August 12, 2025 • 28 mins
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Speaker 1 (00:01):
From Hollywood.
Speaker 2 (00:02):
It's time now for Edmund O'Bryan, Johnny Dalla his face,
mister Dollar the insurance gentlemen. That's right, relas is Captain
lylewood Stock. I've just given the message that you had telephone. Yes,
I did. Your insurance company wanted me to look into
this trouble with your wife. I wonder when I could
see it got your convenience. But it's not trouble yet.
(00:23):
It's quite possible that nothing is wrong at all. Oh.
I understood you were worried about her disappearance, that you
hadn't heard from her in over a week. Isn't that it? Yes?
But well I'll explained it all to you. But as
I said, in spite of her absence, it's entirely possible
that nothing is.
Speaker 3 (00:39):
Wrong at all.
Speaker 2 (00:40):
All right, Captain Woodstock all, I have to talk with
you this afternoon.
Speaker 4 (00:48):
Edmund O'Bryan and another adventure of the man with the
Action packed Expensive Gold America's Fat bulla's freelance insurance investigator
or as.
Speaker 2 (00:55):
Truly Johnny Dallam expense account submitted by special Investigator Johnny
Dolla to Home office, Washingtonian Life Insurance Company, Hartford Connecticut.
The following is an accounting of expenditure is during my
investigation of the Celia Woodstock matter Spencer count item won
(01:20):
twenty five dollars fifty cents car rental and mileage to
the Woodstock home off the highway just east of Bridgeport.
There was a large frame house shuttered against the coal.
Icy landscaping swept down to the shore where an empty
dots stood against the winter wind blowing across Long Island. Sound.
(01:45):
Captain Lyle Woodstock, Please, yes, sir, you and mister Dollar,
that's right, come inside. Thanks, I am Captain Woodstock. Nice
of you to come out. Nasty wind, isn't it. It
wasn't blowing like this? In Hard said, quite off and
windy here and the sound. I'm afraid you'll have to
leave your coat here. I just charged the seven sallow them.
(02:07):
Couldn't stomach their attitudes in Celia's departer. Come along, we'll
talk in the library. How did you have an attorney
your insurance company, mister Woodside. Yes, it would seem unusual,
wouldn't it. It seems unusual that they would bother with
it unless they thought she'd met with bodily harm. You
told me you don't think so. Yeah, after you missed
the dollar, I'm afraid I was guilty of a certain
(02:30):
amount of deception when I spoke to mister at the
Washington in Company, Miller, Sam Miller. Yes, mister Miller, you
a delicate choice of words. I'm afraid I intimated that
I was frightened for Senio's very life sit down. Why
the deception will naturally if you interest them in the
situation and with the purpose, mister Dollar, from you afford
(02:50):
to hire a private detective. My good man, I've wasted
a considerable amount of money. You're doing just that. It
was from the stumbling idiot that I received the news
of Celia's disappear. He was following her. He had been
for a month until he lost her. I entertained certain
suspicions about Celia wants. This investigator's name Slater, Mister David Slater.
(03:10):
He was recommended as the best in Bridgeport considering his
dismal failure. You surely understand while I've felt it necessary
to turn to someone else, my insurance company has cut
me as a wise choice since there's a large policy
on her life. And I'll talk to this later. Now,
when you give me everything you can on your wife
descriptions on Yes, they're on the table. I brought out
(03:34):
a few photos, so yeah, oh twenty seven. That one
was snapped on doctors kve Beach on Jamaica drinking woman,
isn't she? Yeah? This one was taken while we were
anchored off Hilo last summer. You get around. Travel has
its advantages, mister dollar. Your boat, yes, six to four
(03:57):
foot schooner in drive. Doctor, this moment the mad refect.
I met Celia because on an impulse I put into
Pierre dela Quest instead of a Pulco, and it seemed
that she too wanted to travel. Where do you think
she's traveling? Now? I am the faintest tired here. I
started to tell you I had been troubled by a
certain suspicion she was in seeing entirely too much of
(04:18):
a young doctor in Bridgeport name miss Masterson, doctor Charles Masters.
Do you think he could have had something to do
with her disappearance? Now? What you mean? No? I shouldn't
like to say. I believe that she is the quite
perfect physical specimen. Yet she visited this doctor fellow at
least three times a week. Anything else as a matter
(04:39):
of fact. Yes, we were in Actapooka two years. The
rest of the story wasn't too far from typical, although
I don't need too many of the breed a. The
fifty five year old Woodstock, captain because he owned and
gave orders on the schooner, had dedicated his life to
what he called adventure and be the twenty seven year
(05:01):
old Celia had also dedicated her life to what she
called adventure. The results were a number of voyages and
finally Celia Woodstock's disappearance. Except for the doctor, I didn't
learn what had gone on between. I found the private investigator,
David Slater, in a conservatively crummy suite of officers on
(05:25):
Front Street and Bridgeport. You haven't met him too, you
know what type he is? Yes? I followed his wife.
How did you do? I've got a report on every
move she made for a month. You want to see
it now? If you remember the highlights, pull out this doctor,
Charles Masterson, doctor the heart to pin down. You know
that she went to his office three times a week,
but never met him any place out. Maybe she was sick.
(05:45):
Her husband says, no, Well I didn't find out. I
couldn't have talked to the doctor without letting not who
I was. He had a nurse who quit the day
before I left the kids. You didn't talk to her.
I was going to, but after I left I didn't.
Why should I? And you know who she is? Where
I can find her? Yeah, her name is Jannet Squire.
She went to work in a Red Cross blood collection.
(06:06):
Turn her up on you and mm gooing things and
went about the day she dropped out of sight. Was
there anything special or it was something special her wouldn't
have lost her. I'm no lookie in this business. Brought
her ticket to New York City on the three forty
five so to Die. I got in the same car
she did. I didn't see it, but I figured she
was powdering her nose or something. Then when she didn't
(06:27):
show before the train left, I went through the work
of the cars, but I never picked her up at
her that she knew you were tailing her. Huh, you
must have once I've got on the car. Then right
off that the money she drew out of the bank
makes me think she was running out. I know, would
stock her nothing else? No money was mentioned to me.
That's funny. Would stock to me about it? Two thousand
dollars the morning she left. MM. When know what else
(06:50):
the old renegade's holding out? I mean the phone calls
she made? Uh? I didn't say anything about any phone calls. Well,
she made quite a few from public boots. I finally
got into one next to her. I could get the number,
But he talked to somebody named Spray. He didn't say
much with the name, and then asked, what do you
want me to meet you? When she was answered, she said,
all right, I'll let you know when everything is arranged.
