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August 6, 2025 • 59 mins
El Hoyo Funky presenta a: 🎷 David Viñolas y Montse Urán 🎹
Una gama de sonidos se apodera del escenario de #ElHoyoFunky, desde estilos clásicos, ska y reggae, todo con el filtro del Jazz; los boletos listos y tu bebida en la mesa para la presentación de David Viñolas y Montse Urán.
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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
Character is so sofficient as paracetay scriveners think and Twitter
a roba Ibervo radio not appear, that's the Loko core
and that's the Lugar sings Facebook come roba Iberva Radio, m.

Speaker 2 (00:24):
Hm no introducmos own moundo in solido paracon let's Nova's
proposed as musicalis parat parable experience Yeah in Benido and
Lodi thank you?

Speaker 3 (01:04):
Can the public call the loder funky stance to names
wanted the podcast the Gusto, Sempre and helmes like what's
the call caused Vera Cruz in Mexicos and Guendra Miguel
hels in your.

Speaker 4 (01:23):
Carrido and hell carrido, l o your phone, Yes, Arto
content to the start Plat Candle constell plat, Candle, Contoga
Esta audience metaempre will trot crystali Ota, funky Yeah, Preparandola
cocktail as being chiddu to put the compart contigo econadience,

(01:46):
the programmers.

Speaker 3 (01:52):
A Barcelona, contros, communicant, tracialist Eloy Kenny radio and Facebook
is an Instagram com radio, I mean the formats Amazon Music,
Spotify as priaker.

Speaker 4 (02:06):
E I hard radio, I mean in bitter I feel
like it man, women's walks up. I think when sinkle
is you never say say say city quadrum. Think when
they sinkle is, you never say say city quatro. You
can do the non core electronico, R radio, email, poon
do com I, spoiler, sitting on avanda, sitting and projectors

(02:30):
music and rgentic was implemented skin and recommended I I
s and as less attend them.

Speaker 3 (02:36):
Most besides last radius P call core electronically, what's up?
Going back to his her productor gone alo then stressing
betails ok a k and on col is the cause
pre semente, the.

Speaker 4 (03:00):
Trying to get away, Yes, uncle, directorment a, listen your
funky sam to say whatever till it's cool to be
pro second your year slegle, sell your yer law interpret
than David Win last monts Urani, funky.

Speaker 5 (04:02):
Itchage to Tony, taking many things.

Speaker 6 (04:22):
To table the table, the fa I came.

Speaker 5 (05:00):
Batu kak can do to contact, can ka take eli,

(06:04):
giving to us to ca the bod of maybe drink kak.

Speaker 7 (07:45):
Kata okay.

Speaker 3 (08:39):
At the flawso great a public compariss and yeah you
don't come in there's a span And as mister camases,
no musicastante rica.

Speaker 8 (08:51):
And it's the most real or that is your productor.

Speaker 9 (08:59):
More.

Speaker 3 (09:00):
David Benolas equally train on concept was standing the calla
oracion Okay, yeah, trying the the m d P member
produced culture music, Larga Victoria and caminos when the mosqui and.

Speaker 8 (09:27):
What she calls your venidos.

Speaker 10 (09:32):
And contains the sad beneath.

Speaker 4 (09:44):
Yes, An hill On musical with Larma and it's the
prey to a do ok keil im colla. Then a

(10:06):
particular men collaboration entry piano saxophone.

Speaker 11 (10:14):
Is the projector you know, yeah, you skills.

Speaker 12 (10:24):
With Madurando and Peto, the mosquita in nada serio, popos
sero nada no circulati the concertos president las president as

(10:53):
soon as they they should libal the liver Musica, the gup,
the music underground, the lados, the Ses de los centa,
Jenos propos Samosa company musica, the group of main groups
to leave you know.

Speaker 11 (11:12):
Yeah, yes, Tom Young plant Wow, we saw como como
you know? In I Guess tamos they.

