e_and_e_poetry_pop_off

"Get ready for an unforgettable night of creativity and passion with the Poetry PopOff! Featuring the brilliant talents of Tailored Tales, Keith Brockman, and Tiffany Mariie, this event is a celebration of spoken word and storytelling at its finest. Join us as these dynamic voices share their unique perspectives and captivate the audience with their artistry. Whether you're a poetry lover or simply looking for inspiration, this is one event you don’t want to miss! Like, comment, and subscribe to stay connected to the magic of the Poetry PopOff!" #PoetryPopOff, #TailoredTales, #KeithBrockman, #TiffanyMariie, #SpokenWord, #CreativeVoices, #Inspiration, #LiveEvent, #UnforgettableNight

Episode Transcript

Speaker 1 (00:00):
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Speaker 2 (00:03):
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their students and care about your personal journey. The dedication
to my personal development from my professors that's been extremely
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Speaker 1 (00:17):
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Speaker 3 (00:36):
Can I talk about just? Can I talk? Can I
talk about just? And can we talk about.

Speaker 4 (00:54):
I grew up street?

Speaker 3 (00:57):
I want to know what they told me.

Speaker 5 (01:00):
A lot of my people will let me. The only
one still.

Speaker 6 (01:02):
Affected by themis that's from the old meaning I got
a hold of my heart.

Speaker 3 (01:06):
I don't know what it'll get better. So she for stars,
that's throng with wealth settle.

Speaker 7 (01:09):
She's for the star wars.

Speaker 4 (01:11):
That's thrown away wealth settle. She for stars.

Speaker 5 (01:13):
That's the way while I settled.

Speaker 8 (01:15):
Can we talk abib on how you really left me?

Speaker 3 (01:17):
And when she walked to my bed door?

Speaker 7 (01:19):
Sometimes I've done the bay.

Speaker 4 (01:20):
They don't hold on gun just to.

Speaker 3 (01:21):
Feel protective, but just.

Speaker 5 (01:23):
Know we keep them ready to shun the sessions.

Speaker 4 (01:25):
Can we talk a Bible?

Speaker 8 (01:26):
Can we talk about just you.

Speaker 3 (01:28):
And how you left me all alone?

Speaker 8 (01:29):
That's where there was a cool I feel discerned and
I'm just hurting in the dark room for said, what's
going j D. I swear to God do that sting
that my mama, that grainy.

Speaker 6 (01:37):
I gotta make it up the streets because they're devil
watching me.

Speaker 8 (01:40):
I can play that. Jane tell that he probably so.

Speaker 5 (01:42):
I keep my circle small and stand.

Speaker 4 (01:43):
Away from the fly jet.

Speaker 8 (01:44):
Say this for all my rhotmors that are gone or
ain't made.

Speaker 3 (01:47):
It said, It's for all my rings persevering, and they
ain't quit to this for on my ringmors, I got dreams.

Speaker 6 (01:51):
Just keep chasing to this for on my ring word,
Let's say something and they ain't switch. Life is so
if it didn't get better, I can't be flocking by
the fact of wanting evil.

Speaker 5 (01:59):
Understand I bought them.

Speaker 8 (02:00):
Got to set or why didn't want to throw the five?
I can try the tribulation, and it took me some time.

Speaker 4 (02:05):
Swell on one upper cars Special.

Speaker 8 (02:07):
I can't even read it.

Speaker 3 (02:08):
Special, I can't even rad it.

Speaker 8 (02:10):
Can we talk, Obama?

Speaker 5 (02:11):
Can we talk just you? I go up on street
musing tho things.

Speaker 8 (02:17):
I always say what I don't want to know what
they told me.

Speaker 6 (02:19):
Lost A lot of my people will left me the
only still affected by demons.

Speaker 5 (02:23):
That's from the old meaning.

Speaker 4 (02:24):
I got a hold in my heart.

Speaker 3 (02:25):
I don't know it's got get better.

Speaker 5 (02:27):
So she's for the stars, that's the only will settle.
She's for the star wars.

Speaker 4 (02:31):
That's throwing the way well settle.

Speaker 5 (02:32):
She's for the stars.

Speaker 4 (02:33):
That's the all the way will set.

Speaker 8 (02:35):
I always told you there's no woman that could take
your place walk.

Speaker 4 (02:38):
At that's my st hell. Just to see your face?
Why did you leave me?

Speaker 8 (02:41):
Like ain't leave a trace?

Speaker 4 (02:42):
Only think you left me her?

Speaker 6 (02:44):
It was this fucking face I really missing when you
can hold me on my bad days, not my money,
just be tripping.

Speaker 8 (02:49):
Like a man made don't mom anymore these just that's
some band days.

Speaker 3 (02:52):
I've been looking for the cupid.

Speaker 8 (02:54):
It ain't man made sit that you want.

Speaker 9 (02:55):
Saying, but you be by myself.

Speaker 8 (02:57):
Mama canstantly bleeding it in and get for my health
super shoes and your.

Speaker 7 (03:02):
Saying, can I so back?

Speaker 8 (03:03):
He let nobody and help my mommy and lady.

Speaker 4 (03:06):
The gun is so can we talk about?

Speaker 10 (03:11):
Can we talking about?

Speaker 8 (03:14):
I grew up on the street, niggas in no feast,
always did what I want to.

Speaker 3 (03:18):
Know what they toldie lost a lot of my people.

Speaker 8 (03:20):
Will let me holy still affect about gimmers.

Speaker 3 (03:23):
That's from the old me.

Speaker 4 (03:24):
Gotta hold of my mom.

Speaker 3 (03:26):
No, no, don't get better.

Speaker 5 (03:27):
So for the stars, that's the only wild settle.

Speaker 4 (03:29):
She for the stars.

Speaker 8 (03:30):
That's the only wild settle. She for the stars. That's
finally wild anasten b ge somewhere.

Speaker 3 (03:58):
What's the word worre?

Speaker 5 (04:00):
Microphones working?

Speaker 9 (04:01):
Because I don't hear nothing? Check check he check Michael,
who is sitting the pile over here? What kind of
mintiones y'all be having in the studioki? Okay, okay, all right,
hey y'all, where we at?

Speaker 4 (04:19):
Untopreta entrepreneurs.

Speaker 9 (04:24):
Entrepreneurs, Welcome back to the most unorganized show here.

Speaker 4 (04:28):
My music dot com.

Speaker 8 (04:30):
Because whatever organized anyway, if it's organized, there's some.

Speaker 4 (04:34):
Organized shows in the network.

Speaker 2 (04:36):
It is.

Speaker 4 (04:38):
Yeah, do we follow rag?

Speaker 8 (04:45):
Will I be like I want?

Speaker 4 (04:47):
We don't have to to. I can't do this, Oh
my god, and I got it? Okay, Okay, why are
we here to day?

Speaker 8 (05:00):
Why are we here today?

Speaker 4 (05:01):
Why are we here today?

Speaker 11 (05:02):
We?

Speaker 4 (05:02):
We is here for the poetry. This rhyme, you ain't
got no rhyme.

Speaker 8 (05:10):
It's not a single single single, That's what I am.

Speaker 4 (05:16):
Okay, who is you?

Speaker 8 (05:18):
Motherfucker?

Speaker 4 (05:19):
Jenna jen Away?

Speaker 8 (05:20):
You know who I am? Just Jina two times, y'all?
All right?

Speaker 4 (05:23):
And over there I used to be It's all right, yeah,
I am doc dealing jil. We got the scary uh
princess over there, Taylor telling people who you are?

Speaker 8 (05:42):
Okay, what's up you guys? Queen Pinky.

Speaker 4 (05:46):
And last but not least, what is this? Come on?

Speaker 12 (05:54):
I was watching the dog and everything else. Yeah, man,
it's a boy naked narrow Russell Gaines Man.

Speaker 3 (05:58):
We're in there.

Speaker 4 (06:00):
We in here and for the poetry pop off.

Speaker 13 (06:04):
We got the special guests, Special guests, Special guests Taylor
Tales and Keith Brown.

Speaker 4 (06:12):
All right, well the way we got another special guests
on the way.

Speaker 8 (06:16):
But I don't care what I say. I'll be saying
that type of stuff.

Speaker 4 (06:23):
I want to think.

Speaker 8 (06:26):
More sensible or something. I don't want to be already
and talking and stuff. And they come here and break
you our down our romantic.

Speaker 4 (06:35):
Yeah, she's yea, we're gonna come hers as romantic.

Speaker 9 (06:37):
I'm sure he's gonna fall into that category somewhat in
some ways, some some form, all right.

Speaker 2 (06:44):
So.

Speaker 8 (06:48):
Okay, poetry, folks poetry, Okay, erotic, I could be erotic
and anxiety. We got erotic poetry and anxiety. Happy out.

