August 4, 2025 • 32 mins
Offers dramatic narratives that delve into human emotions and experiences, each story crafted to resonate with listeners on a personal level.
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Speaker 1 (00:13):
The Chicago Motor Club presents the Wayside Theater once again.
Ladies and gentlemen, the Chicago Motor Club welcomes you to
the Wayside Theater each week radio playgres enjoy a half
hour of dramatic entertainment original plays that include comedies, dramas, romances,
(00:37):
and mystery thrillers. In carefully selecting these plays, the Chicago
Motor Club has your enjoyment in mind, just as it
has in taking care of your motoring enjoyment through twenty.
Speaker 2 (00:49):
Four hour a day service.
Speaker 1 (00:51):
There's no reason why you and your family can't benefit
by the Chicago Motor Club's thirty two years experience in
giving maximum service US at minimum costs. Right after this broadcast,
call Franklin one eight one eight and requests that important
free booklet entitled spend Less to Own and Drive your
(01:12):
car Or send your name and address to the Chicago
Motor Club, Chicago or the branch office nearest your home.
And by the way, special night operators are on duty
to take care of those calls to Franklin one eight,
one eighth. This evening, the Wayside Theater presents the play
(01:35):
of the week entitled rest Cure, especially written for this
program by James Drew. Have you, ladies and gentlemen, ever
wanted to get away from it all by returning to
your hometown for a much needed rest. Well, this evening,
we're going to find out what happened to a young
man who had just that same idea. The amount of
(01:56):
rest he gets is quite another story. Now the Chicago
Motor Club raises the curtain on the first act of rescure.
Speaker 3 (02:10):
Ratio back, Uh huh everything, kaok, now.
Speaker 2 (02:14):
Where we go?
Speaker 1 (02:16):
We're going home or ratio back to my hometown. I'm
going to relax. I'm a tired, nervous man.
Speaker 3 (02:22):
Oh maybe that miss La, Yeah, tell her I've left. Ah,
mister Blake, no home, Miss Pattins, don't.
Speaker 4 (02:30):
Look take the train off the door the instant Oh see,
don't do it, but not able to keep my woman out.
Speaker 2 (02:37):
I want to come in then and take those bags
down to the car. Peter Blake, where are you going?
Speaker 1 (02:42):
I'm leaving New York for rest forgotten me. I said
I needed a rest.
Speaker 5 (02:48):
My understudy takes over next week. I'll be free take
the Mediterranean cruise with the rest of it.
Speaker 1 (02:53):
My mind's made up, Laura, I'm not returning before the fall.
By that time, I'm hoping you'll have stopped you pray.
Speaker 5 (02:58):
Don't you talk to me like that?
Speaker 2 (03:00):
And after that I'll follow you. I'm going fine.
Speaker 5 (03:03):
You can't walk on on me like this.
Speaker 2 (03:05):
I have you female camping over and how's it feel?
Speaker 6 (03:19):
Miss Maggie over here?
Speaker 5 (03:21):
Tell us, oh, you shall fit enough.
Speaker 6 (03:23):
That child chriss Grandpa, he't.
Speaker 7 (03:26):
Ride the bees, can't write.
Speaker 5 (03:28):
For you to do all that dirty work.
Speaker 6 (03:31):
Tell I got the dog out of the garden. Ask
me here, Timmy here, oh Greg and tell us be
too fast from me.
Speaker 5 (03:36):
I ain't no light, Louise.
Speaker 6 (03:38):
Tell through the hole in the fence and hurt the
dog next to They will tie.
Speaker 5 (03:45):
Climb depends Miss Megan.
Speaker 3 (03:47):
Go something at that other door that'll stopping.
Speaker 6 (03:49):
Come back Timmy, she give me something general.
Speaker 2 (03:57):
Kill me.
Speaker 7 (03:57):
Don't come back in, Miss Meg.
Speaker 3 (04:00):
Bad dog.
Speaker 5 (04:01):
I'm sorry.
Speaker 2 (04:02):
I meant to hit the doll and you hit my eyes.
Speaker 6 (04:05):
Delais said to throw something?
Speaker 2 (04:06):
Did she hand you a tomatole?
Speaker 6 (04:08):
I'm sorry?
Speaker 2 (04:09):
Keep your car out of my yard.
Speaker 6 (04:10):
What wasn't my fault?
Speaker 2 (04:11):
The next time, I hope it gets his head bitten off.
Speaker 1 (04:14):
Wha And if memory serves me right, my family put
up the fencere so blithely sitting on girl said.
Speaker 6 (04:20):
I was sorry for hitting you. I take it back.
Speaker 4 (04:23):
Woman.
Speaker 5 (04:23):
I'd like to slap your face and.
Speaker 2 (04:25):
I'll be content hoping I never see yours again.
Speaker 6 (04:27):
Oh, yes, you coming in?
Speaker 7 (04:30):
Oh you had a fallen out with that German next door,
that boor.
Speaker 2 (04:35):
He's awful nervous.
Speaker 7 (04:36):
Everybody say, a play riding man, come down here to
recouper ration.
Speaker 6 (04:40):
No nerve, heassy, that's no excuse for bad manner.
Speaker 3 (04:43):
Name's Peter Blake.
Speaker 2 (04:44):
Your grandpa, he.
Speaker 7 (04:45):
Knows his father.
Speaker 6 (04:46):
Grandpa might have warned me what to expect. Hard down
in the straight enough. Where is Grandpa? I don't told
you he was in the bed, doesn't he?
Speaker 8 (04:54):
No banker till Sen'll be here at ten o'clock. Oh,
sometimes I wonder why I I should feel.
Speaker 2 (05:00):
So concerned whether or not we have a roof over
our heads?
Speaker 6 (05:05):
Grandpa, have you forgotten what day?
Speaker 9 (05:07):
This is?
Speaker 2 (05:08):
No come in.
Speaker 10 (05:11):
I'm finding the decline in pall of the Roman Empire
fascinating reading course time through.
Speaker 8 (05:18):
In the meantime, I suppose you figured out what we're
going to use for money when the bank calls for
the last payments.
Speaker 2 (05:23):
On the markets last the bank.
Speaker 11 (05:25):
I wouldn't get away with it, Grandpa, I see no
alternative except eviction.
Speaker 12 (05:32):
Ah, my poor child, What delusions I had about being
a great financier if only I hadn't vested wisely? What
your money your father left you? I am to blame.
I take full responsibility. What must I do now?
Speaker 6 (05:50):
I mean you could have done something ten years ago,
gone to work?
Speaker 8 (05:54):
Good heaven, I'll be right down.
Speaker 6 (06:00):
Get some clothes down and hurried down, must I?
Speaker 2 (06:02):
I'd rather face that pomper scallowag in a suit.
Speaker 6 (06:05):
Of armor for once in your life. Grandfa, your presence
will signify moral support.
Speaker 2 (06:10):
Coming Dellas direct that Chilton anyway? Where's my pants? Oh?
Good morning, Margarets.
Speaker 6 (06:17):
How do you do pms?
Speaker 2 (06:18):
Your grandfather well enough to be present with this calameter.
Speaker 6 (06:23):
Grandpa's equal to anything, I'm afraid.
Speaker 13 (06:26):
Yes, of course he knows the bank intends to foreclose Saturday.
Speaker 6 (06:30):
Oh is that final?
Speaker 2 (06:32):
Unless there is sufficient cause?
Speaker 6 (06:34):
I'm afraid so sufficient cause.
Speaker 13 (06:36):
I'm fluently speaking that there is a prospect of some
future income in your case? I see none.
Speaker 2 (06:42):
Oh, but there is an income?
Speaker 13 (06:46):
Well, now this puts things in at a different light,
of course, may I inquire?
Speaker 6 (06:49):
I uh, I'm engaged to be married.
Speaker 2 (06:52):
Eh.
Speaker 6 (06:53):
Oh and the man's rich, yes, quite rich.
Speaker 9 (06:56):
Well, morning, goodness, and sorry to keep you waiting everything
in order?
Speaker 2 (07:02):
Do you intend to be humorous as usual? I see
her in rare spirits? Have a cigar? Oh yeah, now,
show what did I do with my cigarchus? I have one? Oh?
Thank you, thank you? We spoke the same brand here alike.
Speaker 13 (07:21):
That's fine, mister Jarvis, your granddaughter has just made a
very amazing revelation.
Speaker 2 (07:27):
I thought everybody knew we were broke.
Speaker 13 (07:30):
Grandpa, your granddaughter has just told me her future husband
is a great lene of the money to pay the bank,
great Caesar school.