Speaker 13 (11:25):
Choice Errao Spiro and Stavamos and Tempo Yaqui and the
vimos and Sante Province Barcelona. You know Vidio and la
residentiallatrica spodmos preparation m videoma to Carlgo Bueno testavarclid you

(11:56):
know the possibly and familiarist. Yes, ce pec on Beto
is the the sa mani ratan than the interest penzar
is premieramos. Do you see the part cresendo manrando working
amos tambien de los Ano, setenta Christan orbiradas, instamenteque merit and.

Speaker 14 (12:29):
In Carino namos.

Speaker 3 (12:34):
Prijecto Camelado and we Rapido stas trying sonidosky wells Pero
stays in alergatortory Nicio the the sta intervention Pero and
public called the lawyer from suspectos individual list case lo

(12:55):
can h o astal momento e complementando prison, the como
estos project and the man individual enriques, the trava, the
CMO and count.

Speaker 11 (13:10):
Correct sees verra pasa pos como como.

Speaker 12 (13:22):
You practical when you think, mamos so you on a
persona and general he got a pal who is tambien
no persona und minde the mundo jazz perro and d

(13:46):
attracting para para Para there the Distinto can the music generals,
the Distinto folklores know yes, so I know lendriqueze uh
so arista and is the cando l L piano pas

(14:09):
me me instrumental principle Yes, con Lookeravado Maya the Lost
Discourse and Los party Tipo and Maria the Los the
lot groups.

Speaker 11 (14:24):
Piano to Para was composite only regulars. Mucho k kill
his group groups on the part I regular music.

Speaker 12 (14:42):
The inn go go post yea mon mont is on
the melanista piano I don't know and the for I
know in was just like mine you are part and

(15:04):
called Monte with Thomaziones activas jas then call um pianista
de bargin conqing on discovadas mm hmmando musica the rik Sati,

(15:28):
the Federico Mombo pro Jevannmastica.

Speaker 11 (15:36):
Was still on uh nucle trio format and the most.

Speaker 12 (15:49):
Premier disco and went you know who'stos discocas un disco
comparati most on musicos the they important the music post
durl and serties to your on in Activo.

Speaker 11 (16:10):
And and Banda and Barcelona and.

Speaker 12 (16:18):
This comes another yeah, yeah, yeah, you know you post
I mean post canoe he on monse.

Speaker 11 (16:30):
I suppose.

Speaker 12 (16:33):
Posta min com partmos otto grupo is uh bullholder on.

Speaker 11 (16:41):
The musica. Yeah, posta minister, not.

Speaker 13 (16:48):
Your micarea musicalist, mascota pero.

Speaker 14 (16:55):
Negro okay, all over the.

Speaker 13 (17:00):
Kata perina not int comdo saxophonista siempre tocado empatheto candle
of flota, travicera peroa main travel contractors, portos laos that
really into stramas comoda in masergonomico usta mundo, the possibility

(17:29):
that is los relalto soprano a twelve minut district Conalto
soprano principal mine into controspect of his projectos posuenola suerte,
the to and on a big bank and the project
to mio procasion, projecto pretioso moyomano. I handed the top

(17:52):
lay algundia un corte official yah parlopodes.

Speaker 11 (18:00):
Go cha that is.

Speaker 13 (18:03):
A part of the suppose you know the com do
como stasipora las cosas importantes, Yes, monton is peramos podginard
the musicamon yes local realm Brando in the Yet festival

(18:25):
at the party, as those projectors, personalists who no it's
blue hool dragon and film parts perocation avandamos case a
professional liado.

Speaker 14 (18:41):
Iguano, the despos monstra lesto.

Speaker 13 (18:46):
E tambi and our stipano in Marcia on trio, I'm
a cart band stupendo you look at the most poe
lok lokegusta is to intend maas tambi and somosa they
use is to intenendris catar the maas the artistas, the

(19:12):
the the spanos popularist travajos maravillosos is to intend.

Speaker 14 (19:23):
As a canton. It's just a documentation.

Speaker 13 (19:27):
Plo airpular sempre piundoljavando am formura is a feeling, the combre.

