May 12, 2025 • 50 mins
In this special episode of Every Body is a Bridal Body, Kass and Natasha step off the bridal runway and onto fashion’s biggest stage: the 2025 Met Gala.This year’s theme, “Superfine: Tailoring Black Style,” honored the elegance, cultural legacy, and expressive power of Black fashion—especially through the lens of Black dandyism. We dive into the looks that stunned, the designers who delivered, and the real price of access to the most exclusive night in fashion.
✂️ In This Episode:
💬 Let’s Discuss:
Who made your best-dressed list?
Were you into this year’s theme?
📱 Connect With Us:
✂️ In This Episode:
- The story behind this years theme
- Kass and Natasha’s Top 5 Best Dressed (spoiler: Damson Idris, Janelle Monáe, Lewis Hamilton & more!)
- Who wore what and why it worked
- A peek behind the velvet rope—ticket prices, designer invites, and how celebs get their gowns
- The designers who defined the night: Christopher John Rogers, Sergio Hudson, Maximilian Davis
- Surprise performances, AI-generated gowns, and other off-carpet moments you need to hear about
- The Met Gala 2025 theme, "Superfine: Tailoring Black Style"
- Details on the Costume Institute's exhibition
- Ticket and table pricing information
- Damson Idris's dramatic entrance and outfit details
- Janelle Monáe's Thom Browne ensemble
- Insights into Black dandyism and its cultural significance
💬 Let’s Discuss:
Who made your best-dressed list?
Were you into this year’s theme?
📱 Connect With Us:
- 💻 Website: www.va-bridal.com
- 📸 Instagram: @va_bridal
- 💌 Email: everybodypod@va-bridal.com
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:14):
The right button, this same woo. You should be proud
of me.
Speaker 2 (00:18):
I'm so proud, thanks, babe of Chris. We'll welcome back
everybody to everybody as a bridal body.
Speaker 1 (00:25):
We are here and we have a fun episode. Yeah,
because we just had the met Gala.
Speaker 2 (00:31):
Yes we did so. Today we are stepping off the
Bridle runway and onto the biggest stage for fashion. What
did you call it the other day?
Speaker 1 (00:41):
Uh? The super Bowl for the fashion people. That's right, Yes,
this is our super Bowl.
Speaker 2 (00:46):
I love it.
Speaker 1 (00:47):
At least I was trying to get the reference out
there everybody.
Speaker 2 (00:55):
Yep.
Speaker 1 (00:56):
Yes, the first Monday of May is always our super Bowl.
Speaker 2 (00:59):
Yes, and this year I loved that they are extending
the museum till the end of October.
Speaker 1 (01:05):
I know it's super cool.
Speaker 2 (01:07):
So if we choose to go to New York, it'd.
Speaker 1 (01:08):
Be really cool. I'd be able to go. Well. This
year's theme was super fine tailoring, black style, and it
brought elegance, history and high fashion to the red carpet
like never before.
Speaker 2 (01:21):
So we're unpacking the fashion, the symbolism, the ticket prices,
and yes, how those looks actually made it onto that carpet.
Speaker 1 (01:30):
That's so cool. I'm so excited. So the Costume Institute,
which is a part of the MET, spotlighted the elegance
and legacy of black fashion, specifically black dandyism, a style
movement rooted in self expression, resistance, and redefining masculinity and beauty.
Speaker 2 (01:48):
So think zoot suits, cris tailoring, bold colors, and personal
storytelling through fashion. This wasn't just about dressing up. It
was about reclaiming.
Speaker 1 (01:58):
Space, and it showed so many looks were thoughtful, tailored
and soaked soaked.
Speaker 2 (02:06):
I guess I don't know why. Hmmm.
Speaker 1 (02:12):
Sorry, we live in Utah and I can till that were.
Speaker 2 (02:16):
Drenched in cultural uh drenched, sure, coaded, who knows.
Speaker 1 (02:22):
Okay, we're gonna go with something that is not the
word soaked, but it was filled in cultural references. I
like that better. So we are going to talk about
the ones that we felt like delivered did phenomenal. Casts
really hit me hard, saying hey, I need your favorite looks,
(02:42):
and I was like, oh sure because this I Yeah,
let's go. I have too many.
Speaker 2 (02:47):
There were way too many to pick from. And then
I told her she has to pick a top five.
Speaker 1 (02:51):
Oh my god, I hate it.
Speaker 2 (02:52):
Yeah, so I'll start with my top five, okay, and
I had some feelings this year, and first up was
Damson Idris, who hands down had the best outfit and
best performance for me. He played into my love of
f one and just owned the red carpet. He had
(03:13):
a custom Fendi tuxedo with satin detailing, which was just
so sharp and so controlled.
Speaker 1 (03:21):
It was a good look. It was so and and
the performance of just like ripping.
Speaker 2 (03:26):
Yeah, it gave off what year was it that Lady
Gaga kept changing? How was that like three years ago
or something?
Speaker 1 (03:34):
Yeah?
Speaker 2 (03:35):
Because it was Camp. It was the Camp one, yeah,
so it wasn't last year. And the year was it?
The year before that?
Speaker 1 (03:43):
Too?
Speaker 2 (03:44):
Was the year before that? The one that was the.
Speaker 1 (03:48):
Like the Pope, no, the Catholic one, sacred or no
something bodies? What was it?
Speaker 2 (03:55):
Something? I remember Rihanna came dressed as looking at the poep,
so he gave off that Lady Gaga vibes where she attended.
Speaker 1 (04:05):
Let's see what year it was? So that was twenty
nineteen the Camp.
Speaker 2 (04:07):
Holy crap, that was so long ago.
Speaker 1 (04:09):
I know. I felt like, oh, Heavenly Bodies is the
one you're thinking of?
Speaker 2 (04:12):
Ahh yeah, that one that was an interesting year.
Speaker 1 (04:16):
Yeah. The Heavenly Bodies Met gala was twenty eighteen, so
that was the year before Camp.
Speaker 2 (04:20):
Okay, so I'm missing a couple of years.
Speaker 1 (04:22):
Yeah, well just a few.
Speaker 2 (04:24):
You're up to figure out what themes. I was wered
to remind refresh my brain. But the next celebrity I loved,
which this was like my favorite female outfit that I
wish I could have, was Georgina Rodriguez. Of course, so
good and she was dripping in I don't know how
to pronounce this properly, so we'll see Valdrin Sahiti and
(04:45):
it was sexy, sculpted and hydrama and the only thing
missing was Christiano Ronaldo on her arm.
Speaker 1 (04:53):
I have had a crush on that man since he
was a teenager like myself and scouted early.
Speaker 2 (04:58):
If anybody tries to tell me they don't find him attractive,
I would probably have a psyche bell, would you. Oh
he's just beautiful.
Speaker 1 (05:06):
He's like David Beckham. Yeah, he's like the yeah on
the same thing where you're just.
Speaker 2 (05:11):
Like Portugal version M beautiful. I know, but I loved
her outfit.
Speaker 1 (05:18):
It was a good one. It was very you.
Speaker 2 (05:20):
Yeah, it was beautiful. And it when I was reading
about it. She based her outfit off of the nineteen
ninety six Princess Diana outfit.
Speaker 1 (05:29):
Oh yeah, I remember you telling me that, which once
she showed it to me, I was like, okay.
Speaker 2 (05:33):
I yeah, it makes sense, like the lace trim and everything. Anyways,
my next was Lewis Hamilton. Hamilton who he is always
a must watch for me, and he wore Burberry, which
I thought was interesting because the rest of the co
chairman wore like Louis Vuitton. But he does himself. That's fine,
and it was tailored to perfection with that high necked
(05:56):
jacket and extended lapels. He just got that effortless. And
he's always a must watch. He's already a fashion icon
when it comes to F one. He's always got the
school outfits and everything.
Speaker 1 (06:09):
Yeah. You always talk about how cool his outfits are before. Yeah,
on like race day and stuff.
Speaker 2 (06:13):
Oh my gosh, they're so cool. And I'm like, good
for you for just being you, being.
Speaker 1 (06:17):
Bold, and I know that. I feel like that's what
Travis Kelsey was trying to do before a lot of
games didn't go well, especially his Saturday night fever.
Speaker 2 (06:27):
Oh my gosh, did not go, well, did he needs
to take some notes.
Speaker 1 (06:34):
Or more like Lewis Hamilton.
Speaker 2 (06:36):
Maybe Lewis can just come style of you. Travis.
Speaker 1 (06:38):
Oh my god. Could you imagine he'd be like, bro.
Speaker 2 (06:41):
He'd be like, you're doing everything wrong. I'd be like, absolutely,
I love that.
Speaker 1 (06:46):
I love it.
Speaker 2 (06:48):
Anyways, Then I loved Sydney Sweeney, which when does she
not look good?
Speaker 1 (06:53):
She is just so pretty? Yeah, and any again, anyone
who says she's not pretty PsychEval Absolutely, I don't know
why no one would not think she's pretty. Yes.
Speaker 2 (07:02):
It. When I first was with Riley asking him about
a celebrity crush, he was baffled about celebrity crushes and
just didn't have one, and then just throwout Jonah's brothers
and I was like, yeah, sure whatever, I don't understand that.
But now has said comments about Sidney Sweeney and I'm like, yes,
she is gorgeous, so I can give you that one.
Speaker 1 (07:23):
I hope her and Glenn Power are like an actual
couple because I would.
Speaker 2 (07:26):
Die if not. It'll break my heart.
Speaker 1 (07:27):
I know. I just want them to be together.
Speaker 2 (07:29):
They're beautiful, they are That movie was just their life
in general. It's fine put together, but She wore MW.
Meal and it was structured, romantic and so different from
her usual sweet girl aesthetic because I feel like she's
typically in like light blues, like pinks. The corsetree and
bo detailing were very on theme well.
Speaker 1 (07:50):
In her so her met Gala look. It was inspired
because she is Oh who is it that she?
Speaker 2 (07:59):
She's like in a movie with Coleman Domingo. Yeah, and
I think it was inspired by the is it the
girl she's playing.
Speaker 1 (08:06):
Or yeah, I'm trying to refresh my memory.
Speaker 2 (08:12):
Let's see what all right? You guys back dress have
done this earlier.
Speaker 1 (08:17):
Oh, Kim Novak's she's playing her, And so it was
homage to her, which I thought was pretty cool.
Speaker 2 (08:24):
That is really fun.
Speaker 1 (08:25):
But she looks. I love how it sparkles. Yeah, it
makes me think of our black cherry gown. Yeah, the
way it catches the light. We're night sky. When people
have told us like you need to turn the filter
off when you film the dress, and I'm like, filter,
that's just the dress.
Speaker 2 (08:41):
And even one of the designers of that design was like, wait,
why don't I have that in my store? We were like,
don't know, because you're crazy. Get on our level. But finally,
my last, but not least is Sukie Waterhouse, who Fashion
Icon recently and we know the designer of her concert outfits,
(09:05):
which we love. But she wore Fendy coutour and it
was pure ethereal luxury soft sheer and the deep neckline
with floral embroidery was just dreamy and delicate but still
fashion forward.
Speaker 1 (09:19):
Her outfit was really cool and she's she's She's always
had a very like whimsy personality, so it was fun
to see her because even in the outfits that our
friend makes for her from a tour, like even though
like they're really well tailored, they are, they're still little
bit more effortless, you know what I mean? And like
has her like boho whimsy, like I'm a fairy. Yeah,
(09:43):
she's kind of got a Stevie Nicks by a little
more glam. Yeah, no, definitely, but seeing her in something
so structured, oh, I was just like, girl, you look
like what can you not wear? Loved it and we
were also surprised that we didn't see her husband, Robert Pattinson,
but it may not be his thing to go. Yeah,
he might have been home a baby boy. He I
(10:05):
don't know if he's doing any filming projects. I think
he kept up with him.
Speaker 2 (10:08):
I feel like they're probably working on the next Batman.
Speaker 1 (10:11):
Oh, I forgot he played Batman. I never watched it.
Speaker 2 (10:13):
He actually is as weird to say, but he is
my favorite Batman. What have you watched that movie?
Speaker 1 (10:19):
No? I have, not so good? Really? Yes? Huh?
Speaker 2 (10:23):
And what's his face as Penguin? You would never? Oh? Yes,
I was like, okay, makeup art so hot. It was
so weird. I was like, no way, that's Colin, but whatever,
I don't.
Speaker 1 (10:36):
Have to watch it.
Speaker 2 (10:37):
Yeah. Well, so that was your top five home, that's
my top five.
Speaker 1 (10:40):
Okay, So even though your list was great, I'm going
to give you my top five. So first up is
Janelle Money in good old.
Speaker 2 (10:49):
Tom Brown, Tom Brown.