Speaker 6 (07:38):
I was keeping in a secret.
Speaker 2 (07:41):
Wonderful he clears everything. Who is this trusting? Who is he?
Do I know him?
Speaker 13 (07:47):
If I recognize his of course his names will be
your collateral for the president.
Speaker 6 (07:52):
Of course you you want to know his name?
Speaker 2 (07:56):
Come, come, child, the suspense is unbearable.
Speaker 6 (07:59):
Oh well, his.
Speaker 2 (08:02):
Name is Peter Blake, the color next door. See what's
been going on in your mind?
Speaker 13 (08:09):
Just a moment Blake the play right. Well, well, my
wife will be interested to hear that. I'm sure perhaps
you can persuade him to drop in with you at
our garden party tomorrow. And as for the note, well,
let us concern ourselves with a coming nuptial, shall I good?
Speaker 2 (08:28):
Goodie?
Speaker 9 (08:28):
Jonathan dropping any time when it's not on business, Maggie
had me worried for.
Speaker 2 (08:34):
A few minutes.
Speaker 6 (08:35):
Trampa, I must tell.
Speaker 2 (08:36):
You something, Meggie. You're not engaged to too men.
Speaker 6 (08:39):
Nothing so simple. I'm not engaged to Peter Blake. We
met for the first time this morning over a dogfight.
Speaker 5 (08:46):
I hit him with a tomato.
Speaker 6 (08:48):
He hates me.
Speaker 14 (08:48):
And you told Jonathan you were only to steve off
a collection and possibly eviction.
Speaker 6 (08:53):
Are you angry with me?
Speaker 2 (08:55):
Berney? How could I be?
Speaker 14 (08:57):
He told the story only to save him pride indignity.
I'll swallow apright and forget my dignity and tell old
beetle Puss you'll be ready to move out.
Speaker 6 (09:08):
Maybe you'd better wait a day or two, child.
Speaker 14 (09:11):
I wasn't aiming to tell him for at least a
week or two.
Speaker 1 (09:22):
The first act of the Wayside Theater production of Rescure
comes to a close. Along about this time of year,
you see brand new, shining automobiles everywhere you look. It
makes you want to get behind the wheel of your
favorite model and close the deal right then and there.
But you'd probably say to yourself, yes, sir, I'd sure
(09:44):
like to own that car.
Speaker 2 (09:46):
Well, just take my advice.
Speaker 1 (09:47):
Friends, before you make up your minds one way or
the other, talk over the idea with the Chicago Motor
Clubs automobile finance department. There's a big surprise in store
for you. Thousands of motorists have taken can full advantage
of the club's friendly, courteous service, and many of them
have actually saved up to twenty five dollars on the
(10:07):
financing the purchase of a new.
Speaker 2 (10:09):
Or used car.
Speaker 1 (10:11):
There's nothing like expert advice, and that's what the Chicago
Motor Club is specialized in for over thirty two years.
And here's something else you'll be interested in. At the
same time you make arrangements for the financing of your car,
you can place your automobile insurance through the Club. Members
are assured the best possible policy. As a matter of fact,
(10:33):
cash savings checks amounting to twenty percent are going out
to policy holders right now. But the club benefits extend
far beyond these two important services. Find out about those
twenty four other money saving benefits right away. When this
program closes, just pick up the phone and call Franklin
(10:53):
one eight, one eighth ask for that valuable free booklet
which is yours for the asking. It's a titled spend
Less to Own and Drive your Car, and it's chuck
full of information on how to change motoring worries into
motoring pleasures. Just called Franklin one eight, one eight, or
send your name and address to the Chicago Motor Club,
(11:16):
Chicago or its nearest branch office. And now the second
act curtain risers on the play of the week rest curing.
Speaker 2 (11:51):
Go Away ratio. I told you not to bother me.
Speaker 6 (11:54):
Your boys said I could find you here.
Speaker 2 (11:57):
What places do you want?
Speaker 8 (11:59):
I'm sorry You're ship got off on the wrong foot
because I have a favor to ask you.
Speaker 1 (12:03):
Friendship, I thought I had looked upon you for the
last time three hours ago.
Speaker 2 (12:08):
And as for a favor, no matter how slight, no.
Speaker 6 (12:10):
I know you came here for peace and quiet.
Speaker 2 (12:12):
And not for one moment do I intend to be
deterred from getting.
Speaker 1 (12:15):
It now clear out, not until you hear me or not.
If it's necessary, I'll use four don't you.
Speaker 5 (12:20):
Lay a hand on me.
Speaker 8 (12:21):
Oh, I'm sorry, I'm terribly sorry. Are you hurt?
Speaker 2 (12:27):
What happened?
Speaker 6 (12:28):
I swung the chair in front of you.
Speaker 2 (12:30):
Thought you hit me?
Speaker 6 (12:31):
No, you only tripped over it. Can I help you.
Speaker 1 (12:34):
Up safer on the floor? And before I'm aimed any further,
maybe I'd better hear what you have to say. You
came to apologize for hitting me this morning, Yes as well.
I accept that apology and the one for now, but
don't come over to apologize anymore.
Speaker 6 (12:48):
I'll not come again until you invite me.
Speaker 2 (12:51):
And that's part company while I'm in fairly healthy shape.
Speaker 6 (12:54):
But you don't know what my favorite is.
Speaker 2 (12:55):
I don't even know who you are.
Speaker 6 (12:57):
My name's Maggie Jervis you already know who I am? Oh?
Speaker 2 (13:01):
Yes, yes, unfortunately? Well? Now what does it you want?
An autograph?
Speaker 1 (13:04):
I don't have any pictures, but if you want my
signats what I want?
Speaker 2 (13:08):
What do you want?
Speaker 6 (13:10):
Would would you my escort to a garden party tomorrow?
Speaker 2 (13:15):
What are you mad?
Speaker 1 (13:17):
First you hit me with a tomato, and then you
hurl insults at me, and finally you swing a chair
at me, and now you asked me to be your escort.
Speaker 2 (13:24):
It may seem unusual, unusual, unique, positively unique.
Speaker 1 (13:30):
Is it possible that there's some reasonable motive I'm overlooking?
Speaker 6 (13:34):
Would you indulge a sentimental.
Speaker 2 (13:36):
Gesture on occasion? I'm a pushover for sentiment? What's the gag?
Speaker 6 (13:40):
It's simpler than you think.
Speaker 11 (13:42):
Just make an appearance with me tomorrow afternoon at the
Chilsen's garden party. Why well, your presence there with me
would put an end to some nasty rumors floating about,
for instance. Well, but I'm without sufficient charm to attractable,
aren't you.
Speaker 6 (14:00):
Well you needn't take advantage of my position.
Speaker 2 (14:03):
One appearance and then I'll never be bothered again, not once.
It may be worth it. Now do I do anything special?
You look at me so lovingly.
Speaker 1 (14:13):
Yeah, yeah, that'll be the hardest I know. I'll regret it,
but I'll do it. You lay out my striped trousers racial.
Speaker 3 (14:30):
Uh hah ah, No me, not pack, you are saying rescuer.
Speaker 2 (14:34):
In New York, Gregel, and I'll wear the blue suit.
Speaker 3 (14:36):
Ike looking very nice.
Speaker 15 (14:38):
Please all the same Horatio, thinking this very funny way
to get over the nerves breaking miss La, She says,
same too.
Speaker 2 (14:47):
Yellow skin babbler. You didn't tell her where we are?
Speaker 3 (14:49):
Oh no, I am silent as rock up you brought
how much did you take? Five dollars?
Speaker 2 (14:54):
And you told her?
Speaker 3 (14:55):
Oh ha, no a five dollars four? No good cow?
Speaker 2 (15:03):
You mean a bum stair? Yes, just the same. I
don't trust her or you.
Speaker 1 (15:09):
We're clearing out of here after this confounded party rescuere hmm,
what you're.
Speaker 5 (15:28):
Doing snooping in my kitchen?
Speaker 2 (15:30):
Yellow pair of or.
Speaker 15 (15:31):
May ask please if mister Blake have called to taking
your lady to party?
Speaker 3 (15:35):
They just left by the front door. Huh, then Horatio
can having words with you.
Speaker 16 (15:40):
I hope they's pleasant one sometimes inscrutable providence allowing servants
to guide Master, and what do that mean?
Speaker 7 (15:47):
Or the boy?
Speaker 15 (15:48):
I have come to save Master from what? All female
who are having designs?
Speaker 12 (15:54):
Meaning?
