August 9, 2025 • 29 mins
Offers dramatic narratives that delve into human emotions and experiences, each story crafted to resonate with listeners on a personal level.
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Speaker 1 (00:23):
Presenting Orson Wells as the Third Man, the rhymes of
Harry Lyon the fabulous stories of the Immortal Character, originally
created in the motion picture of The Third Man with
(00:44):
Southern music by Anton Carris.
Speaker 2 (00:52):
I'm not, by any manner of means, the hero of
this story, nor other villains, which is just as well,
since it's concerned one of the great traders about time.
But I was around when it happened, and for a
bit after the result, long enough anyway to vouch for
the truth of it. All happens in a beautiful resort
on the shores of the Mediterranean Sea. Had to do
(01:13):
with our own country. That pretty vital way to stick around,
I'll tell you. But it really started in the casino,
(02:28):
or rather, I'm a terrace that leads off it. I
didn't think, Sermander Feller. Maybe playing is the wrong word.
Playing seems to apply a little fun and the lots
of seven hundred thousand Hider and Franks isn't your uncle Harry's.
Speaker 3 (02:41):
Idea of a good time.
Speaker 2 (02:43):
But that's what happened. That's what comes from trying to
keep up with the Greek syndicate and the ex king
of a certain important country. In the Maaries, the Greeks
and the king were too much for me. I was
screened up? Did I say? I went out of the
terrace for a breather, and there she was, full red head?
You know me? Oh, my luck must be changing.
Speaker 4 (03:05):
Excuse me, you're speaking me.
Speaker 2 (03:07):
There's nobody else around. That's what I mean by by luck.
They's just a tool of it. They mean by luck
a fancy table half.
Speaker 5 (03:13):
I was going to see them when.
Speaker 6 (03:14):
You didn't seem to be doing too badly.
Speaker 2 (03:16):
And that was before the Greeks got into the game.
How am I doing know Greeks.
Speaker 7 (03:20):
Are still in the game?
Speaker 2 (03:20):
Or day?
Speaker 7 (03:22):
Well, I came here with the Greeks.
Speaker 2 (03:23):
Well I doesn't say you're gonna leave with him?
Speaker 4 (03:26):
Well?
Speaker 7 (03:26):
Well a fast worker.
Speaker 5 (03:27):
Hey, you haven't changed.
Speaker 8 (03:29):
Wait a minute, Oh don't you remember your old chums here?
Speaker 5 (03:35):
You glad you haven't forgotten?
Speaker 2 (03:37):
Forgotten? If I haven't forget. But when I remember as
a blonde, a beautiful blonde, almost as beautiful.
Speaker 3 (03:41):
As you, almost as beautiful. Well, I didn't ask to
be forgiven.
Speaker 2 (03:46):
I listening to this. If you change the color of
your hair as fast as you change your boyfriends, it's
gonna be a little confusion. Can't blame me if I
treated you like the stranger that you were doing all right?
Speaker 7 (03:56):
Actually pick up where we left.
Speaker 2 (03:58):
Yeah, just now are and party six?
Speaker 3 (04:00):
Uh and bear it?
Speaker 2 (04:03):
What would you be doing now?
Speaker 7 (04:04):
If you hadn't.
Speaker 8 (04:04):
Recognized me, I would have been kissing you.
Speaker 2 (04:06):
Oh you think love, honey. I've got his people down
at the dock. It's when you to take me to
my yacht. Want to come for a little fing Well,
not exactly mine, it's uh, not very much in residence.
That's the right expression. Who is it? I god? His son?
Speaker 5 (04:24):
Oh yeah, Karaoka, I have been in.
Speaker 2 (04:29):
That is just now.
Speaker 3 (04:30):
Enrico's off the Paris and I got the run of
the boat.
Speaker 6 (04:33):
Oh, it's very enticing going.
Speaker 7 (04:34):
But I uhm, did you get the gentlemen the Greeks? Yeah,
they might come there and get one.
Speaker 3 (04:40):
They got that I haven't got.
Speaker 2 (04:41):
There's no answer to that. I know. You know money
the boy? How'd you get? Wait a minute? Wait? What
else is there for me to do?
Speaker 7 (04:50):
That's seriously heavy? There's something I want to told you. Well,
you're probably the only thing I could tell us.
Speaker 2 (04:57):
Okay, honey, okay, what's worrying you? Well?
Speaker 6 (05:00):
You know I sound like it's crooking. A comic books
have something to do with the security about country having
Adam bomb things like that.
Speaker 2 (05:08):
It's on the level. Yeah you want to kid, I
see that. Oh, come on, let's do someone we can talk.
Speaker 7 (05:14):
Yeah, but where are you grinning the bar?
Speaker 8 (05:18):
I just gonna say yeah when they's always the yak,
all right.
Speaker 7 (05:24):
Come on, let's go.
Speaker 3 (05:39):
That's their carry okf forhead in five minutes, will be there.
Speaker 5 (05:42):
What's gonna happen with the Greeks? No, I don't care,
you don't care.
Speaker 3 (05:45):
Why is that my fatal charm? Or the Adam boumb.
Speaker 5 (05:48):
You'll stop joking jolling when you hear what I gotta say?
Speaker 2 (05:50):
Why don't you sun? All right?
Speaker 7 (05:52):
I will? You know?
Speaker 5 (05:54):
Somebody calls the photo vodo.
Speaker 2 (05:57):
Oh yes, he's he's one of that big villa on
the cap, the Hungarian about seventy years old. Ball's gray eyes,
amateur oceanologist. There's a bigger quarium. Used to be an
investment bank or something like that. Best selling goes out
another one. That's the one.
Speaker 3 (06:10):
What's all that's a photo? He's some kind of international spine.
Speaker 7 (06:14):
Well, I'm staying in this villa as.
Speaker 3 (06:15):
A hospital, and what about the Greeks.
Speaker 6 (06:17):
Its just took me that doctor photo has a cold
doctor to know he was a doctor.
Speaker 2 (06:22):
It's just a.
Speaker 5 (06:23):
Title, not the Middle Europeans.
Speaker 7 (06:25):
The doctors there, It doesn't mean they practice.
Speaker 2 (06:27):
Now, okay, and so you're his house gifts, Well, isn't
that nice for you? And that doctor photo is what
is techne? You're described as loaded? And what's on the agenda?
Marriage still too old? Well, nobody was more than twenty
million bucks and he's stocking is ever too old? Well,
if you put it that way, I agree with you
as a matter of fact.
Speaker 7 (06:43):
That he's spending to adopt me.
Speaker 5 (06:45):
Now you stop laughing, Harriet's true taking a shine.
Speaker 7 (06:49):
I mean, the whole thing's more or less on the uh.
Speaker 6 (06:51):
Helping up Marler, of course I'm playing it straight.
