August 6, 2025 • 26 mins
Episode Description Blind Corp is proud (and legally obligated) to present Excuse Us: The Mostly Musical Episode. This ambitious experiment features an almost-coherent lineup of songs — from heartfelt piano ballads to questionable K-pop choreography — all “generated” in partnership with advanced artificial intelligence, overseen by the late, great Geraldini de Arce. Yes, that Geraldini, the acclaimed music director whose final ten minutes of life were spent furiously composing the score you are about to hear. Was it a triumph of art and technology, or a cautionary tale about what happens when you put too much trust in both Hawk Juice and computers with feelings? Blind Corp refuses to comment. What we can confirm is that no artificial intelligence was harmed in the making of this program. Several, however, were disappointed in the final mix. From “Still Blind,” the heartfelt lament of a man turning into the audience, to “Gold-Plated Heart,” a brassy ode to pettiness and profit, and the unforgettable “Donkey Poop,” a protest anthem about narrative fertilizer, this episode has it all — except polish, rehearsal time, and Geraldini. Please enjoy responsibly. Blind Corp reminds you that applause is mandatory, refunds are not, and Accultis Regimus.
Become a supporter of this podcast: https://www.spreaker.com/podcast/excuse-us--6179435/support.
Content Unit 447A, internally labeled Excuse Us, has been written, created, and performed by Rodrigo Pool. Blind Corp approves this message for distribution. By continuing to listen, you consent to all applicable policies, including those you have not yet been informed of.
Become a supporter of this podcast: https://www.spreaker.com/podcast/excuse-us--6179435/support.
Content Unit 447A, internally labeled Excuse Us, has been written, created, and performed by Rodrigo Pool. Blind Corp approves this message for distribution. By continuing to listen, you consent to all applicable policies, including those you have not yet been informed of.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
Good evening, folks. Today's transition will be slightly different when
we produced the following show under the heavy influences of
and so we will bring to you the now forever
canceled excuse us the musical. They worked hard on making
(00:35):
this production months, days, hours, seconds, and at last it
is absolutely the worst thing that Edward was made so
much so sorry, I just got a text message. Let
me check. The producers are telling me that I should
(00:58):
not be so candidly, that.
Speaker 2 (01:05):
You should not.
Speaker 1 (01:10):
He's telling you all the things that I just said,
and my drivers on the line because of that. So
all right, But considering the last Black corpor announcement, when
terribly wrong, our sound design person I don't know their
(01:32):
proper title, was suddenly executed in the middle of the recording,
put before a minimus and disperse. He left us with
this production, the one he wrote ten minutes before he
(01:53):
was suddenly murdered. Now, let's remember that during those ten
minutes before he was suddenly remember dismembered, uh lone no
way killed murdered, he had eaten really really bad food
and he was struggling just to be alive. In fact,
(02:15):
so I may argue that this was a merciful death,
and he will ever will ever be forgotten, He will
never be forgot. He will both, he will both.
Speaker 2 (02:28):
Know thou further or.
Speaker 1 (02:32):
Geraldini, the artisist, excuses the musical I'm supped what you
want me to introduce? Okay, so I'm supposed to introduce
the numbers. First, We're going to open.
Speaker 3 (02:49):
Up with.
Speaker 1 (02:51):
Let me see here, a little ballad composed exclusively for
this production, with the accompaniment of a very very flavorful
style guitar and instruments. This has lyrics and it's been
(03:14):
sung by a person. All of this takes place in
real time. Ladies and gentlemen.
Speaker 4 (03:25):
Joyceville Shadows, Jose Bad, the world is It?
Speaker 5 (03:43):
Secrets had Had, Dicky Fans's House, Me the Streets, Wis.
Speaker 6 (03:51):
Brams, Streams, Old Joyceville Shadows, playing secrets, turting, hidden, movie
whispers flood on all over there.
Speaker 5 (04:03):
Truth and fiction everywhere, Miss dad Don bathroom life, thoughts,
Unwily Night, Fossard drips, drains, dark, calm, memories, rise, motions, fall,
(04:31):
Old Joe Hospi's Shadows play secrets talked in heading noways
Whispers flowed on all on air. Truth and fiction.
Speaker 7 (04:43):
Everywhere, vestival lives, joy in cheer, old grudge, She's always
in the laugh, Shadows.
Speaker 5 (05:01):
Blend, Josephill's stories, never.
Speaker 7 (05:09):
Bline, corpse, dands, cast in shade, Prosperity, Edith Wist Bursney,
in the town they weave, There.
Speaker 5 (05:18):
For it, secrets, laying your words unseen?
Speaker 8 (05:43):
Was that it?
Speaker 7 (05:44):
That was it?
Speaker 9 (05:45):
That was it?
Speaker 10 (05:46):
That was it?
Speaker 11 (05:47):
That was the song that was composed by Gerald Joeys
Flle Shadows. Uh, now we're gonna move on to a
different song. Also part of the Excuse Us musical. Keep
in mind that this was done and without sequence, and
(06:09):
it brought in aspects from multiple seasons into one as
to bring it all together in one big piece, unlike
The Kurtschild when I first opened on Broadway and now
without further ado. By the way, this is not going
to get any better. So if you want to quit
listening to this episode, you won't be missing much. When
(06:30):
we come back, we're going to get back into what
we were doing before. Right now, we're doing this because
it's fun. Now without further ado, a song about a
corporate person works directly with the Blank Corps, telling how
he really feels about himself. Ladies, and gentlemen, A real
(06:55):
swell guy.
Speaker 12 (07:09):
I run the show, kid, watch me go.
Speaker 3 (07:12):
I take what I want.
Speaker 9 (07:13):
That's all you need to know. I pitched your grandma,
stole your toast, Pope your grandpa while he's called me toast.
I'm a real swell guy. It's true, and I'll prove
it while I'm robbing you a deep download where the
(07:46):
shadows creep. There's a secret I've been forced to keep it.
