Episode Transcript
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Speaker 1 (00:03):
Tired of the everyday grind, ever dream of a life
of romantic adventure, want to get away from it all?
Speaker 2 (00:16):
We offer you escape, escape designed to free you from
the four halls of today for a half hour of
high adventure.
Speaker 3 (00:45):
Permit me to refuse, you know any.
Speaker 4 (00:47):
Permit me to return to the matter of the Yankee merchandise.
Speaker 3 (00:50):
Josh just told you for it. We sold out our
stock of shirts.
Speaker 5 (00:53):
Our ties, our stock.
Speaker 4 (00:54):
You are the man who have a cape and have
said the Caribbean from Miami.
Speaker 5 (00:59):
And we're the men who have a catch and of
say that till.
Speaker 3 (01:02):
We are poured, and they need a simple.
Speaker 5 (01:04):
Matter there teach you are these men.
Speaker 4 (01:06):
It is a simple master.
Speaker 6 (01:08):
We will make our arrangements for the removal of the Merchanoster.
Renee my name to meet me, That is my name. Thanks,
it's this way, Renee. My understanding of things poetic is.
Speaker 5 (01:19):
A little shaky these days mine. True, Yeah, it's too
Are you trying to be clever?
Speaker 3 (01:23):
Or perhaps it pleases you to preeak my passions the
merchandise formit.
Speaker 4 (01:28):
Me by the merchandise.
Speaker 3 (01:31):
When shall we remove it from your vat?
Speaker 7 (01:33):
Mister Renee, I simply have got to explain something to you.
It's evident that you're.
Speaker 3 (01:36):
As free, are not mistaken.
Speaker 6 (01:38):
You have been much a nice We will pay with
renee of fun farewell Josh, he needs to keep his
head public imitation.
Speaker 8 (01:44):
But as you cannot, you.
Speaker 5 (01:48):
Cannot the merchandise.
Speaker 6 (02:00):
Josh and I walked on. I looked over my shoulder
and saw Renae's face become suddenly gray, suddenly old, and
then a blur fading into the crowd that swung the
narrow streets.
Speaker 8 (02:10):
Episodes of a dream.
Speaker 6 (02:11):
Trip cockfight followed by native poet making calypso and a
type of merchandise that didn't exist.
Speaker 3 (02:16):
Poet also dealer in intangible souvenir to be.
Speaker 6 (02:19):
Stored away anecdote to regale the young ladies of New Kensington,
Pennsylvania on our returnment when the dream money ran out
from the place to come back to was New Kensington, PA.
Speaker 4 (02:29):
But now unguided to her of port of print in
a side streak.
Speaker 5 (02:32):
You never believed you'd walk.
Speaker 6 (02:51):
Right, hmm, what are you thinking of our I was
thinking I like it, I like what we're doing, I
like where we are.
Speaker 7 (02:57):
Me true, yes, sir, me true, It's wonderful and no
regret a Josh, you mean we gave up a nice
going habit after business and took.
Speaker 4 (03:04):
A ar That's what I mean.
Speaker 6 (03:05):
I talked you into it, No regret.
Speaker 7 (03:07):
What do you mean you talked me into it? This idea,
this dream? If you I will, I will I remember
that this very minute, the night that germinated in my brain.
That were sitting in the dorm of the.
Speaker 5 (03:16):
Good old University of Pittsburgh's.
Speaker 3 (03:17):
Stripped to the waist.
Speaker 7 (03:18):
It's being a hot night prior to graduation, and a
bottle of beer in the hair.
Speaker 6 (03:21):
And you said, Haiti, someday, let's buy a boat.
Speaker 3 (03:23):
You said, see you complete? It was my eye issue, assured,
was Josh.
Speaker 5 (03:27):
Then you said hayde and I said, Haiti, wry huh?
The Citadel?
Speaker 6 (03:31):
What about it?
Speaker 3 (03:32):
Just I got to see it, That's all. The Citadel
or Henri Cristo.
Speaker 5 (03:36):
Ever since I was a kid.
Speaker 6 (03:38):
I've been reading about it, and one will see it.
Speaker 3 (03:40):
When that's something I got explained to your kid.
Speaker 6 (03:43):
A couple of fellows like us, they hit a.
Speaker 3 (03:45):
New country after an ocean voyage.
Speaker 6 (03:48):
You know, they need time to condition themselves, become acclimated,
mingle with the group.
Speaker 7 (03:54):
You know, me and my reading on the subject of
young women of Haiti. Yeah, I have branded the young.
Speaker 3 (03:59):
Women of Hey are sheltered in circumspect and.
Speaker 7 (04:02):
The formal introduction arranged by a mutual friend or acquaintance
is the etiquette to be followed.
Speaker 5 (04:06):
When a visiting gentleman has the wish show me where,
it says, why I will? I just wanna make sure
you and me.
Speaker 8 (04:12):
Yeah, visiting gentlemen.
Speaker 4 (04:15):
That's what.
Speaker 3 (04:18):
Le cafe de pavilion de tylon it do'll change the
subject rider.
Speaker 6 (04:24):
What the Cafe de pasignon de ty loon translation Cafe
of the pavilions.
Speaker 8 (04:31):
Of the small moon.
Speaker 5 (04:34):
Oh my, oh my, you feel okay?
Speaker 6 (04:38):
The heat, the excitement of the new ser line over
the cafe. There, come on, Josh, let's go get moon struck.
Speaker 3 (04:46):
I want to oh my, oh my, me too.
Speaker 5 (04:58):
I'm glad I said what I said. I'm glad waiting
from the University of fifth.
Speaker 6 (05:01):
Perhaps there may kids.
Speaker 4 (05:03):
A bartender will please you, monsieur. The pleasure presents no problem. Bartender.
Speaker 3 (05:09):
First, we want run through, monsieur. Rush kids, Let's.
Speaker 4 (05:14):
There be hush.
Speaker 5 (05:16):
Leave the bottle.
Speaker 4 (05:16):
Bartender.
Speaker 8 (05:19):
Ah, we made a kid, We made the dream. A
toaster her hated I love.
Speaker 9 (05:29):
You, Desoline toussaint, the jewel bay of to the younger
misteries and the delights over then.
Speaker 3 (05:41):
And to the jungle mysteries and the delight of them.
Speaker 6 (05:45):
Hey, you turn a phrase, monsieur, Then may I purpose
did another to be our guts?
Speaker 8 (05:50):
Did the young lady?
Speaker 6 (05:51):
We'll see there where at the time in shadows and
before left can eat sun shine.
