90 Day Fiancé:Happily Ever After? 0908 “May the Force Be with You”

Wherein Matt drops a bombshell on Jasmine that will have her uprooting her life. Gino and Natalie's relationship takes a turn. Andrei and Elizabeth hash it out. Tigerlily's due date approaches. Darcey faces her in-laws. Kara and Guillermo contemplate next moves. Julia confronts Betty and Ron. 
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Episode Transcript

Speaker 1 (00:00):
Weird do do do do Do Do Do Do Do
Do Do Do Do Do Do do doo?

Speaker 2 (00:05):
Sweet do do do do do do doo. Sweetee Hey everyone,
I'm Wa and.

Speaker 3 (00:13):
I'm Chris, and welcome to docu Sweeties, we're.

Speaker 2 (00:15):
Too long time friends who discussed the riveting and sometimes
trashy world of reality TV and docuseries.

Speaker 1 (00:21):
Yes, but through our own lens, which sometimes is all
aboard and sometimes is the last stop?

Speaker 3 (00:27):
Is this one get off?

Speaker 2 (00:29):
I didn't be hopefully mildly sweet Hello, Hi, So today
we're talking ninety day fiance happily ever after Season nine,
episode eight, may the Force be with you? I know
someone says that, but I don't remember who said it.

Speaker 1 (00:43):
Hmm.

Speaker 2 (00:43):
I wonder what the theme of Star Wars. Yeah, it's
Star Wars, but like.

Speaker 3 (00:50):
Be with you? I mean someone who's a Skywalker fan some.

Speaker 2 (00:54):
You know, you know what. Last week's title was Hastela
visa Baby. So maybe the theme of this season is
famous lines and movies. Let's see who the last last
episode was called. I didn't write it down, but anyways,
I think that that must be the trend that's going on.
Oh yeah, There's no place like Home was episode five.

(01:15):
Was it of oz And episode?

Speaker 3 (01:18):
Yeah, yeah, yeah, you can't handle the truth.

Speaker 2 (01:21):
Mm hmm. A boy's best friend is his mother.

Speaker 3 (01:24):
You don't know what we have a problem.

Speaker 2 (01:26):
Yeah, I don't know what movie that is A boy's
best friend? This is mother? Is that from?

Speaker 1 (01:30):
You know?

Speaker 2 (01:30):
Radio Flyer? I don't know, Okay, Forrest.

Speaker 3 (01:33):
Gom m, I don't know. It isn't to tell us something.

Speaker 1 (01:37):
He would say, A boy's best friend is smaller now
it's too put together for him. No, maybe like that's
what she said to him, you know, Forrest, A boy's
best friend is his mother.

Speaker 3 (01:50):
That's why it's okay that you.

Speaker 4 (01:53):
Yeah.

Speaker 1 (01:53):
I did an update on my phone and it's one
of the weird side effects is that it keeps wanting
to connect my to my computer, and no matter what
I do, including turning it on do not disturb or whatnot,
it still will make that bit. So I turned the
whole thing off. Anyway, moving on, So that's what it is.
We're into Star Wars now. We'll see what happens, hopefully
something like Pretty Woman or something you know like anyway.

Speaker 2 (02:16):
But yeah, all right, so first of all, we got
to talk about the elephant in the room and the
elephant in the room is the Silpa Twins deciding that
they are going to do a music video and just
give us AI fantasy. Have you seen it?

Speaker 3 (02:32):
Oh no, I don't.

Speaker 1 (02:33):
I like as moral thing, I cannot gauge with like
things that are like too much AI or like yeh,
I just don't. So if I see that it is that,
I won't even look at it.

Speaker 2 (02:45):
Okay, Yeah, because they have a music video with AI
versions of themselves and I saw but Yeah, when I
first saw it, I was like, oh, this is what
they think they look like? Interesting, So an.

Speaker 1 (03:08):
Avatar version of them, you know, or like who they
would if they or make their sim Yeah.

Speaker 2 (03:14):
But it's it's so wild that they would put Yeah,
it's just really well, it's not even like a I
guess you can.

Speaker 3 (03:21):
Okay.

Speaker 2 (03:22):
If an artist like in the nineties decided to do
a music video and then instead of putting themselves in
it like a real person, they had a sketch artist
like make a cartoon version of that music video, and
that's what they are trying to do, Okay, then yes,
I guess I can see that. It's wild.

Speaker 1 (03:36):
So, but you're right, that's not what happened. They just
put whatever. They just made a computer do it.

Speaker 2 (03:41):
Yeah, yeah, and it's bad and it's bad, and everyone's like,
what the fuck is going on? What the fuck is
going on? And I'm just like, that is what they
think they look like and it's crazy. But it's like,
I hope to never I think we should all just
take it as a cautionary tail. We should never ever,
We should all hope to never reach that level of delusion. Like,
even if it's me, if it's coming from a place
of self empowerment, we should always just strive to remain

(04:04):
on earth.

Speaker 1 (04:06):
Okay, just strive, I agree, be present, be grounded, know
who you are, love yourself. Those are all like intrinsic things.

Speaker 2 (04:15):
Yeah, you gotta do it, otherwise you could end up
with AI versions of yourself in a music video where
you don't even rap or sing, you just kind of
talk over a track. Okay. Starting with Georgie and Darcy.
So they're getting ready to drive to his parents home,
and they do they don't do anything. Georgie sits down.

(04:37):
He says he's ready because when he's finally ready, he
actually is actually ready. Darcy doesn't understand what the word
ready means. She doesn't understand that when someone says that
they're ready, that means that they at that point they
can leave. What she does is that she puts on
one outfit and doesn't feel herself in the outfit, and
all it is is a pair of slacks and a

(04:59):
silk shirt, and it.

Speaker 1 (05:00):
Doesn't it's it's a perfect it's actually the perfect outfit.
It's the ideal outfit for what is about to happen.
It's so funny because this whole time we're supposed to
bel like she doesn't know how to, and she keeps
being like, I don't know, I do know how to,
and the eyelashes everything.

Speaker 3 (05:19):
That outfit is pitch perfect. It's textbook.

Speaker 1 (05:22):
It's you're right, slouchy dresses like trousers and like a
silk blouse that's much too big, that covers everything as
high necked.

Speaker 3 (05:31):
It's like a beige.

Speaker 2 (05:31):
It looks.

Speaker 1 (05:32):
The funny thing is it looks rich. It looks looks
that outfit. Granted, yes, the shirt should be more fitted. Okay,
should the shirt be more fitted yes in real life,
and of course even the pants altered. But the basic
structure of that outfit is so classy, so luxurious, so

(05:53):
like rich looking, it's so kind of everything she wants
to be, but she doesn't see it at all.

Speaker 2 (06:01):
She does not see it. He in fact, talks herself
out of the outfit because Georgie, I guess, doesn't say yes, babe,
that is perfect outfit.

Speaker 3 (06:11):
He was done for doing that. He knows what she needs.