I'm an animal out of control with the rotten heart
and a tattered soul. And I order you, Yes, you
the heard that clapse no matter what I do, thanks
to the audience, my faithful audience, my shameless, nameless, blind
(08:10):
cord bodies. It may sound obvious or downright i'minish, but
you're still blind.
Speaker 7 (08:17):
Longe Corporation, my shining thrown where the cruel and petty
never a to When you're mischievous, you're never alone.
Speaker 9 (08:25):
When you ask questions, you're simply gone.
Speaker 1 (08:34):
Drink the hot juice.
Speaker 9 (08:36):
Don't be lake, babe, take a swing now.
Speaker 1 (08:39):
It's your faith.
Speaker 9 (08:40):
Baby, Ray, He's a glass because the end's begun and
tomorrow may never come.
Speaker 12 (08:46):
Around the show kidd, it's all real.
Speaker 9 (08:49):
You the town Kid, That's dear, feels so good at
the very time, Ike on Coim and.
Speaker 5 (08:56):
Never stop.
Speaker 12 (09:01):
A real swell.
Speaker 1 (09:05):
That was a real swell guy, composed entirely by Jered
dil Indi RCI ten minutes before he died by gunshot.
Speaker 11 (09:15):
Wouldn't a pre existing condition. And now the next number,
keeping in line with his Broadway style occultis Regiments, a
Broadway style song written from the perspective of a Blind
Corp employee being really happy to work for Blind Corp. Also,
(09:39):
it's worth noting that Geraldini Theazi never actually saw a
Broadway production, and he instead ambition that every single ad
he has ever seen for a casino or a gambling
app was pretty much this style that he wanted to
go when he thought this is probably Broadway.
Speaker 13 (10:05):
Step right up, sign a name, Welcome to the brand
new game from Sea Hawk. Bade to every shore blink
Horse opening every door. We've got hawk to taste, Divide
a little sip and you'll feel fine.
Speaker 12 (10:15):
Just ignore the side.
Speaker 13 (10:16):
Effect sits indoors by our ride the checks okayas regeem
us we wuin secret. Still our investors always smiling, our
compliance iron will raise their glass and drink it down.
Forget the screens beneath the town capt this rogiem us,
the futures ares to fill.
Speaker 1 (10:37):
Oh yeah, I scared this downloaded.
Speaker 13 (10:40):
Now, Oh you love the family plan even if you
don't quite understand Eldritch over Lord's agreed. Blink off your eturnity.
Speaker 12 (10:47):
Sure the walls may softly breathe, but that's progress underneath.
Speaker 13 (10:50):
When the Horde comes through the gate, just remember it's
your faith.
Speaker 11 (10:53):
Death death is your faith.
Speaker 5 (10:57):
Death die.
Speaker 1 (10:59):
That's what it's on. That's what the audience members are there.
Speaker 12 (11:02):
Gonn wait too, I mean everything's great.
Speaker 13 (11:05):
Private money, put the truck.
Speaker 9 (11:08):
It's worth pointing out.
Speaker 13 (11:11):
Richacus complying the musk.
Speaker 2 (11:13):
This guy's count out.
Speaker 1 (11:16):
By I ship my contact.
Speaker 13 (11:19):
Maybe you've heard the rumor spread of the seagulls peace
with a boardmore blod but here at Blancre, here's misplaced.
For Eldrick's love is corporate grace.
Speaker 11 (11:26):
I mean that's worth pointing out.
Speaker 13 (11:30):
Just Si Culty's Regulus, Colt's regiments. We were the one
unseen the world un say, I'd see how bay the
future gleans.
Speaker 8 (11:36):
No one questions, no one's bringers. Drink your hearts.
Speaker 13 (11:39):
You signed today, private blessings paid away from.
Speaker 7 (11:41):
The boardroom to the lair.
Speaker 14 (11:43):
Our investors will be there.
Speaker 13 (11:44):
Blind corporal, fake you there, blind corporal.
Speaker 12 (11:47):
Break you there, Blind corp will break.
Speaker 13 (11:49):
You there, Blind corporal say you there not available everywhere?
Speaker 8 (12:10):
I run the show on the block. Steal your lunch,
then fire your dock. Gold plated heart, knife in my coat.
Gave you get a juice box. Hope he floats, shake
your hands, steal your pin, trip your mom, then do
it again. Say I'm petty damn straight. You cut in line,
now meets your fate.
Speaker 1 (12:27):
No cuts.
Speaker 8 (12:28):
He's a motherfucker style gold plated hard rotten the hell.
Smile in court while I break the spell toaster, blank corp,
don't you lack or I'll bury your soul under merchant
with our flag. Did you bad mouth my stock? I
(12:54):
know I just bought your house. Oh no, your dog
barked once.
Speaker 2 (13:02):
That's it.
Speaker 8 (13:03):
He's gone.
Speaker 5 (13:04):
Holy yeah.
Speaker 8 (13:05):
I give back. Build a school, taught them all.
Speaker 2 (13:12):
How to follow the rules. And if they scream, what
what's gonna happen?
Speaker 14 (13:18):
What happens?
Speaker 8 (13:19):
If they scream, that's just the sound of quarterly profits
coming around. I gold plated heart.
Speaker 1 (13:24):
I like that he built a school how to scream.
Speaker 8 (13:28):
Devil and slacks, suit my own wife for calling me jack, blind,
corps king bow and pray. We own your ass and
your DNA and your DNA.
Speaker 1 (13:43):
God plate it hard.
Speaker 12 (13:45):
It's play shining up and it tears you apart.
Speaker 2 (13:53):
If you haven't by gathered by context that was gold plated.
This song about a bad person who made bad decisions
and was proud of it. The songs lake make less
(14:14):
sense the more we go on, as does my accent.
Now I will entertain you with something slightly a little
bit better. Here is a song that was composed from
the point of view of that same Discuntrol employee. No,
(14:39):
never mind, I'm thinking of something else. This song is
about a former Blank employee who is grasping the terms
of her current condition, as well as coming to the
realization that cheese is going to die without a further
(15:06):
a duel. Still Blind.