Speaker 1 (10:51):
Her Theatrix. Okay, so she had that custom tailored drama,
the half structured men's wear, half deconstructed fantasy like. She
is so good at just always being on point. Not
only is she beautiful, my god, her skin is God
(11:12):
hate her. Also her after party outfit with just the
pasties and her boobs were out my kind of woman.
Damn nice boobs, girl, really nice boobs. Yes, her outfit
under tailored to perfection, like she's just never boring. She
does such a great job.
Speaker 2 (11:31):
Well, and I loved how before she took off the
first outfit because she did a change I think on
the runway and.
Speaker 1 (11:36):
Taking off that like dramatic kind of overcoat.
Speaker 2 (11:39):
But I loved how she was like looking like she
was like a robot.
Speaker 1 (11:42):
Well she kind of like a dull kind of yeah.
But can I just say Tom Brown did something not
gray trousers, so it was always so true and gray
and his little trouser shorts and just shorts. He loves
his gray shorts.
Speaker 2 (11:58):
And I feel like sometimes it can get a little
weird deconstruction. But I loved hers.
Speaker 1 (12:04):
Yeah, her whole outfit was super cool. Yeah, she did
a great, great job.
Speaker 2 (12:08):
I loved it.
Speaker 1 (12:10):
And then I loved Coleman Domingo. And we know he
was on the met Gala board this year, so expectations
were already high. Like if you were on that board,
you have to deliver, and you have to deliver it like.
Speaker 2 (12:24):
To like with yep, with this theme with that board,
all eyes were on them.
Speaker 1 (12:29):
One hundred percent. And holy shit, he wore a Valentino
very dramatic.
Speaker 3 (12:36):
Homage to the zoot suit, which I love zoot suits,
like they are just so like just crisp and fine
and sexy, Like I've always loved a good zoot suit.
Speaker 2 (12:49):
I'll have to show you. Is it Bailey Zarian? Yeah,
who does the murder and makeup? There's a dark passage
or dark history with zoot suits.
Speaker 1 (12:59):
Oh, I'm sure.
Speaker 2 (13:00):
Yeah, I can't remember the whole thing, but it's got
a dark.
Speaker 1 (13:04):
That doesn't surprise me. But I will. I will say
his outfit had really rich, bold, powerful like tone structure
and like he had that like cape with like all
the dramatic beating and then he took it off and that.
Speaker 2 (13:19):
Whole suit underneath and the pearl details.
Speaker 1 (13:22):
Yeah, he knew exactly what he was doing. Ye, and
then obsessed with Miley Cyrus. And it is weird for
me to say that, but hers came through. Maison is
a Margiella. Marge Margiella by John Galliano loved. She had
(13:43):
a silver bias cut gown, which a shredded excuse me,
silver bias cut gown. I would say more bias cuts skirt,
not gown because it was high wasted. Yeah, so it
had like the high waist drop wayt with kind of
a fuller skirt, beautiful silk fabric loved and then that
(14:06):
leather like crocodile leather print and the cut boss, it
was so different. Well and as she turned to get
just very tasteful boom. Loved it.
Speaker 2 (14:15):
I'm always here for a tasteful boob.
Speaker 1 (14:17):
The necklace, everything like it was such a fun look.
Speaker 2 (14:21):
I think it was like the first look like that
I beloved on her.
Speaker 1 (14:24):
Yeah, she's in like normal every day she's hit or
miss for me. Yeah, but I I loved this met
looks so good. It's nice to see her healthy, you
know what I mean? Like I felt like she which
understandably so she went through a very public breakup. Yeah
it's very true, but seeing her healthy is really nice.
(14:49):
But yeah, I was absolutely absolutely obsessed with her, like
glam punk look, so obsessed. I can't get over her.
Speaker 2 (14:58):
So good.
Speaker 1 (14:59):
My next one Jenna Ortega and Tom Brown? What are
you doing this designer this year? Normally his stuff to
me like it is always well made, but usually like
his tones are kind of too bland for me.
Speaker 2 (15:15):
Yeah, it's very mono, No it is. It is Moto chromatic,
modo chromatic. But it's also like very just mono tone, yeah,
because it's just all grays.
Speaker 1 (15:25):
He loves his gray. But yeah, Jenna Ortega, her dress
was just like metal measuring tapes is so good, which
was just wild in the way that he constructed it,
Like the neckline on her test stunning. And then it
had a little bit of like that waste definition almost.
Speaker 2 (15:43):
Kind of like a cumber bun but not Yeah, it
was like just above a waistline, but just below cumber bun.
Speaker 1 (15:51):
Yeah, And it was just so cool how it was
like a literal nod to tailoring, because a tailor, we
need our rulers, we need our measuring tapes, we need
that item to create the outfits.
Speaker 2 (16:03):
And it's literally like Anna Wintur said, it's tailoring to you,
and that's literally tailoring to her.
Speaker 1 (16:13):
She looked phenomenal, so good. I loved her. And then
my last one is Jodie Turner Smith in Burberry, which
I know wasn't necessarily your favorite.
Speaker 2 (16:23):
Yeah, the hat to.
Speaker 1 (16:26):
Me was not needed, but like it added to the theatrics.
Speaker 2 (16:30):
And I think if the hat wasn't there, maybe I
would like it.
Speaker 1 (16:32):
But the color of the fabric was gorgeous. It was
pretty loved it. The dramatic of the coat also great.
I just I loved the ensemble and I felt like
it was really well made for her, which I think
is why I loved it so much. Because she just
looked like she was floating down the carpet like a goddess.
Like her shoulders were super structured. There was that like
(16:54):
fluidity in the like coat lapels, like. She just looked
so pretty and very majestic, which I loved. And that
color is a tone that we didn't really see a
lot of, which I think helped.
Speaker 2 (17:08):
Yeah, because you know, it was just a little bit
more brown.
Speaker 1 (17:10):
It was like a brownish red.
Speaker 2 (17:12):
Yeah, we did see that brown reds, but hers, I
felt like was just a hint more brown.
Speaker 1 (17:17):
It was a little more maroonish. I would feel like
to know maybe because so her color was just I
think the right type of richness.
Speaker 2 (17:23):
Especially for her skin tone. It was beautiful.
Speaker 1 (17:25):
It was gorgeous. Yeah. I love that it was barbery.
Speaker 2 (17:30):
I know I typically don't like barbary.
Speaker 1 (17:32):
Yeah, I mean they're usually just so much of their plaid,
like you just know their plaid, which that color is
in there.
Speaker 2 (17:40):
Yeah, So it makes sense. But that's our top top
ten and if your favorite did not make the list.
I'm so sorry, but send us a DM because we're
always down to debate.
Speaker 1 (17:52):
Yeah, I will say I'd like to give a shout
out to Miss Diana Ross because she was a queen
and an icon. That woman is just so cool.
Speaker 2 (18:02):
Well, I also want to know because her she was
talking about how last minute she decided to go. So
I'm like, whoever the designer was that whipped all of
that together in last minute?
Speaker 1 (18:12):
Listen if Miss Diana Ross calls me and says, Babe,
I need a met Gala.
Speaker 2 (18:16):
Look, you're working all night.
Speaker 1 (18:18):
You give me an ivy of caffeine and I am
not sleeping until that is done. Yeah. Absolutely, But it
was so fun to see her.
Speaker 2 (18:27):
It was fun. And they were saying that this she
hasn't attended the met Galla since two thousand and three.
Speaker 1 (18:32):
That's wild.
Speaker 2 (18:33):
Yeah, I feel like I've seen her, but I guess not.
Speaker 1 (18:37):
I feel like she's kind of been on the down low. Yeah,
with life, but I mean, I don't know if it
just comes with age, probably, you know.
Speaker 2 (18:44):
Learning to spend more time with grandkids.
Speaker 1 (18:45):
Maybe. Yeah, it's taxing on a young person, Yeah, to
go out and do stuff and at her age, like
she deserves to be home with her feet up. Oh yeah,
messus on call just to like work out those you
know aches and pay. Absolutely, that's my dream from when
I'm of such a that's a silver goddess age.
Speaker 2 (19:05):
That's how I feel about like Celine Dion, like, I
hope you've got my susan call.
Speaker 1 (19:09):
Oh, I'm sure she does what she has. She probably
needs massages daily.
Speaker 2 (19:13):
No, definitely, definitely.
Speaker 1 (19:16):
But there were so many cool looks. It was really
hard for me to narrow inning.
Speaker 2 (19:20):
We don't have a long list a very last it
was bad. There was a lot, so I was like,
I guess we only have to do five.
Speaker 1 (19:27):
Yeah, she forced me to narrow.
Speaker 2 (19:29):
We would have talked for hours.
Speaker 1 (19:30):
Oh my god, all day, all night.
Speaker 2 (19:32):
All day. But sorry, if your favorite didn't make it,
go ahead and dm us we're always done for debating
and all of your hot takes are welcome, but just
be prepared to back it up. And yeah. So now
we'll get into some of the designers who defined the night. Okay,
tell me about them casting, So let's talk designers. Christopher
(19:56):
John Rogers gave us vibrant tailoring with exact draded shapes
which were just pure drama.
Speaker 1 (20:03):
And then we had Sergio Hudson, who was all over
the red carpet. This year was structured looks that felt
confident and feminine. And I love a good mix, oh yeah,
masculine and feminine. Yeah, like that's my own personal style.
Like I love to be girly, but I also love
to just be very masculine. Yeah, I like the duality.
Speaker 2 (20:23):
I think both of us have a little bit of
that in our yeah styling, which is just so fun,
and so I think that's why we may be had
so many favorite looks this.
Speaker 1 (20:33):
Year, Yeah, because I feel like sometimes what I struggle
with is it's always a lot of the same. Yeah,
And I know that's when, Like when they had announced
the theme, when Anna had announced it, I remember telling Sean,
I said, there are so many amazing designers that make
(20:54):
well made, tailored, crafted outfits, and a lot of those
outfits you only see him on men. Yeah, and they're
always so boring at the Metcalle, so like, like, there
was a lot of men that looked phenomenal, but they
wore all black, which I love a good all black.
Speaker 2 (21:09):
However, a couple of men that had some fun colors
that I was like, you're pulling that off.
Speaker 1 (21:13):
Beautiful, but I'm like, do something wild and crazy. Like
Shaboozie's look wasn't necessarily my favorite. However, he was bold and.
Speaker 2 (21:19):
His turqoise different. It was memorable.
Speaker 1 (21:21):
It was very memorable. And his grill matched his beads
like he got a he had a turquoise group going on.
So like, even it wasn't my favorite look, I applaud
the fact that like he went for it. Like even
though he wore a really well tailored black outfit, like
all black suit, he had all of those beautiful turquoise
beads draped.
Speaker 2 (21:38):
Yeah, but all of the people that were in black suits,
like you can't even remember the names and there they
were even massive celebrities.
Speaker 1 (21:45):
But I will say the only one who wore an
all black that I remember was Jeff Goldbloom as well.
And he had his cape with like the fur trim.
Speaker 2 (21:54):
And that's why he's memorable because he had the cape,
he had the cane and he was doing a performance.
Speaker 1 (22:00):
Like that's Jeff Goldbloom.
Speaker 2 (22:01):
Because I mean, the one person who was in a
black suit that I remember is oh, he's one of
the Nights.
Speaker 1 (22:07):
Show Jimmy Fallon Seth Meyer cor.
Speaker 2 (22:13):
Oh, James, I'm like, and everybody made fun of him
and his wife, Like, really, that's what you chose to
show up in.
Speaker 1 (22:21):
Like, listen, if I am ever blessed to be invited first,
so if you haven't even talked about the ticket prices,
so I know, Lord get rid of God knows that
that is not in my cash flow at this present time.
Mm hmmm. So we will go to that in a
few But if I had the ability, like for me,
if I was invited to this, I would have I
(22:43):
probably would have gone to Andrea at Pantora and said, babe,
you're dressing me. You were dressing me, and I need
you to make me the sickest outfit.
Speaker 2 (22:53):
Do not hold back.
Speaker 1 (22:54):
I don't. I don't care what you do. If it
fits me, like, we go for it. Oh yeah, if
their sheerness, I will show some skin. Hey, I'm a
big booty girl. Highlight my booty.
Speaker 2 (23:06):
Maybe maybe I might show up as Kanye West wife
where she was just completely naked.
Speaker 1 (23:11):
Who was it? Bianca? Is that her name?
Speaker 2 (23:13):
I think I don't know.
Speaker 1 (23:15):
I don't think they're married anymore. I thought they broke
up right after.
Speaker 2 (23:17):
That maybe I don't don't keep up with him, and
it's not Kanye, it's yeah, right, I don't know who knows.