Speaker 3 (15:54):
Miss Maggie a sweet child? What pretty girl cannot always
make me marry with rich men?
Speaker 2 (16:01):
Man?
Speaker 3 (16:01):
You ain't planning to stay long in my kitchen?
Speaker 15 (16:04):
Or I'm humbly suggested you convey to miss jobs by
Master having strong desire to remain in bachelor state if.
Speaker 7 (16:11):
You got any accidentally insurance.
Speaker 15 (16:14):
Or shadow of wife faithful to piece of bachelor home foot.
Speaker 16 (16:18):
For the door for you meets with something faith orfer
putting John Iron Potley.
Speaker 3 (16:21):
Oh, our battles are creeping your hair cross, I get.
Speaker 16 (16:24):
Moving a I'm retreating because of no honor in fighting
woman who is big as small mountains. You get the idea,
but before fight beginning, remember wait of opponent making no
difference in jiu JITs.
Speaker 2 (16:37):
Ah ju JITs.
Speaker 7 (16:38):
So you hide, now get get, get go see idea
that grinning heath and running down miss Magnet just because
she set a cap for mister Blake.
Speaker 6 (17:06):
Well, Peter, are you enjoying yourself?
Speaker 3 (17:08):
You don't mind.
Speaker 6 (17:10):
I'm like calling you, Peter.
Speaker 2 (17:12):
You're thinking to do any good? Oh?
Speaker 6 (17:13):
Here comes mister Tilson. Be nice to him.
Speaker 2 (17:16):
Who is this fellow?
Speaker 6 (17:17):
He's an important banker.
Speaker 2 (17:18):
I've known nothing of finance.
Speaker 6 (17:19):
Either his grandfather, but the two of them always managed
to talk.
Speaker 2 (17:23):
Whoa mister Blake.
Speaker 13 (17:24):
I've been looking forward to meeting you.
Speaker 2 (17:27):
I can't say. Most people do and they look back.
Speaker 6 (17:29):
Peter, don't be modest.
Speaker 13 (17:31):
I'll be expecting a visit from you one of these days.
Speaker 2 (17:35):
Are you giving another party?
Speaker 6 (17:36):
I told you, I remember what you promised.
Speaker 2 (17:38):
I mean, I want you to drop him at the
blank to talk business.
Speaker 6 (17:43):
You know, life, insurance, sloans, bun mortgages.
Speaker 2 (17:48):
Do I make myself clear, mister Blake.
Speaker 6 (17:51):
No, Peter is amazingly simple top money affairs, aren't you, Peter?
Speaker 2 (17:55):
Of course you are? Yes, yes, yes I am. I
see you, then I can everything.
Speaker 6 (18:01):
Mister Tilton is settled.
Speaker 2 (18:03):
I've been looking for you, Blake. Wait a minute, now,
what's that?
Speaker 6 (18:07):
I wonder over your grandpa?
Speaker 2 (18:11):
Oh, I couldn't find you, and mister Blake your boys
looking for you? Rightia? Quiet? He comes? Now, excuse me,
I'll see what he wants. He's a nice chat Maggie.
Speaker 5 (18:23):
Grandpa.
Speaker 6 (18:24):
Mister Tilton wants Peter to come into the bank.
Speaker 2 (18:27):
Gret him. He was a nasty kid, and by heavens
he hasn't changed a bit.
Speaker 9 (18:32):
I'm worried and I don't be fit. I just remembered
we have some stock in the older out of minds.
Maybe mister Blake would like to embss you know that
stock's worthless.
Speaker 6 (18:44):
You aren't suggesting we.
Speaker 2 (18:45):
Use Peter Blake only his name. No, I was afraid
you'd feel that way. But I have another plan. It
won't implicate Peter, not any further than the.
Speaker 5 (18:56):
Ze, No, we've gone far enough.
Speaker 2 (18:58):
Tell mister Tilton, certainly the truth eternal. A few days
won't change it.
Speaker 12 (19:05):
I need time and if I can persuade old Beetle
push to buy the stuff in exchange for the mortgage.
Speaker 2 (19:12):
I don't think you want to return them so fast.
Speaker 1 (19:17):
The telephone rang all morning, right, Oh yes, please, but
Horatio not answering like you say, good boy.
Speaker 2 (19:23):
God.
Speaker 3 (19:23):
Finally, doorbell ringing.
Speaker 15 (19:24):
You say nothing about doorbell, so open missus lat there
all the way.
Speaker 2 (19:29):
From New York. You said I wasn't home.
Speaker 3 (19:30):
Huh, she says, she waits.
Speaker 2 (19:32):
Oh, I'm riding out right now.
Speaker 1 (19:34):
Oh no, you not have to.
Speaker 15 (19:35):
I fix everything. Oh, very simple. So she wanted to
know why you picked this plate. So I say you
have good reason.
Speaker 2 (19:43):
Good boy, you've squared everything. What did you tell her?
Speaker 3 (19:46):
Hahah? They say you come here to get married?
Speaker 1 (19:49):
What the second backed curtain falls on the wayside there
presentation of rest cure. Let's join mister and missus Tom
Bailey as they peer into the windows of a large
and impressive automobile sales room.
Speaker 2 (20:13):
Man, oh man, look at that big maroon job over there.
Oh what a honey, good.
Speaker 5 (20:17):
Tom, you can prove weak?
Speaker 2 (20:19):
Huh?
Speaker 5 (20:20):
Now out this year?
Speaker 2 (20:21):
What what's our this year?
Speaker 11 (20:23):
A new car?
Speaker 5 (20:24):
Of course, I'd love to have one. But I don't
see how you don't.
Speaker 1 (20:27):
Well I do, and I know where I can get
as fine a financial deal as Bill Smith got last week.
Speaker 2 (20:32):
You do, sure? Come on, We're going over to the
Chicago Motor Club right now.
Speaker 1 (20:37):
Before you buy either a new or a used car,
talk it over with the Chicago Motor Clubs automobile finance department.
Why many motorists have saved up to twenty five dollars
by financing car purchases Through this department of the club.
You'll get the soundest advice you could possibly want on
financing a purchase as big and important as an automobile.
(20:59):
And the same time you finance your car, you'll want
to place your automobile insurance. As a member of the club,
you're entitled to that service, and you'll get the best
policy obtainable.
Speaker 2 (21:11):
And just listen to this.
Speaker 1 (21:13):
Cash savings checks of twenty percent are being returned to
policy holders right now. There's no obligation whatsoever if you
request the club's free booklet entitled spend Less to Own
and Drive your Car.
Speaker 2 (21:27):
But don't wait.
Speaker 1 (21:28):
Call Franklin one eight one eight right now. Special night
operators will take care of your request. If you live
outside Chicago, just send your name and address to the
Chicago Motor Club Chicago or its nearest branch office. That
free booklet is yours for the asking and now the
(22:15):
third act of rescue radio.
Speaker 2 (22:29):
What are you doing on a clean goldfish board? I'll
drop it, I mean let it go for the present.
This lie, she not believes. So I am married.
Speaker 1 (22:39):
Two hours of explanation on my part, and she worked
herself into a state of noble self sacrifice everything.
Speaker 2 (22:45):
Kaoki, No, not by a long shot. I know Laura.
When her nobleness wears off, well, I just don't want
to be around.
Speaker 3 (22:52):
You want me packed pretty quick?
Speaker 2 (22:55):
God?
Speaker 3 (22:55):
What about lady next door? You know you're going to
marry her?
Speaker 1 (22:59):
Or ratio if you ever tell Maggie Jarvis I used
her name and desperation.
Speaker 3 (23:03):
Huh Horty show can be having striped projects when we
get back to New York.
Speaker 2 (23:07):
Please three size is too big, boy, you squinting blackmailer.
Speaker 3 (23:11):
But you can have him thanking you very much already,
have stain him cut down.
Speaker 2 (23:15):
You get out of here.
Speaker 3 (23:16):
No, effort too great to enshore peace.
Speaker 2 (23:19):
I'll answer that you go pack. Hello, what, Maggie Jarvis.
Speaker 6 (23:25):
You didn't expect to see me again?
Speaker 2 (23:27):
Well, was rather optimistic. What did Laura tell you? It's
a lie? Who oh? Well, then you haven't seen anyone? Huh, stranger?
Speaker 6 (23:36):
No, but I'm the last favor to ask.
Speaker 1 (23:39):
Will you just stand out in the open to avoid
accidentally breaking an arm?
Speaker 6 (23:45):
Can you ever forgive me you?
Speaker 2 (23:48):
You're a good scout?
