towards it because it's like a fun type
of record.
Speaker 3 (53:26):
Well it's gross, right, I mean, I've never had it's
always just been in the beginning of it's just me.
It's just me in a basement with my friends all
listening to me. And now I finally have been privileged
to now be in rooms where I have different eyes
and ears and opinions and perspectives and I'm listening.
Speaker 1 (53:45):
I think a lot of people don't.
Speaker 3 (53:46):
As my mom says, listen, I'm listening to their opinions
because they believe in me, and I'm just allowing them
to bring out things in me. And you'll hear some
other songs coming through that are a little bit more,
you know, again, like I said, in the different fields,
but this is this is me, this is rock, this
is blues, this is this is a you.
Speaker 1 (54:05):
Know, screw I won't curse. Sorry.
Speaker 3 (54:07):
This is that screw you song to that person that
told you X Y and Z, you know. And at
the end of the song, it's like, yeah, I'm gonna
just strip myself of you. I'm gonna I'm gonna love
me and then I'm gonna find someone who loves me
and then I'm we're just gonna go, you know.
Speaker 1 (54:23):
So it's definitely there'll be a video coming. Of course.
I'm waiting. We'll be marketing it like crazy. I'm waiting.
It's gonna be all over this.
Speaker 2 (54:29):
I'm excited.
Speaker 1 (54:30):
Man, ladies, this is let me just say, this is
why I love her.
Speaker 2 (54:34):
This this this is wait fly stop because this woman
knows all the hits.
Speaker 1 (54:38):
I'm just saying this is certified. Yeah, okay, I'm just
saying this is you know, no.
Speaker 4 (54:45):
Her she I know it's gonna sound crazy, but she's
been five for five so far, so varid.
Speaker 2 (54:53):
So for me, I can't say nothing because I've been
over time.
Speaker 1 (54:58):
So that's what it's called partnership. Yeah, exactly. He feeds,
but that's okay, he feeds off.
Speaker 4 (55:05):
I feel like the woman rule music. So when you
get it to a woman and she's jamming to it.
I'm like, yeah, go anywhere.
Speaker 1 (55:11):
You know why because I always tell him when when
when he first did his first album, we were just dating,
I don't know, five or six months or whatever, and
we were breaking up. Well, I was breaking up with him,
and he went he went correct, right, he went into
the studio and he poured his heart out. So you're welcome, yes, exactly.
(55:33):
And he came back with an album and I he
made me listen to the album, right, and and of
all the songs that he played, I turned around to
him and I said, let her know, is the single
that's going to propel the rest of the album. I'm like, dude,
(55:54):
let her know. And what happened? And she let her know.
I let him know. You got that right.
Speaker 3 (56:02):
But again, if you weren't in the space to listen
and take that advice right, then you would have just
shot yourself in the foot.
Speaker 1 (56:09):
So I think that's yeah, he's been shooting himself in
the foot ever since. But that sha Nnie, where's the
shade bomb there? It is, shade, mom. But that's what
we're for, Okay, that's what females are for.
Speaker 2 (56:23):
I'm not gonna win in a room for two females.
So I'm just letting let it go.
Speaker 1 (56:28):
This female do like the movie Frozen and just let
it go.
Speaker 2 (56:33):
Drop a bomb on that one.
Speaker 1 (56:34):
Please shade bomb, shade bomb. We need another shade bomb.
Save a little bit delayed, Vinnie, but we'll forgive you.
But anyway, it's been a pleasure, let me tell you,
because I love this woman and everything everything she does.
I watch, I follow. Okay, she knows I do because
(56:56):
I'm always bugging her about it. I love it. You're
never bugging me, Okay, Well I bug I bug him.
I bug Will Barry. Oh yeah. And you know, half
the time when I'm bugging him, he's like, I'll call
you back. I'm at the studio, okay, we're doing things. Yeah,
were on the way the street. At least he's nice
about it. You know, he'll turn around and be like,
I'll call you right back. I'll call you right back,
(57:17):
and he does. He does. He's a very good guy.
So anyway, thank you very much for coming. Listen to
her song so Cruel, her new one. We're premiering it
on DNA. It'll be on all this.
Speaker 3 (57:26):
Week and it'll be out to stream January twenty fourth,
all the things, and there'll be a video.
Speaker 1 (57:30):
It's going to be great anything any last words, dear, Honestly,
you already know it's your boy DJ Energetic and we're
gonna push this song all the way up. Yeah we go.
So Cruel Baby by Miss Jay. See you next week,
everybody pease
Speaker 7 (58:05):
Foo
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