August 14, 2025 • 29 mins
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Speaker 1 (00:00):
Sure, they may have plenty of blue blood in Boston,
but from what I just saw, they've got plenty of
the other kind too.
Speaker 2 (00:12):
This is another in the adventures of America's fabulous freelance
insurance investigator Johnny Dollar. That insurance investigation Johnny Dollar is
only an expert at making out his expense account he
is an absolute genius.
Speaker 1 (00:34):
Expense accounts submitted by special Investigator Johnny Dollars to home
office tri State Life and Casually Insurance Company, Hartford, Connecticut.
The following is an accounting of my expenditures during my
search for your missing policy holder, Miss Michelle Marsh or
she came in like a lion and went out on
(00:54):
the land, or she should have been banned in Boston
frants account. I don't want two eighty five cents railroad
transportation of Hartford to Auston extant account. I am two
a donary cab there to the corner of Longwood and
Huntington Avenue, a half blocks from the apartment house that
was Miss March's last known address. Austin maybe called the
(01:20):
Cradle of Liberty, but somebody else got rocks to sleep
that morning on Longwood. The shops came from two carvings
and two men and one light tan club coup parked
across the street. I waited long enough to memorize the license.
Now were the pot lotted? Out of there? And then
I head for the victim. My heart was counting, but
(01:41):
not from exercise. He've been sprayed coming out of a
doorway that in another twenty seconds I would have been
going in, but the coincidence didn't stop there. I can
eat you now and we'll get you some help. Meet.
You know who did it, March? I just didn't get
(02:03):
you to to ask.
Speaker 3 (02:06):
March.
Speaker 1 (02:07):
Michelle March, That's who I'm looking for. What you got
to do with it? Any I mean, what's Michelle Marsch
got to do with it? Come on now, I'll cry.
I wonder if I should have stayed in Hartford shot
like a shooting guy house in five shop, brother, that's
where I stayed in this howig here can you tell? Yeah,
(02:29):
let's just say you don't need to stand back to
give him there he can't use it. While the two
limelight happy carriagters from the crowd argued about who was
going to know to fight the police. I disappeared from
the scene by way of that death doorway, pausing inside
just blow enough to learn from the buzzer panel that
(02:50):
Michelle Marsh's apartment number was Unluckily, Who's thirteen. I didn't
bother to look for the apartment house manager. I didn't
even bother to pick the lock. I put my show
(03:11):
oder work on the door. It was an easy aquirement
to search, but it didn't offer anything to find the
only thing he's in. Faintly resembling a lead I found
on the floor behind the bureau a book of matches
that advertised Boston's best bar by bar Plannery, where I
(03:34):
dressed on Washington Street. About then I decided that rather
than being found of a senior breaking and entering, I
had looked up the beliefs of the seen of murder.
Speaker 4 (04:01):
Ah, oh are you there?
Speaker 1 (04:03):
Well?
Speaker 5 (04:03):
You got to say about this?
Speaker 1 (04:04):
Not much lutens and shot from across the streets by
two men and a fan club crew, probably stolen license
number Massachusetts three or one six five weapons were carving
a thirty CALIBERANMI issue MM.
Speaker 4 (04:18):
You sure of all that?
Speaker 1 (04:19):
Yeah, yeah, let's we'll tell you why. I make it
a habit to be sure a thing?
Speaker 5 (04:25):
Oh dollar insurance investigator, Uh, huh, hatsman. Well in the
way that makes two of you.
Speaker 3 (04:32):
Huh.
Speaker 5 (04:33):
I'm Lieutenant battleller By the Matrix. The dead man was
a local detective, private license, good business.
Speaker 4 (04:39):
And a bad reputation the name of.
Speaker 5 (04:41):
Ah Ah something I can't pass up right now?
Speaker 1 (04:44):
Oh okay, here's why I'm interested in lieutenants. If I'm detective.
Was not case, he could have been hired to find
the same party I was hired to find, and since
he was blasted at said party's last not address, it
could be that somebody doesn't want said party farms, which
paints an interesting but uh gloomy picture of my future.
Who is this that party? A girl? Michelle Marsh reported
(05:05):
the missing persons in New York yesterday by a worried
sister who is also the beneficiary of a twenty five
thousand dollars insurance policy owned by Miss March. The insurance
price Dyfe got the report from Missing Persons and hired
me to find her.
Speaker 4 (05:17):
Do you think she's dead?
Speaker 1 (05:18):
I'll tell you when I find her. Yeah.
Speaker 5 (05:21):
Now, what makes you think the deceased might have been
looking forward to.
Speaker 1 (05:24):
Because he mentioned her name just before he went bye bye?
Speaker 5 (05:29):
Why are you saying dollar, he said, just in case
we need you cart right hotel.
Speaker 1 (05:34):
I luck your kind. You've got a murder and I've
got a missing person. You can load if you want to,
but I'm eager. I want to talk to your farmer
house manager. Any objections, no.
Speaker 5 (05:43):
Go right ahead, Dollar.
Speaker 1 (05:45):
Good luck to you.
Speaker 6 (05:57):
I am over this, mister Dollard.
Speaker 7 (05:59):
I've managed the houses for over thirty years in Boston,
some very nice one.
Speaker 8 (06:03):
This is the first murderer I've ever had. Oh why
did the page point at.
Speaker 1 (06:07):
Me face didn't appoint missus Mayhee? The gentleman was knocked
off because he was involved with one of your tenants.
Speaker 8 (06:12):
Oh, oh, that's impossible.
Speaker 7 (06:14):
I've tried the hard references my own personal observation.
Speaker 1 (06:18):
Well, I'm glad to hear that, Missus Mazee in thanks
the more personal your observations were. I'm glad of eight.
Speaker 8 (06:25):
Well it isn't that I snooped mister the.
Speaker 1 (06:27):
Of course, not Missus Mahee, who was Michelle marsh two thirteen.
Speaker 8 (06:31):
Oh, she's a lovely girl who but her habits were
quite irregular, often came in late muh.
Speaker 1 (06:37):
I understand she hasn't been staying in her apartment for
the past two weeks. Do you know where she went by?
Speaker 7 (06:41):
No, but I I did happen to be just outside
her door when she came up with a suitcase and
her gentleman call her her employer a glieve.
Speaker 8 (06:48):
She said something about some work they had to do
in the country.
Speaker 1 (06:52):
Uh huh, she leave affording address.
Speaker 8 (06:54):
She had little reason to do that. Why all the
time she's been here. The only letter she's gotten it
from somebody in Chicago one month A man, I'd say,
Did I get one this month?
Speaker 1 (07:05):
Though? Do you buy any chance remember what those letters said?