(07:12):
And that's all right. That's not for me. He thinks
he's got a free wife chaser in me. He's mistaken.
He's going to drop it. Sure, that's the way it is.
And I gave up that kind of work a long
time ago. I don't like it. Okay, Starlear cat, close
(07:49):
the door. What's this? Where's what stock? Close the door?
You do anything else, I'll kill you. What's happened? Who
are you? Stay away from me? I smell caught out?
You find a gun? Where's what? Stock? He's drawing? You?
Come this right now? Move down the hallway. Why I'll
kill you if you don't came in here. Now you've
got to do what I tell you, or I'll kill you.
I happened. You better turn around and look at me.
(08:12):
Walk backwards. You don't even know who I am. You're
in struggle. Maybe I can help ever mind that top
now turn around again, open the door and get in
the close. Please do what I tell you. Won't make
any difference if I kid you. Maybe I just more
of a chance my bit, but I wanted if you
(08:32):
don't make me okay?
Speaker 5 (08:35):
Hello.
Speaker 2 (08:42):
I heard him open and closed them nearby doors, and
shortly after that the front door clos and I started
kicking my way out. The paneling was headed in and
crossed the tawn, trumped a leg and a straight shin
before I made it. This is Woodstock, Missus Woodstock. Hello,
(09:13):
Hello operator. Oh. He'd given himself some more time by
pulling out the phone wires, but it took less than
five minutes for me to cover some two hundred yards
to the nearest neighbor, explain myself and get through to
the Bridge Court police. A short time after that, I
(09:34):
met Homicide Lieutenant now Jester, and with him watch two
ambulance attendants start Missus Woodstock towards the hospital. I watched
the condition boys. Can you tell them it's bad? Lieutenant
for right lung? No chance of a statement?
Speaker 4 (09:47):
Who tells you what we can?
Speaker 2 (09:48):
Lieutenant? Well, I guess it depends on her. How hard
or easy this thing is going to be? Yeah, better
than economy. I haven't disappointed too often. What else did
slay to tell you? That's about all she'd drawn? Two
thousand dollars? Was the day he lost her on the train,
and he said he'd heard her talking on the phone
that somebody named Sprague out where to meet him in
about some arrangements of some kind. Now, what about Slater?
(10:09):
Is he clean? However? Hears in his camp when he
stays out of trouble. I guess the worst thing I
can say about him is that he does a lot
of divorce snooping. Why, I just wondered. I had no
reason not to believe his story, he said, as far
as he was concerned, the girl was running out on
her husband. The more I saw that, the more I
looked that way to me too. And I came out
here to drop the case, and it blew up in
my face. Hmm. And the man he described, uh, could
(10:31):
he have been the spring? He could have? I didn't
know he was half crazy. If he was Sprague and
I'd thrown the name at him, I'm afraid he'd have
killed me. He was that bad. Can you described the gun? Yeah,
cheap revowal? The nickel played a short bown thirty two
kind of him. Sure there, And I guess the smart
lawyer could keep me from swearing it was a thirty two,
but it was. I don't take that. I got only
(10:52):
one definite thing out of him. He said Woodstock was gone.
That's all he'd say. And he put me in a closet.
I didn't hear him drive away. I was taking up
some noise getting through that door. But the people in
the house where I phoned said they saw it leave.
The next town is that way? Or sergeant, how was
don next house towards the town? People saw a car leave.
Send a man over there and get what you can
on over you? Yeah? Oh, I said, they didn't hear
(11:13):
any shooting. You didn't see a car when you got here. Now,
I must have been parking on the other side of
the house. And then I'll get it roped on Snow'll
hold some good prince of tires. And did I get
the Amonoy insurance in the victim right, one hundred person dollars. Sena, Yeah,
you better go upstairs. I was shooting up there too.
Oh wah in the hallway, I taught the back got
it said. It's a man lying thought a half into
(11:34):
her room. But there's no question about it, this one.
He's dead.
Speaker 4 (11:50):
We will return you to the second act of yours.
Julie Jolly Dollar and Justin Movers. Have you heard the
newest thing It Again? The new comedy with Jan Murray
as your host on the Coast to Coast Phone, The
new cash for cracking, The mystery of Singing Again, Phantom Boys,
the new speed and color of a tuneful little riddle
song that make sing It Again a Saturday night month
for radio listening. Be listening for sing It Again tonight
(12:11):
on most of these same ZBS stations. Now with our
star Edmond O'Brien, we return you to the second act
of yours. Two late Johnny Dollars.
Speaker 3 (12:32):
A little gloomy, lieutenant, But I don't want to handle
any of the.
Speaker 2 (12:35):
Light switchers right back there. Oh yeah, I see Woodstock.
Let me see, oh so it is, And get some
light on in the room and shut it all close.
Push the switch with something that won't hurt Prince. Yes, God,
he ought to do it. Shot from behind. Here's a
gun on the floor, Lieutenant. That guy told you Woodstock
(12:57):
had gone Darland. He couldn't have been all right, could he.
I guess, well, let's get out of hindle of photographer showing.
Neither the photographers, nor the fingerprint men, nor a thorough
search of the house resulted in any progress. By the
end of that first day, the description of the man
I'd tangled with had been broadcast, along with a possible
(13:19):
description of the car he was driving. The police had
also put out a futile search on the single name Spray,
and Celia Woodstock hadn't died, but she hadn't regained consciousness
either or shown any signs of recovery. I took a
hotel room in Bridgeport that night, where I'd be called
if and when anything happened. Nothing did. The next morning
(13:43):
I went to the Red Cross Blood Collection Center to
talk with a nurse who had recently resigned the office
of Celia Woodstock's friend and or doctor. I'd come in
with my mind tossing there was a murder around, motives
of personal greed and selfishness and hate, and there was
(14:05):
almost a shock to suddenly face a segment of this
country citizens, old ones, young ones, men and women quietly
going about the business of helping the best way they knew.
How I stayed to give my own blood after Janet
Squire talked with me, and I knew it would go
all the seas in the best of company. We can
go in here, mister d thank you. I'm sorry to
(14:30):
bouy you the Squire, but I was told that you
were in doctor Charles Masterson's office until a short time ago. Yes,
that's right. Have you seen the morning papers?