Speaker 3 (05:56):
I caught her cheek there you see I? Oh my,
oh my?
Speaker 7 (06:03):
Where well?
Speaker 3 (06:04):
I don't see her?
Speaker 5 (06:04):
Where right? Show me too?
Speaker 4 (06:06):
You could look upon her with near me I could.
Speaker 3 (06:09):
I'm just the chap who could come.
Speaker 6 (06:11):
Then she has whished pelte to me and bring them
to me, Bring d voyage us to me?
Speaker 3 (06:15):
What the whisper?
Speaker 5 (06:16):
Why?
Speaker 3 (06:16):
Where lady?
Speaker 8 (06:17):
Whispered Josh.
Speaker 3 (06:18):
And it's a call I've.
Speaker 6 (06:19):
Been waiting for dring the bottle, Josh, Oh.
Speaker 5 (06:23):
No, I see her.
Speaker 3 (06:25):
Oh, I'll bring the bottle after you, miss Jeppe, after you.
Speaker 5 (06:30):
Peppy.
Speaker 9 (06:36):
D d Voyagers, for whom you have whispered, No, seat
yourself with bb messieus.
Speaker 8 (06:43):
Suppose the nearness?
Speaker 5 (06:45):
Oh, thank you very much.
Speaker 9 (06:48):
Uh.
Speaker 7 (06:49):
I'm Josh Ford from New Kensington, PA. And this is
my buddy Ryan Dixon. He's from New Kensington too. At present, Sir,
we're a retired habitat.
Speaker 3 (06:58):
I am BG, and I have known for the time
of our meeting.
Speaker 4 (07:05):
Pepe Hollie, you did a splendid job of greeting us.
Speaker 3 (07:09):
Do you no longer have a need for me and
we no longer have any need for you?
Speaker 6 (07:13):
Then I shall make my small depapture no herd feelings step.
Speaker 5 (07:18):
Another.
Speaker 6 (07:19):
Yeah, yeah, tell them you were lonesome for us, phoebe
for both of us.
Speaker 3 (07:25):
The moon was fully it crou Fernando, for the passage
of this time, I have longed for you.
Speaker 7 (07:30):
Oh, you don't even know us, Bobe. We live thousands
of miles apart, in different worlds.
Speaker 5 (07:35):
How could you? Gosh, have you ever.
Speaker 3 (07:37):
Been in New Kensington? Bby University of Pittsburgh. Gosh for
Mamzielle said, for your book and the things of your boat.
For these two I have known. Huh you talk in phertles,
Miss Bob, I don't merchandise of your post. Bob, A
poard of your country said merchandise to us.
Speaker 2 (07:57):
We gave him a Bucket's a tired subject that isn't work.
Speaker 7 (08:00):
The nickel Moore to the other we haven't sold the same.
We gave him a dollar and I don't mind telling you.
The budget we've got.
Speaker 6 (08:07):
Worked out for this trip isn't more money. Could be
more money for what Boebe have left bargain.
Speaker 5 (08:14):
We're not haggling, lady.
Speaker 7 (08:16):
All we got on our boat is a few supplies,
some canned fruit, juices and kinds of dried beef.
Speaker 6 (08:20):
You want enough more.
Speaker 3 (08:21):
Money for the merchandise your boat from, yummy.
Speaker 6 (08:24):
We will pay and there would be no delays. Bb
We started out real good together and suddenly, Josh, how
do you tell a beautiful girl she's lousing everything? Well,
the room at the end of the bus is stale.
Speaker 3 (08:37):
Before I shall be with them, more.
Speaker 8 (08:39):
Money be there, happy dog.
Speaker 6 (08:52):
She moved away from us, and she moved like someone
calling phrase of primitive melody. It took him maybe a
half minute across the floor and vanished behind the glass,
the curtain that made small songs as she moved through it.
That left maybe nine and a half minutes to toast
the many things about Bbe that were worth drinking charm,
And then all that was left was to find out
what it was all about.
Speaker 5 (09:15):
The room at the end of the passage r upstairs.
Speaker 4 (09:17):
She said, ah, you know what I think.
Speaker 5 (09:20):
No, I don't.
Speaker 7 (09:20):
I think she's got a confusion with somebody else, a
couple of entirely different fellas.
Speaker 4 (09:25):
I said, I heard you.
Speaker 5 (09:27):
It's funny. You got admit funny.
Speaker 7 (09:30):
First the native poets, big song of bands about some
merchandise we haven't got.
Speaker 5 (09:35):
And there's bb what merchandise.
Speaker 3 (09:37):
Were supposed to have?
Speaker 8 (09:38):
Right right, yeah, had noise.
Speaker 5 (09:43):
It's already happened to us once today.
Speaker 6 (09:45):
Now it's in tidy.
Speaker 7 (09:49):
I came from dalmat that's where shout. It's blocked, right, babe,
all right, you'll be kicked.
Speaker 5 (10:12):
Right who.
Speaker 4 (10:19):
What lay on the floor wasn't worth looking at?
Speaker 6 (10:23):
Thin lines of blood? Chris Cock beat his face and
throat like some abstract design and horror the new twist
on death in the afternoon.
Speaker 4 (10:30):
Young lady, beautiful, young.
Speaker 6 (10:31):
Lady, slashed to death by the spurs of a game cock.
The bird jumped to the window sill and crowed to
death once more.
Speaker 5 (10:39):
Crocks in our day.
Speaker 6 (10:40):
A pretty pink and blue sign smiled, Welcome to Haiti.
(11:11):
One thing about being in the habitatury business in New Kensington, Pennsylvania,
is that you've got the world ahead of you. Keep
in mind that anything is possible. And when you finally
get to Haiti and come across a beautiful woman slashed
to death by a fighting for bread to kill, accept
it and then run like Josh and I did three
blocks until a sign said hotel of seven sisters, fans
in every room. We paid for one night in advance.
(11:33):
The sign wasn't kidding, There wasn't fan this one. You're
grasped in the hand, waved back and forth under the chin,
creating refreshment and letting the sound of the island drift
in through the open window.
Speaker 5 (11:45):
Right. Ah, we shouldn't have run away.
Speaker 6 (11:49):
We're strangers in a strange country.
Speaker 3 (11:51):
Baby, who knows what we're supposed to do?
Speaker 5 (11:53):
Anybody who dies is a concern. I'll get it.
Speaker 10 (11:59):
Me.
Speaker 3 (11:59):
Hey, Jo, look the poet, come in, Come in?