Speaker 4 (19:49):
The project evident directress any da pray, it's just striblerist
into general and I think even formicastic band practically semples

(20:14):
not reguan com funeral processes. The composition to the eye
Aline provinces in personally that tants projectors contematic as dis
intest com como fun the conceptors then troo there will
be no las montsur.

Speaker 11 (20:34):
Wow and the jazz is.

Speaker 7 (20:39):
U m.

Speaker 12 (20:43):
Laico real mint is is mo mo mo moam line provices,
tamas the jazz no probably is tna so important you know,
mass o, menos medida, the beniento, the the formatto either

(21:12):
a pest form, group of practice free jazz, improvice proud
portiento on the the la interpreter I mean I was uh,

(21:37):
perrol y mass and contemptos the the compositivos no m
m manos patio the improvis only a tepical composite or
the posh onmost common.

Speaker 11 (21:59):
I guess the solos, the improvisat.

Speaker 12 (22:02):
Pedro prec materials yes, skiritos yeah, and composite originals okay,
a party pus the okay common kay ramos pus on
composite canes uh and ben the jazz you know, the

(22:22):
the the m terno from monsters, riginales m sometimes squiritos
and like provis was in hunosus mass uh important menos
importantity you know push.

Speaker 11 (22:46):
So corto port at.

Speaker 12 (22:50):
Keep the people, the harmoniamos no permitia lo mas in
provis mas lo moost cando seven sea composite.

Speaker 13 (23:08):
Basicaa the ypricado the wit uh you annual the annual
compositive or medericoya and miss temas propios para parado, para
quartett and lutemus pando and plamos i Lenko the grandest

(23:29):
music the quarto mosques and imla Royo, a Parte pos
paraile Sextet Sextet and and Blue Hole Dragon Banda, the
Rimosmicanos postambion, the Animal Compositivo Boys is the st Alerta
de plus marla presente. It is located a bit abrege

(23:54):
masomenos seven l tema post laramoni. This put solos RelA
am mas, gambo and umbaya.

Speaker 14 (24:07):
Locally relas and marana.

Speaker 11 (24:11):
La musica.

Speaker 14 (24:12):
So this is a peri. The com party is the
lost flus.

Speaker 3 (24:22):
Excellent because president and musical rotando the Australian ny presidents
like it's the thema preject some parven and festival as.

Speaker 8 (24:44):
So the.

Speaker 15 (25:17):
Ladder least.

Speaker 6 (27:00):
Then Dan.

Speaker 4 (27:21):
Da Parma, paramas careers, catandos and new scenario your fungibama

(28:22):
est the projector Yamago nuclear trio called s k espera
train is atticando key and fun David Bolas called monts
ran pu parent Asian festival conqual no programmers in the Lamanno,

(28:48):
Yes was not no reception Plato Picarre is an festival
Ambart Parica participate inist and sty went to the inclusion
was the participles and the persons most.

Speaker 13 (29:07):
We nos guandos grands per casually. That is the is
the information the festivals, not gonnamos. Was the w applicamos
que pasa applicamos iguando Juan manifesto interests presentia laamos felices

(29:32):
la and this one of for mar past part the
festival then multi distieply in art than amplio tan rico
in in in arte tan di versa with content cousa

(29:53):
super intent convillo frank coment smidos. The participates in a
porta party called music Ostraaki.

Speaker 11 (30:12):
See becomas mine pos privily hiados no the.

Speaker 12 (30:22):
Charco no Venia Ustra Musica and and festival petial is
thamos superfectly a poco no posn for we have for

(30:43):
to NADOs and.

Speaker 3 (30:46):
My contentolos and Mexico mene and and the festival ade.
He was in the spot Presidente Festiva Public.

Speaker 8 (31:03):
Loc experience plaus school.

Speaker 14 (31:08):
And bio we know public the Mexico Festival in.

Speaker 13 (31:17):
School, chair bar and contra round the piano is au conda.