Speaker 5 (14:37):
No?
Speaker 2 (14:37):
Why do you ask missus Lyle Woodstock for a shot?
Last evening?
Speaker 6 (14:41):
Missus Woodstock? So she's one of doctor Masterson's stations. Was
she uh, seriously injured?
Speaker 2 (14:48):
But he don't know if she'll live. Her husband was
killed at the same time.
Speaker 1 (14:52):
Oh, dreadful.
Speaker 2 (14:55):
What happened? I don't know. I'm working with the police
on it. I'd like to learn as much as I can.
Speaker 6 (15:00):
Missus Woodstein, I'm afraid I know very little. She was
a patient, but other than that, I know nothing.
Speaker 2 (15:05):
Her husband seemed to have the idea that she might
be more than just a patient.
Speaker 6 (15:09):
If there might have been romantic interest between them, there
not that I know of, and make it a point
to do very little cry when do other people's affairs,
Mister Dalla.
Speaker 2 (15:19):
Sometimes I wish I could. Do you know anything about
anyone named Spray Spray?
Speaker 6 (15:25):
No, I'm afraid I don't.
Speaker 2 (15:26):
I'm sorry, Oh I I hope the results are better
when you start working on me.
Speaker 6 (15:32):
I I'm sorry, mister Dollar. If you'll step right through there,
Miss File.
Speaker 5 (15:36):
Will take care of you.
Speaker 2 (15:43):
A telephone check with Lieutenant Jester about an hour later,
I added nothing. He'd been in communication with Mexican authorities,
but they were unable to come up with any leads
on Celia Woodstock or even proof that she'd been in
the Acropolco vicinity two years ago, when Woodstock had told
me he'd married her Harms. I man was searching the
camp from Schooner and they were still working on the
name Sprague. I played my last card and went to
(16:05):
see doctor Masterson. But mister Dollar, I'm sure you realize
why my name mustn't be dragged into it. It won't
be if it doesn't belong there. Doctor. There was absolutely
no basis for his suspicions. Whatever made him say anything
like that. He had a detective following her. He had
an idea, she came to your office too often. Then
why didn't he talk to her? He did. He said
(16:27):
something about a sinus condition and heat treatment. That's precisely
the truth. I resent your attitude, mister dollar, and puts
us on a par Your attitude doesn't set so well
with me. Keeping your name out of this case isn't
as important as clearing it up, no matter what you think.
But I know nothing about it. You must have talked
to the woman as often as she was here. You
must have become fairly well acquainted. Mm oh, better acquainted
(16:50):
than with most of my patients. Well, I don't ask
her any more? Why don't you talk about the conversations?
Were unimportant? Talked about her travel, I'm here from Florida
to have some work done on their yachts. To talk
about her husband, yes, occasionally general thing like quiet. I
realized that he was much older than she was, but
that she was quite satisfied with their marriage and their
(17:12):
life together. That's what makes his suspicions of me so ridiculous.
She was happy with him, never anything about unhappiness about
leaving him. No, they were planning on a trip to
South America in a few months. Arkham asked him, did
she ever mention anyone named Sprague? Sprague? Yeah, Spray, I
(17:32):
this is one of the strangest things that's happened to
me in a long time. Why she went to Pieces
because of that name? Completely and helplessly to Pieces? Just
before she stopped coming for treatment. What happened the last
visit she made the afternoon about a week ago, someone
telephoned and asked for a Missus Amol Sprague. My nurse
(17:54):
and receptionist called in and asked if Missus Sprague could
answer the phone. Was the nurse with Squire, No, No,
she'd just let me. It was Ms Hall, who didn't
know my patience by name. But when Missus Woodstar heard
the name Sprague, she went into hysterics. I gave her
a stitude. When she was calmed, I wanted to ask
her about what had happened, but well, I didn't. There
(18:16):
was something about her that begged me not to. I
decided to wait until she came back, but uh, she
never did. Well, it's Amos Sprague. Now, I'm sorry. I
was hesitant, mister Doller, Well, it's in the works. Now,
(18:39):
we'll see what we can make out of it. How's
Missus Woodstock still alive? His chest wounds abandoned. Now here's
how the shooting stacks up so far. She was wounded
by thirty eight caliber slugs. Her husband was killed by
thirty two's. So, if you were right on your gun description,
the man you ran in who killed her husband one
of Ada Woodstar killing his wife. He was shot from
behind when I was going into the upstairs room, barently
(19:01):
chased up there. He had a gun in his hand,
and he dropped when he was hit. That was the
gun we found on the floor. Thirty eight caliber Ballistics
hasn't run any comparison test. Jan No, and I won't
buy the theory. Mister and Missus Woodstock seemed to have
been pretty happy. What about their schoolers, Well, I talked
to my men on the phone. Nothing yet. Crewmen are
all available and with alibis. But what's all I got
(19:23):
to do with somebody named missus emil spraying? I couldn't answer.
Nobody could. But close to twelve that night, the lieutenant
phoned me that Missus Woodstock was finally irresponding to treatment
and would likely live. I was at the hospital at
twelve thirty, but it wasn't until almost three that Lieutenant
(19:44):
Jester and I ever told that she was conscious and
able to answer some questions. Good morning, miss Woodstock, feeling better?
My name is Lieutenant Jester. Missus mister Dollan, How missus?
What's we're in? They're both interested in what happened at
(20:08):
your house the other evening? Missus Woodstock. Do you understand
what I was saying to you? Oh? Right? Do you understand.
Speaker 5 (20:16):
My husband?
Speaker 2 (20:18):
My husband's smile?
Speaker 1 (20:21):
They told me he was all right?
Speaker 2 (20:23):
Is he? Yes, Missus Woodston, he was shocked. They tell
you that. Yes? Do you know who did it? Yes?
Speaker 6 (20:31):
I know because I was there.
Speaker 2 (20:34):
I remember we wish would tell us Missus Woodston, Amos Sprague? Yes, yes, Amo,
No one else was there. He made me go, made
you go, ask to my house to talk to my husband?
Amol made you go? Why? How could he make you go?
Speaker 5 (20:54):
Because I'm yes?
Speaker 2 (20:58):
Could I you were married to mister Woodstock? I shouldn't know.
I think I understand you were married to Sprague. Your
married Sam's never ended, but you married Woodstock anyway?
Speaker 1 (21:07):
Yes, I was wrong.
Speaker 5 (21:09):
I lied.