Speaker 7 (06:58):
He's lonely. You know owne daughter was killed at saying
that ten years ago.
Speaker 5 (07:02):
And what sort of seconds perfect?
Speaker 3 (07:05):
Can't handing wrong with that?
Speaker 2 (07:06):
Don't tell me?
Speaker 3 (07:07):
After all the capes you've brought your time, that's what
you've got.
Speaker 2 (07:10):
Your country.
Speaker 4 (07:11):
We weren't talking about my country brought it up.
Speaker 2 (07:14):
Yeah, that's true. Well, here we are a beautifully the
beautiful name the Mediterranean and one of the most attractive
girls of the century, and the whole thing from a
strictly romantic point that he was completely wasted. Yes, believe
(07:37):
it or not, when we got up on the deck.
She would even take a drink when I tried to
kiss him.
Speaker 5 (07:42):
No, Harry, please, I honestly and truly.
Speaker 7 (07:44):
Want your vice. This isn't a gager of racket. It's
something serious.
Speaker 2 (07:48):
Okay, Okay, go ahead.
Speaker 7 (07:50):
Well I'm not the only house cats.
Speaker 2 (07:52):
It's a Villagulia Villa Villa Julia.
Speaker 7 (07:55):
You mean, yes, that's cool, that's the name of product. Yes,
that's when they can Well, the last three reached. There's
only been two of them.
Speaker 6 (08:02):
And to guess something, yeah, being this uh scientist the
hands comments.
Speaker 2 (08:06):
Huh yes, it was your fighting.
Speaker 5 (08:09):
Cabinet mind, don't tell me you never heard of Yeah,
sure that physicist.
Speaker 6 (08:14):
You're supposed to be one of the most important men
in this year.
Speaker 3 (08:16):
Yeah, I'm sorry, read and say, because I also read
that it's only.
Speaker 6 (08:18):
The way to America gets it leading the day after them, Well,
I mean giving him a big job on some very
top speaking kind of projects like the.
Speaker 3 (08:26):
H h Farmers or Honey, we've already got the age farmer.
Speaker 2 (08:30):
Something must be the work.
Speaker 8 (08:31):
All right, something, Okay, I don't know what it is
and you don't either.
Speaker 7 (08:35):
Oh, I'm gonna go to America to take partner.
Speaker 2 (08:37):
Yes, contract is going to American a job as The
important is that you can be sure that he's been
checked by every kind of security agency. You see, I'm
jumping ahead of your story. I'm guessing you think the
scientist channel yours is some kind of spy.
Speaker 7 (08:48):
I would say that, but.
Speaker 5 (08:49):
Look at the other people leaders in the field.
Speaker 3 (08:51):
Who's who've already betrayed.
Speaker 2 (08:54):
That's true.
Speaker 3 (08:55):
See.
Speaker 7 (08:55):
The trouble is there's no way of tell 'em.
Speaker 2 (08:57):
Within these people's minds.
Speaker 6 (08:59):
The background can be it's perfectly clear, nothing to prove,
But all the time they can be thinking not in
terms of our side, but the other side.
Speaker 2 (09:06):
I know all that. Kids, Yes, the thanks worst in
your mind. You think you think photo is in it too?
Speaker 5 (09:11):
Oh, no, of course not.
Speaker 7 (09:13):
He's really a sweet girl. Sure, I know it is
what I can get out of him. Still, I like him.
Speaker 2 (09:18):
He's no commun.
Speaker 7 (09:20):
He doesn't have anything to do with it.
Speaker 2 (09:23):
You know that as well as I.
Speaker 6 (09:25):
Well, that's the photo has a telescope. That's just an
ordinary telescope, but a high.
Speaker 5 (09:30):
Powered one up on the roof of the villa.
Speaker 7 (09:33):
It's all kinds of gadgets like that.
Speaker 2 (09:35):
Yes, you know.
Speaker 7 (09:36):
In many ways he's just like a little too Well. Anyway,
one day last.
Speaker 5 (09:40):
Week I was taking a frondre and I have no
look at this, well, well.
Speaker 6 (09:45):
This comic, this funny kind of guy, Harry.
Speaker 7 (09:48):
He keeps himself.
Speaker 6 (09:49):
He very quiet, Chagne won't stop the h bom thanks.
Mostly as I say, he's keeps to himself. And almost
every morning he goes out fishing in a.
Speaker 2 (09:59):
Little brom Or when you walked through the teles girl,
if you saw him in his boat and he was
looking at you, honey, and what was he doing?
Speaker 7 (10:06):
H for what fish?
Speaker 2 (10:10):
Honey? Is that what we're being so harsh harsh about
foster folks for our little boats and fish for fish.
Speaker 6 (10:16):
Yeah, but there was another little boat and he came
up the comics boots. I could see him just as
plain as if there was next to me. There was
a man in the other boat in a dark suit,
and he gave comic a comic book, and then he
rode away.
Speaker 2 (10:29):
Throwing well conract read the comic book, or will he
return it unopened.
Speaker 7 (10:34):
When you please start kidding, Harry, this is serious. And
let me tell you about the other man.
Speaker 6 (10:39):
I saw him plainly, so I could recognize him later
when two nights afterwards, he was standing in front.
Speaker 7 (10:44):
Of a key I was buying a newspaper.
Speaker 3 (10:46):
Happened to be walking by with one of the Greeks.
Speaker 2 (10:49):
Yeah, very club of boys, those Greeks.
Speaker 6 (10:50):
They recognized one of the boys did anyway. And that
man who gave comic the comic book is a Communist agent.
Speaker 7 (10:58):
He was well on in Greece just at the end
of the war. His father was a Greek, his mother
was a Russian. His name is potiog and got.
Speaker 6 (11:05):
Out of Greece just in time. There was a price
on his head. Hallie, he's what is a big agents
in musco house. This isn't gossip, but he is.
Speaker 7 (11:13):
There's the truth and here wait a minute.
Speaker 6 (11:15):
Then I get my bag up and here it is.
This is the comic m it's a comic Pogus, nothing
comic about that period.
Speaker 2 (11:24):
He's a grief on the subject. And you trust him
for that, okay, I mean he's convinced me on signing
on tomorrow. You think there was a Villa Julia, and
it gives me to doctor Pod and then.
Speaker 5 (11:33):
He's my pig and leave him alone.
Speaker 3 (11:35):
Give me the help on out their contract.
Speaker 2 (11:37):
That's the only way. Don't worry. I don't try to
persuade Photos to adopt me. I just want to get
next to conract and then we'll see.
Speaker 7 (11:43):
You haven't got much time.
Speaker 6 (11:44):
Remember he's leaving day after tomorrow, parison.
Speaker 2 (11:47):
Remember one. All I can do is trying. Then they
shot off the champagne hunt. Why cause it's good champagne
and I think you see him stand there and get warm.