Speaker 4 (12:05):
I'd you find this? I inquire the true Americans running
in the noonday?
Speaker 3 (12:09):
He are you looking for us?
Speaker 4 (12:11):
An explanation of the events at the Cafe de paon
the Teluna.
Speaker 5 (12:15):
The killing the girl bib.
Speaker 3 (12:16):
Was a mistake.
Speaker 8 (12:18):
She permit me.
Speaker 4 (12:20):
What is the hour?
Speaker 6 (12:22):
Almost two thirty?
Speaker 4 (12:23):
I'll go good. An excellent time for a punctual competitive
mind will arrive.
Speaker 3 (12:28):
In a moment and deal with the council.
Speaker 4 (12:30):
Make it again when I you're talking about, oh forgive me, like.
Speaker 10 (12:35):
So the merchandise you have brought those of us across
the water there the small way across the water. We
wait for the gun so they find a way to
purchase human dignity or uh.
Speaker 5 (12:49):
Get a picture. This guy's a revolutionary.
Speaker 3 (12:52):
Hey, you're a real revolutionary lecture.
Speaker 5 (12:54):
Do you think we've got gun for a revolution or something?
You know what I'm gonna play in New Kensington. They're
gonna jode.
Speaker 3 (13:01):
When they what about the girl?
Speaker 6 (13:02):
Why did that beautiful girl have to die like that?
Speaker 3 (13:05):
Uh?
Speaker 4 (13:06):
B b unfortunate?
Speaker 3 (13:09):
Like so she wants keep me because oh for meet me.
Speaker 4 (13:12):
It's the competriot whom we are expected.
Speaker 6 (13:14):
Well tell him. It's like so if somebody's got our
boat mixed up with somebody.
Speaker 3 (13:16):
Else's uh hello rente uh.
Speaker 5 (13:24):
When they.
Speaker 4 (13:26):
He's dead, My intention.
Speaker 6 (13:29):
Quickly quickly now come now listen here, or you will
lie down beside this man also dead.
Speaker 3 (13:36):
Quickly Where we gone?
Speaker 5 (13:38):
Quickly?
Speaker 8 (13:39):
Quickly?
Speaker 6 (13:39):
I asked you.
Speaker 3 (13:42):
Pistol barrels last year. It's so now quickly.
Speaker 6 (13:51):
The front sight of his gun had cut my cheek,
and there was nothing to.
Speaker 4 (13:54):
Do but put my hand to it.
Speaker 3 (13:55):
It caught it us outside.
Speaker 6 (13:57):
The man in got us army surplus in German.
Speaker 8 (14:00):
Bugar into a waiting cab.
Speaker 6 (14:01):
Unhappy driver looked at my cheek and then at the upholstery,
and then shrugged about the whole thing.
Speaker 7 (14:06):
You'd better take us from where we're reading. There are
cheek at temperative, said my friend Josh.
Speaker 6 (14:10):
Sure was the stir my friend Josh created. In a
while the bleeding stopped. We got out in the part
of Haiti where it was no longer poor the prince
where it became the apron of jungle around the city.
A mansion of columns and glazed brick and flamingos looking
coi behind royal palms. A butler knee breeches told us
we were late. That everybody was in the auditorium, a
(14:31):
private theater, gentleman, that you may watch if you wish.
Speaker 3 (14:36):
I'll tell e ten you're here, at ten, who's here?
Speaker 6 (14:39):
You try to make a break from here, you'd be
shot down.
Speaker 3 (14:42):
The one of the name of there a ten in there.
Speaker 8 (14:51):
College voodoo native dantation.
Speaker 5 (14:53):
Type, poor.
Speaker 3 (14:57):
Thanky gentleman Oh, wouldn't.
Speaker 5 (15:00):
Be that in the past as you appear to be.
Speaker 6 (15:02):
I mean, they are all of them professional dons, twenty
dollars each for the garments or you your first at
yen is?
Speaker 3 (15:10):
It just made me?
Speaker 6 (15:14):
And you're a man who can tell us about to
be be about when they you it's about guns.
Speaker 5 (15:20):
It's all mistake. I know.
Speaker 6 (15:21):
I know somebody got about mixed up with I know
I know that in here.
Speaker 5 (15:31):
Now.
Speaker 8 (15:33):
Uh that's the matter.
Speaker 3 (15:36):
Why are you looking so unhappy about how to tell
you what?
Speaker 6 (15:39):
I must be crazy? If we tried to run one way?
Speaker 5 (15:42):
Oh, yes, you'd be shut.
Speaker 3 (15:44):
Down like the poet was with uh suddenness.
Speaker 6 (15:47):
You are innocent, you see when there was not uh
an enemy, as also was the girl.
Speaker 3 (15:54):
They have their cause, we have ours and both of
you after the gun we have them.
Speaker 5 (15:59):
They on another boat, not you.
Speaker 6 (16:01):
What am I supposed to stay?
Speaker 5 (16:02):
Use him in good health. It's just nothing like this. Well,
we don't know what.
Speaker 4 (16:07):
You don't realize what's happening to you?
Speaker 1 (16:09):
Now?
Speaker 8 (16:09):
Do you a little bit the sliced cheek I have?
Speaker 3 (16:12):
It's yes, that's an indication.
Speaker 6 (16:14):
The reason of course I haven't offered you a physician
or even I would dine, should be coming apparent now,
correct me, Josh, And I know there's a thing about guns,
about a revolution coming up close by, also about two murders,
and you can't let us go. I don't mind telling
you I am a patriot. Murder is necessary.
Speaker 5 (16:37):
It seems it goes with the word.
Speaker 8 (16:42):
We will have to take you far away, and you
must have been lost forever.
Speaker 3 (16:48):
Please try to understand.
Speaker 6 (16:54):
Said with grave concern, and the door open. Some men
walked in. The man who would pick this up at
the telling two others, also looking grave, also looking concerned,
type bidding dark suit so tight you could almost tell
the caliber.
Speaker 5 (17:06):
Of guns about dimaz.
Speaker 6 (17:08):
We went then on a boat driver, a boat called Bumba.
Speaker 5 (17:13):
Look. Look there the citadel floating.
Speaker 6 (17:17):
On a sea of tropic moons, the Citadel of Henri Christo.
Speaker 5 (17:21):
Ever since I was a kid, r Ever since you
were a kid, you admire.
Speaker 4 (17:25):
I listen to Jim.
Speaker 6 (17:27):
Of course, the citadel is practically all we came to
see in Haiti. We're getting a fine view now, really
all of it we want.