Speaker 2 (06:13):
Yeah, and he's just like whatever, it's fine, it's fine.
And she changes out into something that is not fine,
but by then it's too late and he just wants
to fucking go. It's so not fine that I'm like you,

(06:34):
that's the whole time. I was just like, oh, wait
a minute. You went from wearing something that was perfect
and being like, oh, the only thing I don't like
about it is obviously I've lost weight. Oh I don't. Okay,
So now I'm gonna put this something that's tight on
with shorts, and then I'm going to not wear any
tights with the shorts, not an opaque pair of tights.
I'm going to have like some kind of I don't know,

(06:57):
the Greatest Showman or some kind of like riding jacket
with a long tail as the thing that the actually
keep me covered. And lo and behold, the button breaks
but you here's the truth, Chris. You know when a
button's about to come off. Oh yeah, it doesn't just
pop off. No, there are signs that a button isn't secure.

(07:20):
And then she puts on this white Chanel jacket that
says you on in the back. It's probably not Chanelle
jacket on over it just like a coat, and gets
in the car and he he can't say anything. He
doesn't say anything, which is silly on his part, because
you want to set your partner up for success. They
have to carry ten thousand bags downstairs, Yeah.

Speaker 1 (07:41):
With the big Chanel glogos on them, and then of
the mar Chonelle like weird plastic roller bags like baby,
they never remember they never made that.

Speaker 3 (07:48):
She says style's a part of who I am and.

Speaker 1 (07:54):
Okay, and then she says she loves feeling classy and demure.
She's says that you know, he should be happy that
that he found a snatchy girl.

Speaker 2 (08:06):
Yeah, that she snatched, and that she just keeps talking
through everything that's happening, Like she's getting dressed and she's like, well,
well a little blah blah blah blah, little little blah,
and he's just sitting there listening to her ramble on
as she like talks through this process, and I think
to myself, if Stacy were here, Stacy would give her
that back and forth as she requires. Because Georgie doesn't

(08:28):
know what to do. He's just like, girl, put the
clothes on and let's go. But she has to like
talk through it. And I hope that that level of
insecurity never reaches me, Like, I don't want to wish
that on anybody to wear. You wear the right thing,
and then you you talk yourself out of wearing the
right thing because you only feel good in revealing inappropriate

(08:51):
clothes that you somehow think is classy and demure. This
woman says, I love feeling classy and demure, And I'm like,
there nothing about your outfits and your choices it's classy
nor demure none.

Speaker 3 (09:05):
How would you know what you have never felt?

Speaker 1 (09:08):
You've never been like, you know, Yeah, she it's interesting
and she knows what she's doing. I think that, you know,
you get to play at something, you.

Speaker 2 (09:15):
Know, like.

Speaker 1 (09:18):
He she sprays her, well, I think that wow, silver
product that people are using in the car.

Speaker 3 (09:25):
People love that. Wow, honey, it's like a glossing kind
of treatment.

Speaker 1 (09:31):
Now, I will say this, I have talked a lot
of shit about Darcy's hair. Darcy's hair is great right
now in Bulgaria and in all of the like confessionals,
everything is on point. Darcy hair and makeup wise, for

(09:52):
the pure skill of who she's going to, has never
looked better. I'm not saying Darcy naturally hasn't looked better,
but what I'm saying is, God, her hair looks so
wild for so long, so roots, black frizz where the
extensions were damaged, sad, looking depressed, looking looks like someone

(10:13):
who you know, like has stayed up and partied, like
you know, looks like hot. I'm like Britney spears like
you're just like, but worse because at least Brittany kind
of doesn't have unfortunately feels like a completely different texture
at the root of her hair. So you know what
I'm like.

Speaker 3 (10:27):
So there's a lot of things that are happening against them.

Speaker 1 (10:30):
All that to say, I've talked about it, but I
need to like give props because her hair looks great
in real life. While this is being filmed in Bulgaria,
She's putting this stuff on and definitely it's being spread
in the car and he can't handle it, but she
says it's for the texture, it's for the humidity, and
certainly it looks great.

Speaker 3 (10:49):
Her hair was worth the entire time. It actually does.

Speaker 2 (10:52):
But before she gets in the car, she does a
little dance where she's like, I look snatched, Like if
I was a cereal, i'd be snap crackled pups to
crackle pup, crackle pup, snap crackle pop. And I said, again,
may this level of insecurity never reach me?

Speaker 1 (11:09):
No one said snatch anymore? Also, like, like snatched is done.
I don't know the last time anyone said snatch like her.
You can, yeah, you can maybe say your waist is snatched,
but only if you're literally talking about wanting to give
yourself a defined waste, and maybe in the context that
you've used a corset or something to purely snatch a waste.

(11:31):
But like, nothing else truly feels snatched anymore.

Speaker 2 (11:34):
There's just there's been other words that are always better.
So Georgie is not happy about her outfit, but he
is worried about other things that are going on. He
hasn't seen his parents in thirteen years, and I, I mean,
I have to let this settle in onto me because
I I've never been in a situation in my life
where I haven't seen my parents for thirteen years, Like

(11:55):
maybe I haven't seen him for a year and a
half because I lived in another state, and would they
come visit me? Never? But like thirteen years only through
FaceTime or some kind of video chat. That's it. You
left Bulgaria and never fucking went back, it feels like,
you know, And so he's got a lot of things
on his mind, so he doesn't have time to like

(12:15):
go over things with Darcy, and so he doesn't talk
in the car. But when she starts to spray that stuff,
he rolls down the window and is like, what the
fuck are you doing? Like what is happening? So they
pull out in front of his house, and you know,
he's like, oh my god, it's my house, and she's
like it's your house. And she just wants to like
be there forever, like she wants to be a loving,

(12:38):
doting wife. But sometimes it feels like maybe maybe you
should stand down, Darcy, Like your loving doting noess is
coming off as like bothersome to this person right now,
So like maybe just let him live, you know, maybe
just let him have this moment. So his mom comes out.
She's upstairs on the veranda, and she's like, oh my god,

(13:00):
Oh my god, my Georgie, My Georgie. And you know,
she's like, thirteen years I lived to see you come home.

Speaker 1 (13:11):
I mean that was real fucking talk. That was I mean,
I lived to see you come home. And he looks
just like his dad. I mean that he stole his
dad's face. Yeah, there's a lot there. You know. The
dad is a little cold, you know, the dad's like, I, oh,
I thought I he wrote down what the dad said.

(13:32):
I'm so sorry. I guess I didn't. It was something
like it's been a long time or something. It was
just and it has been. It does feel like there
probably is some contention there, you know, like even though
she's obviously happy to see her son, but you also,
did you say the fact that her button breaks right
before this happens. Okay, Yeah, Darcy's now walked in with
you know, that's when her button breaks before before this happens.

Speaker 2 (13:54):
So now she's just like all hanging out. She's upset.

Speaker 1 (13:58):
They bring her Bulgarian roses, which looks really lovely, and
Darcy just keeps being like Mercy, Marcy, Marcy, Marcy. The
woods so cute, it's so charming, it's so quaint Herecy,
you know, it's just holding out of dear life.

Speaker 3 (14:13):
Oh yeah, the dad said time has passed.

Speaker 2 (14:15):
It was just interesting. They all kind of group hug and.

Speaker 1 (14:19):
Then going up to the room, lovely room, they kind
of let it be known that they have five big
suitcases and two small ones. And the parents' faces for
this are a gas. Now I want to be like, well,
how long are they going to be there? And because
I just did a lot of time, I did two

(14:39):
I did six weeks, but I washed clothes and I
had one big suitcase, two small suitcases, one duffel, and
one bag. So but it's my fault because I feel
like if I had more big suitcases, there'd be less
small bags, which is my own thing. And also there

(15:02):
are such things are as trunks, which I have never
had because I don't do that much abroad, traveling in Europe,
But like, have you ever.