Nothing we can do tonight, the.
Speaker 7 (11:56):
Raising him, He says, that's before I'm running at six.
Speaker 2 (12:01):
That's good, says amount of time wars and Wells returns
in just a moment as the third. The next day,
(13:20):
I started all over and decided, well, I decided that
this story at least it's a king. Yeah, who is it?
Rocket pathos wools. It's knocking on.
Speaker 5 (13:34):
Doors, so you open, Well, I'm doing it on the door.
Speaker 2 (13:37):
I know who it is. This is propably you honor
Exports device, Pummis are up key holes?
Speaker 7 (13:42):
Stucky kid?
Speaker 2 (13:43):
Who is it?
Speaker 3 (13:46):
Oh?
Speaker 8 (13:46):
It's you.
Speaker 2 (13:49):
Let down about it?
Speaker 3 (13:50):
Would you rather have the common side.
Speaker 2 (13:51):
I could both rent myself with wiscuits. I did that.
I did that.
Speaker 7 (13:54):
Come on in, Come on in, mister photo. Wouldn't like
it if you knew. I had to tell him visitors.
Speaker 8 (14:00):
You gotta have a comedy accent, commedy r I hope
your friend, the professor Russian accent.
Speaker 2 (14:05):
Even you're gonna try to use it.
Speaker 7 (14:07):
Uncomic but definitely work. He doesn't even know.
Speaker 2 (14:10):
It's just that he doesn't know me. That's not anymore so.
Speaker 6 (14:12):
We bought you as a Russian and a communist agent.
Speaker 7 (14:15):
Makes that's your friend?
Speaker 5 (14:16):
But that was What are you accomplished for that?
Speaker 2 (14:19):
Honey? It's something I couldn't tell you, but at least
would be further along than we are an out.
Speaker 7 (14:24):
You're just doing it to test me, see if there's any.
Speaker 2 (14:26):
True Can you blame you? The will think of you
just in your mind after all?
Speaker 6 (14:29):
But if that's all you.
Speaker 5 (14:29):
Think of what I told you, if you're only treating
it as a Johnny, if you.
Speaker 2 (14:33):
Know of a better detective, fire and you won't hurt
my feelings.
Speaker 7 (14:36):
Oh Harry, and you're the one that's getting.
Speaker 2 (14:39):
I know what kids to make up?
Speaker 7 (14:42):
Oh happy.
Speaker 2 (14:45):
Harry.
Speaker 7 (14:46):
Yes, comms make up you.
Speaker 2 (14:54):
Nether told me that both of the books comics the
others that went out to meet him, and flowing a
stripe jersey sort of the flag on the mast head. Well,
obviously that was the agreed upon identification. So I got
myself a strike jersey, my own, charted myself a little sailboat,
and started cruising up and down in front of the
Villa Julia and hoping why yes, I forgot to mention
(15:15):
the comic book Nedda had copped the professors out of
his room. So I went and got two more comic
books just like it, and I tore my two comic
books in exactly the same way. And then when Nedda
put one of these back in the professor's room, of course,
now he had a comic book, The Torn Places, which
would match my comic book and nobody else's. Well, the
(15:36):
jersey on the mask finally worked in out King Conray
in his own boat, flying his own jersey. He looked
fairly startled when he saw me, copped that he knew
me as Harry Lyme, because he didn't know Harry Lyme,
but I was somebody new in the striped jersey and
tore in comic book line and the professor rot his
brilliant in his own field with a little slow thinking
(15:56):
in the spine.
Speaker 5 (15:57):
But well bell is DNA the other.
Speaker 2 (16:01):
But that was me, of course in my despression accent
you speak of my colleague, the one that's in meeting you.
Speaker 5 (16:09):
Here in the water before. Yes, I don't know his name.
Of course one one is traitor, but.
Speaker 2 (16:17):
In court me he's a traitor. Now what that means?
Speaker 5 (16:21):
That's certainly you mean he has the trained the revolution,
but in the pay of the American.
Speaker 3 (16:27):
Yes, he tries to communicate with you. Again, you must.
Speaker 2 (16:30):
Produce the Seymour to talk his orders.
Speaker 3 (16:39):
Well, what happened, I mean, what.
Speaker 2 (16:41):
Happened only on match your preyer, professor. That's or I
only prove.
Speaker 3 (16:46):
What you got proof.
Speaker 5 (16:47):
There's nothing more to worry about.
Speaker 2 (16:49):
Would you take a prop proves forgot proving something to
my satisfaction in the same.
Speaker 7 (16:59):
What I'm mean if you got the professor to talk
and you.
Speaker 2 (17:01):
Know, look, honey, I'm a procola world that is that?
Speaker 5 (17:04):
How am I gonna even get into the worst thing?
Speaker 6 (17:06):
He isn't say the ambassador here you spend on a
weekend at the Carlton flash. You can get into the
carton flas have you've been in every room?
Speaker 2 (17:14):
Not exaggerate?
Speaker 5 (17:15):
Well, isn't it the true in a general?
Speaker 2 (17:17):
Yeah, you mean just break in and dear deal busid
why not? What time is it really? W well early,
it's definitely too the breaking in up the bass, that's true.
Speaker 7 (17:28):
You see, you can lose some more of your money.
Speaker 2 (17:30):
Don't be ridiculous, nimma about two hours link. I climbed
us and sign and tip let myself into the ambassador.
Speaker 5 (17:50):
All right, all right there, I'm away.
Speaker 2 (17:52):
That's good, trampas.
Speaker 5 (17:53):
Now hold up your hair. I apologize for coming in
through the window.
Speaker 2 (17:56):
Heard me, hold up your hand, but find.
Speaker 5 (17:58):
That Trambassador, why hands out, mister.
Speaker 2 (18:01):
Ambati, excuse me for mentioning it. You don't have any guns?
You see when people are people to pull up the well,
you know I don't have a gun, because I could
see the experience is quite simple, and said, I've been
crawling up from one darkness to another. In the darkness
to my.
Speaker 5 (18:18):
Eyes are all right?
Speaker 2 (18:19):
All right? What he has? If my money, it's in
the past, pocket tickets and nowhere. I don't want your money,
mister MBA's just a.
Speaker 5 (18:25):
Minute of your time, where it's everybody once a minute
of my time. Now they've taken to breaking into my.
Speaker 2 (18:31):
Bedroom to get it from Now I'm not left the
sleep of another secretary under myself.
Speaker 3 (18:35):
Dram back and he's making.
Speaker 5 (18:37):
Quick I know you're on and I'm not.