You young up? Stop.
Speaker 6 (07:11):
I'm only trying to help.
Speaker 1 (07:12):
I know, Missus macye, you're a lovable old gossip. After
Missus Macey chased me out of her apartment, I questioned
some of Michelle's second floor neighbors. What they gave me
the only augment of the story I already had. You
hadn't been seen in the company of anyone for four
or five months until dapper, medium build, and swarthy took over.
(07:37):
All of them had seen him. None of them knew
his name, but they all agreed he was the guy
Michelle March had marched away with. Everything I learned added
up to a Dane getting tired of waiting for somebody
in Chicago and ducking out with somebody else. They would
have looked that simple if it hadn't been for that
detective who had so recently taken up new headquarters in
the city. Morgue Spenser counts Item three four dollarsand seventy
(08:05):
five cent drinks and dinner, after which expense account item
four one eighties taxi rides taken on the strength of
the weak clue I found on Michelle's apartment floor. The
match folder from Boston Best Bar by Barn Planner Planneries
(08:26):
look like they wouldn't want to know how old you are,
but how many stretches and in what prisoners? A full
row of greasy bottles. The wall behind the bar was
covered with pictures of fighters right from old John l
Up the Rocky dropped me out, but none of them
looked as brutal as the eight or ten guerrillas who
had their feet on the branch rail. And I just
(08:47):
kind of this was no place to ask for a lady,
so I asked for a drink. Yeah, a straight fry.
Speaker 4 (08:54):
Double, never been in before.
Speaker 1 (09:03):
Where are you from? I'm trying to forget as Blackie
b Le who was Blackie? Well maybe that's not his
full name, but the one I knew him by. Hey,
he want a lot of shop suits. You know about
medium bills, Doc Swathy, that could see anybody.
Speaker 4 (09:23):
I drink and drink before it.
Speaker 1 (09:24):
Move along. Now, way a minute now, I haven't done
anything against the guy. I'm looking for a game that's
with him? Say what's the freeze for him? I need
the room expecting a bright crowd. I meet him more. Uh,
maybe I wanted Jo for these guys.
Speaker 4 (09:40):
Yeah, Joe, I get closed up again. If I get
any more trouble this, we take him outside. Rocks here,
got up it?
Speaker 1 (09:48):
What did Nile's name you're looking for? Michelle March? You
know what? Yeah, let's go some place to doalk. Thanks
for the invitation, but I can't go where the arm
you get, Gangreen? When the circulation is cut off? Surry,
come on, what makes you so upset about the lost Michelle?
(10:10):
What do you want with Louis Marine? Louis Marine, these
the guys's with. All I wanted to do is to
point her out. You and me might get along as
that I'd be worse than lady. Look niphone. The car
they were in was different, but those carbines sound the same.
(10:32):
I rubbed my nose raw, trying to bury my head
in a sidewalk. I knew they had to empty those
carbines sometime, but instead of sounding better, it's started to
sound worse. I twisted my head, try to look at
the street, saw one of the attackers and the foxes
are falling out of one of the windows with a gun.
Car closed my eyes again and realize why they never
let my kind of insurance invest together be a policy holder.
(10:55):
I've been sent to find a missing girl, and there
I was in the middle of another Boston massacre.
Speaker 2 (11:12):
You are listening to yours truly, Johnny Dollar, Darring, Charls Russell.
Speaker 1 (11:27):
It start up full twenty seconds after the smoke of
battle had started clear for me to realize that I'd
been saved by the arrival of fire support from an
unexpected source, the police. I looked around for my new
friend and brother, target Rachi, but he had disappeared. A
waiver of suspicion broke over my flow of thought with
this question, how did it happen that all those cops
(11:48):
with all those guns just happened to be in all
those hiding places, waiting for those gunmen to drive up
and open up. Answer a hunter's still like that usually
calls for a pigeon. I didn't feel like flying, but
I did straight back to my hotel with one landing
in a newsstand and Evening Paper gave me everything else
(12:10):
I needed except the feathers. But I wasn't exactly cooling
when I got to my hotel room's phone and put
a call through to the Boston Police. Give me no
kind of fell and homicide one moment, homoicide. Lieutenant. That
(12:34):
a dollar, lieutenant, dollar sure from me. I'll have your
badge for this.
Speaker 3 (12:39):
What did you say?
Speaker 1 (12:41):
The Evening Paper quotes Boston private detective whose name has
been withheld by police, was slain today, presumably to stop
his search for a missing girl. It was learned by
this paper from reliable sort another investigator, still alive, has
joined the hunt for the girl. Jney Dollar, well known
heart for the insurance buve checked in the room seven
(13:02):
o five at the car Right hotel today. Well you
want one? I can't understand it.
Speaker 4 (13:09):
I told the boy not to say a word.
Speaker 1 (13:10):
I think the boys didn't.
Speaker 4 (13:12):
Now see here the man would have to do pretty
low to methods like that.
Speaker 1 (13:16):
You'll probably touch your toes every morning for practice. Well,
I hope you got the results for your stake out
in front of flowerries. We got two hot car beans
and a hot car the evidence that cark those gunmen
and so full of police led. But your only chance
of learning anything now is to find somebody strong enough
to pick them up and write with them.
Speaker 4 (13:33):
No, wait a minute, Dollar, you know we'll hire them.
Speaker 1 (13:35):
Well, I'll find out the one you get confused? Checked
with me. I think I know now. So I got
the name of that private detective the deceased. I don't
see any harm.
Speaker 4 (13:48):
Bernard Knight, hired by well, all right, Dollar, if you'll cooperate,
I will. According to his files, he was hired by
a rock named Morris to find the girl. Now who
hired the gunman?
Speaker 1 (14:00):
I think, but don't know that they were hired by
a gent named Louis Marine to stop Rocky Mars from
finding Michelle Marsh. Why we'll have more about that layer.
But if you'll put a search and I tell her names,
I'll work for a good night's sleep. And after that
sidewalk it was easy to.
Speaker 3 (14:21):
Find, huh, hmm.
Speaker 1 (14:38):
Boss. Uh uh, good morning. Hello, dontil i'd pick you
about the floor. Uh who is this do? Yeah? Yeah
it is.
Speaker 9 (14:54):
Well this is Michelle March.
Speaker 1 (14:57):
Huh oh well, uh, good morning Michelle. I've been looking
for you.
Speaker 9 (15:02):
That's why I called. I read that you were hired
by my insurance company.
Speaker 1 (15:06):
Yeah, that's right. They don't like disappearing policy holders.
Speaker 9 (15:09):
Oh let me tell you this. If they want to
save the money, they'll.