Speaker 3 (15:10):
Looked at what a trunk can hold? No, it's a lot.

Speaker 2 (15:18):
I believe you because I feel like you know. And
in movies such as a Secret Garden that you and
I have probably watched, at nauseum. She she had a
trunk with her too, like people used to. People used
to travel with luggage that did not have wheels, and
they just made it work. And that is always a
shock to me. Much luggage, yeah, much bigger luggage, no wheels,
and and and.

Speaker 3 (15:40):
Like how the fuck do you hold a trunk? Yeah?
You know how you move it?

Speaker 2 (15:44):
Yeah? No, you you hire people like they're there. They
used to have just people at places that would carry
your luggage, be it bigger, small, And now we don't
have that service anymore. It's not a that is not
a job in which someone can do without you paying
an absorbent and a amount of money to have that happen.
Before it was just part of panam's service, you know
what I mean, just part of the the expresses service

(16:07):
of someone jumping off of a thing and grabbing your trunk.
But you can fit a lot of shit in trunks.
I mean the trunk itself is heavy by itself.

Speaker 1 (16:16):
No, yeah, I mean yes, so it's like I but
I think about all the stuff that could bring in
and be like one stop shop and how lovely would be.
And then also at fancy places, you know, they pack
it for you they like, you know, fancy places they
unpack and pack your lukage.

Speaker 3 (16:27):
For you, and like what if you had a trunk anyway.

Speaker 1 (16:28):
So they get over that, but like Darcy's like, don't worry,
it'll be fine, ha ha ha. And then they go
look at pictures of him, and she needs his dad's
glasses to look at the pictures because she can't see,
and that part's a little awkward, and the mom just
comes right out like why she dressed the waist that
she's dressed, you know, and they try and like dance
around that topic and then Darcy. The thing about Darcy

(16:51):
is that she always turns every moment into why aren't
you making me happy? In this, like no matter if
it's her sister or whoever manners with. So in this situation,
they're looking at pictures from his youth and he like
is with a picture with an older woman who's ends

(17:11):
up being his teacher, and he's like, She's like, oh
have you always liked older women?

Speaker 3 (17:14):
Look at your hand on her?

Speaker 1 (17:16):
Me me me, like it's all about me and how
I feel how you feel about.

Speaker 3 (17:19):
Me, Like it's like this very loud.

Speaker 1 (17:23):
I just came from the South, and like every night,
Like there's like circadas that just like are loudly buzzing
the entire like it's just like sometimes it's like wow,
how this is happening or whatever?

Speaker 3 (17:33):
And it was interesting only because I don't hear that ever, because.

Speaker 1 (17:36):
I'm I live in California and there's just like not
weird beatles singing every night. There's other things whatever, God bless,
but not circadas anyway. All this to say it must
be this same kind of loud frequency buzzing that happens
inside her soul of like maybe it's just yeah, the
Beyonce song over and over again, like why.

Speaker 3 (17:57):
Don't you love me?

Speaker 4 (17:59):
Over?

Speaker 3 (18:00):
Like that's what it feels like.

Speaker 1 (18:01):
And so anytime she can have a pop out, she
will and be upset about something.

Speaker 3 (18:06):
This lady, the way.

Speaker 1 (18:07):
She's dressed, Why he doesn't love me like she will
the first time she is seeing these people. He hasn't
seen his parents in thirteen years. This entire night is
now gonna be about who Darcy?

Speaker 3 (18:19):
Who? Right?

Speaker 1 (18:20):
That's like that is that's actually personality disorder behavior if
you really think about it, like if you weren't they listen,
I'm gonna give her that. We're on a show and
maybe she's doing this, But there's the other part of
it where you're like, if you really think about being
with someone who hasn't seen his parents in thirteen fucking
years and you were to do this, it would be

(18:41):
psychotic and anyone who was there you'd be like, this
person is a fucking psychopath.

Speaker 3 (18:45):
Period.

Speaker 2 (18:46):
She did not dress to help the mother do anything,
and it's like, yeah, it's not even about making herself
a part of the family immediately, No, she it's about
her being comfortable well because and so that she can
be presented in a way that she feels she's not
going to be judged. And I'm like, girl, you yeah,

(19:07):
you are going to be judged because you are dressed
like you're going out on a Friday night in Miami
on the strip or whatever. You're not dressed like you're
coming home to meet the family for the first time.
And so the mother is like, listen, oh, it's just
a one button is the reason why I can see everything? Well,
let's sew that button on it. Let's look at this

(19:27):
out with them.

Speaker 3 (19:28):
Also, let's teach you how to sew.

Speaker 2 (19:31):
How do I like, what is it anyone needs? Okay,
Like the only thing about being taught how to sew
a button on is that this is the only thing
you need to learn, is that you actually have to
go through the fabric first and then through the button
because the thread will just go through everything. It won't
do it. You have to go through the fabric first,

(19:51):
then the button, and then you then you can just
continue to do it. But sewing on a button is
pretty easy. But she just needed that support. So, you know,
after the sewing of the button happened, she's so grateful
that someone's taught her how to sew a button. So
she hug hugs this woman And look at that ass
thy meet just poking right out.

Speaker 1 (20:10):
Look at that Darcy's mom and Stacy's mom died when
like what.

Speaker 2 (20:14):
She's still a live girl.

Speaker 3 (20:15):
She didn't die.

Speaker 2 (20:17):
Wait what their mom is still alive? Where she is?
Just she's far less photogenic than the dad. She looks
like Jk's mom. Are they married, No, they're no longer married.

Speaker 1 (20:37):
So but are there silver twins? On speaking terms to
their mom? She she she looks like she looks like
I know, you said, I know, he said. There's a
lot of things that the processed and so I just
picked and chose which ones to.

Speaker 2 (20:53):
Maybe maybe not as maybe not Jk's mom. But she
looks like she's got all silver hair, like she's fully gray,
and she she just looks like any She doesn't even
look like a Canadian mom to me. She looks like
a like a late sixties, early seventies Midwestern mom, which is, well,

(21:15):
she doesn't look.

Speaker 1 (21:19):
Okay, Okay, well I'll do my own research. That was okay,
And first okay, So basically this is so that happens,
and then while that's happening, this is like the quality
time with her and her parent with her, the mom,
you know, the dad and Georgie you're talking and the
dad or Georgie you're talking about Darcy's age and the
fact that Darcy's going through menopause and how hard and
how hard the hot flashes have been for him, and

(21:40):
Georgie and Darcy's dad, who must think whatever of Georgia
this whole time is like, you're insane. Then the mom
and Darcy talk, and Darcy then is like did you
expect an American girl?

Speaker 3 (21:50):
Do you do? You love me?

Speaker 1 (21:52):
Babe?

Speaker 3 (21:53):
C anyway? Godless?

Speaker 1 (21:54):
And then the mom is like, yeah, you're fine, Listen,
you're fine, and then Darcy's like, okay, here's the thing. Also,
your son doesn't fucking ever talk about his situations. And
the mom's like, well, I do know about your past problem,
so sometimes he talks.

