Episode 10: The Naked Gun (2025)

We knew it would happen and here it is! Mike, Mark, and Chris discuss the 2025 reboot of The Naked Gun franchise with... The Naked Gun! The film stars Liam Neeson as Frank Drebin Jr. and Paul Walter Hauser as Ed Hocken Jr., with Pamela Anderson along as the love interest, Beth Davenport—an author of true crime novels based on fictional stories that she makes up.

The film reunites the powerhouse trio behind Chip 'n Dale: Rescue Rangers (2022)—Dan Gregor, Doug Mand, and Akiva Schaffer—who do a great job channeling the ZAZ flavor of comedy.

Episode Transcript

Speaker 1 (00:06):
M M.

Speaker 2 (00:30):
Once you kill a man for revenge, there's not going back.
A voice in your head saying over and over that
was awesome.

Speaker 3 (00:44):
Who are you driven?

Speaker 2 (00:46):
Detective Frank driven?

Speaker 4 (00:49):
Thanks?

Speaker 1 (00:51):
At least one has always been the elite.

Speaker 5 (00:53):
Of the elite.

Speaker 2 (00:54):
Hy daddy, it's me Frank Junior.

Speaker 5 (00:56):
Love you, Hey, dad boy?

Speaker 1 (00:58):
Do I miss you?

Speaker 3 (01:04):
And you, Frank are the best of the best.

Speaker 2 (01:08):
Need a bathroom, I need this woman immediately.

Speaker 1 (01:10):
There of the line. Man, Please Christmas.

Speaker 2 (01:16):
M I'm gonna ruin another suit.

Speaker 3 (01:23):
Overhear the tenant. I think someone murdered my brother.

Speaker 2 (01:26):
Please take a share. Thank you. I'll find them. This
is what I do, says you serve twenty years for
man's laughter. You mean manslaughter must have been quite a joke.

Speaker 4 (01:42):
They're going to shut down police squad if you do
not solve this case.

Speaker 1 (01:46):
Do this by the book.

Speaker 2 (01:48):
Why who's gonna arrest me?

Speaker 4 (01:52):
Other cops?

Speaker 6 (01:53):
Yes, she's serious?

Speaker 3 (01:54):
Is he serious?

Speaker 5 (01:56):
No?

Speaker 1 (01:57):
Serious?

Speaker 6 (02:00):
It might be more of a problem than we sought
and wanted.

Speaker 1 (02:02):
You keep an eye on them. I'm in seasy.

Speaker 2 (02:16):
Rest assures I won't stop until I've found justice.

Speaker 3 (02:22):
What do you want?

Speaker 4 (02:23):
Little one?

Speaker 5 (02:25):
Your ass nobody misses with Please squad.

Speaker 1 (02:38):
We've upgraded your car with the most advanced crime fighting chech.

Speaker 5 (02:41):
Drive forward, very smooth. This place is falling apart.

Speaker 4 (02:54):
Comrades of comedy, citizens of Cinema. Today we march not
upon Rome, but upon the silver screen, to bear witness
to the glorious rebirth of an empire of absurdity. For years,
the sacred legacy of Frank Dreben lay in the archives,
a relic of slapstick past. But now under the bold
banner of Naked Gun twenty twenty five, it returns faster, sharper,

(03:16):
and more delirious than ever. We reject the tyranny of seriousness.
We crush the dictatorship of dullness. In its place, we
raise the banner of pratfalls, wordplay, and pite gag, so
powerful they shall echo across the ages. Let the weak
hearted critics tremble, let the humorless flee. The people demand chaos,
banana peals and exploding cufflinks, and we shall deliver them

(03:41):
with the relentless force of one thousand punchlines. Comedy Forever, Dreben, Forever,
Viva Naked Gun. Yeah, I'm Mike White, and welcome to
from the files. Police Squad in color, and I am joined,
of course by mister Christashu.

Speaker 1 (03:57):
Wow, Mike, that was horrifying and informative at the same time.

Speaker 3 (04:02):
That was amazing.

Speaker 4 (04:03):
Actually pretty proud of myself just coming up with that
off the exploding cufflink as it were.

Speaker 1 (04:08):
Yeah, no notes, no, nothing, nothing.

Speaker 4 (04:11):
Also with us is mister Mark Begley UCLA. I see
it every day.

Speaker 1 (04:16):
You can't fight City hall Mark. I know it's a
big building.

Speaker 4 (04:19):
Yes, we're back rejoining the discussion of Zucker Abram Zucker fills,
specifically those around the Police Squad series and coming back
with it co had Gun twenty twenty five aka Naked
Gun four. I think I'm the only person that calls
it Naked Gun four, otherwise it gets very confusing. Or
you can call it the Naked Gun, which I think

(04:41):
it is actually the Naked Gun.

Speaker 1 (04:43):
It is titled like the Suicide Squad.

Speaker 4 (04:45):
Yes, like the SEUs guys were the other ones the
naked guns as well.

Speaker 3 (04:49):
Oh okay, yeah, I thought that was the distinction, and
then I looked and I'm like, oh no, it.