Speaker 1 (15:12):
Have to pay for me.
Speaker 9 (15:13):
Stop looking for me?
Speaker 1 (15:14):
What are you afraid of that? Roxy Morris will follow me?
Speaker 9 (15:19):
How do you know about Roxy?
Speaker 1 (15:21):
Did he like to find you in Louis Marine?
Speaker 9 (15:22):
What did you tell you?
Speaker 1 (15:23):
Oh? What councils? But I filled in what he didn't
tell me, namely that he was in Chicago for a
year and you were supposed to be waiting for him
in this fatal apartment on Longwood Avenue. But instead Louis
Marine landed, took the situation well in a half and
captured you for himself. Uh.
Speaker 9 (15:38):
Just trying the sun side, don't you?
Speaker 1 (15:40):
If it's fits, keep it unapproval. The point is there
are too many people looking for you to stay lost.
Where can I meet you?
Speaker 9 (15:49):
How do I know?
Speaker 1 (15:50):
I can trust you.
Speaker 9 (15:51):
I can't trust anybody.
Speaker 1 (15:52):
Look, I'm still working for the insurance company, so my
greatest interest is keeping you alive, not selling you out.
What about the police, I promise it's not't equipped with
lifetime guarantees. But I'll do what I can if you
tell all and if the story is big enough, they
should be willing to make a deal.
Speaker 9 (16:10):
It's big alright, don't craft something out of their books
that's been there for a year.
Speaker 1 (16:15):
Where do I meet you?
Speaker 9 (16:18):
Do you know where Charlestown is?
Speaker 1 (16:20):
Oh? I know it's part of Boston.
Speaker 9 (16:22):
Take the subway and get off the city square off Now,
I'll be in a bomb a gang plank. I'm Chelsea
near the Navy Yards.
Speaker 1 (16:33):
Okay, sweetie, I'll be there up until now. Whoever's been
doing the shooting is use everything but battleship. Even though
Michelle's story sounded like trap based cheesy, indeed, and I
had to take a chance. I dove into a cab
and had a cab drive into the top of Hanniver
Street and down to the Boston's North vent. Playing quiz
(16:56):
games with strangers in that section is called take it
or lump it. But a furewell placed twenties led me
to a neighborhood undertaker who had the officially unproved reputation
of creating a large demand for his own services where
he swapped donations. I gave him fifty bucks and he
gave me a large out of the corner of his mouthfolk, I.
Speaker 10 (17:14):
Listened to me good about the year ago the laws
pick up a Roxy Morris on his suspicions.
Speaker 1 (17:22):
They had a good idea he's a heist.
Speaker 4 (17:25):
Of the seventy five g pay roller, but there were
no weaknesses. He didn't believe nothing.
Speaker 10 (17:33):
Roxy knew they'd watch him, so he tailed it out
of town, but he didn't detect the luke with him.
Speaker 1 (17:40):
The boys around the.
Speaker 10 (17:41):
Year got it back on the grapevine. He was suffering
from the short so.
Speaker 1 (17:47):
Everybody figured he had to go the stationed away.
Speaker 10 (17:50):
Is somewhere a right around the here?
Speaker 1 (17:53):
Is that all? Is there? Got anything else to tell me? Yeah?
Good pride. I didn't like the way that undertaker said
good Brye Mario. I'd legged up to the subway station.
Mark Union went down in and bought a train for Charlestown.
Wances the city square at three block walks down Chelsea
Street produced the gang flank bar, which in turn produced
(18:16):
that nose bruising smell which comes from slapping beer on
sawdust out a place in the place that Michelle March.
He was a good looker with a bad luck, And
if I had been Rocky Morris, I would have elected
her the last national Bank. I flopped into a booth
beside her. She turned her head my way, looked me
straight in the kisser, blew a smoking at me, and
(18:36):
popped two words through it. A few dollars yep, found dollar,
You March and Michelle March well s varshare good. It's
nice hearing you breathe. I mean, try to fit insurance
and keep it nice twenty five thousand dollars.
Speaker 8 (18:49):
Only if you keep me this way, mister dollar. And
that might prove to be a difficult.
Speaker 1 (18:53):
Thing to do. Ooh, maybe not so difficult. I know. Well,
you indicated yourself that you're a magnetic personality. Might suddenly
at try a few steel jackets bulls. That means him
have to be somebody to pull the trigger. So all
I have to do is to sit around. So who
tries to take a shop of target? You and we've
got our man it's not that easy.
Speaker 6 (19:11):
I'm in trouble three ways, and it's hard to see
three ways at once.
Speaker 1 (19:15):
Look, I know all about Roxy Morris. He's wiped seventy
five thousand dollars and gave it to you to mine.
You don't know the hop of it.
Speaker 6 (19:24):
Two months after Roxy was gone, a guy named Louis
Marine came to me. But the story that Roxy had
sent for twenty thousand dollars.
Speaker 8 (19:30):
I gave it to him.
Speaker 6 (19:32):
Then he told me that Roxy had never sent for me,
and that if I squawked, he'd convinced Roxy that I'd
fallen in love with him and just given him the money,
said the batter.
Speaker 8 (19:40):
He tip off the police. He had me going and coming.
Speaker 1 (19:42):
Nice fellow, you wouldn't let me alone.
Speaker 8 (19:45):
He made me give him fifteen thousand more of Roxy times.
Speaker 6 (19:48):
Don't you wish Aldo? I got word through to Roxy
in Chicago. He blew up, turned on me, popped the
running FM him. Ever since, he wanted seventy five thousand
all of him, and I haven't cut it.
Speaker 1 (20:00):
Oh, He's like, you've been taking chances all the way.
Now you know what I want you to do? You
know what? Take one more? I told Michelle what I
had in mind for during the next few hours, release
and grabbed the cab back across the bridge into the
North End expense account out of five fifty dollars another
(20:22):
donations of my expensive undertaker. That's time I paid him
for talking, but not to me. Then I took over
the telephone and dial my way through to the guys
to whom I was about to give a chance of
becoming the Dingjiang daddy of the Boston Police Force, Lieutenant
Bell Bell, how would you like to get the goods
one Rocky Marris? Like? Okay? And along with that, how'd
(20:45):
you like to pin a receiving skill and property rap
on Louis Marine. I hope you are just being so
I'm not left tenants. Hell. Look, you may have to
do some trading with a gallon. It's to you. You
may have to promise for some time off for verbal
good behavior. To listen, I have vaded a tall sind
granite trap for Roxy Morris and Louis Marine. The blade
is Roxy's ex girlfriend, Michelle March.
Speaker 4 (21:07):
Okay, what's that?