Speaker 3 (22:07):
And then Darcy's like, yeah, but I don't.

Speaker 1 (22:09):
Think about my husband's life, like his make account or
how much money or Pele loves me. And so basically
the mom's like, yeah, he doesn't always talk about things.
I'll tell him to talk more. And Darcy is overcome
with gratitude for this. And then so then we get
the meal. Now there is the craziest, yummiest looking bread.
You know, it's one of them. It's like a beautiful loaf.

(22:29):
How do you do it? I'm not quite sure. She
looks at the bread, she goes nice and squishy like
my boobs. And then George's like, what did you say
in my parents' house and right in front of my
fucking parents on television. She's like never mind, yeah, yeah, yeah,
I will give her that. That probably is the one moment
which I was like, yeah, I can see myself doing that,
because I can see myself having a thought.

Speaker 3 (22:49):
And just saying it.

Speaker 2 (22:50):
Now, I can't I know how to dress myself.

Speaker 3 (22:53):
So that's so you'll make up.

Speaker 2 (22:56):
That'll make up for that. Also, she also makes something
called sarmi and the mother's like, thank you so much
for making this sarmi and she's like, oh okay. And
then they have like a confessional where he's like, I'm
just so happy to be home and have my mother's
home cook food. And this is where again Darcy can't
just like let it be. She can't just like let

(23:17):
him say the thing, and it's like move on.

Speaker 3 (23:19):
She has to.

Speaker 2 (23:19):
Say, yeah, your mom is an amazing cook and she
does it with love, and I'm like, an amazing cook.
What about Bulgarian cuisine? Do you know to compare it to?
To say this woman is an amazing cook, Like she
just has to like be superfluous and like add the
most extra stuff and do it big, and like we

(23:40):
got to have the love and the like and the
life in order to move on with our love and
life and life. It's just like it's all this extra
stuff and again made that level of insecurity. Never find me.
The mom then chastises Georgie for their marriage troubles, and
it's happening at the dinner table and he is not
okay with it, Like, listen, I haven't seen my parents

(24:01):
be forever, and there's probably shit between him and his
parents that Darcy has no idea about it.

Speaker 4 (24:06):
Oh yeah, yeah, And so he just wants it to
be an event where he's chill, and he's like, probably,
I don't know, like maybe him running off to America
wasn't the idea.

Speaker 2 (24:20):
Maybe he was supposed to take over the family business
and he just shirked down on his responsibilities. You don't
know what is going on with that man, and you don't.

Speaker 3 (24:26):
She never even thinks to ask, I would.

Speaker 1 (24:28):
I'm surprised she'd have been like, babe, why didn't you
ever want to go back? Why couldn't Why didn't what
were you running from? Babeby But no, again, she's only
worried about her. So she's crying now at the table
because he's upset that the mom brought up the fact
that he doesn't talk to her, and so now he's
upset at that she's crying and it's awkward, and that's
when the mom assures her that he, in fact, what whah,

(24:52):
loves her?

Speaker 2 (24:53):
Why don't you love me?

Speaker 5 (24:55):
Yeah?

Speaker 1 (24:55):
Baby, because we wouldn't just bring home anyone because he's never,
in fact home a friend and quickly he's a not friend,
not friend because he is paranoid and walking on eggshows
all the time. That she whatever, God bless so brought
the money one and so she decides this is an
acceptable gesture and sacrifice and she quells her own emotional

(25:17):
outburst at the dinner table. She sort of apologizes, but
then her confessionals is like, well, you do allow me
to be me and they have to like love me
for who I am. And it's like, oh, just so
you know, you're unlovable if you don't think that other
people deserve comfort and respect in their own home.

Speaker 3 (25:43):
Who don't be at He's not the same, like be crying.

Speaker 2 (25:48):
At these people's dinner table. Let me just feel my feelings, okay, Narcy, Yeah, yeah,
it's fine. But maybe not on day one, maybe not
onn hour two.

Speaker 1 (25:57):
You know, don't ask about things that are triggering for you,
like whether this man at his core likes you.

Speaker 2 (26:03):
Yeah, and also can you just hide the fact that
you're jealous of a teacher that happened twenty five years
ago for him?

Speaker 1 (26:10):
No, because then in my mind she was like, oh no,
does he have a fetish for old women, and that's
why he loves me. Oh no, it's a nefarious reason
why he loves me. Is that because he wants to
be famous or he wants my money or he like Now,
it's like because he's always loved old old women and
I'm just an old woman. So I'm just a fetish
now for him. I mean, I don't know what the fuck. Yeah,
but let's move on.

Speaker 2 (26:27):
Okay, Now the word the streets are really this is
Tiger Lily. O. No, now the streets are really. There
is a very other side of the aisle for me
group of people who are like, if the way that
Odnon is attacking her Christianity is just so inappropriate, and

(26:48):
if it were the other foot, lah blah lah lah.
I'm like, first of all, the shoe is on the
other foot. The way that these producers show Muslim men
consistently and constantly, and they keep casting the same character
or over and over again, is them making a comment
about Islam in the same way that odd Non is
rudely making a comment about I don't think Christians. I

(27:10):
think specifically Tiger Lily's Christianity, and at the former christian
I to judge her. When someone's like, I'm I identify
as Christian, but like doesn't go to church, doesn't do anything,
like like when's the last time you prayed? Like whatever,
there's a part of me that's like, you lukewarm, not

(27:31):
even lukewarm, You're just like a tepid not even a tepid,
You're a freezing cold Christian. But that comes from the
judge side of my ex Christianity, of like where you
judge people based on how much they do for the
Lord in public out loud.

Speaker 1 (27:46):
I honestly, I guess I don't feel bad because she's old.
Like if this is okay, if this was a twenty
four year old, okay, a twenty four year old like
intensely amish lady trying to get a forty four year

(28:08):
old man who has children, who's already been married to
I have been divorced heavily American to do anything. Wouldn't
you be like, well, whatever, he's going to do whatever
he wants. And if he's gonna hear what she's saying
and he's going to continue, and he's been choosing this
since before we've known him, what's the problem. Because he's

(28:29):
not the victim or in a different position. She's the
loud in this scenario of like the amish young girl
and the older man, like, we recognize that he has
the power to get out of this at any moment. He's,
in fact, is choosing this in every moment, Every single
moment that happens after was a choice that he made

(28:51):
to continue in it. And I think that maybe this
is where it's like for sure, certain situations when there's
a a repressed like or like someone who is oppressed,
I guess they don't have the choice in every moment.
There's a lot of external factors, right, money, position, where

(29:12):
they are, social class, all of it. I do not
see that in this any situation, in this situation where
she is oppressed, so I cannot do anything but decipher
that she's chosen this, So why fight there?

Speaker 2 (29:32):
The streets are just upset at Odnan and then they're
going off on him, and a lot of people are
letting it happen because they say that he is insulting
Christianity when he said that if their child isn't Muslim,
he will be a drunk and a killer. So last episode,
when he was saying all this nonsense about what their
kid's going to be because he's not Muslim. They are

(29:54):
choosing to be offended by him saying that the kid
is going to be this, which is like Od's grasp
of like communication and the way that he he's he's
a crazy person.

Speaker 1 (30:05):
Rights so many mean things about women. I'm like, yeah,
we hear him say horrible things about women, Like yeah,
that's the add to the list. He's not a nice
he's not a great guy. Yeah for sure.