Speaker 1 (23:26):
Sorry, I digress case. So let's get designers.
Speaker 2 (23:29):
So the next one is at the Ferragamo House and
it was Maximilian Davis and his modern minimalist take on
traditional men's wear was just a chef's kiss.
Speaker 1 (23:41):
And it was just so beautiful to see so many
black designers leading the conversation and the construction.
Speaker 2 (23:46):
It was fun.
Speaker 1 (23:47):
It was so fun, and I was just it was
just so exciting to see so many people that had
never been and they were just so excited to wear
something that resonated with them and their family and their
background and supporting creatives that yeah, you know, it's it's
a dogg eat dog world to be in fashion. Yeah,
(24:10):
And it was nice to see that. There was just
so many new.
Speaker 4 (24:14):
So many names I didn't have, and I loved it
because normally we hear all the exact same things and
it's just like, okay, cool, next, who else is out
there in this world?
Speaker 2 (24:23):
Right?
Speaker 1 (24:24):
I want the underdogs, the ones that nobody knows about, like,
let us see that, because this is an opportunity for
them to show and shine what they can do and
their innovation, like quit like.
Speaker 2 (24:39):
Love me to Tom Brown. Obviously Tosh had a lot
of favorites of yours, but maybe by only one table
and then let some new designers come in.
Speaker 1 (24:47):
Yeah, and you know it would be really neat, and
I doubt any of them do it. If I was
a well known designer, like I ran a fashion house
that was globally renowned, I would be like, we're gonna
go find some one who is looking for their break,
and we are going to bring them in under our
wing and say go for it, which and give them
(25:08):
the opportunity to go to this event.
Speaker 2 (25:11):
Louis Baton kind of did that, even though he's a celebrity.
Fair Forharrel Williams designed a lot of the Louis Vuitton.
Speaker 1 (25:21):
Looks Yeah, which is really cool and asap Rocky wore
his own line. Oh did he? Yeah? I didn't realize that. Yeah,
that's cool.
Speaker 2 (25:30):
Mm hmm.
Speaker 1 (25:31):
Yeah. So I mean that's like those are like my
little dreams that like I want to become so well
known that it's like, how can I help other people
that are just super cool yeah and need that break
and just be like come on, babe.
Speaker 2 (25:43):
Well, and that's where I'm like, I love that farra Gamo,
even though we're like it's a big name we're talking about, Like,
you don't know Maximilian Davis by his name, so it's
nice that he's getting the recognization under Ferragamo.
Speaker 1 (25:57):
Yeah. Well, that's how a lot of people are when
they're able to be over fashion houses like that, which pressure.
Speaker 2 (26:06):
A lot of pressure.
Speaker 1 (26:07):
I actually this, Oh my gosh. Honestly, I would have
been absolutely shitting my pants having to do a look
for this. I would have been like, I we can't fail.
Speaker 2 (26:22):
No, especially with this theme. Mm mmm, so many eyes more.
Speaker 1 (26:27):
Still the normal, I feel like just because of the
significance of the theme that it brought about, I think
more spectators to view the event that maybe normally wouldn't,
which yeah, adds a ton of pressure.
Speaker 2 (26:41):
Absolutely, But it was fun. It's impressive with some of
the new designers and shout out to a designer we've
worked with doing some trunk shows, but Kim Kissas got
to do her first one.
Speaker 1 (26:53):
Which was really fun and cute. Chen she was over
like the curation of it, so it's been really fun.
Her stories on social I've been so proud of her
because it's such a such a huge thing for designer
to get an opportunity to do something. So it's been
fun to see her sharing all the stories and from
behind the scenes. But did you speaking of Shen, did
(27:15):
you see what she wore her top?
Speaker 2 (27:17):
No? Is it one of the ones we've seen or
one for her?
Speaker 1 (27:21):
It might have been new. It kind of reminded me
of the one she wore last fall, which was but
this if I remember, I feel like I had red roses,
like down here by the rim cage on it, like
embroidered rose.
Speaker 2 (27:33):
I'm gonna have to go look that up.
Speaker 1 (27:34):
And then she wore kind of like the low Rise
because you know how Kim in the was it the
last year the last one collection with the cherry blossom
or like it had the corset and then like the
way it wrapped like it showed some hip.
Speaker 2 (27:46):
Oh no it was or was it the I think
it was dragon House? The dragon House? Yeah, because I
had sent a screenshots. Okay, yeah, definitely, yeah, but she
had like that on. But like, she's such a babe,
She's adorable.
Speaker 1 (28:02):
I love her.
Speaker 2 (28:03):
Anyways, off chop, off topic, but so let's get into
the most exclusive night for fashion and how much it
cost to show up.
Speaker 1 (28:14):
So and I don't know this. So, I mean I
had a guesstimation. I was telling Sean that I had
remember hearing, but I'm like, I don't know how inflation
has affected that.
Speaker 2 (28:22):
Surprisingly, it's the same price as last year. Oh okay, yeah,
But so we'll lift the veil on how the met
Gala actually works and behind the scenes, because it's not
just show up, sleigh repeat, it's like exclusive invite and
a high price to get in.
Speaker 1 (28:41):
To have Anna Lintour know your.
Speaker 2 (28:43):
Name, and she like is She's the one that goes
over all the invites exactly and approves them. It's amazing.
Speaker 1 (28:51):
And as I've mentioned previously, I know I still got
to get you to watch Freaking Devil Wears product. But
Miranda Priestley was inspired by Anna Wintour, and I am
just like I I like, I can't imagine someone like
that knowing my name.
Speaker 2 (29:08):
It would be insane, it would be wild. I can't
remember who was talking about how they were trying to
interpret the theme and they just messaged Anna Wintour like
it's nothing, and it was like, can you tell me
some more about this? I can't remember who it was,
but they were like, yeah, I just reached out to
Anna Wintour and she was like, oh, it just play
(29:29):
off of tailoring to you. And I was like, you
just have her number. It's insane, the like it's nobody's business.
Speaker 1 (29:39):
And I'm like, what are her nicknames? Like did people
call her Annie.
Speaker 2 (29:43):
Or is she one of those ones that's like, either
call me by my full name or I am missus
Windtor to you. Yeah, like do not And I would
be like, yes, ma'am absolutely, I will yep.
Speaker 1 (29:56):
Whatever you tell me to call you. That is what
I call you, my bad all right. So, first off,
a single ticket this year seventy five thousand dollars. And
if a designer wants to buy a table, because you
can't just that ticket doesn't just allow you to sit
at a table. It gets you over the carpet.
Speaker 2 (30:17):
But if you want to think it, I think that's so.
Speaker 1 (30:20):
Or it's probably the general admission where like you're gonna
sit with whoever, get a seating.
Speaker 2 (30:23):
Charge if the designer wants to.
Speaker 1 (30:25):
But if you want a table multiple.
Speaker 2 (30:27):
Designs, I think a table seats. I think I was
reading somewhere. I think it seats ten.
Speaker 1 (30:32):
So if that's the case, three hundred and fifty to
five hundred thousand, is that dependent on where the table's located.
Speaker 2 (30:40):
I bet you want to sit next to Ana win Tour.
Bet that's a million dollars. Who sits next to her?
I don't, well, it's probably the chairman.
Speaker 1 (30:49):
Yeah, I'm sure there's all the chairman at the table,
but like, does she like small talk? Or do you
only talk unless it's purposeful?
Speaker 2 (30:58):
You can only talk to her unless she talks to you?
Speaker 1 (31:01):
And are you allowed to make eye contact? I don't know.
I don't know what the rules are. I'm scared.
Speaker 2 (31:05):
But also do the chairman have to buy a ticket?
Speaker 1 (31:08):
M hm? So that's one of the things I've wondered
because I think I was speeling that to my husband
m hm when I was watching it, yeah the other night,
because I had said, or my thought was, I'm like,
if you buy the table, yeah, and you're there, like like,
(31:28):
does that cover the admission for everyone or does everyone
still pay like seventy five thousand? But then you have
your own designated table with all of your guests sitting
at it, right, And then I was like, if you're
asked to be on the board for you know, not
years met gala. Is it a hey, out of the
kindness of your heart, would you be a part of
this for like you know, we're only asking you for
(31:51):
your time or is it like, hey, we would love
to have you on this and also can you make
a hefty donation? But I also wonder why how much
does it cost to keep the MET going and keep
all of those items curated properly right so that like
they don't fall apart, like they can be repaired, They're
(32:11):
stored the way they should be in the cool rooms, ye,
the specialty boxes and paper, all the things. How much
does it actually cost to run that place versus how
much money they get from this? And then I'm like,
where does all the money go? Does it only go
to the Met? Does it go back into a pot
of money to cover paying for, like all the costs
of putting on the next one? Does it go straight
in her pocket? Where does all the money go? Is
(32:33):
their charities?
Speaker 2 (32:34):
I think we once read that it goes to just
the fashion portion of the MET because every fashion apartment, yeah,
every other department already has some type of funding or something.
So that's why she started this it makes yeah, well,
but I can't remember.
Speaker 1 (32:50):
I guess what I think about it. Like, I understand
it costs money to keep items like this, like these
old items like things from movies and sets and royal
family items and all of that. I wonder if having
(33:11):
that money, like what does the insurance look like? Like
maybe a lot of it goes to covering the insurance,
because I'm sure they have to have an obscene amount
of money, right of like insurance coverage on those items,
so like if God forbid anything happens, they're covered, right.
But I just wondered, like, how do you use all
that money? Because I see the people walking on that carpet,
(33:32):
and if they're paying seventy five grand a pop. And
then there's people who are like, let me buy a
table for all of me and my guests to sit together,
that is so much money.
Speaker 2 (33:42):
So I had just quickly googled, real quick, I think
some people are getting in for free because this math
does not add up. So it told me there were
around six hundred guests. Jesus, uh, well, let's see saying
or the met Gala typically hosts around six hundred attendees.
(34:07):
Twenty twenty one was smaller blah blah blah blah blah
with four fifty so like that was right after COVID.
So yeah, so around six hundred, which if you price
that out with just the basic seventy five thousand dollar ticket,
that's forty five million. But then when you google how
much money did the met galle raise, which maybe the
(34:30):
tickets aren't a part of this raised portion, but they
raised thirty one million, which was a record breaking. Huh,
So are people getting in for free?
Speaker 1 (34:43):
Well? Maybe take off everyone on the board. However many
people there are, right, and then.
Speaker 2 (34:50):
Let's see how many people on that board?
Speaker 1 (34:53):
Well, and so I guess my question is, and these
are the things I've wondered with this. If you get
personally invited, does that automatically mean you know you're dropping
this kind of money? Or if you get a person
like or are there's certain ones that get personal invites
and they're there at no cost because Anna specifically asked
for you, right? And then are there like secondary invitees
that like you're kind of on the list but not
(35:15):
really like no one's gonna miss you if you're not there,
and those are the ones that they want to pay.
Maybe I don't know, Like, I, how does this work? Guys?
Speaker 2 (35:24):
I just love to know more, and I feel like
they keep it very secret and I don't like that. Okay,
So on two three, so twenty five individuals on the board,
which brings the seventy five thousand dollars ticket to one
point just around just a little under one point nine million.
(35:47):
So I still don't think that makes sense.
Speaker 1 (35:49):
No, yeah, there must be people not get in for free,
or maybe there's a negotiated amount and if people haggle.
Speaker 2 (35:57):
Oh my your worst fears, I'd be so.
Speaker 1 (36:01):
But I don't know.
Speaker 2 (36:03):
Yeah, But so that money goes to the costume institute.
But let's be real, it's a so it says like
it's also buying press status and proximity to Anna Wintour,
who all celebrities in fashion industry want to be next to.
Speaker 1 (36:21):
I wonder who will take her place when she is
no longer with us.
Speaker 2 (36:24):
I bet she's got an assistant that she's training, But
like who, I don't know?
Speaker 1 (36:32):
Is that our printer? Yes? Huh? Is that a sign
saying you bitch, you're taking over for Anna Windoor?
Speaker 2 (36:39):
I just get a call, I'm on my way.
Speaker 1 (36:43):
Okay. Well, so Oh so celebrities don't usually pay. They're
invited by designers who purchase a table, and Anna Wintur
still has final say on who gets approved. Yeah, so
there you go. So I guess that was that makes sense.
Speaker 2 (36:59):
Yeah, so the designer are the ones paying. But that's
still doesn't add up.
Speaker 1 (37:05):
But I'm sure it does if we really sat down
on crunch numbers. But you know what, I'm not a
number's fiend, so I am down it.
Speaker 2 (37:11):
I ain't down that. But stylists are out here pitching designers,
managing fittings and locking in deals behind the scenes, like
it's fashioned prom.