Speaker 1 (21:08):
I had the tips to call Roxy Morris and tell
him that Louis Marine was meeting Michelle at a certain
place at three o'clock this afternoon. I also had mister
Flapbamouth called Louis Marine and tell them that Michelle is
meeting Roxy at the same time and the same place.
I had him tell each of the gentlemen that Michelle
was meeting the other one with what's less of the
money in cash?
Speaker 4 (21:26):
Or you've started a war dollars?
Speaker 1 (21:28):
What does the trick? It's with me, all right? What's
my movie? First call? Call the place where Iverraine is
a surprise party and tell them to get rid of
the public but also tell him another girl named Michelle
marsh come and go as she pleases.
Speaker 4 (21:38):
Also me, don't tell me you set this thing up
in the public place?
Speaker 1 (21:41):
Where is it? Sir simonth Bell. What I want is
for those two characters to run up a blind alley
and when I say up, oh brother, they got the
word that Michelle meeting would be held of the top
of the Bunker Hill monument. And you might remember what
Jack General prest Foremost said, don't fire until you see
the red in their eyes. I was back in Charlestown
(22:06):
and at the base of the Bunker Hill Monument of
a quarter to three, the door of the museum at
the bottom was opened, but the state park officer stood
by its side. I told him who I was, and
he nodded me to the bronze doors. Officers did ms
Marsh get here, Yes, you're a young man.
Speaker 3 (22:22):
She went up the shaft.
Speaker 1 (22:23):
Oh well, look, can I run the elevator myself? I
did a stand. Any elevations your step two to three hundreds?
Oh how this may be going to have them the
hard way? But here goes halfway up the winding granite stairs.
(22:49):
I yelled from the shell, but she either didn't hear
me or just didn't want to ask her. I kept going.
I had a hoping. As I came closer to the top,
I tried yelling again, still a answer. Finally I made
it up to the observation landing of the top. Michelle
(23:13):
was there. She still wouldn't talk, but she had written
me a note. Beside her crumpled figure was a vial
that hadn't been filled with perfume. The note was short
and to the point. Here, Johnny Dollar, I still want
to help, but I hadn't better be around here alive
when everybody gets here. And it was time a shell.
(23:36):
I've bent over to see what kind of vibe by
a medicine she'd taken. I heard something that might mean
a sudden dose of lead to the head for me
by the morris Or marine had landed, and then I
was stuck at the top with a bait that had
stuck of them into a trap which suddenly turned out
to be mine. Waging up there on that tiny room
for death to come get me would have killed me anyway,
(23:57):
So I started down the counting of my heart and
the oone steps on the granite blox. I has a pit,
a patter of anything but tiny feet. I'm charging up
a narrow staircase. The woman was coming up and I
both slowed down, but my heart didn't, and I pressed
(24:18):
around a curve and my eyes went to my head
on collision with a pair staring back. What do you
do in here? Uh? I'm a tourist. Uh rocket may
be a right white guy. You may be taking any trip?
Who dump me? Uh? Oh up there? I don't know
who they are, just some girl with a guy she
keeps calling Louis. Okay, maybe why you got try anything?
(24:50):
Roxy Mars tagged me with a butt of thirty two
going by but wanting there with my head against the cold.
Then at the inside wall of a monument brought me
back and conscious. Was a very dangerous condition for me
to be in, because charging up the stairs came another
pair of unfriendly feet that couldn't have belong to anybody
but Louis Marine, Who are you? What are you doing here?
(25:12):
Up until somebody hit me on the head, I was
killing Roxy Morris and this girl. They're up there, sure,
Louis here, they're up there, and let me buy Come on,
get up out of my way. Okay, okay, go ahead
and fry. Yeah, but wait a minute, I got idea.
Come on, chump ahead of me up, you're go, You
(25:35):
can a funk for me more. Louie had a gun
at my back and Roxy had one waiting for me
up front. We took the last few steps up to
the top of reel. Quiet light on my eyes teamed
level of the floor of the observation room. Roxy was
bending over Michelle, but he snapped up in a hurry,
and his right hand was a little with heat. Louie
(25:58):
pushed me ahead of him up and end. I stood
there between them, listening to them grind their teeth at
each other with one foot under Michelle's n Now I
got two big shots. A scream for Michelle just before
she snatched my legs out for London. May, Hey, what
(26:19):
are you doing alive?
Speaker 8 (26:22):
I don't know.
Speaker 6 (26:24):
I guess I didn't take enough.
Speaker 1 (26:27):
Well, whatever you're doing alive, I'll tell you one thing.
Your two boyfriends Shore took carry of each other. Hold on,
let me get you out of here. I didn't think
i'd be able to carry me down all those tears.
Now I have to carry you spansa count. I am
(26:52):
sick twenty dollars to the hospital, having Michelle's stomach pumped out,
and the way Michelle took my suggestion that she's tarily
turned herself over the police was very good. Lieutenant Bell
was very cooperative. Otherwise I might let it be known
of the reason that he didn't show up on time
to help me in the nineteen forty nine Battle of
(27:13):
Bunker Hill was because he forgot to reset his watch
at the end of daylight saving time. He showed up
for a three o'clock appointment at four expense account total
Yeah seven and eighty six dollars and no sense signs.
Yours truly, Johnny Dollar, yours truly Johnny Dollar is produced
(27:52):
and directed by Gordon T.
Speaker 2 (27:53):
Hughes and stars Charles Russell. Was script by Paul Dudley
and Gill Dowd. Featured in the cast were Bill Bouchet,
Myra marsh Dick Ryan, Larry Dobkin, Charles Seal and Dorothy Lovett.
The special music is written and conducted by Alice Stevens.
Be sure to be with us next Saturday, October first
(28:15):
one another unusual expense account is handed in by yours
truly Johnny Dollar. That's right, Yours truly Johnny Dollar, will
be heard on Saturday evenings starting next Saturday.
Speaker 4 (28:30):
And look at who's going to be here at the
same time on Sundays.
Speaker 2 (28:34):
The world's most famous blockhead, Charlie McCarthy, accompanied by a
man who shadows him clostly as Johnny shadows the suspect,
Edgar Bergan. Guess, Johny McCarthy and Edgar Bergan have joined
the Great Parade of Stars to CBS, along with Jack
Benny Amos and Andy Horace Highton Red Skelton, who show
starts next Saturday, or rather next Sunday. Also duff means
(28:54):
the first delarious appearance of Charlie and Bergen on most
of these same CBS stations at the same time.
Speaker 9 (29:00):
Next Monday night and every Sunday thereafter.