Speaker 14 (15:13):
I held the door they walked right through, not a nod,
not a thank you. I watched them smile as they
shook their hands while the inkran red across the plants,
the lines of the investors cheated all the rest, but blind,
corporal blind, cork.
Speaker 12 (15:31):
You know me best.
Speaker 3 (15:33):
Still blind though the truth cuts deep. Still blind through
the wozzle.
Speaker 14 (15:41):
We drink the hawk juice.
Speaker 3 (15:45):
I feel it in my veins, Still blind though I
can't feel say it poison.
Speaker 14 (15:55):
See Hawk Bay that night, called the water pure and bright.
My hands now shake, my breath runs cold.
Speaker 15 (16:03):
My skin's not mine.
Speaker 10 (16:05):
My heart feels old.
Speaker 14 (16:06):
The audience whispers.
Speaker 3 (16:08):
They call me me the.
Speaker 14 (16:10):
Blind Corp, O blind Corp.
Speaker 15 (16:12):
I'll stay right here. Eldridge shadows at the boardroom, the door,
private investors crying more stakeholder's blood.
Speaker 10 (16:22):
The town was sold.
Speaker 14 (16:24):
I kept believing what I was told, and now my
first a case. But I still send their price. Still
blind though my eyes turned gray. Still blind though.
Speaker 5 (16:37):
I fade away.
Speaker 15 (16:38):
The howk fires takes me, I stumble and I fall,
Still blind, blind corp through it all.
Speaker 1 (16:51):
Eldridge shadows at the bord of notight. Take this broken
mamos and learned to a man. This was later assumed
to become a commercial for rectile dysfunction. We move on
(17:16):
in our programming, and also for sad pills, which are
coincidentally not dissimilar.
Speaker 11 (17:28):
We move on to the next number.
Speaker 1 (17:31):
Geraldinidadds, I think it is worth pointing. Now lived a
very precurious life. He enjoyed the things that nature had
to offer, like plants and trees, and also he dislike
most things that nature had to offer, like also plants
(17:58):
and trees. But in between.
Speaker 11 (18:02):
The plants and the trees, he found time to write
these songs, of course, in the span of maybe an hour.
But wrote he did, and composed he did sort of.
And now he also remembered that he really liked that
(18:26):
Netflix movie with the cap poppers, so he pretty much
tried to rip that off.
Speaker 7 (18:34):
Hey, listen up, let's.
Speaker 10 (18:36):
Go, friends, colleagues, let it show. I came to speak,
not to preach.
Speaker 8 (18:40):
Leam Newton Johnson always in a reach.
Speaker 10 (18:42):
I said he was cold, said he was flat.
Speaker 1 (18:44):
But I saw the firelight up in his ash. Three
times I asked, three times, he said, no ambition.
Speaker 2 (18:49):
You already know he thought the stream.
Speaker 1 (18:51):
He paid his dues blind, corprising.
Speaker 8 (18:53):
No, we lose, But they twisted the true spread in
the pitch and whisper behind us.
Speaker 14 (18:59):
That's just a good.
Speaker 10 (19:01):
They say, amb shadow.
Speaker 14 (19:03):
We say fat truths on the line.
Speaker 13 (19:05):
Don't hesitate you love to once? Don't you deny?
Speaker 14 (19:08):
This is the anthem?
Speaker 8 (19:09):
Raise it.
Speaker 13 (19:11):
Let the light he shining every night, me Boa blind corps.
Speaker 14 (19:16):
The reason little never leave you. Oh can't you see?
Speaker 13 (19:20):
Liam's the one who set us free, blind cord forever.
Speaker 8 (19:23):
Feel that switch and Hater's gonnaja too.
Speaker 13 (19:34):
Numbers don't lie.
Speaker 5 (19:35):
Check the score.
Speaker 13 (19:35):
He gave the workers, always gave more.
Speaker 7 (19:37):
They say he was breathed after he gave back.
Speaker 8 (19:39):
He carried us.
Speaker 13 (19:39):
Forward, kept us on track from a spread like fire
in the dark.
Speaker 14 (19:42):
Don't put out blind corse bar they said ambition, We
said love.
Speaker 3 (19:46):
Now watch the surprise.
Speaker 9 (19:47):
They can't get enough.
Speaker 14 (19:50):
Mah is an aviting night.
Speaker 9 (19:52):
Liam's name and Ania linlight, Oh judgment, don't you slip ahead?
Speaker 1 (19:58):
Blind cord forever?
Speaker 9 (19:59):
Here bitter bits shining very night, be fine, just be
blind course.
Speaker 10 (20:08):
And heavily bitch.
Speaker 13 (20:11):
Oh me, I'm the one who says free course forever.
Speaker 2 (20:15):
On a mission, Hey's going to jilty Jiltia.
Speaker 11 (20:20):
Geraldiney, of course, didn't spoke a word of Korean, so
he relied entirely on Google Translate. Another thing worth mentioning
is the song was basically spoiling the end of the
season two episodes in which this whole thing takes off
(20:44):
a sort of Shakespearean context in which Leam Newton Johnson,
the CEO of Acting CEO of the joy Spell facilities,
goes missing or part hands to do so at least,
and he is also overthrown by his suboidinates. And then
(21:09):
such creates so much tumultuous chaos that the entire office
decides to complain about it. And then there's this ride
one hand man happily named Brutes who stands up by
the guy. And that's why it's pretty much play by
(21:33):
play from Caesars, from William Shakespeare's Caesars that is coming up,
So just giving you a point of reference for that song.
And now we're at the end of our production. We're
meeting the deadline of twenty some minutes, which is kind
(21:55):
of like the gap.
Speaker 1 (21:57):
I wanted a fill, So I wish I plan these
a little bit better and not just hit record, because
I could have done some more bits.
Speaker 2 (22:09):
But live and learn.
Speaker 1 (22:12):
The songs are not great.
Speaker 10 (22:14):
And so.
Speaker 11 (22:17):
We'll leave you the last number, a du up cabaret
for the super awesome diner. And then in conclusion some
final words, stay tuned.
Speaker 9 (22:38):
Step right up, don't be late.