Speaker 2 (21:11):
I didn't tell him, and then it was money. He
wanted money.
Speaker 3 (21:16):
Spray, Yes, I didn't know where he was Mexico.
Speaker 2 (21:21):
I had to get away and I married my husband.
Speaker 1 (21:27):
That's all I would matter.
Speaker 2 (21:28):
I'm afraid it isn't. Sprague followed your hair from Florida.
I begged him. Not the two thousand dollars you drew
from your bank. I gave it to him, but it
wasn't enough.
Speaker 5 (21:40):
He made me stay with him and made me go
with him.
Speaker 2 (21:43):
Put some more money and my husband.
Speaker 6 (21:48):
I tried to make him understand.
Speaker 2 (21:50):
He wouldn't. He blamed me and.
Speaker 6 (21:52):
Called me things.
Speaker 1 (21:54):
He went to the drawer.
Speaker 6 (21:57):
Oh why didn't he shoot Amo instead of me?
Speaker 2 (22:00):
Are you sure of that? Woodstock? Shout you going to
the drawer.
Speaker 1 (22:04):
I remember turning the roads with the guns, and that's all.
Speaker 2 (22:10):
You know where Sprague would go? What happened? Why did
he what is my husband stage? He hasn't said anything.
Evidently Spray chased him upstairs, shot him there and left.
Do you know where he'd go back?
Speaker 5 (22:23):
Floord?
Speaker 2 (22:24):
No, we don't think so. I got a good description
of him and the car he was driving. You think
he's still in Bridgeport? Somebody. You said you were with
him where he had a room on Commercial Street seven
thirteen rooming house.
Speaker 3 (22:38):
No, it's a big building.
Speaker 2 (22:39):
It's apartments, which one of spray.
Speaker 6 (22:43):
It's a number twelve on the second floor.
Speaker 2 (22:47):
Do you have a phone in the room? Yes? Pleasant two?
One three, two? Well, thank you, Hell, we won't bother
you anymore, Thank you, missus Woodstan.
Speaker 1 (22:57):
I wanna help my husband.
Speaker 5 (22:58):
I don't do anything I can kada.
Speaker 4 (23:00):
What did you do on that?
Speaker 2 (23:01):
Uh? We'll tell him, missus. Uh, what'd start? And there's
a little after three. Produced trucks are gonna be rolling
on Commercial Street before long. Think Sprage will give us trouble? Yeah,
I have. He's been a whole up since the shooting.
I think he's probably father of is not the one
I saw him. He might slip on him this time
(23:22):
in the morning. I guess some men started out there.
You better come with me. Um, sure, I'll need you
to die, Jennifer.
Speaker 3 (23:38):
We thought it was tenant.
Speaker 2 (23:39):
Men should be set at the back of the building,
all right, sergeant, he'll go in with me. Donna and
I took a look at the floor. Sat the corner
one up there, there's a door to one other room
right across from his. So we wanna keep him from
firing if we can. We didn't want anybody because we
wanna keep it quiet. I hope it stays that wipe. Alright, Sergeant,
let's go across. Good luck, Lieutenant. The window, he's onto it.
(24:02):
You better go on across. He's on it. He's been
watching it the window. I I saw him move, and
I think definitely, Well, you'd better see what you can
do on the phone. Then down the phone. Well, he
thought if you couldn't catch him off, God, we'd try
and talk him out as a pay phone in the hallway.
His room's just to the right at the top of
(24:24):
the stairs. Yeah, that phone is right in line from
up there, and we'll cover him. Okay, Dollar, if you're ready.
(24:53):
He won't answer your rain and you hear it upsets,
he'll do something with it. Hello, Hello Sprague, Yeah, you
just got a complete statement from missus Woodstock, your blackmail
the works. She she's alive, Yeah, and she's gonna make it.
(25:15):
I thought she was dead.
Speaker 4 (25:17):
I saw her fall. I killed him because I thought
she was dead. If I'd known, I wouldn't have killed him.
Speaker 2 (25:24):
I should have found out. You should have done a
lot of things. What we want you to do right
now is to give yourself up without any trouble. Every
door in the building is covered by police. You won't
get out if you try. He want you to come
out of your room and down the stairs with your
hands out where we can see them. You understand that.
Are you listening to me? Come on, Sprague, come.
Speaker 5 (25:45):
On out and make it all right.
Speaker 2 (25:58):
Sprague, he's dead. Lieutenant Sergeant. Yes, I'll go phone in.
Keep the people away as best you can. Spencer Count
(26:20):
Item two forty five dollars miscellaneous hotel meals, et cetera.
Spenser Count total seventy three dollars and sixty cents remarks.
I understand the lawyers for the Woodstock estate are already
measuring ways and means to cut the bigamous White out
of the estate. I don't think the Washingtonian Company has
a chance of doing the same with the insurance money.
(26:41):
Yours Truly, Johnny Dollar, Yours Truly.
Speaker 4 (26:56):
Johnny's Dollar stars Edmond O'Brien on the title role, and
it's written by Gil Dowd with music by Wilbur Hatch.
Ed Mud o'bryan's latest picture as a Paramount Picture Production.
Speaker 1 (27:04):
The Redhead and the Cowboy featured in tonight's cast with
Francis X.
Speaker 4 (27:08):
Bushman, Jim Nusser, Ted Osburne, Lorreene, Tuttle, Bill Johnstone, Tudor Owen,
and Ray Hartman. Yours Truly Johnny Dollar is produced and
directed by Hime del Vallie. This is Dick Cutting inviting
you to join us next week at this time when
ed Mund O'Brien returns as Yours Truly Johnny Dalla. There's
(27:39):
a very charming, very amusing young couple to be found
at CBS the Stars Address every Saturday evening, and you're
invited to stop buy and calling them. They're Liz and
George Cooper, and Liz is played by the lovely red
haired Hollywood comedian The seal Ball.
Speaker 1 (27:52):
Liz is nice and easy going. When troubles ahead, Liz
goes forward easily. It's wonderfully hilarious.
Speaker 4 (27:58):
It's my favorite husband, Darling to Sealball every Saturday evening
on most.
Speaker 1 (28:02):
Of these same CBS stations.
Speaker 4 (28:06):
Stay tuned off from Bo and Rose Caravan, which follows
immediately over most of the same CBS stations.
Speaker 1 (28:18):
This is CBS where
Speaker 4 (28:19):
You laugh at Jack Benny every Sunday night the Columbia
Broadcasting System
From Hollywood.