Speaker 2 (29:03):
This is CBS to Columbia Broadcasting System H
Sure, they may have plenty of blue blood in Boston,
but from what I just saw, they've got plenty of
the other kind too.
Speaker 2 (00:12):
This is another in the adventures of America's fabulous freelance
insurance investigator Johnny Dollar. That insurance investigation Johnny Dollar is
only an expert at making out his expense account he
is an absolute genius.
Speaker 1 (00:34):
Expense accounts submitted by special Investigator Johnny Dollars to home
office tri State Life and Casually Insurance Company, Hartford, Connecticut.
The following is an accounting of my expenditures during my
search for your missing policy holder, Miss Michelle Marsh or
she came in like a lion and went out on
(00:54):
the land, or she should have been banned in Boston
frants account. I don't want two eighty five cents railroad
transportation of Hartford to Auston extant account. I am two
a donary cab there to the corner of Longwood and
Huntington Avenue, a half blocks from the apartment house that
was Miss March's last known address. Austin maybe called the
(01:20):
Cradle of Liberty, but somebody else got rocks to sleep
that morning on Longwood. The shops came from two carvings
and two men and one light tan club coup parked
across the street. I waited long enough to memorize the license.
Now were the pot lotted? Out of there? And then
I head for the victim. My heart was counting, but
(01:41):
not from exercise. He've been sprayed coming out of a
doorway that in another twenty seconds I would have been
going in, but the coincidence didn't stop there. I can
eat you now and we'll get you some help. Meet.
You know who did it, March? I just didn't get
(02:03):
you to to ask.
Speaker 3 (02:06):
March.
Speaker 1 (02:07):
Michelle March, That's who I'm looking for. What you got
to do with it? Any I mean, what's Michelle Marsch
got to do with it? Come on now, I'll cry.
I wonder if I should have stayed in Hartford shot
like a shooting guy house in five shop, brother, that's
where I stayed in this howig here can you tell? Yeah,
(02:29):
let's just say you don't need to stand back to
give him there he can't use it. While the two
limelight happy carriagters from the crowd argued about who was
going to know to fight the police. I disappeared from
the scene by way of that death doorway, pausing inside
just blow enough to learn from the buzzer panel that
(02:50):
Michelle Marsh's apartment number was Unluckily, Who's thirteen. I didn't
bother to look for the apartment house manager. I didn't
even bother to pick the lock. I put my show
(03:11):
oder work on the door. It was an easy aquirement
to search, but it didn't offer anything to find the
only thing he's in. Faintly resembling a lead I found
on the floor behind the bureau a book of matches
that advertised Boston's best bar by bar Plannery, where I
(03:34):
dressed on Washington Street. About then I decided that rather
than being found of a senior breaking and entering, I
had looked up the beliefs of the seen of murder.
Speaker 4 (04:01):
Ah, oh are you there?
Speaker 1 (04:03):
Well?
Speaker 5 (04:03):
You got to say about this?
Speaker 1 (04:04):
Not much lutens and shot from across the streets by
two men and a fan club crew, probably stolen license
number Massachusetts three or one six five weapons were carving
a thirty CALIBERANMI issue MM.
Speaker 4 (04:18):
You sure of all that?
Speaker 1 (04:19):
Yeah, yeah, let's we'll tell you why. I make it
a habit to be sure a thing?
Speaker 5 (04:25):
Oh dollar insurance investigator, Uh, huh, hatsman. Well in the
way that makes two of you.
Speaker 3 (04:32):
Huh.
Speaker 5 (04:33):
I'm Lieutenant battleller By the Matrix. The dead man was
a local detective, private license, good business.
Speaker 4 (04:39):
And a bad reputation the name of.
Speaker 5 (04:41):
Ah Ah something I can't pass up right now?
Speaker 1 (04:44):
Oh okay, here's why I'm interested in lieutenants. If I'm detective.
Was not case, he could have been hired to find
the same party I was hired to find, and since
he was blasted at said party's last not address, it
could be that somebody doesn't want said party farms, which
paints an interesting but uh gloomy picture of my future.
Who is this that party? A girl? Michelle Marsh reported
(05:05):
the missing persons in New York yesterday by a worried
sister who is also the beneficiary of a twenty five
thousand dollars insurance policy owned by Miss March. The insurance
price Dyfe got the report from Missing Persons and hired
me to find her.
Speaker 4 (05:17):
Do you think she's dead?
Speaker 1 (05:18):
I'll tell you when I find her. Yeah.
Speaker 5 (05:21):
Now, what makes you think the deceased might have been
looking forward to.
Speaker 1 (05:24):
Because he mentioned her name just before he went bye bye?
Speaker 5 (05:29):
Why are you saying dollar, he said, just in case
we need you cart right hotel.
Speaker 1 (05:34):
I luck your kind. You've got a murder and I've
got a missing person. You can load if you want to,
but I'm eager. I want to talk to your farmer
house manager. Any objections, no.
Speaker 5 (05:43):
Go right ahead, Dollar.
Speaker 1 (05:45):
Good luck to you.
Speaker 6 (05:57):
I am over this, mister Dollard.
Speaker 7 (05:59):
I've managed the houses for over thirty years in Boston,
some very nice one.
Speaker 8 (06:03):
This is the first murderer I've ever had. Oh why
did the page point at.
Speaker 1 (06:07):
Me face didn't appoint missus Mayhee? The gentleman was knocked
off because he was involved with one of your tenants.
Speaker 8 (06:12):
Oh, oh, that's impossible.
Speaker 7 (06:14):
I've tried the hard references my own personal observation.
Speaker 1 (06:18):
Well, I'm glad to hear that, Missus Mazee in thanks
the more personal your observations were. I'm glad of eight.
Speaker 8 (06:25):
Well it isn't that I snooped mister the.
Speaker 1 (06:27):
Of course, not Missus Mahee, who was Michelle marsh two thirteen.
Speaker 8 (06:31):
Oh, she's a lovely girl who but her habits were
quite irregular, often came in late muh.
Speaker 1 (06:37):
I understand she hasn't been staying in her apartment for
the past two weeks. Do you know where she went by?
Speaker 7 (06:41):
No, but I I did happen to be just outside
her door when she came up with a suitcase and
her gentleman call her her employer a glieve.
Speaker 8 (06:48):
She said something about some work they had to do
in the country.
Speaker 1 (06:52):
Uh huh, she leave affording address.
Speaker 8 (06:54):
She had little reason to do that. Why all the
time she's been here. The only letter she's gotten it
from somebody in Chicago one month A man, I'd say,
Did I get one this month?
Speaker 1 (07:05):
Though? Do you buy any chance remember what those letters said?