Speaker 6 (23:49):
Thanks, Peterie.
Speaker 2 (23:50):
What are all your young man? Maggie?
Speaker 6 (23:52):
There's only one and I found him indifferent.
Speaker 2 (23:55):
Well he must be blind only a little stupid. I
want your face.
Speaker 6 (24:00):
Will you write a short please for the Ladies Dramatic Club.
Speaker 2 (24:04):
Listen? I came down here for a rest, A little
little rest.
Speaker 6 (24:08):
No, don't get angry.
Speaker 2 (24:10):
Who's angry? I am calm, too, calm? What's to prevent
me from murdering? You're right on the spot, only my calmness.
But I warn you there are limits to what you
can stretch your mind? How will you carry out? I
don't know who is it? Me or her? I don't
act like this with other people.
Speaker 6 (24:25):
I'm going don't say another.
Speaker 2 (24:26):
Word, but don't move. Wait, I want to look through
the curtain. God, grief, it's Laura. Who's she's a girl
on you in New York?
Speaker 8 (24:33):
Do you like it?
Speaker 2 (24:33):
I feel safer with a shark.
Speaker 6 (24:35):
Well, then why don't you stir it?
Speaker 2 (24:36):
Just say? Oh you don't know, Laura?
Speaker 14 (24:37):
I hang it.
Speaker 2 (24:38):
Oh, be a man, yeah, because I have been beating
about the boys too long. Beater if necessary, I'll steal
myself to be blunt.
Speaker 6 (24:45):
Don't let her bully you.
Speaker 2 (24:46):
But no, there's no point in her saying you, is there.
Speaker 6 (24:48):
I'll slip out to the garden.
Speaker 2 (24:49):
No, no, no, you better slip into the next room. Yeah, coming, Laura.
Where how are you this morning?
Speaker 5 (24:55):
I haven't closed my eyes all large. Are you bent
on marrying this girl?
Speaker 2 (24:59):
Oh? Oh oh, but Laura, I thought you were consoled.
Speaker 5 (25:04):
I am, I am, even though you're breaking my heart.
I'm going away. Don't never try to see me again.
Speaker 2 (25:11):
I won't. This is really my fairway, Laura. You won't
do anything desperate.
Speaker 5 (25:16):
I'm thinking of retiring to the stage now. I want
to leave you with this thought. I'll always love you.
Speaker 2 (25:22):
The boot and picks.
Speaker 5 (25:24):
But that I thought we were alone.
Speaker 2 (25:26):
It's probably Horatio.
Speaker 5 (25:27):
Still listening in a keyhole.
Speaker 2 (25:29):
Is that you, Horatio?
Speaker 12 (25:31):
Yah?
Speaker 2 (25:31):
It's me. Oh?
Speaker 5 (25:32):
His voice seems lighter. Peter, who's in there?
Speaker 6 (25:35):
Laura?
Speaker 1 (25:36):
Don't open that door? No, no, no, I could explain everything.
I don't lose your temper, Honey, Honey, I.
Speaker 5 (25:42):
Came here to tell you I've forgiven you.
Speaker 2 (25:43):
This is the way you.
Speaker 6 (25:44):
Treat me, and you did beautifully even without Noddy.
Speaker 5 (25:47):
Don't stand down. Let me be insolified.
Speaker 2 (25:49):
Is impertinent, girl, Laura? This is you know. I told
you I am not my broken.
Speaker 5 (25:55):
Heart to you, but I didn't expect to be lost
out by another hearing.
Speaker 2 (25:58):
The things I meant only for you on that face.
Speaker 13 (26:00):
So far.
Speaker 6 (26:02):
I don't find them again. Oh, Peter, are you hurt?
Speaker 4 (26:07):
Help me?
Speaker 6 (26:08):
Someone in here?
Speaker 9 (26:12):
Hey?
Speaker 2 (26:12):
What's going on here? Oh?
Speaker 6 (26:14):
It's you, sheriff.
Speaker 8 (26:15):
Get some water?
Speaker 6 (26:15):
He's passed out.
Speaker 9 (26:17):
Say pretty serious, eh, reckon, I can take the flowers
out of this part and use.
Speaker 2 (26:21):
That watery Where am I?
Speaker 6 (26:27):
And then not take it?
Speaker 2 (26:30):
I remember it's war gone, yes, dear.
Speaker 6 (26:33):
Right after hitting you with a base.
Speaker 2 (26:35):
Who's he? I'm the sheriff. Your name Peter Blake? That's right?
I came to rest. What for confidence? Man? Tell him worthless?
Stop is this fella?
Speaker 1 (26:46):
That's my butler, Ballot and cook ratio Algeirfuji Sheriff.
Speaker 2 (26:49):
Now there's been a mistake. No, I don't know what
you're talking about.
Speaker 3 (26:52):
Blake o Bad's already for a quick getting away.
Speaker 2 (26:55):
Oh so you don't know what I'm talking about? Uh?
Speaker 6 (27:22):
Which cell is it?
Speaker 2 (27:23):
Sheriff?
Speaker 12 (27:25):
Oh?
Speaker 6 (27:26):
Hello, Peter?
Speaker 2 (27:27):
You here? Haven't you in trouble enough?
Speaker 3 (27:30):
Oh it's my fault.
Speaker 6 (27:31):
Grandpa gave some stock to the bank and your name.
Speaker 2 (27:34):
Why well, the mortgage was due, and did the bank
except me and the stock?
Speaker 6 (27:38):
Mister Tilton thought you owned the stock. After canceling the
note the next day, he discovered the stock was worthless.
Speaker 2 (27:44):
Naturally, if your family had anything to do with it.
Speaker 11 (27:46):
Mister Tilton sold the stock to Grandpa twenty years ago,
before he became a respectable banker.
Speaker 6 (27:51):
Grandpa reminded him, and he was happy to let everything stand.
Speaker 5 (27:54):
As it was.
Speaker 2 (27:55):
What am I doing here?
Speaker 6 (27:56):
Grandpa's bringing an order for your release? Oh here he is, Grandpa.
Speaker 8 (28:00):
Did you get it?
Speaker 2 (28:01):
I did? No, who knows Tiltson can match it? Jarvis
for bricks of.
Speaker 4 (28:05):
Intrigue, Machiavelly was a piker compared to you too. This
town's too small for any real intrigue. Now you take
the Romans, Ah, but I'm forgetting. I must give this
paper to the sheriff. I was born too late. The
Romans marvelous people.
Speaker 2 (28:23):
Maggie. Why did you give me and named the Tilsen?
Speaker 6 (28:25):
It slipped out. I told him we were engaged.
Speaker 1 (28:29):
You told him that, and I told Laura never mind.
Is that why you dragged me that infernal party? Is
that the cause for all my present misery?
Speaker 2 (28:38):
Are you angry? I don't know.
Speaker 1 (28:41):
I'm tired. You don't use such a faculty for invention.
You should have been a playwright. I don't know whether
to killer Kisser.
Speaker 6 (28:49):
You might punish me by marrying me.
Speaker 10 (28:53):
Maggie, Peter, see what's going on here? Well, I'll be blamed,
or should be.
Speaker 1 (29:10):
The Wayside Theater production of rest Cure comes to a close.
Ladies and gentlemen, the Chicago Motor Club wants you to
be with us again for the Wayside Theater broadcast next
Sunday evening at this same hour. We'll present a play
(29:32):
that's as modern as to Morrow, as you can easily
guess from its title, Swing Sister Swing, and by.
Speaker 2 (29:38):
The way, friends, it's a pretty good idea.
Speaker 1 (29:41):
To look forward to tomorrow, especially if you own and
drive your own car. For over thirty two years, the
Chicago Motor Club has made it its business to advise
families on getting real motoring enjoyment. To day, seventy five
thousand member families are benefiting from the club many money
saving services, all explained in a free booklet prepared by
(30:05):
the club for you. The quickest way to get it
is to call Franklin one eight one eighth right now.
Speaker 2 (30:13):
Special operators are waiting now for your call.
Speaker 1 (30:16):
If you live outside Chicago, just send your name and
address to the Chicago Motor Club, Chicago or its nearest
branch office. In the cast of tonight's play, you heard
(31:21):
our popular starring team Patricia Dunlap in the part of
Maggie and Olin Sulley playing Peter. They were supported by
Mary Jane Morrow, Harriet Whitmer, forrest Lewis Bercy, Hemus, Herb Butterfield,
and Bill Bouchet. Missus Burnsmith speaking for the Chicago Motor Club.