Speaker 1 (04:53):
Was no all that it was the Naked Gun from
the files of Police Police Squad, the Naked Gun two
and a half and then Naked Gun thirty three and
a third.

Speaker 4 (05:04):
And there was no joke name that they're going for,
even though apparently in the past there were joke names
for this, including Naked Gun for Nordberg. Did it one
little joke? Just one little nod there to Oh J. Simpson.
That was pretty good.

Speaker 3 (05:23):
I'm glad they stuck with just the one joke.

Speaker 4 (05:26):
They had been talking about doing this film for a while,
apparently even having a made for TV version of it,
which would have been interesting where it was listening Nielsen
kind of passing the torch over to somebody else. I
don't think it would have been Liam Neeson at the time.
There were talks about, also in the past having Ed Helms,

(05:48):
who we were just talking about recently, right.

Speaker 1 (05:51):
That would not have worked.

Speaker 4 (05:52):
No, you need somebody very serious in a role like this.

Speaker 1 (05:55):
I think that this is one of the smartest things
about this movie is the casting of Leo, because he's
been Pamela Anderson are really good together and they might
be fucking in real life. I actually think they are.
I think David Marry.

Speaker 3 (06:08):
Amuch something definitely happened on set.

Speaker 4 (06:11):
Natasha Richardson's sister has something to say about that, screams
the headlines. Who gives a shit?

Speaker 1 (06:17):
Hey, they're happy, That's all that matters.

Speaker 4 (06:19):
Natasha Richardson ate it like twenty years ago.

Speaker 3 (06:23):
I thought he had their blessing. That's what I've been reading.

Speaker 1 (06:26):
What does any tummy Lee's blessing too?

Speaker 3 (06:28):
Hey, yeah, he's gonna get talked with his big Wayne
long here.

Speaker 4 (06:33):
Okay, by the way, we will be spoiling things, as
if you can spoil a movie like this, but that
also means talking about a lot of the punchlines and
some of the things that you are actually paying money
to go to a theater to see.

Speaker 3 (06:46):
Though.

Speaker 4 (06:47):
I will admit when I saw this at the theater yesterday,
it was one of those like twenty five seaters and
there were maybe like six people in there. So I
don't think this is going to be at the theater
too much longer. Edge and this will be probably streaming
by the time this episode comes out.

Speaker 3 (07:05):
My little insular world of Twitter, everybody was going crazy
about it, so I thought it was doing Gangbusters and
dumb comedies back and all that crap. I don't know,
maybe it isn't.

Speaker 1 (07:17):
I don't know. I actually had a fair amount of
people that told me that they went and saw this
movie in theaters, I don't know. The movie seemed to
do rather well. It seemed to be seemed to have
made its money back already, so I think we're like
two weeks removed from the movie coming Outey.

Speaker 4 (07:32):
There's that massive drop off, even just on the second week.
It's almost rare for a movie to make as much,
if not more, the second week. It just right down
the cliff.

Speaker 1 (07:42):
And it's not a Marvel movie. I think the only
way additional people are going to go see a movie
like this is word of mouth, not like Curb Appeals.

Speaker 4 (07:50):
Not a Marvel movie though. Wolverine Reunion here with Danny
Houston and Kevin Durant, the Blob and.

Speaker 1 (07:57):
Who was playing like William Striker.

Speaker 4 (07:59):
Strike Yes, yeah, Striker Striker Striker aka Sally Decker. I
have a few complaints about this movie. One of those
complaints is Dan Houston and Liam Neeson speaking to each other.
It sounds like it's the same person talking to himselves.

Speaker 3 (08:13):
Okay, I wasn't the only one who's saying what line?

Speaker 4 (08:16):
Now. Danny Houston really starting to sound a lot like
his dad, and I think that if he wanted to.
If he wanted to just push just a little bit,
he could do the John Houston voice impeccably.

Speaker 3 (08:27):
Oh, I'm sure he does. He probably does it all
the time.

Speaker 4 (08:30):
I'm sure, Like he's voiced his character, his dad in
different things like documentaries or something. Yeah, he does a
great job. And Dan Houston fucking hilarious guy, and Liam
Neeson fucking hilarious guy. And I love that they use
Nissan's very cold, calculating, taken type persona so much of
this time where it's like growling out these lines and

(08:53):
having the voiceover was very smart as well. Of course
we know that Frank Drubbitt had a voiceover, so giving
it to Liam Neeson here I thought was very smart.

Speaker 3 (09:01):
I enjoyed it. I guess in that insular world I
live in, it got a little overhyped, so I was like, oooh,
joke a second. And it wasn't as dampacked as the
Naked Gun movies where you watch it five times because
you've missed nineteen different things going on. It's not quite
like that. And I don't think there were early as

(09:24):
many or I didn't notice a lot of that background foreground.
Something serious was happening in the foreground. There was a
joke going on in the background that didn't seem to
be happening. Not that they need to follow the blueprint
of those movies or of Zaz movies to a t
which I'm sure they didn't want to do, but it

(09:45):
seemed a lot tamer as far as gags a second
to me, and I didn't know if that was just
me missing everything or if that's how the movie was.