Speaker 2 (00:02):
It's time now for Edmund O'Bryan, Johnny Dalla his face,
mister Dollar the insurance gentlemen. That's right, relas is Captain
lylewood Stock. I've just given the message that you had telephone. Yes,
I did. Your insurance company wanted me to look into
this trouble with your wife. I wonder when I could
see it got your convenience. But it's not trouble yet.
(00:23):
It's quite possible that nothing is wrong at all. Oh.
I understood you were worried about her disappearance, that you
hadn't heard from her in over a week. Isn't that it? Yes?
But well I'll explained it all to you. But as
I said, in spite of her absence, it's entirely possible
that nothing is.
Speaker 3 (00:39):
Wrong at all.
Speaker 2 (00:40):
All right, Captain Woodstock all, I have to talk with
you this afternoon.
Speaker 4 (00:48):
Edmund O'Bryan and another adventure of the man with the
Action packed Expensive Gold America's Fat bulla's freelance insurance investigator
or as.
Speaker 2 (00:55):
Truly Johnny Dallam expense account submitted by special Investigator Johnny
Dolla to Home office, Washingtonian Life Insurance Company, Hartford Connecticut.
The following is an accounting of expenditure is during my
investigation of the Celia Woodstock matter Spencer count item won
(01:20):
twenty five dollars fifty cents car rental and mileage to
the Woodstock home off the highway just east of Bridgeport.
There was a large frame house shuttered against the coal.
Icy landscaping swept down to the shore where an empty
dots stood against the winter wind blowing across Long Island. Sound.
(01:45):
Captain Lyle Woodstock, Please, yes, sir, you and mister Dollar,
that's right, come inside. Thanks, I am Captain Woodstock. Nice
of you to come out. Nasty wind, isn't it. It
wasn't blowing like this? In Hard said, quite off and
windy here and the sound. I'm afraid you'll have to
leave your coat here. I just charged the seven sallow them.
(02:07):
Couldn't stomach their attitudes in Celia's departer. Come along, we'll
talk in the library. How did you have an attorney
your insurance company, mister Woodside. Yes, it would seem unusual,
wouldn't it. It seems unusual that they would bother with
it unless they thought she'd met with bodily harm. You
told me you don't think so. Yeah, after you missed
the dollar, I'm afraid I was guilty of a certain
(02:30):
amount of deception when I spoke to mister at the
Washington in Company, Miller, Sam Miller. Yes, mister Miller, you
a delicate choice of words. I'm afraid I intimated that
I was frightened for Senio's very life sit down. Why
the deception will naturally if you interest them in the
situation and with the purpose, mister Dollar, from you afford
(02:50):
to hire a private detective. My good man, I've wasted
a considerable amount of money. You're doing just that. It
was from the stumbling idiot that I received the news
of Celia's disappear. He was following her. He had been
for a month until he lost her. I entertained certain
suspicions about Celia wants. This investigator's name Slater, Mister David Slater.
(03:10):
He was recommended as the best in Bridgeport considering his
dismal failure. You surely understand while I've felt it necessary
to turn to someone else, my insurance company has cut
me as a wise choice since there's a large policy
on her life. And I'll talk to this later. Now,
when you give me everything you can on your wife
descriptions on Yes, they're on the table. I brought out
(03:34):
a few photos, so yeah, oh twenty seven. That one
was snapped on doctors kve Beach on Jamaica drinking woman,
isn't she? Yeah? This one was taken while we were
anchored off Hilo last summer. You get around. Travel has
its advantages, mister dollar. Your boat, yes, six to four
(03:57):
foot schooner in drive. Doctor, this moment the mad refect.
I met Celia because on an impulse I put into
Pierre dela Quest instead of a Pulco, and it seemed
that she too wanted to travel. Where do you think
she's traveling? Now? I am the faintest tired here. I
started to tell you I had been troubled by a
certain suspicion she was in seeing entirely too much of
(04:18):
a young doctor in Bridgeport name miss Masterson, doctor Charles Masters.
Do you think he could have had something to do
with her disappearance? Now? What you mean? No? I shouldn't
like to say. I believe that she is the quite
perfect physical specimen. Yet she visited this doctor fellow at
least three times a week. Anything else as a matter
(04:39):
of fact. Yes, we were in Actapooka two years. The
rest of the story wasn't too far from typical, although
I don't need too many of the breed a. The
fifty five year old Woodstock, captain because he owned and
gave orders on the schooner, had dedicated his life to
what he called adventure and be the twenty seven year
(05:01):
old Celia had also dedicated her life to what she
called adventure. The results were a number of voyages and
finally Celia Woodstock's disappearance. Except for the doctor, I didn't
learn what had gone on between. I found the private investigator,
David Slater, in a conservatively crummy suite of officers on
(05:25):
Front Street and Bridgeport. You haven't met him too, you
know what type he is? Yes? I followed his wife.
How did you do? I've got a report on every
move she made for a month. You want to see
it now? If you remember the highlights, pull out this doctor,
Charles Masterson, doctor the heart to pin down. You know
that she went to his office three times a week,
but never met him any place out. Maybe she was sick.
(05:45):
Her husband says, no, Well I didn't find out. I
couldn't have talked to the doctor without letting not who
I was. He had a nurse who quit the day
before I left the kids. You didn't talk to her.
I was going to, but after I left I didn't.
Why should I? And you know who she is? Where
I can find her? Yeah, her name is Jannet Squire.
She went to work in a Red Cross blood collection.
(06:06):
Turn her up on you and mm gooing things and
went about the day she dropped out of sight. Was
there anything special or it was something special her wouldn't
have lost her. I'm no lookie in this business. Brought
her ticket to New York City on the three forty
five so to Die. I got in the same car
she did. I didn't see it, but I figured she
was powdering her nose or something. Then when she didn't
(06:27):
show before the train left, I went through the work
of the cars, but I never picked her up at
her that she knew you were tailing her. Huh, you
must have once I've got on the car. Then right
off that the money she drew out of the bank
makes me think she was running out. I know, would
stock her nothing else? No money was mentioned to me.
That's funny. Would stock to me about it? Two thousand
dollars the morning she left. MM. When know what else
(06:50):
the old renegade's holding out? I mean the phone calls
she made? Uh? I didn't say anything about any phone calls. Well,
she made quite a few from public boots. I finally
got into one next to her. I could get the number,
But he talked to somebody named Spray. He didn't say
much with the name, and then asked, what do you
want me to meet you? When she was answered, she said,
all right, I'll let you know when everything is arranged.