You young up? Stop.
Speaker 6 (07:11):
I'm only trying to help.
Speaker 1 (07:12):
I know, Missus macye, you're a lovable old gossip. After
Missus Macey chased me out of her apartment, I questioned
some of Michelle's second floor neighbors. What they gave me
the only augment of the story I already had. You
hadn't been seen in the company of anyone for four
or five months until dapper, medium build, and swarthy took over.
(07:37):
All of them had seen him. None of them knew
his name, but they all agreed he was the guy
Michelle March had marched away with. Everything I learned added
up to a Dane getting tired of waiting for somebody
in Chicago and ducking out with somebody else. They would
have looked that simple if it hadn't been for that
detective who had so recently taken up new headquarters in
the city. Morgue Spenser counts Item three four dollarsand seventy
(08:05):
five cent drinks and dinner, after which expense account item
four one eighties taxi rides taken on the strength of
the weak clue I found on Michelle's apartment floor. The
match folder from Boston Best Bar by Barn Planner Planneries
(08:26):
look like they wouldn't want to know how old you are,
but how many stretches and in what prisoners? A full
row of greasy bottles. The wall behind the bar was
covered with pictures of fighters right from old John l
Up the Rocky dropped me out, but none of them
looked as brutal as the eight or ten guerrillas who
had their feet on the branch rail. And I just
(08:47):
kind of this was no place to ask for a lady,
so I asked for a drink. Yeah, a straight fry.
Speaker 4 (08:54):
Double, never been in before.
Speaker 1 (09:03):
Where are you from? I'm trying to forget as Blackie
b Le who was Blackie? Well maybe that's not his
full name, but the one I knew him by. Hey,
he want a lot of shop suits. You know about
medium bills, Doc Swathy, that could see anybody.
Speaker 4 (09:23):
I drink and drink before it.
Speaker 1 (09:24):
Move along. Now, way a minute now, I haven't done
anything against the guy. I'm looking for a game that's
with him? Say what's the freeze for him? I need
the room expecting a bright crowd. I meet him more. Uh,
maybe I wanted Jo for these guys.
Speaker 4 (09:40):
Yeah, Joe, I get closed up again. If I get
any more trouble this, we take him outside. Rocks here,
got up it?
Speaker 1 (09:48):
What did Nile's name you're looking for? Michelle March? You
know what? Yeah, let's go some place to doalk. Thanks
for the invitation, but I can't go where the arm
you get, Gangreen? When the circulation is cut off? Surry,
come on, what makes you so upset about the lost Michelle?
(10:10):
What do you want with Louis Marine? Louis Marine, these
the guys's with. All I wanted to do is to
point her out. You and me might get along as
that I'd be worse than lady. Look niphone. The car
they were in was different, but those carbines sound the same.
(10:32):
I rubbed my nose raw, trying to bury my head
in a sidewalk. I knew they had to empty those
carbines sometime, but instead of sounding better, it's started to
sound worse. I twisted my head, try to look at
the street, saw one of the attackers and the foxes
are falling out of one of the windows with a gun.
Car closed my eyes again and realize why they never
let my kind of insurance invest together be a policy holder.
(10:55):
I've been sent to find a missing girl, and there
I was in the middle of another Boston massacre.
Speaker 2 (11:12):
You are listening to yours truly, Johnny Dollar, Darring, Charls Russell.
Speaker 1 (11:27):
It start up full twenty seconds after the smoke of
battle had started clear for me to realize that I'd
been saved by the arrival of fire support from an
unexpected source, the police. I looked around for my new
friend and brother, target Rachi, but he had disappeared. A
waiver of suspicion broke over my flow of thought with
this question, how did it happen that all those cops
(11:48):
with all those guns just happened to be in all
those hiding places, waiting for those gunmen to drive up
and open up. Answer a hunter's still like that usually
calls for a pigeon. I didn't feel like flying, but
I did straight back to my hotel with one landing
in a newsstand and Evening Paper gave me everything else
(12:10):
I needed except the feathers. But I wasn't exactly cooling
when I got to my hotel room's phone and put
a call through to the Boston Police. Give me no
kind of fell and homicide one moment, homoicide. Lieutenant. That
(12:34):
a dollar, lieutenant, dollar sure from me. I'll have your
badge for this.
Speaker 3 (12:39):
What did you say?
Speaker 1 (12:41):
The Evening Paper quotes Boston private detective whose name has
been withheld by police, was slain today, presumably to stop
his search for a missing girl. It was learned by
this paper from reliable sort another investigator, still alive, has
joined the hunt for the girl. Jney Dollar, well known
heart for the insurance buve checked in the room seven
(13:02):
o five at the car Right hotel today. Well you
want one? I can't understand it.
Speaker 4 (13:09):
I told the boy not to say a word.
Speaker 1 (13:10):
I think the boys didn't.
Speaker 4 (13:12):
Now see here the man would have to do pretty
low to methods like that.
Speaker 1 (13:16):
You'll probably touch your toes every morning for practice. Well,
I hope you got the results for your stake out
in front of flowerries. We got two hot car beans
and a hot car the evidence that cark those gunmen
and so full of police led. But your only chance
of learning anything now is to find somebody strong enough
to pick them up and write with them.
Speaker 4 (13:33):
No, wait a minute, Dollar, you know we'll hire them.
Speaker 1 (13:35):
Well, I'll find out the one you get confused? Checked
with me. I think I know now. So I got
the name of that private detective the deceased. I don't
see any harm.
Speaker 4 (13:48):
Bernard Knight, hired by well, all right, Dollar, if you'll cooperate,
I will. According to his files, he was hired by
a rock named Morris to find the girl. Now who
hired the gunman?
Speaker 1 (14:00):
I think, but don't know that they were hired by
a gent named Louis Marine to stop Rocky Mars from
finding Michelle Marsh. Why we'll have more about that layer.
But if you'll put a search and I tell her names,
I'll work for a good night's sleep. And after that
sidewalk it was easy to.
Speaker 3 (14:21):
Find, huh, hmm.
Speaker 1 (14:38):
Boss. Uh uh, good morning. Hello, dontil i'd pick you
about the floor. Uh who is this do? Yeah? Yeah
it is.
Speaker 9 (14:54):
Well this is Michelle March.
Speaker 1 (14:57):
Huh oh well, uh, good morning Michelle. I've been looking
for you.
Speaker 9 (15:02):
That's why I called. I read that you were hired
by my insurance company.
Speaker 1 (15:06):
Yeah, that's right. They don't like disappearing policy holders.
Speaker 9 (15:09):
Oh let me tell you this. If they want to
save the money, they'll.