Speaker 1 (37:22):
But instead of corsages, it's couture worth six figures.
Speaker 2 (37:26):
And they don't even pay for it. Jesus, could you imagine.
Speaker 1 (37:32):
I can't imagine having the type of status status that
being told, Hey, if you want a table, it's five
hundred thousand.
Speaker 2 (37:42):
All right, yeah, cash or check? Oh my gosh, for real,
could you the skymilege you could get?
Speaker 1 (37:52):
Girl? They probably just rent private jets.
Speaker 2 (37:54):
I know, but it's just cool to think.
Speaker 1 (37:59):
All I know is I am a rich bitch strapped
in a poor woman's body.
Speaker 2 (38:05):
Oh I mean, I've always said champagne taste water budget.
That's me. But you know what, we are working really hard,
We're doing our best.
Speaker 1 (38:13):
And we will get there. And when I have that
kind of money, I'm gonna put on my own Mechala excess.
I want to find charities yep, that I feel like
actually take these charitable contributions and actually do things with them,
because I know there's a lot better scams and that's
really hard to find. But I would love to do
(38:33):
that and to put it on and I would love
for this for like the exhibition to be the quote
unquote no name designers that want an opportunity to showcase
their stuff, Like imagine doing that?
Speaker 2 (38:47):
Well, could you imagine if she took some of this
money and each year maybe charities change. But could you
imagine if she did like a scholarship to somebody for fit?
That would be so cool.
Speaker 1 (38:58):
Why isn't she doing like I do that? Be like, hey,
it's a competition. We'll pick like our top three, here's
the theme, and then design and outfits and then we'll
do a voting poll.
Speaker 2 (39:08):
Absolutely, why is she not doing that?
Speaker 1 (39:10):
I don't know, because you know what, she hasn't consulted
with me.
Speaker 2 (39:15):
That's why I'm the next Vogue. Guys, look at us.
Speaker 1 (39:18):
Just spip all night is.
Speaker 2 (39:19):
I love it.
Speaker 1 (39:19):
We're trademarking all of this, so no one come at us.
Speaker 2 (39:22):
We are saying it right here, right now, May seventh, Wednesday,
twenty twenty five. These are our ideas. Do not take them.
Speaker 1 (39:30):
Oh my gosh, I love that.
Speaker 2 (39:31):
But fun fact. Okay, So the first ever met gala
was back in nineteen forty eight. Yeah, the first theme
was like something in the seventies, I can't remember, but
per person, it only costed fifty dollars. And if we
were to convert that to today's money, that is only
six hundred and seventy four dollars.
Speaker 1 (39:50):
So see that makes more sense. Like I could see
it being like one thousand dollars. Yeah, entry fee be
like okay, cool, Yeah, seventy five thousand.
Speaker 2 (39:58):
What kind of food do you guys have going on
in there?
Speaker 1 (40:01):
It is probably small portions of black caviar, lots of.
Speaker 2 (40:05):
Caviart's your favorite of trouble?
Speaker 1 (40:09):
Oh? Probably oh truffle. I hope, I hope people are
having really nice dom perion oh champagne. H side note
when you were at your lunch Friday after graduation, yeah,
you could get a bottle of dom Perion there. Really.
Speaker 2 (40:28):
Yeah, I didn't read it.
Speaker 1 (40:30):
Sean showed me. I think it was like a hundred bucks,
so it was it like an expensive one. It was
probably like it's probably like their most water down version one.
Speaker 2 (40:36):
I bet it's probably just a single serve. No, it
was for the bottle. Yeah, a bottle of the single serve.
Speaker 1 (40:43):
Oh maybe. All I know is Sean was like, look, babe,
don perry On and I was like, someday I will
buy one.
Speaker 2 (40:48):
Oh, one day, we will.
Speaker 1 (40:50):
And when I pop that bottle, I'm gonna enjoy every
last drop.
Speaker 2 (40:54):
Absolutely. We'll also try to find that most high end
orange juice. Okay, so what are we talking about X
the vibe that goes beyond the clothes.
Speaker 1 (41:05):
Okay, I'm here for it.
Speaker 2 (41:06):
So there were also some amazing moments off the carpet
because Stevie Wonder and Usher performed, which gave the nights
such richness and soul.
Speaker 1 (41:18):
Question, Yeah, do you think Stevie Wonder's actually blind?
Speaker 2 (41:22):
Girl? I don't, No, I have to go down all
of the videos. I just know people talk about it.
I don't know.
Speaker 1 (41:29):
I don't know, man, But if he is he has
pulled the biggest prank on the entire world for a
long time.
Speaker 2 (41:35):
And not only that, only your wife and kid walked
you up the stairs. And oh that's weird. Vo cut
the video before you locked up the stairs.
Speaker 1 (41:44):
Hmmm mmmm Well listen, I love me some Usher.
Speaker 2 (41:48):
Oh my gosh. When I saw a little snippet of
Usher performing, I was so jealous.
Speaker 1 (41:53):
Man to have been there and heard the two of
them sing live, I would have died. Oh yeah, died
and gone to heaven.
Speaker 2 (41:58):
Well, and Usher was saying that he flew in the
day before from somewhere and then has to fly back
the next day to go to England to perform because
he's on tour right now. He's over in Europe performing.
He is yep, So he flew in just for the
mac Gala and maybe that's why he looked like he
was high.
Speaker 1 (42:18):
I mean he looked completely out of it.
Speaker 2 (42:21):
Yeah, and then is flying back to go perform in London.
Speaker 1 (42:26):
Wow.
Speaker 2 (42:26):
Yeah, that is a lot of travel dedication. That is
something absolutely But yeah, so both of them performed, that's yeah,
that's so fun. Yeah.
Speaker 1 (42:39):
Well, also side note, cute little miss Simone Biles and
Jonathan Owens celebrated their anniversary, which I loved, and they're
coordinating out.
Speaker 2 (42:50):
They looked so good together.
Speaker 1 (42:51):
She is adorable and.
Speaker 2 (42:53):
I think it was his first one.
Speaker 1 (42:55):
That's fun.
Speaker 2 (42:56):
Yeah, Like he was just calm, cool, collective. And so
they asked Simone what was more stressful, preparing for the
Olympics or preparing for the met and she said for
the met She's like, my entire life I dedicated it
to getting to the Olympics, so that was nothing. She's like,
this is one day you can't mess up. And I
was like, whoa, I'm sorry.
Speaker 1 (43:16):
The thought of performing at the goddamn Olympics, I would vomit.
Speaker 2 (43:21):
I would just pass out vomit, probably not even make
it to my event.
Speaker 1 (43:26):
I wouldn't even wake up. I'd be dead.
Speaker 2 (43:28):
Yeah. I would have had a heart attack of mustley,
Oh for real. But they were just beautiful.
Speaker 1 (43:33):
They were so cute. And then AI generated photos of
Katie Perry.
Speaker 2 (43:38):
Did you not see them?
Speaker 1 (43:40):
Apparently I missed it?
Speaker 2 (43:41):
What did you see any photos of her?
Speaker 1 (43:43):
There? No? Okay I did not, And so I was
trying to pull it up, like WT afterre you talking
about so because she's on tour.
Speaker 2 (43:52):
Yes, I can really find them for you.
Speaker 1 (43:54):
This tour.
Speaker 2 (43:55):
Oh my gosh god, if you if you have not
seen the videos, look come up.
Speaker 1 (43:58):
Just go on, just go on the TikTok You're welcome.
Speaker 2 (44:02):
But so there were photos of there were I think
they were saying that there were a couple of photos
of her and they were AI generated and they looked
like she was there. She was not really yep, and
she was like, guys, I'm on tour, I'm not there.
So then why were the pictures that first one? This?
Speaker 1 (44:21):
Yep?
Speaker 2 (44:22):
What? Yeah, she wasn't there.
Speaker 1 (44:25):
It looks so real. Yep.
Speaker 2 (44:28):
Yeah, AI generated photos of Katie Perry. Look them up.
It looked like she was really there. It was insane.
And she's on tour. I don't know where she's currently at. Well.
Speaker 1 (44:38):
In her post on Instagram, she said that she was
going to Houston tomorrow in real life.
Speaker 2 (44:46):
Yeah, so she wasn't there.
Speaker 1 (44:49):
Hey, I okay, listen, I can't get chat GPT to
do an image that without the weirdest faces and fingers.
Speaker 2 (44:57):
Real, So, how how are we were getting?
Speaker 1 (44:59):
We're this AI program?
Speaker 2 (45:01):
Yeah? Can you guys send them our way?
Speaker 1 (45:03):
Imagine the cool images I could do with myself looking
like uh.
Speaker 2 (45:07):
Oh my gosh, the Pope. My Instagram post would be amazing.
Speaker 1 (45:10):
Everyone'd be like, you're living such a cool life. Feel
like damn right I am.
Speaker 2 (45:15):
We like we added like some like yep, that's me.
But yet who knows that AI? But yeah, that is
that's crazy And so yes, she didn't even attend, but
it said that AI put her in five different metgala
gowns and social media lost their mind and it's something
(45:36):
about fashion in the digital age is just insane.
Speaker 1 (45:41):
Well, and that's what's hard, is it's really going to
get to a point that no one's going to know
the difference between real life and AI. And then designers
are gonna, as we've already mentioned, are going to run
into problems of people wanting things that computer generated makes
sense but in real life not possible, and we come
up with some really crazy ass inventions to make it happen.
Speaker 2 (46:03):
Yeah. Well, and I wonder if there's gonna even be
legality battles.
Speaker 1 (46:09):
I don't know, I mean for something like that, like
someone making AI pictures and putting them up of her
like that seems completely illegal. I mean, but also she
is a public figure, so.
Speaker 2 (46:18):
Like, yeah, there's there's all of that. Yeah, I learned
that in my mask calm law. But yeah, that's who knows.
Speaker 1 (46:28):
Wow. All I can say, guys, is this year's MET
Gala was absolutely one of my favorites, and it was
just it was fire. It was so good.
Speaker 2 (46:37):
I loved it.
Speaker 1 (46:37):
Do people still say fire?
Speaker 2 (46:39):
I don't think so. What is your daughter saying nowadays?
Speaker 1 (46:43):
Uh? Sligh girly pop? Yeah?
Speaker 2 (46:49):
I can't h I love it.
Speaker 1 (46:52):
I was gonna say, I every time I hear fire,
just think of Pooky on the top. I was like,
that's fire.
Speaker 2 (46:59):
See I think of fire festival. Oh yeah, I don't,
but I didn't watch the Pooky. I try to keep
that off my for you page.
Speaker 1 (47:09):
All right, guys, well we're gonna wrap things up. So
the twenty twenty five Met Gala wasn't just about fashion.
It was about craftsmanship, culture and visibility.
Speaker 2 (47:19):
And this year it told a story that felt earned,
and it reminded us that tailoring isn't just structure, it's intention,
whether it's on the Met carpet or in our bridal boutique.
When clothes fit your story, that's when magic happens.
Speaker 1 (47:35):
Fashion is the frame and you are the artwork.
Speaker 2 (47:38):
I want that shirt fucking men.
Speaker 1 (47:41):
Mmmm, that was good, that was fire.
Speaker 2 (47:44):
Oh dear, I'm so sorry, guys, I apologize for that millennial.
Speaker 1 (47:49):
Sorry, I embarrassing you. Get over it, child, Oh my gosh.
Speaker 2 (47:53):
But if you loved this net galla breakdown, don't forget
to subscribe to us, share and tell us your face
write look on Instagram and our tag is at va
underscore bridle, and.
Speaker 1 (48:06):
Be sure to tag us in your hot takes because
lord knows we've got opinions, and uh we know that
you do too, so don't hesitate, stay respectful.
Speaker 2 (48:17):
Yeah, you know, we don't need any very negative comments
about like somebody's body. Please don't. M m, absolutely not.
I'll probably try to report you, so don't.
Speaker 1 (48:29):
Just don't have opinions on if you liked something or
not like something, that's it. But I will say even
if the people who were you know, on the uh
your outfits were not the best list.
Speaker 2 (48:42):
That always drives me crazy, Oh my gosh.
Speaker 1 (48:45):
Yeah, but I will say every single person looked amazing
and they were super excited to where whatever they felt
represented the theme, even if you didn't agree with it. Yep,
I definitely felt like I saw some wild looks. But
you know what I'm like. I was not given an
opportunity to create something better, nor was I given the
opportunity to even attend attend, So all I can do
(49:09):
is just be like, damn you Slaid, you did great.
Speaker 2 (49:12):
Yep, I'm a peasant. That's how I look at this.
Speaker 1 (49:15):
You know what we need to do. What we need
to have a combined birthday party. Our birthdays in May,
the month of the met, and we need to have
a met.
