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July 28, 2025 • 2 mins
On July 28, 1954, one of the most iconic and influential films in cinema history was released in theaters: "On the Waterfront," directed by Elia Kazan and starring Marlon Brando in one of his most memorable roles.

The film tells the story of Terry Malloy (played by Brando), a former boxer who works as a longshoreman on the docks of Hoboken, New Jersey. Terry becomes embroiled in a conflict between the corrupt union bosses who control the docks and a crusading priest (played by Karl Malden) who is trying to expose their illegal activities. As Terry begins to question his loyalty to the corrupt union, he falls in love with Edie (played by Eva Marie Saint), the sister of a man who was murdered for testifying against the union.

"On the Waterfront" was a critical and commercial success, winning eight Academy Awards, including Best Picture, Best Director for Kazan, and Best Actor for Brando. The film is perhaps best known for Brando's iconic performance, particularly his famous "I could've been a contender" speech, which has become one of the most quoted and imitated moments in film history.

Beyond its artistic merits, "On the Waterfront" is also significant for its political and social commentary. The film was made during the height of the Hollywood blacklist era, when many filmmakers and actors were being persecuted for their alleged communist ties. Kazan himself had testified before the House Un-American Activities Committee and named names of suspected communists, a decision that made him a controversial figure in Hollywood.

Some critics have interpreted "On the Waterfront" as Kazan's defense of his decision to testify, with Terry Malloy serving as a stand-in for the director. Others have seen the film as a broader commentary on the corruption and power dynamics of American society, with the docks serving as a microcosm of larger social and political issues.

Regardless of its political implications, "On the Waterfront" remains a landmark of American cinema, a film that showcases the power of great acting, writing, and direction to tell a compelling and enduring story. Its release on July 28, 1954, marked a major moment in film history, and its influence can still be felt in countless movies and performances that have followed in its wake.


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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Welcome to this moment in film history, and let's get
rolling and find out what happened in film. On July
twenty eighth, nineteen fifty four, one of the most iconic
and influential films in cinema history was released in theaters.
On the Waterfront, directed by Elia Kazon and starring Marlon
Brando in one of his most memorable roles. The film

(00:22):
tells the story of Terry Molloy played by Brando, a
former boxer who works as a longshoreman on the docks
of Hoboken, New Jersey. Terry becomes embroiled in a conflict
between the corrupt union bosses who control the docks and
a crusading priest played by Karl Malden, who is trying
to expose their illegal activities. As Terry begins to question
his loyalty to the corrupt union, he falls in love

(00:44):
with Edie played by Eva Marie Saint, the sister of
a man who was murdered for testifying against the union.
On the Waterfront was a critical and commercial success, winning
eight Academy Awards, including Best Picture, Best Director for Kazan,
and Best Actor for Brando. The film is perhaps best
known for Brando's iconic performance, particularly his famous I could

(01:07):
have been a contender its speech, which has become one
of the most quoted and imitated moments in film history.
Beyond its artistic merits, On the Waterfront is also significant
for its political and social commentary. The film was made
during the height of the Hollywood Blacklist era, when many
filmmakers and actors were being persecuted for their alleged Communist ties.

(01:29):
Kazan himself had testified before the House un American Activities
Committee and named names of suspected communists, a decision that
made him a controversial figure in Hollywood. Some critics have
interpreted On the Waterfront as Kazan's defense of his decision
to testify, with Terry molloy serving as a stand in
for the director. Others have seen the film as a

(01:50):
broader commentary on the corruption and power dynamics of American society,
with the Docks serving as a microcosm of larger social
and political issues. Regards Wardless of its political implications, Docks
on the Waterfront remains a landmark of American cinema, a
film that showcases the power of great acting, writing, and
direction to tell a compelling and enduring story. Its release

(02:15):
on July twenty eighth, nineteen fifty four, marked a major
moment in film history, and its influence can still be
felt in countless movies and performances that have followed in
its wake. And that is cut for this day in
film history. This has been a Quiet Please production. For
more check out Quiet Please dot Ai. Thank you for listening.
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