Speaker 1 (15:12):
Have to pay for me.
Speaker 9 (15:13):
Stop looking for me?
Speaker 1 (15:14):
What are you afraid of that? Roxy Morris will follow me?
Speaker 9 (15:19):
How do you know about Roxy?
Speaker 1 (15:21):
Did he like to find you in Louis Marine?
Speaker 9 (15:22):
What did you tell you?
Speaker 1 (15:23):
Oh? What councils? But I filled in what he didn't
tell me, namely that he was in Chicago for a
year and you were supposed to be waiting for him
in this fatal apartment on Longwood Avenue. But instead Louis
Marine landed, took the situation well in a half and
captured you for himself. Uh.
Speaker 9 (15:38):
Just trying the sun side, don't you?
Speaker 1 (15:40):
If it's fits, keep it unapproval. The point is there
are too many people looking for you to stay lost.
Where can I meet you?
Speaker 9 (15:49):
How do I know?
Speaker 1 (15:50):
I can trust you.
Speaker 9 (15:51):
I can't trust anybody.
Speaker 1 (15:52):
Look, I'm still working for the insurance company, so my
greatest interest is keeping you alive, not selling you out.
What about the police, I promise it's not't equipped with
lifetime guarantees. But I'll do what I can if you
tell all and if the story is big enough, they
should be willing to make a deal.
Speaker 9 (16:10):
It's big alright, don't craft something out of their books
that's been there for a year.
Speaker 1 (16:15):
Where do I meet you?
Speaker 9 (16:18):
Do you know where Charlestown is?
Speaker 1 (16:20):
Oh? I know it's part of Boston.
Speaker 9 (16:22):
Take the subway and get off the city square off Now,
I'll be in a bomb a gang plank. I'm Chelsea
near the Navy Yards.
Speaker 1 (16:33):
Okay, sweetie, I'll be there up until now. Whoever's been
doing the shooting is use everything but battleship. Even though
Michelle's story sounded like trap based cheesy, indeed, and I
had to take a chance. I dove into a cab
and had a cab drive into the top of Hanniver
Street and down to the Boston's North vent. Playing quiz
(16:56):
games with strangers in that section is called take it
or lump it. But a furewell placed twenties led me
to a neighborhood undertaker who had the officially unproved reputation
of creating a large demand for his own services where
he swapped donations. I gave him fifty bucks and he
gave me a large out of the corner of his mouthfolk, I.
Speaker 10 (17:14):
Listened to me good about the year ago the laws
pick up a Roxy Morris on his suspicions.
Speaker 1 (17:22):
They had a good idea he's a heist.
Speaker 4 (17:25):
Of the seventy five g pay roller, but there were
no weaknesses. He didn't believe nothing.
Speaker 10 (17:33):
Roxy knew they'd watch him, so he tailed it out
of town, but he didn't detect the luke with him.
Speaker 1 (17:40):
The boys around the.
Speaker 10 (17:41):
Year got it back on the grapevine. He was suffering
from the short so.
Speaker 1 (17:47):
Everybody figured he had to go the stationed away.
Speaker 10 (17:50):
Is somewhere a right around the here?
Speaker 1 (17:53):
Is that all? Is there? Got anything else to tell me? Yeah?
Good pride. I didn't like the way that undertaker said
good Brye Mario. I'd legged up to the subway station.
Mark Union went down in and bought a train for Charlestown.
Wances the city square at three block walks down Chelsea
Street produced the gang flank bar, which in turn produced
(18:16):
that nose bruising smell which comes from slapping beer on
sawdust out a place in the place that Michelle March.
He was a good looker with a bad luck, And
if I had been Rocky Morris, I would have elected
her the last national Bank. I flopped into a booth
beside her. She turned her head my way, looked me
straight in the kisser, blew a smoking at me, and
(18:36):
popped two words through it. A few dollars yep, found dollar,
You March and Michelle March well s varshare good. It's
nice hearing you breathe. I mean, try to fit insurance
and keep it nice twenty five thousand dollars.
Speaker 8 (18:49):
Only if you keep me this way, mister dollar. And
that might prove to be a difficult.
Speaker 1 (18:53):
Thing to do. Ooh, maybe not so difficult. I know. Well,
you indicated yourself that you're a magnetic personality. Might suddenly
at try a few steel jackets bulls. That means him
have to be somebody to pull the trigger. So all
I have to do is to sit around. So who
tries to take a shop of target? You and we've
got our man it's not that easy.
Speaker 6 (19:11):
I'm in trouble three ways, and it's hard to see
three ways at once.
Speaker 1 (19:15):
Look, I know all about Roxy Morris. He's wiped seventy
five thousand dollars and gave it to you to mine.
You don't know the hop of it.
Speaker 6 (19:24):
Two months after Roxy was gone, a guy named Louis
Marine came to me. But the story that Roxy had
sent for twenty thousand dollars.
Speaker 8 (19:30):
I gave it to him.
Speaker 6 (19:32):
Then he told me that Roxy had never sent for me,
and that if I squawked, he'd convinced Roxy that I'd
fallen in love with him and just given him the money,
said the batter.
Speaker 8 (19:40):
He tip off the police. He had me going and coming.
Speaker 1 (19:42):
Nice fellow, you wouldn't let me alone.
Speaker 8 (19:45):
He made me give him fifteen thousand more of Roxy times.
Speaker 6 (19:48):
Don't you wish Aldo? I got word through to Roxy
in Chicago. He blew up, turned on me, popped the
running FM him. Ever since, he wanted seventy five thousand
all of him, and I haven't cut it.
Speaker 1 (20:00):
Oh, He's like, you've been taking chances all the way.
Now you know what I want you to do? You
know what? Take one more? I told Michelle what I
had in mind for during the next few hours, release
and grabbed the cab back across the bridge into the
North End expense account out of five fifty dollars another
(20:22):
donations of my expensive undertaker. That's time I paid him
for talking, but not to me. Then I took over
the telephone and dial my way through to the guys
to whom I was about to give a chance of
becoming the Dingjiang daddy of the Boston Police Force, Lieutenant
Bell Bell, how would you like to get the goods
one Rocky Marris? Like? Okay? And along with that, how'd
(20:45):
you like to pin a receiving skill and property rap
on Louis Marine. I hope you are just being so
I'm not left tenants. Hell. Look, you may have to
do some trading with a gallon. It's to you. You
may have to promise for some time off for verbal
good behavior. To listen, I have vaded a tall sind
granite trap for Roxy Morris and Louis Marine. The blade
is Roxy's ex girlfriend, Michelle March.
Speaker 4 (21:07):
Okay, what's that?