Speaker 11 (07:00):
I just say what everybody's thinking.

Speaker 4 (07:03):
So that that what gave you the idea for that
line of no where did this come from?

Speaker 11 (07:13):
Okay? So I'm Taylor tells. Yes, I am a spoken
word artist. I specialize in the riticism. It's a lot
that triggered this.

Speaker 8 (07:22):
Well.

Speaker 11 (07:22):
Ultimately, I enjoy talking about sex. I enjoy watching it.
But there's a lot because I do customer ritic poetry
and customerritic stories. So I'll sit and interview clients, go
over their fetishes, their their fetishes, their desires, and I

(07:46):
write their fantasy for them exactly how they want it.

Speaker 2 (07:50):
And it just.

Speaker 8 (07:54):
That's dope. So it just thank you. It just really.

Speaker 9 (08:00):
I do perform live in front of audience.

Speaker 4 (08:05):
I admit that, and.

Speaker 11 (08:09):
It's pretty intense. I will admit uh, but it just
gives me so much like but what I really, what
really made me dove into writing personal stories. Is you
ever just be on you know, porn Hub or ex
and it's like you're watching that scene and it's like

(08:33):
it's like, okay, we have this bad acting. Clearly she's faking,
he's faking. And then it's like this unpleasant scene when
you're finally finna get your issue of it's like, am
I supposed to use my imagination? But it's like, what
if I just found a video that I like the
kind of man I like, the kind of positions I like,

(08:56):
it has the scenario I want.

Speaker 8 (08:58):
Oh, I can't, so it's your sound like similar like
the Vagina monologues would be like something like that. Okay,
see honest, I don't know. I'm very sexual and I

(09:20):
say what I want to say, and I asked for
what I want to ask and not do what I
want to do. But I never been a porn person
or nothing like that. And then a lot of people
were telling me, a lot of people that got I
was like, well, I'm not. I've never been the type
of person that was really interested in or got nothing
out of nobody else doing it. I just wanted to

(09:40):
do it what y'all doing? Let me get some of this.
So I never really tripped off of it. And then like,
like I said, I'm very open. So I have spoke
to people and all of my girlfriends and guys on whoever,
and they was like, well, maybe you want to be
more interested than the ones that have like storylines they
are it's not all just that. And I was like, well,
I was never really into it, so I didn't know.
But it even though like my guy, like I had

(10:01):
a couple of guys that was in it, but I
didn't watch weeks. So even though I'm much older now,
I'm just basically getting into a lot of things never watched.

Speaker 11 (10:11):
You've never watched. I mean I have a video with
your other person.

Speaker 8 (10:14):
You know, I mean they be watching. I don't pay
attention what I just wanting to do it even even
when you were younger, like to do your research. Because
when I was younger, porn was like research for me.
It was research for me. Yeah, And that's why I
never off of it. It was I mean, like like

(10:36):
when I was younger, like my mom always said, don't
lay up in nobody else the house with they mama house,
and not at it. If he ain't got no house,
he gotta take you to the hotel. Got there something?
You know, you don't lay up in people house. So
I went to the hotel with my guy whatever, and
it would be all they would watch it, but I
never really paid attention to it. I won't. I'm trying
to do it to me. I never really. I mean

(10:59):
I have weirkness did, but I never really set up
and never watched like porn.

Speaker 11 (11:03):
Just watch, But that doesn't That doesn't entice you more
the fact that he's watching and it's like, look, watch.

Speaker 10 (11:10):
That, but look what I'm about to do.

Speaker 4 (11:14):
You competing with the porn?

Speaker 8 (11:16):
No, let me know, let me let me let me
reiterate here.

Speaker 11 (11:19):
I don't compete with porn.

Speaker 4 (11:21):
And I gotta apologize, Keith.

Speaker 9 (11:22):
I told you anybody you bring is at your own
wrist brom to be respectful.

Speaker 4 (11:27):
But y'all, I don't compete with.

Speaker 11 (11:32):
Anything.

Speaker 10 (11:33):
It intensifies the moments. Now, this may be toxic.

Speaker 4 (11:38):
I don't know, this may be toxic.

Speaker 8 (11:43):
I feel like.

Speaker 10 (11:46):
I'm in competition with the person I'm sleeping with.

Speaker 4 (11:50):
That's the right way to love. That's the right way
to love. Right there.

Speaker 11 (11:54):
I feel like, ultimately my goal is the pleasure you
and it's like it makes me even more please.

Speaker 4 (12:01):
Yes, that's why I do the work I do.

Speaker 14 (12:03):
No, just now, he says, you're not you're gonna remember,
You're not going Yeah, I can remember, is't gonna remember
anyway back.

Speaker 8 (12:15):
I'm right, I'm already after Okay, I got a good walls.
They're like, the girl, go get to it. I went
to I went to You're not be going tall the
little parties and stuff and like my my sister six
send years younger than me, so it's a lot of
my little cousins all that, and I went to a
couple of pointies. I was like, what the fuck is
out there?

Speaker 4 (12:34):
What you're doing?

Speaker 8 (12:35):
But that's like you do this.

Speaker 11 (12:36):
I was like, you put that word, dude, Like what
kind of parties?

Speaker 4 (12:39):
Like nothing, she's just watching you go to the little.

Speaker 8 (12:45):
Oh no, she's come out pre romance. Oh you go
to the little sex sex toy parties? Like I said,
I really so I really wasn't really in tire of
that and know and they was like, girl, get this
to do that. I was like, okay, I was like,
so wait, get this like you gonnay on one on
one dot com they say toys. Everybody said I was
cracking up, but were similar in that, but I went

(13:07):
I better tested all little stuff. But I was like
that was like, well what happened? I was like, girl,
these walls are strong. They won't used to do this
now they won't just make noise you know, you know
what that across the room.

Speaker 4 (13:21):
But moderation, moderation I'm into.

Speaker 8 (13:25):
I'm in too trying to.

Speaker 10 (13:26):
Little but it's okay to try out toys, but it's
not the real thing.

Speaker 8 (13:31):
And I like the real thing. I know, like I
mean to feel that thing.

Speaker 11 (13:35):
It's almost like you, right, Hue. But the only things
like that you can get for food is some it's
some McDonald's. It's like, yeah, okay, it did what it's
supposed to do, but it didn't satisfy me. Take me
to some fucking like I don't know.

Speaker 8 (13:55):
Oh no, no judgments, no judgement. I was like, no, no,
don't kill me a little bit in my heart. Don't
kill me.

Speaker 11 (14:10):
Choking A lot of is not a choke, but they
don't sometimes.

Speaker 2 (14:13):
To be like.

Speaker 8 (14:17):
Like Nigga word, but it's a little messed up, Like.

Speaker 4 (14:25):
No, it's a it's a perfect tour.

Speaker 8 (14:32):
With your hand.

Speaker 11 (14:36):
It's so bad that it's like even when I know
it's like okay, they choking me wrong, Like it's like stop.
In the back of my mind, it's like I need
to tap out.

Speaker 4 (14:46):
Though now I'm talking about take it if I okay.

Speaker 9 (14:53):
So when it comes to your poetry and clients have
any like when you get the fantasy, have any of
your clients been like really aggressive during that moment or
like something too weird that you didn't think you could
continue through.

Speaker 11 (15:07):
I won't say that, no, I don't ever know. It's
a confidentality like in the beginning you sign, but I
won't say that it's weird. But I've had to step
outside of my comfort zone before and I've had to
tap into their world where I had to sit and

(15:28):
I've had to watch their type of categories. Now it's
not that it's like at first it's like it's not appealing,
but it's it's for the client, So I have to
be in their world and I've had to read the
stories and it's like.

Speaker 3 (15:43):
What was the worst I ain't gonna say worst, but
it was the most like wow category that you had.

Speaker 8 (15:47):
To tap into that made you uncomfortable, uncomfortably comfortable.

Speaker 9 (15:52):
I know, like if I had to do one about
like like beating balls with bat like through this there's
some dudes out there that like get stumped on and.

Speaker 11 (16:06):
Humiliated.

Speaker 8 (16:07):
Yeah, but I thought it was that's sensitive.

Speaker 4 (16:11):
It is pain is pleasure in a lot of ways.

Speaker 8 (16:13):
Wow, yeah, I never heard that was my claim. Bitch,
they like that, like I know about it. But Keith,
what's your what's like your your?

Speaker 4 (16:31):
What's that one category? Way? Hold on?

Speaker 11 (16:35):
I'm sorry.

Speaker 7 (16:37):
My style is more so speaking on topics that everybody
needs to People don't really want to talk like the
poor topics.

Speaker 5 (16:45):
Nobody really want to talk about growing up telling you everything.

Speaker 8 (16:51):
Okay, So I like to tap into your nasty uncle
that's been a less of all the kids all their life. Yeah,
that's the ship I'm talking about. Yeah, yeah, I'm on
the podcast. Yeah, cause it's real.

