Freaky Friday (2003) – Body Swap Comedy, Jamie Lee Curtis & Disney Nostalgia - Do You Even Movie? Exploring Obscure Gems and Cult Classics

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Anna, Honey, wake up, I have had it. What I'm
ready for the Coleman family. Mondays are mannic.

Speaker 2 (00:13):
My honey, make good choices.

Speaker 1 (00:16):
Wednesdays are wild.

Speaker 2 (00:21):
And for Anna and Tess cares never enough time to
really understand each other.

Speaker 1 (00:28):
What time's up.

Speaker 2 (00:30):
On Friday? You think my life is perfect?

Speaker 1 (00:34):
You couldn't last one day in my high school. Look you,
that's all about to change, because things are going to
get a little freaky. Why am I in Anna's room?

Speaker 2 (00:46):
This isn't mine?

Speaker 1 (00:47):
Those aren't mine. That's definitely not mine. What Disney Pictures present?

Speaker 2 (00:55):
So you're in my body and.

Speaker 1 (00:56):
I'm in your body. Oh, I beg your pardon. I'm
like the crip flaper Freaky Friday. What don't we like? Yes?
A jult.

Speaker 2 (01:12):
Coming soon to Disney DVD and video.

Speaker 1 (01:18):
In a world where podcasts reign supreme. Two Friends dare
to ask? Do you even? Movie?

Speaker 2 (01:33):
Hosted by filmmaker Enrique Kuto and movie aficionado David de Noyer.

Speaker 1 (01:46):
Spoiler alert, Mmm, have you? Uh? I was gonna make
some kind of a joke. Yeah, but honestly I'm a
little grouchy.

Speaker 2 (02:08):
Yeah, understandable with everything's going on.

Speaker 1 (02:12):
You mean your life. I mean, it's it's really just
the drugs. Dad.

Speaker 2 (02:18):
Yeah, I mean you and I have both your your
week's been up in the mine that I also have
been having some fun stuff going on this week too,
So I think I think we're both kind of to
a point where it's just like we're not We're not where.
It's not that we're we're gonna push through the show
just to get it done, but I think both of
us are just kind of like we're here now.

Speaker 1 (02:35):
Well. I mean, I mean I found out I have
a chronic illness that's permanent, which is new. Yeah, somewhat, Yeah,
nothing like it's This is what sucks about medical shit, David,
is the instinct is to say it's nothing serious, yet
it's something that I'll need to have to treat for

(02:57):
like my entire life, and I'll regular blood tests. So like,
I hate that my instinct is to say nothing serious
just because it's likely not deadly. And but not that
I'm mad about. I mean, I'm annoyed by the ailment,
but that's just life. I mean, you get older, you
get you get stuff. You gotta live with it. And

(03:20):
I knew I had a high risk I have I
have you know, thyroid disease. Yeah, I found out last
Wednesday that my blood test came back in. My doctor
was like, we've been watching your thyroid and it's it's
a lemon. So I had not been experiencing many symptoms
that I'm aware of, but I started taking a synthetic

(03:42):
hormone to balance my thyroid and it's made me sick
for days on end, feeling feeling weird. Yeah. Yeah, it
takes it takes up to up to ninety days for
it to completely balance in your system. More of about
a month, and you're pretty much where you're supposed to

(04:02):
be because they have to then do another blood test
and see if I'm getting enough, and if not, they
have to give me more, which I suppose is nice
that I don't have to do like and how are
you feeling? Follow up, because that's a lot harder. At
least it's numbers. At least they can look at my
blood test and be like, this says your numbers are good,

(04:23):
how do you feel? And I'm like, I guess I'm fine,
So I guess it doesn't I guess that's where we're at,
you know, as we'll just keep doing that. But you know,
it wasn't a thrilling thing to find out, but it's been.
But I was just more lamenting on how annoying that
is to well, no, to say it's nothing serious, which
I get, Like, I guess the instinct of saying something
is not serious is that it won't kill you, or

(04:46):
at least not immediately. But then I stop and thinking,
I'm like, it's nothing serious. It's just like I'll just
have to be medicated for the rest of my life
for it. And then I'm like, that sounds serious ish,
you know, like it's not as bad as like type
one diabetes, where you know, without your insulin and your

(05:07):
blood sugar checkups, you could die and it will likely
shorten your lifespan. This probably won't well, see, this is
why medical stuff sucks, David, because I could say, like,
it won't shorten your lifespan, except having untreated thyroid disease
can lead to elevated blood pressure. Elevated cholesterol could lead
to your death. Yeah, So it's just one of those things.

(05:29):
And I guess, you know, being almost forty, I'll be
thirty nine in like a couple months. Yeah, it's just
one of those things. I'm kind of like figuring out,
and I'm kind of like learning the operating procedure of
is like, Okay, I got a medicine I need to
take now. Without it, I can still be functional. But
there are lots of problems. I used to have this

(05:50):
problem with digestion that I thought was just getting older,
which in a way, it is if your thyroid dies
on you, this is true. But like I would eat
a big meal at like six o'clock at night and
still feel uncomfortably full at like midnight or whatever, when
most of your body should have your digestion should have

(06:12):
emptied out, I would still feel full. Well, I feel
like this is not an interesting topic for you. Do
what I feel like you're I feel like you're not
super engaged on it. It's not that I just It's
all I was saying, is it slows your digestion down.
So it doesn't just slow your metabolism. It literally slows

(06:34):
the digestion of food. Therefore food sits in your stomach longer.
Therefore you could experience constipation, indigestion, all these things related
to that. That's all I was getting at. So it's
one of those things that where was like, oh, I
thought that was just a normal part of getting older
is like, oh, I just suck at eating, which you
would be shocking because you know, I've never had a
problem with food. I've always enjoyed food. So I don't know,

(06:59):
but it's a solid kick in the mortality reminder. I
could see that. I could definitely see that. So, yeah,
I've been dealing with a feeling really really hot, yeah,
and then oh and just feeling hungrier than I've ever
felt in my life. Like this has got to be
the closest thing to being a werewolf I've personally experienced,

(07:20):
because all of a sudden, it was just like you
put a plate of food in front of me and
I would It was like it wasn't that I would
sit there like give me food, give me food, give
me food. It was more like, once the food was
in front of me, I was like almost I was
like holding back moans. I was so happy to be
eating because I was so hungry, sweating because my metabolism
was revving, and then getting really irritable and tired when

(07:42):
my metabolism would tank because all these hormones are just
in my body, and my body's like we don't what
like we're used to this amount and now we have this.
So the the hunger thing is the funniest one, just
because they warn you when you take when you start
taking synthetic hormone like this, particularly, that you'll probably lose

(08:03):
like ten pounds pretty quickly. Yeah, and I'm like, cool,
that'd be nice because I'm eating like a goddamn pig.
I can't stop thinking about like how I'm gonna eat
the hell out of every plate of food I can
get my hands on. So so yeah, it's been it's
been interesting. But I've been telling Rachel when she would
make comments about this, I was like, hey, you know,

(08:23):
I'm dealing with a lot of hormonal changes, so I'll
be remembering this for when menopause comes along for you.
So you treat me mean, we'll see how I feel
when you start having your hot flashes. But yeah, so
it's it's uh, it's been an experienced. Now I'm at
the phase where I'm mostly just tired, which is lame

(08:46):
because I actually been having really good energy for the
last few weeks. Man, I'm sweating like a pig as now.

Speaker 2 (08:53):
Well, yeah, it's hot here already and you're already sweating
as it was too.

Speaker 1 (08:59):
Yep. But that all being said, if you want some
of my hormone just for like recreational I totally understand.
I'm sure you could grind up, grind up the synthetic
hormone and stored it in storage Jesus. So, but uh no,
it's been so it's been an interesting week. It's been interesting.
It's it's been today, today's day six of the medicine. Yeah,

(09:22):
and and it's been a week in a day since diagnosis.
So uh yeah, Because you have to take this as
a very like finicky pill. You have to take it
on a totally empty stomach, and then you have to
wait a minimum of an hour before eating after taking it,
so you really have to like take it like the
second you wake up, and you have to take it
roughly the same time every single day or else it

(09:42):
could throw off your balance. So it's like that's a
pain in and of itself. Imagine because I already had medication.
I took first thing in the morning, and now I
have to like scooch everything over and if I want
to sleep in still got to wake up to take
the pill and then I can sleep.

Speaker 2 (10:00):
Yeah, and then at that point it can kind of
fuck that up too.

Speaker 1 (10:03):
M Maybe I sleep like a rock. Once I am asleep,
I just sleep.

Speaker 2 (10:08):
There's time like it's it's not rare for me to
wake up and then go back to sleep, but it's
more so there's times where it's just like I have
the opportunity to sleep in, and my biological clock will wake.

Speaker 1 (10:18):
Me up just because say it's time to get pregnant.

Speaker 2 (10:20):
How to get pregnant exactly will wake me up, And
it's just like then I I have all the options
to sleep in and cannot get back to sleep. Like
that happens to me on Saturdays a lot because I
used to work for Saturdays for five years.

Speaker 1 (10:31):
Oh yeah, yeah, I don't have that problem so much
because I don't really have a set wake up time
every day. I mean I do, but I don't so
if I sleep and I sleep, and but I also
don't sleep in more than an hour. Yeah, Like I
can't remember the last time, outside of like an all
night movie marathon that I did I slept till eleven.

Speaker 2 (10:47):
I was gonna say, yeah, I normally nine to nine
to ten or what is what I can get to
you anymore? If I sleep past that, it's usually the
exactly like I've been out late that night or whatnot,
went to bed late.

Speaker 1 (10:57):
As opposed to what when you go to bed? What early?

Speaker 2 (11:01):
I mean when I go to bed? When when when
I go to bed when I'm supposed to.

Speaker 1 (11:06):
I feel like you that's a that's a struggle.

Speaker 2 (11:09):
Uh not as much as it better.

Speaker 1 (11:11):
I'm really fare.

Speaker 2 (11:12):
Yeah, yeah, dude, No, once I started. Once I started
like actually, like I've said before on the show, like
laying down on my bed or just being in my
room by like ten o'clock, it's there hasn't been a
lot of times lately I've been seeing midnight hit like I've.

Speaker 1 (11:23):
Actually realized that's great.

Speaker 2 (11:25):
Yeah, I've been having trouble like actually staying awake sometimes
because like, uh, my usual routine now is I'll usually
go in and pop either something I've seen a thousand times,
whether it's TV show or a movie on and if
I make it through to a second one, then I'll
put something on and usually like take my glasses off,
like turn the lights off, and like try to you know,
just fight.

Speaker 1 (11:41):
A couple of candles exactly.

Speaker 2 (11:43):
But no, but yeah, no, I've been trying. I've been
trying really hard.

Speaker 1 (11:47):
To at least be.

Speaker 2 (11:48):
Bedtime ready after ten. But I mean it doesn't happen
all the time. But I mean, for the most part,
it's it's definitely been helping a lot.

Speaker 1 (11:55):
That's great, no, because I knew for a while you
were going to bed so late and oh yeah.

Speaker 2 (11:59):
And that was also going through a breakup and whatnot
to so there was also that involved as well.

Speaker 1 (12:02):
Well. But I mean, but even this was like two
months ago. Oh, talking about it, Okay, I just want
to I just want to mention, like, I mean, I
just know you've been dealing with it.

Speaker 2 (12:09):
Yeah, so it I mean, it comes and goes. But no,
I mean it's it's basically like the best way I
can put it is if I if I commit to
it obviously, then you know I can stay on that
schedule and get used to it and whatnot. But I
mean there's absolutely times where it's just like I'm not tired.
It doesn't matter if I'm laying better not if it
doesn't matter if I'm hitting movie three by this point,
Like I'm just I'm not tired.

Speaker 1 (12:29):
You're really not tired. It happens, are you defiant?

Speaker 2 (12:32):
No, Literally, like I can I can lay on my bed,
close my eyes and like because normally, if I put
on a podcast and like to have something to listen to,
listening to something will lull me to sleep way quicker
than like just having like ambiance to the TV, or
even the lighting of the TV for that matter, because
it can just be too bright. Sometimes if I go
and put a podcast on or some kind of some

(12:53):
YouTube video or whatnot, just to like listen to and whatnot,
usually I'm wanting to listen to it, so I'm trying
to stay awake and listen to it, and that's when
I can fall way easier. So that's usually where it
flows between.

Speaker 1 (13:04):
See, I would assume that usually when you have trouble
going to sleep, that it's it's because you have that
revenge sleep time procrastination going on.

Speaker 2 (13:13):
I can also, I mean, there can be that, but
it can also be genuinely just stressed too.

Speaker 1 (13:18):
Oh well, that's what causes that. Because so for those
who don't know, I mean, I know you and I
have talked about it a little bit, But revenge sleep
time procrastination, there are few other names it goes by,
is basically the desire to stay up after you're tired
in order to basically regain control is the psycho the
psychotherapy term. Yeah, but what you feel like is you're like, well,

(13:39):
I worked a long day, so I deserve to watch
this movie, or I deserve to watch a show, or
I deserve to whatever. And in reality, it's like you're
getting revenge on your day for taking up all your
free time.

Speaker 2 (13:49):
Well, and what I had to realize too was there
there was starting to be a bit of a routine
of me just I would be in it be just
me in the living room on my couch, and you know,
by this point, it's like eleven thirty midnight sometimes and
I would just literally lay my head back like I
was like shutting my eyes, like resting my eyes on
one and I'm just like, why am I not going
into my room? Like why am I just crashed out
here on the couch. And it was just because I

(14:11):
was like it was just like I wasn't fighting it.
I wasn't gonna whollo if I move then I might
wake myself up. Now I've actually started putting myself in
my room, which if I crash out, we're good.

Speaker 1 (14:19):
Sure, Well it's important. Like I'm a big believer in
like I don't like to do like anything in my
bedroom except sleep. Yeah, because it makes it that it
makes my brain understand that's the space to sleep. Yeah,
you know it's time to sleep if I'm in here.
I don't even like to watch television beyond noise in
the background when I go to sleep, and I try

(14:41):
to like push myself that, like the living room is
where you hang out to relax, and then the moment
you feel sleepy, drag your ass to the you know,
the bedroom room. And I find that that's another thing
where I feel like that might for me. When I
kept crashing in the living room, it was sleep time
procrastination because I'd be like I'd be getting tired of
like I want to finish this movie, don't care, and

(15:02):
then you just fall asleep watching the movie in place
as opposed to like, now that it's gotten a bit better,
although sometimes I still I still fall Oh there's there's nights.

Speaker 2 (15:10):
That I can literally rewind four times because I fall
asleep each time before I call it quits.

Speaker 1 (15:15):
Yeah, now if I open as AA, what happened? I
just turned the TV off and go to bed Like
I don't I don't try any more.

Speaker 2 (15:22):
Well, and luckily what's helped me out with this week,
even though it's not necessarily help, but it's just the
circumstance of things is. On Tuesday, I threw my back
out bending down to my dryer to take clothes out.
So that was awesome.

Speaker 1 (15:33):
Yeah, I was gonna I was gonna get to that
old man back of years. Yeah.

Speaker 2 (15:36):
And so because of the fact that I've needed both
like the heating pad and to lay flat for the
last couple of nights, I've had to be on my
bed because if I sit on my couch, I can't,
like I'm I'm long, six foot two, Like, I can't
lay on my couch comfortably. I have a heating pad
on me and still like be flat as I can
in my bed.

Speaker 1 (15:55):
Well, so I know you've had a bad back for
a while. I'm pretty young guy for a back back,
did you injure it like substantially as.

Speaker 2 (16:04):
No, I think I think it's always been my shit poster.
I mean, that's that's literally what it's always been. I
I started getting serious back issues when I was first
starting with the radio station, So it was would have
been like twenty fifteen, twenty sixteen. Oh, you were like
that'd be like mid twenty Yeah, because that was. That
was like twenty two or twenty three, because that's when
I went to a chiropractor. And I actually saw chiropractor

(16:26):
for about a year until he literally retired while I
was still from.

Speaker 1 (16:29):
Seeing your back. He was, he was like, this is
enough for me? How coming, Julie?

Speaker 2 (16:33):
He had been he literally so when he when he
did the X ray initially and like showing my spine,
my spine had stair steps to it, like that was
the problem was that it had it had basically like
gotten so out of out of whack that it was
not able to straighten out. So I had to restraighten
my spine, which he ended up doing luckily. So that
helped immensely. And that's also what got me to start

(16:55):
sleeping without as many pillows as I used to do.

Speaker 1 (16:57):
I used to have, Oh were you like sleeping on
like two four or.

Speaker 2 (17:01):
Not for like like two to three max your head
not under my head. They were on the bed, but
usually like I had two on top of each other,
or like I had one with like my arm underneath it.
Whereas he showed me that I had to lay flat,
like you had to lay flat, You had to lay
on your side. You not lay on your back, not
lay on your front, like lay on your side and
lay as flat as you can with your neck as
flat as you can, because that's gonna help it.

Speaker 1 (17:22):
You mean, straight, straight, straight as Okay, I get what
you're saying that. Yeah, so yeah, that helped im mentally.

Speaker 2 (17:27):
So I mean what has kind of kicked it back
up is a combination of I I'm no stranger to
sleeping on my couch, and I probably shouldn't. It's not
a good I mean, unfortunately, when when me and my
ex broke up, she had the bed, so I had
to wait a little about about a month to get
a bed.

Speaker 1 (17:46):
How chivalrous. Yeah, so and that face says it all.

Speaker 2 (17:50):
No, it was more so literally it was her bed
and I sold my bed in the yard sale.

Speaker 1 (17:54):
That we had had.

Speaker 2 (17:54):
Oh yeah, yeah, so there was that and then uh,
you know, it was just it was just a combination
of things. So I think within the last couple of years, especially,
like it's just kind of weired its head a little
bit more. I haven't had like a serious injury like
this in a while. I mean it like my roommate
went to pop my back after I had like cause
I had didn't know right away that I thrown out.
I was just like, oh, like I thought i'd twisted

(18:17):
it or like pinster or whatnot. Then I realized like
I really couldn't like almost move and so he had
to pop my back, which wasn't probably the best idea
because then after that it was just like, oh no,
like I'm I need to go like lay flat like
on my back right now with the heating pad because
I can't move my neck like it was.

Speaker 1 (18:33):
It was rough.

Speaker 2 (18:34):
So luckily the last couple of days to have been
able to take a couple muscle relaxers. I've been able
to have my brace on, which is what I have
on right now, so it's getting a little bit better.
But yeah, it's been uh not great.

Speaker 1 (18:45):
I feel like you threw your back out maybe five
months ago.

Speaker 2 (18:50):
It would have been in twenty twenty four, really, I
think so, because well, when I feel like.

Speaker 1 (18:56):
There was one in like January or maybe it was November.
It might have been November.