Speaker 2 (18:39):
But in common decency, if you have the remotest idea
with my schedule, you know of it? What having Professor
Conrich what about it? Well, he's leaving for America. There
to modesty charge of I know, I know what about
Congress common everybody says everybody is a cogns. It has
got to be proops. I can groot house right talked
(19:00):
to him this afternoon and he admitted he was working
for the Kremlin. That i'd be witnesses. Witness got a
tape recording. I know this happened on the water. On
the water, yes, and a couple of boats. I pretended
to be a Russian A no witnesses. Well, no, that's
r master. But I can assure you, oh you can.
Can you? By the way, who are you? It doesn't
matter why want to manas who you? Why you're making
(19:22):
a very serious accusation.
Speaker 5 (19:24):
Hey, where are you going away?
Speaker 2 (19:26):
That's to ambassador. That's where I'm going away, And I've
certainly understood.
Speaker 3 (19:29):
That I may can't fool of my whole out of it.
Speaker 2 (19:31):
Excuse me, that's to ambassor. But why because maybe you've
got something. Of course I've got something that's to ambassador.
But what if you will excuse my impertiness? What in
the blue blaze is? Can I do about it? Good night?
Pleasant dream? I did to see my ambassadors.
Speaker 5 (19:57):
It's mine too, aren't keeping you mean?
Speaker 7 (20:00):
He didn't believe, No, I can't stay I'm playing anyway.
Speaker 2 (20:03):
He told me to go ahead and see what I
could do. Sorts indicated that he stopped me.
Speaker 6 (20:08):
That's nice, very and condict leads a market night, You
got less and sleep four hours to do it?
Speaker 2 (20:15):
Do what that's another you know? Probably is I'm I'm
you know who I am. It's just my word, that's all.
My word is all I got to offer.
Speaker 3 (20:24):
I didn't want a confederate nigger with a hole in
the black market.
Speaker 5 (20:27):
Where are you going down of the boat dock?
Speaker 7 (20:29):
You mean you got another meeting?
Speaker 2 (20:30):
Yeah, finally got to see a man about it.
Speaker 3 (20:43):
Said, yes, you have the friends didn't coming on.
Speaker 2 (20:48):
He explains that have come into possessions that he's stopping usulation.
H we need to exclaimed myself in before.
Speaker 5 (20:56):
Well yes, so then it's a little bit further.
Speaker 2 (20:57):
What's the information? It was the minitrual friend, and so
the friend is letter the information mister Lion has to
do with peaturally preadfully, you're the most terriblesome. I ended
up the food. I see you mean never than talking.
Speaker 3 (21:14):
He is a delightful child.
Speaker 2 (21:17):
She has she will know how to keep her trap. Sure,
let mister Alion, you see she trusted me. She began
to deal with him and not being effected that you
put the company, so she cast the whole brother Dame,
don't care what happens now, Professor is your friends just
when you stand doctor phod and all.
Speaker 3 (21:32):
That I understand, mister ellive with the.
Speaker 2 (21:35):
Fleavor, I said, then I said the speech doctor of
what does it mean? But I have known hands cooling
sy as a child's father, and I was friends in
the university. Has been almost like fun.
Speaker 5 (21:45):
Fine time, But you're still not answering an endeavored to
mister Elias.
Speaker 2 (21:49):
You just there isn't much time, you know, you're all trump.
The professor's leaving for a matter of fris that I
like I do not be is leaving. But it's all
set up. He's taking charge of you.
Speaker 5 (22:00):
Pro it that I.
Speaker 2 (22:02):
See you still aren't telling me anything. What does that mean?
A resigned this post?
Speaker 3 (22:07):
What you know?
Speaker 2 (22:12):
And how can you be sure? How can you speak
for it? I was like his father, certainly I loved
him everybody I think he and now of course that's
all decide. You never trust me and I'll bring you
doctor Photo. But I don't see why you shouldn't tell
me what's happened. And I suppose I get to tell
(22:32):
you something. Yes, police come, I have to say something
to them, But the truth is I don't have anything
you want to say. I said everything to answer. He
was like my old boy, mister dam boy, and now
now he is dead dead You mean I killed you, mister?
I am because doctor Photo. He took me into his
(23:00):
house and showed me economy. He was an elaboratory and
just soft photos aquarium. His blood showed almost blacks on
the white tiles.
Speaker 3 (23:08):
Of the sport.
Speaker 2 (23:11):
I told him I would hand him into the police,
but I gave him time. I knew he would choose
to do like he did. One of the knives could
see was the knives were used here for while research
on the vicious shocks. Last I came in and found
him like this. HEAs not yet quite dead. Then he
(23:33):
died and I went to day that.
Speaker 3 (23:38):
So what was there to say?
Speaker 2 (23:39):
That a prayer? He didn't even one prayer?
Speaker 6 (23:53):
That sorry, what happened?
Speaker 7 (23:59):
I wasn't to continue. And just now I got back
in the bullet.
Speaker 5 (24:01):
And the butet tender.
Speaker 2 (24:05):
And told you have of it? Not at least I
hope he hasn't. It's one last traitor in the world.
Speaker 7 (24:08):
I want.
Speaker 2 (24:11):
Not exactly which when I say I was around at
the time. What do we do? What do we do? Right?
What does anybody do? Now?
Speaker 3 (24:17):
There is just go on the way we're going, oh
oh for what? Well?
Speaker 2 (24:22):
The contracts of the world and the minority of the
one thing there's just a few of them, and thoughts
to the rest.
Speaker 7 (24:28):
Of us, what do you mean by the rest of them?
Speaker 2 (24:29):
I'm not too sure. I can't say it to you,
just won't come out in words that don't sound like
Wild's oratory on the latest and forth to to but
I get corny, real Corney. I know about it in
the dance, and now I feel it coming on, So
I tak you we better get out of here and
go out to see him?
Speaker 7 (24:46):
Did I just come?
Speaker 2 (24:48):
Well? Go back eventually? I I don't know. I feel lucky.
Harry Lyme returns and touched a moment and no, Harry Lyn.
(26:11):
Last week I ran into ned again the block again.
That's the time to overlooked. Hi, hiy, why are you
doing in London forty?
Speaker 7 (26:23):
I don't browsing Browsingmber last summer.
Speaker 2 (26:26):
I don't have your own gentle.
Speaker 3 (26:29):
Why don't you going to adopt you?
Speaker 5 (26:31):
Did you adopted your daddy for creature?
Speaker 2 (26:33):
You not be worth a fortune? What are you going
for dinner?
Speaker 7 (26:36):
You buy it?
Speaker 2 (26:37):
I've got a better idea. You buy it for me?
Speaker 7 (26:40):
Your guardians anymore?
Speaker 2 (26:45):
Yes, I'm sorry, Yeah, that is a nice little guardian.
What had it that forty or fifty million potatoes left?
Speaker 7 (26:51):
The whole thing was foundation?
Speaker 2 (26:53):
What's that? Come on? And a nice cheap little place
so we can eat Dutch treatment.