(07:12):
And that's all right. That's not for me. He thinks
he's got a free wife chaser in me. He's mistaken.
He's going to drop it. Sure, that's the way it is.
And I gave up that kind of work a long
time ago. I don't like it. Okay, Starlear cat, close
(07:49):
the door. What's this? Where's what stock? Close the door?
You do anything else, I'll kill you. What's happened? Who
are you? Stay away from me? I smell caught out?
You find a gun? Where's what? Stock? He's drawing? You?
Come this right now? Move down the hallway. Why I'll
kill you if you don't came in here. Now you've
got to do what I tell you, or I'll kill you.
I happened. You better turn around and look at me.
(08:12):
Walk backwards. You don't even know who I am. You're
in struggle. Maybe I can help ever mind that top
now turn around again, open the door and get in
the close. Please do what I tell you. Won't make
any difference if I kid you. Maybe I just more
of a chance my bit, but I wanted if you
(08:32):
don't make me okay?
Speaker 5 (08:35):
Hello.
Speaker 2 (08:42):
I heard him open and closed them nearby doors, and
shortly after that the front door clos and I started
kicking my way out. The paneling was headed in and
crossed the tawn, trumped a leg and a straight shin
before I made it. This is Woodstock, Missus Woodstock. Hello,
(09:13):
Hello operator. Oh. He'd given himself some more time by
pulling out the phone wires, but it took less than
five minutes for me to cover some two hundred yards
to the nearest neighbor, explain myself and get through to
the Bridge Court police. A short time after that, I
(09:34):
met Homicide Lieutenant now Jester, and with him watch two
ambulance attendants start Missus Woodstock towards the hospital. I watched
the condition boys. Can you tell them it's bad? Lieutenant
for right lung? No chance of a statement?
Speaker 4 (09:47):
Who tells you what we can?
Speaker 2 (09:48):
Lieutenant? Well, I guess it depends on her. How hard
or easy this thing is going to be? Yeah, better
than economy. I haven't disappointed too often. What else did
slay to tell you? That's about all she'd drawn? Two
thousand dollars? Was the day he lost her on the train,
and he said he'd heard her talking on the phone
that somebody named Sprague out where to meet him in
about some arrangements of some kind. Now, what about Slater?
(10:09):
Is he clean? However? Hears in his camp when he
stays out of trouble. I guess the worst thing I
can say about him is that he does a lot
of divorce snooping. Why, I just wondered. I had no
reason not to believe his story, he said, as far
as he was concerned, the girl was running out on
her husband. The more I saw that, the more I
looked that way to me too. And I came out
here to drop the case, and it blew up in
my face. Hmm. And the man he described, uh, could
(10:31):
he have been the spring? He could have? I didn't
know he was half crazy. If he was Sprague and
I'd thrown the name at him, I'm afraid he'd have
killed me. He was that bad. Can you described the gun? Yeah,
cheap revowal? The nickel played a short bown thirty two
kind of him. Sure there, And I guess the smart
lawyer could keep me from swearing it was a thirty two,
but it was. I don't take that. I got only
(10:52):
one definite thing out of him. He said Woodstock was gone.
That's all he'd say. And he put me in a closet.
I didn't hear him drive away. I was taking up
some noise getting through that door. But the people in
the house where I phoned said they saw it leave.
The next town is that way? Or sergeant, how was
don next house towards the town? People saw a car leave.
Send a man over there and get what you can
on over you? Yeah? Oh, I said, they didn't hear
(11:13):
any shooting. You didn't see a car when you got here. Now,
I must have been parking on the other side of
the house. And then I'll get it roped on Snow'll
hold some good prince of tires. And did I get
the Amonoy insurance in the victim right, one hundred person dollars. Sena, Yeah,
you better go upstairs. I was shooting up there too.
Oh wah in the hallway, I taught the back got
it said. It's a man lying thought a half into
(11:34):
her room. But there's no question about it, this one.
He's dead.
Speaker 4 (11:50):
We will return you to the second act of yours.
Julie Jolly Dollar and Justin Movers. Have you heard the
newest thing It Again? The new comedy with Jan Murray
as your host on the Coast to Coast Phone, The
new cash for cracking, The mystery of Singing Again, Phantom Boys,
the new speed and color of a tuneful little riddle
song that make sing It Again a Saturday night month
for radio listening. Be listening for sing It Again tonight
(12:11):
on most of these same ZBS stations. Now with our
star Edmond O'Brien, we return you to the second act
of yours. Two late Johnny Dollars.
Speaker 3 (12:32):
A little gloomy, lieutenant, But I don't want to handle
any of the.
Speaker 2 (12:35):
Light switchers right back there. Oh yeah, I see Woodstock.
Let me see, oh so it is, And get some
light on in the room and shut it all close.
Push the switch with something that won't hurt Prince. Yes, God,
he ought to do it. Shot from behind. Here's a
gun on the floor, Lieutenant. That guy told you Woodstock
(12:57):
had gone Darland. He couldn't have been all right, could he.
I guess, well, let's get out of hindle of photographer showing.
Neither the photographers, nor the fingerprint men, nor a thorough
search of the house resulted in any progress. By the
end of that first day, the description of the man
I'd tangled with had been broadcast, along with a possible
(13:19):
description of the car he was driving. The police had
also put out a futile search on the single name Spray,
and Celia Woodstock hadn't died, but she hadn't regained consciousness
either or shown any signs of recovery. I took a
hotel room in Bridgeport that night, where I'd be called
if and when anything happened. Nothing did. The next morning
(13:43):
I went to the Red Cross Blood Collection Center to
talk with a nurse who had recently resigned the office
of Celia Woodstock's friend and or doctor. I'd come in
with my mind tossing there was a murder around, motives
of personal greed and selfishness and hate, and there was
(14:05):
almost a shock to suddenly face a segment of this
country citizens, old ones, young ones, men and women quietly
going about the business of helping the best way they knew.
How I stayed to give my own blood after Janet
Squire talked with me, and I knew it would go
all the seas in the best of company. We can
go in here, mister d thank you. I'm sorry to
(14:30):
bouy you the Squire, but I was told that you
were in doctor Charles Masterson's office until a short time ago. Yes,
that's right. Have you seen the morning papers?
Speaker 5 (14:37):
No?