Speaker 2 (30:13):
Yeah. But they're like, oh if if if if somebody
on here if a Christian. We're talking about Islam the
way he's talking about Christianity, man, And I'm just like, well,
it's not the same, but like, also we are, we are.
He is being demonized. Don't worry, Like, don't worry, Like, yeah,
it's it's weird the way that they're like TLC needs

(30:34):
to never have him on our TV again. It's like that,
And I'm like, okay, guys. So she's after the fight,
she's in her bedroom crying and saying that like she's
just like, he's never gonna understand. And I think at
this point she recognizes that she eats or needs to
shit or get off the pot, and right now she's
gonna have this baby tomorrow, and so she can't shit,
So she just has to get on the pot. She horrible.

(30:58):
She can't get out of this really shit. If she
doesn't want to raise this child on her own, which
she does not, If she doesn't want to have a
failed marriage, which she does not, why.

Speaker 3 (31:07):
She's already doing it. Yeah, she already has those things.
So what's the big deal?

Speaker 2 (31:11):
She wants to continue in this relationship with this man.
And so I'm watching her like cry, and I don't
feel bad for her, because again, like you said, she
is choosing this. And so then he comes in and
he's trying to like talk with her again, and he
further digs himself in the hole, and she's like, there's
no reason for us to talk. You don't understand what
I'm saying, and I just don't want to deal with
it anymore. And he's like, I don't want to hear

(31:32):
this word trust. If I hear this word trust one
more again, you're gonna be sorry. And I'm just like,
if at that point she's not like going ahead and
get on an airplane and go home, we'll figure out
how to get the divorce in Jordan, seeing as well
that's where we got married and out. Yeah, like, let's
just like, let's just cut this out now because I
cannot be with a man child. I cannot, but she doesn't.

(31:53):
She wants to be with him, and so therefore this
is now all her choice, and I don't. I don't
feel bad for her the same way.

Speaker 3 (32:00):
No, no, no, no, she tickled by him.

Speaker 2 (32:02):
Next scene, he comes and dressed to the ninth for
the hospital.

Speaker 3 (32:05):
Oh, and she's.

Speaker 4 (32:07):
Like, baby, where are you going?

Speaker 3 (32:10):
Baby?

Speaker 1 (32:12):
Baby, no, you can't even be like in the smock
you gonna we're all gonna be like in hospital gowns.

Speaker 3 (32:20):
And he goes, do you want a luxury husband?

Speaker 1 (32:23):
The ord drash husband, And she's like, a, ha.

Speaker 3 (32:26):
I love you so much. Luxury obviously, luxury. It's what
I mean with you.

Speaker 1 (32:29):
I gotta only care about aesthetics. I only care about
the way things logan. That's way I'm with you. So
definitely I'm into.

Speaker 2 (32:34):
It, Like that is.

Speaker 3 (32:37):
That is what it happened to it.

Speaker 2 (32:38):
I love this so much that I had to take
pictures of it. Frame by frame. It's her looking at
her colonne closet, her colone cabinet to see what she's
gonna do. She turns around, she sees him there he is,
and then she laughs and laughs and laughs. The girl
is tickled beyond compare and I just would not get

(33:00):
enough of her. This is the most genuine thing I
have ever seen Tiger Lily do. It is it is
the It is like huhhh heh ha ha, And I
loved it.

Speaker 3 (33:15):
Yeah, she she loves him.

Speaker 1 (33:17):
She all of a sudden fake and she loves him,
and she loves what she what he's giving her. She's
tickled by it, like that's the truth. So digget in
the car and she keeps saying that she's focused on
baby's ain and he's like, and I'm focused on the
fact that you have a beautiful husband, and she's like,
I know, baby, that's why I take it all because
that's all I care about. And that's the truth, honey.

(33:38):
So then and this point we get this weird scene
where he's like.

Speaker 3 (33:42):
Baby, I want you to say a blessing for us,
and she's like.

Speaker 1 (33:46):
But I heard that all it takes to be Muslim
is to say like three words like beetlejuice or whatever,
and so if you get me to say those three words,
and suddenly Muslim He's like, no, I would never do
that to your baby, Yola, So why didn't you just
say allah?

Speaker 3 (34:05):
Ella? You know whatever, I.

Speaker 2 (34:08):
Low rockman, Hakim.

Speaker 3 (34:12):
Louder for Allah to hear.

Speaker 1 (34:14):
It's very ursula.

Speaker 2 (34:18):
Allah.

Speaker 1 (34:25):
She's just gonna like take that right now, honey, and
just like take away her legs, you know, like in
this fucking car.

Speaker 3 (34:32):
You know, like, yeah, that's exactly what happens. And then
you don't know what the words are.

Speaker 1 (34:36):
I don't really know what the words are that just
immediately proclaims you, but it does feel like that's what
it is.

Speaker 3 (34:41):
She's only too happy to say it.

Speaker 1 (34:43):
She definitely isn't like a baby A lotas gohead and
Satan the Christian talk, because I know how to pray,
dude all the time.

Speaker 3 (34:48):
Dear God, thank you for the babies. Bye, you know whatever.

Speaker 4 (34:51):
God.

Speaker 1 (34:51):
She's also wearing a skims dress, I mean, which is
on brand A for Kim Kardashian and B for her
whose brand is k Kardashian.

Speaker 3 (35:02):
Shall we move on?

Speaker 2 (35:03):
Yeah? All right, So next couple that we're going to
talk about is Geno and Jasmine. And this is another
kind of study in how like one grown ass person
does not take responsibility for the choices that they've made
and the outcome of said choices. So we start first
start off with Jasmine and Matt in the gym and
they're working out and she's talking about how upset she

(35:24):
is about what happened last night and that she's in
a grumpy mood, and then she yells at him for
giving him giving her the wrong dumb bell and we're like, oh, yeah,
you are in a grumpy mood. He's he's she she's talking,
and she's like, yeah, so la la la la la
la gino. No, I'm using the ten, not the five.
He's like, oh shit, okay, I yeah, just like so

(35:47):
upset and I and this one, I'm gonna say, she
does not look pregnant. This is a this is a
this is this seems to be a before the pregnancy
or at least showing up the pregnancy, said she and
so Matt just like at this point fed up with
talking about Geno, he doesn't want to talk about Geno anymore,
and he ends up just telling her like, hey, I

(36:10):
know we said that we weren't going to fall in love,
but like, would you just consider being with me? And
she's like, oh god, then we cut to Gino and
Gino is gonna drive hisself over to see Natalie and
he refers to low level people like Jasmine and how

(36:35):
Natalie didn't even get a chance to meet his family.
He's mad at Dana and Michelle and Jasmine for allowing
this thing to go down. And he's like, nobody even
thinks about me. And I'm like no, because that's all
they do is think and worry about you. And at
this point they're tired of it and they want you
to get tangled up in the web that you have weaved. Woven.

Speaker 1 (36:56):
Yes, the funny thing is even in this moment again,
Matt is talking about him like, you know, like he
is like do you do don't even understand? His inactivity
to do anything has recabo it on so many people,
you know, Like I will say that this was, like
the scene that you just described was Matt's best seen
today a he had to say such things like that,

(37:17):
you know's at the end of his life and wearing
as a child wearing a Gilligan hat. He also said
that this relationship with Jasmine is a boat that has
too many holes in it. You can't float in it,
so to let it sink, and then of course he
then says that he's in love with Jasmine, who he
repeatedly calls mama. So on that's when she was like,
under different circumstances, but of.