Speaker 1 (21:08):
I had the tips to call Roxy Morris and tell
him that Louis Marine was meeting Michelle at a certain
place at three o'clock this afternoon. I also had mister
Flapbamouth called Louis Marine and tell them that Michelle is
meeting Roxy at the same time and the same place.
I had him tell each of the gentlemen that Michelle
was meeting the other one with what's less of the
money in cash?
Speaker 4 (21:26):
Or you've started a war dollars?
Speaker 1 (21:28):
What does the trick? It's with me, all right? What's
my movie? First call? Call the place where Iverraine is
a surprise party and tell them to get rid of
the public but also tell him another girl named Michelle
marsh come and go as she pleases.
Speaker 4 (21:38):
Also me, don't tell me you set this thing up
in the public place?
Speaker 1 (21:41):
Where is it? Sir simonth Bell. What I want is
for those two characters to run up a blind alley
and when I say up, oh brother, they got the
word that Michelle meeting would be held of the top
of the Bunker Hill monument. And you might remember what
Jack General prest Foremost said, don't fire until you see
the red in their eyes. I was back in Charlestown
(22:06):
and at the base of the Bunker Hill Monument of
a quarter to three, the door of the museum at
the bottom was opened, but the state park officer stood
by its side. I told him who I was, and
he nodded me to the bronze doors. Officers did ms
Marsh get here, Yes, you're a young man.
Speaker 3 (22:22):
She went up the shaft.
Speaker 1 (22:23):
Oh well, look, can I run the elevator myself? I
did a stand. Any elevations your step two to three hundreds?
Oh how this may be going to have them the
hard way? But here goes halfway up the winding granite stairs.
(22:49):
I yelled from the shell, but she either didn't hear
me or just didn't want to ask her. I kept going.
I had a hoping. As I came closer to the top,
I tried yelling again, still a answer. Finally I made
it up to the observation landing of the top. Michelle
(23:13):
was there. She still wouldn't talk, but she had written
me a note. Beside her crumpled figure was a vial
that hadn't been filled with perfume. The note was short
and to the point. Here, Johnny Dollar, I still want
to help, but I hadn't better be around here alive
when everybody gets here. And it was time a shell.
(23:36):
I've bent over to see what kind of vibe by
a medicine she'd taken. I heard something that might mean
a sudden dose of lead to the head for me
by the morris Or marine had landed, and then I
was stuck at the top with a bait that had
stuck of them into a trap which suddenly turned out
to be mine. Waging up there on that tiny room
for death to come get me would have killed me anyway,
(23:57):
So I started down the counting of my heart and
the oone steps on the granite blox. I has a pit,
a patter of anything but tiny feet. I'm charging up
a narrow staircase. The woman was coming up and I
both slowed down, but my heart didn't, and I pressed
(24:18):
around a curve and my eyes went to my head
on collision with a pair staring back. What do you
do in here? Uh? I'm a tourist. Uh rocket may
be a right white guy. You may be taking any trip?
Who dump me? Uh? Oh up there? I don't know
who they are, just some girl with a guy she
keeps calling Louis. Okay, maybe why you got try anything?
(24:50):
Roxy Mars tagged me with a butt of thirty two
going by but wanting there with my head against the cold.
Then at the inside wall of a monument brought me
back and conscious. Was a very dangerous condition for me
to be in, because charging up the stairs came another
pair of unfriendly feet that couldn't have belong to anybody
but Louis Marine, Who are you? What are you doing here?
(25:12):
Up until somebody hit me on the head, I was
killing Roxy Morris and this girl. They're up there, sure,
Louis here, they're up there, and let me buy Come on,
get up out of my way. Okay, okay, go ahead
and fry. Yeah, but wait a minute, I got idea.
Come on, chump ahead of me up, you're go, You
(25:35):
can a funk for me more. Louie had a gun
at my back and Roxy had one waiting for me
up front. We took the last few steps up to
the top of reel. Quiet light on my eyes teamed
level of the floor of the observation room. Roxy was
bending over Michelle, but he snapped up in a hurry,
and his right hand was a little with heat. Louie
(25:58):
pushed me ahead of him up and end. I stood
there between them, listening to them grind their teeth at
each other with one foot under Michelle's n Now I
got two big shots. A scream for Michelle just before
she snatched my legs out for London. May, Hey, what
(26:19):
are you doing alive?
Speaker 8 (26:22):
I don't know.
Speaker 6 (26:24):
I guess I didn't take enough.
Speaker 1 (26:27):
Well, whatever you're doing alive, I'll tell you one thing.
Your two boyfriends Shore took carry of each other. Hold on,
let me get you out of here. I didn't think
i'd be able to carry me down all those tears.
Now I have to carry you spansa count. I am
(26:52):
sick twenty dollars to the hospital, having Michelle's stomach pumped out,
and the way Michelle took my suggestion that she's tarily
turned herself over the police was very good. Lieutenant Bell
was very cooperative. Otherwise I might let it be known
of the reason that he didn't show up on time
to help me in the nineteen forty nine Battle of
(27:13):
Bunker Hill was because he forgot to reset his watch
at the end of daylight saving time. He showed up
for a three o'clock appointment at four expense account total
Yeah seven and eighty six dollars and no sense signs.
Yours truly, Johnny Dollar, yours truly Johnny Dollar is produced
(27:52):
and directed by Gordon T.
Speaker 2 (27:53):
Hughes and stars Charles Russell. Was script by Paul Dudley
and Gill Dowd. Featured in the cast were Bill Bouchet,
Myra marsh Dick Ryan, Larry Dobkin, Charles Seal and Dorothy Lovett.
The special music is written and conducted by Alice Stevens.
Be sure to be with us next Saturday, October first
(28:15):
one another unusual expense account is handed in by yours
truly Johnny Dollar. That's right, Yours truly Johnny Dollar, will
be heard on Saturday evenings starting next Saturday.
Speaker 4 (28:30):
And look at who's going to be here at the
same time on Sundays.
Speaker 2 (28:34):
The world's most famous blockhead, Charlie McCarthy, accompanied by a
man who shadows him clostly as Johnny shadows the suspect,
Edgar Bergan. Guess, Johny McCarthy and Edgar Bergan have joined
the Great Parade of Stars to CBS, along with Jack
Benny Amos and Andy Horace Highton Red Skelton, who show
starts next Saturday, or rather next Sunday. Also duff means
(28:54):
the first delarious appearance of Charlie and Bergen on most
of these same CBS stations at the same time.
Speaker 9 (29:00):
Next Monday night and every Sunday thereafter.
Speaker 2 (29:03):
This is CBS to Columbia Broadcasting System H
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