Speaker 2 (19:01):
Trying to remember there was there was something. I feel
like I was helping a friend move maybe or something
along those lines. I can't remember I did something, but yeah,
I can't remember who it was at the beginning of
this year or end of last year. But yeah, no,
I mean it was it was within like the last
six seven months, I want to say.

Speaker 1 (19:15):
So, Yeah, well I did when we first started podcasting together,
especially when we started doing video with it, I did
notice your posture for the first time.

Speaker 2 (19:25):
One of my favorite stories from realizing how bad my
posture was was I was getting my physical to run
track when I was in high school or might have
been tailing in junior high and the doctor had come
in and I was reading my book and he was
just like, you know, okay, well, you know, we're gonna
do a couple of tests and whatnot. And he just
goes to like push me, and like I'm bending over
like reading my book at this point, and he just

(19:45):
pushes me, and like I immediately like gain like almost
like fucking five inches.

Speaker 1 (19:49):
Just that's a hell of a slouch. Yeah, so it
was pretty bad. That's a hell of a slouch.

Speaker 2 (19:53):
So I've gotten better and I've become more aware of
the problem is is that I'm somebody that can literally
sit in a chair a stool and just like bendo
like this, because I just that's natural for me to
like slouch like that.

Speaker 1 (20:04):
Gee, that's a hell of a slouch too, Like uh yeah, wow, yeah, see,
I at my age one of the few things I
haven't dealt with a lot. I've had two times in
my life that I slipped a disk or something in
my back and they were in the last two or
three years, and that's it. Otherwise I've never had anything
beyond like you know, a nit nerve pinch or something. Yeah,

(20:27):
And I'm very thankful for that because it hurts well.

Speaker 2 (20:30):
And normally I'm smarter when it comes to when it
comes to bending or even just like you know, trying
to pick something up, I usually will do it with
bending my knees, going my legs first more than my back.
But you know, you just get into a habit of
doing things sometimes. And it's just that I was beening
down on the driver to close and.

Speaker 1 (20:45):
That was Is that a tall guy problem too?

Speaker 2 (20:48):
Oh yeah yeah, tall people unfortunately have a lot.

Speaker 1 (20:51):
Of back issues. Should have taken orchestra that would have
made just sit up straight straight rest of your goddamn life.
That's why I I for real, like I didn't realize
it until like maybe three or four years ago, that
every chair I sit and I sit like this. I'm
I'm straight up because an orchestra, I mean they they
they beat into you sometimes almost literally, they would beat

(21:12):
into you. Your posture had to be perfect, and not
just while you were playing. When you when you set
your violin down, you had to you had to be upright. Yeah,
so that when you pop it up, they would It
was the whole deal. Oh.

Speaker 2 (21:23):
One of my all time favorite things now is literally
just laying on the floor like what, I what what
What's called floor time, which is just literally laying flat
on the floor.

Speaker 1 (21:30):
For watching the ceiling spin. Oh, it's the best, like it?
Well that was more college but.

Speaker 2 (21:36):
But yeah, no, I mean it's uh, it's it's getting better.
I think the last couple days haven't been too bad.
But that initial first night I luckily did sleep easy,
so that was nice at least.

Speaker 1 (21:45):
But yeah, I know it fucking hurt. Yeah, well tough ship.

Speaker 2 (21:52):
Yeah that's fair.

Speaker 1 (21:53):
I literally couldn't think of anything to say, so I
was like, well, I guess just be mean. Uh so
before we jump in, Yes, we did just get back
from seeing Together. We did indeed, which I didn't realize
its release day was the middle of this week instead
of the weekend. I actually caught it, like really new.

Speaker 2 (22:10):
I had friends see it like three weeks ago, so
I thought, it's like you and I talked about in
the car, like I thought we'd missed it or I
thought we were going.

Speaker 1 (22:16):
Were they friends in New York? Yes, yeah, yeah, because
they go to preview screen diashit. Yeah, they do that
out there, because don't ever forget that. They don't think
we're people. We're just a bunch of pigfuckers who happened
to pay to buy all their movie tickets. What what
you don't understand? You're from a flyover state, a flyover state.

(22:39):
I'll never forget small small side. There was a guy
I'm not going to say his name. If you ever
meet me in person, i'll say his name, musician, alt
music guy. And he was one time talking about touring
or something, and he mentioned how boring it was this

(22:59):
was on the East coast, how boring it was going
to like Wisconsin or any flyover state or whatever. And
I literally was like, hey, you know what people in
like small town America can do. They could fix cars,
they can perform open heart surgery, they can feed thousands

(23:19):
upon thousands of people with farms. But thank god you
could play guitar and dye your fucking hair black, Like,
thank fucking god that they have you to be there better,
Thank God. And my favorite thing about that exchange was
that he like laughed and then I didn't.

Speaker 2 (23:38):
It was really no, that's the best part because he
was like and I was like, yeah, no, I can
definitely see that.

Speaker 1 (23:44):
Thank God, Thank goodness gracious that you exist to play
silly songs in your stupid guitar. So all I'm saying is, yes,
sub human, that's us. So anyway, so together.

Speaker 2 (23:56):
Michael Shank's new movie, written and directed by him.

Speaker 1 (23:59):
His first person movie.

Speaker 2 (24:00):
Yeah, first feature, and this is the one that stars
Dave Franco and Alison Brie about a couple that move
into a new area and start realizing that there's something
going on with their bodies.

Speaker 1 (24:11):
That they're fusing together when they touch. Yeah, and then
some they don't fuse together when they're not touching good.

Speaker 2 (24:18):
They I mean they they they magnetize each other a
couple of times.

Speaker 1 (24:23):
That's different than fus Yeah it is.

Speaker 2 (24:25):
But now I genuinely enjoyed this had I had a
great time with it. It grossed me out multiple times.

Speaker 1 (24:31):
Yeah, I feel like you were a little squeam more
squeamish than normal today, because there were a few times
you were just like, really, I think it was because.

Speaker 2 (24:37):
Like the trailers had shown like not all the stuff obviously,
but they shown they shown a good amount of it,
and I guess it was just like I knew what
the movie was primarily going to be about. I guess
I just didn't realize like how quickly we were going
to get into it.

Speaker 1 (24:50):
And it was only super quick ninety seven minutes. Yeah,
so I mean they they were not screwing around ninety
two or ninety two it was. It was under one
hundred minutes.

Speaker 2 (24:58):
Yeah, No, it was under two hours.

Speaker 1 (24:59):
Yeah, so I mean substantially under two hours. So yeah,
it cooked along really well. I felt like they established
things very well. I thought the pacing was excellent. Yeah.
I thought the characters were believable. Yeah, I really The
ending was un satisfying.

Speaker 2 (25:16):
Yeah, really really enjoyed overall the build up to how
how it started out small. I mean we literally start
in that cave, you know, with the first thing that happens,
and then just kind of gradually and gradually got more and.

Speaker 1 (25:26):
More fucked up. Oh yeah, no, No, the escalation is
really fascinating. Yeah. I thought that the dark humor was
done well enough to not in any way take you
out of the horror. Minimal characters too obscenely minimal. Yeah,
basically once the characters because they leave I think they
were in Seattle, Yeah, and they moved to the country.

(25:48):
And once they move out to the country, I mean
pretty much three fourths of the cast listed in the
movie are just in those opening scenes where they have
a bunch of friends around and stuff. Everybody else is
just there's just not a lot of people around.

Speaker 2 (26:02):
No, And I mean and that what I liked about
that aspect of it was it allowed it to not
have that thing that it's you know, it's a trope
and I understand why they have it, but like that
whole thing of like people not believing them or like
going to get expertise and just like, oh, I think
there's something else going on, and we didn't have any
of that. Well, yeah, we did well, I mean we
didn't like not not with somebody else. The doctor, the

(26:23):
doctor that Franco goes to, we went to a one scene,
but it did.

Speaker 1 (26:28):
Not think what he said was happening.

Speaker 2 (26:29):
Yeah, but I mean that was but that was that
was I'm saying like that was one like it wasn't
a big thing like that was.

Speaker 1 (26:33):
That was literally the first thing. I had no problem
with that scene. It's just I just want to put
out like we did have that it just it wasn't it.

Speaker 2 (26:39):
Didn't feel like it because that was the one instance
at that point.

Speaker 1 (26:42):
Well sure, yeah, I mean I'm just saying we did
have a moment where somebody didn't believe. Yeah, somebody about it.

Speaker 2 (26:47):
But I'm I'm more what I'm saying more so is
we didn't have the whole that being a whole central
element of it to where it was just like it
took a while for people to actually believe, is my point.

Speaker 1 (26:56):
Well, No, the the big problem was him convincing his
wife that it was happening. Yeah. So no, I mean
actually most of the film is him being aware of
what's happening and she denying. It felt like it was
a lot quicker. Well, it was only a ninety two
minute movie. No, I know, That's what I'm saying.

Speaker 2 (27:11):
It just it felt a lot quicker in regards to
it didn't have that whole disbelief element with it.

Speaker 1 (27:15):
Well, I mean it ends by the third act there
obviously both entirely and entangled literally and somewhat figuratively. But no, no,
I mean, I'm not. That's not me trying to crap
on the movie at all, just because those elements were there,
I thought they were done pretty damn well. It's I mean,
you know, spoilers. It's an allegory for love and marriage

(27:39):
and commitment and sharing and all of that, which is
what makes the film very strong and interesting. It didn't
get bogged down in a bunch of needless shit. It
didn't go crazy with you know, spectacle or mystery. It
just it just presented and it kind of unfurls at

(28:02):
a at a pretty reasonable pace, and I didn't feel
like anybody made any really stupid choices, which helped a
lot because the movie it immediately reminded me of was
Bring Her Back. I mean, because bring her Back middle
of nowhere, some weird things are happening, there's some found
footage elements that we get through that all reminded me

(28:24):
of it a bit. But Bring Her Back had a
couple of logic flaws, which were the only problems I
had with the entire movie. This one, I didn't feel
like it had much of a logic flaw. You know,
you could kind of call one or two elements a
logic flaw, but I thought, I don't. I can't say
them because it almot spoil it. But even that I

(28:46):
thought worked out fine because it was right in the
third act.

Speaker 2 (28:48):
The only spoiler I'll give is that it has possibly
one of the best spice girls needle drops in cinema history.

Speaker 1 (28:55):
Top five for me, yeah, easy, top five spice Girls,
it'll drops for me. Top five, top five to the
top three. We'll see how the year goes. Sorry, we
were talking about this year right.

Speaker 2 (29:07):
Now, Like, well, I mean, considering the only one other
one I could think of is Small Soldiers.

Speaker 1 (29:11):
Uh, top five, top five? Fair fair enough? But no, no,
I really liked it. I think that it's just a
solid film. Another another big win for Neon, and I
hope people go catch it in the theater because I
think the performances were awesome. I just there was nothing

(29:32):
to dislike about the movie, yeah at all, I thought so.

Speaker 2 (29:36):
Like my one thing that I was really happy about
with the two was I mean, and this could just
be you know, trailers do this, but like I didn't
know if we were going to have like a big
connection with with them in that sense, because the way
that the trailers were it was just kind of like
throwing the horror at the at us and there was
some weird stuff going on with like the couple and whatnot,
but we actually have to see their relationship.

Speaker 1 (29:55):
Yeah, well I it would. I don't think it would
have made sense for the trailer to show us their
marriage because it's yeah, you know, and you can't. Subtle
doesn't work in a trailer. It just it just doesn't.
It's kind of like I love to use this example
again and again because after we saw what was that
one with macavoy the remake, when we saw Speak No Evil,
which I really really enjoyed. I remember remember so vividly.

(30:16):
We were on our way to the bathroom and You're like,
I just wish they hadn't given away how evil McAvoy
was in the trailer. And then I said, well, then
the movie, the trailer was just it'd just been them
going on vacation and then it's just Speak No Evil.
And you were like, yeah, yeah, still don't watch the
original You now what in Norwegians. Yeah, I don't. I
don't know about those people.

Speaker 2 (30:34):
It's I wanted to like, I mean, given you and
I literally got it ruined for us when we when
we got out of theater because that jackass wrote on
our Facebook status or whatever it was.

Speaker 1 (30:44):
Yeah, yeah, he gave a little bit of a spoiler,
I mean big spoiler. Yeah. But I mean they were overall,
from what I understand, pretty damn similar. I mean, yeah,
there were differences. Uh yes, and no. To be honest,
I don't remember what he said.

Speaker 2 (30:55):
Yeah, I can't say it here otherwise at all that'll
be a.

Speaker 1 (30:59):
Dick move, would be. Yeah, I'm impressed you avoided it. Yeah,
you are sleeping better try No, but uh but no,
I really liked the film together was fine. Yeah. And
I also want to say the nightmare scenes, they were
the early three three big nightmare scenes were some of
the scariest shit I've seen it the whole year in

(31:19):
the theater, like sincerely nightmare like they felt like night
like the worst nightmares I've had of my life.

Speaker 2 (31:27):
They made the Willy Wonka bed for the grandparents as
scary as possible. I just didn't expect that to happen.

Speaker 1 (31:34):
See I expected it because that was in the tagline
says the Willy Wonka that has never been so scary. No,
but no, so yeah, together can't recommend it enough.

Speaker 2 (31:42):
Yeah, definitely go see it.

Speaker 1 (31:44):
I also happened to catch Eddington.

Speaker 2 (31:46):
You did not, but I would say you you personally
because I haven't seen it still either, But you didn't
like didn't care.

Speaker 1 (31:55):
For bow Is Afraid very much, but you haven't seen
it at all exactly. No.

Speaker 2 (31:58):
My point being is that I don't Yester has what
a fair rate with you?

Speaker 1 (32:02):
No? No, he has one good movie, yeah, which is
which is pretty damn good.

Speaker 2 (32:06):
Because I like Hereditary and I like Midsummer.

Speaker 1 (32:08):
I want to like Midsummer, but I just think it's
kind of stupid.

Speaker 2 (32:12):
Listen, you need to watch the three hour cut with
twenty five to thirty more minutes of gaslighting.

Speaker 1 (32:17):
Look, I got like, let's just be real for a second.
Because you have not seen bo as Afraid. This is like,
this is like you don't know my significant other because
you're not here when they hit me because you haven't
seen bo Is Afraid. I'm probably not going to I
don't blame you. Yeah, My problem is I actually said
this to Rachel and Bosa because we went to see
Eddington because we'd seen Bo As Afraid together and we

(32:39):
were excited about bo as Afraid because we felt like
some of the dumbness of Midsummer was a taste thing,
you know, so we were like, oh, well, we'll really
like this one, and you know, and then with Eddington
we just kind of like we're there for emotional support
in case it wasn't very good. YEA. Saying it's a
bad movie is completely unfair, Yeah, because it's it's a
well performed, well directed But I do feel like, I

(33:02):
don't know if it's that the story is half baked
or if they're just bad stories. To me, I'm not sure,
but I will say Eddington wasn't. What made me mad
about bo Was Afraid was that I sat there for
over three hours, three and a half and then I

(33:23):
got nothing for it. It was pretty much a non
ending and that made me livid because the thing that
Astor is good at, almost to a fault, is a
point in his films where you're like, Okay, what is
going on? And I caught myself during Eddington at about
because it is two and a half hours. I caught
myself an Eddington at about an hour a half two

(33:44):
hours in kind of going Okay, I just want to
know what's going on, Like I'm getting tired of this,
Like I just want to know what's going on, Like
it's going to be another quirky, odd maybe violent scene.
When do I get to find out what's happening? Mostly
though I was actually thinking, like I pray I get
to find out because bo is afraid gives you bup kiss.
And I remember after it was over, I turned to

(34:05):
Rachel and we both agree we didn't hate it, but
we didn't like it a ton, And I actually said
I was like, I feel like our astor's sexual kink
is knowing he's taken a half an hour of my
life away from me every movie that I didn't need
to give it gets to just be his. Like I
wonder if he's an amulet that'll make him live forever
by stealing time from our lives with just kind of
needless stuff. It's kind of like it's like a Coen

(34:29):
Brothers movie if then Cohen's got fired in the last
twenty minutes and now it's just some guy because Coen
Brothers always wrap everything into a pretty nice little bow
and reward you for the rye.

Speaker 2 (34:41):
Would you say that the second act is better than
the first act?

Speaker 1 (34:45):
No, okay, I would say the first act is really
good and interesting, yeah, and then it kind of falls apart.
I felt like some of the social commentary was really smart,
and some of it was so surface level that I'm
not even sure if it was actually supposed to be,
like if it was intentionally dumb, I gotcha, or if
it was just not thought out. Yeah, that I couldn't

(35:07):
tell you.

Speaker 2 (35:07):
It's getting a lot of mixed reviews right now. I'm
going to see it eventually. I just it's just not
high on my list right now.

Speaker 1 (35:13):
Well, it's probably not going to be in the theater
much longer. And it's in second bomb in a row
of multiple millions of dollars, which is really shocking. I
was shocked that A twenty four backed him again after
Bo's Afraid, because that was the most expensive movie they
ever made, and I think I don't remember the exact numbers,
but it was like thirty million dollars and I think
it did like eleven. It was something really brutal like that.

(35:33):
Now I have to look it up.

Speaker 2 (35:34):
I've heard that, like, so what I've heard from Eddington
so far is that you are really tasked with deciding
if you like these characters or not.

Speaker 1 (35:45):
Yeah, I know there are a lot of hard to
like characters. Bo was afraid. The budget, depending on who
you ask, was thirty five million, it says net or
fifty million gross, So maybe it was fifty million before
tax credits or something. Box Office was twelve. That's and then,
but then Joe Eddington was cheaper but still not dirt cheap.
It was twenty five. Oh my god, twenty five and

(36:07):
it's done nine. So a part of me is wondering, like,
how does a twenty four like? It? Must be the
small hits stacked on top of each other, because that's
a lot of losses. Yeah, but I could be I
could be crazy. But again, I don't want to crap
all over the movie. If you liked it, I think
that that's great.

Speaker 2 (36:24):
Yeah.