Speaker 13 (22:40):
It's super awesome on your plane, Grab a boothe take.
Speaker 5 (22:44):
A bye coffee.
Speaker 9 (22:46):
Hot the neon Bright nutcha Berger fry so sweet, super.
Speaker 7 (22:52):
Awesome, can't be be.
Speaker 12 (23:04):
Super awesome.
Speaker 9 (23:05):
Clap along, food and fun.
Speaker 10 (23:07):
It won't go wrong. Raise your glass. The world's on fire.
Speaker 13 (23:12):
Eat your fill.
Speaker 10 (23:13):
Climb higher, Higher, Jimmy Cooks, Luna Grins, Catherine d will take.
Speaker 13 (23:29):
You in Dylan Land.
Speaker 12 (23:31):
This is the top of the place. Super awesome, saves
the day. Super awesome.
Speaker 10 (23:36):
Clap along, food and fun. It won't go wrong.
Speaker 12 (23:40):
Westin Joyceville.
Speaker 10 (23:42):
That's no liar, Super awesome, Higher.
Speaker 11 (23:44):
Higher, Thank you once again for joining us. I know
you have other things to listen to and you have
learned nothing from listen to this, and to my surprise,
you have done it. The truth is I have baked
these lyrics.
Speaker 1 (24:05):
I tossed them into chat GDP to see if they
could put it be put in some sort of rearrangement,
because when I went to work on the current episodes,
I noticed that eleven Laps had released an introduction to
eleven Musics. So, being the curious mind that I am,
I took those lyrics tossed them in there, and you've
(24:28):
heard the results.
Speaker 8 (24:29):
Now.
Speaker 11 (24:30):
There were a lot of different variations that were just
absolutely awful and while I was cackling along about how
bad it was, it just reminded me of the true
beauty of true craftsmanship musicians and producers and people who
(24:51):
actually put together and learned the instruments and learn the music.
And you know, these tools are nice and they're fun.
That's all there is to it, is a fun thing
to do. I mean, I wasted all my credits making
those songs and not working on my episode.
Speaker 2 (25:05):
But.
Speaker 11 (25:07):
We both learned something new. Maybe I mean the fun.
The songs are fun, but that's all that's that's all
there was to learn.
Speaker 1 (25:19):
And so that's it. You stay tuned for the actual episode.
Speaker 11 (25:24):
We'll come back.
Speaker 1 (25:24):
I won't be teasing you now for with a bit
more nonsense, and I will leave you with this one
last song, which is just a reprise of the super
Rowesome Diner. Thank you for listening.
Speaker 14 (25:39):
Ignore the sirens, block up a sound of the super
Rowsome China Joy is always.
Speaker 9 (25:44):
Found super Rowesome.
Speaker 15 (25:49):
Raise it last, don't you delayton day?
Speaker 7 (25:54):
Step light up from one?
Speaker 5 (25:55):
Come on.
Speaker 12 (25:59):
Step fun?
Speaker 11 (26:13):
Oh wow, you're still here? Crazy? Honestly, I expect the
most of the people stop listening to the episode after
I said had no consequence or value five minutes in tops.
But now that you're here, I want to share something
with you. I did try to make a musical. Some
(26:33):
of those songs were half baked, yes, but I was
trying to put them together and write them, and then
it was just not good man. So I'm going to
play for you a song that I try recording, and
I spent a stupid amount of time trying to make
the song. The original music is able available on Epidemic
Sound by the band green Beans tit so this is
(26:56):
not AI generated and they had the instrumentally composed instrumental
and I put my own lyrics into it try to
make it work, but I hate my singing and I
don't think it's any good. But since this whole episode
is just a wash, I wanted to share it with you.
Speaker 16 (27:14):
Enjoy just fell another right town on my company of
(27:41):
the time. I'm trying to shake those troubles down your
bus play in the light. Bos like to write something.
Speaker 1 (27:49):
Screeping and shot.
Speaker 12 (27:51):
I was gonna keep your mad.
Speaker 17 (27:54):
Just watching the fall in the streets, show your street salvation, though,
tell you what things be said rally.
Speaker 12 (28:03):
Laura, don't know what to do once you more juice
now and see him.
Speaker 1 (28:09):
Things come true.
Speaker 12 (28:12):
Still, just send meals. I should make her long way.
Speaker 1 (28:17):
They've been making s smills, going all over.
Speaker 17 (28:20):
Pay the loss and whispering telling stuys o, guys, they
both gather hollow with the honest spot their poor man's
streets sell in s exlation.
Speaker 18 (28:36):
Don't tell you what it brings.
Speaker 17 (28:39):
Somehow more, you don't know what to do to set
lodges that would see the spot.
Speaker 13 (28:53):
It saying.
Speaker 19 (29:02):
Here the man you warning you hear the static screen
once you treat that potion, you working in their dream.
Speaker 1 (29:11):
The time a step and wait to turn pack down.
Speaker 12 (29:15):
So based on the sidewalks, shouldn't make song. Wilson's got
a mission true.
Speaker 1 (29:22):
They want Joyce Mills just a bustle.
Speaker 12 (29:26):
Built the mane, not a dreams realities and howling lord,
I don't know what to do to p step lob.
Speaker 5 (29:45):
Just now see.
Speaker 12 (30:01):
You're the wain of wanting to.
Speaker 1 (30:52):
Hear the static streams.
Speaker 12 (30:55):
Once you drink that potion, you are living in a dream.
Speaker 17 (31:01):
She re wrong way the people like you say marks
to the roll and grown all the most.
Speaker 12 (31:08):
I'm whispering till he stuns a little eyes. The men
of the backbones got the all into your eyes was
watching the pool down.
Speaker 17 (31:19):
The streets to sell your sweet sulation, but don't tell
you what it brings.
Speaker 5 (31:25):
What some coming?
Speaker 12 (31:26):
Lord, I don't know what to do and wants some watches.
Speaker 3 (31:31):
I want see the.
Speaker 1 (31:41):
Listening ste.
Speaker 7 (31:50):
Run.