Speaker 4 (09:55):
You didn't miss anything. It is very much one layer
of joke. The closest they get to the multiple layers,
they really hand you what's happening on that second layer,
Like I think of when they're walking through police squad
after cch Pounder yells it's a no day at police Squad,
and then they cut to a guy getting his mugshot

(10:18):
taken and there's like a wind machine and the photographers
is very much a fashion photographer. And then we have
Frank and Ed Paul walter Hauser. I guess it's the
summer of Paul walter Hauser between this and Fantastic Four
coming out within a few weeks and them walking and
talking and I'm like, okay, yeah, that was very obvious.

(10:39):
What that joke was. There's not a lot of stuff
going on in the background. I was definitely paying attention
to that, trying to be like, okay, is there something
funny else other than what's happening here? And yeah, the
jokes per second, jokes per minute, jokes per maybe five minutes.
There were a few times, especially at the beginning, where
I was laughing out loud quite a bit. I loved

(11:00):
little things like him putting on the rubber glove and
then reaching in with the hand without the glove into
the crashed car, some of the site gags and everything,
but yeah, it felt like it was one layer of
jokes happening at all times, which is maybe.

Speaker 3 (11:14):
Better for a modern audience. I hate to say, do
you have to direct everything to modern audience that can't
keep up with stuff? But I felt like, Okay, I
don't have I'm I don't want to have to pay
attention to every little corner of the screen and feel
dumb for missing something because I gane in knowing we're
going to talk about it is a little bit different

(11:35):
than just watching it for enjoyments. I did notice the
beaver though, because that was very subtle to put a
pin on it.

Speaker 4 (11:41):
I felt that there's a lot more absurdist stuff, like
when Frank goes to the club that Danny Houston owns
or sorry, it's more the event that he's doing, and
there are all those posters like delivery and this and that,
and then pumpkins, like him standing in a field with
a bunch of pumpkins. It's like, okay, yeah, that was funny,

(12:04):
just absurd kind of stuff. And I was expecting a
little bit more out of the screenwriters for this, because
I really liked the Chippindale movie that they did together
Dan Gregor and Doug Manned. I'm not that familiar with
the Kiva Schaeffer though, and I don't know if.

Speaker 1 (12:20):
Part of the Lonely Island.

Speaker 4 (12:21):
Oh that's right, thank you, Well, he's the guy in.

Speaker 1 (12:24):
The Lonely Island with the facial hair. Is essentially the
best way of putting in I know.

Speaker 4 (12:28):
I saw pop Star Never Stop, Never Stopping, and of
course I've seen through it down the ground. Though, I
really feel that that skit kind of takes a shit
at the end when they get to the Hollywood Phonies part.
But okay, yeah, he's got some good comedy chaps. I'm
on a boat, and then, of course he also directed
Chippendale Rescue Rangers, Got the whole gang back here again

(12:50):
Andy Sandberg though no, but I meant as far as
that Rescue Rangers thing.

Speaker 1 (12:54):
I enjoyed this movie a fair amount. I think it's
a pretty worthy successor to what this franchise could be.
I think it's also a rather interesting entry into the
franchise given what it has to be now, given the
environment that this movie has come out into, because there's
parts of this movie that are aping action movies that

(13:17):
were not. This movie apes action movies at times, which
Naked Gun didn't really do back in the day, and
this is existing in a post John Wick, post taked world.
That's the thing that I feel like is even more
on the nose and even funnier is putting Liam Neeson
in this movie, given that he is actually an action star.

(13:40):
Leslie Nielsen was just an actor, but he was not
an action star, and he wasn't an action actor, and
they didn't expect that of him in the Naked Gun movies.
But in this it's almost like you expected Part and
Parcel with Liam Neeson being cast in the movie, and
that for me is I think One of the smartest
things about this movie is it does understand the world

(14:02):
that it exists within now, and it's not fighting it.
It's not trying to be it's not trying to exist
in another time and place. This isn't Naked Gun movie
made in twenty twenty five, for good and for bad
in a lot of ways, like the main villain being
essentially an Elon Musk type, like a little bit on
the nose, like a little on the nose, but not
in a bad way. Like I almost think like there's

(14:24):
no other way to make this movie other than to
address it head on.

Speaker 3 (14:28):
That was my one complaint. I assumed since he one
of his big things as electric cars, that this is
an Elon Musk rip. But he's not weird enough. I
wanted him to be weird. Once I sussed that out,
I'm like, oh, electric car guy, Okay, Elon Musk, he
should have been an absolute weird thing. I mean, he

(14:48):
does like the Black Eyed peas his plot, his world
domination plot should have been more bizarre, not just plot device.
It's making people aggress to a prehistoric rage or whatever.
It should have been really fucking weird. Let's make this
guy weird, not just that he's hanning his balls or

(15:11):
whatever he's doing with that machine, like make him really
fucking weird.