Speaker 4 (17:09):
We had the DMX make you cross it the.

Speaker 8 (17:12):
Right way out.

Speaker 5 (17:15):
Like some topics.

Speaker 7 (17:16):
Don't get me wrong, I I speak on the from
a mod good Man perspective for everybody.

Speaker 5 (17:21):
Some people taking different to others.

Speaker 4 (17:23):
House what's your approach?

Speaker 9 (17:24):
Is it more like you you going for the emotion
side of it, or it's just like spitting facts or
a little.

Speaker 5 (17:31):
Bit of both.

Speaker 7 (17:32):
It just depends on the tape cause most of the topic.
I want you to tap into right topic, so you
know you can you can feel it both do it
and you know it ain't it ain't make me who
I am? Right, you know, being a better person because I.

Speaker 12 (17:47):
Went Remember one of the things that they took a
great artists is that the things that he rapped about
he wasn't necessarily going through, but he, like tap, he
was that person. He became that person in that rap.
You know I'm saying like, depending on what it is,
he became that person. Depending on what songs he was
grapping about, he became that person and made him a

(18:07):
great artist.

Speaker 8 (18:09):
Okay, Like back to you, ma'am. Now you say you
watch and write. So I'm still because I'm trying to
get she watched and she write or she write it
for them? So do you write the poem or the
poetry off of what you're seeing from the sexual part
or their insanity or I mean, what the hell going on?

(18:32):
How do you do? Okay?

Speaker 10 (18:35):
So are you wanting to know how I create these
stories like the process for.

Speaker 8 (18:41):
Them, because you say them for couples. You you create
stuff for couples.

Speaker 11 (18:46):
You can be single, or you could be a couple.
You don't even have to like, if you want your
story and you're with someone, it don't even have to
be about your significant other. It could be about somebody
that you've always wanted. But what I do is if
I'm unfamiliar with this this topic, if I'm unfamiliar with
this world, then I will sit and I will watch

(19:09):
videos on it, like so I can know, tap into
the feeling, tap into the motion, the positions, get everything
right to a t.

Speaker 10 (19:16):
Then I'll read about it to make sure that I'm
actually providing.

Speaker 8 (19:19):
Them what they're paying for.

Speaker 4 (19:21):
M Yeah, and what's the weirdest kind of category?

Speaker 10 (19:24):
Again, so the category is not weird, It's not weird.

Speaker 8 (19:33):
Everything is because you unfamiliar with it. But it was transgender.
It was more like.

Speaker 4 (19:45):
That or a woman.

Speaker 8 (19:46):
I can't tell Okay, I can't.

Speaker 11 (19:48):
Tell you that. But it was tapping into that world
and I had to actually research it and see, okay,
the different positions, what's pleasant, what's not?

Speaker 10 (19:58):
What is the way of for play? So I I just, yeah,
I have to dive into that so I can provide
them exactly what they wanted.

Speaker 8 (20:06):
So what do they do with your poems. I mean,
do they just keep them for theyself when they constantly
read them out? I mean, was the purpose of 'em?

Speaker 11 (20:13):
It's for their personal pleasure, because you can't go anywhere
and just pick out a poem that you want it.
Sometimes you can have a fantasy, but it's hard to
articulate it. You can't go anywhere and point out, oh,
this is my fantasy, this is my piece. You have
something that's it's only one of it. It's only one

(20:35):
of it. And I just love what I do because I.

Speaker 8 (20:42):
Mean, that's the Internet, and I ain't never heard it.
Like I said, I'm open to a whole lot of
stuff ready for her. I I don't have no problems
with experts and nothing I do. I mean my sexuality,
what I feel, what I say, what I feel? Uh
like he say, touching on subjects, I'm I'm your girl.
They be like Genia said, damn right, i'm'a say it.
I'm'a ask I say a shit that nobody that nobody
that everybody thinks, but nobody's saying I want to discuss.

(21:04):
So I'm up into all of it. So I'm trying
to figure out what's going on.

Speaker 3 (21:07):
I got a question.

Speaker 12 (21:10):
You understand, mean have been on the show many times. Uh,
but I forgot to ask, probably because I just thought
about it. I forgot to ask because I just thought
about it.

Speaker 3 (21:17):
When you do your writing, you know, like since you
and the client are clients, or you would do they
request for you to wear lingerie?

Speaker 6 (21:29):
And that?

Speaker 3 (21:29):
You know what I'm saying.

Speaker 11 (21:30):
While y'all coming up with writing, are you asking when
I'm doing the interview process, do they want me to
put on certain clothing? Yeah?

Speaker 3 (21:42):
Just like like you would be like your they're writing
for you know what I'm saying, Like you're writing, but however.

Speaker 8 (21:49):
You're in uniform or do you not write it while
they are? Do they? And you write it on your
own time?

Speaker 10 (21:56):
I write it on my own talk and I give
them a timeline and.

Speaker 11 (22:03):
I give it to them.

Speaker 4 (22:04):
Oh God.

Speaker 11 (22:06):
So when it comes to people's stories, it's theirs and
it's one hundred percent confidential. However, it's still a part
of my company, so I'm able to read the stories.

Speaker 10 (22:20):
However, I don't I change the names. I changed the
names in the in the.

Speaker 11 (22:24):
Stories, and if it's poetry, I read it and I'll
still change the names. But when it comes to when
when you guys see me performing on stage and doing
my sets, that's for me. That's stuff that I've just
written on my own time for myself.

Speaker 8 (22:41):
Okay, yeah, because I see where he's coming from, because
that's what I was doing. I was like, okay, you're watching,
You're right what you're doing. So basically I understand what
what he's saying. It's like, are you writing orre they
like doing what they doing and you watching it doing?
Because when you say I like to watch, I like
to do this, and you was like, then I write,
So I'm thinking the same thing he thinking, like, okay
watching it right? No, no, don't you respect. But I'm like, okay,

(23:02):
what actually going on? Yeah?

Speaker 12 (23:06):
Doing the set? You know what I'm saying, like a
personal private for a couple, right, It's okay. If you
had a couple to write and you wanted you to
write a poem and perform it with you were in
some type of lines, You're right, you know what I'm saying.

Speaker 3 (23:20):
Not that no one gets to touch you know what
I'm saying. They just get to see you, and the
more intimate the poem becomes, they allowed to become intimate.
Does that makes sense?

Speaker 11 (23:32):
If you know what I'm saying, I'm following.

Speaker 8 (23:37):
Like do you like, do you speak the words of
what they wanted or they fantasy? So do they get
to fulfill their fantasy and live out their fantasy as
you you speaking their their fantasy and the poem that
you wrote for them? So that will be typing because
like I'm like, yeah, you will. You aren't asking for

(23:57):
this ship, you know?

Speaker 15 (23:58):
You're like yeah, And I'm like, I have not been
in that situation about I about to have a new hover.

Speaker 11 (24:14):
However, what I will say is when it comes to watching,
I'm watching on my phone, like I'm looking at sites watching.
But it's like kind of touching up basis on how
I got started to it writing custom stories. But long
story short, I was in a failing relationship and I

(24:35):
wasn't getting the attention that I required. And because I
wasn't getting the attention I required, it made me really
just put myself into stories like this is me, like
I'm getting this pleasure. And sometimes what I will a
lot of times like if I'm writing a story, I
have to make it make sense and say is this

(24:57):
position even? Like does this make sense? So if someone
is near me, I will use them as a prop
to say, Okay, let me see is this position actually
going to work.

Speaker 8 (25:08):
So that I'm able to transfer it to paper?

Speaker 4 (25:10):
So yeah, Oka, right, that was a whack one. All right.

Speaker 9 (25:20):
I feel like, yeah, all right, teamwork makes dream work.
I feel like it's a time for a little pop off.

Speaker 4 (25:29):
What you'all think?

Speaker 8 (25:30):
Okay, pop off.

Speaker 4 (25:34):
To pop off off?

Speaker 3 (25:36):
So we're gonna pop off right here, We're gonna pop
it off.

Speaker 4 (25:40):
No, we're just gonna pop it off right off.

Speaker 8 (25:42):
Let's what that guy, let's pop off?

Speaker 4 (25:44):
We want to pop off?

Speaker 8 (25:46):
You want to pop off?

Speaker 4 (25:48):
He pop off?

Speaker 8 (25:49):
Y'all need a little background, is what y'all need?

Speaker 4 (25:54):
No, that's not what we're going to pop off? That's
not pop off music? How this is gonna know?

Speaker 8 (26:04):
All right?

Speaker 7 (26:10):
This one I got a title to it, but it's
one of the most recent one out of rop uh.

Speaker 3 (26:16):
Just thoughts.