Speaker 1 (36:25):
I had a really hard time finding the point. Like
with Midsummer, one of my biggest problems is that I
think if you take what it's saying at face value,
it's actually not a good message. I think the message
is kind of that if you're a victim, then you're
broken and will be an evil person. That's kind of
the message I got from that film because that's the

(36:48):
journey of the lead character. It's it's, oh, you've been
you've been hurt. Well, then you are susceptible to being
turned into whatever because you're you're pretty, you're pretty much
ruined that There's a lot, there is a lot that
goes on with her character in that movie. But at
the end, it's like, she's not a good person. She's
doing bad things, she's doing terrible things. She is No,

(37:11):
she is. I'm not saying she's not, but I think
but she finally found people who like her for her.
It's just that they need her to do awful things,
and they'll do awful I don't think it's I don't know.
I don't think. I don't think it's necessarily that personally.
But that's well, well, I mean I'm not this is
not I mean sincerely, Yeah, Like what would the message
be not I just don't I just don't necessarily think
it's that. Well, I don't think. I don't think that.
That's the point. Yeah, My point is that, like that

(37:33):
was the only thing I could interpret from it, because
it's not she's not a better person or a stronger
person because she's joined a cult either she's you know,
that's That's kind of my point though, is but the
ending is without any spoilers, really, I mean, the ending
is she's belonged somewhere and has a family, and it's
a fucking murder cult. So, like, I don't know where

(37:55):
what I'm supposed to take from it, Like it doesn't
feel like a you go girl. It seems like trading
one abusive relationship for another. I mean that, Yeah, I'll
give you that. And and the problem there is That's
what I mean though, is like it doesn't offer a
very hopeful perspective to victims of relationship abuse. Yeah, I'll
give you that too. That doesn't mean that I'm that
I'm saying that therefore it's a terrible movie, or that
Ari Astor is a terrible person for telling that story.

(38:17):
I don't know what his intent was. I only know
what I got from it. And honestly, the only reason
I was willing to admit that that was what I
got from it was that other people said that to me,
and I went, yeah, that was in the back of
my mind, but I didn't want to say it.

Speaker 2 (38:30):
What I'm more, I think more so, what I took
away from it was if you don't get out of
the situation, If you don't get out of the toxic situation,
because she had multiple chances to she have to go
on a trip or one not. Yeah, I mean if
you if you do not leave the toxicity, the toxicity
will take you and turn you into something.

Speaker 1 (38:45):
Yeah, I agree, I agree. It's just yeah, it's kind
of a harsh pill for a person. The idea, like,
you can't just walk away now you have to become
completely perverted. So but you know, it is a fuck
up movie. And also it's just too damn long, and
the characters are too stupid. That my biggest complaints in
Summer character The characters are like are painfully, painfully daring.

Speaker 2 (39:04):
Multiple people scream, multiple people disappear.

Speaker 1 (39:06):
Oh, I get it. You know, white people just love cults.
They just want to be in cults so badly. But
that being said, you know Eddington, if you liked bo
Is Afraid, then you probably will really like Eddington. If
you didn't like bo Was Afraid, you have a chance
at liking Eddington because it did pay off. Yeah, I
just wasn't sure I felt about the payoff. So, I mean,
it was a better film in every way in that way,

(39:28):
and the performances were really good. Joaquin Phoenix is great.
It was just a great actor.

Speaker 2 (39:34):
This is the next great American Western as all the
some of the reviews of saying that.

Speaker 1 (39:38):
Was the most confusing. It didn't feel like a Western
at all, like at all. I mean, they're in the desert.

Speaker 2 (39:45):
You want to who really like hated it?

Speaker 1 (39:47):
Joe Lynch really yeah, good for him.

Speaker 2 (39:50):
He literally said on his letterbox view like that he
was the person sitting next to him or that was
looking at their phone the entire time. That got a
couple of laughs. At least they enjoyed the movie was his.

Speaker 1 (39:59):
Real damn see. And I don't want to be mean,
it's just after bo Is Afraid, I literally felt betrayed.
I felt like, oh, okay, fuck me. As an audience member, like.

Speaker 2 (40:11):
Chapter two, I feel that dude, no me fucking baby
penny Wise, baby fucking kidny.

Speaker 1 (40:19):
The sad thing was that when I would tell you,
we have to be a little not weary that's the
wrong word, but we have to be careful with our
expectations of chapter two. The funny thing is like at
first you would kind of be like ah, picking on me.
I'm like, no, no, no, Dave. Chapter one was yeah.

Speaker 2 (40:37):
It can't well and chapter two has always been the weakest,
even of the well.

Speaker 1 (40:43):
And I don't know if you remember, but because you know,
I had went to see it chapter one and opening
night kind of as a joke towards you, but also
because I was just bored that night, and I literally
when I walked in, I was like, hey, all joking aside,
You're gonna fucking love it. Yeah, like you're gonna be
so happy when you see it and you'll want to
see it again with me after you see it on
your own. Yeah, and you did.

Speaker 2 (41:00):
You went and saw that weekend, saw it four times
in theaters, both chapter one and chapter two.

Speaker 1 (41:04):
I saw, well, I saw chapter one four times in theaters,
but I only saw chapter two once.

Speaker 2 (41:08):
Yeah, I saw chapter two, And yeah, chapter one and
chapter two four times theaters each.

Speaker 1 (41:12):
But no, So my point is just that, like it
was actually just great. Oh yeah, and you know, how
can you nail it that well twice in a row?
Very hard? And I wouldn't even I wasn't even mad, just.

Speaker 2 (41:22):
Made a lot of odd choices. And I will say,
having now seen the Welcome to Dairy trailer that dropped
at Comic Con over the weekend. Pretty pretty hopeful for that.
That looks like it could be a pretty good series.
And Mussetti's are doing it again.

Speaker 1 (41:34):
That's cool. Yeah, the Mussetti's and muchete Uchetti Muchetti. I've
heard both. I've heard. Are they Italian? I don't believe,
so hmmm, because I don't know, because if they're Italian,
it's muchettichee. I can't remember. It's all right, I've heard.
I've heard it pronounced several ways. It's like my buddy Keik,
his last name is Busio, which you would usually say Buccio,

(41:56):
but he's Mexican, so it's Boussio. It just happened to
be a name that both, you know, Italian people and
Mexican people share. So yeah. So it's like a lot
of people say Buccio because they're used to that, like
Luccio fulcio instead of Lucio full sea, which is what
I used to say before I well before I found
out that you was saying it wrong. Yeah. So but
on that, on that note, together, really great experience was.

(42:21):
I enjoyed it far more than my thyroid and Eddington. No,
I my thyroid's a little bit. I like my thyroid
a little more than Eddington.

Speaker 2 (42:30):
So so would you like to know what we're talking
about today? At least I hope you watched it, so,
I mean there is that.

Speaker 1 (42:37):
No, I I watched it today, and I gotta tell you,
I'm really glad we postponed recording because I think that
if I had been in the in the like stressed
mind I was in last the last couple of days,
I would not have enjoyed it. No, I feel that,
and I think I would have just been unable to yah.
So tell them all about it, double D.

Speaker 2 (42:57):
So we are talking about as we are getting too
ready to approach the sequel twenty two years later, Freaky
Friday from two thousand and three. Freaky Friday three Friday,
one hour and thirty seven minutes, rated PG for mild
thematic elements and some language. IMB synopsis says Tests and
her daughter Anna do not get along. However, things take

(43:18):
a turn when, in a freak incident, they both switch
bodies and are forced to live each other's lives.

Speaker 1 (43:24):
I mean, what more is there? My synopsis?

Speaker 2 (43:26):
When a constantly bickering mother and daughter swap bodies. They
soon realize the only way to swap back is to
learn selfless love in their predicaments.

Speaker 1 (43:33):
AH on a very special episode.

Speaker 2 (43:37):
Taglines this week include, okay, Mondays are manic, Wednesdays are wild,
and Fridays are about to get freaky, maybe a little freaky,
a little freaking. We also have get your Freak on
August first.

Speaker 1 (43:51):
I mean, I'm not laughing at that because it's cheesy.
Oh yeah, I'm laughing at that because I know I
point this out a lot, but I think it's worth
pointing out. Yeah, like when that movie came out, I
was a teenager. I was a little bit more aware
of of the world. Yeah, you know than because you
were still a preteen at that.

Speaker 2 (44:10):
Point, right two thousand and three, I would have been
in third grade.

Speaker 1 (44:13):
Yeah, oh wow, Yes, you're a kid. You're a kid.
So my point is, the reason I'm laughing is that
that was just the friggin' Maxim magazine, Axe Body, Spray,
Red Bull world. And that's why I love, sincerely, why
I love Entourage is because it's not I mean, well,
I actually think the storytelling is really good and the
character is really good, but but One of the reasons

(44:33):
I love it is because I have a nostalgia for
that weird like it was like eighties on testosterone therapy,
that little like squeak of like seven years where it
was just everything was axe body spray and fucking red
Bull and fucking we We still had a little bit
left over the extreme from the nineties, Like it just

(44:54):
it was just a weird, a weird little era. It
felt like its own decade. Definitely did. It really did.
And and a lot of movies like have a little
bit of it here and there and there. But Ontourage
is just like screaming because it's all about popular culture
during that time period. So anything that was popular would
be in there. I remember one side, like the things
they would drop, like like like at one point, Eric

(45:17):
has a he has a fling with a girl, and
he's like, I hooked up with a Perfect ten model.
It's like perfect ten was a popular website back then.
You can hear a Perfect ten referenced in Super Bad.
They say, what about perfect ten? It was that kind
of stuff. I was constantly dropping whatever was known and
popular right then and there, So people go, ah, I

(45:38):
know that. So it's like it never desired to even
remotely be ageless, so anyway, but no. So my point
is that watching the movie as well as that tagline,
just maybe go like, ah, yes, axe body spray, we
also have every teenager's nightmare turning into her mother. I
don't know, my mom's pretty cool, but I just got

(46:00):
the thyroid disease just like she has. So actually, they're
right last.

Speaker 2 (46:04):
They've always been in each other's faces. Today they're in
each other's bodies.

Speaker 1 (46:08):
That's a good That's like a tagline, yeah, except that
that's really like you could also make that the tagline
for a Hallmark Christmas movie or Together or well, oh
you could really actually should have just lifted that for Together.

Speaker 2 (46:21):
It's still time for the Blu ray, so Freaky Fridday
currently available on Disney Plus, also rentable on Prime and
fan Dango. You can also get a DVD, but if
you want to get a Blu ray, you're gonna pay
a lot of money because that was a Disney Movie
Club exclusive.

Speaker 1 (46:32):
Baby ooh, that's out of print. It goes and I
noticed they didn't have a four K of it on
Disney Plus, so I'm guessing they haven't done a four
K of it.

Speaker 2 (46:40):
Well, Disney Movie Club's gone. Well yeah, yeah, so yeah.
Director on the film is Mark Waters. He gets to
start in nineteen ninety seven with a little film called
The House of.

Speaker 1 (46:49):
Yes Hachi Machi. That's a great, weird, weird, one underappreciated movie. Yeah, though,
that's a good one.

Speaker 2 (46:57):
So then he goes on to shoot Head over Heels
in two thousand one, follows that up with one of
my favorites. That was of VH one original Warning Parental Advisory,
all about the PMRC trials. Oh yeah, d Snyder in
it had a guy playing Frank Zappa, had a guy
playing John Denver, like it's.

Speaker 1 (47:11):
I wouldn't watch that. You should see you fight on YouTube.
I'm sure, yeah that. I feel like that'll be hilarious
just seeing people playing all those guys. Oh, it's fun.
So he knows that.

Speaker 2 (47:21):
Then he does Freaky Friday in two thousand and three,
follows that up with Mean Girls in two thousand and four,
follows that up with Just Like Heaven, then goes on
to direct the Spiderwick Chronicles Eve Adams, Ghosts of Girlfriends,
Past Mister Popper's Penguins in twenty eleven, made in Jersey,
which is of East End in twenty thirteen, Vampire Academy
in twenty fourteen. Then in twenty sixteen he directs Bad

(47:41):
Santa two.

Speaker 1 (47:43):
Oh I like that, Sant you no, no, no, no,
no no, it's my Oh is not fair. Yeah. When
we went to see Bad Santa two, I struggled with
the same problem I was saying about it chapter two
for you. Oh, because it couldn't. But I'm so because
the magic Man, because the magic in Bad Santa was

(48:04):
so and the magic in Bad Santa was a little
extra special. Because it wasn't beloved at first, not exactly.
I mean, people liked it, it was a hit.

Speaker 2 (48:12):
Feel like, well it was a hit, but I feel
like it really got its notoriety Bad Santa came up.
But also when Comedy Central started doing it.

Speaker 1 (48:19):
Yeah, absolutely, yeah, that's what I'm saying. So like it.
It became something where somebody's like, you gotta watch Bad Santa,
or but you gotta see Batter Sanday see the unrated.
And I remember watching it and going like, this is great,
not good, this is great. It's it's a good it's
a good movie. It's a funny comedy, it's raunchy. But
in the right way, and it's a good Christmas movie. Yeah,

(48:40):
it's it's all of it. Yeah, And you don't always
get all those like there are lots of movies that
I'm like, eh, it's a very good Christmas movie. I
don't know if it's a great family drama or a
great whatever, but it is a great Christmas movie because
it makes me feel Christmas y, it makes me happy.
You know, there are all these criteria. So when we
went into two, I tried so hard to convince myself like, bro,
don't be hard on it. They're they're bringing it back

(49:01):
just to fuck around, and it is not terrible by
any stretch. But but it didn't. It didn't hit the mark.
But what could compared to Bad Sanna? Like, what is
going to replicate Bad Sanna? Yeah?

Speaker 2 (49:14):
I revisited last year and Bad Santa two is still
a lot of fun. Kathy Bates is really great in it.

Speaker 1 (49:19):
You know, what's a Christmas movie that every time I
watch it, I'm like, man, why is this just so good?
And it's uh uh, I can't. I'm struggling with the name.
I apologize Will Ferrell.

Speaker 2 (49:31):
Mark Wahlberg, Oh spirited.

Speaker 1 (49:33):
No, no, no, no no. Mark Wahlberg and Will Ferrell.

Speaker 2 (49:36):
Oh you're talk about You're talk about Daddy's Home too.

Speaker 1 (49:37):
Daddy's Home two, h thank you bad. Mom's Christmas bad.
Mom's Bad. Mom's two is also Christmas good. But man,
but Daddy's Home too, Like you can. I like Daddy's Home,
so you could. You could ignore Daddy's Home and just
watch Daddy's Home Too as a Christmas movie and it's
it's great. So that's one that like I also, I

(49:58):
didn't expect. When I watched it, I was like, man,
this is just checks every mark, every single mark.

Speaker 2 (50:02):
Well, because we had seen Daddy's Home in theaters Daddy's
Home Too, it was just kind of like, well we
saw the first one, just go see the second one.
Plus you had lyft Gal, you had Gibson.

Speaker 1 (50:08):
So I mean, oh, when I saw the trailer and
it was like it was like John Liftow is Will ferrell'sdad,
I was like, oh, I love that. It was like
and Mel Gibbson Olmert's dad. I was like, well, now
I have to have ticket, Yeah, give me a ticket. Yeah.
So that was so good that I took my mother
to see it the week later. Like I was like, Mom,
you got to see this. She was like, I like
Daddy's Home, okay, And I was like, cheos, well you'll
love this. Well it's it's more sentimental in all the

(50:31):
right ways, and it makes sense to be that way.
And sure enough my mom had tears in her eyes
at the end of it. I was like, I told you,
I'm crying way harder than she is, of course, but
I was like, I told you it's great.

Speaker 2 (50:40):
So anyway, sorry, just so yeah, Ba'san in twenty sixteen,
then goes on to direct Magic Camp in twenty twenty,
He's All That in twenty twenty one, Mother of the
Bride in twenty twenty four, and La dulce Villa in
twenty twenty five. Who our writer on the film? We
have three of them, starting with the writer of the book,
who was Mary Rodgers, composer, screenwriter and author.

Speaker 1 (51:00):
Was a book first. It was a book first, okay.

Speaker 2 (51:02):
So she actually Mary Rodgers was a composer first off,
and does Once Upon a Mattress in nineteen fifty nine.

Speaker 1 (51:09):
I I've seen stage play of Once Upon any wrote
all the music for it, the Princess and the p yep.

Speaker 2 (51:14):
Yeah, then goes on to do the composition for The
Mad Show in nineteen sixty six, which was a mad
magazine like broad or not Broadway, but musical that they
did okay. Then in nineteen seventy two, she writes the
novel of Freaky Friday. Goes on to also do Free
to B and You and Me in nineteen seventy four,
does the screenplay for the movie Freaky Friday in nineteen
seventy six, goes on to write The Devil and Max

(51:36):
Devlin in nineteen eighty one, screenplay billions for Boris in
eighty four, which is technically the sequel to Freaky Friday.
According to IMDb, gets screenplay credit for the nineteen ninety
five TV remake of Freaky Friday. Also two thousand and
three's remake gets a novel credit for that. Also Once
Upon a Mattress in two thousand and five, Freaky Friday remake,
again in two thousand and seven, Freaky Friday remake in
twenty eighteen, and most recently Freakyer Friday character credit in

(51:58):
twenty twenty five.

Speaker 1 (51:59):
There was a freak Ky Friday remake like three years
that was it for TV.

Speaker 2 (52:02):
So there was one in ninety five that was for
strictly for TV. There was one that was in twenty
eighteen that was strictly a musical that was on Disney Plus,
which was still available. And then there's also the original
in seventy six with Jodie Foster.

Speaker 1 (52:14):
Okay, I thought you said there was one in I
was twenty seventeen.

Speaker 2 (52:17):
So there's so, okay, let me do this episode ninety
five is the TV remake, right. Then you have two
thousand and three, which is this one we're talking about,
follows that up with two thousand and seven, which is
another one.

Speaker 1 (52:27):
Okay, that's the one I hadn't heard of.

Speaker 2 (52:28):
Yeah, okay, one in twenty eighteen.

Speaker 1 (52:30):
For a second, I was like, shit today, not here, right, there's.

Speaker 2 (52:32):
Two technically two TV remakes on top of the Jamie
Lee Curtis one and Jodi Foster one. So it's like
five versions of Freaky Friday.

Speaker 1 (52:38):
Now, fair enough, I mean, it's I mean, it makes
sense all about retelling it so soon. Yeah, a couple
of those times. So it makes sense because parental well
obviously parental stuff changes. Because I've never seen the original
Freaky Friday.

Speaker 2 (52:53):
I actually watched it in preparation for this show. It's fun,
just John Aston's great now he plays the dad.

Speaker 1 (53:00):
Because they're married in that way, right. That's that was
kind of what I was figuring, because this Freaky Friday
we're talking about today is very of the time that
I grew up. Oh yeah, and represented kind of well
except for the part where they were you know, ungodly rich, Yeah,
but kind of represented. No, she's a therapist, well, and
her husband died and I assume it was a it
was a horrible jet ski accident, and the settlement was

(53:23):
very good, it was very generous. I mean, that's a
little backstory. So we also have Heather Haig who is
a writer on it.

Speaker 2 (53:30):
She gets screenplay credit in two thousand and three for
Freaky Friday, does Legally Blonde the musical in two thousand
and seven What to Expect when You're expecting, screenplay credit
in twenty twenty twelve, and got character credit for Freaky
or Friday Coming Out as well. And lastly, we also
have Leslie Dixon, who is a writer in nineteen eighty
seven with Outrageous Fortune, the Bette Midler and Shelley Winters.