Speaker 1 (32:04):
Damn it didn't hit record.
Speaker 18 (32:09):
M Tell me the sky was blue, Tell me the
checks will come through, signed the deal, drank the soup
(32:29):
turns on.
Speaker 12 (32:31):
Donkey boo, donkey.
Speaker 19 (32:38):
Boo, last true, every promise, every food, donkey boo, shine, smile,
stamous suit, which means budget.
Speaker 12 (33:09):
They said, drink the hot shoe down.
Speaker 19 (33:13):
It'll make you kick of town. I'm coughing line on
the moon. I guess so soldiers don't keep don't Keela's true,
every promise, everythru.
Speaker 12 (33:31):
Link of signs, and don't compute.
Speaker 1 (33:34):
The sunderneath this just don't keeper's harmonized? Don keeper, donkey
(33:55):
don what's that arm that at home?
Speaker 14 (34:01):
Okay
Good evening, folks. Today's transition will be slightly different when
we produced the following show under the heavy influences of
and so we will bring to you the now forever
canceled excuse us the musical. They worked hard on making
(00:35):
this production months, days, hours, seconds, and at last it
is absolutely the worst thing that Edward was made so
much so sorry, I just got a text message. Let
me check. The producers are telling me that I should
(00:58):
not be so candidly, that.
Speaker 2 (01:05):
You should not.
Speaker 1 (01:10):
He's telling you all the things that I just said,
and my drivers on the line because of that. So
all right, But considering the last Black corpor announcement, when
terribly wrong, our sound design person I don't know their
(01:32):
proper title, was suddenly executed in the middle of the recording,
put before a minimus and disperse. He left us with
this production, the one he wrote ten minutes before he
(01:53):
was suddenly murdered. Now, let's remember that during those ten
minutes before he was suddenly remember dismembered, uh lone no
way killed murdered, he had eaten really really bad food
and he was struggling just to be alive. In fact,
(02:15):
so I may argue that this was a merciful death,
and he will ever will ever be forgotten, He will
never be forgot. He will both, he will both.
Speaker 2 (02:28):
Know thou further or.
Speaker 1 (02:32):
Geraldini, the artisist, excuses the musical I'm supped what you
want me to introduce? Okay, so I'm supposed to introduce
the numbers. First, We're going to open.
Speaker 3 (02:49):
Up with.
Speaker 1 (02:51):
Let me see here, a little ballad composed exclusively for
this production, with the accompaniment of a very very flavorful
style guitar and instruments. This has lyrics and it's been
(03:14):
sung by a person. All of this takes place in
real time. Ladies and gentlemen.
Speaker 4 (03:25):
Joyceville Shadows, Jose Bad, the world is It?
Speaker 5 (03:43):
Secrets had Had, Dicky Fans's House, Me the Streets, Wis.
Speaker 6 (03:51):
Brams, Streams, Old Joyceville Shadows, playing secrets, turting, hidden, movie
whispers flood on all over there.
Speaker 5 (04:03):
Truth and fiction everywhere, Miss dad Don bathroom life, thoughts,
Unwily Night, Fossard drips, drains, dark, calm, memories, rise, motions, fall,
(04:31):
Old Joe Hospi's Shadows play secrets talked in heading noways
Whispers flowed on all on air. Truth and fiction.
Speaker 7 (04:43):
Everywhere, vestival lives, joy in cheer, old grudge, She's always
in the laugh, Shadows.
Speaker 5 (05:01):
Blend, Josephill's stories, never.
Speaker 7 (05:09):
Bline, corpse, dands, cast in shade, Prosperity, Edith Wist Bursney,
in the town they weave, There.
Speaker 5 (05:18):
For it, secrets, laying your words unseen?
Speaker 8 (05:43):
Was that it?
Speaker 7 (05:44):
That was it?
Speaker 9 (05:45):
That was it?
Speaker 10 (05:46):
That was it?
Speaker 11 (05:47):
That was the song that was composed by Gerald Joeys
Flle Shadows. Uh, now we're gonna move on to a
different song. Also part of the Excuse Us musical. Keep
in mind that this was done and without sequence, and
(06:09):
it brought in aspects from multiple seasons into one as
to bring it all together in one big piece, unlike
The Kurtschild when I first opened on Broadway and now
without further ado. By the way, this is not going
to get any better. So if you want to quit
listening to this episode, you won't be missing much. When
(06:30):
we come back, we're going to get back into what
we were doing before. Right now, we're doing this because
it's fun. Now without further ado, a song about a
corporate person works directly with the Blank Corps, telling how
he really feels about himself. Ladies, and gentlemen, A real
(06:55):
swell guy.
Speaker 12 (07:09):
I run the show, kid, watch me go.
Speaker 3 (07:12):
I take what I want.
Speaker 9 (07:13):
That's all you need to know. I pitched your grandma,
stole your toast, Pope your grandpa while he's called me toast.
I'm a real swell guy. It's true, and I'll prove
it while I'm robbing you a deep download where the
(07:46):
shadows creep. There's a secret I've been forced to keep it.
I'm an animal out of control with the rotten heart
and a tattered soul. And I order you, Yes, you
the heard that clapse no matter what I do, thanks
to the audience, my faithful audience, my shameless, nameless, blind
(08:10):
cord bodies. It may sound obvious or downright i'minish, but
you're still blind.
Speaker 7 (08:17):
Longe Corporation, my shining thrown where the cruel and petty
never a to When you're mischievous, you're never alone.
Speaker 9 (08:25):
When you ask questions, you're simply gone.
Speaker 1 (08:34):
Drink the hot juice.
Speaker 9 (08:36):
Don't be lake, babe, take a swing now.
Speaker 1 (08:39):
It's your faith.
Speaker 9 (08:40):
Baby, Ray, He's a glass because the end's begun and
tomorrow may never come.
Speaker 12 (08:46):
Around the show kidd, it's all real.
Speaker 9 (08:49):
You the town Kid, That's dear, feels so good at
the very time, Ike on Coim and.
Speaker 5 (08:56):
Never stop.