Speaker 7 (26:17):
When you're from the bottom, you don't have to go
season in the war zone. Ladies, dying babies, dying families,
cring in the place we call home, injected with the virus,
calling in the vack scene, tested positive with no simple
who's the real threat of spreading? You and me? Blu
the value of a community, buy it back and rent
it off. It's called genocide because drive me to the cause.
With every black on black homicide, fighting over power territory

(26:39):
and pushing that you don't even own.

Speaker 5 (26:41):
I guess pride is worth more than your name being
on a headstone.

Speaker 7 (26:44):
It's just a metal time when roll did and gone
advancege a livel of maturity and you're you're really considered wrong.

Speaker 9 (26:51):
Alata the hood for being a war zone of all right.

Speaker 4 (27:00):
All right, all right, who's coming? Whos gonna pop on?

Speaker 8 (27:08):
Roses are red violence? I blue, My popcorn is popping
and I am too.

Speaker 4 (27:19):
Pop got U it had to be a rap.

Speaker 3 (27:25):
I remember last time I wrote one, I about to say,
let me see haye chick. You're wrong for that, gonna
be crying and I'm too grown for that.

Speaker 12 (27:36):
You're lucky. I'm thinking I'll be reaching with a chrome phobe.
Yet I was younger back then, but never again. Want
to get played like a sad song before call Tom Rone.
I bet you be on the phone calling Simon. Keep
your pussy. I just need your mouth. Good girls can't
weed them out. And after we funk, you're looking stuck
because I ain't eating out. Oh that's what you all
peed about. We feeded until your weave came out. Sit furthermore,

(27:57):
showed it the door and told that ass to ease
on out. Blame can any black as the reason I act.

Speaker 3 (28:01):
The way I do?

Speaker 11 (28:02):
Now?

Speaker 3 (28:02):
Well, I don't want relationships and all that dude was.

Speaker 12 (28:04):
Screw Now I let the words gamed. Yep, I was
a postal boy for pussy Whip, could have win and
had to frame me up. I should have beat the
warning signs like sculls and bones, but all I wanted
to do was get some skull and bone. Never underestimate
the power of female swag. They leave your feelings on,
say if they leave your pockets on eat and your
feelings hurt bad.

Speaker 8 (28:25):
All right, Okay, I was.

Speaker 2 (28:37):
It?

Speaker 8 (28:37):
I didn't write down, so I can't. I can't remember.

Speaker 4 (28:43):
Remember.

Speaker 8 (28:44):
I can't remember because my ship is all about being single,
and because that's what we always talk about. So I
was all like I had some ship rolled down and
there breaking, but it wasn't somebody I I can't really
split it hard like y'all did. But it said something
like a single, single single, that's what I am. Single

(29:07):
single single full what y'all talking about because yes, it's
more than one man, so she got close to the mind.
When I screw when I see it doesn't matter. But

(29:31):
y'all can't coming around and trying to blame me, you
know what I'm saying.

Speaker 2 (29:35):
So it was.

Speaker 8 (29:41):
Because that's me. You know, we all want to be single.
We say we are, but when feelings getting involved, then
nobody don't want to be a part, you know what
I'm saying. So it's all about me being single. Just
let me be you single. I'm single, We single, We free. Okay.

Speaker 4 (30:04):
I definitely.

Speaker 8 (30:11):
Had to cut it off because, all right.

Speaker 9 (30:13):
This one called a different direction. I'm Charles Barkley in
this game. I never needed rings to prove for you.
I'm hotter than the sun flame.

Speaker 4 (30:23):
If ya don't snap on this play, you act a fool.

Speaker 9 (30:27):
I call it a shame. Every night I'm with a
different chick who fucked me the same. Yeah, I'm getting cheese,
but somebody pays. And if your kids can't read, who
do you blame?

Speaker 4 (30:40):
Yeah?

Speaker 9 (30:40):
The fars got a witness, but I'm closing this case.
He can't snitch with two in his face. I guess
they really know. No, Okay, and with the same too,
leader making more than I came with this era of
dry mouth rapping. They can't spit.

Speaker 4 (30:59):
I guess they really number one. Dang ship.

Speaker 9 (31:03):
My girls give brains fast because she thinks quick. And
I ain't trying to run this rhyme, but I can't
quit just.

Speaker 4 (31:11):
Pulling full blown aids. It's too sick.

Speaker 8 (31:14):
Okay, that's I ain't even bring it.

Speaker 9 (31:27):
I admit I stole the crown. I'm an honest Cheeterah,
she promised, she never lied. I just can't believe her.
Don't be a life dropout underachiever. I smoke twenty going
straight because I'm over a chief of all right, y'all, okay,
all right, okay, right.

Speaker 8 (31:54):
That's what you like.

Speaker 3 (31:55):
Mixing drinks is what she does. Okay, I got I
want to hear my songs that I wrote.

Speaker 8 (32:03):
You gotta here Tailor tells.

Speaker 3 (32:06):
Y the poem about breast for last.

Speaker 11 (32:16):
Be mad if I wasn't doing a right poetry.

Speaker 8 (32:18):
No, do whatever you feel, Okay, y'all bury me.

Speaker 10 (32:25):
Okay, I just memorize this one, all right, here we go.
Is there a time limit?

Speaker 3 (32:36):
No?

Speaker 8 (32:36):
No, okay, this is called running me dry? All right.

Speaker 11 (32:46):
I look in the mirror to consider all the possibilities.
Because then I look at me, I exude divine energy.
I mean I see a queen. Nah, I see a
goddess who's often modest of her value in her essence
is more than a privilege to be in her presence.

(33:07):
I present to you colorful conversations with insightful connotation.

Speaker 8 (33:12):
Paradigm shifting woman.

Speaker 11 (33:13):
She's the vaccination, a gym of her generation, a slick
gas tongue without hesitation. Her words be weapons, leaving abrasions. Look,
she doesn't have the time to give a damn about
the societal fallacies. Her vibe in space has an unexplainable experience.
You will forever be captivated by her interior, her beautiful

(33:37):
mind and ambitious driving. She doesn't waste time, and it's
always an adventure with her time. She's genuine and honeis.

Speaker 8 (33:45):
You'll be hooked on her.

Speaker 11 (33:46):
No phonics, a free spirit with the hints of hoodie bonics,
don't play with her, play with your electronics, and no
sling in your cottage. Plus herbersteria. Yeah, she a melanated DD,
but never sees her self. Superior, body on lock, de
plorable kinks and let me.

Speaker 8 (34:04):
Not distract you with the physical. I make it brief.

Speaker 11 (34:07):
Ultimately, she is beauty and brains. Yeah, she is savage,
the whole package. Yet niggas have the habits of running
her dry.

Speaker 8 (34:19):
Niggas. Niggas.

Speaker 11 (34:20):
Niggas see she's willing to compromise in her genuine form,
yet they can spire and expire her time. She's more
than a dime, yet tossed like a penny burden in
the end, no good time, since she's always left to
wonder why she is the lesson for the next lessing.
Literally preach it to the choir of fuck boys. No reverend,

(34:41):
She's been at war, wondering about her peace and pleasure.
She's a veteran. She's about to flip shits a royal tantrum.
She's about to go ghosts, No Danny Phantom. Look, it's
more than a stab of her worth, more like stripping
her rights of birth. And she was sent to this
earth to set fire to the way Susser. She's her
ros going from the dirt. These niggas is weeks only

(35:03):
focus in all pleasure when they girth, knowing, damn well,
they need to do their research on approaching her work.
Batter ass males want to be alphas. More like the
s gun between her toes out futful look, She's sick
of these little rascals. Faith in these boys be hanging
by a threa. At this tassel, she take a step
back and realize that these niggas ain't worthy of a
spin in her castle, nor to be within the walls

(35:24):
of her castle. No more time to stress, too much
of a hassle, trying to focus on her self love
and growth. That's more practical. When she leaves, you'll forever
feel her in your presence. She spat you, and it's
life's regret when you lose her out your life. That's
not tactical. But anyways, she's back on her guided shit.
So black Girl be magical, pop God.

Speaker 8 (35:55):
I wrote so much stuff with her, this sh I
need to throw out like you, I wrote it in
burn It and I didn't want to hurt why cause
I'm very emotional and I don't want to hurt people feelings.
So that the way you expressed, I don't know a
lot of stuff in burn fit cause like you said,
I'm I'm very I I tap into shit and I

(36:17):
do and say things and ask questions that people just
in the back of everybody head that they're afraid to say,
acts or do. And that's me. So and then I
also got tapped into that other part to where a
lot of shit does not only said, don't have to
be said. So I withhold a lot of stuff, but
I'm back on a lot of stuff. It's all about me.
Like I said, once you get older and and you

(36:37):
get to a certain place, you're like, I'm like, fuck,
that's whole that's my whole life right now. It's like
and then I have to bring myself back into the
reality because, like I said, I have to make sure
that I'm still a pleasant person. Yeah. So, and cause
this society is sensitive now, yeah, they ain't very sensitive.
And then I'm at the age and the point where

(36:58):
I'm like, I'm now to the point where I'm like, funk,
and I can do what I want to do. I
can say what I want to say. You know how
when people get older, you yeah, I can say I
want to I'm yeah, beautiful. That's that's that's that's my
A r P Court talking, you know. So I got
my A r P court.