Speaker 1 (53:51):
Yeah that sounds right.

Speaker 2 (53:52):
Yeah, Shelley Winter's movie Blind Date with Bruce Willis gets
the screenplay credit for that Overboard in eighty seven. She
writes allows that up with writing lover Boy in eighty nine,
Look Who's Talking Now in nineteen ninety three, Missus Doubtfire
in nineteen ninety three, No Shit follows that up with
that Old Feeling in ninety seven, the Thomas Crown Affair
remake in ninety nine. Pay It Forward in two thousand,

(54:14):
gets the screenplay credit for Freaky Friday in two thousand
and three. Madam doubt Fire in two thousand and three,
which is a Missus doubt Fire remake that I can't
find shit on except for the poster that's on IMDb,
which is weird. Pull it up right now. Madame Doubtfire
from two thousand and three. Cannot find a listening for it,
cannot find anything about it, can find a poster for it.

Speaker 1 (54:31):
Uh, there was a novel, yeah, called Madame Doubtfire. Yeah,
two thousand and three. Well, the novels from nineteen eighty seven.

Speaker 2 (54:39):
Yeah, I've got well, Alias Madam Doubtfire is the novel,
because I've got the novel because Yeah, it even says
that in the credit for Missus Ulfire that's based on
Alias Madame Doubtfire French.

Speaker 1 (54:47):
It's a French TV movie, Okay, that's why, based on
the classic American comedy. Uh yeah, yeah, it was a
with Michael leeb Ah the French.

Speaker 2 (54:58):
Moving on to that, we also have Just Like Heaven
in two thousand and five, Hairspray two thousand and seven,
The Heartbreak Hid two thousand and seven, Limitless twenty eleven,
The Oscars in twenty thirteen, Overboard remaking twenty eighteen, and
most recently, Freak Your Friday character credit in twenty twenty five.

Speaker 1 (55:12):
Okay, so this is Dutfire describe. Yeah, Okay, that checks.

Speaker 2 (55:15):
Out Leslie Leslie Dixon. I mean Overboard's one of my
ultime favorites very well.

Speaker 1 (55:20):
Facts. Yeah.

Speaker 2 (55:21):
So then moving on down to our cinematographer, we have
Oliver Wood, who gets his start in nineteen sixty nine
as the DP on Pop Down, goes on to shoot
to Blake Slavin in nineteen sixty nine, follows that up
with shooting a little film called The Honeymoon Killers in
nineteen seventy Okay, I'll buckle up. So then he does
Danny in nineteen seventy nine, Don't Go in the House
in nineteen seventy nine. Okay, follows that up with Shooting

(55:45):
Maya in eighty one, The Returning in eighty three, Alphabet
City in eighty four, Sex o'clock News in eighty five,
which I like that title.

Speaker 1 (55:53):
That's a title tells you everything you need to know.

Speaker 2 (55:54):
Joey in eighty six, then shoots a little film in
eighty six called Neon Maniacs.

Speaker 1 (56:00):
I know, hey, that's amazing.

Speaker 2 (56:02):
Oh well, keep going, Yeah yeah, Nasty Hero in eighty seven,
episodes of Miami Vice in eighty nine, Then in nineteen
ninety shoots a little film called die Hard two. Wow,
die Harder, die Harder. Follows that up in nineteen ninety
with the Adventures of Ford fair Lane.

Speaker 1 (56:16):
Okay, so he was Renny Harlan' yes guy for a minute.

Speaker 2 (56:19):
Follows that up with Bill and Ted's Bogus Journey in
ninety one, follows that up with The Mystery Date Movie
in ninety one, follows that up with Rudy in nineteen
ninety three, follows that up with For Love and Money
in ninety three, then Sister Act two Back in the
Habit in ninety three, follows that up with Terminal Velocity
in ninety four. Follows that up with Mister Holland's Opus
in nineteen ninety five. Follows that up shooting Celtic Pride

(56:42):
in nineteen ninety six, follows that up with shooting Two
Days in the Valley in ninety six, follows that up
with Face Off in ninety seven. Wow goes on to
shoot Switchback in ninety seven, Mighty Joe Young in ninety eight,
U five seven one in two thousand, The Born Identity
in two thousand and two, follows that up with the
Adventures of Pluto Nash in two thousand and two, follows
that up with I Spy in two thousand and two,

(57:03):
National Security two thousand and three, then in two thousand
and three also shoots Freaky Friday, then follows that up
with Scooby Doo two Mantras Unleashed in two thousand and four,
The Bourne Supremacy Fantastic four, Talladega Knights, The Bourne Ultimatum,
Step Brothers Surrogates in two thousand and nine, The Other
Guys in two thousand and six, or The Other Guys
twenty ten. Safe House A Denzel Washington in twenty twelve.

(57:24):
Two Guns at Denzel Washington in twenty thirteen, Anchorman two.
The Legend continues in twenty thirteen, Wow two, Plans two
Sisters and a Parade in twenty fourteen, Child forty four
and twenty fifteen, Brothers Grimsby in twenty sixteen, Ben Hur
Remake in twenty sixteen, Jack Riachard, Never Go Back in
twenty sixteen, Equalizer two in twenty eighteen, Holmes and Watson
in twenty eighteen, and lastly Shoots Sin Shalom in twenty nineteen,

(57:47):
and his final film for his dping is Morbius in
twenty twenty two.

Speaker 1 (57:52):
He unfortunately left us. Oh I've got a coop. Yeah,
Then you mentioned that.

Speaker 2 (57:56):
He unfortunately left us in twenty twenty three, February thirteenth,
age eighty, from cancer by eighty years old. Eighty years
old in that fucking resume, Well.

Speaker 1 (58:04):
Clearly die Hard to launched him into the stratospy. Yeah,
I would say, because you can giggle about like a
few of the silly well well no, no, I mean
about after you could go to about like Pluto Nash
not being a huge hit or whatever. Yeah, but he
was on movies that they thought were going to be
hit again and again and again and doing mister Holland's

(58:26):
Opus doing the U five won all the born idea
any movies doing those, that's incredible. Yeah, God, damn.

Speaker 2 (58:35):
Oliver Wood, hell of a cint a phatographer. I have
actually never seen Honeymoon Killers, but it's on my list
hopefully this year. I'm gonna get to it because I
think it's all the Criterion Channel now, but I've heard
that movie's phenomenal.

Speaker 1 (58:47):
Wow, what a DP.

Speaker 2 (58:48):
Yeah, Oliver, would we miss you? Because my god, that
was a hell of a resume, even with mor Morius,
for being a bad movie, was still shot pretty well.

Speaker 1 (58:58):
I would say beyond pretty well considering he was almost eighty. Yeah,
like yeah, wow.

Speaker 2 (59:02):
So moving into our cast, we have Jamie Lee Curtis,
who plays Tess Coleman in the film She Gets Her
Started in nineteen seventy six on Quincy. Emmy goes on
to be in Hardy Boys and Nancy Drew Mysteries in
seventy seven, Colombo in seventy seven, Operation petticoat seventy seven,
Charlie's Angels in seventy eight, then does a little film
in seventy eight called Halloween.

Speaker 1 (59:20):
Uh you mean the Baby Sitterer Murders Basmers Excuse, Oh Good.

Speaker 2 (59:24):
Goes on to be on the Love Boat in seventy seven,
Buck Rogers in seventy nine, then The Fog in nineteen eighty,
prom Night in nineteen eighty, Terror Train nineteen eighty, Road
Games eighty one. Goes on to be the narrator for
Escape from New York in eighty one, She's in the
Army Now in eighty one, Halloween two and eighty one,
Death of a centerfold to Dorothy Stratton story in eighty one,
Money on the Side Halloween three, because she is the

(59:45):
voice of Santamira. Oh Yeah, she's the It's time to
go inside.

Speaker 1 (59:50):
The Curfew voice.

Speaker 2 (59:51):
Then goes on to do Love Letters Trading Places in
eighty three, follows that up The Grand View USA, Perfect
As Summers Die Amazing, Grayson Chuck, a Man in Love
Dominicing Eugene in eighty eight, Fish Called Wanda in eighty eight,
then does Blue Steel Queen's logic My Girl Anything but
Love Forever Young, My Girl Too, Mother's Boys in ninety four,

(01:00:11):
Fierce Creechers in ninety seven, Homegrown, Nicholas's Gift Halloween h two,
Oh House Arrest, The Drew Carey Show Virus, Drowning, Mona
Taylor of Panamon, Daddy and Them, Halleen Resurrection in two
thousand and two, Freaky Friday in two thousand and three,
Chris Is with the Cranks two thousand and four, The
Kid and I, Beverly Hills, Chiuala You Again from Up
on Poppy Hill, NCIS two thousand and three, Veronica Mars

(01:00:34):
Spare Parts, Scream Queens, New Girl, Halloween twenty eighteen, same year,
she also does Knives Out, then follows that up with
Archer Halloween Kills, Rino nine one one, Everything Everywhere, all
at once, which she is phenomenal in Halloween Ends in
twenty twenty two, Haunted Mansion in twenty twenty three, Borderlands
twenty twenty four, The Last Show Girl, The Sticky the
Bear in twenty twenty four, and most recently will be

(01:00:56):
in Freaky or Friday in twenty twenty five.

Speaker 1 (01:00:58):
Man, I mean we've already covered her career on here before. Yeah,
and she's a phenomenal, uhenomenal phenomenal actress. But I want
to mention out of all those one that a lot
of people have not seen that they should check out.
Although oh it is available to rent is Mother's Boys,
the one you mentioned nineteen ninety four. It's a low
budget kind of thriller, thriller. I want to say it

(01:01:21):
was even produced by Pierre da Vi. I think it is,
and I really like it. You can rent it on
Amazon Prime. It's one of those that's kind of lost.
I don't know where I got Pierre David it's the
Weinstein's did it? Okay?

Speaker 2 (01:01:31):
Oh well, it's usually a free one too, honestly, Price.

Speaker 1 (01:01:33):
I think it's on Plex now, Okay.

Speaker 2 (01:01:34):
I was gonna say, yeah, it's usually one that's a
lot of mon I just.

Speaker 1 (01:01:37):
Wanted to mention that because that's really worth worth your time. Yeah,
really fun.

Speaker 2 (01:01:40):
Well, and I'm also a big fan. I mean it's
one that people know. But Fish called Wanda one of
my all time favorites.

Speaker 1 (01:01:45):
I don't think anyone's ever heard of it. Yeah, probably not.

Speaker 2 (01:01:48):
Oh I missed True Lies and True Lies in there too.

Speaker 1 (01:01:50):
Oh my god.

Speaker 2 (01:01:52):
We also have Lindsay Lohan in the cast, who plays
Anna Coleman. She gets have started nineteen ninety three on
Guiding Light, Sesame Street in ninety five Another World, The
Parent Trap, and goes on to be in Life Size
Betty get a clue Freaky Friday. In two thousand and three.
She stars in the Lilux video for What I Like
About You, Confessions of a teenage Drama Queen, Mean Girls
in two thousand and four, King of the Hill, That
seventies show Herbie Fully Loaded, My scene goes Hollywood, Prairie Home, Companion,

(01:02:16):
Just My Luck, Bobby The Holiday Chapter twenty seven, Georgia
Rule in two thousand and seven, I Know Who Killed Me?
In two thousand and seven, which I really wanted to
like that movie. Yep, did you see it in theaters?

Speaker 1 (01:02:27):
Nope? Okay in theaters? No? Who Killed Me?

Speaker 2 (01:02:29):
In two thousand and seven, Ugly Betty Labor Pains, Machete, Glee,
Lizen Dick in twenty twelve, Inappropriate Comedy, Scary Movie five,
Anger Management, The Canyons in twenty thirteen, Eastbounding Down in
twenty thirteen, Two Broke Girls, Love Advent, Sick Note, Among
the Shadows, Love Struck, High Falling for Christmas, Mean Girls
in twenty twenty four, Our Little Secret, and will be
in Freaky of Friday in twenty twenty five.

Speaker 1 (01:02:50):
I feel bad. I don't even remember her in Eastbound
and Down. She actually I don't.

Speaker 2 (01:02:55):
Either now thing about it. It's been a loss of seene.
He's bound down.

Speaker 1 (01:02:59):
It has her in a long for me.

Speaker 2 (01:03:01):
I think she was in one episode Femember correctly.

Speaker 1 (01:03:04):
Yeah, apparently, Oh it was in the finale. She made
like a brief cameo as herself. I can't that's harder
to tell. Yeah, but uh, okay, well that would explain.
I mean she'd been in like five episodes that it
felt really bad. That's fair.

Speaker 2 (01:03:17):
Wrapping up ourcast. We also have mister Mark Harmon, who
plays Ryan in the film. He gets to start in
seventy three with Ozzie's Girls, goes on to be an
emergency Adam twelve Lavernon, Shirley Policewoman, Police Story, Hardy Boys,
and Nancy Drew Mysteries, Sam getting married, Little Mo comes
a Horseman Centennial, Beyond the Poside Adventure, Goliatha Waits Flamingo
Road in eighty two, Love Boat in eighty three, Desert

(01:03:38):
Warrior in eighty four, Prince of bel Air, Saint Elsewhere,
the Deliberate Stranger, Let's Get Harry in eighty six, Moonlighting
in eighty seven, also does Summer School that same year.

Speaker 1 (01:03:47):
Okay, I love that movie.

Speaker 2 (01:03:48):
After the Promise in eighty seven, The Presidio in eighty eight,
Stealing Home, Sweet Bird of Youth, Worth winning Dylaner in
ninety one, which he's great in fourth story Shadow of
Doubt Till There Was You, winning Cold Heaven, Reasonable Doubt,
Hearts of West Wyatt earp Natural Born Killers in ninety four,
which I found out he in the Police reenactment. He's
playing the Mickey Knox role. Oh so he's the one

(01:04:12):
that shoots the cop in that one clip. Okay, Yeah,
goes on at the Original Sins, Magic in the Water,
The Last Supper, Charlie Grace, Casualties From Earth to Moon,
Fear and Loathing in Las Vegas, Chicago, Hope for All Time,
Crossfire Trail, and Never Let Go, Legend of Tarzan, West Wing, Jag,
Freaky Friday, n Cis Chasing Liberty, Weather Girl, Certain Prey

(01:04:32):
Family Guy in twenty twelve, and will be in Freaky
or Friday in twenty twenty five.

Speaker 1 (01:04:36):
Well, yeah, it seems like most everybody's returning. Yeah, I
mean it's almost like Disney's got the money.

Speaker 2 (01:04:41):
Yeah, you know, it's crazy like that. Sometimes surprised. I
thought I put maybe deliberate Stranger is the one I'm
thinking of that it's Bundy where because he Harmon played
Bundy and.

Speaker 1 (01:04:50):
He well delivered. Stranger is a movie about Ted Bundy. Yeah,
that's what he's in.

Speaker 2 (01:04:54):
Yeah, for some reason, I thought it was a Stranger
among Us, But that's Annol's book based on that. So
that's my bat.

Speaker 1 (01:05:00):
So it was your first time watching for You Friday
on HBO. I could see that probably like twenty two
thousand and five, Yeah, and didn't care for it very much.
Thought it was fine. Again, I'm a little old for it. Yeah,
So because I would have been almost eighteen at that point,
wasn't really aimed at my age group. I mean that
doesn't mean that the movie wasn't entertaining yet, Like I

(01:05:21):
wasn't going to be dying to see it. It was being
advertised on the Disney Channel and almost an adult so
I'm not watching it that much at that point. That
makes sense. But yeah, I didn't care for it much.
Then rewatching it, I actually really liked it. I had
a lot to enjoy about it and a really weird
thought about it that I'll tell you about in a minute. Okay,
But yeah, so I wish I had a more exciting

(01:05:41):
nostalgic viewing is not so much on that one. This
was a day one rental for my family.

Speaker 2 (01:05:47):
It was a we picked it up, I think like
right after mom or right after mom and got out
of work. She went and brought it home to us.
So we watched it that night. And I mean, this
was one that my mom loved because Jamie Lee Curtis
fan already but loved her in this. This was one
we bought like shortly after it was watched numerous times
at my house. So, I mean, I've seen this movie
probably thirty times. Geez, yeah, I've seen this movie a lot.

Speaker 1 (01:06:10):
Well, it didn't hurt that you had a sister, Yeah,
probably like Lindsay Lohan. Uh yes, And no, oh she's hater.

Speaker 2 (01:06:16):
Not so much a hater. I think it was more
so she grat gravitated towards other other stars that weren't
She was really into MTV at this time.

Speaker 1 (01:06:26):
That's all I got. Fair enough, fair enough, So you're
right again into the movie, I would hope.

Speaker 2 (01:06:32):
So all right, So we open with the turtle song
Happy Together, and we're seeing pictures of Jamie Lee and
Anna as she's young and then it kind of speeds
up a little bit and now we're in current day
and Anna is dead asleep in bed and the alarms
going off and Jamie Lee Curtis is trying to get
her up.

Speaker 1 (01:06:47):
Yeah, it's pretty funny. She's like pull basically eventually she
has to literally rip her out of bed.

Speaker 2 (01:06:52):
She tries to go, Yes, she tries to literally go
and pull her out of bed. We're seeing Jamie Lee's
like morning routine and whatnot, and she's getting ready and
Anna's still sleeping in bed the entire time, and finally
gets to the point where after she literally holds onto
the bed while she's pulling it, she goes against the
little brother Harry with an airhorn and he comes in
and blasts it right in her ear.

Speaker 1 (01:07:08):
Yeah yeah, pretty classic teenage girl.

Speaker 2 (01:07:11):
Yeah thing, And of course she gets pissed chases Harry out.
The door shuts. I love this edit because the door
shuts and she's like Anna, come on, She's like what,
I'm ready. Yeah.

Speaker 1 (01:07:18):
It opens that She's completely dressed ready to go in
like a matter of seconds, which I thought was very funny.

Speaker 2 (01:07:23):
Oh, it's very funny. So we are now in the
car as they're going to school. We also find out
that Anna wants to drive, but she doesn't know where
her perman is.

Speaker 1 (01:07:31):
Yeah, she couldn't find it, couldn't find best of a room.

Speaker 2 (01:07:34):
Yeah, And also that she believes that Harry stole it
because Harry goes haha when she can't find it.

Speaker 1 (01:07:38):
Yeah, little brothers. I guess, Oh he's great, you know.