Speaker 12 (09:01):
A real swell.
Speaker 1 (09:05):
That was a real swell guy, composed entirely by Jered
dil Indi RCI ten minutes before he died by gunshot.
Speaker 11 (09:15):
Wouldn't a pre existing condition. And now the next number,
keeping in line with his Broadway style occultis Regiments, a
Broadway style song written from the perspective of a Blind
Corp employee being really happy to work for Blind Corp. Also,
(09:39):
it's worth noting that Geraldini Theazi never actually saw a
Broadway production, and he instead ambition that every single ad
he has ever seen for a casino or a gambling
app was pretty much this style that he wanted to
go when he thought this is probably Broadway.
Speaker 13 (10:05):
Step right up, sign a name, Welcome to the brand
new game from Sea Hawk. Bade to every shore blink
Horse opening every door. We've got hawk to taste, Divide
a little sip and you'll feel fine.
Speaker 12 (10:15):
Just ignore the side.
Speaker 13 (10:16):
Effect sits indoors by our ride the checks okayas regeem
us we wuin secret. Still our investors always smiling, our
compliance iron will raise their glass and drink it down.
Forget the screens beneath the town capt this rogiem us,
the futures ares to fill.
Speaker 1 (10:37):
Oh yeah, I scared this downloaded.
Speaker 13 (10:40):
Now, Oh you love the family plan even if you
don't quite understand Eldritch over Lord's agreed. Blink off your eturnity.
Speaker 12 (10:47):
Sure the walls may softly breathe, but that's progress underneath.
Speaker 13 (10:50):
When the Horde comes through the gate, just remember it's
your faith.
Speaker 11 (10:53):
Death death is your faith.
Speaker 5 (10:57):
Death die.
Speaker 1 (10:59):
That's what it's on. That's what the audience members are there.
Speaker 12 (11:02):
Gonn wait too, I mean everything's great.
Speaker 13 (11:05):
Private money, put the truck.
Speaker 9 (11:08):
It's worth pointing out.
Speaker 13 (11:11):
Richacus complying the musk.
Speaker 2 (11:13):
This guy's count out.
Speaker 1 (11:16):
By I ship my contact.
Speaker 13 (11:19):
Maybe you've heard the rumor spread of the seagulls peace
with a boardmore blod but here at Blancre, here's misplaced.
For Eldrick's love is corporate grace.
Speaker 11 (11:26):
I mean that's worth pointing out.
Speaker 13 (11:30):
Just Si Culty's Regulus, Colt's regiments. We were the one
unseen the world un say, I'd see how bay the
future gleans.
Speaker 8 (11:36):
No one questions, no one's bringers. Drink your hearts.
Speaker 13 (11:39):
You signed today, private blessings paid away from.
Speaker 7 (11:41):
The boardroom to the lair.
Speaker 14 (11:43):
Our investors will be there.
Speaker 13 (11:44):
Blind corporal, fake you there, blind corporal.
Speaker 12 (11:47):
Break you there, Blind corp will break.
Speaker 13 (11:49):
You there, Blind corporal say you there not available everywhere?
Speaker 8 (12:10):
I run the show on the block. Steal your lunch,
then fire your dock. Gold plated heart, knife in my coat.
Gave you get a juice box. Hope he floats, shake
your hands, steal your pin, trip your mom, then do
it again. Say I'm petty damn straight. You cut in line,
now meets your fate.
Speaker 1 (12:27):
No cuts.
Speaker 8 (12:28):
He's a motherfucker style gold plated hard rotten the hell.
Smile in court while I break the spell toaster, blank corp,
don't you lack or I'll bury your soul under merchant
with our flag. Did you bad mouth my stock? I
(12:54):
know I just bought your house. Oh no, your dog
barked once.
Speaker 2 (13:02):
That's it.
Speaker 8 (13:03):
He's gone.
Speaker 5 (13:04):
Holy yeah.
Speaker 8 (13:05):
I give back. Build a school, taught them all.
Speaker 2 (13:12):
How to follow the rules. And if they scream, what
what's gonna happen?
Speaker 14 (13:18):
What happens?
Speaker 8 (13:19):
If they scream, that's just the sound of quarterly profits
coming around. I gold plated heart.
Speaker 1 (13:24):
I like that he built a school how to scream.
Speaker 8 (13:28):
Devil and slacks, suit my own wife for calling me jack, blind,
corps king bow and pray. We own your ass and
your DNA and your DNA.
Speaker 1 (13:43):
God plate it hard.
Speaker 12 (13:45):
It's play shining up and it tears you apart.
Speaker 2 (13:53):
If you haven't by gathered by context that was gold plated.
This song about a bad person who made bad decisions
and was proud of it. The songs lake make less
(14:14):
sense the more we go on, as does my accent.
Now I will entertain you with something slightly a little
bit better. Here is a song that was composed from
the point of view of that same Discuntrol employee. No,
(14:39):
never mind, I'm thinking of something else. This song is
about a former Blank employee who is grasping the terms
of her current condition, as well as coming to the
realization that cheese is going to die without a further
(15:06):
a duel. Still Blind.
Speaker 14 (15:13):
I held the door they walked right through, not a nod,
not a thank you. I watched them smile as they
shook their hands while the inkran red across the plants,
the lines of the investors cheated all the rest, but blind,
corporal blind, cork.
Speaker 12 (15:31):
You know me best.
Speaker 3 (15:33):
Still blind though the truth cuts deep. Still blind through
the wozzle.
Speaker 14 (15:41):
We drink the hawk juice.
Speaker 3 (15:45):
I feel it in my veins, Still blind though I
can't feel say it poison.
Speaker 14 (15:55):
See Hawk Bay that night, called the water pure and bright.
My hands now shake, my breath runs cold.
Speaker 15 (16:03):
My skin's not mine.
Speaker 10 (16:05):
My heart feels old.
Speaker 14 (16:06):
The audience whispers.
Speaker 3 (16:08):
They call me me the.
Speaker 14 (16:10):
Blind Corp, O blind Corp.