Speaker 3 (37:39):
Course you are the perfect man. But my dear, you
know you know what. So all of that is ridiculous,
and he had all but it's also funny.

Speaker 1 (37:49):
Because Mat' just like, I've been waiting this entire time
to be with a woman of substance and quality. Okay,
who's again, children, We don't even she hasn't even brought
up in the past us like two years to Matt, like,
we don't even know. What does he know about the
other kids in Panama? We're not quite sure. So Gino
back with Natalie, is back as she's packing the last
of her carry on roll on in the same room

(38:12):
with the jacuzzie corner was the corner, uh corn corner dacuzzie,
which is like trashiest things I've ever in my life,
I know.

Speaker 3 (38:24):
That was the only thing, the only thing about Like,
I never thought.

Speaker 1 (38:27):
That Natalie was a prostitute until Jasmine said that, and
then I was like, she's not a pro oh that bathtub,
And then I was like, oh Ogain, Yeah, maybe she is.
I do think that Natalie is a working woman, by
the way, absolutely, I think all of this huffo is
just to make it seem like she's not.

Speaker 3 (38:42):
But I do think that she is. And that's why she.

Speaker 1 (38:43):
Got so upset because she got clocked anyway, and it's
because she would accept to have that room.

Speaker 2 (38:48):
And remember like how the two anyway? All that, So basically.

Speaker 1 (38:53):
Gino wants to tap dance around his responsibility and skirt
his responsibility. He's cognizant that blamed him, but he go
to the hotel I think under the pretense that there
is a way for him to I guess still blame
Michelle and Jackasmin, not him. And she's like, I'm going

(39:16):
to tell you as plain as day, I said, get
your fucking ducks in a row before I got here,
and you said you did. And then when I got here,
I heard that all of your ducks were in different
places all over this room.

Speaker 3 (39:32):
And I need this.

Speaker 2 (39:33):
Yes, what he said that that's your opinion.

Speaker 3 (39:38):
There are ducks everywhere.

Speaker 1 (39:41):
There are ducks everywhere, So what is my I'm seeing
ducks everywhere, They're not in a row.

Speaker 2 (39:46):
What are you talking about you know exactly. I don't
know I did that.

Speaker 5 (39:50):
I want to be blamed for anything, because the truth
is that everyone should just do what I want them
to do in my imagination, not do anything. But really
we need to tell to talk about is is mad
Rico suave?

Speaker 2 (40:03):
He's so short and so we don't even need.

Speaker 3 (40:07):
To talk about him. We don't. I don't care about
I don't care about Matt.

Speaker 5 (40:11):
Yeah, but you should because you need to watch out
for any short, ugly men who might want to steal
your wife.

Speaker 1 (40:20):
That's besides the point, because for some reason I was
interested in.

Speaker 2 (40:23):
The ugly man. It was you.

Speaker 3 (40:25):
I was No one was here for me, no one
cares about me. Was the line of fire. I got shot,
That's funny.

Speaker 2 (40:36):
I'm carry on and the vultures came for me and
you were nowhere. Yeah, that's true. Yeah, Dana had to
be like, if you don't get your ass outside to Natalie, yep,
and so yeah, it's just it's crazy that he calls
Matt ugly so many times. It's it's crazy.

Speaker 3 (40:53):
It is both.

Speaker 1 (40:54):
They both go at each other a lot. Mac goes
after him a lot too, like for some reason, I'm like,
he know.

Speaker 2 (41:00):
It's not at the end of his life. First of all,
I think Jasmine would kind of feel some type of
way that he says that, because Jasmine is pushing forty
and Gino's just at the top of fifty. So like,
I'm sorry, are you gonna say that Jasmine's almost done
in ten years? No, he's at the end of his life, Matt.
If you don't calm the fuck down, I will not
have I will not have Janecke slander. I'm just kidding.

Speaker 3 (41:24):
She rolls her things out, Gina does not go after her.

Speaker 1 (41:26):
Gino still blames Jasmine and Matt, even Michelle for not
treating Natalie well, not him. Producers asked for last words
from Natalie, and she's just like, oh, give me the
fuck away out of the state, honey. She was like,
I'll never come back to Michigan.

Speaker 3 (41:38):
Not ever.

Speaker 2 (41:38):
Yeah, yeah, not ever, not ever. So then we move
on to Andre and Libby, and this is not the
standoff that I wanted it to be. First of all,
First of all, she's at home cleaning her already cleaned house,
like the people have already come through and cleaned her home,
and she's now just picking up residual gummy bearer stains.

Speaker 1 (41:57):
Yeah, that's just the beano and you just are doing
like the paper towel score with something that smells good,
not even a cleaner one that just makes like a smell.

Speaker 3 (42:05):
Yeah.

Speaker 1 (42:05):
Everything has is gold hardware in that home. Yeah, she
picked a finish, she went with it.

Speaker 2 (42:11):
Yeah, and the thing is so like as much as
I feel like, oh I like that, I'm like, oh,
I don't like it as much now that I can
see it in action, like I need to see I
need to see that.

Speaker 1 (42:19):
It's too much. Yeah, I need to see that it's
too much. And we'll just say I hate this so
much as why I wrote it down. So then basically
she's as she's doing this and everything again it's clickie cutter,
it's whatever saying in the gold card where everything is
like so much, it's like, oh my god, you just
it feels like, you know, it feels like it feels
like very Christine early seasons, you know, flip or flop.

(42:40):
It's just like there was a choicemade she never paid gold.

Speaker 3 (42:43):
Okay. So basically he comes home.

Speaker 1 (42:46):
He's been you know, away in Moldova for this past week.
He gets there and he brings what looks like cheap
Valentine's Day flowers with the red and white. It's like
the exact tissue paper or the opaque in the plastic
and what looks like an inconceivable amount of carnations for

(43:09):
one to assume that paper tender of a respectable value.

Speaker 2 (43:17):
Was Yeah, this is reacted, let me tell you. And
I'd like to believe everything. I will suspend my disbelief.
But this man walks in, he pulls up in a car.
So what your car was sitting at the airport for
ten days, Libby? Libby got home and like didn't pick
the car she was left at the airport. You like pulled,
You swerve into your driveway like nothing. Then you walk

(43:41):
into the home with one suitcase, and we know damn
well that you all took eight suitcases there. She took
three back with her. That means that you have five
suitcases that you need to bring back. You come in
with one suitcase, and the way you fling it to
the side once you enter the home, once you cross

(44:01):
the threshold leaves me to believe there was absolutely nothing
in there. So this whole entire interaction is fake and fake,
and that's why they're not more upset at each other.
She can't even stand her ground and say I want
to be a part of every decision that you make,

(44:22):
meaning that I am going to say yes or no,
and if we both don't unanimously agree, then it's not
going to happen. Yeah, Like she's like I'm not saying,
She's like, I just want to know, Like I need
to know you can still make every decision. Yeah, you
can still make every decision. I just need to know.
So then what, like it was very very weird, and

(44:46):
I'm like, you guys are fighting in front of the kids,
So I know what must have happened is you were
like Ellie or Elle, mommy and daddy are going to
have a fake conversation in front of the audience. Okay,
a front of the cameras. We're not mad at each other,
We're not mad. There is no way that those to
have that conversation in front of their one cognizant child,
and that child isn't like interrupting and feeling uncomfortable and
asking questions and like in their face. Winston is sucking

(45:09):
his binkie and having a good time. He's like, my
dad's home, I can bite him. Finally, someone I can bite. Yeah,
he apologizes and said that he's sorry and and that
he wants to do another investment to make the money back.