Speaker 2 (01:07:42):
So Yeah, they get into a fight on the way
to school and she's talking about how she wants to
get her ears spears. We kind of already see that
their relationship is a little in turmoil. Plus we also
get to mention that she Tess is getting married in
a couple of days. Yes, so because Anna wants to
get a studd her ear and she makes comment about it.
She doesn't want her made of honor to have a
stud basically, And so this leads to them getting to school,

(01:08:02):
and we also find out that she is having some
issues with an old friend named Stacy, and even Tess
is asking Anna, you know, I don't see her anymore.
She's like no, she like hates me, Like we're enemies now.

Speaker 1 (01:08:12):
Yeah, because she's become a popular girl, yes she has.

Speaker 2 (01:08:15):
And so she's walking to class and she has a
recognition that she is also wearing the same shirt as
another girl, so she decides to flip it out as
she's with her friends later.

Speaker 1 (01:08:24):
Yeah, and it looks uh weirder inside out.

Speaker 2 (01:08:27):
And this is also the time where we get to
meet the crush in the film, played by a Chad
Michael Murray.

Speaker 1 (01:08:32):
Jake Ah Jake, who walks right past her, wouldn't you,
I mean you have to go to class.

Speaker 2 (01:08:40):
But I love it because she's with her friends and
she's like, oh my god, he's coming. She's and she's like,
they're not He's not even looking at you. Oh, was
totally looking He's Oh, he's looking at you. He's coming over.
I think she's gonna talk to you.

Speaker 1 (01:08:47):
And just looks at it and just keep going. I
was hoping that they were going to say all that
and then she was gonna look right at him and
then he'd noticed her stare like he hadn't moved it all. Yeah,
that would have been really funny. It would have been funny.

Speaker 2 (01:08:59):
So we also do find out that since Tess is
getting married, that Anna's dad did pass away about two
three years prior, and we'll get into that a little
bit more so, Tess is getting is getting married again
to Ryan, who.

Speaker 1 (01:09:10):
Will meet in a little bit as well. While this
is all going on, we're going through Tessa's day.

Speaker 2 (01:09:14):
Tess is a therapist and she arrives at her office
and this guy Evan, who she sees every single day,
played by the late Great Willy Garrison.

Speaker 1 (01:09:23):
Yeah, and she mentions literally that like I see you
every day. Of course I know we'll gus you'.

Speaker 2 (01:09:28):
She's temporarily indisposed because she's not paying attention to she's driving.
She ends up going over some spikes and wrecking her
cars car. Ex has to go into.

Speaker 1 (01:09:37):
The shop because her phone rings, and she has like
a phone and a pager and a PDA. She has
all these things, yeah, going off at once. She's digging
through them and just drives right over the spikes in
the parking lot too, so she's without car.

Speaker 2 (01:09:48):
She gets to the office late and Evan's like, you know,
are you gonna be here tomorrow. She's like, I'll be
here tomorrow, but I won't be here for the next
couple of days because I'll be on my honeymoon. And
he's like, well, I can't reach you, blah blah, blah
and just like goes on this whole tirade about how
there's no phones in the mountain. I don't know if
I'm gonna be able to and she's like, let's just
get through the day.

Speaker 1 (01:10:03):
Yeah, Yeah, he's a lot, He's a lot.

Speaker 2 (01:10:05):
So also back at school, we meet mister Bates, who
is Anna's least favorite teacher, played by the great Stephen Tobolowski.

Speaker 1 (01:10:12):
Of course, the character actor of character actors.

Speaker 2 (01:10:15):
And he gives her an f on her paper and
says preposterous on it. So she goes to talk to
him afterwards. It's a paper on Hamlet, and he's like,
you completely missed the point and she's like, you know,
well I don't think that's fair and he's like, well,
that's my greatest final and she's like, well at least
Hamlet had hair and ends up getting detention.

Speaker 1 (01:10:30):
Yeah. It was a nice little side aside to excuse me.

Speaker 2 (01:10:34):
And I love it too, because she walks into detention,
goes up to the woman that's leading the detention and
she's like, how's it going, Anna, that's well, what do
you have today? Turkey meat loaf? And they swap food.
I love that swap lunches like kids. So that is
also when we go later into Anna's day and she's
playing volleyball in gym class and Stacy keeps spiking the

(01:10:55):
ball and hitting her in the head.

Speaker 1 (01:10:57):
Yeah, like a lot. Yeah, she's she's getting herself concussed
pretty good.

Speaker 2 (01:11:01):
So Anna decides to take it upon herself and spike
the ball right back at her when she is not looking,
takes Stacy down, and Anna gets a second detention.

Speaker 1 (01:11:09):
Yes, she is having quite a quite a day.

Speaker 2 (01:11:13):
So that is when she meets Jake inside of detention. Yeah,
and they they kind of hit it off a little bit,
and you know, he he offers her a ride home,
revealing that he drives up motorcycle to school, and immediately
she's like, she's just like, oh, I can't, like I've got,
you know, something gone. He's like, your mom would totally
kill you, wouldn't She Yes, she would. And mister Bates
also takes this opportunity to completely crush her talking to

(01:11:36):
Jake because he walks up and he's just like, hey,
you got your sat coming up, Like are you prepared
for it? And while that's happening, Jake walks off and
Anna has now lost again thanks to mister Bates.

Speaker 1 (01:11:45):
No no, no, Hey, that's life in the big city.

Speaker 2 (01:11:50):
So we cut over to one of my favorite scenes
of Tests shopping in the grocery store after work, and
she's again talking on her phone to the caterer and
she wants to get hallibit. It can't be salmon, and
she's like, you know, how much is the extra cost? Meanwhile,
she gets another call from one of her clients and
she's like, basically, you.

Speaker 1 (01:12:04):
Know, you're a strong woman. You don't need a man.

Speaker 2 (01:12:07):
And while she's doing this, she's got her earpiece in
yes and does not realize that the deadly counter woman
is seeing her, thinking that she's talking to her.

Speaker 1 (01:12:13):
She's like, thanks so much. She has the tears in
her eyes, gets choked. It's really funny.

Speaker 2 (01:12:21):
So Anna gets home and as she's walking into her room,
she sees that Harry is just strumming on her guitar
with drumsticks.

Speaker 1 (01:12:30):
Yeah well yeah, because he's an avant garde musician.

Speaker 2 (01:12:33):
And she ends up dealing with him by tying a
thong around his head to where he can't see, and
he is just wandering around while she goes down and
joins her friends for band practice.

Speaker 1 (01:12:41):
Like I said, two thousand, this is a two thousands
af There are thongs jokes, Yes, there are his thongs
were It's so it feels weird. Yeah, thinking that when
I was a teenager a a trope of being a teenager.
What's thong under Oh yeah, no, it absolutely was. I

(01:13:02):
know because I was. I was there, you were there.
I mean like, but I mean really like it was.
It was. It was like every girl had to wear
a thong or you were like lame. Yeah, that was
the way it was. And it's extra weird because I
feel like thong underwear is not nearly as popular now. No,
it was so popular back then. It was. It is
popular to have the thong that rode up so much

(01:13:23):
that it would show past your pants even when they
were up properly. Like like it's like wearing the key chain,
the wallet chains. I'm sure you did, pal it was
a Kiss wallet. I at least you were able to
cut the cool you know, like cutting a cocaine with
baby laxative by using.

Speaker 2 (01:13:42):
A spencer's baby. It was a wallet with a chain
that was the destroyer.

Speaker 1 (01:13:46):
Album for Kiss was hot topic closed for remodeling that day.

Speaker 2 (01:13:49):
So I don't even know, to be honest, So uh yeah,
Anna deals with Harry goes down to join her band
Pink Slip. They're practicing it in the garage at the
house and they play the song round and round. Here
we go again. What's called take Me Away? And this
is a song that like, was very popular for school
talent shows for a bit. I can tell you because
I've seen it played by several bands at school talent shows.

Speaker 1 (01:14:11):
I wonder why you'd call it pink Slip when none
of them have ever had a job. Like, it's a
cool name. It sounds cool, but like the girl bands,
I mean, their drummer's a guy if I remember correct
that York r like pink Slips a cool name, but yeah,
none of them, they've never received a pink slip. That
seems like something that would be like a middle aged
bands game, you know, because they would be angry about

(01:14:31):
like the factory in town shutting down or something.

Speaker 2 (01:14:34):
So they're playing in the garage and this is when
Harry runs out of the house, running into Tests who
is coming home with the groceries, and she sees that
Harry has the song wrapped around his head. She tries
to get it off as she's lifting him up off
the ground, and.

Speaker 1 (01:14:45):
He's just like, ah, it's it's there's there's a decent
it's actually mostly front loaded, but there's a decent amount
of slapstick.

Speaker 2 (01:14:52):
Yeah, because he runs right in the door. He goes
running back into the house, runs into the front door.
I meanwhile the band is still playing. Test is inside
her dad arrives, so Grandpa arrives and and Mark Harmon
as Ryan arrives and he surprises her because we find
out that Test is a therapist who just recently wrote
a book as well. Yes, he got a copy so
that he could have the.

Speaker 1 (01:15:08):
Author sign it very sweetly. I got the vibe he
was like somehow involved in managing her book dealer, the way.

Speaker 2 (01:15:14):
That the way that goes to the talk show and everything.
I would say that's pretty pretty easy to put together.

Speaker 1 (01:15:19):
Yes, something like that. He was in some way involved
in helping get the novel or the non novel, but
the book published.

Speaker 2 (01:15:24):
Also with going back to the thong joke, to Test
has to cut it off his head, which leads that's
when Grandpa walks in and he goes to pick off
pick it off of Harryhet and He's like, what is
this one of them thongs?

Speaker 1 (01:15:34):
I don't think And I want to mention this is
an era of kids movie that again it's aged, I
think better. But like I used to joke that every
like older kids movie in this era would basically have
a moment where be like I just don't know if
I love my life anymore? Whoa, And then they would
like trip and fall down a flight of stairs or

(01:15:55):
something like that. It would it would just always it
would always have like the most oddly timed places for slapstick,
yeah to be in there as well. Yeah, And that
was something that I found in this movie very much,
was like, here's some slapstick, okay, I mean, why not? Yeah.

Speaker 2 (01:16:11):
So the band's playing. It's really loud. Tessa's trying to
talk to Ryan and finally realizes that it's six o'clock,
so band practice is over.

Speaker 1 (01:16:17):
As she shuts the power down because she knows there's
no use in telling them. They're not gonna listen or
even hear her anyway.

Speaker 2 (01:16:22):
So she literally goes the fuse box, flip, finds garage
and flips it, flips it times up it's after six,
so that is when Anna goes, uh, to talk to
the band, and they get a call on the phone
that they have booked a gig for the Wango Tango
at the House of Blues because one of the bands
is dropped out. Just so happens though, that the gig
is tomorrow, which is also the time of the rehearsal
dinner for the wedding. Yep, so that's gonna be a

(01:16:44):
no go.

Speaker 1 (01:16:44):
I always. I know that there's more too. I've never
been to a rehearsal dinner. Yeah, I have not. Never,
So I've been and never. I've actually only been to
like one or two weddings that I wasn't I filmed, shockingly,
you think I'd film a lot of weddings by actually
only shot three.

Speaker 2 (01:17:02):
Was that also the wedding you sang, asshole?

Speaker 1 (01:17:04):
Oh that was that Cinema Wasteland. I don't. I didn't
even count the wedding at Cinema Wasteland, but that I
wasn't okay that one didn't feel so traditional? Yeah, I
mean obviously, yeah, but no, I say, yeah, I sang
assole ghastly Ghul's wedding. Yep in uh and uh with
a band of horrors, that's all great. It was it
was pretty is that I have no idea. It's got
to be somewhere somewhere. But uh, but I want to
mention that I've never been to a rehearsal dinner, and

(01:17:25):
whenever I hear about like wedding rehearsals, I always imagine,
like you know that they would be like, and do
you take this woman to be your awfully wedded wife?
And you'd be like, taxes are doing Fuck, I'm sorry,
I lie. Why I do? Thanks? Dad? Why I do?
That's that's that I mean. I'm just saying, like, that's
how I always imagine your wedding rehearsal. It's like, oh, yeah,

(01:17:47):
I don't want to fuck it up or the priest
will just coat walk up. We're gathered here today to
wish Tommy a good luck in his journey to heaven
after fighting cervical cancer, and you're like, uh, you're sort's like, well,
if you'd had a rehearsal, maybe i'd know it was
a wedding. Just smell booze on his prep.

Speaker 2 (01:18:06):
Soda has to break into the band that she's gonna
talk to their mom, and I love it because she's like,
you know, don't worry about it, guys, I'll talk to
my mom. We'll get it worked out. And the one,
the guy that plays the drummer, goes, we're screwed.

Speaker 1 (01:18:16):
Yep, screwed because she's the one who plays the solo. Yeah.
Which side note, it did not appear she had any
idea how to pretend to play a solo in the
first scene you're talking about Lindsey. Yeah, yes, But in
the second scene where she's supposed to be pretending later
in the way, later in the movie, yeah, she looks
like she does know how to fake playing a solo.

Speaker 2 (01:18:38):
I've got some fun trivia in regards to who taught
Jamie Lee Curtis how to play too when we get there.

Speaker 1 (01:18:43):
I'm very curious. I just want to point out that
it was just very funny. As I was watching, I
was like, she's not really playing like a solo right now.

Speaker 2 (01:18:48):
You're gonna shit when you find out what band led
to her learning to play the guitar.

Speaker 1 (01:18:53):
It's all I'm gonna say.

Speaker 2 (01:18:55):
Okay, So, so Anna goes back inside, finds Harry and
his friends in her room, all wearing bras while Harry
is reading.

Speaker 1 (01:19:03):
Out of her diary.

Speaker 2 (01:19:05):
What a great But I also need to back up
because I forgot about something. Right around the time that
the band practice closes. Test gets a call from the school.

Speaker 1 (01:19:12):
Right, her daughter's been attention good twice in one day? Yeah,
one day. So she took her door off the hinge yes.

Speaker 2 (01:19:20):
Because when she goes up to kick Harry and his
friends out, she goes to close her door, except there
is no door there. And I love it because Ryan
and Grandpa are downstairs and they hear her scream and
he goes, oh, she saw it, and he's like, a
time to go check out those lakers.

Speaker 1 (01:19:32):
I'm with you. And this is also a very I
don't know if parents do this now, but that's a
very two thousands move for parents.

Speaker 2 (01:19:39):
Oh, would you like to know what happened to my sister?
She got locked out of her room.

Speaker 1 (01:19:43):
I mean, you're really excited to chair.

Speaker 2 (01:19:45):
So you got locked out of her room. There was
a lock put on her door, and she was moved
to the love seat in the living room as a teen.
As a teen, So what happened was she had gotten
real pissed about something. I can't remember if it was
like that she wasn't allowed to go out, or she'd
gotten or something. So she went into her room and
just started throwing things and like tearing things up and whatnot.
So she was pushed out of her room. The dad

(01:20:08):
went to the hardware store, got a lock, put it
on the door, and Erica had her alarm clock and
a blanket and the pillow on the love seat. And
I think got her room back about three days later.

Speaker 1 (01:20:19):
I want to say, you know what, when you started this,
I thought it was weird. Yeah, No, I think that's fair. Yeah.
If you're going to trash your room, you lose room. Yeah.
I think that's actually pretty fair. Yeah, but I love her.
I think where she's like where she says privacy is
a privilege. Amma yep. I thought that was a very

(01:20:39):
like two thousands parents. And I love it too because she's.

Speaker 2 (01:20:42):
Like, you gotta give me my doorback.

Speaker 1 (01:20:43):
If you don't give a doorback, I'm gonna kill myself.
And Harry goes, oh can I watch Oh God that kid,
now he's he's a highlights.

Speaker 2 (01:20:50):
So naturally they get into it and she's just like,
you know, you just talk to me, like, you know,
tell me why did you why did you have the tension?
And she's like, well, you know, mister Bates is out
to get me and she goes, oh, him too, and
she says like, you know, you wouldn't last one day
in my school, Like you don't know how it is.
And she's like, you know, well what you know what happened? Attention?
She's like, well, mom, I was actually talking to this
guy Jake, and you know I really like him. She's like,
where'd you meet him? And she's like detention, and she goes,

(01:21:12):
that's promising. So they get into a huge fight. Ryan
breaks it up with Okay, who wants Chinese?

Speaker 1 (01:21:18):
Yay? No, it's it's a it's a solid fight between them. Yeah,
and it does establish a I having a much older sister,
I have to say, there is just something about women,
like like women living with women, there's a like I
always hear that it's that way with men and I

(01:21:39):
didn't witness that, but like, man, it seems like there's
a point where women get defiant and they're really defiant
towards their moms. I yeah, I cat.

Speaker 2 (01:21:47):
I can definitely a test to that because I as
even though I wasn't a very bad kid, the few
moments I had were nowhere in comparison to my sister,
Love you, Erica if you're listening to this, which probably not.

Speaker 1 (01:21:56):
Well in her defense. First pancake. Yeah, there's that little
Pieces of April reference for you. Yep, first pancake.

Speaker 2 (01:22:04):
So we are now at the Chinese restaurant, which I
believe is the House of Pipe, because I think that's
her name if I'm not.

Speaker 1 (01:22:10):
The second right sounds about. Yeah, So you got pie.

Speaker 2 (01:22:13):
Pie and her mother are the two that run it,
and they know each other like Test and her ub
known each other because even she's like, you know, well,
who's catering the wedding, She's like, well, it's already taken
care of, and she's like, well, Chinese food's good luck.
And I love it because she goes, okay, how about I.

Speaker 1 (01:22:24):
Do no no I and I love the younger. There's two, yeah,
main there's the daughter and the mother the Chinese restaurant,
and the one who plays the daughter. I think she's
just perfect in a ton of movies. Yeah, she's really
really good in that part.

Speaker 2 (01:22:39):
So that's when Tess, you know, tries to get Anna
to talk to her, because Ryan's even trying to talk
to her, and she and Anna's giving one more to answers,
and I love Grandpa because he's like, you know, don't
gravele Man like, let her come to you, and he goes, well,
she'd come with a hatchet.

Speaker 1 (01:22:50):
That's great line. Well she'd come with a hatchet.

Speaker 2 (01:22:52):
So that's when you know, he goes to check what's
going on with the duck as they've ordered a duck,
and Test is like, you know, do you think that's.

Speaker 1 (01:22:58):
When he was when he was referring to groveling by
it was that he leans over to he says, I
had I ordered a head on the peaking Does I
know what's your favorite? Well, well she knows great, and
he's like, well, I know it's your favorite. And it's
like that's so sweet to because peaking duck does take
a while, so it would be really nice to have
called ahead. Yeah, and also pea king duck is like
really expensive, so like it's just all around a very
nice gesture.

Speaker 2 (01:23:18):
She does not care, no, And I mean, and that's
the thing I do want to say is Mark Harmon's
character in this movie. You know, when you're a kid
watching this, he's just like, you know, it's the stepdad character,
and it's a it's a good step dad character because
and unfortunately in cinema, there's a lot of bad ones.