Speaker 4 (15:16):
That's based off of some of that weirdo ro shit.
Isn't it like that men are becoming too feminized and
the way to not do that is to put like
a red light on your ballsack or some shit like
I've heard that in those like fucking Alex Jones joke,
fair Baby, Yeah, the Manisphere, Jesus fucking Christ.

Speaker 7 (15:37):
So can you use red light therapy on your testes?
You may have seen a very popular article from Ben Greenfield.
I was in Men's Health where you spoke about tripling
his testosterone levels by shining a red light on his testes. Now,
in this video, we want to discuss whether or not
that is a good idea and whether it's safe to
aim a red light therapy device in that area.

Speaker 3 (15:57):
It just made me think of that guy that keeps
plenishing his blood or whatever to stay or he's like
I think he has transfusions with his young son and
he's supposed to. I don't know what his name is
or anything, but they always show pictures of him. Can
you believe this man is forty seven, and I'm like,
he looks worse than I do, and I'm fifty six,
what are you talking about? It's like a fucking corpse.

Speaker 4 (16:18):
I have to admit that I was very confused during
the scene where they're showing Frank his electric car. The gift.
I guess you can just get gifts from billionaires gifting
to the police department, which is absolutely fine, especially in
twenty twenty five. The guy who shows him what his
car looks like, who's basically the I can't remember. I

(16:39):
want to say Ted, but that's not right. But anyway, honestly,
when I saw him in the trailers, I thought he
was Corey Feldman. Chase Stephen Anderson, You, sir, can be
in the Corey Feldman story because you can pull that
look off. So maybe think about doing that, because even
as I'm watching it in the theater, like, holy fuck,

(17:01):
does he look like Corey Feldman?

Speaker 1 (17:03):
It is Ted, by the way, Oh okay good in
the first movie, Yeah yeah he does. He does a
k Feldman esque.

Speaker 3 (17:09):
The lab tech guy. Is that who we're talking about here?

Speaker 7 (17:12):
Yeah?

Speaker 1 (17:12):
Yeah.

Speaker 3 (17:13):
I wanted a little more from him, a little more
weirdness too, because that guy was always weird.

Speaker 4 (17:17):
Oh yeah, yeah, especially when they would come in they'd
be talking with children and stuff like why don't you
run along now, Katie?

Speaker 6 (17:23):
And next week I'll show you why women can't play
professional football.

Speaker 4 (17:27):
Yeah, the jokes felt kind of aimed. They didn't feel
really like, oh wow, you just went there.

Speaker 5 (17:32):
Wow.

Speaker 1 (17:34):
It goes there a couple times, but it doesn't go
there enough. There are gags that go on for way
too long, and there are gags that I wish they
would mine a little bit more. And I'm sure that
there is an version of this movie where there's alternate
takes of scenes. There may not be a whole plethora
of deleted scenes, but there definitely are alternate takes of scenes.

(17:56):
There have to be.

Speaker 3 (17:57):
Yeah, they're really only part that was gag. A second
one was that opening in the bank where you have
multiple gun gags, and I loved the party when he
picked up the guy to uses a shield and it
was an obvious dummy that was That was actually probably
my biggest laugh of the whole movie. Honestly, it was
more chuckles and ahahas throughout. I didn't It wasn't laugh

(18:20):
a second for me, I guess is my overall feeling
on it, and not that all of the naked gun
movies are, but it feels like there's a little bit
more to go back to, and this one, I don't
know how much I'm going to be going back to.

Speaker 4 (18:34):
Its that thing that we were talking about where who's
in on the joke, right, It's that whole Frank Drebin
is a complete moron and walks through the world with
no one really questioning it, and everyone once in a
while you'll get somebody who questions it, even like Nancy
Marshaan was just like would roller eyes at times. But

(18:56):
here there are times where he gets away with that
where he just says stupid stuff and nobody calls him
on it. But then there are other times where they
do call him on it, like when he comes in
and he says to bust A rhymes twenty years for
man's laughter, that must have been one hell of a joke,
and then he's like, you mean manslaughter. He's like, oh yeah,

(19:17):
and then puts the file down. I'm like, no, don't
call him on it, just let it go, like and
then take that and make it worse. Do one more
on top of that. Yeah, I like the whole bit
of the montage of the body cam stuff or the
police cam, though they had way too many angles for
that footage.

Speaker 3 (19:35):
I felt, let's not Cinema sends this movie. I think
that every time that there's footage, Oh man, who was
directing this thing? Who was directing all that footage? Get
camera two, gamera three.

Speaker 4 (19:47):
I guess when it comes to the oh they went
their thing. The first joke that comes to my mind
is when he goes into the bar, the Silver Tiger
or the Bengal Club or whatever that is, and there's
that bartender that he talks to.

Speaker 1 (20:00):
Played by Cody Rhodes, the wrestler of.

Speaker 4 (20:03):
All people, does a great job.

Speaker 1 (20:05):
I felt he's talented. It's just random.

Speaker 2 (20:09):
You don't remember me, do you should?