Speaker 4 (26:59):
As
Speaker 3 (29:01):
That at gat has stated in the S and S
attically considers
Presenting Orson Wells as the Third Man, the rhymes of
Harry Lyon the fabulous stories of the Immortal Character, originally
created in the motion picture of The Third Man with
(00:44):
Southern music by Anton Carris.
Speaker 2 (00:52):
I'm not, by any manner of means, the hero of
this story, nor other villains, which is just as well,
since it's concerned one of the great traders about time.
But I was around when it happened, and for a
bit after the result, long enough anyway to vouch for
the truth of it. All happens in a beautiful resort
on the shores of the Mediterranean Sea. Had to do
(01:13):
with our own country. That pretty vital way to stick around,
I'll tell you. But it really started in the casino,
(02:28):
or rather, I'm a terrace that leads off it. I
didn't think, Sermander Feller. Maybe playing is the wrong word.
Playing seems to apply a little fun and the lots
of seven hundred thousand Hider and Franks isn't your uncle Harry's.
Speaker 3 (02:41):
Idea of a good time.
Speaker 2 (02:43):
But that's what happened. That's what comes from trying to
keep up with the Greek syndicate and the ex king
of a certain important country. In the Maaries, the Greeks
and the king were too much for me. I was
screened up? Did I say? I went out of the
terrace for a breather, and there she was, full red head?
You know me? Oh, my luck must be changing.
Speaker 4 (03:05):
Excuse me, you're speaking me.
Speaker 2 (03:07):
There's nobody else around. That's what I mean by by luck.
They's just a tool of it. They mean by luck
a fancy table half.
Speaker 5 (03:13):
I was going to see them when.
Speaker 6 (03:14):
You didn't seem to be doing too badly.
Speaker 2 (03:16):
And that was before the Greeks got into the game.
How am I doing know Greeks.
Speaker 7 (03:20):
Are still in the game?
Speaker 2 (03:20):
Or day?
Speaker 7 (03:22):
Well, I came here with the Greeks.
Speaker 2 (03:23):
Well I doesn't say you're gonna leave with him?
Speaker 4 (03:26):
Well?
Speaker 7 (03:26):
Well a fast worker.
Speaker 5 (03:27):
Hey, you haven't changed.
Speaker 8 (03:29):
Wait a minute, Oh don't you remember your old chums here?
Speaker 5 (03:35):
You glad you haven't forgotten?
Speaker 2 (03:37):
Forgotten? If I haven't forget. But when I remember as
a blonde, a beautiful blonde, almost as beautiful.
Speaker 3 (03:41):
As you, almost as beautiful. Well, I didn't ask to
be forgiven.
Speaker 2 (03:46):
I listening to this. If you change the color of
your hair as fast as you change your boyfriends, it's
gonna be a little confusion. Can't blame me if I
treated you like the stranger that you were doing all right?
Speaker 7 (03:56):
Actually pick up where we left.
Speaker 2 (03:58):
Yeah, just now are and party six?
Speaker 3 (04:00):
Uh and bear it?
Speaker 2 (04:03):
What would you be doing now?
Speaker 7 (04:04):
If you hadn't.
Speaker 8 (04:04):
Recognized me, I would have been kissing you.
Speaker 2 (04:06):
Oh you think love, honey. I've got his people down
at the dock. It's when you to take me to
my yacht. Want to come for a little fing Well,
not exactly mine, it's uh, not very much in residence.
That's the right expression. Who is it? I god? His son?
Speaker 5 (04:24):
Oh yeah, Karaoka, I have been in.
Speaker 2 (04:29):
That is just now.
Speaker 3 (04:30):
Enrico's off the Paris and I got the run of
the boat.
Speaker 6 (04:33):
Oh, it's very enticing going.
Speaker 7 (04:34):
But I uhm, did you get the gentlemen the Greeks? Yeah,
they might come there and get one.
Speaker 3 (04:40):
They got that I haven't got.
Speaker 2 (04:41):
There's no answer to that. I know. You know money
the boy? How'd you get? Wait a minute? Wait? What
else is there for me to do?
Speaker 7 (04:50):
That's seriously heavy? There's something I want to told you. Well,
you're probably the only thing I could tell us.
Speaker 2 (04:57):
Okay, honey, okay, what's worrying you? Well?
Speaker 6 (05:00):
You know I sound like it's crooking. A comic books
have something to do with the security about country having
Adam bomb things like that.
Speaker 2 (05:08):
It's on the level. Yeah you want to kid, I
see that. Oh, come on, let's do someone we can talk.
Speaker 7 (05:14):
Yeah, but where are you grinning the bar?
Speaker 8 (05:18):
I just gonna say yeah when they's always the yak,
all right.
Speaker 7 (05:24):
Come on, let's go.
Speaker 3 (05:39):
That's their carry okf forhead in five minutes, will be there.
Speaker 5 (05:42):
What's gonna happen with the Greeks? No, I don't care,
you don't care.
Speaker 3 (05:45):
Why is that my fatal charm? Or the Adam boumb.
Speaker 5 (05:48):
You'll stop joking jolling when you hear what I gotta say?
Speaker 2 (05:50):
Why don't you sun? All right?
Speaker 7 (05:52):
I will? You know?
Speaker 5 (05:54):
Somebody calls the photo vodo.
Speaker 2 (05:57):
Oh yes, he's he's one of that big villa on
the cap, the Hungarian about seventy years old. Ball's gray eyes,
amateur oceanologist. There's a bigger quarium. Used to be an
investment bank or something like that. Best selling goes out
another one. That's the one.
Speaker 3 (06:10):
What's all that's a photo? He's some kind of international spine.
Speaker 7 (06:14):
Well, I'm staying in this villa as.
Speaker 3 (06:15):
A hospital, and what about the Greeks.
Speaker 6 (06:17):
Its just took me that doctor photo has a cold
doctor to know he was a doctor.
Speaker 2 (06:22):
It's just a.
Speaker 5 (06:23):
Title, not the Middle Europeans.
Speaker 7 (06:25):
The doctors there, It doesn't mean they practice.
Speaker 2 (06:27):
Now, okay, and so you're his house gifts, Well, isn't
that nice for you? And that doctor photo is what
is techne? You're described as loaded? And what's on the agenda?
Marriage still too old? Well, nobody was more than twenty
million bucks and he's stocking is ever too old? Well,
if you put it that way, I agree with you
as a matter of fact.
Speaker 7 (06:43):
That he's spending to adopt me.
Speaker 5 (06:45):
Now you stop laughing, Harriet's true taking a shine.
Speaker 7 (06:49):
I mean, the whole thing's more or less on the uh.
Speaker 6 (06:51):
Helping up Marler, of course I'm playing it straight.
Speaker 7 (06:58):
He's lonely. You know owne daughter was killed at saying
that ten years ago.