Speaker 2 (49:25):
We're getting on this, We're finding a nice venue, We're
wearing nice outfits.
Speaker 1 (49:30):
Yes, the next year is your twenty nine, twenty nine.
Sorry guys, well said it's your dirty thirty and I
was like, nope, you're still not.
Speaker 2 (49:41):
Dirty, not there yet. Getting closed, even though my body feels.
Speaker 1 (49:46):
Eighty, but yeah, that's fine. You look hot for me eighty.
Thanks here, welcome babes. Well, we thank you guys so
much for listening, and like Cassaid, be sure to chext
show notes. We'll have our social media handle that, we
will have our email everybody pod at Vadoshbridle dot com
and just remember that everybody is a bridalbody. I love
(50:08):
you guys.
Speaker 2 (50:09):
Bye,
The right button, this same woo. You should be proud
of me.
Speaker 2 (00:18):
I'm so proud, thanks, babe of Chris. We'll welcome back
everybody to everybody as a bridal body.
Speaker 1 (00:25):
We are here and we have a fun episode. Yeah,
because we just had the met Gala.
Speaker 2 (00:31):
Yes we did so. Today we are stepping off the
Bridle runway and onto the biggest stage for fashion. What
did you call it the other day?
Speaker 1 (00:41):
Uh? The super Bowl for the fashion people. That's right, Yes,
this is our super Bowl.
Speaker 2 (00:46):
I love it.
Speaker 1 (00:47):
At least I was trying to get the reference out
there everybody.
Speaker 2 (00:55):
Yep.
Speaker 1 (00:56):
Yes, the first Monday of May is always our super Bowl.
Speaker 2 (00:59):
Yes, and this year I loved that they are extending
the museum till the end of October.
Speaker 1 (01:05):
I know it's super cool.
Speaker 2 (01:07):
So if we choose to go to New York, it'd.
Speaker 1 (01:08):
Be really cool. I'd be able to go. Well. This
year's theme was super fine tailoring, black style, and it
brought elegance, history and high fashion to the red carpet
like never before.
Speaker 2 (01:21):
So we're unpacking the fashion, the symbolism, the ticket prices,
and yes, how those looks actually made it onto that carpet.
Speaker 1 (01:30):
That's so cool. I'm so excited. So the Costume Institute,
which is a part of the MET, spotlighted the elegance
and legacy of black fashion, specifically black dandyism, a style
movement rooted in self expression, resistance, and redefining masculinity and beauty.
Speaker 2 (01:48):
So think zoot suits, cris tailoring, bold colors, and personal
storytelling through fashion. This wasn't just about dressing up. It
was about reclaiming.
Speaker 1 (01:58):
Space, and it showed so many looks were thoughtful, tailored
and soaked soaked.
Speaker 2 (02:06):
I guess I don't know why. Hmmm.
Speaker 1 (02:12):
Sorry, we live in Utah and I can till that were.
Speaker 2 (02:16):
Drenched in cultural uh drenched, sure, coaded, who knows.
Speaker 1 (02:22):
Okay, we're gonna go with something that is not the
word soaked, but it was filled in cultural references. I
like that better. So we are going to talk about
the ones that we felt like delivered did phenomenal. Casts
really hit me hard, saying hey, I need your favorite looks,
(02:42):
and I was like, oh sure because this I Yeah,
let's go. I have too many.
Speaker 2 (02:47):
There were way too many to pick from. And then
I told her she has to pick a top five.
Speaker 1 (02:51):
Oh my god, I hate it.
Speaker 2 (02:52):
Yeah, so I'll start with my top five, okay, and
I had some feelings this year, and first up was
Damson Idris, who hands down had the best outfit and
best performance for me. He played into my love of
f one and just owned the red carpet. He had
(03:13):
a custom Fendi tuxedo with satin detailing, which was just
so sharp and so controlled.
Speaker 1 (03:21):
It was a good look. It was so and and
the performance of just like ripping.
Speaker 2 (03:26):
Yeah, it gave off what year was it that Lady
Gaga kept changing? How was that like three years ago
or something?
Speaker 1 (03:34):
Yeah?
Speaker 2 (03:35):
Because it was Camp. It was the Camp one, yeah,
so it wasn't last year. And the year was it?
The year before that?
Speaker 1 (03:43):
Too?
Speaker 2 (03:44):
Was the year before that? The one that was the.
Speaker 1 (03:48):
Like the Pope, no, the Catholic one, sacred or no
something bodies? What was it?
Speaker 2 (03:55):
Something? I remember Rihanna came dressed as looking at the poep,
so he gave off that Lady Gaga vibes where she attended.
Speaker 1 (04:05):
Let's see what year it was? So that was twenty
nineteen the Camp.
Speaker 2 (04:07):
Holy crap, that was so long ago.
Speaker 1 (04:09):
I know. I felt like, oh, Heavenly Bodies is the
one you're thinking of?
Speaker 2 (04:12):
Ahh yeah, that one that was an interesting year.
Speaker 1 (04:16):
Yeah. The Heavenly Bodies Met gala was twenty eighteen, so
that was the year before Camp.
Speaker 2 (04:20):
Okay, so I'm missing a couple of years.
Speaker 1 (04:22):
Yeah, well just a few.
Speaker 2 (04:24):
You're up to figure out what themes. I was wered
to remind refresh my brain. But the next celebrity I loved,
which this was like my favorite female outfit that I
wish I could have, was Georgina Rodriguez. Of course, so
good and she was dripping in I don't know how
to pronounce this properly, so we'll see Valdrin Sahiti and
(04:45):
it was sexy, sculpted and hydrama and the only thing
missing was Christiano Ronaldo on her arm.
Speaker 1 (04:53):
I have had a crush on that man since he
was a teenager like myself and scouted early.
Speaker 2 (04:58):
If anybody tries to tell me they don't find him attractive,
I would probably have a psyche bell, would you. Oh
he's just beautiful.
Speaker 1 (05:06):
He's like David Beckham. Yeah, he's like the yeah on
the same thing where you're just.
Speaker 2 (05:11):
Like Portugal version M beautiful. I know, but I loved
her outfit.
Speaker 1 (05:18):
It was a good one. It was very you.
Speaker 2 (05:20):
Yeah, it was beautiful. And it when I was reading
about it. She based her outfit off of the nineteen
ninety six Princess Diana outfit.
Speaker 1 (05:29):
Oh yeah, I remember you telling me that, which once
she showed it to me, I was like, okay.
Speaker 2 (05:33):
I yeah, it makes sense, like the lace trim and everything. Anyways,
my next was Lewis Hamilton. Hamilton who he is always
a must watch for me, and he wore Burberry, which
I thought was interesting because the rest of the co
chairman wore like Louis Vuitton. But he does himself. That's fine,
and it was tailored to perfection with that high necked
(05:56):
jacket and extended lapels. He just got that effortless. And
he's always a must watch. He's already a fashion icon
when it comes to F one. He's always got the
school outfits and everything.
Speaker 1 (06:09):
Yeah. You always talk about how cool his outfits are before. Yeah,
on like race day and stuff.
Speaker 2 (06:13):
Oh my gosh, they're so cool. And I'm like, good
for you for just being you, being.
Speaker 1 (06:17):
Bold, and I know that. I feel like that's what
Travis Kelsey was trying to do before a lot of
games didn't go well, especially his Saturday night fever.
Speaker 2 (06:27):
Oh my gosh, did not go, well, did he needs
to take some notes.
Speaker 1 (06:34):
Or more like Lewis Hamilton.
Speaker 2 (06:36):
Maybe Lewis can just come style of you. Travis.
Speaker 1 (06:38):
Oh my god. Could you imagine he'd be like, bro.
Speaker 2 (06:41):
He'd be like, you're doing everything wrong. I'd be like, absolutely,
I love that.
Speaker 1 (06:46):
I love it.
Speaker 2 (06:48):
Anyways, Then I loved Sydney Sweeney, which when does she
not look good?
Speaker 1 (06:53):
She is just so pretty? Yeah, and any again, anyone
who says she's not pretty PsychEval Absolutely, I don't know
why no one would not think she's pretty. Yes.
Speaker 2 (07:02):
It. When I first was with Riley asking him about
a celebrity crush, he was baffled about celebrity crushes and
just didn't have one, and then just throwout Jonah's brothers
and I was like, yeah, sure whatever, I don't understand that.
But now has said comments about Sidney Sweeney and I'm like, yes,
she is gorgeous, so I can give you that one.
Speaker 1 (07:23):
I hope her and Glenn Power are like an actual
couple because I would.
Speaker 2 (07:26):
Die if not. It'll break my heart.
Speaker 1 (07:27):
I know. I just want them to be together.
Speaker 2 (07:29):
They're beautiful, they are That movie was just their life
in general. It's fine put together, but She wore MW.
Meal and it was structured, romantic and so different from
her usual sweet girl aesthetic because I feel like she's
typically in like light blues, like pinks. The corsetree and
bo detailing were very on theme well.
Speaker 1 (07:50):
In her so her met Gala look. It was inspired
because she is Oh who is it that she?
Speaker 2 (07:59):
She's like in a movie with Coleman Domingo. Yeah, and
I think it was inspired by the is it the
girl she's playing.
Speaker 1 (08:06):
Or yeah, I'm trying to refresh my memory.
Speaker 2 (08:12):
Let's see what all right? You guys back dress have
done this earlier.
Speaker 1 (08:17):
Oh, Kim Novak's she's playing her, And so it was
homage to her, which I thought was pretty cool.
Speaker 2 (08:24):
That is really fun.
Speaker 1 (08:25):
But she looks. I love how it sparkles. Yeah, it
makes me think of our black cherry gown. Yeah, the
way it catches the light. We're night sky. When people
have told us like you need to turn the filter
off when you film the dress, and I'm like, filter,
that's just the dress.
Speaker 2 (08:41):
And even one of the designers of that design was like, wait,
why don't I have that in my store? We were like,
don't know, because you're crazy. Get on our level. But finally,
my last, but not least is Sukie Waterhouse, who Fashion
Icon recently and we know the designer of her concert outfits,
(09:05):
which we love. But she wore Fendy coutour and it
was pure ethereal luxury soft sheer and the deep neckline
with floral embroidery was just dreamy and delicate but still
fashion forward.
Speaker 1 (09:19):
Her outfit was really cool and she's she's She's always
had a very like whimsy personality, so it was fun
to see her because even in the outfits that our
friend makes for her from a tour, like even though
like they're really well tailored, they are, they're still little
bit more effortless, you know what I mean? And like
has her like boho whimsy, like I'm a fairy. Yeah,
(09:43):
she's kind of got a Stevie Nicks by a little
more glam. Yeah, no, definitely, but seeing her in something
so structured, oh, I was just like, girl, you look
like what can you not wear? Loved it and we
were also surprised that we didn't see her husband, Robert Pattinson,
but it may not be his thing to go. Yeah,
he might have been home a baby boy. He I
(10:05):
don't know if he's doing any filming projects. I think
he kept up with him.
Speaker 2 (10:08):
I feel like they're probably working on the next Batman.
Speaker 1 (10:11):
Oh, I forgot he played Batman. I never watched it.
Speaker 2 (10:13):
He actually is as weird to say, but he is
my favorite Batman. What have you watched that movie?
Speaker 1 (10:19):
No? I have, not so good? Really? Yes? Huh?
Speaker 2 (10:23):
And what's his face as Penguin? You would never? Oh? Yes,
I was like, okay, makeup art so hot. It was
so weird. I was like, no way, that's Colin, but whatever,
I don't.
Speaker 1 (10:36):
Have to watch it.
Speaker 2 (10:37):
Yeah. Well, so that was your top five home, that's
my top five.
Speaker 1 (10:40):
Okay, So even though your list was great, I'm going
to give you my top five. So first up is
Janelle Money in good old.
Speaker 2 (10:49):
Tom Brown, Tom Brown.
Speaker 1 (10:51):
Her Theatrix. Okay, so she had that custom tailored drama,
the half structured men's wear, half deconstructed fantasy like. She
is so good at just always being on point. Not
only is she beautiful, my god, her skin is God
(11:12):
hate her. Also her after party outfit with just the
pasties and her boobs were out my kind of woman.
Damn nice boobs, girl, really nice boobs. Yes, her outfit
under tailored to perfection, like she's just never boring. She
does such a great job.
Speaker 2 (11:31):
Well, and I loved how before she took off the
first outfit because she did a change I think on
the runway and.
Speaker 1 (11:36):
Taking off that like dramatic kind of overcoat.
Speaker 2 (11:39):
But I loved how she was like looking like she
was like a robot.
Speaker 1 (11:42):
Well she kind of like a dull kind of yeah.