Speaker 11 (37:15):
Fun that does not give you, that's what the beauty
of art is it's xpressing your it's not, but it's
not to feelter yourself. So whoever feels some type of
way on them, that's on them.

Speaker 8 (37:30):
That's my expression and my feelings to my thought. Uh
be real, right, And that's what I'm saying. Now I'm
to the point where I can I can relay all
this and let it out now to where I'm to
the point where this me take me and leave me.

Speaker 3 (37:47):
So I'm.

Speaker 8 (37:50):
I know how to be a proper person on my
in my workspace and all that, but I'm a little sometimes.

Speaker 3 (37:55):
To want to y'all know.

Speaker 4 (38:00):
We also have our other spressional guests in the building. Tiffany, Marie.
Even you missed my pop off?

Speaker 9 (38:12):
Now I'm just playing we missed off, but yeah, but
later we got I'm about say I missed it.

Speaker 4 (38:23):
Yeah, I'm gonna say you got something problem, mister. You
come in late.

Speaker 8 (38:27):
You on the pop it off, popp it off, bring up.

Speaker 4 (38:35):
You got to come and.

Speaker 8 (38:37):
Blow it on out. You gotta be ready when you
come up in her.

Speaker 3 (38:42):
Earlier and I said, I'm gonna see you late. I'm coming.

Speaker 8 (38:46):
Put your ship up on your phone.

Speaker 4 (38:48):
You said to the wrong direction.

Speaker 3 (38:50):
I didn't even know.

Speaker 4 (38:50):
That's the problem.

Speaker 8 (38:55):
I shouldn't need that.

Speaker 11 (38:56):
You gotta let people know that even if they performed.

Speaker 8 (38:58):
But she was on the floor.

Speaker 11 (38:59):
So I'm just drink you need.

Speaker 8 (39:08):
We just got quite.

Speaker 7 (39:11):
The fact.

Speaker 3 (39:11):
Let me take a.

Speaker 11 (39:18):
Drink.

Speaker 8 (39:18):
It's okay if we can.

Speaker 9 (39:21):
We can keep popping off for breaks. We're playing on music,
be popping off to that. We're just if she needs
a minute, we can go around the table.

Speaker 8 (39:29):
Okay, ready to get miss Tiffany a breakipany you some.

Speaker 4 (39:36):
You you ain't gonna sit over there, Tiffany.

Speaker 3 (39:43):
Figure know.

Speaker 4 (39:47):
I just got a whole idea from that, right.

Speaker 8 (39:49):
I love y'all.

Speaker 3 (39:54):
Ta name, let me good name? I'm or.

Speaker 8 (40:04):
Y'all you killing me?

Speaker 3 (40:08):
Taylor tells.

Speaker 8 (40:13):
Y'all, hall a buddy. I'm gonna tell y'all. Well, I'm
gonna tell y'all something I haven't told you yet. Though
we always get exclusive.

Speaker 3 (40:26):
Okay, right telling her real name was, I'm Morosa or something.
I didn't know.

Speaker 4 (40:29):
He all into the sea.

Speaker 8 (40:36):
You we're gonna give us some exclusive teeth. I just
was gonna say, I have been really thinking about it.
I'm not talking about that, but.

Speaker 11 (40:48):
I have really been thinking because Taylor Tayls. People know
me by Taylor Tess cause that's what my company name is,
Taylor Tells.

Speaker 8 (40:56):
Cause I Taylor with Tells.

Speaker 10 (40:57):
But that's what's I really think that me as an
artist as Taylor to us.

Speaker 8 (41:02):
I think that she. I think she died. I think that, Okay,
Tiffany did.

Speaker 4 (41:08):
Tiffany is a murderer. I'm calling the cops, like, that's what's.

Speaker 11 (41:15):
What I have on Facebook?

Speaker 8 (41:17):
Like I've been thinking about it. He works with names
worse as I am. You ready? Did you get a step?
Did you get a step? Pop out?

Speaker 4 (41:33):
Let's pop out off?

Speaker 2 (41:40):
Up?

Speaker 4 (41:40):
We're gonna turn the lights off in here, what.

Speaker 8 (41:47):
Mike, Yeah, because we gotta get you on them the
baddy out? I got you hear me?

Speaker 11 (41:53):
Can y'all can hear me? You?

Speaker 8 (42:01):
Okay?

Speaker 11 (42:05):
But wait, it's not that okay?

Speaker 7 (42:11):
Is it.

Speaker 11 (42:14):
Okay?

Speaker 2 (42:14):
Is it.

Speaker 4 (42:17):
Okay?

Speaker 11 (42:20):
A couple of time taking it day by day, cause
sh it, I ain't coming to play. I got my
head on right, ready to take a couple of flights,
hit a couple of different cities, and watch a couple
of fights. I'm ready to spend a couple of grand
make some new damn friends xIDE all them fake bitches
and run up them bands. I got my duce and
remy never skinny could stick five saved lives and bitches

(42:43):
love Henny slim waist, pretty face, big ass with good taste,
a bitch with some class, but just enough wretches to
bend over and shake her ass. It's like a nigga
with some meat, big feet, nice teeth, so when she
riding in on top, it's no hands off feet, sneaking
and geek and gotta be discreet. I'll pick you up
up in the back of the bpete, drop you off
on the corner of Peach Street. What them niggas be,

(43:03):
Just in case you're trying to be slick, You gonna
really meet me close my house. Don't get fat, so
speak clearly when you talking to me. I like you
lick side to side. Let me grab your dreads and
show you how these niggas be pressed, mad, broke, hurt,
even mad at the next nigga because he ain't eating
niggas sleeping and I'm slept on, not stepped on like
press songs, but stepping all of my zong. Gonna get

(43:25):
your head gone. See classy bitch with a little hood
in it. Got your niggas really bitter cause you got
a bag. You need a nigga for nothing, holding your
ass down, not her moving like a bum without a
dollar to your name, but won't not it's fame cloud
chasing ass niggas. You should be ashamed over stepping boundary,
showing mad disrespect you bitches as clowns are hurt and
holding your chest make a subliminal post deleting statue, hos

(43:48):
pressed boss bitch making boss moods, exclusive nudes with a
bomb ass attitude, thick bitch on my shit list ordering
clothes from wish bitch, no goals, no ambittioning you bitches's
trash coorse ship past that blink. I don't want to
hear no stories you niggas and bitches is trash maury.

Speaker 8 (44:07):
Kill that love me?

Speaker 9 (44:11):
I beg.

Speaker 4 (44:16):
Yeah, all I'm gonna say is I think I need
to grow mister popped off, popped off.

Speaker 8 (44:36):
I heard what she said.

Speaker 4 (44:37):
She said what she said when she said the way
she has said it, She has what she has said.
It is said she.

Speaker 16 (44:44):
Said because we like but all my stuff and not
like that though, that's why not because have to be
he said, you, yeah.

Speaker 8 (44:55):
That was do this was the place for that.

Speaker 4 (44:57):
Yes, absolutely, the other place not to this was the
time and the place they.

Speaker 9 (45:02):
Called the playground after dark. You ever, you're gonna have
to come about the playground.

Speaker 8 (45:06):
Sometimes it's when we talk about this and that and
that and this and that's why we talk about this
and that.

Speaker 2 (45:16):
And that and this.

Speaker 8 (45:17):
And you could dress sexy all the time. You can
wear your wigs, you can, you can take them off.
It is what it is, the playground at the dark.
You'll be at the playground at the dark.

Speaker 4 (45:36):
No, it's not the Sorry, mister mister Brockman. What I
wanted to know from you, the published rocks.

Speaker 9 (45:45):
The publish gave you that idea to go publish, Like
was it just you had so many collected.

Speaker 4 (45:51):
Or is that the whole idea.

Speaker 5 (45:55):
English school?

Speaker 4 (45:58):
You just offended the poets in the room.

Speaker 7 (46:00):
But yeah, like I've been writing since about thirteen, and
I just got to a point where you know, I
feel like, you know somebody, like they might help somebody else.
Facebook and Instagram and all that, and people kept coming
to me like you should write a book, You should
write a book, You should write a book.

Speaker 5 (46:17):
I said, oh, really, that ain't really my thing, but
you know, I you know, test it out.

Speaker 7 (46:22):
So what the first one was straight from the Heart,
I mean that it blew up bigger than I thought
it was.