Speaker 5 (07:02):
And what sort of seconds perfect?
Speaker 3 (07:05):
Can't handing wrong with that?
Speaker 2 (07:06):
Don't tell me?
Speaker 3 (07:07):
After all the capes you've brought your time, that's what
you've got.
Speaker 2 (07:10):
Your country.
Speaker 4 (07:11):
We weren't talking about my country brought it up.
Speaker 2 (07:14):
Yeah, that's true. Well, here we are a beautifully the
beautiful name the Mediterranean and one of the most attractive
girls of the century, and the whole thing from a
strictly romantic point that he was completely wasted. Yes, believe
(07:37):
it or not, when we got up on the deck.
She would even take a drink when I tried to
kiss him.
Speaker 5 (07:42):
No, Harry, please, I honestly and truly.
Speaker 7 (07:44):
Want your vice. This isn't a gager of racket. It's
something serious.
Speaker 2 (07:48):
Okay, Okay, go ahead.
Speaker 7 (07:50):
Well I'm not the only house cats.
Speaker 2 (07:52):
It's a Villagulia Villa Villa Julia.
Speaker 7 (07:55):
You mean, yes, that's cool, that's the name of product. Yes,
that's when they can Well, the last three reached. There's
only been two of them.
Speaker 6 (08:02):
And to guess something, yeah, being this uh scientist the
hands comments.
Speaker 2 (08:06):
Huh yes, it was your fighting.
Speaker 5 (08:09):
Cabinet mind, don't tell me you never heard of Yeah,
sure that physicist.
Speaker 6 (08:14):
You're supposed to be one of the most important men
in this year.
Speaker 3 (08:16):
Yeah, I'm sorry, read and say, because I also read
that it's only.
Speaker 6 (08:18):
The way to America gets it leading the day after them, Well,
I mean giving him a big job on some very
top speaking kind of projects like the.
Speaker 3 (08:26):
H h Farmers or Honey, we've already got the age farmer.
Speaker 2 (08:30):
Something must be the work.
Speaker 8 (08:31):
All right, something, Okay, I don't know what it is
and you don't either.
Speaker 7 (08:35):
Oh, I'm gonna go to America to take partner.
Speaker 2 (08:37):
Yes, contract is going to American a job as The
important is that you can be sure that he's been
checked by every kind of security agency. You see, I'm
jumping ahead of your story. I'm guessing you think the
scientist channel yours is some kind of spy.
Speaker 7 (08:48):
I would say that, but.
Speaker 5 (08:49):
Look at the other people leaders in the field.
Speaker 3 (08:51):
Who's who've already betrayed.
Speaker 2 (08:54):
That's true.
Speaker 3 (08:55):
See.
Speaker 7 (08:55):
The trouble is there's no way of tell 'em.
Speaker 2 (08:57):
Within these people's minds.
Speaker 6 (08:59):
The background can be it's perfectly clear, nothing to prove,
But all the time they can be thinking not in
terms of our side, but the other side.
Speaker 2 (09:06):
I know all that. Kids, Yes, the thanks worst in
your mind. You think you think photo is in it too?
Speaker 5 (09:11):
Oh, no, of course not.
Speaker 7 (09:13):
He's really a sweet girl. Sure, I know it is
what I can get out of him. Still, I like him.
Speaker 2 (09:18):
He's no commun.
Speaker 7 (09:20):
He doesn't have anything to do with it.
Speaker 2 (09:23):
You know that as well as I.
Speaker 6 (09:25):
Well, that's the photo has a telescope. That's just an
ordinary telescope, but a high.
Speaker 5 (09:30):
Powered one up on the roof of the villa.
Speaker 7 (09:33):
It's all kinds of gadgets like that.
Speaker 2 (09:35):
Yes, you know.
Speaker 7 (09:36):
In many ways he's just like a little too Well. Anyway,
one day last.
Speaker 5 (09:40):
Week I was taking a frondre and I have no
look at this, well, well.
Speaker 6 (09:45):
This comic, this funny kind of guy, Harry.
Speaker 7 (09:48):
He keeps himself.
Speaker 6 (09:49):
He very quiet, Chagne won't stop the h bom thanks.
Mostly as I say, he's keeps to himself. And almost
every morning he goes out fishing in a.
Speaker 2 (09:59):
Little brom Or when you walked through the teles girl,
if you saw him in his boat and he was
looking at you, honey, and what was he doing?
Speaker 7 (10:06):
H for what fish?
Speaker 2 (10:10):
Honey? Is that what we're being so harsh harsh about
foster folks for our little boats and fish for fish.
Speaker 6 (10:16):
Yeah, but there was another little boat and he came
up the comics boots. I could see him just as
plain as if there was next to me. There was
a man in the other boat in a dark suit,
and he gave comic a comic book, and then he
rode away.
Speaker 2 (10:29):
Throwing well conract read the comic book, or will he
return it unopened.
Speaker 7 (10:34):
When you please start kidding, Harry, this is serious. And
let me tell you about the other man.
Speaker 6 (10:39):
I saw him plainly, so I could recognize him later
when two nights afterwards, he was standing in front.
Speaker 7 (10:44):
Of a key I was buying a newspaper.
Speaker 3 (10:46):
Happened to be walking by with one of the Greeks.
Speaker 2 (10:49):
Yeah, very club of boys, those Greeks.
Speaker 6 (10:50):
They recognized one of the boys did anyway. And that
man who gave comic the comic book is a Communist agent.
Speaker 7 (10:58):
He was well on in Greece just at the end
of the war. His father was a Greek, his mother
was a Russian. His name is potiog and got.
Speaker 6 (11:05):
Out of Greece just in time. There was a price
on his head. Hallie, he's what is a big agents
in musco house. This isn't gossip, but he is.
Speaker 7 (11:13):
There's the truth and here wait a minute.
Speaker 6 (11:15):
Then I get my bag up and here it is.
This is the comic m it's a comic Pogus, nothing
comic about that period.
Speaker 2 (11:24):
He's a grief on the subject. And you trust him
for that, okay, I mean he's convinced me on signing
on tomorrow. You think there was a Villa Julia, and
it gives me to doctor Pod and then.
Speaker 5 (11:33):
He's my pig and leave him alone.
Speaker 3 (11:35):
Give me the help on out their contract.
Speaker 2 (11:37):
That's the only way. Don't worry. I don't try to
persuade Photos to adopt me. I just want to get
next to conract and then we'll see.
Speaker 7 (11:43):
You haven't got much time.
Speaker 6 (11:44):
Remember he's leaving day after tomorrow, parison.
Speaker 2 (11:47):
Remember one. All I can do is trying. Then they
shot off the champagne hunt. Why cause it's good champagne
and I think you see him stand there and get warm.
Nothing we can do tonight, the.