But can I just say Tom Brown did something not
gray trousers, so it was always so true and gray
and his little trouser shorts and just shorts. He loves
his gray shorts.
Speaker 2 (11:58):
And I feel like sometimes it can get a little
weird deconstruction. But I loved hers.
Speaker 1 (12:04):
Yeah, her whole outfit was super cool. Yeah, she did
a great, great job.
Speaker 2 (12:08):
I loved it.
Speaker 1 (12:10):
And then I loved Coleman Domingo. And we know he
was on the met Gala board this year, so expectations
were already high. Like if you were on that board,
you have to deliver, and you have to deliver it like.
Speaker 2 (12:24):
To like with yep, with this theme with that board,
all eyes were on them.
Speaker 1 (12:29):
One hundred percent. And holy shit, he wore a Valentino
very dramatic.
Speaker 3 (12:36):
Homage to the zoot suit, which I love zoot suits,
like they are just so like just crisp and fine
and sexy, Like I've always loved a good zoot suit.
Speaker 2 (12:49):
I'll have to show you. Is it Bailey Zarian? Yeah,
who does the murder and makeup? There's a dark passage
or dark history with zoot suits.
Speaker 1 (12:59):
Oh, I'm sure.
Speaker 2 (13:00):
Yeah, I can't remember the whole thing, but it's got
a dark.
Speaker 1 (13:04):
That doesn't surprise me. But I will. I will say
his outfit had really rich, bold, powerful like tone structure
and like he had that like cape with like all
the dramatic beating and then he took it off and that.
Speaker 2 (13:19):
Whole suit underneath and the pearl details.
Speaker 1 (13:22):
Yeah, he knew exactly what he was doing. Ye, and
then obsessed with Miley Cyrus. And it is weird for
me to say that, but hers came through. Maison is
a Margiella. Marge Margiella by John Galliano loved. She had
(13:43):
a silver bias cut gown, which a shredded excuse me,
silver bias cut gown. I would say more bias cuts skirt,
not gown because it was high wasted. Yeah, so it
had like the high waist drop wayt with kind of
a fuller skirt, beautiful silk fabric loved and then that
(14:06):
leather like crocodile leather print and the cut boss, it
was so different. Well and as she turned to get
just very tasteful boom. Loved it.
Speaker 2 (14:15):
I'm always here for a tasteful boob.
Speaker 1 (14:17):
The necklace, everything like it was such a fun look.
Speaker 2 (14:21):
I think it was like the first look like that
I beloved on her.
Speaker 1 (14:24):
Yeah, she's in like normal every day she's hit or
miss for me. Yeah, but I I loved this met
looks so good. It's nice to see her healthy, you
know what I mean? Like I felt like she which
understandably so she went through a very public breakup. Yeah
it's very true, but seeing her healthy is really nice.
(14:49):
But yeah, I was absolutely absolutely obsessed with her, like
glam punk look, so obsessed. I can't get over her.
Speaker 2 (14:58):
So good.
Speaker 1 (14:59):
My next one Jenna Ortega and Tom Brown? What are
you doing this designer this year? Normally his stuff to
me like it is always well made, but usually like
his tones are kind of too bland for me.
Speaker 2 (15:15):
Yeah, it's very mono, No it is. It is Moto chromatic,
modo chromatic. But it's also like very just mono tone, yeah,
because it's just all grays.
Speaker 1 (15:25):
He loves his gray. But yeah, Jenna Ortega, her dress
was just like metal measuring tapes is so good, which
was just wild in the way that he constructed it,
Like the neckline on her test stunning. And then it
had a little bit of like that waste definition almost.
Speaker 2 (15:43):
Kind of like a cumber bun but not Yeah, it
was like just above a waistline, but just below cumber bun.
Speaker 1 (15:51):
Yeah, And it was just so cool how it was
like a literal nod to tailoring, because a tailor, we
need our rulers, we need our measuring tapes, we need
that item to create the outfits.
Speaker 2 (16:03):
And it's literally like Anna Wintur said, it's tailoring to you,
and that's literally tailoring to her.
Speaker 1 (16:13):
She looked phenomenal, so good. I loved her. And then
my last one is Jodie Turner Smith in Burberry, which
I know wasn't necessarily your favorite.
Speaker 2 (16:23):
Yeah, the hat to.
Speaker 1 (16:26):
Me was not needed, but like it added to the theatrics.
Speaker 2 (16:30):
And I think if the hat wasn't there, maybe I
would like it.
Speaker 1 (16:32):
But the color of the fabric was gorgeous. It was
pretty loved it. The dramatic of the coat also great.
I just I loved the ensemble and I felt like
it was really well made for her, which I think
is why I loved it so much. Because she just
looked like she was floating down the carpet like a goddess.
Like her shoulders were super structured. There was that like
(16:54):
fluidity in the like coat lapels, like. She just looked
so pretty and very majestic, which I loved. And that
color is a tone that we didn't really see a
lot of, which I think helped.
Speaker 2 (17:08):
Yeah, because you know, it was just a little bit
more brown.
Speaker 1 (17:10):
It was like a brownish red.
Speaker 2 (17:12):
Yeah, we did see that brown reds, but hers, I
felt like was just a hint more brown.
Speaker 1 (17:17):
It was a little more maroonish. I would feel like
to know maybe because so her color was just I
think the right type of richness.
Speaker 2 (17:23):
Especially for her skin tone. It was beautiful.
Speaker 1 (17:25):
It was gorgeous. Yeah. I love that it was barbery.
Speaker 2 (17:30):
I know I typically don't like barbary.
Speaker 1 (17:32):
Yeah, I mean they're usually just so much of their plaid,
like you just know their plaid, which that color is
in there.
Speaker 2 (17:40):
Yeah, So it makes sense. But that's our top top
ten and if your favorite did not make the list.
I'm so sorry, but send us a DM because we're
always down to debate.
Speaker 1 (17:52):
Yeah, I will say I'd like to give a shout
out to Miss Diana Ross because she was a queen
and an icon. That woman is just so cool.
Speaker 2 (18:02):
Well, I also want to know because her she was
talking about how last minute she decided to go. So
I'm like, whoever the designer was that whipped all of
that together in last minute?
Speaker 1 (18:12):
Listen if Miss Diana Ross calls me and says, Babe,
I need a met Gala.
Speaker 2 (18:16):
Look, you're working all night.
Speaker 1 (18:18):
You give me an ivy of caffeine and I am
not sleeping until that is done. Yeah. Absolutely, But it
was so fun to see her.
Speaker 2 (18:27):
It was fun. And they were saying that this she
hasn't attended the met Galla since two thousand and three.
Speaker 1 (18:32):
That's wild.
Speaker 2 (18:33):
Yeah, I feel like I've seen her, but I guess not.
Speaker 1 (18:37):
I feel like she's kind of been on the down low. Yeah,
with life, but I mean, I don't know if it
just comes with age, probably, you know.
Speaker 2 (18:44):
Learning to spend more time with grandkids.
Speaker 1 (18:45):
Maybe. Yeah, it's taxing on a young person, Yeah, to
go out and do stuff and at her age, like
she deserves to be home with her feet up. Oh yeah,
messus on call just to like work out those you
know aches and pay. Absolutely, that's my dream from when
I'm of such a that's a silver goddess age.
Speaker 2 (19:05):
That's how I feel about like Celine Dion, like, I
hope you've got my susan call.
Speaker 1 (19:09):
Oh, I'm sure she does what she has. She probably
needs massages daily.
Speaker 2 (19:13):
No, definitely, definitely.
Speaker 1 (19:16):
But there were so many cool looks. It was really
hard for me to narrow inning.
Speaker 2 (19:20):
We don't have a long list a very last it
was bad. There was a lot, so I was like,
I guess we only have to do five.
Speaker 1 (19:27):
Yeah, she forced me to narrow.
Speaker 2 (19:29):
We would have talked for hours.
Speaker 1 (19:30):
Oh my god, all day, all night.
Speaker 2 (19:32):
All day. But sorry, if your favorite didn't make it,
go ahead and dm us we're always done for debating
and all of your hot takes are welcome, but just
be prepared to back it up. And yeah. So now
we'll get into some of the designers who defined the night. Okay,
tell me about them casting, So let's talk designers. Christopher
(19:56):
John Rogers gave us vibrant tailoring with exact draded shapes
which were just pure drama.
Speaker 1 (20:03):
And then we had Sergio Hudson, who was all over
the red carpet. This year was structured looks that felt
confident and feminine. And I love a good mix, oh yeah,
masculine and feminine. Yeah, like that's my own personal style.
Like I love to be girly, but I also love
to just be very masculine. Yeah, I like the duality.
Speaker 2 (20:23):
I think both of us have a little bit of
that in our yeah styling, which is just so fun,
and so I think that's why we may be had
so many favorite looks this.
Speaker 1 (20:33):
Year, Yeah, because I feel like sometimes what I struggle
with is it's always a lot of the same. Yeah,
And I know that's when, Like when they had announced
the theme, when Anna had announced it, I remember telling Sean,
I said, there are so many amazing designers that make
(20:54):
well made, tailored, crafted outfits, and a lot of those
outfits you only see him on men. Yeah, and they're
always so boring at the Metcalle, so like, like, there
was a lot of men that looked phenomenal, but they
wore all black, which I love a good all black.
Speaker 2 (21:09):
However, a couple of men that had some fun colors
that I was like, you're pulling that off.
Speaker 1 (21:13):
Beautiful, but I'm like, do something wild and crazy. Like
Shaboozie's look wasn't necessarily my favorite. However, he was bold and.
Speaker 2 (21:19):
His turqoise different. It was memorable.
Speaker 1 (21:21):
It was very memorable. And his grill matched his beads
like he got a he had a turquoise group going on.
So like, even it wasn't my favorite look, I applaud
the fact that like he went for it. Like even
though he wore a really well tailored black outfit, like
all black suit, he had all of those beautiful turquoise
beads draped.
Speaker 2 (21:38):
Yeah, but all of the people that were in black suits,
like you can't even remember the names and there they
were even massive celebrities.
Speaker 1 (21:45):
But I will say the only one who wore an
all black that I remember was Jeff Goldbloom as well.
And he had his cape with like the fur trim.
Speaker 2 (21:54):
And that's why he's memorable because he had the cape,
he had the cane and he was doing a performance.
Speaker 1 (22:00):
Like that's Jeff Goldbloom.
Speaker 2 (22:01):
Because I mean, the one person who was in a
black suit that I remember is oh, he's one of
the Nights.
Speaker 1 (22:07):
Show Jimmy Fallon Seth Meyer cor.
Speaker 2 (22:13):
Oh, James, I'm like, and everybody made fun of him
and his wife, Like, really, that's what you chose to
show up in.
Speaker 1 (22:21):
Like, listen, if I am ever blessed to be invited first,
so if you haven't even talked about the ticket prices,
so I know, Lord get rid of God knows that
that is not in my cash flow at this present time.
Mm hmmm. So we will go to that in a
few But if I had the ability, like for me,
if I was invited to this, I would have I
(22:43):
probably would have gone to Andrea at Pantora and said, babe,
you're dressing me. You were dressing me, and I need
you to make me the sickest outfit.
Speaker 2 (22:53):
Do not hold back.
Speaker 1 (22:54):
I don't. I don't care what you do. If it
fits me, like, we go for it. Oh yeah, if
their sheerness, I will show some skin. Hey, I'm a
big booty girl. Highlight my booty.
Speaker 2 (23:06):
Maybe maybe I might show up as Kanye West wife
where she was just completely naked.
Speaker 1 (23:11):
Who was it? Bianca? Is that her name?
Speaker 2 (23:13):
I think I don't know.
Speaker 1 (23:15):
I don't think they're married anymore. I thought they broke
up right after.
Speaker 2 (23:17):
That maybe I don't don't keep up with him, and
it's not Kanye, it's yeah, right, I don't know who knows.
Speaker 1 (23:26):
Sorry, I digress case. So let's get designers.
Speaker 2 (23:29):
So the next one is at the Ferragamo House and
it was Maximilian Davis and his modern minimalist take on
traditional men's wear was just a chef's kiss.
Speaker 1 (23:41):
And it was just so beautiful to see so many
black designers leading the conversation and the construction.
Speaker 2 (23:46):
It was fun.
Speaker 1 (23:47):
It was so fun, and I was just it was
just so exciting to see so many people that had
never been and they were just so excited to wear
something that resonated with them and their family and their
background and supporting creatives that yeah, you know, it's it's
a dogg eat dog world to be in fashion. Yeah,
(24:10):
And it was nice to see that. There was just
so many new.
Speaker 4 (24:14):
So many names I didn't have, and I loved it
because normally we hear all the exact same things and
it's just like, okay, cool, next, who else is out
there in this world?