Speaker 3 (45:24):
That's all the gambling.

Speaker 1 (45:26):
Yeah, She's like, okay, baby, well I'm still mad, but
I'm really happy to.

Speaker 3 (45:32):
See you cause they make you, you know.

Speaker 2 (45:34):
Anyway.

Speaker 1 (45:34):
So let's move on to Karen Giermo. So we are
hot on the heels of her Italian tour. She's she's
been invited to the Italian studios of famous but chat
to singers.

Speaker 3 (45:50):
Yeah, I mean, I don't want to tell, you know.

Speaker 1 (45:52):
So Nico and her are get into her mom's what
looks like a ford Flex and I've loved a ford
Flex for a very long time. I don't think they
make him anymore, but ever time I see him like
Ford Flex and they are classic car. So they're going
to the airport and you know, the mom asks her
about Guillermo, and you can really see how much her
mother is on her side.

Speaker 2 (46:12):
Period, doesn't think that she's done.

Speaker 1 (46:14):
Anything wrong or has anything to like look on herself
for the relationship, which is only interesting because relationships are
usually fifty to fifty, so there are things that you
can probably work on.

Speaker 3 (46:30):
You know what I'm saying. So like, it's interesting when parents.

Speaker 2 (46:34):
Either see their child as like purely.

Speaker 1 (46:36):
Perfect or only bad. Anyways, this was a purely perfect one.

Speaker 2 (46:41):
Yeah, did you realize that their age difference is such
he's twenty six and she's thirty two. I didn't realize
that they had such not to say that, like it's
such a huge gap. But I'm like, as far as like,
and this is me using old antiquated whatever, as far
as like the maturity of the way men goes like,
he's still he's one year from twenty five, twenty five
is a bebe now, not that thirty two isn't a bebe,

(47:04):
but thirty two, I feel like there's a there's an
imaginary crosshold threshold of thirty where I just expect better
And so she's in a different place mentally as to
what needs to happen than he is. And so like,
it's just that was really eye opening for me. And
though they just talk about moms like you need to
go talk to a lawyer to see what your options are.
And and it also sounds like the house that he's

(47:27):
staying in is their house, is a house that they own,
so it's not as though, like he was kicked out
in the streets and I had to figure out a thing,
a place to go.

Speaker 3 (47:37):
So why do they own so many homes?

Speaker 2 (47:39):
I'm pretty sure because of her real estate work and
social media stuff. I'm sure that they've made enough money
to I forget where they are. There's somewhere where houses
are cheap.

Speaker 3 (47:51):
Okay, it's just like I just thought that was so interesting.

Speaker 1 (47:54):
Her mom is but you know, driving a bedazzled gold
steering wheel. So like the wherever they are, dustly, that's
what I'm one of those things exist. We get Guierremo
and he continues his fashion choice this season, which is
to be wearing like what I can only describe as
a literary man's cardigan.

Speaker 2 (48:12):
Literary man, yeah, real professor.

Speaker 1 (48:16):
Yeah, Like it's either it's that kind of look or
the kind of look that when you're like forty three
and you realize you have to start dating men that
are like fifty four. It's the kind of cardigan that
you're like, well, at least he cares about himself. Yeah,
Like if he's wearing that, um, he talks to his mom,

(48:39):
so it's parent advice versus parent advice. He's also just
made himself what looks like a very yummy grilled cheese
on rye. So real grilled cheese on rye. Comfort time
with mom. He and his mom FaceTime. He does get
to FaceTime her in front of what looks like a
cute wallpaper popped wall with crane. That's probably Kara's doing,

(49:02):
and I understand that his mom tries to help him
save his marriage, says that he should try.

Speaker 2 (49:08):
He cries immediately because.

Speaker 1 (49:10):
You know, he can be real in front of his mom,
who knows that he's not happy and he hasn't been happy.

Speaker 2 (49:15):
Then his mom is like, try and just take her
on a date.

Speaker 1 (49:19):
Now, this does feel like we're in two different pages
and places, because what needs to happen is for Guillermo
to quickly find a path that he enjoys that will
give money to the family in a respectable way. That's
the act of love that I think that could really

(49:39):
like be useful here. However, there's this other weird thing,
which is why the fuck she was so uncomforting about
texting in his presence, why she would want him to
feel like she's cheating, And then with her mom be like,
I'm so upset that he would ever think I would cheat.

Speaker 3 (50:00):
Well, then.

Speaker 1 (50:02):
You're young, though, Like you're both young, you're both very attractive.
So if that comes up, how are you not mature
enough to understand to just give peace of mind and
comfort to someone?

Speaker 3 (50:15):
Is he always asking you?

Speaker 1 (50:16):
Like, if this man is literally always asking you, then
that's a whole conversation. But if he's like, who are
you texting? And you're just like no one, that doesn't
make any goddamn sense. That's not a respectable answer for.

Speaker 3 (50:28):
Someone, no one.

Speaker 1 (50:29):
You don't go into a room with the lease. You
don't answer no one. If I ask you who you're texting?
It's just not nice.

Speaker 2 (50:36):
Yeah, yeah, yeah, you're right, you're absolutely right. And I
just think that, like he you can tell there's still
love there, but I don't know that it is solvgible
in a place where neither were at least her. It
seems like she needs to be way more vulnerable with
him and way more open, and she's not doing it.
I think that maybe it's because she was in the beginning.
Maybe she's just like you know, I, maybe he's fed up.

(50:57):
Maybe she is fed up because she's been to this
man to get a new job. Ben told him that
you cannot be a server while I'm out here running
around with three jobs. You can't do that. That's not
that doesn't seem fair and equitable to me. I am
out here trying to do my balloon animals. I'm out here,
uh doing bachata, and I'm also out here selling homes

(51:20):
and you cannot just work at the Molet place.

Speaker 3 (51:24):
No, I'm not.

Speaker 2 (51:25):
I'm not going to be more ambitious than my husband.
And he's just like, I'm not ambitious though, Oh I
want to Filippins And she's like, that costs too much money,
it's too late for you. Yeah, something else. And it's
just like, so, then that's that's the conversation I need
to have. And I think she needs to bend and
let him pursue his dreams so that he could start
making the money that she wants. And you know, then

(51:47):
also tell him you didn't she didn't cheat, and that
he she's sorry that she made him feel that way.

Speaker 3 (51:53):
Yeah.

Speaker 2 (51:54):
So the mom says that she remembers love between them
because she actually lived with them in dr So their
relationship is so much more involved than most of these
couples we see on ninety Day Fiance, like Kara has
lived with his mother in Dr Giermo is able to
have personal screen time with her mother in the US.
So this is not just like a fly by you know,

(52:18):
Dorsy and Georgie. I've never met your family. I don't
know anything about your past. You don't even give me
your bank account. This is like a real marriage, Oh yeah,
where people have met and there's love and it's just
it's sad to watch it go away. Now, speaking of
a real marriage, we've got Brandon and Julia. Now, this
was a real ass fight, and Julia needs to leave Brandon.