Speaker 2 (32:09):
This is the w bbm Air Theater Wrigley Building in Chicago,
The Chicago Motor Club presents the Wayside Theater once again.
Ladies and gentlemen, the Chicago Motor Club welcomes you to
the Wayside Theater each week radio playgres enjoy a half
hour of dramatic entertainment original plays that include comedies, dramas, romances,
(00:37):
and mystery thrillers. In carefully selecting these plays, the Chicago
Motor Club has your enjoyment in mind, just as it
has in taking care of your motoring enjoyment through twenty.
Speaker 2 (00:49):
Four hour a day service.
Speaker 1 (00:51):
There's no reason why you and your family can't benefit
by the Chicago Motor Club's thirty two years experience in
giving maximum service US at minimum costs. Right after this broadcast,
call Franklin one eight one eight and requests that important
free booklet entitled spend Less to Own and Drive your
(01:12):
car Or send your name and address to the Chicago
Motor Club, Chicago or the branch office nearest your home.
And by the way, special night operators are on duty
to take care of those calls to Franklin one eight,
one eighth. This evening, the Wayside Theater presents the play
(01:35):
of the week entitled rest Cure, especially written for this
program by James Drew. Have you, ladies and gentlemen, ever
wanted to get away from it all by returning to
your hometown for a much needed rest. Well, this evening,
we're going to find out what happened to a young
man who had just that same idea. The amount of
(01:56):
rest he gets is quite another story. Now the Chicago
Motor Club raises the curtain on the first act of rescure.
Speaker 3 (02:10):
Ratio back, Uh huh everything, kaok, now.
Speaker 2 (02:14):
Where we go?
Speaker 1 (02:16):
We're going home or ratio back to my hometown. I'm
going to relax. I'm a tired, nervous man.
Speaker 3 (02:22):
Oh maybe that miss La, Yeah, tell her I've left. Ah,
mister Blake, no home, Miss Pattins, don't.
Speaker 4 (02:30):
Look take the train off the door the instant Oh see,
don't do it, but not able to keep my woman out.
Speaker 2 (02:37):
I want to come in then and take those bags
down to the car. Peter Blake, where are you going?
Speaker 1 (02:42):
I'm leaving New York for rest forgotten me. I said
I needed a rest.
Speaker 5 (02:48):
My understudy takes over next week. I'll be free take
the Mediterranean cruise with the rest of it.
Speaker 1 (02:53):
My mind's made up, Laura, I'm not returning before the fall.
By that time, I'm hoping you'll have stopped you pray.
Speaker 5 (02:58):
Don't you talk to me like that?
Speaker 2 (03:00):
And after that I'll follow you. I'm going fine.
Speaker 5 (03:03):
You can't walk on on me like this.
Speaker 2 (03:05):
I have you female camping over and how's it feel?
Speaker 6 (03:19):
Miss Maggie over here?
Speaker 5 (03:21):
Tell us, oh, you shall fit enough.
Speaker 6 (03:23):
That child chriss Grandpa, he't.
Speaker 7 (03:26):
Ride the bees, can't write.
Speaker 5 (03:28):
For you to do all that dirty work.
Speaker 6 (03:31):
Tell I got the dog out of the garden. Ask
me here, Timmy here, oh Greg and tell us be
too fast from me.
Speaker 5 (03:36):
I ain't no light, Louise.
Speaker 6 (03:38):
Tell through the hole in the fence and hurt the
dog next to They will tie.
Speaker 5 (03:45):
Climb depends Miss Megan.
Speaker 3 (03:47):
Go something at that other door that'll stopping.
Speaker 6 (03:49):
Come back Timmy, she give me something general.
Speaker 2 (03:57):
Kill me.
Speaker 7 (03:57):
Don't come back in, Miss Meg.
Speaker 3 (04:00):
Bad dog.
Speaker 5 (04:01):
I'm sorry.
Speaker 2 (04:02):
I meant to hit the doll and you hit my eyes.
Speaker 6 (04:05):
Delais said to throw something?
Speaker 2 (04:06):
Did she hand you a tomatole?
Speaker 6 (04:08):
I'm sorry?
Speaker 2 (04:09):
Keep your car out of my yard.
Speaker 6 (04:10):
What wasn't my fault?
Speaker 2 (04:11):
The next time, I hope it gets his head bitten off.
Speaker 1 (04:14):
Wha And if memory serves me right, my family put
up the fencere so blithely sitting on girl said.
Speaker 6 (04:20):
I was sorry for hitting you. I take it back.
Speaker 4 (04:23):
Woman.
Speaker 5 (04:23):
I'd like to slap your face and.
Speaker 2 (04:25):
I'll be content hoping I never see yours again.
Speaker 6 (04:27):
Oh, yes, you coming in?
Speaker 7 (04:30):
Oh you had a fallen out with that German next door,
that boor.
Speaker 2 (04:35):
He's awful nervous.
Speaker 7 (04:36):
Everybody say, a play riding man, come down here to
recouper ration.
Speaker 6 (04:40):
No nerve, heassy, that's no excuse for bad manner.
Speaker 3 (04:43):
Name's Peter Blake.
Speaker 2 (04:44):
Your grandpa, he.
Speaker 7 (04:45):
Knows his father.
Speaker 6 (04:46):
Grandpa might have warned me what to expect. Hard down
in the straight enough. Where is Grandpa? I don't told
you he was in the bed, doesn't he?
Speaker 8 (04:54):
No banker till Sen'll be here at ten o'clock. Oh,
sometimes I wonder why I I should feel.
Speaker 2 (05:00):
So concerned whether or not we have a roof over
our heads?
Speaker 6 (05:05):
Grandpa, have you forgotten what day?
Speaker 9 (05:07):
This is?
Speaker 2 (05:08):
No come in.
Speaker 10 (05:11):
I'm finding the decline in pall of the Roman Empire
fascinating reading course time through.
Speaker 8 (05:18):
In the meantime, I suppose you figured out what we're
going to use for money when the bank calls for
the last payments.
Speaker 2 (05:23):
On the markets last the bank.
Speaker 11 (05:25):
I wouldn't get away with it, Grandpa, I see no
alternative except eviction.
Speaker 12 (05:32):
Ah, my poor child, What delusions I had about being
a great financier if only I hadn't vested wisely? What
your money your father left you? I am to blame.
I take full responsibility. What must I do now?
Speaker 6 (05:50):
I mean you could have done something ten years ago,
gone to work?
Speaker 8 (05:54):
Good heaven, I'll be right down.
Speaker 6 (06:00):
Get some clothes down and hurried down, must I?
Speaker 2 (06:02):
I'd rather face that pomper scallowag in a suit.
Speaker 6 (06:05):
Of armor for once in your life. Grandfa, your presence
will signify moral support.
Speaker 2 (06:10):
Coming Dellas direct that Chilton anyway? Where's my pants? Oh?
Good morning, Margarets.
Speaker 6 (06:17):
How do you do pms?
Speaker 2 (06:18):
Your grandfather well enough to be present with this calameter.
Speaker 6 (06:23):
Grandpa's equal to anything, I'm afraid.
Speaker 13 (06:26):
Yes, of course he knows the bank intends to foreclose Saturday.
Speaker 6 (06:30):
Oh is that final?
Speaker 2 (06:32):
Unless there is sufficient cause?
Speaker 6 (06:34):
I'm afraid so sufficient cause.
Speaker 13 (06:36):
I'm fluently speaking that there is a prospect of some
future income in your case? I see none.
Speaker 2 (06:42):
Oh, but there is an income?
Speaker 13 (06:46):
Well, now this puts things in at a different light,
of course, may I inquire?
Speaker 6 (06:49):
I uh, I'm engaged to be married.
Speaker 2 (06:52):
Eh.
Speaker 6 (06:53):
Oh and the man's rich, yes, quite rich.
Speaker 9 (06:56):
Well, morning, goodness, and sorry to keep you waiting everything
in order?
Speaker 2 (07:02):
Do you intend to be humorous as usual? I see
her in rare spirits? Have a cigar? Oh yeah, now,
show what did I do with my cigarchus? I have one? Oh?
Thank you, thank you? We spoke the same brand here alike.
Speaker 13 (07:21):
That's fine, mister Jarvis, your granddaughter has just made a
very amazing revelation.
Speaker 2 (07:27):
I thought everybody knew we were broke.
Speaker 13 (07:30):
Grandpa, your granddaughter has just told me her future husband
is a great lene of the money to pay the bank,
great Caesar school.
Speaker 6 (07:38):
I was keeping in a secret.