Speaker 14 (31:25):
The musica vada and pasada or pasada jaz and i
is the one.

Speaker 13 (31:37):
In contrast tmas the the loa and the interpreted amos.

Speaker 14 (31:50):
Ban and contrams the.

Speaker 13 (31:55):
Ban and contrast temas the composium proprian David come on
meo ses.

Speaker 14 (32:02):
The de mass no.

Speaker 13 (32:06):
Pores distincts no sendrique then in n sancho como commodo
como musicos porg the masqueeson Frank coming the complex hose
the the javara to terno whilvanda says the music.

Speaker 14 (32:23):
There's one yester como com com yea is a.

Speaker 13 (32:29):
Loretos la respostat possess moo, yesperamos for their moon epo.
There you are the musica lasistants.

Speaker 8 (32:47):
See it's so no.

Speaker 11 (32:51):
Po loretos that do no is for their music. Don't know.

Speaker 12 (33:03):
Originalist location loo originalist in tamos mountaineer licentia the material
original perro okam suen.

Speaker 11 (33:18):
Uh an.

Speaker 12 (33:21):
Either yes, logs he locate local kemos transmitt okay lost
caving guys, was that is this flutals mamo that characters Yes, no,

(33:45):
this flutal know noma is transmittory is like commonion in
and est so artist tag.

Speaker 9 (33:56):
You know.

Speaker 4 (33:58):
With yourns originalist composition is propio as covert es kept
from the ancome of compositions, propi as the lama. Then
your last look, it's terms and festivals. On birthday in Cantoni.
Was the the starpoli pertandos, the musica lache the music

(34:20):
no public americo public a Mexico imintended public Mexico spectatives,
the present respected terms gender not was.

Speaker 11 (34:37):
They're going public the Mexico Mexican or look the public
personal respito pedro respect that you know the public.

Speaker 12 (35:02):
The public is the public Mexicano. No, okay, I'm just Mexicanos.
The format that Pedro.

Speaker 11 (35:15):
Parties is not the qu yo, it's aspect like spectative.

Speaker 16 (35:22):
I know it's.

Speaker 11 (35:26):
High school chart. He said, you record though the.

Speaker 12 (35:38):
Bassa and Barcelona and Mexico La luna know, okay, bengal
uh colamente.

Speaker 11 (35:49):
Forma, Yeah, the the sonidos, the.

Speaker 13 (35:56):
No a better missuspectatia rational tims. You don't supplous I expectacle.

Speaker 17 (36:06):
Not no.

Speaker 14 (36:14):
Affect.

Speaker 11 (36:19):
Yes, what the.

Speaker 18 (36:23):
Conventional policy is in the plans I call probably because
my cali moest.

Speaker 8 (36:45):
Bregunda per approach portun that.

Speaker 3 (36:51):
And the welcome serve persons and knipper radiost is the
condition public upon this capac well, it's always music was
in her care instrumental algo algo basco perky well celapian.

Speaker 8 (37:14):
Lad with this as a process of the premisa.

Speaker 3 (37:23):
Had against persona in Korean musica perrokeet and.

Speaker 11 (37:27):
Esta condition wow mi prima dint ganas, the the the
the musica, the car un.

Speaker 12 (37:38):
Instrumental, the candar, the location, uh premier n slopians and
those es so m pepa on whether tula in the
norwego al al s to the art, no alms to

(38:02):
the art, yell.

Speaker 11 (38:05):
And sergesto who is.

Speaker 12 (38:10):
On when professor yes yeah, when Commador no, he callous
look trava b and us no pose for cal instrumental
was anniuel technico an eel post post to las posta

(38:34):
uh movies sales no.

Speaker 11 (38:37):
Ill post uh lost. Professors put the.

Speaker 12 (38:44):
Como como transmitted, so no post you okay las personas
from this capa that visual I mean that the grompe
sava paragil professor express.

Speaker 11 (39:06):
Is important.

Speaker 8 (39:07):
You know luego was.