Speaker 5 (46:28):
And like after that, when the Nation coming out, when
the next one coming out.

Speaker 7 (46:31):
So I was supposed to do one with my Homio mind,
but he ended up dying before we can get so
that one ended up being two faces. Pure heart was
supposed to be, you know, my perspective, his path for
going back and forth about a topic, but to a
certain topic, and I just pretty much have to do
it myself. And you know, this last one I released

(46:52):
this year actually straight from the Heart too. They were
looking for that one because they still wanted a secret
from the first one. So I ended up putting that
out and with it, so it's completely that one is
completely on Amazon.

Speaker 8 (47:04):
It's always.

Speaker 12 (47:06):
All right, okay, the first the first one, the first,
and then they go to Amazon to get the second.

Speaker 5 (47:13):
But you can get the first one just book on Amazon.

Speaker 7 (47:16):
It's a lot of stuff that I have to redo
to get the hard copy just on Amazon, but that's
on the site uh selb dot com.

Speaker 3 (47:25):
The first one, so it's easy to get the second one.

Speaker 8 (47:28):
So where are you performing at?

Speaker 3 (47:30):
That is what I'm saying, right, I don't know either one.

Speaker 8 (47:35):
Books like so that's my thing because I like I
like to go to the poetry places and all that.
So I even thought about opening up a little spot
where we do that and all of that, because I'm
always thinking of an entrepreneurs situations. That's why I can't
get nothing done because my ass can't tak nothing. But
I love spoken word and all of that, and I

(47:56):
was thinking about, so where do you guys go? Do
you just write your stuff and sell it or do
you go somewhere and speech or poetry or I mean,
what are your spots that you go to to get
this out? Cause people need to hear it. People need
to hear about it. Baby, word up open Mike Tuesday,

(48:19):
We damn mare Okay, every Tuesday? Every Tuesday?

Speaker 4 (48:22):
Seven or what.

Speaker 2 (48:25):
That?

Speaker 11 (48:27):
It's going on seven years now?

Speaker 8 (48:29):
Really, and I I'm always something I done had a
lot of stuff going on shows that you be popping
off to, right, I wanna know what y'all popping off,
cause I be coming out. I actually come up. And
then I wanna know when I could write my shit
down because I'm not ashamed. I be off there like, hey,
what I'm I'm I'm very expressive, okay, cause it was

(48:52):
just made public today.

Speaker 11 (48:53):
But so there is this uh frost money showcase I
told twenty first and it's it is the city, it's
a lingerie show.

Speaker 3 (49:08):
For my ticket, it's gonna belloway.

Speaker 8 (49:11):
I can tellticket.

Speaker 3 (49:13):
It's Halloween lingue.

Speaker 8 (49:18):
So that ain't no problem for us to see. Someone
would tell me we had lingerie parties every year. We
had a little what was face? We had them linger rate,
we had them linguerinees every year at your guys. I go,
you know, I'm a lobby.

Speaker 4 (49:36):
Alright, So where else where else do you go to?

Speaker 5 (49:39):
I actually don't work, you don't.

Speaker 8 (49:42):
You just do all your stuff and just publish it.
That's what's up. So all of yours? Where can they
find all of your work? Again?

Speaker 7 (49:52):
You can do the first and second books straight from
the Who and two phases Prey.

Speaker 5 (49:56):
You can get the horror copies on Lulu dot com.

Speaker 3 (49:58):
You get the e.

Speaker 5 (49:58):
Books on Amazon by.

Speaker 8 (50:02):
They you said the name, but who is your by?
You go cause you know they don't know. You speak
it up.

Speaker 5 (50:09):
And then on the last one, UH say from the
hard too. You can get strictly on Amazon hord copy.

Speaker 8 (50:16):
Okay, I'm a little old, so you're gonna write that
ship down. I can look at it, and I've been drinking.

Speaker 4 (50:26):
Each of you.

Speaker 9 (50:27):
What's the goal the top goal with when it comes
to your poetry line, like, are you trying to go
hit Apollo with it?

Speaker 4 (50:35):
Or what's yourn? Do you have an end game to this?
Just doing it for the love of the game.

Speaker 11 (50:41):
I I you know what I write because I have
a very dark and creative mind. So when something creative
and dark comes to my mind, I just gotta write
it down, okay, And it ain't necessarily ain't necessarily gotta
perform it. I ain't gotta you know, have nobody read it.
But it be some stuff that I write that I'd
be like, damn, that's your fire. I gotta perform that somewhere.
So sometimes I put on my own shows because I'll

(51:01):
be scared to participate in other people shows because when
when people hear poetry, they think of soft love and
love right, you know what I'm saying. And I just
told them, like I don't do that type of poetry that.

Speaker 8 (51:13):
Okay, well I got I'm gonna make a w event
up and I want y'all, I'm betting ready to make
a holy man up and in y'all my hell out of.

Speaker 4 (51:20):
Don't you got one on the ninth or.

Speaker 15 (51:24):
Like that?

Speaker 4 (51:27):
Are you? Ain't you? I know you at the Yours Awards?
Ain't you?

Speaker 8 (51:31):
November?

Speaker 4 (51:33):
Yeah, that's November. October ninth is the next week? Next
the video?

Speaker 11 (51:38):
Shoot, what's next week?

Speaker 4 (51:41):
The weekend? I can get you there if you need
October ninth intent.

Speaker 10 (51:48):
I don't know if Jason Nelson, oh I heard him.

Speaker 4 (51:53):
Yeah, we're gonna be in Kansas Okay.

Speaker 8 (51:56):
We have a show. Okay, Okay, that's tell him about that,
cause it's people watching all over the world, So tell
'em about it all over the world. International Bath.

Speaker 11 (52:13):
So myself and Jason Nelson and Richard Bryn with other
fellow comedians. Lewis Confliction is also gonna be a part
of it. But we are going to Kansas City, Missouri, Uh,
October ninth, No October tenth. In October eleventh, Okay, we
have a private show on that Saturday, and then on

(52:34):
Sunday we'll be at the Legends Comedy Club, UH, presenting
our showcase. It's gonna be pretty interesting cause I've worked
with him before and it was amazing. But I'm just
excited for this show. I know it's gonna be really nice.

Speaker 8 (52:52):
Did she put the dog in?

Speaker 11 (52:55):
Oh?

Speaker 8 (52:56):
Lord, they gotta go to the bathroom. What was that
your question?

Speaker 17 (53:00):
Yeah?

Speaker 11 (53:01):
Yeah, yeah, sure, Okay, you said, yeah, sure, what was
your question?

Speaker 4 (53:05):
But no, because it's something on the knife. I didn't
know if you was gonna be there.

Speaker 9 (53:08):
But I was just gonna say, we got a lot
of shows and platforms for you all to perform at,
especially you.

Speaker 4 (53:13):
If you feel like you're nervous, don't be scared. Just come.

Speaker 8 (53:18):
Wan. Look if you get booed, we yeah, I got
your back because I'm lying, you.

Speaker 4 (53:27):
Ain't gonna be walking away from that situation.

Speaker 3 (53:29):
I was just thinking, how I can get you to
do a song with my son there go. Yeah, that's
what that was you just did. That was a whole song.

Speaker 8 (53:36):
It was just that was you just did it. That's
what I thought.

Speaker 3 (53:44):
You wanna tell you what I thought you just did.
I thought you slowed down the song that you had wrote.
That's exactly what that was you just wrote.

Speaker 8 (53:53):
I was just fanna site when you I'm just gonna say, uh,
your poetry can be sold as a song.

Speaker 10 (54:00):
You just just.

Speaker 8 (54:03):
That is a song. That's what song, right is? Yeah,
because everything sound like that, so I'm not but it
don't have to be everything. You're right to be some things.
Because I was just gonna ask you, I was like,
did you know you just flowed the whole song out?
I was gonna it's like, yeah, you got bars. That
was a whole for all nine that one you just did.

(54:25):
That was a whole song.

Speaker 9 (54:28):
All right. Well, I did want to take a moment
to call over the Cash Moses show. He wanted us
because they also have a show going on at other
station on Broadway six thirty to eight thirty every every
second and fourth Tuesday, Up and Smoke. So he's also
gonna be a guest here next week after next, I believe.

(54:49):
But before we do that, I want to do that
last give us another moment to pop off here, get
some some more shine here. But I wanted to also
let you all know that we did have some sponsorship
offers for you three, and there are some monetary and

(55:10):
some non monetary. So I'll just list the names of
the people who we'll discuss the details afterwards. But Divine
Lockett offering photo shoots for someone who might be interested.

Speaker 4 (55:24):
Squeak on a beezy cookie. She's gonna give us some
of her edible samples.

Speaker 8 (55:30):
Uh.