Speaker 6 (20:11):
I my brother?

Speaker 1 (20:12):
You shot him in the name of justice.

Speaker 2 (20:15):
I could literally be thousands of people shot him in
the back as he ran away, hundreds unarmed, at least fifty.
He was white. So you're Tony Royland's brother.

Speaker 3 (20:24):
That was pretty good. That was pretty good. I could
use a little bit more of that commentary throughout the surprise.

Speaker 1 (20:31):
They don't, But at the same time, I'm glad they
didn't because I don't know I don't know if I
needed it. In my Naked Gun.

Speaker 3 (20:38):
Movie they are playing cops. The Baganda copaganda in twenty
twenty five doesn't really fly. So they did it in gosh,
I can't remember. I think it was one of the
movies beating the people and like just randomly beating people
of color in one of the films just because that's
what the cops do. And they did it back in

(20:59):
the late eighties early nineties because of because of the
Rodney King stuff, so they could have done it here.

Speaker 4 (21:06):
One joke I felt went way too long was the
crab people joke.

Speaker 6 (21:10):
When the founding fathers created this country and they sat
in a room like this filled with men like us
and birthed an empire the USA. Yes, that's right, but
as years went by, other people I wanted to get
into that room.

Speaker 1 (21:28):
Fish people what fish people? Gills on their necks.

Speaker 4 (21:32):
I don't like mrmin and women mermaids right.

Speaker 6 (21:36):
Now, stop, not fish people, ungrateful people, people that did
not earn their seat at the table, people not built
with the men in this room.

Speaker 4 (21:47):
Crab hans.

Speaker 3 (21:49):
They had crab hands instead of fingers.

Speaker 6 (21:52):
Stop, I know what I mean.

Speaker 4 (21:54):
So just let me do the thing.

Speaker 1 (21:55):
This is a crab hand, I've met him. Put the
phone away. I say that was one of my favorite.

Speaker 4 (22:00):
Scenes in the movie. I think had they gone farther
with it and had everyone on that board believing in
crab people or something, I thought that would have been
a little bit better. But ins said, it was just
those two guys going back and forth and just like
drop it, just drop it, come on, let's go. I
just felt like it lasted like two beats too long.

Speaker 3 (22:18):
I always attribute it to Austin Powers, where you go
you just keep going until it's not funny anymore, and
then it comes back around to being absurd and then
it's funny again. And that's another thing that I felt
was missing from this, but wasn't unhappy that it was
missing from this, because that does get old. I didn't

(22:39):
really feel it for this, Like I'm sitting here listening
to you on my crab people joke?

Speaker 4 (22:43):
What does he talk like?

Speaker 3 (22:44):
I totally forgot about it, But yeah, would it have
been more memorable to me if it had been done
ad nauseum or come back up later in the movie
or something.

Speaker 4 (22:54):
It does come back one more time. Yeah, at the
very end when weird al and I'm I hope that
was part of the version that you saw, because I
know sometimes credits get cut off. But at the very end,
weird Al comes back and he's playing at the Giggle
Bunker room and HiT's just him with a whole bunch
of empty tables and he's like, hello, anybody, crazy billionaires,

(23:17):
crab people.

Speaker 1 (23:18):
I'm glad that weird Ow was in the movie again.
Gotta keep that street, keep that streak going.

Speaker 4 (23:23):
And yeah, I kind of wish that board of directors
would have been either this guy is crazy or we
are way more evil than he is, even just to
really put that whole bunch of rich white people, even
though they weren't all white people, bunch of rich older
people all on the board at the same time. Sometimes
Kevin Durant gives like little looks where he's like, I'm

(23:45):
not really sure about this guy, but never really comes back.

Speaker 1 (23:49):
Speaking of Austin Powers, they coped directly from Austin Powers
with the dog gag where it looks like they're having
sex with his dog.

Speaker 3 (23:57):
Yeah, that whole kitchen scene. I was like, this was done,
and whichever one of those with Heather Graham and him
in the tent.

Speaker 4 (24:05):
They do it twice in that movie too, like the
fruit stuff with him and Vanessa. Yeah, yeah, that's right,
or sorry, food stuff, it's not just fruit.

Speaker 1 (24:14):
The scene with the Snowman, which is effectively the Naked
Gun from the first movie, there's that, like it's essentially
like a music video.

Speaker 4 (24:22):
Yeah, it's that montage. Something tells me I'm into something good.

Speaker 3 (24:25):
Yeah, Herman's hermits.

Speaker 4 (24:28):
Yeah, it's like a mini movie.

Speaker 1 (24:30):
I feel like if they had given the movie the
rest of that energy, Like I enjoyed this movie immensely.
I think I probably maybe even enjoyed it more than
both of y'all. I will say though, like I think
if the movie, to Mike's point and Mark's point as well,
I think if the movie had been more absurd, I
think it would have checked more boxes for me. And

(24:51):
I think it just it goes there. But having rewatched
all three of the original Naked Gun movies to prepare
for this episode, like they are a litt a little
bit more absurd. It's not like it's not like terribly
So I'm not saying that this movie is like this
is the most straightforward comedy I've ever seen, but like
there are parts of this movie that don't go far enough.