Speaker 7 (11:56):
Raising him, He says, that's before I'm running at six.
Speaker 2 (12:01):
That's good, says amount of time wars and Wells returns
in just a moment as the third. The next day,
(13:20):
I started all over and decided, well, I decided that
this story at least it's a king. Yeah, who is it?
Rocket pathos wools. It's knocking on.
Speaker 5 (13:34):
Doors, so you open, Well, I'm doing it on the door.
Speaker 2 (13:37):
I know who it is. This is propably you honor
Exports device, Pummis are up key holes?
Speaker 7 (13:42):
Stucky kid?
Speaker 2 (13:43):
Who is it?
Speaker 3 (13:46):
Oh?
Speaker 8 (13:46):
It's you.
Speaker 2 (13:49):
Let down about it?
Speaker 3 (13:50):
Would you rather have the common side.
Speaker 2 (13:51):
I could both rent myself with wiscuits. I did that.
I did that.
Speaker 7 (13:54):
Come on in, Come on in, mister photo. Wouldn't like
it if you knew. I had to tell him visitors.
Speaker 8 (14:00):
You gotta have a comedy accent, commedy r I hope
your friend, the professor Russian accent.
Speaker 2 (14:05):
Even you're gonna try to use it.
Speaker 7 (14:07):
Uncomic but definitely work. He doesn't even know.
Speaker 2 (14:10):
It's just that he doesn't know me. That's not anymore so.
Speaker 6 (14:12):
We bought you as a Russian and a communist agent.
Speaker 7 (14:15):
Makes that's your friend?
Speaker 5 (14:16):
But that was What are you accomplished for that?
Speaker 2 (14:19):
Honey? It's something I couldn't tell you, but at least
would be further along than we are an out.
Speaker 7 (14:24):
You're just doing it to test me, see if there's any.
Speaker 2 (14:26):
True Can you blame you? The will think of you
just in your mind after all?
Speaker 6 (14:29):
But if that's all you.
Speaker 5 (14:29):
Think of what I told you, if you're only treating
it as a Johnny, if you.
Speaker 2 (14:33):
Know of a better detective, fire and you won't hurt
my feelings.
Speaker 7 (14:36):
Oh Harry, and you're the one that's getting.
Speaker 2 (14:39):
I know what kids to make up?
Speaker 7 (14:42):
Oh happy.
Speaker 2 (14:45):
Harry.
Speaker 7 (14:46):
Yes, comms make up you.
Speaker 2 (14:54):
Nether told me that both of the books comics the
others that went out to meet him, and flowing a
stripe jersey sort of the flag on the mast head. Well,
obviously that was the agreed upon identification. So I got
myself a strike jersey, my own, charted myself a little sailboat,
and started cruising up and down in front of the
Villa Julia and hoping why yes, I forgot to mention
(15:15):
the comic book Nedda had copped the professors out of
his room. So I went and got two more comic
books just like it, and I tore my two comic
books in exactly the same way. And then when Nedda
put one of these back in the professor's room, of course,
now he had a comic book, The Torn Places, which
would match my comic book and nobody else's. Well, the
(15:36):
jersey on the mask finally worked in out King Conray
in his own boat, flying his own jersey. He looked
fairly startled when he saw me, copped that he knew
me as Harry Lyme, because he didn't know Harry Lyme,
but I was somebody new in the striped jersey and
tore in comic book line and the professor rot his
brilliant in his own field with a little slow thinking
(15:56):
in the spine.
Speaker 5 (15:57):
But well bell is DNA the other.
Speaker 2 (16:01):
But that was me, of course in my despression accent
you speak of my colleague, the one that's in meeting you.
Speaker 5 (16:09):
Here in the water before. Yes, I don't know his name.
Of course one one is traitor, but.
Speaker 2 (16:17):
In court me he's a traitor. Now what that means?
Speaker 5 (16:21):
That's certainly you mean he has the trained the revolution,
but in the pay of the American.
Speaker 3 (16:27):
Yes, he tries to communicate with you. Again, you must.
Speaker 2 (16:30):
Produce the Seymour to talk his orders.
Speaker 3 (16:39):
Well, what happened, I mean, what.
Speaker 2 (16:41):
Happened only on match your preyer, professor. That's or I
only prove.
Speaker 3 (16:46):
What you got proof.
Speaker 5 (16:47):
There's nothing more to worry about.
Speaker 2 (16:49):
Would you take a prop proves forgot proving something to
my satisfaction in the same.
Speaker 7 (16:59):
What I'm mean if you got the professor to talk
and you.
Speaker 2 (17:01):
Know, look, honey, I'm a procola world that is that?
Speaker 5 (17:04):
How am I gonna even get into the worst thing?
Speaker 6 (17:06):
He isn't say the ambassador here you spend on a
weekend at the Carlton flash. You can get into the
carton flas have you've been in every room?
Speaker 2 (17:14):
Not exaggerate?
Speaker 5 (17:15):
Well, isn't it the true in a general?
Speaker 2 (17:17):
Yeah, you mean just break in and dear deal busid
why not? What time is it really? W well early,
it's definitely too the breaking in up the bass, that's true.
Speaker 7 (17:28):
You see, you can lose some more of your money.
Speaker 2 (17:30):
Don't be ridiculous, nimma about two hours link. I climbed
us and sign and tip let myself into the ambassador.
Speaker 5 (17:50):
All right, all right there, I'm away.
Speaker 2 (17:52):
That's good, trampas.
Speaker 5 (17:53):
Now hold up your hair. I apologize for coming in
through the window.
Speaker 2 (17:56):
Heard me, hold up your hand, but find.
Speaker 5 (17:58):
That Trambassador, why hands out, mister.
Speaker 2 (18:01):
Ambati, excuse me for mentioning it. You don't have any guns?
You see when people are people to pull up the well,
you know I don't have a gun, because I could
see the experience is quite simple, and said, I've been
crawling up from one darkness to another. In the darkness
to my.
Speaker 5 (18:18):
Eyes are all right?
Speaker 2 (18:19):
All right? What he has? If my money, it's in
the past, pocket tickets and nowhere. I don't want your money,
mister MBA's just a.
Speaker 5 (18:25):
Minute of your time, where it's everybody once a minute
of my time. Now they've taken to breaking into my.
Speaker 2 (18:31):
Bedroom to get it from Now I'm not left the
sleep of another secretary under myself.
Speaker 3 (18:35):
Dram back and he's making.
Speaker 5 (18:37):
Quick I know you're on and I'm not.
Speaker 2 (18:39):
But in common decency, if you have the remotest idea
with my schedule, you know of it? What having Professor
Conrich what about it? Well, he's leaving for America. There
to modesty charge of I know, I know what about
Congress common everybody says everybody is a cogns. It has
got to be proops. I can groot house right talked
(19:00):
to him this afternoon and he admitted he was working
for the Kremlin. That i'd be witnesses. Witness got a
tape recording. I know this happened on the water. On
the water, yes, and a couple of boats. I pretended
to be a Russian A no witnesses. Well, no, that's
r master. But I can assure you, oh you can.