Speaker 1 (01:23:32):
Yeah, not Terry. Well do you know about Stepdad's David?

Speaker 2 (01:23:35):
I mean the stepfather and the stepfather two and the
stepfather three?

Speaker 1 (01:23:39):
Who am I here? No? I mean I agree, he's
a very good example of the stepdad.

Speaker 2 (01:23:45):
I mean, and there's there's a trope with it too, because, like,
you know, as much as I love Liar, Liar, like
Carrie always does not deserve half the shit he gets
in that movie.

Speaker 1 (01:23:52):
He's just goofy. No, but he he does kind of No,
he does kind of express a resentment towards the dad.
But you know what, No, you're right because this because
the dad is a dicky. I need to rewatch that. No,
because you know you're right though, because I was like,
well he's pretty mean towards that. Yeah, but his dad
is a total screw up until the end of the movie. Yeah,

(01:24:12):
he never keeps his promises. He always disappoints the kid.
And now I need to rewatch it because now I'm
but now I'm also doubting, like how how mean were
they to him? I need to rewatch it.

Speaker 2 (01:24:21):
Well, it's like, I mean, okay, so we talked about
Daddy's Home earlier. Daddy's Home is a great example too,
because you know, that's the whole story of that is
is him trying to make friends with these kids that
aren't his because he's gonna be the father now, but
he's kind of the fuck.

Speaker 1 (01:24:33):
Up in their eyes. Yeah. Well, and there's the there's
the uh, it's a mixed family, not just a step dad.
There is that. Yeah, because that also plays a big,
a big part two when you bring kids into as well. Yeah,
and you know, or have a kid with you know, yeah,
it gets even more complex. Yeah, I agree, no, no,
but uh but no, he's like a really good example.
There have been a lot of mean stepdad characters, some

(01:24:54):
really mean stepmother characters.

Speaker 2 (01:24:56):
First Born Peter Weller is a piece of shit in
that movie.

Speaker 1 (01:25:00):
Yeah, yeah, and and and the stepfather really is the
ultimate like, yeah, like, who is this person you've let
into your home movie?

Speaker 2 (01:25:08):
Well, and as much as I as much as I'm
not a fan of the remake, the fucking scene in
the remake when he when that kid is playing the
video game loudly and he literally goes up and like
basically paralyzes him and turns the TV down.

Speaker 1 (01:25:18):
Yeah, that is intense. Well, there's there's a thing when
it comes to this. Take it from from me who's
had a stepdad, had some you know, my mom had
some boyfriends and stuff. There is a real tension about
how much you can what's the word, uh, not punished,

(01:25:38):
but but discipline scipline a kid that's not yours, because
you know, it really is like you can't treat them
like they're your kid, and if you make a wrong step,
I mean, you're you know, you need to make sure
you're on the exact same page as the mother, you know,
And I'm sure it goes to both ways.

Speaker 2 (01:25:53):
But yeah, and the only thing that we get with
with Ryan in this that I would say is a
little questionable, which I mean it's really not. But Harry
and his friends have snuck some ice and he catches
them with it, and he's and he's just like, you know, hey, guys,
you're gonna spoil your dinner. And Harry goes, you know,
the stepdad thing can be easy or hard, and Ryan goes,
just don't let her catch you.

Speaker 1 (01:26:09):
Make sure your mom doesn't catch you. Yeah, no, no,
But but honestly, I think that kind of makes it
makes it more clear how in it he is is, yeah,
because you're going to negotiate with kids.

Speaker 2 (01:26:20):
Well, then he does it the second time too, because
when Harry does the whole thing of can I watch,
his friends are standing there and Ryan goes and they're like,
oh God, good run.

Speaker 1 (01:26:29):
No, no, it's it's it's it's good stuff. Yeah. So
so yeah, back of the Chinese restaurant.

Speaker 2 (01:26:33):
So yeah, Ryan goes off to look and Tests is like,
you know, do you really think the whole like, you know,
being easy is the way to get what you want,
and Anna kissing ass is just like, you know, you know,
you're right, mom, And I'm gonna apologize to Stacey and
I'm gonna try really hard school. What I'm saying is
I'll try, Mom, I'll really try. And she goes, what
do you want? Yeah, solid, and she basically says, you know,
we have a we have a show tomorrow. It's an audition.

(01:26:54):
It's a great thing. She's like, oh great, you know
after the rehearsal and she's like, uh, the kind of
like during during is in and out of and she goes,
you mean technically, So then Tessa's pissed. Yeah, So they
go off to the side, she's like, I need to
talk to you. And while this is happening, then they're
having a little conversation. Paype's mom notices, and even Paypey goes, oh, mom,
stay out of.

Speaker 1 (01:27:13):
It, and I the Paypay's mom is one of the
highlights of this movie. It is especially her little gag
toward the end. So yeah, there.

Speaker 2 (01:27:21):
So they're arguing and she's like, you know, you wouldn't
last one day at my school. You don't understand how
it is. And she's like, you think my life is perfect.
Like they're doing the whole mother daughter back and forth,
and finally Paype's mom comes over and she goes a
cookie and they're like, you know, this isn't really the
right time, and she's like, no, no, now's a good time.
So she gives the fortune cookies. They read them, and
they're on other sides of a door, the other sides
of the door, and they break their fortune apart, and

(01:27:41):
all of a sudden, an earthquake happens. Well, and they
read the fortune and it's the same fortune, same fortune,
which is a journey taken in another's eye, something along
the line when what you see is what you lacked
and selfless the level turn you back and Anna goes whatever,
and then all of a sudden, like an earthquake happens
and literally like they both feel it. They run back
to their table and like, you know, did you guys
feel that? They're like, no, we didn't feel anything at all.

(01:28:03):
And even Grandpa has the hilarious Joe throughout the movie
where he's like, you know, they said there was an earthquake,
an earthquake, earthquake, and he freaks out.

Speaker 1 (01:28:10):
Yeah, oh, a journey soon begins, its price reflected in
another eyes. When what you see is what you lack,
then selfless love will change you back. Yeah.

Speaker 2 (01:28:19):
So yeah, so they've got that fortune out. The earthquake
has happened, and Mark's like, Ryan's like, you know, you
didn't feel that, and He's like no.

Speaker 1 (01:28:26):
I don't think they did.

Speaker 2 (01:28:27):
And while this is all happening, they cut to Paype's
mom walking behind them, just with this grin on her face.

Speaker 1 (01:28:31):
Yeah. So we get to later that night, they're back
at home. They're both in their beds.

Speaker 2 (01:28:35):
It turns into midnight and we see both of them
change their sleeping positions to the opposite of each other. Right,
so you have Jamie Lee Curtis, who is like, you know,
laying like this with their arms folded and everything, and
all of a sudden just rolls over like face down
on her bed. Anna, who was laying face down, goes
into her pose as well.

Speaker 1 (01:28:50):
Yeah. Yeah, And I like the way they did the
change because even without seeing the original Freaky Friday, I
know the thing where where that one of them is
and or Red.

Speaker 2 (01:29:01):
Well, what's hilarious is her mom's smoking when they change,
Like literally, her mom's smoking a cigarette and Jodie Foster's
eating ice cream when it happen.

Speaker 1 (01:29:07):
Well, that's a perfect thing too, because like the kid
would just be like she does yeah, and that you know,
that's not that offensive because that's you know, suggesting smoking
his gross yeah, which is you know, probably true. It
would be better than her going like why do I
feel so cool? You know.

Speaker 2 (01:29:24):
So, So they wake up the next morning and we're
hearing Tess's voice over and we're hearing Jamie Curtis's voice.

Speaker 1 (01:29:30):
She's like, I gotta get up. I get the dry cleaning.

Speaker 2 (01:29:32):
And she wakes up and she's like why am I
in his room, goes through the whole thing and like
feeling the hair this isn't mine, that is mine, feels
her ass.

Speaker 1 (01:29:38):
That's definitely not mine, like it really gives a grip
on her own butt, and it's just like, that's definitely
not mine.

Speaker 2 (01:29:44):
So she starts screaming a little bit and Harry comes
in and he goes, Annah.

Speaker 1 (01:29:47):
Mom's dead. Oh no, that one killed me. So they
run in because Mom is sleeping like a teenage girl,
not responsive to any noise, any touching, anything, knock, get up.
She's like, you know, oh she's not I'm breathing. I'm
not dead.

Speaker 2 (01:30:01):
She's like, no, honey, she sees you called me, honey. Yeah.
She trying to explain to her brother, well her I
guess her son at this point that she's just like,
you know, you know, I'm maybe not feeling very well.
You know, why don't you go eat breakfast. You can
have some Anna cereal?

Speaker 1 (01:30:16):
Oh cool? Oh I mean my cereal? Yeah cool? Runs off.
And this is the thing I wanted to tell you
that I thought was really weird about this movie is
as we introduced Jamie Lee as the mom as the
daughter and stuff is, I felt like Lindsay Lohan was
actually at her worst playing the teen No shit, I
didn't think she was very believable, which is a weird
thing because she was literally a teenager. But I thought

(01:30:37):
her playing an adult the mom's body, she's so good,
because that was my first thoughts. I was kind of like,
I don't buy her as like this, this the type
of teen she's supposed to be yea. And but then
the moment she becomes Jamie Lee, I was like, oh
my god, she's like perfect, She's just like a freaking mom.
It's so good.

Speaker 2 (01:30:57):
So naturally they both come to the realization of what's happened,
and she's like, you know, you're you're in my body.
I'm in your body, Like, oh my god, I'm old.
Oh like the crip Keeper.

Speaker 1 (01:31:07):
I remember that because that was in every app railer,
every ever, the crypt Keeper, like the cross Solid.

Speaker 2 (01:31:14):
So they decide that they are they're going to try
to run at each other. They're gonna a jolt at
each other and see if that. I love that they
both thought that was a good idea. And not only
that though, but like she went like a jolt and
they immediately know what to run into each other. But
what I love about that, speaking of the random slapstick,
is they run and as they hit the little brothers
just the doorway and he just sees them.

Speaker 1 (01:31:36):
Sam He's like, can I pum? That was another one
that was in the that was in a lot of
the advertisements too, because it was a shot of him
and you just see them out of focus, like hitting
the ground.

Speaker 2 (01:31:47):
I love because they're like that was stupid, and they
were like Harry and and he's and then Jamie Lee
Curtis like, what do you want punk? Because it's Anna, No,
it's it's it's such a great reveal. So yeah, they
they decide that, like they have to figure out what
they're gonna do. You know where did this happen at?
It had to have happened at the restaurant. So Anna
has to go to school and Tests has to go

(01:32:07):
to work, So they're gonna go basically go about their
days and try to do each other's schedules, meet up
at lunchtime to go to the restaurant, see what they
can find.

Speaker 1 (01:32:13):
Out and hopefully learn nothing. Hopefully learn nothing, God will.

Speaker 2 (01:32:18):
So this gets even more intent at this point though,
because now they have to go downstairs and see if
they're the only ones that it's experienced to. So they
see that Harry is Harry Grandpa's grandpa, because Harry's trying
to get the milk from Grandpa and he's like, Grandpa
passed the milk and starts shaking the table. So then
Grandpa's earthquake again, goes running out of the house right
as Ryan comes in. And I love it because Lindsay

(01:32:39):
Lohan goes honey because it's Tests inside of its body
at this point, and he's like, all right, I'll drive
you to school.

Speaker 1 (01:32:48):
No, there's a lot of golden h So they end
up getting ready to go.

Speaker 2 (01:32:52):
There's a whole exchange of them getting ready, like Test
is putting on clothes that Anna never wears. Meanwhile, Anna
in Test's body is dressing up as she says like
when she say wey uh from my clients, are I
get to buy some some stripper.

Speaker 1 (01:33:09):
I'm gonna change? Good luck changing without a door yet line.

Speaker 2 (01:33:12):
Well, also, you pierced your navel. Yeah, I was gonna
tell you about that.

Speaker 1 (01:33:15):
Oh yeah.

Speaker 2 (01:33:17):
So eventually they're on their way to school, and that's
when you know they're trying to keep appearances up to
Ryan's trying to hold Tessa's hand and she's making comments
about how yeah, it's so great the crazy were getting married.
It really got over my husband really quick. And they
end up stopping the car.

Speaker 1 (01:33:32):
Yeah. Yeah, she's clearly sabotaging their their eventual nuptials. Yeah,
very aggressively.

Speaker 2 (01:33:38):
Well, because she evens she's like, by the way, while
I'm at I'll I'll apologize with the whole car for
being such a fun sucker, like all this stuff, and
it's just putting it all out there, and she's like,
you know, Ryan, stop the car.

Speaker 1 (01:33:46):
Mom out of the car. Yeah no, and that those
little moments where she's bossing U, you know, basically her
mom's body around. Yeah, very very funny.

Speaker 2 (01:33:56):
Yeah, And so she basically tells her, you know, you know,
keep up appearances, you don't do anything. Meet back here
at eleven. Meanwhile, Jake walks up and he and she's like,
you know, you say something to say say hi to
him or else I'm gonna break up with Ryan.

Speaker 1 (01:34:07):
And she's like, hi Jake, my god. Yeah.

Speaker 2 (01:34:13):
So it leads to a whole thing of tests in
Anna's body, tries to go make friends with Stacy, goes
up and gives her a hug. Stacey Pole gives her
a wedgie, and pushes her over, and so her friends
save her and she'says like, I can't believe Stacy did that.
I'm gonna be talking to her mother. Meanwhile, this is
happening Anna as Test gets back into the car and
Ryan goes, all right, so where's Harry school? And she's like, oh,
he can walk from here. It's twenty blocks fresh Aeryld.

Speaker 1 (01:34:34):
Do you good?

Speaker 2 (01:34:35):
But what about bullies run fast? So Ryan is just
like Test, it's no big deal, and she's like whatever,
and so turns on the radio.

Speaker 1 (01:34:44):
So they go about their tay the man. Yeah, yeah,
Oh it's so good.

Speaker 2 (01:34:49):
So yeah, they So this leads into Anna ends up
going to the uh excuse me. Anna is going about
her day with class, talking to her friends. Tests starts
going about her day but also realizes that while she's
walking past a window on her way to work that
she can also have access to Tessa's credit.

Speaker 1 (01:35:07):
Cards and money. Oh yeah, and gets a full on
makeover and gets her frigging cartilage pie.

Speaker 2 (01:35:15):
Well, and also you've got Ryan asking her, so do
you need a ride from working and to pick up
the Volvo?

Speaker 1 (01:35:19):
And Anna goes, oh, I'll definitely be picking up the Volvo. Yeah,
oh yeah.

Speaker 2 (01:35:25):
So this leads to Anna talking to Jake and basically saying,
you know that she appreciates but like, you're much too
old for me, walks him off. Has the whole thing
happened with Stacey and her friends. She has to basically
confess to them that, you know, she said, no, we
can't go to the I can't go to the audition
because it's rehearsal dinner. And they're like, you know, well,
she's totally ruining your life. And she's like, you're the culprit,
You're the culprit. So yeah, she basically tries to explain

(01:35:47):
that you know, it's a it's a whole thing, and
that you know, you have some respect because Tess is
literally trying to defend her.

Speaker 1 (01:35:52):
Own wedding at this point to Anna's friends, Yes, and
by the way, telling Jake all that stuff just was
just nagging out. Now he's just more curious than ever.

Speaker 2 (01:36:02):
So by this point then Anna ends up going into
the office and that is when uh two, secondary lost
my place.

Speaker 1 (01:36:10):
This guy writing things down.

Speaker 2 (01:36:12):
I know it's because it's because it's confusing because it's
Anna and tests and so they've spot bodies.

Speaker 1 (01:36:16):
I got to make sure, I'm saying the right thing.
Oh boy, here we go.

Speaker 2 (01:36:20):
So that is when Evan is the patient who is
there at the office. But she gets there and there's
so many calls waiting for her and she.

Speaker 1 (01:36:28):
Calls Evan the wrong name. Yeah. Well, she goes.

Speaker 2 (01:36:32):
There's a guy that comes in with delivery. That's Boris
who was in the first movie, by the way. So
he as he's just like you know, line seven and
then yeah, Evan comes in and he's like, oh you're here,
And she's like, uh, are you going to answer those calls? No,
I don't think I'm going to. And he's like, oh,
so you don't answer your calls. I tried to tell
you that I wasn't gonna be able to reach you,
but you lied to me. You're a liar.

Speaker 1 (01:36:53):
Yeah.

Speaker 2 (01:36:53):
So tests, uh tests Anna as tests sees a bunch
of patients. There's several, Like there's one that she basically
was told like if anybody asks you anything, you're not
you don't you cannot give advice, like you're not authorized to.

Speaker 1 (01:37:05):
How does it make you feel? How does it make
you feel about that?

Speaker 2 (01:37:07):
Yeah, So goes through several patients, one of which is
Mary Ellen trainor who is talking about how She's like,
you know, my daughter's not playing with her friend anymore.
I went through her phone and she's like, wait, you
like read her diary and basically calls her a bad
mom for doing so.

Speaker 1 (01:37:21):
She's like, I want to find out if they're like
getting intimate. She's like, if she was getting intimate, she
wouldn't be writing about it doing it. She stills on
this whole thing about like, Okay, you can't betray her trust. Yeah, case,
I guess we're done here. Oh my god.

Speaker 2 (01:37:32):
So back at school, Anna is realizing or test, and
Anna's body is realizing she she recognizes mister Bass. She
doesn't know where she knows him from, but she knows him.
And he decides to give the class a pop quiz
and they're all going to be graded on the answer
that they provide when he asks one question, and Tess,
being a college graduate with Hamlet, gives a really good
response to the central like plot elements of Hamlet and

(01:37:53):
he's like, that's reaching F And she's like, what do
you mean F And he's like F. So then at
the very end of class, she goes up to try
and talk to him and realize Eldon Bates, who was
somebody that asked tests out back in high school to
a dance and she turned him down, and now he's
using her daughter to get back at her, and she.

Speaker 1 (01:38:08):
Just goes full lawyer about it. I wonder how the
school board will feel when they find out this and
that and this and that, and then she's oh, and
by the way, she had a boyfriend and you were weird.
So we get through the day, or.

Speaker 2 (01:38:21):
We get to the lunch period, and that's when Anna
is waiting for Tess is waiting for Anna to arrive,
and Anna rolls up in the Volvo and she is pissed.

Speaker 1 (01:38:28):
She also sees the makeover. She sees she's eating haircut shorter. Yeah,
She's like, all the fries you get go straight down
my mouth to my thoughts, my thoughts. Yeah. Yeah.

Speaker 2 (01:38:39):
So they end up getting to the restaurant and that
is when immediately they that Paype knows that something's up
because she's just like, you know, hey, uh something happened, Yeah,
a big something, and.