Speaker 15 (16:12):
I'll stay right here. Eldridge shadows at the boardroom, the door,
private investors crying more stakeholder's blood.
Speaker 10 (16:22):
The town was sold.
Speaker 14 (16:24):
I kept believing what I was told, and now my
first a case. But I still send their price. Still
blind though my eyes turned gray. Still blind though.
Speaker 5 (16:37):
I fade away.
Speaker 15 (16:38):
The howk fires takes me, I stumble and I fall,
Still blind, blind corp through it all.
Speaker 1 (16:51):
Eldridge shadows at the bord of notight. Take this broken
mamos and learned to a man. This was later assumed
to become a commercial for rectile dysfunction. We move on
(17:16):
in our programming, and also for sad pills, which are
coincidentally not dissimilar.
Speaker 11 (17:28):
We move on to the next number.
Speaker 1 (17:31):
Geraldinidadds, I think it is worth pointing. Now lived a
very precurious life. He enjoyed the things that nature had
to offer, like plants and trees, and also he dislike
most things that nature had to offer, like also plants
(17:58):
and trees. But in between.
Speaker 11 (18:02):
The plants and the trees, he found time to write
these songs, of course, in the span of maybe an hour.
But wrote he did, and composed he did sort of.
And now he also remembered that he really liked that
(18:26):
Netflix movie with the cap poppers, so he pretty much
tried to rip that off.
Speaker 7 (18:34):
Hey, listen up, let's.
Speaker 10 (18:36):
Go, friends, colleagues, let it show. I came to speak,
not to preach.
Speaker 8 (18:40):
Leam Newton Johnson always in a reach.
Speaker 10 (18:42):
I said he was cold, said he was flat.
Speaker 1 (18:44):
But I saw the firelight up in his ash. Three
times I asked, three times, he said, no ambition.
Speaker 2 (18:49):
You already know he thought the stream.
Speaker 1 (18:51):
He paid his dues blind, corprising.
Speaker 8 (18:53):
No, we lose, But they twisted the true spread in
the pitch and whisper behind us.
Speaker 14 (18:59):
That's just a good.
Speaker 10 (19:01):
They say, amb shadow.
Speaker 14 (19:03):
We say fat truths on the line.
Speaker 13 (19:05):
Don't hesitate you love to once? Don't you deny?
Speaker 14 (19:08):
This is the anthem?
Speaker 8 (19:09):
Raise it.
Speaker 13 (19:11):
Let the light he shining every night, me Boa blind corps.
Speaker 14 (19:16):
The reason little never leave you. Oh can't you see?
Speaker 13 (19:20):
Liam's the one who set us free, blind cord forever.
Speaker 8 (19:23):
Feel that switch and Hater's gonnaja too.
Speaker 13 (19:34):
Numbers don't lie.
Speaker 5 (19:35):
Check the score.
Speaker 13 (19:35):
He gave the workers, always gave more.
Speaker 7 (19:37):
They say he was breathed after he gave back.
Speaker 8 (19:39):
He carried us.
Speaker 13 (19:39):
Forward, kept us on track from a spread like fire
in the dark.
Speaker 14 (19:42):
Don't put out blind corse bar they said ambition, We
said love.
Speaker 3 (19:46):
Now watch the surprise.
Speaker 9 (19:47):
They can't get enough.
Speaker 14 (19:50):
Mah is an aviting night.
Speaker 9 (19:52):
Liam's name and Ania linlight, Oh judgment, don't you slip ahead?
Speaker 1 (19:58):
Blind cord forever?
Speaker 9 (19:59):
Here bitter bits shining very night, be fine, just be
blind course.
Speaker 10 (20:08):
And heavily bitch.
Speaker 13 (20:11):
Oh me, I'm the one who says free course forever.
Speaker 2 (20:15):
On a mission, Hey's going to jilty Jiltia.
Speaker 11 (20:20):
Geraldiney, of course, didn't spoke a word of Korean, so
he relied entirely on Google Translate. Another thing worth mentioning
is the song was basically spoiling the end of the
season two episodes in which this whole thing takes off
(20:44):
a sort of Shakespearean context in which Leam Newton Johnson,
the CEO of Acting CEO of the joy Spell facilities,
goes missing or part hands to do so at least,
and he is also overthrown by his suboidinates. And then
(21:09):
such creates so much tumultuous chaos that the entire office
decides to complain about it. And then there's this ride
one hand man happily named Brutes who stands up by
the guy. And that's why it's pretty much play by
(21:33):
play from Caesars, from William Shakespeare's Caesars that is coming up,
So just giving you a point of reference for that song.
And now we're at the end of our production. We're
meeting the deadline of twenty some minutes, which is kind
(21:55):
of like the gap.
Speaker 1 (21:57):
I wanted a fill, So I wish I plan these
a little bit better and not just hit record, because
I could have done some more bits.
Speaker 2 (22:09):
But live and learn.
Speaker 1 (22:12):
The songs are not great.
Speaker 10 (22:14):
And so.
Speaker 11 (22:17):
We'll leave you the last number, a du up cabaret
for the super awesome diner. And then in conclusion some
final words, stay tuned.
Speaker 9 (22:38):
Step right up, don't be late.
Speaker 13 (22:40):
It's super awesome on your plane, Grab a boothe take.
Speaker 5 (22:44):
A bye coffee.
Speaker 9 (22:46):
Hot the neon Bright nutcha Berger fry so sweet, super.
Speaker 7 (22:52):
Awesome, can't be be.
Speaker 12 (23:04):
Super awesome.
Speaker 9 (23:05):
Clap along, food and fun.
Speaker 10 (23:07):
It won't go wrong. Raise your glass. The world's on fire.
Speaker 13 (23:12):
Eat your fill.
Speaker 10 (23:13):
Climb higher, Higher, Jimmy Cooks, Luna Grins, Catherine d will take.
Speaker 13 (23:29):
You in Dylan Land.
Speaker 12 (23:31):
This is the top of the place. Super awesome, saves
the day. Super awesome.
Speaker 10 (23:36):
Clap along, food and fun. It won't go wrong.