Speaker 2 (14:37):
Why do you ask missus Lyle Woodstock for a shot?
Last evening?
Speaker 6 (14:41):
Missus Woodstock? So she's one of doctor Masterson's stations. Was
she uh, seriously injured?
Speaker 2 (14:48):
But he don't know if she'll live. Her husband was
killed at the same time.
Speaker 1 (14:52):
Oh, dreadful.
Speaker 2 (14:55):
What happened? I don't know. I'm working with the police
on it. I'd like to learn as much as I can.
Speaker 6 (15:00):
Missus Woodstein, I'm afraid I know very little. She was
a patient, but other than that, I know nothing.
Speaker 2 (15:05):
Her husband seemed to have the idea that she might
be more than just a patient.
Speaker 6 (15:09):
If there might have been romantic interest between them, there
not that I know of, and make it a point
to do very little cry when do other people's affairs,
Mister Dalla.
Speaker 2 (15:19):
Sometimes I wish I could. Do you know anything about
anyone named Spray Spray?
Speaker 6 (15:25):
No, I'm afraid I don't.
Speaker 2 (15:26):
I'm sorry, Oh I I hope the results are better
when you start working on me.
Speaker 6 (15:32):
I I'm sorry, mister Dollar. If you'll step right through there,
Miss File.
Speaker 5 (15:36):
Will take care of you.
Speaker 2 (15:43):
A telephone check with Lieutenant Jester about an hour later,
I added nothing. He'd been in communication with Mexican authorities,
but they were unable to come up with any leads
on Celia Woodstock or even proof that she'd been in
the Acropolco vicinity two years ago, when Woodstock had told
me he'd married her Harms. I man was searching the
camp from Schooner and they were still working on the
name Sprague. I played my last card and went to
(16:05):
see doctor Masterson. But mister Dollar, I'm sure you realize
why my name mustn't be dragged into it. It won't
be if it doesn't belong there. Doctor. There was absolutely
no basis for his suspicions. Whatever made him say anything
like that. He had a detective following her. He had
an idea, she came to your office too often. Then
why didn't he talk to her? He did. He said
(16:27):
something about a sinus condition and heat treatment. That's precisely
the truth. I resent your attitude, mister dollar, and puts
us on a par Your attitude doesn't set so well
with me. Keeping your name out of this case isn't
as important as clearing it up, no matter what you think.
But I know nothing about it. You must have talked
to the woman as often as she was here. You
must have become fairly well acquainted. Mm oh, better acquainted
(16:50):
than with most of my patients. Well, I don't ask
her any more? Why don't you talk about the conversations?
Were unimportant? Talked about her travel, I'm here from Florida
to have some work done on their yachts. To talk
about her husband, yes, occasionally general thing like quiet. I
realized that he was much older than she was, but
that she was quite satisfied with their marriage and their
(17:12):
life together. That's what makes his suspicions of me so ridiculous.
She was happy with him, never anything about unhappiness about
leaving him. No, they were planning on a trip to
South America in a few months. Arkham asked him, did
she ever mention anyone named Sprague? Sprague? Yeah, Spray, I
(17:32):
this is one of the strangest things that's happened to
me in a long time. Why she went to Pieces
because of that name? Completely and helplessly to Pieces? Just
before she stopped coming for treatment. What happened the last
visit she made the afternoon about a week ago, someone
telephoned and asked for a Missus Amol Sprague. My nurse
(17:54):
and receptionist called in and asked if Missus Sprague could
answer the phone. Was the nurse with Squire, No, No,
she'd just let me. It was Ms Hall, who didn't
know my patience by name. But when Missus Woodstar heard
the name Sprague, she went into hysterics. I gave her
a stitude. When she was calmed, I wanted to ask
her about what had happened, but well, I didn't. There
(18:16):
was something about her that begged me not to. I
decided to wait until she came back, but uh, she
never did. Well, it's Amos Sprague. Now, I'm sorry. I
was hesitant, mister Doller, Well, it's in the works. Now,
(18:39):
we'll see what we can make out of it. How's
Missus Woodstock still alive? His chest wounds abandoned. Now here's
how the shooting stacks up so far. She was wounded
by thirty eight caliber slugs. Her husband was killed by
thirty two's. So, if you were right on your gun description,
the man you ran in who killed her husband one
of Ada Woodstar killing his wife. He was shot from
behind when I was going into the upstairs room, barently
(19:01):
chased up there. He had a gun in his hand,
and he dropped when he was hit. That was the
gun we found on the floor. Thirty eight caliber Ballistics
hasn't run any comparison test. Jan No, and I won't
buy the theory. Mister and Missus Woodstock seemed to have
been pretty happy. What about their schoolers, Well, I talked
to my men on the phone. Nothing yet. Crewmen are
all available and with alibis. But what's all I got
(19:23):
to do with somebody named missus emil spraying? I couldn't answer.
Nobody could. But close to twelve that night, the lieutenant
phoned me that Missus Woodstock was finally irresponding to treatment
and would likely live. I was at the hospital at
twelve thirty, but it wasn't until almost three that Lieutenant
(19:44):
Jester and I ever told that she was conscious and
able to answer some questions. Good morning, miss Woodstock, feeling better?
My name is Lieutenant Jester. Missus mister Dollan, How missus?
What's we're in? They're both interested in what happened at
(20:08):
your house the other evening? Missus Woodstock. Do you understand
what I was saying to you? Oh? Right? Do you understand.
Speaker 5 (20:16):
My husband?
Speaker 2 (20:18):
My husband's smile?
Speaker 1 (20:21):
They told me he was all right?
Speaker 2 (20:23):
Is he? Yes, Missus Woodston, he was shocked. They tell
you that. Yes? Do you know who did it? Yes?
Speaker 6 (20:31):
I know because I was there.
Speaker 2 (20:34):
I remember we wish would tell us Missus Woodston, Amos Sprague? Yes, yes, Amo,
No one else was there. He made me go, made
you go, ask to my house to talk to my husband?
Amol made you go? Why? How could he make you go?
Speaker 5 (20:54):
Because I'm yes?
Speaker 2 (20:58):
Could I you were married to mister Woodstock? I shouldn't know.
I think I understand you were married to Sprague. Your
married Sam's never ended, but you married Woodstock anyway?
Speaker 1 (21:07):
Yes, I was wrong.
Speaker 5 (21:09):
I lied.