Speaker 3 (17:34):
So why don't you say the word to turn this
boat around? Is saying it it is outside? Now, Lord,
yours will be we will.
Speaker 6 (17:43):
You will die a hero's death because of human dignity.
Speaker 7 (17:47):
Human dignity. The poet used the same words on opposite sides.
In both of you are using the same slogan.
Speaker 2 (17:54):
Regretful only well no thiety.
Speaker 5 (18:02):
The both of you now on to the ground. And
this is where quickly quickly.
Speaker 6 (18:07):
Move quickly, friend, if you didn't have that gun, I
have it straight ahead.
Speaker 5 (18:18):
One thing I'd want before this is over the tour
through the citadel.
Speaker 3 (18:22):
Yeah, josh, uh huh.
Speaker 6 (18:25):
We can't just let them shoot us down and leave
us here to rot in a sinkle like this. They'll
think we are to make a break for it, I
would say, so listen just before we hit that clearing
up ahead.
Speaker 5 (18:36):
You two, if you are discussing running away, you will
be shut like pigs. Right m I still think we
got to try, uh.
Speaker 1 (18:48):
Huh, Like now, like.
Speaker 6 (19:03):
The man who stood ankles deep in the sticking waters
was the man we had seen before, petty, a man
in the bar called the Pavilion of the Small Moon,
a man who had taken us to be be nice
to me. I think that a bandolier of bullets over
his shoulder, the start of his submachines and snipping a
circle at our belt buckle a chen. The others who
had brought us here face deep in the mud, a
(19:23):
brown marsh water, washing their blood.
Speaker 3 (19:25):
Away, slow, very slow.
Speaker 6 (19:28):
Eventually I knew they had to come here.
Speaker 9 (19:30):
Well the gun zack gosh, see those kids, says be
gone because of everything?
Speaker 5 (19:36):
Oh are we glad to see you? Truly?
Speaker 6 (19:38):
I don't like the way you said that. What do
you have in mind?
Speaker 4 (19:40):
These these whom I have slain, they were going to
kill you?
Speaker 5 (19:44):
Correct, they said it wasn't because we'd been nice to
be be in the poet, but because you.
Speaker 3 (19:48):
Were nice to them.
Speaker 6 (19:49):
Well, sure, my eyes is strewed with kindness for you both,
for they wear my flang. I asked you something, what.
Speaker 8 (19:54):
Do you have in mind?
Speaker 3 (19:55):
Surely you know you must die worth must not reak
out that what happened here?
Speaker 10 (20:00):
He saves.
Speaker 3 (20:00):
Then he says the kiddings.
Speaker 6 (20:02):
Right, Yeah, I listen, you really a favor. Uh, my
friend here. All he wants to do is take a
look at the citadel.
Speaker 5 (20:08):
He may, well, it is.
Speaker 4 (20:09):
Look my friend here.
Speaker 6 (20:11):
He wants to take a look up close. This was
his dream trip, The Citadel of Varnrie quis.
Speaker 8 (20:15):
Stop his dream place.
Speaker 3 (20:16):
I see no.
Speaker 6 (20:36):
Crazy monument built by a crazy king.
Speaker 7 (20:38):
You see all those cannons pushed trudos em brasiers at
least set to see all those cannons?
Speaker 4 (20:43):
Or what about him?
Speaker 5 (20:44):
Not one ever fired? You know what else? What else? Josh?
Speaker 7 (20:48):
This was built on an exact line with a great
pyramid of Egypt and a great pyramid built by the
Mayas of Central a marriage.
Speaker 5 (20:55):
That way.
Speaker 3 (20:59):
Enough, look down.
Speaker 6 (21:03):
The stuff used to falky slaves cou jump from the
spot he enjoyed their scream?
Speaker 8 (21:10):
Will you scream?
Speaker 4 (21:11):
I don't think so, Gert, Please do not belive I
am viled.
Speaker 2 (21:15):
Miss years.
Speaker 3 (21:15):
You were unlucky enough to stumble on this small wall.
Speaker 4 (21:18):
Neither sights cannot thought.
Speaker 3 (21:19):
You're staying alive?
Speaker 6 (21:21):
Pity some pity now alive or dead from a bullet jump?
Now hold it a second, one more wood with my
friend Josh.
Speaker 7 (21:33):
Where you were all of it, your fault, mine, leaving
the business, the boat, haiti, all of it?
Speaker 5 (21:40):
How can you talk like that?
Speaker 4 (21:41):
As citadel?
Speaker 3 (21:42):
What if brick and march.
Speaker 6 (21:43):
Hope you get a nice view of the east wing
on the way down. You know what you are or
a child? A bird brain of a child.
Speaker 5 (21:48):
You're not gonna talk about right where.
Speaker 6 (21:50):
Start taking knuckle while you.
Speaker 5 (21:56):
Fight before you die?
Speaker 10 (22:00):
Right?
Speaker 3 (22:02):
Why?
Speaker 1 (22:02):
Right again?
Speaker 6 (22:07):
Right?
Speaker 5 (22:10):
Why?
Speaker 8 (22:12):
Why?
Speaker 5 (22:14):
Yeah?
Speaker 3 (22:15):
I'm okay, you okay?
Speaker 5 (22:19):
What about him?
Speaker 8 (22:20):
You tie him up?
Speaker 4 (22:21):
Leave him? I don't know something.
Speaker 6 (22:24):
All right?
Speaker 3 (22:25):
What you see that over there?
Speaker 5 (22:28):
See what over there?
Speaker 3 (22:29):
That slams?
Speaker 5 (22:30):
Oh?
Speaker 6 (22:30):
What about it?
Speaker 3 (22:31):
That's Tony Christal's tool.
Speaker 5 (22:33):
He was buried there.
Speaker 3 (22:34):
We thought he was killed right over there. Something isn't
it really something? Boy?
Speaker 2 (22:56):
Escape has brought you Knight of the Guns. The story
written and directed by David Freedkin and Morton Fine. Featured
in the cast were herbalus Byron Kane, Jack Prusian, and
Jaye Novello. Also heard were Lillian Bias, Chef Mankin, John Danna,
and Paula Pascal. You're an Answer George Walsh. The special
music for Escape is composed and conducted by Leif Stephens.
Speaker 1 (23:16):
Next week, you are adrift and a Native canoe somewhere
off the Solomon Islands. Ahead of you, by the unknown
terrors of natives savagery and closing in on you is
a white man whose gun boat will smash you to
(23:37):
the bottom of the sea.