Speaker 12 (23:40):
Westin Joyceville.
Speaker 10 (23:42):
That's no liar, Super awesome, Higher.
Speaker 11 (23:44):
Higher, Thank you once again for joining us. I know
you have other things to listen to and you have
learned nothing from listen to this, and to my surprise,
you have done it. The truth is I have baked
these lyrics.
Speaker 1 (24:05):
I tossed them into chat GDP to see if they
could put it be put in some sort of rearrangement,
because when I went to work on the current episodes,
I noticed that eleven Laps had released an introduction to
eleven Musics. So, being the curious mind that I am,
I took those lyrics tossed them in there, and you've
(24:28):
heard the results.
Speaker 8 (24:29):
Now.
Speaker 11 (24:30):
There were a lot of different variations that were just
absolutely awful and while I was cackling along about how
bad it was, it just reminded me of the true
beauty of true craftsmanship musicians and producers and people who
(24:51):
actually put together and learned the instruments and learn the music.
And you know, these tools are nice and they're fun.
That's all there is to it, is a fun thing
to do. I mean, I wasted all my credits making
those songs and not working on my episode.
Speaker 2 (25:05):
But.
Speaker 11 (25:07):
We both learned something new. Maybe I mean the fun.
The songs are fun, but that's all that's that's all
there was to learn.
Speaker 1 (25:19):
And so that's it. You stay tuned for the actual episode.
Speaker 11 (25:24):
We'll come back.
Speaker 1 (25:24):
I won't be teasing you now for with a bit
more nonsense, and I will leave you with this one
last song, which is just a reprise of the super
Rowesome Diner. Thank you for listening.
Speaker 14 (25:39):
Ignore the sirens, block up a sound of the super
Rowsome China Joy is always.
Speaker 9 (25:44):
Found super Rowesome.
Speaker 15 (25:49):
Raise it last, don't you delayton day?
Speaker 7 (25:54):
Step light up from one?
Speaker 5 (25:55):
Come on.
Speaker 12 (25:59):
Step fun?
Speaker 11 (26:13):
Oh wow, you're still here? Crazy? Honestly, I expect the
most of the people stop listening to the episode after
I said had no consequence or value five minutes in tops.
But now that you're here, I want to share something
with you. I did try to make a musical. Some
(26:33):
of those songs were half baked, yes, but I was
trying to put them together and write them, and then
it was just not good man. So I'm going to
play for you a song that I try recording, and
I spent a stupid amount of time trying to make
the song. The original music is able available on Epidemic
Sound by the band green Beans tit so this is
(26:56):
not AI generated and they had the instrumentally composed instrumental
and I put my own lyrics into it try to
make it work, but I hate my singing and I
don't think it's any good. But since this whole episode
is just a wash, I wanted to share it with you.
Speaker 16 (27:14):
Enjoy just fell another right town on my company of
(27:41):
the time. I'm trying to shake those troubles down your
bus play in the light. Bos like to write something.
Speaker 1 (27:49):
Screeping and shot.
Speaker 12 (27:51):
I was gonna keep your mad.
Speaker 17 (27:54):
Just watching the fall in the streets, show your street salvation, though,
tell you what things be said rally.
Speaker 12 (28:03):
Laura, don't know what to do once you more juice
now and see him.
Speaker 1 (28:09):
Things come true.
Speaker 12 (28:12):
Still, just send meals. I should make her long way.
Speaker 1 (28:17):
They've been making s smills, going all over.
Speaker 17 (28:20):
Pay the loss and whispering telling stuys o, guys, they
both gather hollow with the honest spot their poor man's
streets sell in s exlation.
Speaker 18 (28:36):
Don't tell you what it brings.
Speaker 17 (28:39):
Somehow more, you don't know what to do to set
lodges that would see the spot.
Speaker 13 (28:53):
It saying.
Speaker 19 (29:02):
Here the man you warning you hear the static screen
once you treat that potion, you working in their dream.
Speaker 1 (29:11):
The time a step and wait to turn pack down.
Speaker 12 (29:15):
So based on the sidewalks, shouldn't make song. Wilson's got
a mission true.
Speaker 1 (29:22):
They want Joyce Mills just a bustle.
Speaker 12 (29:26):
Built the mane, not a dreams realities and howling lord,
I don't know what to do to p step lob.
Speaker 5 (29:45):
Just now see.
Speaker 12 (30:01):
You're the wain of wanting to.
Speaker 1 (30:52):
Hear the static streams.
Speaker 12 (30:55):
Once you drink that potion, you are living in a dream.
Speaker 17 (31:01):
She re wrong way the people like you say marks
to the roll and grown all the most.
Speaker 12 (31:08):
I'm whispering till he stuns a little eyes. The men
of the backbones got the all into your eyes was
watching the pool down.
Speaker 17 (31:19):
The streets to sell your sweet sulation, but don't tell
you what it brings.
Speaker 5 (31:25):
What some coming?
Speaker 12 (31:26):
Lord, I don't know what to do and wants some watches.
Speaker 3 (31:31):
I want see the.
Speaker 1 (31:41):
Listening ste.
Speaker 7 (31:50):
Run.
Speaker 1 (32:04):
Damn it didn't hit record.
Speaker 18 (32:09):
M Tell me the sky was blue, Tell me the
checks will come through, signed the deal, drank the soup
(32:29):
turns on.
Speaker 12 (32:31):
Donkey boo, donkey.
Speaker 19 (32:38):
Boo, last true, every promise, every food, donkey boo, shine, smile,
stamous suit, which means budget.
Speaker 12 (33:09):
They said, drink the hot shoe down.
Speaker 19 (33:13):
It'll make you kick of town. I'm coughing line on
the moon. I guess so soldiers don't keep don't Keela's true,
every promise, everythru.
Speaker 12 (33:31):
Link of signs, and don't compute.
Speaker 1 (33:34):
The sunderneath this just don't keeper's harmonized? Don keeper, donkey
(33:55):
don what's that arm that at home?
Speaker 14 (34:01):
Okay
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