Speaker 2 (24:23):
Right?
Speaker 1 (24:24):
I want the underdogs, the ones that nobody knows about, like,
let us see that, because this is an opportunity for
them to show and shine what they can do and
their innovation, like quit like.
Speaker 2 (24:39):
Love me to Tom Brown. Obviously Tosh had a lot
of favorites of yours, but maybe by only one table
and then let some new designers come in.
Speaker 1 (24:47):
Yeah, and you know it would be really neat, and
I doubt any of them do it. If I was
a well known designer, like I ran a fashion house
that was globally renowned, I would be like, we're gonna
go find some one who is looking for their break,
and we are going to bring them in under our
wing and say go for it, which and give them
(25:08):
the opportunity to go to this event.
Speaker 2 (25:11):
Louis Baton kind of did that, even though he's a celebrity.
Fair Forharrel Williams designed a lot of the Louis Vuitton.
Speaker 1 (25:21):
Looks Yeah, which is really cool and asap Rocky wore
his own line. Oh did he? Yeah? I didn't realize that. Yeah,
that's cool.
Speaker 2 (25:30):
Mm hmm.
Speaker 1 (25:31):
Yeah. So I mean that's like those are like my
little dreams that like I want to become so well
known that it's like, how can I help other people
that are just super cool yeah and need that break
and just be like come on, babe.
Speaker 2 (25:43):
Well, and that's where I'm like, I love that farra Gamo,
even though we're like it's a big name we're talking about, Like,
you don't know Maximilian Davis by his name, so it's
nice that he's getting the recognization under Ferragamo.
Speaker 1 (25:57):
Yeah. Well, that's how a lot of people are when
they're able to be over fashion houses like that, which pressure.
Speaker 2 (26:06):
A lot of pressure.
Speaker 1 (26:07):
I actually this, Oh my gosh. Honestly, I would have
been absolutely shitting my pants having to do a look
for this. I would have been like, I we can't fail.
Speaker 2 (26:22):
No, especially with this theme. Mm mmm, so many eyes more.
Speaker 1 (26:27):
Still the normal, I feel like just because of the
significance of the theme that it brought about, I think
more spectators to view the event that maybe normally wouldn't,
which yeah, adds a ton of pressure.
Speaker 2 (26:41):
Absolutely, But it was fun. It's impressive with some of
the new designers and shout out to a designer we've
worked with doing some trunk shows, but Kim Kissas got
to do her first one.
Speaker 1 (26:53):
Which was really fun and cute. Chen she was over
like the curation of it, so it's been really fun.
Her stories on social I've been so proud of her
because it's such a such a huge thing for designer
to get an opportunity to do something. So it's been
fun to see her sharing all the stories and from
behind the scenes. But did you speaking of Shen, did
(27:15):
you see what she wore her top?
Speaker 2 (27:17):
No? Is it one of the ones we've seen or
one for her?
Speaker 1 (27:21):
It might have been new. It kind of reminded me
of the one she wore last fall, which was but
this if I remember, I feel like I had red roses,
like down here by the rim cage on it, like
embroidered rose.
Speaker 2 (27:33):
I'm gonna have to go look that up.
Speaker 1 (27:34):
And then she wore kind of like the low Rise
because you know how Kim in the was it the
last year the last one collection with the cherry blossom
or like it had the corset and then like the
way it wrapped like it showed some hip.
Speaker 2 (27:46):
Oh no it was or was it the I think
it was dragon House? The dragon House? Yeah, because I
had sent a screenshots. Okay, yeah, definitely, yeah, but she
had like that on. But like, she's such a babe,
She's adorable.
Speaker 1 (28:02):
I love her.
Speaker 2 (28:03):
Anyways, off chop, off topic, but so let's get into
the most exclusive night for fashion and how much it
cost to show up.
Speaker 1 (28:14):
So and I don't know this. So, I mean I
had a guesstimation. I was telling Sean that I had
remember hearing, but I'm like, I don't know how inflation
has affected that.
Speaker 2 (28:22):
Surprisingly, it's the same price as last year. Oh okay, yeah,
But so we'll lift the veil on how the met
Gala actually works and behind the scenes, because it's not
just show up, sleigh repeat, it's like exclusive invite and
a high price to get in.
Speaker 1 (28:41):
To have Anna Lintour know your.
Speaker 2 (28:43):
Name, and she like is She's the one that goes
over all the invites exactly and approves them. It's amazing.
Speaker 1 (28:51):
And as I've mentioned previously, I know I still got
to get you to watch Freaking Devil Wears product. But
Miranda Priestley was inspired by Anna Wintour, and I am
just like I I like, I can't imagine someone like
that knowing my name.
Speaker 2 (29:08):
It would be insane, it would be wild. I can't
remember who was talking about how they were trying to
interpret the theme and they just messaged Anna Wintour like
it's nothing, and it was like, can you tell me
some more about this? I can't remember who it was,
but they were like, yeah, I just reached out to
Anna Wintour and she was like, oh, it just play
(29:29):
off of tailoring to you. And I was like, you
just have her number. It's insane, the like it's nobody's business.
Speaker 1 (29:39):
And I'm like, what are her nicknames? Like did people
call her Annie.
Speaker 2 (29:43):
Or is she one of those ones that's like, either
call me by my full name or I am missus
Windtor to you. Yeah, like do not And I would
be like, yes, ma'am absolutely, I will yep.
Speaker 1 (29:56):
Whatever you tell me to call you. That is what
I call you, my bad all right. So, first off,
a single ticket this year seventy five thousand dollars. And
if a designer wants to buy a table, because you
can't just that ticket doesn't just allow you to sit
at a table. It gets you over the carpet.
Speaker 2 (30:17):
But if you want to think it, I think that's so.
Speaker 1 (30:20):
Or it's probably the general admission where like you're gonna
sit with whoever, get a seating.
Speaker 2 (30:23):
Charge if the designer wants to.
Speaker 1 (30:25):
But if you want a table multiple.
Speaker 2 (30:27):
Designs, I think a table seats. I think I was
reading somewhere. I think it seats ten.
Speaker 1 (30:32):
So if that's the case, three hundred and fifty to
five hundred thousand, is that dependent on where the table's located.
Speaker 2 (30:40):
I bet you want to sit next to Ana win Tour.
Bet that's a million dollars. Who sits next to her?
I don't, well, it's probably the chairman.
Speaker 1 (30:49):
Yeah, I'm sure there's all the chairman at the table,
but like, does she like small talk? Or do you
only talk unless it's purposeful?
Speaker 2 (30:58):
You can only talk to her unless she talks to you?
Speaker 1 (31:01):
And are you allowed to make eye contact? I don't know.
I don't know what the rules are. I'm scared.
Speaker 2 (31:05):
But also do the chairman have to buy a ticket?
Speaker 1 (31:08):
M hm? So that's one of the things I've wondered
because I think I was speeling that to my husband
m hm when I was watching it, yeah the other night,
because I had said, or my thought was, I'm like,
if you buy the table, yeah, and you're there, like like,
(31:28):
does that cover the admission for everyone or does everyone
still pay like seventy five thousand? But then you have
your own designated table with all of your guests sitting
at it, right, And then I was like, if you're
asked to be on the board for you know, not
years met gala. Is it a hey, out of the
kindness of your heart, would you be a part of
this for like you know, we're only asking you for
(31:51):
your time or is it like, hey, we would love
to have you on this and also can you make
a hefty donation? But I also wonder why how much
does it cost to keep the MET going and keep
all of those items curated properly right so that like
they don't fall apart, like they can be repaired, They're
(32:11):
stored the way they should be in the cool rooms, ye,
the specialty boxes and paper, all the things. How much
does it actually cost to run that place versus how
much money they get from this? And then I'm like,
where does all the money go? Does it only go
to the Met? Does it go back into a pot
of money to cover paying for, like all the costs
of putting on the next one? Does it go straight
in her pocket? Where does all the money go? Is
(32:33):
their charities?
Speaker 2 (32:34):
I think we once read that it goes to just
the fashion portion of the MET because every fashion apartment, yeah,
every other department already has some type of funding or something.
So that's why she started this it makes yeah, well,
but I can't remember.
Speaker 1 (32:50):
I guess what I think about it. Like, I understand
it costs money to keep items like this, like these
old items like things from movies and sets and royal
family items and all of that. I wonder if having
(33:11):
that money, like what does the insurance look like? Like
maybe a lot of it goes to covering the insurance,
because I'm sure they have to have an obscene amount
of money, right of like insurance coverage on those items,
so like if God forbid anything happens, they're covered, right.
But I just wondered, like, how do you use all
that money? Because I see the people walking on that carpet,
(33:32):
and if they're paying seventy five grand a pop. And
then there's people who are like, let me buy a
table for all of me and my guests to sit together,
that is so much money.
Speaker 2 (33:42):
So I had just quickly googled, real quick, I think
some people are getting in for free because this math
does not add up. So it told me there were
around six hundred guests. Jesus, uh, well, let's see saying
or the met Gala typically hosts around six hundred attendees.
(34:07):
Twenty twenty one was smaller blah blah blah blah blah
with four fifty so like that was right after COVID.
So yeah, so around six hundred, which if you price
that out with just the basic seventy five thousand dollar ticket,
that's forty five million. But then when you google how
much money did the met galle raise, which maybe the
(34:30):
tickets aren't a part of this raised portion, but they
raised thirty one million, which was a record breaking. Huh,
So are people getting in for free?
Speaker 1 (34:43):
Well? Maybe take off everyone on the board. However many
people there are, right, and then.
Speaker 2 (34:50):
Let's see how many people on that board?
Speaker 1 (34:53):
Well, and so I guess my question is, and these
are the things I've wondered with this. If you get
personally invited, does that automatically mean you know you're dropping
this kind of money? Or if you get a person
like or are there's certain ones that get personal invites
and they're there at no cost because Anna specifically asked
for you, right? And then are there like secondary invitees
that like you're kind of on the list but not
(35:15):
really like no one's gonna miss you if you're not there,
and those are the ones that they want to pay.
Maybe I don't know, Like, I, how does this work? Guys?
Speaker 2 (35:24):
I just love to know more, and I feel like
they keep it very secret and I don't like that. Okay,
So on two three, so twenty five individuals on the board,
which brings the seventy five thousand dollars ticket to one
point just around just a little under one point nine million.
(35:47):
So I still don't think that makes sense.
Speaker 1 (35:49):
No, yeah, there must be people not get in for free,
or maybe there's a negotiated amount and if people haggle.
Speaker 2 (35:57):
Oh my your worst fears, I'd be so.
Speaker 1 (36:01):
But I don't know.
Speaker 2 (36:03):
Yeah, But so that money goes to the costume institute.
But let's be real, it's a so it says like
it's also buying press status and proximity to Anna Wintour,
who all celebrities in fashion industry want to be next to.
Speaker 1 (36:21):
I wonder who will take her place when she is
no longer with us.
Speaker 2 (36:24):
I bet she's got an assistant that she's training, But
like who, I don't know?
Speaker 1 (36:32):
Is that our printer? Yes? Huh? Is that a sign
saying you bitch, you're taking over for Anna Windoor?
Speaker 2 (36:39):
I just get a call, I'm on my way.
Speaker 1 (36:43):
Okay. Well, so Oh so celebrities don't usually pay. They're
invited by designers who purchase a table, and Anna Wintur
still has final say on who gets approved. Yeah, so
there you go. So I guess that was that makes sense.
Speaker 2 (36:59):
Yeah, so the designer are the ones paying. But that's
still doesn't add up.
Speaker 1 (37:05):
But I'm sure it does if we really sat down
on crunch numbers. But you know what, I'm not a
number's fiend, so I am down it.
Speaker 2 (37:11):
I ain't down that. But stylists are out here pitching designers,
managing fittings and locking in deals behind the scenes, like
it's fashioned prom.
Speaker 1 (37:22):
But instead of corsages, it's couture worth six figures.
Speaker 2 (37:26):
And they don't even pay for it. Jesus, could you imagine.
Speaker 1 (37:32):
I can't imagine having the type of status status that
being told, Hey, if you want a table, it's five
hundred thousand.
Speaker 2 (37:42):
All right, yeah, cash or check? Oh my gosh, for real,
could you the skymilege you could get?
Speaker 1 (37:52):
Girl? They probably just rent private jets.
Speaker 2 (37:54):
I know, but it's just cool to think.
Speaker 1 (37:59):
All I know is I am a rich bitch strapped
in a poor woman's body.
Speaker 2 (38:05):
Oh I mean, I've always said champagne taste water budget.
That's me. But you know what, we are working really hard,
We're doing our best.