Can you? By the way, who are you? It doesn't
matter why want to manas who you? Why you're making
(19:22):
a very serious accusation.
Speaker 5 (19:24):
Hey, where are you going away?
Speaker 2 (19:26):
That's to ambassador. That's where I'm going away, And I've
certainly understood.
Speaker 3 (19:29):
That I may can't fool of my whole out of it.
Speaker 2 (19:31):
Excuse me, that's to ambassor. But why because maybe you've
got something. Of course I've got something that's to ambassador.
But what if you will excuse my impertiness? What in
the blue blaze is? Can I do about it? Good night?
Pleasant dream? I did to see my ambassadors.
Speaker 5 (19:57):
It's mine too, aren't keeping you mean?
Speaker 7 (20:00):
He didn't believe, No, I can't stay I'm playing anyway.
Speaker 2 (20:03):
He told me to go ahead and see what I
could do. Sorts indicated that he stopped me.
Speaker 6 (20:08):
That's nice, very and condict leads a market night, You
got less and sleep four hours to do it?
Speaker 2 (20:15):
Do what that's another you know? Probably is I'm I'm
you know who I am. It's just my word, that's all.
My word is all I got to offer.
Speaker 3 (20:24):
I didn't want a confederate nigger with a hole in
the black market.
Speaker 5 (20:27):
Where are you going down of the boat dock?
Speaker 7 (20:29):
You mean you got another meeting?
Speaker 2 (20:30):
Yeah, finally got to see a man about it.
Speaker 3 (20:43):
Said, yes, you have the friends didn't coming on.
Speaker 2 (20:48):
He explains that have come into possessions that he's stopping usulation.
H we need to exclaimed myself in before.
Speaker 5 (20:56):
Well yes, so then it's a little bit further.
Speaker 2 (20:57):
What's the information? It was the minitrual friend, and so
the friend is letter the information mister Lion has to
do with peaturally preadfully, you're the most terriblesome. I ended
up the food. I see you mean never than talking.
Speaker 3 (21:14):
He is a delightful child.
Speaker 2 (21:17):
She has she will know how to keep her trap. Sure,
let mister Alion, you see she trusted me. She began
to deal with him and not being effected that you
put the company, so she cast the whole brother Dame,
don't care what happens now, Professor is your friends just
when you stand doctor phod and all.
Speaker 3 (21:32):
That I understand, mister ellive with the.
Speaker 2 (21:35):
Fleavor, I said, then I said the speech doctor of
what does it mean? But I have known hands cooling
sy as a child's father, and I was friends in
the university. Has been almost like fun.
Speaker 5 (21:45):
Fine time, But you're still not answering an endeavored to
mister Elias.
Speaker 2 (21:49):
You just there isn't much time, you know, you're all trump.
The professor's leaving for a matter of fris that I
like I do not be is leaving. But it's all
set up. He's taking charge of you.
Speaker 5 (22:00):
Pro it that I.
Speaker 2 (22:02):
See you still aren't telling me anything. What does that mean?
A resigned this post?
Speaker 3 (22:07):
What you know?
Speaker 2 (22:12):
And how can you be sure? How can you speak
for it? I was like his father, certainly I loved
him everybody I think he and now of course that's
all decide. You never trust me and I'll bring you
doctor Photo. But I don't see why you shouldn't tell
me what's happened. And I suppose I get to tell
(22:32):
you something. Yes, police come, I have to say something
to them, But the truth is I don't have anything
you want to say. I said everything to answer. He
was like my old boy, mister dam boy, and now
now he is dead dead You mean I killed you, mister?
I am because doctor Photo. He took me into his
(23:00):
house and showed me economy. He was an elaboratory and
just soft photos aquarium. His blood showed almost blacks on
the white tiles.
Speaker 3 (23:08):
Of the sport.
Speaker 2 (23:11):
I told him I would hand him into the police,
but I gave him time. I knew he would choose
to do like he did. One of the knives could
see was the knives were used here for while research
on the vicious shocks. Last I came in and found
him like this. HEAs not yet quite dead. Then he
(23:33):
died and I went to day that.
Speaker 3 (23:38):
So what was there to say?
Speaker 2 (23:39):
That a prayer? He didn't even one prayer?
Speaker 6 (23:53):
That sorry, what happened?
Speaker 7 (23:59):
I wasn't to continue. And just now I got back
in the bullet.
Speaker 5 (24:01):
And the butet tender.
Speaker 2 (24:05):
And told you have of it? Not at least I
hope he hasn't. It's one last traitor in the world.
Speaker 7 (24:08):
I want.
Speaker 2 (24:11):
Not exactly which when I say I was around at
the time. What do we do? What do we do? Right?
What does anybody do? Now?
Speaker 3 (24:17):
There is just go on the way we're going, oh
oh for what? Well?
Speaker 2 (24:22):
The contracts of the world and the minority of the
one thing there's just a few of them, and thoughts
to the rest.
Speaker 7 (24:28):
Of us, what do you mean by the rest of them?
Speaker 2 (24:29):
I'm not too sure. I can't say it to you,
just won't come out in words that don't sound like
Wild's oratory on the latest and forth to to but
I get corny, real Corney. I know about it in
the dance, and now I feel it coming on, So
I tak you we better get out of here and
go out to see him?
Speaker 7 (24:46):
Did I just come?
Speaker 2 (24:48):
Well? Go back eventually? I I don't know. I feel lucky.
Harry Lyme returns and touched a moment and no, Harry Lyn.
(26:11):
Last week I ran into ned again the block again.
That's the time to overlooked. Hi, hiy, why are you
doing in London forty?
Speaker 7 (26:23):
I don't browsing Browsingmber last summer.
Speaker 2 (26:26):
I don't have your own gentle.
Speaker 3 (26:29):
Why don't you going to adopt you?
Speaker 5 (26:31):
Did you adopted your daddy for creature?
Speaker 2 (26:33):
You not be worth a fortune? What are you going
for dinner?
Speaker 7 (26:36):
You buy it?
Speaker 2 (26:37):
I've got a better idea. You buy it for me?
Speaker 7 (26:40):
Your guardians anymore?
Speaker 2 (26:45):
Yes, I'm sorry, Yeah, that is a nice little guardian.
What had it that forty or fifty million potatoes left?
Speaker 7 (26:51):
The whole thing was foundation?
Speaker 2 (26:53):
What's that? Come on? And a nice cheap little place
so we can eat Dutch treatment.
Speaker 4 (26:59):
As
Speaker 3 (29:01):
That at gat has stated in the S and S
attically considers
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