Speaker 2 (23:39):
So listen next week when escape brings you. John Russell's
story The Price of the Head
Tired of the everyday grind, ever dream of a life
of romantic adventure, want to get away from it all?
Speaker 2 (00:16):
We offer you escape, escape designed to free you from
the four halls of today for a half hour of
high adventure.
Speaker 3 (00:45):
Permit me to refuse, you know any.
Speaker 4 (00:47):
Permit me to return to the matter of the Yankee merchandise.
Speaker 3 (00:50):
Josh just told you for it. We sold out our
stock of shirts.
Speaker 5 (00:53):
Our ties, our stock.
Speaker 4 (00:54):
You are the man who have a cape and have
said the Caribbean from Miami.
Speaker 5 (00:59):
And we're the men who have a catch and of
say that till.
Speaker 3 (01:02):
We are poured, and they need a simple.
Speaker 5 (01:04):
Matter there teach you are these men.
Speaker 4 (01:06):
It is a simple master.
Speaker 6 (01:08):
We will make our arrangements for the removal of the Merchanoster.
Renee my name to meet me, That is my name. Thanks,
it's this way, Renee. My understanding of things poetic is.
Speaker 5 (01:19):
A little shaky these days mine. True, Yeah, it's too
Are you trying to be clever?
Speaker 3 (01:23):
Or perhaps it pleases you to preeak my passions the
merchandise formit.
Speaker 4 (01:28):
Me by the merchandise.
Speaker 3 (01:31):
When shall we remove it from your vat?
Speaker 7 (01:33):
Mister Renee, I simply have got to explain something to you.
It's evident that you're.
Speaker 3 (01:36):
As free, are not mistaken.
Speaker 6 (01:38):
You have been much a nice We will pay with
renee of fun farewell Josh, he needs to keep his
head public imitation.
Speaker 8 (01:44):
But as you cannot, you.
Speaker 5 (01:48):
Cannot the merchandise.
Speaker 6 (02:00):
Josh and I walked on. I looked over my shoulder
and saw Renae's face become suddenly gray, suddenly old, and
then a blur fading into the crowd that swung the
narrow streets.
Speaker 8 (02:10):
Episodes of a dream.
Speaker 6 (02:11):
Trip cockfight followed by native poet making calypso and a
type of merchandise that didn't exist.
Speaker 3 (02:16):
Poet also dealer in intangible souvenir to be.
Speaker 6 (02:19):
Stored away anecdote to regale the young ladies of New Kensington,
Pennsylvania on our returnment when the dream money ran out
from the place to come back to was New Kensington, PA.
Speaker 4 (02:29):
But now unguided to her of port of print in
a side streak.
Speaker 5 (02:32):
You never believed you'd walk.
Speaker 6 (02:51):
Right, hmm, what are you thinking of our I was
thinking I like it, I like what we're doing, I
like where we are.
Speaker 7 (02:57):
Me true, yes, sir, me true, It's wonderful and no
regret a Josh, you mean we gave up a nice
going habit after business and took.
Speaker 4 (03:04):
A ar That's what I mean.
Speaker 6 (03:05):
I talked you into it, No regret.
Speaker 7 (03:07):
What do you mean you talked me into it? This idea,
this dream? If you I will, I will I remember
that this very minute, the night that germinated in my brain.
That were sitting in the dorm of the.
Speaker 5 (03:16):
Good old University of Pittsburgh's.
Speaker 3 (03:17):
Stripped to the waist.
Speaker 7 (03:18):
It's being a hot night prior to graduation, and a
bottle of beer in the hair.
Speaker 6 (03:21):
And you said, Haiti, someday, let's buy a boat.
Speaker 3 (03:23):
You said, see you complete? It was my eye issue, assured,
was Josh.
Speaker 5 (03:27):
Then you said hayde and I said, Haiti, wry huh?
The Citadel?
Speaker 6 (03:31):
What about it?
Speaker 3 (03:32):
Just I got to see it, That's all. The Citadel
or Henri Cristo.
Speaker 5 (03:36):
Ever since I was a kid.
Speaker 6 (03:38):
I've been reading about it, and one will see it.
Speaker 3 (03:40):
When that's something I got explained to your kid.
Speaker 6 (03:43):
A couple of fellows like us, they hit a.
Speaker 3 (03:45):
New country after an ocean voyage.
Speaker 6 (03:48):
You know, they need time to condition themselves, become acclimated,
mingle with the group.
Speaker 7 (03:54):
You know, me and my reading on the subject of
young women of Haiti. Yeah, I have branded the young.
Speaker 3 (03:59):
Women of Hey are sheltered in circumspect and.
Speaker 7 (04:02):
The formal introduction arranged by a mutual friend or acquaintance
is the etiquette to be followed.
Speaker 5 (04:06):
When a visiting gentleman has the wish show me where,
it says, why I will? I just wanna make sure
you and me.
Speaker 8 (04:12):
Yeah, visiting gentlemen.
Speaker 4 (04:15):
That's what.
Speaker 3 (04:18):
Le cafe de pavilion de tylon it do'll change the
subject rider.
Speaker 6 (04:24):
What the Cafe de pasignon de ty loon translation Cafe
of the pavilions.
Speaker 8 (04:31):
Of the small moon.
Speaker 5 (04:34):
Oh my, oh my, you feel okay?
Speaker 6 (04:38):
The heat, the excitement of the new ser line over
the cafe. There, come on, Josh, let's go get moon struck.
Speaker 3 (04:46):
I want to oh my, oh my, me too.
Speaker 5 (04:58):
I'm glad I said what I said. I'm glad waiting
from the University of fifth.
Speaker 6 (05:01):
Perhaps there may kids.
Speaker 4 (05:03):
A bartender will please you, monsieur. The pleasure presents no problem. Bartender.
Speaker 3 (05:09):
First, we want run through, monsieur. Rush kids, Let's.
Speaker 4 (05:14):
There be hush.
Speaker 5 (05:16):
Leave the bottle.
Speaker 4 (05:16):
Bartender.
Speaker 8 (05:19):
Ah, we made a kid, We made the dream. A
toaster her hated I love.
Speaker 9 (05:29):
You, Desoline toussaint, the jewel bay of to the younger
misteries and the delights over then.
Speaker 3 (05:41):
And to the jungle mysteries and the delight of them.
Speaker 6 (05:45):
Hey, you turn a phrase, monsieur, Then may I purpose
did another to be our guts?
Speaker 8 (05:50):
Did the young lady?
Speaker 6 (05:51):
We'll see there where at the time in shadows and
before left can eat sun shine.