Speaker 1 (38:13):
And we will get there. And when I have that
kind of money, I'm gonna put on my own Mechala excess.
I want to find charities yep, that I feel like
actually take these charitable contributions and actually do things with them,
because I know there's a lot better scams and that's
really hard to find. But I would love to do
(38:33):
that and to put it on and I would love
for this for like the exhibition to be the quote
unquote no name designers that want an opportunity to showcase
their stuff, Like imagine doing that?
Speaker 2 (38:47):
Well, could you imagine if she took some of this
money and each year maybe charities change. But could you
imagine if she did like a scholarship to somebody for fit?
That would be so cool.
Speaker 1 (38:58):
Why isn't she doing like I do that? Be like, hey,
it's a competition. We'll pick like our top three, here's
the theme, and then design and outfits and then we'll
do a voting poll.
Speaker 2 (39:08):
Absolutely, why is she not doing that?
Speaker 1 (39:10):
I don't know, because you know what, she hasn't consulted
with me.
Speaker 2 (39:15):
That's why I'm the next Vogue. Guys, look at us.
Speaker 1 (39:18):
Just spip all night is.
Speaker 2 (39:19):
I love it.
Speaker 1 (39:19):
We're trademarking all of this, so no one come at us.
Speaker 2 (39:22):
We are saying it right here, right now, May seventh, Wednesday,
twenty twenty five. These are our ideas. Do not take them.
Speaker 1 (39:30):
Oh my gosh, I love that.
Speaker 2 (39:31):
But fun fact. Okay, So the first ever met gala
was back in nineteen forty eight. Yeah, the first theme
was like something in the seventies, I can't remember, but
per person, it only costed fifty dollars. And if we
were to convert that to today's money, that is only
six hundred and seventy four dollars.
Speaker 1 (39:50):
So see that makes more sense. Like I could see
it being like one thousand dollars. Yeah, entry fee be
like okay, cool, Yeah, seventy five thousand.
Speaker 2 (39:58):
What kind of food do you guys have going on
in there?
Speaker 1 (40:01):
It is probably small portions of black caviar, lots of.
Speaker 2 (40:05):
Caviart's your favorite of trouble?
Speaker 1 (40:09):
Oh? Probably oh truffle. I hope, I hope people are
having really nice dom perion oh champagne. H side note
when you were at your lunch Friday after graduation, yeah,
you could get a bottle of dom Perion there. Really.
Speaker 2 (40:28):
Yeah, I didn't read it.
Speaker 1 (40:30):
Sean showed me. I think it was like a hundred bucks,
so it was it like an expensive one. It was
probably like it's probably like their most water down version one.
Speaker 2 (40:36):
I bet it's probably just a single serve. No, it
was for the bottle. Yeah, a bottle of the single serve.
Speaker 1 (40:43):
Oh maybe. All I know is Sean was like, look, babe,
don perry On and I was like, someday I will
buy one.
Speaker 2 (40:48):
Oh, one day, we will.
Speaker 1 (40:50):
And when I pop that bottle, I'm gonna enjoy every
last drop.
Speaker 2 (40:54):
Absolutely. We'll also try to find that most high end
orange juice. Okay, so what are we talking about X
the vibe that goes beyond the clothes.
Speaker 1 (41:05):
Okay, I'm here for it.
Speaker 2 (41:06):
So there were also some amazing moments off the carpet
because Stevie Wonder and Usher performed, which gave the nights
such richness and soul.
Speaker 1 (41:18):
Question, Yeah, do you think Stevie Wonder's actually blind?
Speaker 2 (41:22):
Girl? I don't, No, I have to go down all
of the videos. I just know people talk about it.
I don't know.
Speaker 1 (41:29):
I don't know, man, But if he is he has
pulled the biggest prank on the entire world for a
long time.
Speaker 2 (41:35):
And not only that, only your wife and kid walked
you up the stairs. And oh that's weird. Vo cut
the video before you locked up the stairs.
Speaker 1 (41:44):
Hmmm mmmm Well listen, I love me some Usher.
Speaker 2 (41:48):
Oh my gosh. When I saw a little snippet of
Usher performing, I was so jealous.
Speaker 1 (41:53):
Man to have been there and heard the two of
them sing live, I would have died. Oh yeah, died
and gone to heaven.
Speaker 2 (41:58):
Well, and Usher was saying that he flew in the
day before from somewhere and then has to fly back
the next day to go to England to perform because
he's on tour right now. He's over in Europe performing.
He is yep, So he flew in just for the
mac Gala and maybe that's why he looked like he
was high.
Speaker 1 (42:18):
I mean he looked completely out of it.
Speaker 2 (42:21):
Yeah, and then is flying back to go perform in London.
Speaker 1 (42:26):
Wow.
Speaker 2 (42:26):
Yeah, that is a lot of travel dedication. That is
something absolutely But yeah, so both of them performed, that's yeah,
that's so fun. Yeah.
Speaker 1 (42:39):
Well, also side note, cute little miss Simone Biles and
Jonathan Owens celebrated their anniversary, which I loved, and they're
coordinating out.
Speaker 2 (42:50):
They looked so good together.
Speaker 1 (42:51):
She is adorable and.
Speaker 2 (42:53):
I think it was his first one.
Speaker 1 (42:55):
That's fun.
Speaker 2 (42:56):
Yeah, Like he was just calm, cool, collective. And so
they asked Simone what was more stressful, preparing for the
Olympics or preparing for the met and she said for
the met She's like, my entire life I dedicated it
to getting to the Olympics, so that was nothing. She's like,
this is one day you can't mess up. And I
was like, whoa, I'm sorry.
Speaker 1 (43:16):
The thought of performing at the goddamn Olympics, I would vomit.
Speaker 2 (43:21):
I would just pass out vomit, probably not even make
it to my event.
Speaker 1 (43:26):
I wouldn't even wake up. I'd be dead.
Speaker 2 (43:28):
Yeah. I would have had a heart attack of mustley,
Oh for real. But they were just beautiful.
Speaker 1 (43:33):
They were so cute. And then AI generated photos of
Katie Perry.
Speaker 2 (43:38):
Did you not see them?
Speaker 1 (43:40):
Apparently I missed it?
Speaker 2 (43:41):
What did you see any photos of her?
Speaker 1 (43:43):
There? No? Okay I did not, And so I was
trying to pull it up, like WT afterre you talking
about so because she's on tour.
Speaker 2 (43:52):
Yes, I can really find them for you.
Speaker 1 (43:54):
This tour.
Speaker 2 (43:55):
Oh my gosh god, if you if you have not
seen the videos, look come up.
Speaker 1 (43:58):
Just go on, just go on the TikTok You're welcome.
Speaker 2 (44:02):
But so there were photos of there were I think
they were saying that there were a couple of photos
of her and they were AI generated and they looked
like she was there. She was not really yep, and
she was like, guys, I'm on tour, I'm not there.
So then why were the pictures that first one? This?
Speaker 1 (44:21):
Yep?
Speaker 2 (44:22):
What? Yeah, she wasn't there.
Speaker 1 (44:25):
It looks so real. Yep.
Speaker 2 (44:28):
Yeah, AI generated photos of Katie Perry. Look them up.
It looked like she was really there. It was insane.
And she's on tour. I don't know where she's currently at. Well.
Speaker 1 (44:38):
In her post on Instagram, she said that she was
going to Houston tomorrow in real life.
Speaker 2 (44:46):
Yeah, so she wasn't there.
Speaker 1 (44:49):
Hey, I okay, listen, I can't get chat GPT to
do an image that without the weirdest faces and fingers.
Speaker 2 (44:57):
Real, So, how how are we were getting?
Speaker 1 (44:59):
We're this AI program?
Speaker 2 (45:01):
Yeah? Can you guys send them our way?
Speaker 1 (45:03):
Imagine the cool images I could do with myself looking
like uh.
Speaker 2 (45:07):
Oh my gosh, the Pope. My Instagram post would be amazing.
Speaker 1 (45:10):
Everyone'd be like, you're living such a cool life. Feel
like damn right I am.
Speaker 2 (45:15):
We like we added like some like yep, that's me.
But yet who knows that AI? But yeah, that is
that's crazy And so yes, she didn't even attend, but
it said that AI put her in five different metgala
gowns and social media lost their mind and it's something
(45:36):
about fashion in the digital age is just insane.
Speaker 1 (45:41):
Well, and that's what's hard, is it's really going to
get to a point that no one's going to know
the difference between real life and AI. And then designers
are gonna, as we've already mentioned, are going to run
into problems of people wanting things that computer generated makes
sense but in real life not possible, and we come
up with some really crazy ass inventions to make it happen.
Speaker 2 (46:03):
Yeah. Well, and I wonder if there's gonna even be
legality battles.
Speaker 1 (46:09):
I don't know, I mean for something like that, like
someone making AI pictures and putting them up of her
like that seems completely illegal. I mean, but also she
is a public figure, so.
Speaker 2 (46:18):
Like, yeah, there's there's all of that. Yeah, I learned
that in my mask calm law. But yeah, that's who knows.
Speaker 1 (46:28):
Wow. All I can say, guys, is this year's MET
Gala was absolutely one of my favorites, and it was
just it was fire. It was so good.
Speaker 2 (46:37):
I loved it.
Speaker 1 (46:37):
Do people still say fire?
Speaker 2 (46:39):
I don't think so. What is your daughter saying nowadays?
Speaker 1 (46:43):
Uh? Sligh girly pop? Yeah?
Speaker 2 (46:49):
I can't h I love it.
Speaker 1 (46:52):
I was gonna say, I every time I hear fire,
just think of Pooky on the top. I was like,
that's fire.
Speaker 2 (46:59):
See I think of fire festival. Oh yeah, I don't,
but I didn't watch the Pooky. I try to keep
that off my for you page.
Speaker 1 (47:09):
All right, guys, well we're gonna wrap things up. So
the twenty twenty five Met Gala wasn't just about fashion.
It was about craftsmanship, culture and visibility.
Speaker 2 (47:19):
And this year it told a story that felt earned,
and it reminded us that tailoring isn't just structure, it's intention,
whether it's on the Met carpet or in our bridal boutique.
When clothes fit your story, that's when magic happens.
Speaker 1 (47:35):
Fashion is the frame and you are the artwork.
Speaker 2 (47:38):
I want that shirt fucking men.
Speaker 1 (47:41):
Mmmm, that was good, that was fire.
Speaker 2 (47:44):
Oh dear, I'm so sorry, guys, I apologize for that millennial.
Speaker 1 (47:49):
Sorry, I embarrassing you. Get over it, child, Oh my gosh.
Speaker 2 (47:53):
But if you loved this net galla breakdown, don't forget
to subscribe to us, share and tell us your face
write look on Instagram and our tag is at va
underscore bridle, and.
Speaker 1 (48:06):
Be sure to tag us in your hot takes because
lord knows we've got opinions, and uh we know that
you do too, so don't hesitate, stay respectful.
Speaker 2 (48:17):
Yeah, you know, we don't need any very negative comments
about like somebody's body. Please don't. M m, absolutely not.
I'll probably try to report you, so don't.
Speaker 1 (48:29):
Just don't have opinions on if you liked something or
not like something, that's it. But I will say even
if the people who were you know, on the uh
your outfits were not the best list.
Speaker 2 (48:42):
That always drives me crazy, Oh my gosh.
Speaker 1 (48:45):
Yeah, but I will say every single person looked amazing
and they were super excited to where whatever they felt
represented the theme, even if you didn't agree with it. Yep,
I definitely felt like I saw some wild looks. But
you know what I'm like. I was not given an
opportunity to create something better, nor was I given the
opportunity to even attend attend, So all I can do
(49:09):
is just be like, damn you Slaid, you did great.
Speaker 2 (49:12):
Yep, I'm a peasant. That's how I look at this.
Speaker 1 (49:15):
You know what we need to do. What we need
to have a combined birthday party. Our birthdays in May,
the month of the met, and we need to have
a met.
Speaker 2 (49:25):
We're getting on this, We're finding a nice venue, We're
wearing nice outfits.
Speaker 1 (49:30):
Yes, the next year is your twenty nine, twenty nine.
Sorry guys, well said it's your dirty thirty and I
was like, nope, you're still not.
Speaker 2 (49:41):
Dirty, not there yet. Getting closed, even though my body feels.
Speaker 1 (49:46):
Eighty, but yeah, that's fine. You look hot for me eighty.
Thanks here, welcome babes. Well, we thank you guys so
much for listening, and like Cassaid, be sure to chext
show notes. We'll have our social media handle that, we
will have our email everybody pod at Vadoshbridle dot com
and just remember that everybody is a bridalbody. I love
(50:08):
you guys.
Speaker 2 (50:09):
Bye,
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