Speaker 2 (07:41):
Wonderful he clears everything. Who is this trusting? Who is he?
Do I know him?
Speaker 13 (07:47):
If I recognize his of course his names will be
your collateral for the president.
Speaker 6 (07:52):
Of course you you want to know his name?
Speaker 2 (07:56):
Come, come, child, the suspense is unbearable.
Speaker 6 (07:59):
Oh well, his.
Speaker 2 (08:02):
Name is Peter Blake, the color next door. See what's
been going on in your mind?
Speaker 13 (08:09):
Just a moment Blake the play right. Well, well, my
wife will be interested to hear that. I'm sure perhaps
you can persuade him to drop in with you at
our garden party tomorrow. And as for the note, well,
let us concern ourselves with a coming nuptial, shall I good?
Speaker 2 (08:28):
Goodie?
Speaker 9 (08:28):
Jonathan dropping any time when it's not on business, Maggie
had me worried for.
Speaker 2 (08:34):
A few minutes.
Speaker 6 (08:35):
Trampa, I must tell.
Speaker 2 (08:36):
You something, Meggie. You're not engaged to too men.
Speaker 6 (08:39):
Nothing so simple. I'm not engaged to Peter Blake. We
met for the first time this morning over a dogfight.
Speaker 5 (08:46):
I hit him with a tomato.
Speaker 6 (08:48):
He hates me.
Speaker 14 (08:48):
And you told Jonathan you were only to steve off
a collection and possibly eviction.
Speaker 6 (08:53):
Are you angry with me?
Speaker 2 (08:55):
Berney? How could I be?
Speaker 14 (08:57):
He told the story only to save him pride indignity.
I'll swallow apright and forget my dignity and tell old
beetle Puss you'll be ready to move out.
Speaker 6 (09:08):
Maybe you'd better wait a day or two, child.
Speaker 14 (09:11):
I wasn't aiming to tell him for at least a
week or two.
Speaker 1 (09:22):
The first act of the Wayside Theater production of Rescure
comes to a close. Along about this time of year,
you see brand new, shining automobiles everywhere you look. It
makes you want to get behind the wheel of your
favorite model and close the deal right then and there.
But you'd probably say to yourself, yes, sir, I'd sure
(09:44):
like to own that car.
Speaker 2 (09:46):
Well, just take my advice.
Speaker 1 (09:47):
Friends, before you make up your minds one way or
the other, talk over the idea with the Chicago Motor
Clubs automobile finance department. There's a big surprise in store
for you. Thousands of motorists have taken can full advantage
of the club's friendly, courteous service, and many of them
have actually saved up to twenty five dollars on the
(10:07):
financing the purchase of a new.
Speaker 2 (10:09):
Or used car.
Speaker 1 (10:11):
There's nothing like expert advice, and that's what the Chicago
Motor Club is specialized in for over thirty two years.
And here's something else you'll be interested in. At the
same time you make arrangements for the financing of your car,
you can place your automobile insurance through the Club. Members
are assured the best possible policy. As a matter of fact,
(10:33):
cash savings checks amounting to twenty percent are going out
to policy holders right now. But the club benefits extend
far beyond these two important services. Find out about those
twenty four other money saving benefits right away. When this
program closes, just pick up the phone and call Franklin
(10:53):
one eight, one eighth ask for that valuable free booklet
which is yours for the asking. It's a titled spend
Less to Own and Drive your Car, and it's chuck
full of information on how to change motoring worries into
motoring pleasures. Just called Franklin one eight, one eight, or
send your name and address to the Chicago Motor Club,
(11:16):
Chicago or its nearest branch office. And now the second
act curtain risers on the play of the week rest curing.
Speaker 2 (11:51):
Go Away ratio. I told you not to bother me.
Speaker 6 (11:54):
Your boys said I could find you here.
Speaker 2 (11:57):
What places do you want?
Speaker 8 (11:59):
I'm sorry You're ship got off on the wrong foot
because I have a favor to ask you.
Speaker 1 (12:03):
Friendship, I thought I had looked upon you for the
last time three hours ago.
Speaker 2 (12:08):
And as for a favor, no matter how slight, no.
Speaker 6 (12:10):
I know you came here for peace and quiet.
Speaker 2 (12:12):
And not for one moment do I intend to be
deterred from getting.
Speaker 1 (12:15):
It now clear out, not until you hear me or not.
If it's necessary, I'll use four don't you.
Speaker 5 (12:20):
Lay a hand on me.
Speaker 8 (12:21):
Oh, I'm sorry, I'm terribly sorry. Are you hurt?
Speaker 2 (12:27):
What happened?
Speaker 6 (12:28):
I swung the chair in front of you.
Speaker 2 (12:30):
Thought you hit me?
Speaker 6 (12:31):
No, you only tripped over it. Can I help you.
Speaker 1 (12:34):
Up safer on the floor? And before I'm aimed any further,
maybe I'd better hear what you have to say. You
came to apologize for hitting me this morning, Yes as well.
I accept that apology and the one for now, but
don't come over to apologize anymore.
Speaker 6 (12:48):
I'll not come again until you invite me.
Speaker 2 (12:51):
And that's part company while I'm in fairly healthy shape.
Speaker 6 (12:54):
But you don't know what my favorite is.
Speaker 2 (12:55):
I don't even know who you are.
Speaker 6 (12:57):
My name's Maggie Jervis you already know who I am? Oh?
Speaker 2 (13:01):
Yes, yes, unfortunately? Well? Now what does it you want?
An autograph?
Speaker 1 (13:04):
I don't have any pictures, but if you want my
signats what I want?
Speaker 2 (13:08):
What do you want?
Speaker 6 (13:10):
Would would you my escort to a garden party tomorrow?
Speaker 2 (13:15):
What are you mad?
Speaker 1 (13:17):
First you hit me with a tomato, and then you
hurl insults at me, and finally you swing a chair
at me, and now you asked me to be your escort.
Speaker 2 (13:24):
It may seem unusual, unusual, unique, positively unique.
Speaker 1 (13:30):
Is it possible that there's some reasonable motive I'm overlooking?
Speaker 6 (13:34):
Would you indulge a sentimental.
Speaker 2 (13:36):
Gesture on occasion? I'm a pushover for sentiment? What's the gag?
Speaker 6 (13:40):
It's simpler than you think.
Speaker 11 (13:42):
Just make an appearance with me tomorrow afternoon at the
Chilsen's garden party. Why well, your presence there with me
would put an end to some nasty rumors floating about,
for instance. Well, but I'm without sufficient charm to attractable,
aren't you.
Speaker 6 (14:00):
Well you needn't take advantage of my position.
Speaker 2 (14:03):
One appearance and then I'll never be bothered again, not once.
It may be worth it. Now do I do anything special?
You look at me so lovingly.
Speaker 1 (14:13):
Yeah, yeah, that'll be the hardest I know. I'll regret it,
but I'll do it. You lay out my striped trousers racial.
Speaker 3 (14:30):
Uh hah ah, No me, not pack, you are saying rescuer.
Speaker 2 (14:34):
In New York, Gregel, and I'll wear the blue suit.
Speaker 3 (14:36):
Ike looking very nice.
Speaker 15 (14:38):
Please all the same Horatio, thinking this very funny way
to get over the nerves breaking miss La, She says,
same too.
Speaker 2 (14:47):
Yellow skin babbler. You didn't tell her where we are?
Speaker 3 (14:49):
Oh no, I am silent as rock up you brought
how much did you take? Five dollars?
Speaker 2 (14:54):
And you told her?
Speaker 3 (14:55):
Oh ha, no a five dollars four? No good cow?
Speaker 2 (15:03):
You mean a bum stair? Yes, just the same. I
don't trust her or you.
Speaker 1 (15:09):
We're clearing out of here after this confounded party rescuere hmm,
what you're.
Speaker 5 (15:28):
Doing snooping in my kitchen?
Speaker 2 (15:30):
Yellow pair of or.
Speaker 15 (15:31):
May ask please if mister Blake have called to taking
your lady to party?
Speaker 3 (15:35):
They just left by the front door. Huh, then Horatio
can having words with you.
Speaker 16 (15:40):
I hope they's pleasant one sometimes inscrutable providence allowing servants
to guide Master, and what do that mean?
Speaker 7 (15:47):
Or the boy?
Speaker 15 (15:48):
I have come to save Master from what? All female
who are having designs?
Speaker 12 (15:54):
Meaning?
Speaker 3 (15:54):
Miss Maggie a sweet child? What pretty girl cannot always
make me marry with rich men?