Speaker 9 (55:30):
Fallon Ray offered interviews and a free month of promotion.
I know you know, Foiling Blanca, your homegirls. She offered
some a little money and a lace Rode Lady Kitty.
She's offering a live show, radio show and promo and
all social media.

Speaker 4 (55:47):
And uh, somebody else is not on the list. I
can't forget who it was, all right, but yeah we
got some sponsorship. Damn right.

Speaker 9 (55:59):
No, I didn't be because I didn't write it down
because I knew you would be here, and I was
gonna let you explain it yourself.

Speaker 4 (56:03):
There you go.

Speaker 8 (56:04):
Okay, Well I have a pretty pop I'm the owner
Pretty Pop Popcorn. So I put together four different flavors
in a basket. I think it's Chicago mixed so spicy
turd on, strawberry cheesecake.

Speaker 4 (56:20):
So popcorn is well, we know who claiming yours? Okay,
are you doing at off? What you got to give?
All right?

Speaker 9 (56:38):
What the idea was that for these sponsorship offers, you
guys write a poem about their business and we got
to announce it to a lot of people jumped on
this and we might be having some more because on
my way here, I got like ten inboxes about it.

Speaker 4 (56:53):
How can our sponsorship? So y'all got a lot of
people ready to so we'll talk about.

Speaker 8 (56:59):
Okay, guys, y'all, Tyland, I have an announced bentd WEE
getting ready to start our own show on Monday, so
you guys also able to come on our show as well.
We will congratulation and y'all also need to come on
up on a Saturday show on the show with Just

(57:19):
Because Kicking and Company on Saturday, so Jessic can say
we want to say with Jack and pop up on
that too.

Speaker 4 (57:26):
Twelve or two.

Speaker 2 (57:32):
Right.

Speaker 8 (57:33):
Oh yeah, we have a non nonprofit organization, you know.
So we have a non profit organization car W three
e W. It's embracing, encouraging and power and women and
we we do our type of event tonight. As a
matter of fact, I'm gonna talk to y'all personal what
we're done because we have a like a adult thing

(57:53):
going on that don't have nothing to do with that
that we still would life y'all to come out because
I think that'll be dope while we're chilling in doing
our thing. Okay, you should be out of town. We'll
do another one. Who Yeah, it's everything gonna be done,

(58:18):
something different. That's the end we do. That's gonna be done.

Speaker 10 (58:22):
We yo, I straight got a massage poem to all
and we need.

Speaker 4 (58:28):
You gonna be wait, we got you great.

Speaker 9 (58:36):
Yeah, that's like to show our appreciation for y'all coming
out sharing your time with us.

Speaker 4 (58:42):
We know y'all got busy schedules and work to do.

Speaker 5 (58:46):
You know you stay working.

Speaker 4 (58:47):
Yeah, come on, turn the only fans off. We're still
on live.

Speaker 8 (58:54):
Someone.

Speaker 9 (58:57):
We're gonna get you a consultation later your time, So
we got we were over time today.

Speaker 4 (59:08):
Sorry, can't I love you bro tonight? I love you all?
Ready to do this? Pop off right quick again? All
ready to do this? I got I got a few.

Speaker 11 (59:21):
I'm reading this time. I'm go ahead, go ahead.

Speaker 9 (59:26):
I'm gonna take my inspiration from brother Keith, since he
do the you know, talk about the stuff that we
don't like to talk about.

Speaker 4 (59:33):
We're gonna set this bitch out check this album all right.

Speaker 9 (59:37):
I called this one well, I called this one little
red ride to day, A little red ride to day. Yeah,
exactly exactly, you're getting it. You already on it, Little

(59:59):
Red rid, Little Red Ride of Dick.

Speaker 4 (01:00:05):
All right, all right, yeah, just like he got another announcement.
Were gonna talk about the level.

Speaker 9 (01:00:13):
Little Red Ride of Dick rolled the hood and made
them sick boys on the strip trying to get a
ride to the clinic.

Speaker 4 (01:00:22):
Because she riding all the dicks.

Speaker 9 (01:00:23):
Okay, work the wall, muscle grip lip looks like some
sour deck, she said, it's just a yeast infection. Now
you stuck with just the itch. I told Bobby not
to lick the click, but he a pussy fan around
this way.

Speaker 4 (01:00:38):
We call it that thing. Yeah, I mean now, Little
Red Ride of Dick need protection, she called a case.

Speaker 9 (01:00:45):
And now she started fucking with detectives. Chicks round the
way heard she put a head out and team and
little Sister said she's gonna stomp the bitch down.

Speaker 4 (01:00:54):
Little Red better look out and her procure get found
in a minute.

Speaker 9 (01:00:58):
They won't recognize she lost a few pounds, so keep
your eyes peeled. They blending like we do, and Little
reds start to get her fixed through the needle. After
she sucked around and took half the county out and dummy,
still trying to figure out what the more about?

Speaker 4 (01:01:16):
What bad? Go too far? I'm just sad. Wrap it up.

Speaker 5 (01:01:34):
All this call self love.

Speaker 7 (01:01:38):
Can't love anybody until you love yourself the first step
until improve mental health. Stop using the depression to get
your way, praying with no action, but you make time
to play. Being broken gets you the attention you see,
depending on the world's validation because inside you two week
want to keep any genuine love discreet, but get upset
when they get tired and retreat. Talx it playing victim

(01:02:00):
to the situations you create, lost anything really neglect and
that's amazing heal. People want to support you, but and
the and they feel that Corma is always lurking, waiting
for it.

Speaker 11 (01:02:11):
Get back.

Speaker 18 (01:02:13):
Love that.

Speaker 4 (01:02:21):
You're gonna do a You can't do that, Poe on
this thing. I'm I'm gonna fall out over you.

Speaker 8 (01:02:29):
Yeah, okay, open wide.

Speaker 18 (01:02:50):
Unless it's little there, you know, little, this work little
They struggled in the right, but you gotta work, you know.

Speaker 8 (01:03:02):
I like them sometimes.

Speaker 4 (01:03:06):
Gabble that ship. Move on. I'm tired of your big dick.

Speaker 5 (01:03:15):
Neglect don't mean how to work, I know, not work.

Speaker 4 (01:03:22):
She did attacking big?

Speaker 8 (01:03:24):
Is that boy?

Speaker 11 (01:03:25):
Bye?

Speaker 4 (01:03:25):
That's that's all pop off?

Speaker 8 (01:03:28):
You feel about that school ship?

Speaker 11 (01:03:29):
That's nothing?

Speaker 8 (01:03:32):
Schools good.

Speaker 4 (01:03:35):
Niggas, that's next episode.

Speaker 8 (01:03:39):
I'm sorry, I gonna you don't mind up spretty looking
for they?

Speaker 4 (01:03:49):
And how would you know? Oh, I'm gonna end that
conversation right now.

Speaker 11 (01:04:00):
Y hard, My emotions be high. It's quite hard to
satisfy when he feels like he does no wrong. Same
nigga that breaks your heart one day and the next
day he gone. The same nigga that know he cheating,
so he keep a magnumom. That same nigga that swear
he know the difference between right and wrong. My trust

(01:04:22):
fucked up, so I'm always asking questions. I want to
know when, where and what time? Cause you just reading messages,
not replying nor responding. But swear I'm overreacting. Swear he's
the man of the year. Gotta stop it with all
that cappin. You want me to cook and clean and
tend to his needs. But love the ones that stay
on they knees by any means. I just want your

(01:04:44):
love and affection, a little cuddling, a whole lot of
sex and not too much. But just enough to keep
me guessing. I tell him my time is precious and
I have no room for old lessons with adolescents.

Speaker 8 (01:04:55):
Have my fuck.

Speaker 11 (01:05:01):
Three times, have my pride to cut all ties, No
more tries or sorry excuses. Kind of cute how you
could play clueless. Now I'm tripping and you sick of
my ship. But swear you want to commit with no
intent to make a change. But check with these bitches
and swear we all the same. I know I'm different.
I ain't gonna lie sugar coat ship. I know it's tempting,
not begging for your attention, and I hate to mention

(01:05:22):
I caught you cheating, so I started moving different. No
need for sorry, just goodbyes. I'm good on you. I'm
cutting all tak ain't no surprise you just the man
that I despise.

Speaker 8 (01:05:32):
God killing it. Ye, yes, because right now my motherfucking
house be on my house and lose in my mind,
because I'll be saying all that ship you just hand
say when I haven't said right, y'all say yes, that's.

Speaker 4 (01:06:02):
This boy, bash that boy, that's boy bad. You get
it right, just.

Speaker 8 (01:06:06):
Real boy b she speaking ship that we all feeling in.

Speaker 4 (01:06:11):
He was a burden on you by that's a little boy.

Speaker 2 (01:06:15):
And what do you do?

Speaker 3 (01:06:18):
That's right?