Speaker 3 (05:56):
I caught her cheek there you see I? Oh my,
oh my?
Speaker 7 (06:03):
Where well?
Speaker 3 (06:04):
I don't see her?
Speaker 5 (06:04):
Where right? Show me too?
Speaker 4 (06:06):
You could look upon her with near me I could.
Speaker 3 (06:09):
I'm just the chap who could come.
Speaker 6 (06:11):
Then she has whished pelte to me and bring them
to me, Bring d voyage us to me?
Speaker 3 (06:15):
What the whisper?
Speaker 5 (06:16):
Why?
Speaker 3 (06:16):
Where lady?
Speaker 8 (06:17):
Whispered Josh.
Speaker 3 (06:18):
And it's a call I've.
Speaker 6 (06:19):
Been waiting for dring the bottle, Josh, Oh.
Speaker 5 (06:23):
No, I see her.
Speaker 3 (06:25):
Oh, I'll bring the bottle after you, miss Jeppe, after you.
Speaker 5 (06:30):
Peppy.
Speaker 9 (06:36):
D d Voyagers, for whom you have whispered, No, seat
yourself with bb messieus.
Speaker 8 (06:43):
Suppose the nearness?
Speaker 5 (06:45):
Oh, thank you very much.
Speaker 9 (06:48):
Uh.
Speaker 7 (06:49):
I'm Josh Ford from New Kensington, PA. And this is
my buddy Ryan Dixon. He's from New Kensington too. At present, Sir,
we're a retired habitat.
Speaker 3 (06:58):
I am BG, and I have known for the time
of our meeting.
Speaker 4 (07:05):
Pepe Hollie, you did a splendid job of greeting us.
Speaker 3 (07:09):
Do you no longer have a need for me and
we no longer have any need for you?
Speaker 6 (07:13):
Then I shall make my small depapture no herd feelings step.
Speaker 5 (07:18):
Another.
Speaker 6 (07:19):
Yeah, yeah, tell them you were lonesome for us, phoebe
for both of us.
Speaker 3 (07:25):
The moon was fully it crou Fernando, for the passage
of this time, I have longed for you.
Speaker 7 (07:30):
Oh, you don't even know us, Bobe. We live thousands
of miles apart, in different worlds.
Speaker 5 (07:35):
How could you? Gosh, have you ever.
Speaker 3 (07:37):
Been in New Kensington? Bby University of Pittsburgh. Gosh for
Mamzielle said, for your book and the things of your boat.
For these two I have known. Huh you talk in phertles,
Miss Bob, I don't merchandise of your post. Bob, A
poard of your country said merchandise to us.
Speaker 2 (07:57):
We gave him a Bucket's a tired subject that isn't work.
Speaker 7 (08:00):
The nickel Moore to the other we haven't sold the same.
We gave him a dollar and I don't mind telling you.
The budget we've got.
Speaker 6 (08:07):
Worked out for this trip isn't more money. Could be
more money for what Boebe have left bargain.
Speaker 5 (08:14):
We're not haggling, lady.
Speaker 7 (08:16):
All we got on our boat is a few supplies,
some canned fruit, juices and kinds of dried beef.
Speaker 6 (08:20):
You want enough more.
Speaker 3 (08:21):
Money for the merchandise your boat from, yummy.
Speaker 6 (08:24):
We will pay and there would be no delays. Bb
We started out real good together and suddenly, Josh, how
do you tell a beautiful girl she's lousing everything? Well,
the room at the end of the bus is stale.
Speaker 3 (08:37):
Before I shall be with them, more.
Speaker 8 (08:39):
Money be there, happy dog.
Speaker 6 (08:52):
She moved away from us, and she moved like someone
calling phrase of primitive melody. It took him maybe a
half minute across the floor and vanished behind the glass,
the curtain that made small songs as she moved through it.
That left maybe nine and a half minutes to toast
the many things about Bbe that were worth drinking charm,
And then all that was left was to find out
what it was all about.
Speaker 5 (09:15):
The room at the end of the passage r upstairs.
Speaker 4 (09:17):
She said, ah, you know what I think.
Speaker 5 (09:20):
No, I don't.
Speaker 7 (09:20):
I think she's got a confusion with somebody else, a
couple of entirely different fellas.
Speaker 4 (09:25):
I said, I heard you.
Speaker 5 (09:27):
It's funny. You got admit funny.
Speaker 7 (09:30):
First the native poets, big song of bands about some
merchandise we haven't got.
Speaker 5 (09:35):
And there's bb what merchandise.
Speaker 3 (09:37):
Were supposed to have?
Speaker 8 (09:38):
Right right, yeah, had noise.
Speaker 5 (09:43):
It's already happened to us once today.
Speaker 6 (09:45):
Now it's in tidy.
Speaker 7 (09:49):
I came from dalmat that's where shout. It's blocked, right, babe,
all right, you'll be kicked.
Speaker 5 (10:12):
Right who.
Speaker 4 (10:19):
What lay on the floor wasn't worth looking at?
Speaker 6 (10:23):
Thin lines of blood? Chris Cock beat his face and
throat like some abstract design and horror the new twist
on death in the afternoon.
Speaker 4 (10:30):
Young lady, beautiful, young.
Speaker 6 (10:31):
Lady, slashed to death by the spurs of a game cock.
The bird jumped to the window sill and crowed to
death once more.
Speaker 5 (10:39):
Crocks in our day.
Speaker 6 (10:40):
A pretty pink and blue sign smiled, Welcome to Haiti.
(11:11):
One thing about being in the habitatury business in New Kensington, Pennsylvania,
is that you've got the world ahead of you. Keep
in mind that anything is possible. And when you finally
get to Haiti and come across a beautiful woman slashed
to death by a fighting for bread to kill, accept
it and then run like Josh and I did three
blocks until a sign said hotel of seven sisters, fans
in every room. We paid for one night in advance.
(11:33):
The sign wasn't kidding, There wasn't fan this one. You're
grasped in the hand, waved back and forth under the chin,
creating refreshment and letting the sound of the island drift
in through the open window.
Speaker 5 (11:45):
Right. Ah, we shouldn't have run away.
Speaker 6 (11:49):
We're strangers in a strange country.
Speaker 3 (11:51):
Baby, who knows what we're supposed to do?
Speaker 5 (11:53):
Anybody who dies is a concern. I'll get it.
Speaker 10 (11:59):
Me.
Speaker 3 (11:59):
Hey, Jo, look the poet, come in, Come in?
Speaker 4 (12:05):
I'd you find this? I inquire the true Americans running
in the noonday?