Speaker 2 (16:01):
Man?
Speaker 3 (16:01):
You ain't planning to stay long in my kitchen?
Speaker 15 (16:04):
Or I'm humbly suggested you convey to miss jobs by
Master having strong desire to remain in bachelor state if.
Speaker 7 (16:11):
You got any accidentally insurance.
Speaker 15 (16:14):
Or shadow of wife faithful to piece of bachelor home foot.
Speaker 16 (16:18):
For the door for you meets with something faith orfer
putting John Iron Potley.
Speaker 3 (16:21):
Oh, our battles are creeping your hair cross, I get.
Speaker 16 (16:24):
Moving a I'm retreating because of no honor in fighting
woman who is big as small mountains. You get the idea,
but before fight beginning, remember wait of opponent making no
difference in jiu JITs.
Speaker 2 (16:37):
Ah ju JITs.
Speaker 7 (16:38):
So you hide, now get get, get go see idea
that grinning heath and running down miss Magnet just because
she set a cap for mister Blake.
Speaker 6 (17:06):
Well, Peter, are you enjoying yourself?
Speaker 3 (17:08):
You don't mind.
Speaker 6 (17:10):
I'm like calling you, Peter.
Speaker 2 (17:12):
You're thinking to do any good? Oh?
Speaker 6 (17:13):
Here comes mister Tilson. Be nice to him.
Speaker 2 (17:16):
Who is this fellow?
Speaker 6 (17:17):
He's an important banker.
Speaker 2 (17:18):
I've known nothing of finance.
Speaker 6 (17:19):
Either his grandfather, but the two of them always managed
to talk.
Speaker 2 (17:23):
Whoa mister Blake.
Speaker 13 (17:24):
I've been looking forward to meeting you.
Speaker 2 (17:27):
I can't say. Most people do and they look back.
Speaker 6 (17:29):
Peter, don't be modest.
Speaker 13 (17:31):
I'll be expecting a visit from you one of these days.
Speaker 2 (17:35):
Are you giving another party?
Speaker 6 (17:36):
I told you, I remember what you promised.
Speaker 2 (17:38):
I mean, I want you to drop him at the
blank to talk business.
Speaker 6 (17:43):
You know, life, insurance, sloans, bun mortgages.
Speaker 2 (17:48):
Do I make myself clear, mister Blake.
Speaker 6 (17:51):
No, Peter is amazingly simple top money affairs, aren't you, Peter?
Speaker 2 (17:55):
Of course you are? Yes, yes, yes I am. I
see you, then I can everything.
Speaker 6 (18:01):
Mister Tilton is settled.
Speaker 2 (18:03):
I've been looking for you, Blake. Wait a minute, now,
what's that?
Speaker 6 (18:07):
I wonder over your grandpa?
Speaker 2 (18:11):
Oh, I couldn't find you, and mister Blake your boys
looking for you? Rightia? Quiet? He comes? Now, excuse me,
I'll see what he wants. He's a nice chat Maggie.
Speaker 5 (18:23):
Grandpa.
Speaker 6 (18:24):
Mister Tilton wants Peter to come into the bank.
Speaker 2 (18:27):
Gret him. He was a nasty kid, and by heavens
he hasn't changed a bit.
Speaker 9 (18:32):
I'm worried and I don't be fit. I just remembered
we have some stock in the older out of minds.
Maybe mister Blake would like to embss you know that
stock's worthless.
Speaker 6 (18:44):
You aren't suggesting we.
Speaker 2 (18:45):
Use Peter Blake only his name. No, I was afraid
you'd feel that way. But I have another plan. It
won't implicate Peter, not any further than the.
Speaker 5 (18:56):
Ze, No, we've gone far enough.
Speaker 2 (18:58):
Tell mister Tilton, certainly the truth eternal. A few days
won't change it.
Speaker 12 (19:05):
I need time and if I can persuade old Beetle
push to buy the stuff in exchange for the mortgage.
Speaker 2 (19:12):
I don't think you want to return them so fast.
Speaker 1 (19:17):
The telephone rang all morning, right, Oh yes, please, but
Horatio not answering like you say, good boy.
Speaker 2 (19:23):
God.
Speaker 3 (19:23):
Finally, doorbell ringing.
Speaker 15 (19:24):
You say nothing about doorbell, so open missus lat there
all the way.
Speaker 2 (19:29):
From New York. You said I wasn't home.
Speaker 3 (19:30):
Huh, she says, she waits.
Speaker 2 (19:32):
Oh, I'm riding out right now.
Speaker 1 (19:34):
Oh no, you not have to.
Speaker 15 (19:35):
I fix everything. Oh, very simple. So she wanted to
know why you picked this plate. So I say you
have good reason.
Speaker 2 (19:43):
Good boy, you've squared everything. What did you tell her?
Speaker 3 (19:46):
Hahah? They say you come here to get married?
Speaker 1 (19:49):
What the second backed curtain falls on the wayside there
presentation of rest cure. Let's join mister and missus Tom
Bailey as they peer into the windows of a large
and impressive automobile sales room.
Speaker 2 (20:13):
Man, oh man, look at that big maroon job over there.
Oh what a honey, good.
Speaker 5 (20:17):
Tom, you can prove weak?
Speaker 2 (20:19):
Huh?
Speaker 5 (20:20):
Now out this year?
Speaker 2 (20:21):
What what's our this year?
Speaker 11 (20:23):
A new car?
Speaker 5 (20:24):
Of course, I'd love to have one. But I don't
see how you don't.
Speaker 1 (20:27):
Well I do, and I know where I can get
as fine a financial deal as Bill Smith got last week.
Speaker 2 (20:32):
You do, sure? Come on, We're going over to the
Chicago Motor Club right now.
Speaker 1 (20:37):
Before you buy either a new or a used car,
talk it over with the Chicago Motor Clubs automobile finance department.
Why many motorists have saved up to twenty five dollars
by financing car purchases Through this department of the club.
You'll get the soundest advice you could possibly want on
financing a purchase as big and important as an automobile.
(20:59):
And the same time you finance your car, you'll want
to place your automobile insurance. As a member of the club,
you're entitled to that service, and you'll get the best
policy obtainable.
Speaker 2 (21:11):
And just listen to this.
Speaker 1 (21:13):
Cash savings checks of twenty percent are being returned to
policy holders right now. There's no obligation whatsoever if you
request the club's free booklet entitled spend Less to Own
and Drive your Car.
Speaker 2 (21:27):
But don't wait.
Speaker 1 (21:28):
Call Franklin one eight one eight right now. Special night
operators will take care of your request. If you live
outside Chicago, just send your name and address to the
Chicago Motor Club Chicago or its nearest branch office. That
free booklet is yours for the asking and now the
(22:15):
third act of rescue radio.
Speaker 2 (22:29):
What are you doing on a clean goldfish board? I'll
drop it, I mean let it go for the present.
This lie, she not believes. So I am married.
Speaker 1 (22:39):
Two hours of explanation on my part, and she worked
herself into a state of noble self sacrifice everything.
Speaker 2 (22:45):
Kaoki, No, not by a long shot. I know Laura.
When her nobleness wears off, well, I just don't want
to be around.
Speaker 3 (22:52):
You want me packed pretty quick?
Speaker 2 (22:55):
God?
Speaker 3 (22:55):
What about lady next door? You know you're going to
marry her?
Speaker 1 (22:59):
Or ratio if you ever tell Maggie Jarvis I used
her name and desperation.
Speaker 3 (23:03):
Huh Horty show can be having striped projects when we
get back to New York.
Speaker 2 (23:07):
Please three size is too big, boy, you squinting blackmailer.
Speaker 3 (23:11):
But you can have him thanking you very much already,
have stain him cut down.
Speaker 2 (23:15):
You get out of here.
Speaker 3 (23:16):
No, effort too great to enshore peace.
Speaker 2 (23:19):
I'll answer that you go pack. Hello, what, Maggie Jarvis.
Speaker 6 (23:25):
You didn't expect to see me again?
Speaker 2 (23:27):
Well, was rather optimistic. What did Laura tell you? It's
a lie? Who oh? Well, then you haven't seen anyone? Huh, stranger?
Speaker 6 (23:36):
No, but I'm the last favor to ask.
Speaker 1 (23:39):
Will you just stand out in the open to avoid
accidentally breaking an arm?
Speaker 6 (23:45):
Can you ever forgive me you?
Speaker 2 (23:48):
You're a good scout?
Speaker 6 (23:49):
Thanks, Peterie.