Speaker 11 (01:06:19):
Can I pop my cann all right?

Speaker 4 (01:06:23):
All right, yeah, all right.

Speaker 8 (01:06:25):
You got ship.

Speaker 11 (01:06:27):
She got me up to the ship, but I said,
nasty ship.

Speaker 4 (01:06:33):
So yeah, hey, hey, hey, hey, I'm sorry. How dare
you speak for yourself?

Speaker 2 (01:06:42):
All right?

Speaker 11 (01:06:46):
This is actually something that I'm working. I just finished
this piece, writing this piece like.

Speaker 3 (01:06:52):
Friday, right, so that she always just finished writing this up.

Speaker 4 (01:06:57):
We like excu that new new.

Speaker 10 (01:07:00):
Alright, So yes, this is called choosing violence.

Speaker 11 (01:07:05):
M hm, I like an art.

Speaker 8 (01:07:09):
Stop. Al right, here we go.

Speaker 10 (01:07:16):
I gotta hope this.

Speaker 8 (01:07:17):
I ain't even gonna hold y'all.

Speaker 11 (01:07:18):
I gotta hope this. To get into.

Speaker 8 (01:07:23):
Choosing violence.

Speaker 11 (01:07:27):
Let me be your piece, the hot dinner ready for
you to eat, the silky fingers massaging your kinks, the
ear that loves to hear what you think, the blunt
that's already rolled, or a packsatieva bowl.

Speaker 8 (01:07:45):
Release those burdens from your soul.

Speaker 11 (01:07:48):
Breathe in, breathe out, Let go, I touch of trust
with the hints of lush, just in hell, exhale, just
let go. Let me hold there you go, there you go,

(01:08:14):
sit back and relax. You've come this far in my trap.
Come a little closer. Let me tell you a secret.
I can be competitive, play offensive defense, very persistent in
retrieving your semen. An angelic voice, but a hell of
a demon. You had a long day, and I've loaned

(01:08:35):
you all day with dreaming. Wake me up with your
coffee in my cream. Then please remain in your seat
while I reach. As you speak, rubbing and pulling your
peek extended beneath, I'm twisting and kissing. We violently breathe
our body, serene, passion, robust. You send me over the cusp,

(01:08:55):
and I want to be on your cuss. Listen and follow.
I breeze this fresh air, filled with lustful there but
hyster reveals the truth. Let me speak my truth. Give
me your mic. I'm in the booth and I want
to prove how nasty I can get for you. I'm
far from proove. Yeah, I get real rooting. Switch up

(01:09:18):
the mood. Pissed off, lord, fuse and beat me. Yeah,
bruise me, your divine temptress channeling, Oh shon, I'm your deity.
Not impressed, and I'm impressed when I'm pressing to you,
I can be very wicked. I admit need you to
thrust and thrust. I love the way you feel in me.
Choke me and explore your seat in this odyssey. Di

(01:09:39):
vie my legs add you equals the perfect sequel of
intertwining and kegels.

Speaker 8 (01:09:44):
Grateful to your rich risins.

Speaker 11 (01:09:46):
This regal Once you pop the fund, don't stop these
pringles and eat me up with every single viscous intention.
Get to clenching and switching positions. Be different, go animalistic,
be small, read my future, see your free code. I
need you to go real fast and change the tempo.
Go slow with deep strokes. You're just like that fast

(01:10:11):
with brief strokes. Make this pussy queef. Make this pussy
queef music.

Speaker 8 (01:10:17):
To our ears.

Speaker 11 (01:10:18):
Your instrument strum me, beat me, make a detriment claim this.
I'm your testament, willing to let you destroy my innocence.
Keep killing it pound for pound cake and put your
ic in on these cakes. I screamed while you ice
and cream my pie. Then peel this berry with your
dough boy, lick my chocolate chips. Breast be your land.

(01:10:40):
Oh hooy, we for fighting this domestic violence. Today was
about to call the boys get a citation for the noise.
Better yet, profile me, handcuff me, frist me, get on
your duty. Blue and black bruises a part of your brutality.
Finish me the ultimate fatality n PS. I too up
to play this station on your joystick. You see the

(01:11:02):
joy I you meant from your stick with the tight
gripped and switch. I intend, though, to go another round.
I'm super geek like Mario. Rescue and peach. As you
claim your peach, then high bow to my serf and surf.
For now, it's a rap with this chance for a
smoke break, because after what we just did, we don't

(01:11:22):
do the same drugs no more the way you just
summon my inner har ship. After this break, this infomercial,
just wait, there's more now.

Speaker 4 (01:11:37):
If the show is over, I'm gonna need to see
you outside, y'all.

Speaker 11 (01:11:46):
Never know what y'all like.

Speaker 4 (01:11:50):
All y'all never know what.

Speaker 9 (01:11:57):
Taylor tails in here got the floor got them and
hear about the pop off. Yeah, uh, this was amazing,
So we gotta close out here. This was uh yeah,
I don't even have words for how this ship was.

Speaker 8 (01:12:13):
I know I'm going to pour my mother back.

Speaker 9 (01:12:17):
All right, go around. Let everybody know where they can
find you.

Speaker 8 (01:12:28):
Let's start.

Speaker 5 (01:12:29):
You can find me on Facebook or Instagram.

Speaker 7 (01:12:31):
Facebook is cheap cash for brock me, Instagram, cast book,
Underscore b K A z.

Speaker 8 (01:12:36):
P or Underscore B and where they can get your uh.

Speaker 7 (01:12:40):
You get my uh my first two books hard copies
Straight from the Hord to two Face Hord on loulu
dot com. You get the e books on Amazon, and
you get my third book Straight from the Herd two
specifically on Amazon.

Speaker 8 (01:12:52):
Alright, mis on Facebook and on Instagram.

Speaker 11 (01:12:59):
Facebook Marie with two Eyes at the end, and you
can find me on Instagram under I Am Tiffany Underscore
Marie Alright, I am Taylor tells you can find me
on Instagram at Taylor. Underscore tells that's spelled t A

(01:13:23):
l o r D. You will not find me if
you put a Y in my name. Underscore tells t
A l e s. Also, Orange Floats is my first
poetry piece that I have as music is streaming on
all platforms, And tell them.

Speaker 8 (01:13:36):
Where they can find you. You got shows coming up?
So oh, okay, okay.

Speaker 11 (01:13:40):
So I will be in Kansas City, Missouri, October tenth
and eleventh, with focus on the funny. Also October twenty first,
uh Frost Money Productions, we will be at Odds Night
Club for our Hunting in the City. I believe that
does start. The show starts at eight. You don't to
miss that because I got some ship that I'm pulling.

Speaker 4 (01:14:02):
Out on Ama ticket A ticket Okay, So.

Speaker 8 (01:14:06):
Pretty pop Gramet Popcorn. I'm on Facebook. I'm still working
on the job, but pretty pop on Facebook Instagram, Pretty
pop Gramet Popcorn. Friday, I will be at Elaine Stevens
from ten to four. Saturday, I'll be at the Tower
Groves Former's Market time from nine am to one pm.

Speaker 3 (01:14:25):
Alright, what's up that Boyn't it in that room?

Speaker 11 (01:14:28):
Main?

Speaker 3 (01:14:28):
You can find us all over Saint Louis.

Speaker 12 (01:14:33):
This October the second, and third, and I'm gonna be
at the Mama ninety Fix doing interviews too for Broken
Down Society. Also entertainer would be there from four to
five a right, doing interviews.

Speaker 11 (01:14:50):
You.

Speaker 8 (01:14:51):
Oh, y'all know this, y'all. Girl, Jenna gen Away just
jennal times. Y'all gonna catch me everywhere too. I'm here
on I'm here every day now there almost I'm here
on Tuesdays. I'm getting ready to start a new show
on Mondays. I'm here on Saturdays from twelve to two
on Kicking in Company. I have the nonprofit organization called
W three EW. We have an event on October the thirtieth.

(01:15:16):
We have an event Truncketreet on October the thirtieth, which
were still looking for vendors. That's gonna be at the
Box event Houler on Lusher Road, also Kicking in Company.
We'll be out there doing live interviews and going live
at the Truncket Tree. It's free to the kids, come
out against the candy, but we're still looking for vendors. Also.

(01:15:38):
I will also be a part of the Versus Battles here.
I'll be Friday the ninth. I've been here October the ninth.
I'll also be at the event October the second and
the third. I think we go on line at the
Luminati Fat We're going live Saturday for Kicking and Company.

(01:15:58):
I also will be vanding for Exotic Happy Hour. So
I'm all over the place. So okay, we always.

Speaker 13 (01:16:24):
All right, Doc Diligent, Playground, TV, BRO Blood, My City,
My Music, y'all know all that ship when y'all.

Speaker 17 (01:16:41):
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