Speaker 12 (39:12):
Music and I mean is fundamental la music la again,
no ki m is no no condition says to the

(39:40):
musica like case Camino no yah sho respectativas lost important Janas.

Speaker 11 (39:57):
Is a t.

Speaker 8 (40:00):
H.

Speaker 11 (40:02):
I couldn't steps master and rene is you know I
was to the musica, Uh the major cours camp respect.

Speaker 13 (40:23):
To comp important, Pulo primero s to car the spoel
brenda iraviendo iraviendo po po and tressando po primero standard
sim pre instrumental yamano.

Speaker 14 (40:41):
Parapo hu connel para bother and amarlo.

Speaker 13 (40:47):
Is a year was Connel brend lo yea member important,
Simo simple tender claro the spos on camino claro don't
care here, city cares the s in al men here
Camino terminado is is this frutar del camino basarlo and

(41:08):
brendero drimo was.

Speaker 12 (41:11):
Balleos corecto Are you in pre courios? I know esk
and en espanol cat to camos and instrumental to camos,
piano c embargo and los ingleses all loos parentheses.

Speaker 11 (41:32):
Uegan to play jue, you know jue piano no play
the play the piano. No uk is a different It's
important no porque.

Speaker 12 (41:46):
Yes guenta grand Pianista, the Liza Minor, Marco Mezquida grand Pianista,
Hugar all instrumental in gruso alas and terminos, the the
and us masters and master classes, the huge instrumental menteo

(42:06):
keo much and and estot is yeahendo locally whether the
car or lo com communist.

Speaker 4 (42:21):
Incredia a passion and sprimeo is too bundo discipline and optional.
This lutos in Tennes as well in Ben and David
Munse carridos para mass yestermo and primer filamento masque cano.

(42:45):
But but I can care creatures the musica, but I
can care allos andre socialist, but I can care verma
u stags on the car and canopy rectorist Don Mant.

(43:06):
I'll contact the latter. The mont.

Speaker 14 (43:10):
Principle you Vils Instagram, Roba mont.

Speaker 13 (43:18):
Is Boys, Projecto Kestine, Marc called Lavandero case Robert Blue
Hole Dragons.

Speaker 14 (43:28):
Yea and Spotify rob Blue Hole.

Speaker 12 (43:31):
Dragons see pos los Mono Tngo principal meant Instagram, comb
the Bolas, the wolas uh in Facebook and Binola's music.

Speaker 11 (43:48):
Damien Estoy Lou pos port mas bosam and.

Speaker 12 (43:57):
Webcase on las tres doubles punto lais violas comravilla bravia
in commune so go and Spotify, Dragons, comos, projectors, nucletrio.

Speaker 11 (44:21):
Viola and Spotify posts.

Speaker 3 (44:27):
And the public violas monsel and then plataformsscause partes and futuro.
I know music Carlo and esplant and they welcome con
sponsor prendre.

Speaker 8 (44:45):
The is the preject.

Speaker 14 (44:49):
Individual with your personal.

Speaker 13 (44:57):
And blue hole dragons componendo uh bus cando piano bar condre,
la crestiendo lu conda march m bus cando tema sabasion
and busts.

Speaker 6 (45:17):
King King Quira.

Speaker 13 (45:20):
Cos the s boys bombestvanda is the trio bom car
ban I catando o yas nati analys the cos interest
and the yes paraqui gamber stamos stamoso.

Speaker 12 (45:43):
Las see was yo loc was your went mass poser
even study most president and because the stigmo po conugidrio
boo president Adel disco interpreted musica con tra vagando conun

(46:14):
disco m yea cadel trios in.

Speaker 11 (46:20):
Musicados on musical Yes so blue travand.

Speaker 12 (46:31):
You know was in estabrimams singles con Conuno Barcelonamara label
Eco Perspectiva, the Sagar single pero mute.

Speaker 11 (46:52):
Yes, most.