Speaker 1 (01:38:49):
She's like, uh, mom, she comes out, runs away, you'll
come back. I love that her mom just does this. Yeah,
her mom just save elements of this movie is the
idea that just that just this lady, this Chinese restaurant
just will swap people that she finds her not at
apreci but I also thought that was a really nice

(01:39:11):
way to make it not feel I don't know, convoluted
to do Freaky Friday again is the idea like, oh, well,
this lady does it to people, that's just what she does.

Speaker 2 (01:39:21):
So so that's when Peype basically tells because the mom
and Paypey get into it because she's like, you know,
they'll they'll thank me later. She's like, actually, she's getting
married tomorrow, so if they don't swap back, she's.

Speaker 1 (01:39:31):
Not gonna be happy about this. And she's like, nobody
tells me anything. No, it's it's so good.

Speaker 2 (01:39:37):
So she's like, you know what she says, Oh she's crazy,
you know, let's have let's have lunch. And she's like,
I think you know exactly what's going on. And so
even even Nanna goes, let's hit her. Jamie Lee Curtis
is so fucking funny. Oh yeah, no, I mean she's
got that teenage girl energy going so hard. So that's
when Paype basically tells him, you know, follow the fortune
when everything is met with the fortune, you'll swap back

(01:39:58):
and you know, so go find the fortune. That's what
they can do. So they leave the restaurant and Anna's
stressing out in Tests's body. She's just like, you know,
I don't want to marry Ryan, like you know, this
is this is not what I want. You know, I
want everybody to go back how it is. And she's like,
you know, we're gonna get through this, don't worry about it. Meanwhile,
the palm Pilot's been going off NonStop in Tessa's purse
and that's when Tess realizes that she has a parent

(01:40:20):
teacher conference meeting with Harry school and I love this scene.

Speaker 1 (01:40:22):
Oh it's a really sweet scene. That's one of the
best in the movie.

Speaker 2 (01:40:25):
Yeah, So she decides that she has to go to this.
So she goes into the conference and at first Anna
is just like very short with it, like you know, oh,
you know, Harry is struggle little bit. Oh well, you
know that's the thing kid needs tough enough. Well, actually
he wrote a very like nice piece on your daughter.
And so Anna gets to read this thing that Harry
wrote about Anna basically being his hero.

Speaker 1 (01:40:43):
Yeah, how much he adores are how cool she is
for playing guitar and being in a band, so and
all this stuff they go.

Speaker 2 (01:40:48):
She goes out and talks to Harry and she's like,
you know, you know, she could show me the paper
you were on Anna, and he's like, oh, well, don't
tell her. And she's like, well why, and she's like, well,
because like, I you know, I don't want her to
think that I think that she's cool, like you know,
otherwise it'll ruin like the back and the courth. So
they end up having a really sweet see together walking out. Meanwhile,
while this is happening, Anna has to go take her SAT,

(01:41:10):
so she goes back to the school so as tests tests.
As Anna goes back to the school, tries to make
up with Stacy and she's like, you know, hey, you know,
I know that we've had some stuff in the past,
but like, you know, we used to be friends. Like
can't we be friends? And Stacy's just like, you know what, yeah,
come sit with me for the test. Meanwhile, it's something
like that. It's it's like it's like some kind of
standardized test.

Speaker 1 (01:41:29):
SATs is a thing you don't do during school. Yeah,
it's just a standardized test. I don't know what SA
are like a big deal? This is it? This is
is a place. It's a college place placement test. Yeah,
I didn't think you did that during school hours, fair enough.
I didn't realize it was the SATs.

Speaker 2 (01:41:45):
It's it's like it's a placement test with some kind
So yeah, she has She ends up sitting next to Stacey.
Stacey very sneakily writes I'm glad we're friends on a
little piece of paper, puts it on her test and
elbows Anna to look at it. Then when Anna looks over,
she goes, miss, she's looking at my test, and Anna
gets caught red handed, so back in attention, she goes well.

Speaker 1 (01:42:06):
Then at first she had tried to like patch things
over with her as well.

Speaker 2 (01:42:11):
She had been like, you know, I want to you know,
everything along with that. So yeah, this ends up going
into Anna going back home with test trying to find
the fortune, but Ryan surprises her because he's got something
up his sleeve and they have to go right now,
which ends up being that he takes her to the
Dottie Wildson Show because she is going to be a
guest on a talk show because they had a cancelation,
So that means that Anna is gonna have to talk

(01:42:32):
about Tess's book that she knows nothing about. Yeah, and
I love this scene because so while this is going on,
back in, Anna sneaks out of attention, catches up with Jake,
and Jake is like, you know, hey, cheater, and she's like, oh,
I didn't do that. You know Stacey did this, And
he's like, hey, you know whatever happens. She's like, well,
you know, if you're so great, why are you always
in attention. He's like, I'm not in attention.

Speaker 1 (01:42:52):
I work here.

Speaker 2 (01:42:54):
So and she's like, you know, not buy it at first,
and he's like, well, what if I told you I
could help you finish your test? Because when she got caught,
they took her test away and sent her to detention.
So he takes her into the teacher's lounge. They sneak
into the test room and helps her finish her test. Meanwhile,
while she's doing that, she also finishes her test and
finds Stacy's test erases all of Stacy's answers and writes.

Speaker 1 (01:43:13):
I'm a moron, right, I am stupid? Yeah, I am
stupid on it. Yeah, I don't I'm sorry, stickler, I
don't think that was the SATs.

Speaker 2 (01:43:20):
It's a standardized test with some guy.

Speaker 1 (01:43:21):
Oh no, it was definitely some some exam.

Speaker 2 (01:43:23):
Yeah, it's some kind of placement exam, because that's what
mister Bates makes a big deal about.

Speaker 1 (01:43:27):
Yeah, because I feel because SAT is there's like massive
amounts of prep.

Speaker 2 (01:43:30):
And then they're typically on Saturday morning. So I've taken
my essay t.

Speaker 1 (01:43:33):
Yeah, that's all I was just saying, because the reason
I wanted to delineate is if she had sabotaged a
girl's SATs, that's like really really dark. No, it's still
pretty bad. That's no, because that could like cause you
cost you a ton of money and a ton of Yeah, yeah,
I mean Wolf, I mean it could have been a
practice test. It's hard to say. I mean he said,

(01:43:55):
he says it in the movie.

Speaker 2 (01:43:55):
I'm not sure. I'm checking my notes right now. So
if there's anything, all.

Speaker 1 (01:43:58):
I see is school exam? Are you on Wikipedia? Just
on Google? Okay? So I mean I don't think it
matters that much. It's just yeah, I don't think it'll
be an SAT because that's a much bigger deal.

Speaker 2 (01:44:11):
Yeah, just some kind of standard size Okay. So yeah,
so anyway, she gets to takes care of Stacy's test. Meanwhile,
Anna on test on the show Basically at first, like
Dottie comes out and she's like, you know, talking about
the book, and obviously Anna knows nothing about the book.
So she ends up just kind of taking over the
interview and making a big deal about you know, adults
think they're so tired and all this stuff, like, you know,

(01:44:33):
why don't you just let your emotions out, like if
a guy likes you, you know, scream about it, like
makes the audience go.

Speaker 1 (01:44:38):
Sayes, adults care about things that don't matter. Why cook?
Have you never heard of takeout? Yeah?

Speaker 2 (01:44:42):
And stuff like that, and I mean the show just
goes off the rails. Meanwhile, Anna or a test is
seeing this because she's in the teacher's lounge where they're
watching it on TV.

Speaker 1 (01:44:51):
Well, it's also important to point out that her appearance
on this popular TV show to promote it was a surprise. Yeah, prize,
you're going on television in three minutes. I don't know
that she would have loved that in general. You'd think
it'd be like, oh, I could have like done my hair,
thanks pal Jesus.

Speaker 2 (01:45:12):
So she wins over the crowd, so that that like
Anna or Testa is seeing this, and she's like, I'm
gonna kill her. So she goes out with Ryan or
Tip with Jake to try and get a ride, and
he's like, you know what, I gotta get to my
second job. You know, you're not who I thought you were. Like,
he's not really loving this side of Anna that he's
seeing because he doesn't know that they've watched bodies obviously.

Speaker 1 (01:45:28):
Yeah, I mean assuming.

Speaker 2 (01:45:29):
Yeah, So he rides off without her and Test is frustrated. Meanwhile,
back at the studio, Ryan's like, hey, is, like, is
is Test coming out seeing He's like, Dottie had her
escorted off the premises, but she rocks, doesn't She looks
she signed my butt.

Speaker 1 (01:45:42):
Yeah, she just pulls his cancel out a little bit.
I love she Yeah, she signs his butt, signs his butt.

Speaker 2 (01:45:47):
So Jake rides off without Test, leaving her there. Meanwhile,
Anna as Test goes to the coffee shop where Jake
just so happens to work.

Speaker 1 (01:45:55):
And one thing to point out is from the outside perspective,
Gdly Curtis's character appears to have just like smoked a
bunch of meth or something. Yeah, Like she's just completely
out of her rails, screaming, acting insane in every way. Yep,
it's a lot.

Speaker 2 (01:46:13):
So they hit it off at the coffee shop and
she realizes that she has to get back home, so
he offers to give her a ride, which apparently his
shift is like two hours of.

Speaker 1 (01:46:20):
The coffee shop. Well, you know, he is in high school.
He is in high school. There is that.

Speaker 2 (01:46:24):
So he ends up giving her a ride back on
the bike. But Ryan sees them as they're driving on
the street and.

Speaker 1 (01:46:31):
She's like holding on to him like a teenage acting
so silly, and of course he rolls out the window.
He's like test test rides off. Yeah.

Speaker 2 (01:46:40):
So meanwhile, Anna or Tessa's Anna gets back home and
Harry is acting like his mom on the table.

Speaker 1 (01:46:46):
The talks are going, whoa.

Speaker 2 (01:46:49):
What a?

Speaker 1 (01:46:51):
I like wow, I mean it gets off the rail
so fast, it does incredibly fast.

Speaker 2 (01:46:57):
So Anna eventually gets home and Tess is scolding her like,
you know, where have you been, young lady? You know,
tell me what's going on right now? And Grandpa's like
young lady, and she's like, oh, it was her idea,
you know, reverse roles.

Speaker 1 (01:47:06):
So they go upstairs.

Speaker 2 (01:47:07):
They're getting ready for the rehearsal dinner. Meanwhile, Ryan comes
home and he's like, you know, Test, like, what what
the hell is going on? Like is there something that
you like have to like get out of your system?
Like you know, like why are you on the back
of this guy's bike? And Tess speaks up and she's like, actually,
Mom was feeling out a guy for me because I
wasn't allowed to go on a date with him, so
she wanted to go see what he was like.

Speaker 1 (01:47:26):
And she actually does approve of him, and and we
we kind of skipped over the point where he seems
to be falling in love with with with well, we
haven't got there yet. Oh really that I thought that
was at the coffee shop. He I mean, they hit
it off well, but this is where Yeah, but they
were like gazing in each other's eyes, and the dawned
on her that she was in her mother's body. Yeah,
hit me baby one more time and talking about music

(01:47:46):
and all this thought that was the big romance moment.
I don't know until to say anything right here is yeah,
I was gonna say.

Speaker 2 (01:47:52):
So, they're they're getting ready to go to the rehearsal dinner,
and outside Tess hears Jake singing Hit Me Baby one
more time at the top of his lungs at the house,
so naturally she goes outside ends up tackling him before
anybody sees him because they're all getting the car ready
to go to the rehearsal dinner. And she's like, you know,
you've got to stay away from my mom, Like you know,
you're my age group, like you you and I should
be together. My mom is getting married, like you can't

(01:48:13):
be with her. And he's like, but your mom's so cool.
So Anna or Tessa's Anna tries to kiss him to
try and persuade him, but he's like, you know, Anna, like,
I I appreciate you, but like, no, like leave my
mom alone.

Speaker 1 (01:48:25):
No, it's it's it's a strange turn, but also I
mean it's it feels weird, but it's meant. The whole
point is to suggest that in reality, he the personality
of the daughter is who he's actually into. Yeah, that's
kind of the point, is that, like, no matter what
the body, yeah he's he still likes yeah. Yeah.

Speaker 2 (01:48:44):
So we get to the rehearsal dinner and Anna and
Tess are trying to keep appearances up. Meanwhile, Anna's friends
from Pink Slip crash the rehearsal dinner, trying to get
her to go because they're a block away from the
House of Blues. If she comes and does the song,
they can bring her right back and everything's good. Tess
is refusing as Anna, and that's when they pull out
a roll ductive and she's like, Anna, don't make me
do this.

Speaker 1 (01:49:04):
I love that part too. Yeah. The band are so
like questionable in and I love it.

Speaker 2 (01:49:09):
So Also, while this is occurring, Jake has also crashed
the rehearsal dinner, of course, and once again gets picked
up by but it gets picked up by Anna as
Test this time, and she's like, you know, what are
you doing here? If Ryan sees you, you're gonna ruin everything,
And he's like, you know what, I just like you,
and she's like, no, like you like Anna, Like I'm getting.

Speaker 1 (01:49:25):
Married, you can't like me.

Speaker 2 (01:49:26):
Meanwhile, Ryan realizes that Anna's friends have crashed, and this
leads into the whole thing of Tests as Anna or
Yeah trying to basically be like you know, I know
you think it's some stupid rock band and like, you know,
blah blah blah, and Ryan straight up goes I love this. Yeah,
Ryan straight up goes, no, what are you doing? Like
go and she's like are you sure? And he's like no,
get like go go to your gig.

Speaker 1 (01:49:45):
Well no, he gives a bit bigger than that.

Speaker 2 (01:49:48):
That's to her well because then tests as Anna tries
to go talk to him, and that's when he's like,
he basically says, you know, I don't think of it
as some stupid rock band. I don't think of Anna
as like, you know, just some kid that comes to
the package. Is like, I know you have kids, and
I want to be a father to them too, but
I want her to like me for me, I don't
want to make anything.

Speaker 1 (01:50:06):
It also gives this whole thing that really kind of
like blew my mind about about Like I knew when
I came in that you came with these kids. Yeah,
and I love that, And I knew that they came
first because they should they should. He was like, I
know that you're going to go come for them first.
You know they will always come first, and that's the
way it should be. Like he's very very understanding about

(01:50:27):
the whole concept of her motherhood and it really tells you,
like everything you need to know about.

Speaker 2 (01:50:32):
Him, and we should say too before this week kind
of skipped over it that Anna and Tess had a
whole conversation before they went to the rehearsal dinner, because
Tests as Anna as Tests is just like, you know,
I don't what happens to Marrow, Like I don't really
want to marry Ryan. And she's like, well, I don't
think you want me to marry Ryan, and she's like,
you know, we never talked about this. Times running out
and you just see that there's still resistance there. Oh, sure,
she still hasn't gotten over the fact that it's been

(01:50:53):
like two three years since you lost her dad and everything.

Speaker 1 (01:50:56):
So yeah, this leads to a whole show at the
House of Blues.

Speaker 2 (01:50:58):
So Pink Slip is on the stage age and Tests
as Anna is just like, you know, I don't know
if I can do this, like the rocking maybe a
little low tonight. Meanwhile, Test Anna gets there in Tess's
body and she ends up reversing the amp so that
Anna just r Test just has to go out there
as Anna and just fake it.

Speaker 1 (01:51:12):
Yeah, And as she's standing there, eventually the solo starts
and we pan over and Jamie Lee is playing the guitar.
It's it's pretty sweet. It's a pretty sweet little mom.
So they went over the House of Blues. Everybody goes crazy.

Speaker 2 (01:51:24):
Even Jake is there and he loves the show and everything,
so everybody's won over. They get back to the rehearsal
dinner because they find out that they probably have gotten
the gig, and that's when Tess tells her tells Anna
that she wants her to tell Ryan that she needs
more time, that they're not they're gonna have to postpone
the wedding, and that you know, she wants her to
be ready for it. They need some time to figure

(01:51:45):
this out, and Anna goes, I know what to do.
So she goes over to Ryan. Ryan stands up and
she's like, you know, I think you need to sit
down for this, and gives this beautiful speech basically has
everybody's attention on it, and says, you know, about two
years ago, we lost somebody and you know, I know
for a fact that you that he can't replace that,
but the fact that he's trying to, and you know,
a very heartfelt reasoning from Anna.

Speaker 1 (01:52:09):
Yeah, yeah, it doesn't say he's trying to, but yeah,
basically there's a lot, but there's room for for some
for a new family or a new family and a
different thing as opposed to just trying to replace our dad.
It's a really sweet, very sweet, a really sweet scene
where it pretty much establishes that that she finally understands
where her mother is coming from, which I suppose is

(01:52:31):
the port.

Speaker 2 (01:52:32):
And says the whole thing about how you know, when
Ryan came into her life, we saw our mother become
happy again and all this stuff, and again this is
Test tests. His body is saying this, but it's Anna
that's saying it, so it's it's a huge approval and
ends up being the thing that is what causes them
to swap. So we get a little earthquake. We do
get a little earthquake and about a being bought a
boom yep. And that is when Ryan stands up to

(01:52:55):
Test and he goes, what the hell does happened? And
she goes, you don't even want to know. They kiss
and we're at the wedding.

Speaker 1 (01:52:59):
Yeap, and uh, and we forgot. It was very quick.
But like we forgot, there was a part where they
called said how but oh that's disgusting, and she basically
handled like yeah, I'm canceling. Yeah, so now the catering
is being handled by the Chinese Chinese restaurant. Yeah so yeah.
They everybody's dancing at the wedding.

Speaker 2 (01:53:16):
Jake and Anna even makeup, and she's like, you know,
he even says, yesterday was freaky.

Speaker 1 (01:53:21):
I don't get it. Uh, and and then and then
she says like, you know, basically like kiss me again
or whatever how it was.

Speaker 2 (01:53:28):
And meanwhile, this is going on. Everybody's dancing at the wedding.
Harry and Grandpa are sitting next to each other, and
Grandpa notices that Harry is looking at a little girl
off to the side, and he's like, you know, why
don't go ask that girl to dance. He's like, you know,
why don't you leave me alone? And he's like, youth
is wasted on the young and he's like, will you
go ask her? Then the old fart and meanwhile this
is happening. Mama ends up seeing the cookies yep, and

(01:53:48):
brings them out to him, and Pepe notices, Mama, what
are you doing? Grandpa Harry no runs at them.

Speaker 1 (01:53:56):
Tackles them to stop them from opening the cooks and
the cookies and goes, oh, Okay, No, it's such a
great little silly ending that she was about to Freaky
Friday that as well.