(25:12):
And there are parts of this movie that like hold
like really hold back, and I don't know why. I
guess is it like? And that's the other thing I guess,
did this movie need to be our? Is that what
it is? In this day and age? Did this movie
have to be ours?

Speaker 4 (25:25):
On r it's PG thirteen? Okay, So you're asking should
we have gone farther?

Speaker 1 (25:30):
Should we?

Speaker 4 (25:31):
I mean, where were the bear boobs?

Speaker 1 (25:34):
Come on?

Speaker 4 (25:34):
No bear boobs in this movie.

Speaker 1 (25:36):
I don't know if I want to see a bear.
I don't know if I want to see a bear's boobs.

Speaker 4 (25:39):
They have a whole line of them. It's usually about
eight or so many teats.

Speaker 3 (25:43):
None of the Naked Gun films were any higher than
a PG thirteen, I'm sure. So they're keeping it with that.

Speaker 1 (25:50):
But did that need to be something that they kept to?
Is my point?

Speaker 3 (25:53):
You want dumb teen boys going to see your movie.
So are boys that appreciate dumb humor or girls teens
that appreciate dumb humor going to your movie? Maybe those
teens don't exist.

Speaker 5 (26:05):
I don't know.

Speaker 4 (26:06):
From what I hear, the new generation is afraid of sex,
so I guess no bare boobs for them. Then Bam
Anderson is really good in this movie. She is amazing.
Her scat scene is speak of rated R, but that
is fucking amazing. I saw a clip on Instagram the
other day where they weren't cutting between her and what

(26:27):
Liam Neeson was up to, and it was just her
doing the scatting. It was fucking amazing. I couldn't It
was before I saw the movie, and I'm just like,
what the hell is this? This is great.

Speaker 3 (26:38):
That was a perfect little naked gun police squad asque
interlude there that ridiculousness. It actually made me think of
that was it the last episode or one of the
last episodes of the show when he's up performing, and
that is not nearly as funny as this scene in
that film. But I was looking for anything to call
back to the show or to the movies. They don't

(26:59):
do a ton of it. The self driving car worked
because of the way they would always shoot the driving
scenes in Police Squad and Naked Gun. So I thought
that was nice. That was a nice touch. And since
it's topical and now it seemed to work. Okay, he
hits a biker. I'm sure that was done in one

(27:19):
of the movies or the.

Speaker 1 (27:21):
Show, he hits a person multiple time.

Speaker 3 (27:23):
No parking though, no trouble parking. I don't recall.

Speaker 4 (27:27):
No hitting of garbage cans. Yeah, he does go through
that police line, but that was one of the things
where one of the policemen actually reacts, and it was like,
should he have reacted or should he have just taken
that as a normal thing.

Speaker 1 (27:39):
I don't like.

Speaker 3 (27:40):
And I know I talked about this on those podcasts
about the movies and stuff, when people would make the
face you just got.

Speaker 1 (27:47):
To let it go.

Speaker 3 (27:48):
And you mentioned it earlier in regard to a scene
in this film, just like, just let it slide, don't
acknowledge it.

Speaker 1 (27:54):
The joke is for us.

Speaker 3 (27:56):
It should be. And I think of Airplane when I
think of that, where the joke is for us and
we don't get all those glance I'll get a few.
I shouldn't say that, but just let the joke go.
The character doesn't need to respond to the stupid comment.

Speaker 4 (28:10):
Yeah, you get a few of those fourth wall breaks too,
which I always appreciated, like when Ted Striker would look
at the camera and be like, what do would you do?
Kind of thing, and we get a few of those
where Reman will break that fourth wall and look straight
at us and talk to us as the audience. And
even especially at the end when the whole we do

(28:31):
the freeze frame gag a little bit differently than we've
seen it done before, but him actually seeing the camera
and coming and approaching us, I thought was a good gag,
and I was glad that they carried through on the
freeze frame thing.

Speaker 3 (28:44):
When they did a little bit of a vacation gag
the film. One of the films that we talked about
recently were you know in that film they put a
pin on that this is a sequel to a beloved franchise,
and but this one's going to be very, very different, And.

Speaker 4 (29:00):
I want to be the same as you, Taddy.

Speaker 3 (29:02):
But the new one, the naked Gun, the new one,
they do the same thing here.

Speaker 4 (29:07):
I like the fight that he has in Club Bengal
with all the computer guys behind the scenes, and especially
when he's taking numbers. They've got the little ticker tape
thing and he just keeps punching people out, or when
he rips the guy's hands or arms off of him
and starts smacking him with Those were pretty good and
I like just seeing you know what a badass you

(29:27):
hired Liam Neeson. Let's use him for this way.