Speaker 4 (46:56):
But then as the monts monse I mean forest you
from qumos and contrando I and and festival as somberto
alta menos I breton crams, cricendo and performance and races
cuando musica just having Gridos's does in musica Lato, the

(47:22):
k n a yelgo, the cab Monsters, blue Hole Dragons,
spo no KOs your in the present, the king presenter
musica mon sec Lesusteria as the cargoest presenters of musical
the vo no, the Blue Hole Dragons pocket in and
in common record well takeno o espana or have I.

Speaker 11 (47:48):
Have I.

Speaker 13 (47:51):
Ham in Bristol Country, I mean the when is the
is the tma salio elements, the my you and the
public blada formers, composition propia, Yeah, the locate most in

(48:12):
a diferentia and peranak similarly to okay much jazz. You
know it's them. I am so far, so good, palmente

(48:34):
significantnvan camos he.

Speaker 14 (48:41):
Astura to.

Speaker 9 (48:45):
Uh body.

Speaker 17 (49:56):
Ha s s super fast.

Speaker 16 (50:50):
And the fever back to mother.

Speaker 9 (52:12):
Mother, my mother, h.

Speaker 19 (53:28):
O pronounciata to ultimate corve o what well telone a
grand presentation. Sman was a plow, said mother. The nextro
here mh m hmm.

Speaker 8 (53:57):
Suppose shade so far, so good the dargons.

Speaker 3 (54:04):
Then a section the the necrops pork resolution and not
yamle liken metal s k s one of the lost
feminals vocalistas, the Aro Maiden those music in some port

(54:28):
a peril ki Kima Mario dem vocalista is to the
Maiden lost.

Speaker 9 (54:42):
And the wh.

Speaker 3 (54:47):
Ya k p perrimos I was was born in in
whne well SAMs face him into the the content protra.

Speaker 4 (54:58):
As yes, the anker figure, jul sign metal in general yellow,
the Julio Norte Salata, the Black Sabbad Logan as a man,
the os, the Prince Pederlastino lest inclus points beature, memorial

(55:19):
and socialist yes Ma, the st Conico Vocalista primero, the
the iron made and the Premier vocalis trimulation to ct
emiliation to Japan quantos for yelgo al fin alps no
full lavanda considero is in embargo and cans so carrera

(55:42):
and iron't made and on the summer cordonal tlments you
see the whole mark in the lemand more superto to
Cando chande metal the sound on the one and to
the metal metal rope and canized the trinta. You know

(56:05):
they cavandos metal Okay priamma recorder look Connordo Cano metalotmentea
del mundo, the la music, the heavy metal, heavy metal classical,
the heavy metal London there heavy metal English p areos

(56:27):
and in in the persona, the pol Mario dec.

Speaker 3 (56:32):
And past Paul Mario record lay key, Pionero, the heavy
metal onto a.

Speaker 8 (56:49):
H person the.

Speaker 4 (56:52):
Supreme vocalist and and and I love the area which
cemetery in AELs no where, Yes, yes, that is the
hero Medlestin.

Speaker 3 (57:14):
Okay levantaro and those one does by movies you go
to You're going to recant pul Mario key. The yes
is the Constamus party final They is the one programmall

(57:38):
Antonia and stro Pulico and extra precienta mill Pez and
her albertoil eat. I meant for accompany k conduction and
number the caro not chocking.

Speaker 8 (57:55):
And the car.

Speaker 4 (57:59):
Amongst your cast a key and the lessario eloya Funky
I mean extra us Mexico calros and Espana mascal Rosa
you know the contrast and Vera Cruz Yes Co moving
comments as the key, Slo funky men like Neva Yes.

Speaker 3 (58:20):
And Radio, Facebook, Instagram in Electronic radio and Robert what
your create a public called my na as approximate.

Speaker 4 (58:34):
Bye bye.

Speaker 2 (58:41):
Las Porto silvarisis Bulbari musas.

Speaker 8 (58:47):
Pro does musicals.

Speaker 4 (58:49):
He's so great.

Speaker 2 (58:51):
And so Luki and Lloyda funky

Speaker 15 (59:00):
Z
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