Speaker 2 (21:11):
I didn't tell him, and then it was money. He
wanted money.
Speaker 3 (21:16):
Spray, Yes, I didn't know where he was Mexico.
Speaker 2 (21:21):
I had to get away and I married my husband.
Speaker 1 (21:27):
That's all I would matter.
Speaker 2 (21:28):
I'm afraid it isn't. Sprague followed your hair from Florida.
I begged him. Not the two thousand dollars you drew
from your bank. I gave it to him, but it
wasn't enough.
Speaker 5 (21:40):
He made me stay with him and made me go
with him.
Speaker 2 (21:43):
Put some more money and my husband.
Speaker 6 (21:48):
I tried to make him understand.
Speaker 2 (21:50):
He wouldn't. He blamed me and.
Speaker 6 (21:52):
Called me things.
Speaker 1 (21:54):
He went to the drawer.
Speaker 6 (21:57):
Oh why didn't he shoot Amo instead of me?
Speaker 2 (22:00):
Are you sure of that? Woodstock? Shout you going to
the drawer.
Speaker 1 (22:04):
I remember turning the roads with the guns, and that's all.
Speaker 2 (22:10):
You know where Sprague would go? What happened? Why did
he what is my husband stage? He hasn't said anything.
Evidently Spray chased him upstairs, shot him there and left.
Do you know where he'd go back?
Speaker 5 (22:23):
Floord?
Speaker 2 (22:24):
No, we don't think so. I got a good description
of him and the car he was driving. You think
he's still in Bridgeport? Somebody. You said you were with
him where he had a room on Commercial Street seven
thirteen rooming house.
Speaker 3 (22:38):
No, it's a big building.
Speaker 2 (22:39):
It's apartments, which one of spray.
Speaker 6 (22:43):
It's a number twelve on the second floor.
Speaker 2 (22:47):
Do you have a phone in the room? Yes? Pleasant two?
One three, two? Well, thank you, Hell, we won't bother
you anymore, Thank you, missus Woodstan.
Speaker 1 (22:57):
I wanna help my husband.
Speaker 5 (22:58):
I don't do anything I can kada.
Speaker 4 (23:00):
What did you do on that?
Speaker 2 (23:01):
Uh? We'll tell him, missus. Uh, what'd start? And there's
a little after three. Produced trucks are gonna be rolling
on Commercial Street before long. Think Sprage will give us trouble? Yeah,
I have. He's been a whole up since the shooting.
I think he's probably father of is not the one
I saw him. He might slip on him this time
(23:22):
in the morning. I guess some men started out there.
You better come with me. Um, sure, I'll need you
to die, Jennifer.
Speaker 3 (23:38):
We thought it was tenant.
Speaker 2 (23:39):
Men should be set at the back of the building,
all right, sergeant, he'll go in with me. Donna and
I took a look at the floor. Sat the corner
one up there, there's a door to one other room
right across from his. So we wanna keep him from
firing if we can. We didn't want anybody because we
wanna keep it quiet. I hope it stays that wipe. Alright, Sergeant,
let's go across. Good luck, Lieutenant. The window, he's onto it.
(24:02):
You better go on across. He's on it. He's been
watching it the window. I I saw him move, and
I think definitely, Well, you'd better see what you can
do on the phone. Then down the phone. Well, he
thought if you couldn't catch him off, God, we'd try
and talk him out as a pay phone in the hallway.
His room's just to the right at the top of
(24:24):
the stairs. Yeah, that phone is right in line from
up there, and we'll cover him. Okay, Dollar, if you're ready.
(24:53):
He won't answer your rain and you hear it upsets,
he'll do something with it. Hello, Hello Sprague, Yeah, you
just got a complete statement from missus Woodstock, your blackmail
the works. She she's alive, Yeah, and she's gonna make it.
(25:15):
I thought she was dead.
Speaker 4 (25:17):
I saw her fall. I killed him because I thought
she was dead. If I'd known, I wouldn't have killed him.
Speaker 2 (25:24):
I should have found out. You should have done a
lot of things. What we want you to do right
now is to give yourself up without any trouble. Every
door in the building is covered by police. You won't
get out if you try. He want you to come
out of your room and down the stairs with your
hands out where we can see them. You understand that.
Are you listening to me? Come on, Sprague, come.
Speaker 5 (25:45):
On out and make it all right.
Speaker 2 (25:58):
Sprague, he's dead. Lieutenant Sergeant. Yes, I'll go phone in.
Keep the people away as best you can. Spencer Count
(26:20):
Item two forty five dollars miscellaneous hotel meals, et cetera.
Spenser Count total seventy three dollars and sixty cents remarks.
I understand the lawyers for the Woodstock estate are already
measuring ways and means to cut the bigamous White out
of the estate. I don't think the Washingtonian Company has
a chance of doing the same with the insurance money.
(26:41):
Yours Truly, Johnny Dollar, Yours Truly.
Speaker 4 (26:56):
Johnny's Dollar stars Edmond O'Brien on the title role, and
it's written by Gil Dowd with music by Wilbur Hatch.
Ed Mud o'bryan's latest picture as a Paramount Picture Production.
Speaker 1 (27:04):
The Redhead and the Cowboy featured in tonight's cast with
Francis X.
Speaker 4 (27:08):
Bushman, Jim Nusser, Ted Osburne, Lorreene, Tuttle, Bill Johnstone, Tudor Owen,
and Ray Hartman. Yours Truly Johnny Dollar is produced and
directed by Hime del Vallie. This is Dick Cutting inviting
you to join us next week at this time when
ed Mund O'Brien returns as Yours Truly Johnny Dalla. There's
(27:39):
a very charming, very amusing young couple to be found
at CBS the Stars Address every Saturday evening, and you're
invited to stop buy and calling them. They're Liz and
George Cooper, and Liz is played by the lovely red
haired Hollywood comedian The seal Ball.
Speaker 1 (27:52):
Liz is nice and easy going. When troubles ahead, Liz
goes forward easily. It's wonderfully hilarious.
Speaker 4 (27:58):
It's my favorite husband, Darling to Sealball every Saturday evening
on most.
Speaker 1 (28:02):
Of these same CBS stations.
Speaker 4 (28:06):
Stay tuned off from Bo and Rose Caravan, which follows
immediately over most of the same CBS stations.
Speaker 1 (28:18):
This is CBS where
Speaker 4 (28:19):
You laugh at Jack Benny every Sunday night the Columbia
Broadcasting System
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