Speaker 1 (29:31):
I think one of my favorite jokes in the movie
is almost it's a callback to another joke from National
Lampoon's Loaded Weapons. So in that movie, there's a scene
where they go looking for the Emilio Estevez character and
they think they find his trailer on the beach, and
so the bad guys light it up and then it

(29:52):
turns out it's just I believe it's supposed to be
John McClain, but it is Bruce Willis, and he's just like, ah, wrong, yeah,
wrong trailer. Sorry, it's great. Like you have Bruce Willis
in the movie for all of like thirty seconds. You
make the most of it and it really works. I
think for me, one of my favorite gags in this
entire movie is at the end when all of a sudden,

(30:13):
you just stop hearing Liam Neeson's voice and it's just
Dave Batista.

Speaker 3 (30:17):
I saw him in the credits, and I'm like, when
is Dave Bautista going to show up? Is he one
of the Hingemen? What's going on here?

Speaker 1 (30:23):
And then oh, okay, having him show up as just
Frank Dreban because Liam Neeson is apparently in the bathroom.
Liam Neeson the actor is in the bathroom, is I
think for me one of the funniest gags in the
entire movie.

Speaker 4 (30:36):
I like that a lot. I also like c. H.
Pounder with her sleeping husband, yes, like where she's like,
get me Dremen, And then like he's in the bedroom
and just like he has this very important itsented tomorrow
and he's gonna get passed over by this person again
even though he trained him. And I'm like, that's really good.
I like this whole thing. And then that they show

(30:58):
up with the eat mask on still, and then the
great news at the very end, like it's one of
those oh we found gold and oil and your stocks
went up kind of thing. It's oh when you got
the promotion. Yeah, those are the things I like the most.
Are like the continuous jokes where we just go back
to that well time and again. It's just like, give

(31:19):
us a whole bunch of those types of things, like
the whole thing with the coffee. I love the coffee bit.
Though with that, I kept thinking of fucking Beetlejuice and
the Willem Dafoe character that whole thing of that weird
subplot in Beetlejuice. Beetlejuice of like the cop movie inside
of there. Oh yeah, yeah, yeah, I'm like, oh yeah,

(31:41):
I just saw that recently.

Speaker 6 (31:43):
Wolf Jackson after Life Crime Units.

Speaker 4 (31:48):
Let me take a world step actor, not just any actor.
I've done it all for six movies and a reboot.

Speaker 5 (31:57):
I became Frank Hardballer.

Speaker 4 (32:00):
My own stunts was non negotiable. You know why authenticity correct.

Speaker 5 (32:05):
A vice cop doesn't get to a purp store and
then call for some hambone stumpman to break it down.

Speaker 1 (32:11):
Neither did I. You gotta keep it Meal.

Speaker 3 (32:14):
I completely forgot about that movie.

Speaker 4 (32:17):
Speaking of legacy sequels, I think this was much more
successful than Beetlejuice. Beetlejuice and this is probably up there
with like an axle f for me, I would agree.

Speaker 3 (32:28):
Yeah, it didn't have twenty lot threads to get to
weave through.

Speaker 5 (32:32):
Yeah.

Speaker 4 (32:33):
If anything, they kept it pretty straightforward with this whole
mystery of the dead brother and the sister trying to help,
and even throwing into things like her true crime novels
based on stories that she makes up.

Speaker 3 (32:45):
MAO, Yeah, that was good, little just fiction.

Speaker 1 (32:49):
What about leam Neeson and his TiVo.

Speaker 2 (32:51):
That's my TiVo that I liked you yesterday so that
you could watch season one of Buffy so that you
could start getting my references. I know that Frank specifically
told you not to plug it into the internet. Oh oh,
that's an Ethernet chord going for my tvo directly into
your router where the internet comes from.

Speaker 3 (33:11):
I was just trying to plug it into the electricity.

Speaker 2 (33:13):
Now they might be expired. That means gone, no ars
Ago Special, no Xander, no Spike, no Cordelia Tells, no
Daniel Osborne, no Willow meets her double Ganger episode nothing.

Speaker 4 (33:27):
Sorry, I didn't know they were.

Speaker 3 (33:28):
So what was the other thing that.

Speaker 1 (33:30):
He Yeah, yeah, the Miranda rights.

Speaker 4 (33:33):
Oh yes, the city. Yeah, I love that. No Carrie Rights.
It took me a second for me to get what
he was doing.

Speaker 3 (33:42):
Yeah, I'm like, what is he talking about? My wife
and daughter have been going through that series, and that
is probably the only reason I recognize the names. Finally
at the end and Samantha's or.

Speaker 4 (33:53):
Yeah, because as soon as he said Carrie writes, I'm
like what And then he had to get to like
the Cynthia Nixon character before I was like, oh now
I got it.