Speaker 2 (01:54:06):
So that is the end of Freaky Friday as we
go into Pink Slip aka Lindsay Lohan singing the song Ultimate,
and that closes out two thousand and threes Freaky Friday.

Speaker 1 (01:54:14):
It was a very fun ride in the movie. I
wasn't expecting to enjoy it as much as I did.
Nothing against the movie, but I really did. I thought
it had a lot of good things to say about
family and about you know, finding the right person, about mixing,
about adding to your family, stuff like that. I thought
it was really uh as well thought out.

Speaker 2 (01:54:35):
Yeah, it's a good way. It's definitely a good one,
I think. For me with this this watch in particular,
I just really got to see the family side of
it that I ever really looked at it, especially with
Ryan's character. Really well done, really well done with that
story element.

Speaker 1 (01:54:48):
I agree.

Speaker 2 (01:54:49):
So, would you like to guess what the budget was
on it? Uh, two thousand and three Disney twenty million? Yeah,
on the nose, Oh, twenty million on the nose opening weekend,
which is August tenth of two thousand and three, it
takes in twenty two million, grossing in US and Canada
one hundred and ten million dollars. Look at that grossing
worldwide one hundred and sixty million dollars. Wow, So I

(01:55:10):
think it was a bit of a hit. Smidgeon Smitge
Pidgeon of a hit. Shooting started October fifth of two
thousand and two and wrapped to December eighteenth of two
thousand and two. Shot mostly in Santa Monica, Los Angeles, California,
so those are the two places mainly. The initial script
for the film involved Anna writing for the school newspaper
and wanting to view an interview with singer Gwen Stefani
at the House of Blues. However, director Mark Waters felt

(01:55:31):
this would have this would have just excuse me, felt
this would just have the film my god, what is this?
Felt this would just have the films be about Okay,
you're the one who I copied. No, I copied in pastes, I.

Speaker 1 (01:55:44):
Didn't say, but you didn't read it. Huh. Yeah.

Speaker 2 (01:55:46):
Apparently a nerd daughter and a nerd mom switch places
in ages. Thought it would be more interesting if it
was about a rebellious daughter and a straight laced mom.

Speaker 1 (01:55:54):
This oprobation got him the job.

Speaker 2 (01:55:57):
Kelly Osborne originally auditioned as Anna, not as Anna's best friend,
and was offered the part, but decided to back out.

Speaker 1 (01:56:02):
Later.

Speaker 2 (01:56:02):
She said people told her it was the biggest mistake
she'd ever made due to the success of the movie, but.

Speaker 1 (01:56:07):
Think I'm sure Kelly Osborne was ready to make many
bigger mistakes in no time flat.

Speaker 2 (01:56:13):
Michelle Trachtenberg was cast as Anna, but had to back
out due to her contractual obligations with Buffy the Vampire Slayer. Coincidentally,
this is the second movie she turned down in which
Lindsay Lohan won the lead role. The first was Lohan's
film and debut, The Parent Trap.

Speaker 1 (01:56:25):
Wow. I didn't know that at all. Misha Barton, Kristin Stewart,
May Whitman, Evan Rachel Wood, bre Larson, Emmy Rossum, Kristin Bell,
Shiry Appleby, and Daniel Panabaker all auditioned for the role
of Anna Coleman. I feel like anybody in that age
range in La would have Yeah.

Speaker 2 (01:56:40):
Producer Andrew Gunn said initially hoped Jodie Foster would play
who played the daughter in the original film for Ye
Friday would be Game to play the mother in the remake.
Foster declined in part because of the concerns that the
casting stunt would overshadow the movie's overall merit. Annette Benning
was originally slated to play Tess Coleman. She backed out
shortly before filling and was replaced by Jamie Lee Curtis.
Sigourney Weaver was also considered. Curtis only had six days

(01:57:03):
to prepare for the role after Benning dropped out.

Speaker 1 (01:57:05):
That's insane. I would have never guessed that. Yeah.

Speaker 2 (01:57:08):
Tom Selleck was originally cast as Ryan, but dropped out
after Benning did as he wanted to work with her.

Speaker 1 (01:57:14):
Tom Selick, Yeah, that would have been such a lame movie.
I'm sorry. Jamie Lee brought an energy that really helped
this movie be for young people in my opinion.

Speaker 2 (01:57:25):
When Jamie Lee Curtis found out Lindsay Lohan, who was
going to be playing her daughter, had starred in The
Parent Trap, she asked which twin did she play, unaware
that Lowen had performed both roles. What The snapshots in
the opening credits are actually photos of Jamie Lee Curtis
and her daughter Annie Guest. Aw, that's sweet, as in
homage Jamie Curtis's mother, Janet Lee, best known for her
performance in Psycho. A character named mister Bates as president

(01:57:47):
in the film, named after the character from that film, Ah.
In the film, song take Me Away was originally a
hit for Australian girl band Lash. For its use in
the movie, the lyrics had to be changed. In the
original version, the shit word is used instead of stuff
when they sing same old stuff never ends. It had
to be changed as Disney would not let the movie
use shit in a family film.

Speaker 1 (01:58:06):
Ah the old shit word, the old shit word.

Speaker 2 (01:58:09):
Jamie Lee curtis famous guitar solo in the House of
Blue scene was made possible with guitar lessons provided by
Curtis via Emir Dekra, who was the lead guitar for
the death pop band Org.

Speaker 1 (01:58:18):
Oh Yeah, Huh.

Speaker 2 (01:58:22):
There was going to be a scene where Tess Coleman
and Anna's body punched Stacy, which is the deleted scenes.
By the way, It's the only deleted scene in Her
New Nose. As revenge for the test, Mark Waters filmed
the scene, but he removed it because he felt it
was harsh. Hypocritically, Waters allowed Stacy to hit Anna with
the volleyball push tests into the bike rack and successfully
accused Tests and Anna of cheating during the exam, which
were arguable harsher than Test punching Stacey in the face

(01:58:44):
A little bit.

Speaker 1 (01:58:45):
Yeah, that's fair.

Speaker 2 (01:58:46):
The cover of Test Coleman's book Through the Looking Glass
is the same cover as the original Freaky Friday novel
by Mary Rodgers.

Speaker 1 (01:58:52):
Nice okay.

Speaker 2 (01:58:53):
Mary Rodgers considered this the best adaptation of her novel,
calling it the first time the character seemed real despite
the unreal goings on, and flucky instead of whiny.

Speaker 1 (01:59:01):
Wow okay okay.

Speaker 2 (01:59:03):
Two alternate endings were filmed, one involving Harry and Grandpa
opening their fortune cookies when an earthquake happens, with both
of them yelling a word. The second and original ending
would have been the film cutting to black as they
break their fortune cookies open before mark director Mark Waters
claimed that it wasn't a funny ending, which led to
scene to some viewers seeing now Paype tackling the duo
to obtain the cookies instead.

Speaker 1 (01:59:23):
I mean, I do like the tackling, although if they
had swapped I think that could have been funny too.

Speaker 2 (01:59:28):
They shot both those endings they're also on there.

Speaker 1 (01:59:30):
But did they shoot the original ending where where Lindsay
Lean's character had to stay in her mom until after
the wedding night in order to prove what right dark Well,
you know, but you'd learn a lesson.

Speaker 2 (01:59:41):
Freaky Friday was released on DVD and VHS by Walt
Disney Home Entertainment on December sixteenth of two thousand and three.
By the end of that month, it had sold approximately
four point nine seven million units, generating over eighty five
point seven million dollars of revenue. The film was later
released on Blu ray March twenty seventh of twenty eighteen
as a Disney Movie Club exclusive. Wow yeah, all right,

(02:00:01):
So what are your final thoughts on Freaky Friday.

Speaker 1 (02:00:04):
I enjoyed the hell out of it. I don't think
it's I don't know if I would call it like
quintessential viewing to own, but it's definitely a rent it yeah,
because it's it's totally worth watching. And if you're not
familiar with that era and that time frame, it really
captures all the time, the early two thousand It is
a time capsule and and just for Jamie Lee's performance alone,

(02:00:24):
the movie is really worth watching.

Speaker 2 (02:00:26):
Yeah, I couldn't agree more. It's a rent it for
me as well. I think overall her performance is a
lot of fun. I think everybody came and knew the assignment.
It has a very sweet message to it, and it
has phenomenal performance. Is a good soundtrack, which is basically
all cover songs too, but no Freaky Friday two thousand
and three.

Speaker 1 (02:00:42):
I cannot recommend it enough.

Speaker 2 (02:00:44):
If you have not seen it, make sure you check
it out, even as a Freaky Friday is coming out too.

Speaker 1 (02:00:47):
Oh yeah, yeah? When does that come out? Literally the
week of the week of this recording? Oh wow?

Speaker 2 (02:00:52):
Yeah that if you're listening to this on the week
that it dropped, Freaky Friday comes out this Friday.

Speaker 1 (02:00:56):
Is it going to be in theaters? Yeah? Oh wow.
I didn't even hear about that. I mean I heard
that it was being made. I honestly thought the first
time I saw poster, I thought it was fake fake.
I know, Sully me. Oh, that's interesting.

Speaker 2 (02:01:05):
So always like to end the show with a couple
of recommendations. The first one I have this week is
nineteen ninety eight's The Parent Trap, currently on Disney Plus
and rentable through Prime and Voodoo. Identical twins Annie and Hallie,
separated at birth and each raised by their own biological parents,
discover each other for the first time at a summer
camp and make a plan to bring their wayward parents
back together.

Speaker 1 (02:01:24):
It's a really good movie. Yeah, everybody loves the parent Trap.

Speaker 2 (02:01:26):
And I'm gonna go with another body swap comedy, this
one with a little bit of a horror element from
twenty twenty Freaky, currently rentable on Prime and Fandango. After
swapping bodies with a drained serial killer, a high school
senior discovers that she had fewer than twenty four hours
before the change becomes permanent.

Speaker 1 (02:01:41):
That's a pretty fun. Freaky is fun. It's a really
fun It's a lot of good one. So I actually
had to think about this for a while and I
had a few different ideas, but then I realized that
this is the one I really think is worth revisiting
or visiting for the first time. If you've just watched Freaky,
Yeah Friday and it would be nineteen eighty eight, big, big,
Now it's not a body swap, but it is a

(02:02:02):
kid becoming an adult, and it's directed by Penny Marshall,
and it stars Tom Hanks and Elizabeth Perkins, Robert Loja. Yep,
And it's a really fun movie. It is a little questionable.
There's a decent well you know there is. But that's
kind of the idea though, is the kid learns that
adulthood is complicated. Yeah, and they make that very clear.

(02:02:24):
But it's a funny, highly quotable movie. It's a very
good example of like seeing Tom Hanks getting ready to
become a massive movie star after this film. So nineteen
eighty eight's big, which is oddly enough on Disney Plus
and Hulu right now, or you could rent it on
Fandango or whatever. But nineteen eighty eight is big. I

(02:02:44):
think it would be a great double feature with Freaky Friday.

Speaker 2 (02:02:47):
Solid suggestion. So do we have any emails this week?

Speaker 1 (02:02:50):
I don't know. Yeah we do. Okay, you don't. You
don't have to talk a bunch of shit, feel it.
Let's see. So we want to remind you that you
can email us at do you even movie pod at
gmail dot com. That's ooh, we even have another email
since I checked last Oh, that's do you even movie
pod at gmail dot com. We love hearing from you guys.
This first one from our buddy Jake. The subject line

(02:03:12):
heist movies. Okay, hey guys, once again another great episode
on Point Break. Yes, I really enjoy the movie and
hearing your thoughts on it was fun to hear about,
as well as the trivia. Like Patrick Swasley being an
avid skydiver. Heist movies are some of my favorite subgenre
of films, and I'm wondering what some of your favorites are.
I personally really love The Italian Job, the sixty nine

(02:03:35):
and three version, and Heat to name a couple. Ye,
keep up the great work. Looking forward to August. Best wishes, Jake.

Speaker 2 (02:03:42):
Heist movies one of my all time favorites that I
just recently saw about a couple of years ago. Missed
it in theaters and I'm kind of sad about it.
But I love Wrath of Man with Jason Statham. Oh yeah,
that's that is a phenomenal one. Along with that, I
will also give one I need to revisit. It's been
a while, I think. Honestly, I haven't seen this that
you and I saw in theaters, but I really liked

(02:04:02):
Hell or High Water.

Speaker 1 (02:04:03):
That was gonna be mine. I'm sorry, Oh, it's fine,
You're Jerk. No, Hell or High Water was really good.
I recently when when uh oh gosh, con James Con
James con when he passed away. Yeah, I saw a
thief for the first time. Yeah, from nineteen eighty one.
That's on two B right now. Apparently Thief, phenomenal heist movie.

(02:04:26):
Really really enjoyed that. Also, Den of Thieves, Den of Thieves,
phenomenal heist movie.

Speaker 2 (02:04:32):
Panic Room, Panic Room. That's the one that really just
recently got a new four K transfer to Panic Room.
I cannot recommend enough. And with that, I will also
give one that's technically people forget it's kind of a
heist movie, but The Collector is technically a heist movie.

Speaker 1 (02:04:46):
That's a good point. Yeah, it was a heist movie. Yeah.
And uh my final one would be Logan Lucky, which
you'd mentioned I think a week or two ago. Yeah,
Logan Lucky is a really fun heist movie as well.

Speaker 2 (02:04:56):
And I would throw a couple more Guy Richie's in there,
Snatch and Lockstock into smoking Barrels, phenomenal action comedies that
have an amazing cast in that movie, my god, both
those movies have amazing cast.

Speaker 1 (02:05:07):
Yeah. Absolutely, So those are a few of our favorites, Jake, Yes,
thank you for writing in. This one's for our buddy Trnk. Okay,
he put subject not too early, hey, guys, in between
harvests and have time to check in. No, it's not
too early for the JFK joke. Ll I'm sure I
made a terrible joke about JFK. Sure look forward to

(02:05:29):
hearing y'all every week. If you're looking for theme ideas,
how about a creature feature month. The two that come
to mind are Them from nineteen fifty four, okay, and
the Relic from nineteen ninety nine. Oh, those are both.
I haven't seen them and forever, but Relic is a
classic them.

Speaker 2 (02:05:46):
So there's the giant ant one and then there's the
one that's them breaking into houses, right, I think them
nineteen fifty four is the ant one? Think so, yeah,
because Them is the there's one that was put out
by I want to say Dark Sky or IFC that
is Strangers esque.

Speaker 1 (02:06:00):
Oh well yeah, but that one's not from the fifties. Yeah, yeah,
nineteen fifty four, Yeah, that's the ant one. Yeah, but
thank you Trank for writing in. But we'll consider especially
because we we we very much veer towards the nineties
on this show. Yeah, so the Relic is a pretty
solid rash there. Yes, absolutely so. This next one is
from Jayden okay, and it's a subject is surfboards versus Cars. Hey, guys,

(02:06:25):
Jayden here from down under.

Speaker 2 (02:06:27):
Awesome.

Speaker 1 (02:06:27):
I just finished listening to your Point Break episode. It
got me thinking about how The Fast and the Furious
the only good one of those movies is a scene
for seeing car version of Point Break it is. Yes,
what do you guys think?

Speaker 2 (02:06:39):
One hundred percent? I think we've talked about this before,
maybe a little. It came up on an episode.

Speaker 1 (02:06:43):
We didn't come up on the Point Break episode. It
came up on another while back. It came up on
another one, but yeah, I know. I uh.

Speaker 2 (02:06:49):
There's a there's a podcast that I love called Junk
Food Cinema that had a whole summer a couple of
years ago dedicated to the Fast and Furious movies. And
one of the things they talked about at length in
their first episode on the first one was how it
basically ripped off Point Break. And I mean both movies
have a lot in common, absolutely sure, absolutely, but I
think both movies are absolutely watchable too. For different reasons too.

Speaker 1 (02:07:10):
Oh yeah, yeah, I think they're very different. I think
point break is, while it does have a lot of action,
it's a much more drama yeah filled thing as to
where The Fast and the Furious is about family family family.
But but but the Fast and the Furious, the big,
the big difference is what makes Fast and Furious work,
which is it ends up not being about turning the
guys in and whatever. It becomes about connection, kinship. We

(02:07:33):
make the joke about it's family, family, family, but that
is the point. The point is it's the friends we
make along the way. Maybe the real Fast and the
Furious whether the friends made along the way. But thank
you Jayden for writing in and for your thoughts and
uh we just yeah, if you guys want to emails
for any reason, whether it's to comment on something we
talked about before or recommend a movie or both, it's

(02:07:54):
do you even movie pod at gmail dot com And
we do love to hear from you. And I guess
that that's about it.

Speaker 2 (02:08:01):
So would you like to know what we are continuing
with next week? As we go through the dumping ground
aka August Charming, we are gonna be diving into another
nineties movie nineteen ninety eight, Blade with Wesley Sniper, currently
rentable on Prime and Fandango. We're gonna be talking about

(02:08:21):
the original Blade. It's probably been a good couple of
years since I've seen that.

Speaker 1 (02:08:25):
I don't know if I've seen it since it came out.

Speaker 2 (02:08:28):
That's impressive.

Speaker 1 (02:08:29):
I might be that long.

Speaker 2 (02:08:31):
So I think that means we may have to watch
Blade Trinity before we watch Blade.

Speaker 1 (02:08:35):
Yeah, I don't know if I've seen Blade Trinity. You
haven't missed much. I might not have seen any of
the sequels. So seriously, two two's I think I've seen
one in two. I think that's it.

Speaker 2 (02:08:44):
Yeah, because there's there's Blade, Blade two, Blade Trinity, and
then there's technically the TV movie that they did for
that Spike TV series, which I did watch that show.

Speaker 1 (02:08:52):
Well, but that's next week. Yes, it is some vampires,
vampires vampires. So with all that being said, thank you
guys so much for joining us tonight on Do You
Even Movie. I want to remind you, if you're listening
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(02:09:13):
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remember that I said that. Yeah, so we do appreciate
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dot com?

Speaker 2 (02:09:56):
Yes it is, and don't forget if you have recommendations,
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Speaker 1 (02:10:08):
We do like some recommendations and uh yeah, it only
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I just was, oh, did a girl tell you that
in school? So now you're you're you're snapping it.

Speaker 2 (02:10:23):
Back, no fucking comments.

Speaker 1 (02:10:26):
Well, I guess h. With all that being said, we'll
be back next week with another another film, this time
something completely different, completely different. So until next time, I
guess all that's left to say is, we'll see you
you next Freaky Tuesday. Ah, there we go. Ah, it
worked enough. Okay, they can't all be when I'm asked
her

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Freaky Friday (2003) – Body Swap Comedy, Jamie Lee Curtis & Disney Nostalgia

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Freaky Friday (2003) – Body Swap Comedy, Jamie Lee Curtis & Disney Nostalgia