Speaker 3 (12:09):
He are you looking for us?
Speaker 4 (12:11):
An explanation of the events at the Cafe de paon
the Teluna.
Speaker 5 (12:15):
The killing the girl bib.
Speaker 3 (12:16):
Was a mistake.
Speaker 8 (12:18):
She permit me.
Speaker 4 (12:20):
What is the hour?
Speaker 6 (12:22):
Almost two thirty?
Speaker 4 (12:23):
I'll go good. An excellent time for a punctual competitive
mind will arrive.
Speaker 3 (12:28):
In a moment and deal with the council.
Speaker 4 (12:30):
Make it again when I you're talking about, oh forgive me, like.
Speaker 10 (12:35):
So the merchandise you have brought those of us across
the water there the small way across the water. We
wait for the gun so they find a way to
purchase human dignity or uh.
Speaker 5 (12:49):
Get a picture. This guy's a revolutionary.
Speaker 3 (12:52):
Hey, you're a real revolutionary lecture.
Speaker 5 (12:54):
Do you think we've got gun for a revolution or something?
You know what I'm gonna play in New Kensington. They're
gonna jode.
Speaker 3 (13:01):
When they what about the girl?
Speaker 6 (13:02):
Why did that beautiful girl have to die like that?
Speaker 3 (13:05):
Uh?
Speaker 4 (13:06):
B b unfortunate?
Speaker 3 (13:09):
Like so she wants keep me because oh for meet me.
Speaker 4 (13:12):
It's the competriot whom we are expected.
Speaker 6 (13:14):
Well tell him. It's like so if somebody's got our
boat mixed up with somebody.
Speaker 3 (13:16):
Else's uh hello rente uh.
Speaker 5 (13:24):
When they.
Speaker 4 (13:26):
He's dead, My intention.
Speaker 6 (13:29):
Quickly quickly now come now listen here, or you will
lie down beside this man also dead.
Speaker 3 (13:36):
Quickly Where we gone?
Speaker 5 (13:38):
Quickly?
Speaker 8 (13:39):
Quickly?
Speaker 6 (13:39):
I asked you.
Speaker 3 (13:42):
Pistol barrels last year. It's so now quickly.
Speaker 6 (13:51):
The front sight of his gun had cut my cheek,
and there was nothing to.
Speaker 4 (13:54):
Do but put my hand to it.
Speaker 3 (13:55):
It caught it us outside.
Speaker 6 (13:57):
The man in got us army surplus in German.
Speaker 8 (14:00):
Bugar into a waiting cab.
Speaker 6 (14:01):
Unhappy driver looked at my cheek and then at the upholstery,
and then shrugged about the whole thing.
Speaker 7 (14:06):
You'd better take us from where we're reading. There are
cheek at temperative, said my friend Josh.
Speaker 6 (14:10):
Sure was the stir my friend Josh created. In a
while the bleeding stopped. We got out in the part
of Haiti where it was no longer poor the prince
where it became the apron of jungle around the city.
A mansion of columns and glazed brick and flamingos looking
coi behind royal palms. A butler knee breeches told us
we were late. That everybody was in the auditorium, a
(14:31):
private theater, gentleman, that you may watch if you wish.
Speaker 3 (14:36):
I'll tell e ten you're here, at ten, who's here?
Speaker 6 (14:39):
You try to make a break from here, you'd be
shot down.
Speaker 3 (14:42):
The one of the name of there a ten in there.
Speaker 8 (14:51):
College voodoo native dantation.
Speaker 5 (14:53):
Type, poor.
Speaker 3 (14:57):
Thanky gentleman Oh, wouldn't.
Speaker 5 (15:00):
Be that in the past as you appear to be.
Speaker 6 (15:02):
I mean, they are all of them professional dons, twenty
dollars each for the garments or you your first at
yen is?
Speaker 3 (15:10):
It just made me?
Speaker 6 (15:14):
And you're a man who can tell us about to
be be about when they you it's about guns.
Speaker 5 (15:20):
It's all mistake. I know.
Speaker 6 (15:21):
I know somebody got about mixed up with I know
I know that in here.
Speaker 5 (15:31):
Now.
Speaker 8 (15:33):
Uh that's the matter.
Speaker 3 (15:36):
Why are you looking so unhappy about how to tell
you what?
Speaker 6 (15:39):
I must be crazy? If we tried to run one way?
Speaker 5 (15:42):
Oh, yes, you'd be shut.
Speaker 3 (15:44):
Down like the poet was with uh suddenness.
Speaker 6 (15:47):
You are innocent, you see when there was not uh
an enemy, as also was the girl.
Speaker 3 (15:54):
They have their cause, we have ours and both of
you after the gun we have them.
Speaker 5 (15:59):
They on another boat, not you.
Speaker 6 (16:01):
What am I supposed to stay?
Speaker 5 (16:02):
Use him in good health. It's just nothing like this. Well,
we don't know what.
Speaker 4 (16:07):
You don't realize what's happening to you?
Speaker 1 (16:09):
Now?
Speaker 8 (16:09):
Do you a little bit the sliced cheek I have?
Speaker 3 (16:12):
It's yes, that's an indication.
Speaker 6 (16:14):
The reason of course I haven't offered you a physician
or even I would dine, should be coming apparent now,
correct me, Josh, And I know there's a thing about guns,
about a revolution coming up close by, also about two murders,
and you can't let us go. I don't mind telling
you I am a patriot. Murder is necessary.
Speaker 5 (16:37):
It seems it goes with the word.
Speaker 8 (16:42):
We will have to take you far away, and you
must have been lost forever.
Speaker 3 (16:48):
Please try to understand.
Speaker 6 (16:54):
Said with grave concern, and the door open. Some men
walked in. The man who would pick this up at
the telling two others, also looking grave, also looking concerned,
type bidding dark suit so tight you could almost tell
the caliber.
Speaker 5 (17:06):
Of guns about dimaz.
Speaker 6 (17:08):
We went then on a boat driver, a boat called Bumba.
Speaker 5 (17:13):
Look. Look there the citadel floating.
Speaker 6 (17:17):
On a sea of tropic moons, the Citadel of Henri Christo.
Speaker 5 (17:21):
Ever since I was a kid, r Ever since you
were a kid, you admire.
Speaker 4 (17:25):
I listen to Jim.
Speaker 6 (17:27):
Of course, the citadel is practically all we came to
see in Haiti. We're getting a fine view now, really
all of it we want.