Speaker 2 (23:50):
What are all your young man? Maggie?
Speaker 6 (23:52):
There's only one and I found him indifferent.
Speaker 2 (23:55):
Well he must be blind only a little stupid. I
want your face.
Speaker 6 (24:00):
Will you write a short please for the Ladies Dramatic Club.
Speaker 2 (24:04):
Listen? I came down here for a rest, A little
little rest.
Speaker 6 (24:08):
No, don't get angry.
Speaker 2 (24:10):
Who's angry? I am calm, too, calm? What's to prevent
me from murdering? You're right on the spot, only my calmness.
But I warn you there are limits to what you
can stretch your mind? How will you carry out? I
don't know who is it? Me or her? I don't
act like this with other people.
Speaker 6 (24:25):
I'm going don't say another.
Speaker 2 (24:26):
Word, but don't move. Wait, I want to look through
the curtain. God, grief, it's Laura. Who's she's a girl
on you in New York?
Speaker 8 (24:33):
Do you like it?
Speaker 2 (24:33):
I feel safer with a shark.
Speaker 6 (24:35):
Well, then why don't you stir it?
Speaker 2 (24:36):
Just say? Oh you don't know, Laura?
Speaker 14 (24:37):
I hang it.
Speaker 2 (24:38):
Oh, be a man, yeah, because I have been beating
about the boys too long. Beater if necessary, I'll steal
myself to be blunt.
Speaker 6 (24:45):
Don't let her bully you.
Speaker 2 (24:46):
But no, there's no point in her saying you, is there.
Speaker 6 (24:48):
I'll slip out to the garden.
Speaker 2 (24:49):
No, no, no, you better slip into the next room. Yeah, coming, Laura.
Where how are you this morning?
Speaker 5 (24:55):
I haven't closed my eyes all large. Are you bent
on marrying this girl?
Speaker 2 (24:59):
Oh? Oh oh, but Laura, I thought you were consoled.
Speaker 5 (25:04):
I am, I am, even though you're breaking my heart.
I'm going away. Don't never try to see me again.
Speaker 2 (25:11):
I won't. This is really my fairway, Laura. You won't
do anything desperate.
Speaker 5 (25:16):
I'm thinking of retiring to the stage now. I want
to leave you with this thought. I'll always love you.
Speaker 2 (25:22):
The boot and picks.
Speaker 5 (25:24):
But that I thought we were alone.
Speaker 2 (25:26):
It's probably Horatio.
Speaker 5 (25:27):
Still listening in a keyhole.
Speaker 2 (25:29):
Is that you, Horatio?
Speaker 12 (25:31):
Yah?
Speaker 2 (25:31):
It's me. Oh?
Speaker 5 (25:32):
His voice seems lighter. Peter, who's in there?
Speaker 6 (25:35):
Laura?
Speaker 1 (25:36):
Don't open that door? No, no, no, I could explain everything.
I don't lose your temper, Honey, Honey, I.
Speaker 5 (25:42):
Came here to tell you I've forgiven you.
Speaker 2 (25:43):
This is the way you.
Speaker 6 (25:44):
Treat me, and you did beautifully even without Noddy.
Speaker 5 (25:47):
Don't stand down. Let me be insolified.
Speaker 2 (25:49):
Is impertinent, girl, Laura? This is you know. I told
you I am not my broken.
Speaker 5 (25:55):
Heart to you, but I didn't expect to be lost
out by another hearing.
Speaker 2 (25:58):
The things I meant only for you on that face.
Speaker 13 (26:00):
So far.
Speaker 6 (26:02):
I don't find them again. Oh, Peter, are you hurt?
Speaker 4 (26:07):
Help me?
Speaker 6 (26:08):
Someone in here?
Speaker 9 (26:12):
Hey?
Speaker 2 (26:12):
What's going on here? Oh?
Speaker 6 (26:14):
It's you, sheriff.
Speaker 8 (26:15):
Get some water?
Speaker 6 (26:15):
He's passed out.
Speaker 9 (26:17):
Say pretty serious, eh, reckon, I can take the flowers
out of this part and use.
Speaker 2 (26:21):
That watery Where am I?
Speaker 6 (26:27):
And then not take it?
Speaker 2 (26:30):
I remember it's war gone, yes, dear.
Speaker 6 (26:33):
Right after hitting you with a base.
Speaker 2 (26:35):
Who's he? I'm the sheriff. Your name Peter Blake? That's right?
I came to rest. What for confidence? Man? Tell him worthless?
Stop is this fella?
Speaker 1 (26:46):
That's my butler, Ballot and cook ratio Algeirfuji Sheriff.
Speaker 2 (26:49):
Now there's been a mistake. No, I don't know what
you're talking about.
Speaker 3 (26:52):
Blake o Bad's already for a quick getting away.
Speaker 2 (26:55):
Oh so you don't know what I'm talking about? Uh?
Speaker 6 (27:22):
Which cell is it?
Speaker 2 (27:23):
Sheriff?
Speaker 12 (27:25):
Oh?
Speaker 6 (27:26):
Hello, Peter?
Speaker 2 (27:27):
You here? Haven't you in trouble enough?
Speaker 3 (27:30):
Oh it's my fault.
Speaker 6 (27:31):
Grandpa gave some stock to the bank and your name.
Speaker 2 (27:34):
Why well, the mortgage was due, and did the bank
except me and the stock?
Speaker 6 (27:38):
Mister Tilton thought you owned the stock. After canceling the
note the next day, he discovered the stock was worthless.
Speaker 2 (27:44):
Naturally, if your family had anything to do with it.
Speaker 11 (27:46):
Mister Tilton sold the stock to Grandpa twenty years ago,
before he became a respectable banker.
Speaker 6 (27:51):
Grandpa reminded him, and he was happy to let everything stand.
Speaker 5 (27:54):
As it was.
Speaker 2 (27:55):
What am I doing here?
Speaker 6 (27:56):
Grandpa's bringing an order for your release? Oh here he is, Grandpa.
Speaker 8 (28:00):
Did you get it?
Speaker 2 (28:01):
I did? No, who knows Tiltson can match it? Jarvis
for bricks of.
Speaker 4 (28:05):
Intrigue, Machiavelly was a piker compared to you too. This
town's too small for any real intrigue. Now you take
the Romans, Ah, but I'm forgetting. I must give this
paper to the sheriff. I was born too late. The
Romans marvelous people.
Speaker 2 (28:23):
Maggie. Why did you give me and named the Tilsen?
Speaker 6 (28:25):
It slipped out. I told him we were engaged.
Speaker 1 (28:29):
You told him that, and I told Laura never mind.
Is that why you dragged me that infernal party? Is
that the cause for all my present misery?
Speaker 2 (28:38):
Are you angry? I don't know.
Speaker 1 (28:41):
I'm tired. You don't use such a faculty for invention.
You should have been a playwright. I don't know whether
to killer Kisser.
Speaker 6 (28:49):
You might punish me by marrying me.
Speaker 10 (28:53):
Maggie, Peter, see what's going on here? Well, I'll be blamed,
or should be.
Speaker 1 (29:10):
The Wayside Theater production of rest Cure comes to a close.
Ladies and gentlemen, the Chicago Motor Club wants you to
be with us again for the Wayside Theater broadcast next
Sunday evening at this same hour. We'll present a play
(29:32):
that's as modern as to Morrow, as you can easily
guess from its title, Swing Sister Swing, and by.
Speaker 2 (29:38):
The way, friends, it's a pretty good idea.
Speaker 1 (29:41):
To look forward to tomorrow, especially if you own and
drive your own car. For over thirty two years, the
Chicago Motor Club has made it its business to advise
families on getting real motoring enjoyment. To day, seventy five
thousand member families are benefiting from the club many money
saving services, all explained in a free booklet prepared by
(30:05):
the club for you. The quickest way to get it
is to call Franklin one eight one eighth right now.
Speaker 2 (30:13):
Special operators are waiting now for your call.
Speaker 1 (30:16):
If you live outside Chicago, just send your name and
address to the Chicago Motor Club, Chicago or its nearest
branch office. In the cast of tonight's play, you heard
(31:21):
our popular starring team Patricia Dunlap in the part of
Maggie and Olin Sulley playing Peter. They were supported by
Mary Jane Morrow, Harriet Whitmer, forrest Lewis Bercy, Hemus, Herb Butterfield,
and Bill Bouchet. Missus Burnsmith speaking for the Chicago Motor Club.
Speaker 2 (32:09):
This is the w bbm Air Theater Wrigley Building in Chicago,
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