(52:38):
She needs to leave him.

Speaker 3 (52:40):
His behavior was.

Speaker 2 (52:41):
So fucking inappropriate that like, I don't know that I
will ever be able to forgive him. And I'm not
even this relationship. I don't give one fuck about them.
But like, yeah, so she comes home after a hot ass,
tired ass day of she can't even speak because of
interpreting all day talking Chris, Chris. I can't tell you

(53:06):
how upset I would be if I walked in and
somebody then expected the party to keep going, and then
when I told them no, social battery is done, voice
is done, They're like, you're ungrateful. All we wanted to
do was have a party for you, And I'm like,
y'all need to come into the twenty first century because
all of this like weird and I'm gonna say, I

(53:29):
know people won't agree with me boomer behavior of like
you should be grateful that I threw you this party
even though you're tired, and I'm not going to pay
attention to what you actually want. It's what it makes
me feel better as the adult and the parent in
this situation, like it's not flying with me. You didn't
ask if it would be okay to come into their
home and decorated. You didn't even allude to Brandon and say, hey, Brandon,

(53:49):
like this is what we want to do. Can you
kind of suss out whether or not Julia will be
okay with this? So they get pulled back in case
Julia wasn't, I'm sorry, Do you want to start at
the beginning and just like tell the story?

Speaker 3 (54:01):
No, I just went in on this, No.

Speaker 1 (54:03):
I get it, you know, And so basically, yes, as
you were saying, Brandon's stupid ass, weird ass parents, you know,
like put a bunch of shitty streamers all over the
place with a bunch of American stuff and then they
get there.

Speaker 3 (54:14):
And Julia is like not happy to deal, and we
get those.

Speaker 1 (54:17):
Weird freaks and then they're like, we just got some
American barbecue and cole slot. Now Julia's dad does seem
like he is hungry. So at this point I would
have been like, okay, I'm want to just be honest,
I'm exhausted.

Speaker 3 (54:33):
Mom.

Speaker 1 (54:34):
In Russian, I'd be like, do you want to be
with these weird fucking freaks or do you want to
go with me right now? And I'm gonna get us
out of this. The look on that mother's face would
have been like, I'm gonna go with you. And then
I'd be like, okay, well we'll leave dad here do
what the fuck he wants to do, and then both
blades you'll be like dah. And then I would be like, hey, guys,
Mom and I need to go shower and get uh

(54:54):
so totally, do you do this whatever you need to do,
Brandon clean up after, and we'll talk and have fun.
I would have let that happen, and then Brandon would
come up and I'd be like we're changing our locks
and and or I'm divorcing you, so but that's like
that's probably what I would have done, Like I would
have gotten my mom out of the situation. I would

(55:16):
have gotten myself out of the situation. I would have
let them do whatever they to do and just be like,
we need to shower my voice.

Speaker 3 (55:22):
I can't even talk.

Speaker 1 (55:23):
I need to go like lay down for a second,
suck on something, you know, never you Brandon, not ever again,
and then.

Speaker 3 (55:28):
Get myself out of it.

Speaker 4 (55:29):
You know.

Speaker 1 (55:29):
But yeah, Julia did make as you know, did make
a scene, which makes me feel like this was all planned.
It does, unfortunately, just seems wildly like can't possibly be
real that there would be such I mean, just audaciously
ignorant people that think this would happen.

Speaker 3 (55:49):
And then they get so upset, like we're.

Speaker 1 (55:51):
Gonna go to a hotel now you've heard my feelings.
And then Brandon's like, don't I want to go to
hotel with you, mommy and daddy, And Julia's like leave
and leave and never come back then, and Brenda's like,
I'm going to and then she they do, and then
Julia is like cool.

Speaker 2 (56:05):
Changing the locks, and I wish she would. Yeah, she's
not going to, and it's it's unfortunate that he behaved
this way. In front of her family, and it's unfortunate
that she behaved that way in front of her family,
in front of his family, Like, you're right, there was
an alternative, but she chose to be combative because she
doesn't know any other way to be. And that's with
just youth, I think, and even though they're past my

(56:26):
imaginary threshold, but whatever, they don't know how to how
to you know, not be combative, so they do. And
then he ups the ante by leaving his She didn't
tell the mother to leave, she just said this was inappropriate.
You shouldn't have done this. Betty gets upset and she's like, well,
I'm going, and Brandon is like, you antagonize my mom,

(56:46):
So I'm gonna go with him too. Julia has to
run for the hills. She has to. There is no way,
there's there's I know she loves Brandon, but she's young
enough to find somebody else who is not still sucking Yeah,
who isn't still sucking the teet? Okay, just get out, girl.
It's I mean, this was all stage. This is a

(57:07):
pretty shitty I'm like, it's stage, but no producer could
convince me to look like a titty baby.

Speaker 1 (57:15):
Yes, I'll be interested to see what Julia's mom says.

Speaker 2 (57:19):
Yeah, that's the truth going on.

Speaker 1 (57:21):
Yeah, yeah, Julia's mom is like, I think you should
stay there and mean it.

Speaker 2 (57:24):
Then I'll be like, oh, okay, well yeah, I got
you too.

Speaker 3 (57:27):
If Julia's mom is like.

Speaker 1 (57:29):
Oh my god, you got us here for us to
save you, I'll save you, my child.

Speaker 3 (57:35):
I see what has happened. Don't worry.

Speaker 1 (57:37):
I'm here and you don't ever have to see these
people ever again.

Speaker 3 (57:40):
Mommy has you Okay, that's all I have to say.

Speaker 2 (57:44):
All Right, you guys, thank you so much for listening.
That's the end of this episode. If you would like
to see more of us, you could follow us on Patreon, Patreon,
dot com, slash docky so we need you get a
live very first Monday of the month, plus other content.
You can also follow me on my personal socials, which
is just call me while on TikTok, on Facebook, and

(58:04):
on Instagram. But yeah, and I'm gonna throw it to
Chris so she can tell you about other socials.

Speaker 1 (58:10):
Chris, Yes, my love, and our September Patreon live will
happen on Labor Day, which is exciting. It's all on
one Glorious Day September first Monday, Libor Day Holiday, doc
you Sweety's Patreon, Live in Fact listen if you want
to get it us on social media, we're giving you
all the options. My name is Chris el Fara and

(58:31):
I'm at Chris Alfair on Instagram on I'm also on YouTube.
I also have a substack. Make sure you go subscribe,
you know to those things. Also dock you Sweety's and
we've been killing it on the social media things to waw.
If you are watching Hunt for Love, you can see
wha give a shout out to all the nameless people
we didn't know, and those people really appreciated that.

Speaker 2 (58:52):
So yeah, you can.

Speaker 3 (58:54):
I know it was really lovely.

Speaker 1 (58:55):
So at Docky Sweety's on Instagram, my doctor Sweety's on TikTok.

Speaker 3 (58:59):
Of course, we have a f Facebook group, we have
a YouTube. Make sure you go to all those places
and we love you. We'll talk to you later, Okay,
all right bye