Speaker 3 (17:34):
So why don't you say the word to turn this
boat around? Is saying it it is outside? Now, Lord,
yours will be we will.
Speaker 6 (17:43):
You will die a hero's death because of human dignity.
Speaker 7 (17:47):
Human dignity. The poet used the same words on opposite sides.
In both of you are using the same slogan.
Speaker 2 (17:54):
Regretful only well no thiety.
Speaker 5 (18:02):
The both of you now on to the ground. And
this is where quickly quickly.
Speaker 6 (18:07):
Move quickly, friend, if you didn't have that gun, I
have it straight ahead.
Speaker 5 (18:18):
One thing I'd want before this is over the tour
through the citadel.
Speaker 3 (18:22):
Yeah, josh, uh huh.
Speaker 6 (18:25):
We can't just let them shoot us down and leave
us here to rot in a sinkle like this. They'll
think we are to make a break for it, I
would say, so listen just before we hit that clearing
up ahead.
Speaker 5 (18:36):
You two, if you are discussing running away, you will
be shut like pigs. Right m I still think we
got to try, uh.
Speaker 1 (18:48):
Huh, Like now, like.
Speaker 6 (19:03):
The man who stood ankles deep in the sticking waters
was the man we had seen before, petty, a man
in the bar called the Pavilion of the Small Moon,
a man who had taken us to be be nice
to me. I think that a bandolier of bullets over
his shoulder, the start of his submachines and snipping a
circle at our belt buckle a chen. The others who
had brought us here face deep in the mud, a
(19:23):
brown marsh water, washing their blood.
Speaker 3 (19:25):
Away, slow, very slow.
Speaker 6 (19:28):
Eventually I knew they had to come here.
Speaker 9 (19:30):
Well the gun zack gosh, see those kids, says be
gone because of everything?
Speaker 5 (19:36):
Oh are we glad to see you? Truly?
Speaker 6 (19:38):
I don't like the way you said that. What do
you have in mind?
Speaker 4 (19:40):
These these whom I have slain, they were going to
kill you?
Speaker 5 (19:44):
Correct, they said it wasn't because we'd been nice to
be be in the poet, but because you.
Speaker 3 (19:48):
Were nice to them.
Speaker 6 (19:49):
Well, sure, my eyes is strewed with kindness for you both,
for they wear my flang. I asked you something, what.
Speaker 8 (19:54):
Do you have in mind?
Speaker 3 (19:55):
Surely you know you must die worth must not reak
out that what happened here?
Speaker 10 (20:00):
He saves.
Speaker 3 (20:00):
Then he says the kiddings.
Speaker 6 (20:02):
Right, Yeah, I listen, you really a favor. Uh, my
friend here. All he wants to do is take a
look at the citadel.
Speaker 5 (20:08):
He may, well, it is.
Speaker 4 (20:09):
Look my friend here.
Speaker 6 (20:11):
He wants to take a look up close. This was
his dream trip, The Citadel of Varnrie quis.
Speaker 8 (20:15):
Stop his dream place.
Speaker 3 (20:16):
I see no.
Speaker 6 (20:36):
Crazy monument built by a crazy king.
Speaker 7 (20:38):
You see all those cannons pushed trudos em brasiers at
least set to see all those cannons?
Speaker 4 (20:43):
Or what about him?
Speaker 5 (20:44):
Not one ever fired? You know what else? What else? Josh?
Speaker 7 (20:48):
This was built on an exact line with a great
pyramid of Egypt and a great pyramid built by the
Mayas of Central a marriage.
Speaker 5 (20:55):
That way.
Speaker 3 (20:59):
Enough, look down.
Speaker 6 (21:03):
The stuff used to falky slaves cou jump from the
spot he enjoyed their scream?
Speaker 8 (21:10):
Will you scream?
Speaker 4 (21:11):
I don't think so, Gert, Please do not belive I
am viled.
Speaker 2 (21:15):
Miss years.
Speaker 3 (21:15):
You were unlucky enough to stumble on this small wall.
Speaker 4 (21:18):
Neither sights cannot thought.
Speaker 3 (21:19):
You're staying alive?
Speaker 6 (21:21):
Pity some pity now alive or dead from a bullet jump?
Now hold it a second, one more wood with my
friend Josh.
Speaker 7 (21:33):
Where you were all of it, your fault, mine, leaving
the business, the boat, haiti, all of it?
Speaker 5 (21:40):
How can you talk like that?
Speaker 4 (21:41):
As citadel?
Speaker 3 (21:42):
What if brick and march.
Speaker 6 (21:43):
Hope you get a nice view of the east wing
on the way down. You know what you are or
a child? A bird brain of a child.
Speaker 5 (21:48):
You're not gonna talk about right where.
Speaker 6 (21:50):
Start taking knuckle while you.
Speaker 5 (21:56):
Fight before you die?
Speaker 10 (22:00):
Right?
Speaker 3 (22:02):
Why?
Speaker 1 (22:02):
Right again?
Speaker 6 (22:07):
Right?
Speaker 5 (22:10):
Why?
Speaker 8 (22:12):
Why?
Speaker 5 (22:14):
Yeah?
Speaker 3 (22:15):
I'm okay, you okay?
Speaker 5 (22:19):
What about him?
Speaker 8 (22:20):
You tie him up?
Speaker 4 (22:21):
Leave him? I don't know something.
Speaker 6 (22:24):
All right?
Speaker 3 (22:25):
What you see that over there?
Speaker 5 (22:28):
See what over there?
Speaker 3 (22:29):
That slams?
Speaker 5 (22:30):
Oh?
Speaker 6 (22:30):
What about it?
Speaker 3 (22:31):
That's Tony Christal's tool.
Speaker 5 (22:33):
He was buried there.
Speaker 3 (22:34):
We thought he was killed right over there. Something isn't
it really something? Boy?
Speaker 2 (22:56):
Escape has brought you Knight of the Guns. The story
written and directed by David Freedkin and Morton Fine. Featured
in the cast were herbalus Byron Kane, Jack Prusian, and
Jaye Novello. Also heard were Lillian Bias, Chef Mankin, John Danna,
and Paula Pascal. You're an Answer George Walsh. The special
music for Escape is composed and conducted by Leif Stephens.
Speaker 1 (23:16):
Next week, you are adrift and a Native canoe somewhere
off the Solomon Islands. Ahead of you, by the unknown
terrors of natives savagery and closing in on you is
a white man whose gun boat will smash you to
(23:37):
the bottom of the sea.
Speaker 2 (23:39):
So listen next week when escape brings you. John Russell's
story The Price of the Head
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