Speaker 1 (34:01):
I really I also really like Kevin Durand in the
this isn't my normal car, This isn't the way I
normally fall asleep. There are some really funny moments in
this movie, like I would put this movie above I honestly,
I think I might put this movie above the Third
Naked Gun. And I think it's as good as the
Second Naked Gun, even though I do think the Second

(34:22):
Naked Gun in a lot of ways is almost as
good as the first one, because the second one has
some of my favorite gags, like I've been swimming in
raw sewage all day. I love it. I love it.
I love it. I that like stuff like that's for me.
Like the second movie has a lot of like follow
through gags that the first movie doesn't have. The second
movie has those like the gag with the zoo and

(34:44):
the animals and the lion getting Robert Goulay at the
end of the movie, and that's like halfway through the
movie they introduced that like reoccurring bit, Like I think
this movie is as good as the Second Naked Gun.
I think this movie, I think it's a good starting
place too for the future. Of a franchise, which is
weird to say because I can't imagine they're gonna just

(35:04):
do one of these movies.

Speaker 4 (35:05):
At this point. I hope that they do more, and yeah,
I hope if anything they do try to pick up
on that let's do multiple layers of comedy thing.

Speaker 5 (35:14):
We saw.

Speaker 4 (35:15):
It wasn't just Ken Finklelman. It was some of the
writers from The Simpsons as well. We've seen that you
can do it. It doesn't have to be just as
the A Z thing. If you do it wrong, it
looks horrible and it's just a miserable experience. But at
least I will say they didn't do it wrong. They
did not do comedy wrong by this, like things.

Speaker 1 (35:35):
Like epic movie.

Speaker 4 (35:38):
I was thinking of gags like him coming in and
stepping in the blood and seeing the knife that says
pick me up.

Speaker 1 (35:45):
And said it is one of my favorite. Also gags
in the whole.

Speaker 4 (35:49):
Love that whole.

Speaker 1 (35:49):
I did it right.

Speaker 4 (35:51):
And then when he picks up the corpse and it
hits the ceiling fan, it's just there with the headless
corpse when the cops come in and does flip out
the window. I thought that was great. I was like, yeah,
this is the naked Gun that I know.

Speaker 1 (36:05):
There's a little Texas switch in this movie, which I appreciate.
I honestly think that this movie really shines when they
just let Liam Neeson talk and be fucking weird, like
when he's talking to Kevin durand in that scene where
they're trying to get the confession out of me, he's like,
you're gonna be a pretty boy in prison, Like what
the fuck are you talking about? Like, and it just
keeps going, and it just keeps going, and I don't

(36:26):
think there's not enough of that in the movie. Like
I think, in a lot of ways, the movie also
plays it safe in a way that I don't think
if there's a second one, I don't think the second
one will play it as safe as his first one.
But I think this first one had to play it
safe because again, like they're I think we already alluded
to it, they are trying to get as many people
in the door as possible, like normal people, people that

(36:48):
wouldn't be going out of their way to watch movies
or going to see this kind of movie in theaters,
And like I do miss going to see this kind
of movie in theaters because There's something that you said
for like this movie in a theater, shared experience, everybody
laughing and having a good time, Like this is the
lost experience in this day and age.

Speaker 4 (37:06):
I'm trying to think the last comedy I saw in
the theater, and it takes a lot. They definitely do
a very solid job with this. There are moments to
me of absolute brilliance, like when he's trapped in the
electric car and he busts out the windshield and he
runs into the clown with the balloons, and then the

(37:28):
guys carrying the bees, and then the guy's carrying a
windshield that just pops right back into place.

Speaker 1 (37:34):
I love it.

Speaker 4 (37:35):
I think I agree with you Mark that the villain
should have been a little bit more, that it should
have been a little bit crazier when it comes to that,
more eccentric, like you know, yes, eccentric definitely.

Speaker 1 (37:47):
I saw his face.

Speaker 3 (37:49):
I don't know that I knew any Houston was in
this before I watched it, And when I saw him,
I thought, oh, he's going to be that guy. He's
been playing this guy for a while. I mean, he
basically plays this in a much smaller role in Game
Night and Big wealthy, and he's probably weirder in that
actually having fight club in his mansion, but it's almost

(38:11):
type casting. And then the reference to Musk, I thought, oh,
he's going to be weird, and they never got super
weird with him, and for me personally would have appreciated
him his ideas just being absolutely wacko. Or show him
stealing everybody's ideas there you.

Speaker 4 (38:32):
Go, yeah, yeah, here's a brand new thing that I
came up with, and just have it be something that
everyone already has. Here's a pet rock or here's a
Rubik's cube or something like that. Maybe just an inventor
of really stupid gadget type of things.

Speaker 3 (38:48):
Yeah, or all the board people going. That was Bob's idea.
The plot device was Billy's idea talking about I.

Speaker 4 (38:56):
Love some of those stupid things too, Like when he's
got the injury, which I don't really recall him getting
an injury, but when he gets an injury and goes
over to Pam Anderson's house and she pours the vodka
in it, and then she proceeds to make an entire
bloody mary on his arm. Yeah, and then like has
the piece of celery and I'm just like I want
to see her wrap the celery in the ace bandage

(39:17):
kind of thing and have him carrying that for the
rest of the movie. Yeah, there are some very funny
bets in here, and yeah, I feel that it is
good first entry and hopefully a new franchise. Though Liam
Neesen is ten years older than he.

Speaker 3 (39:32):
Ain't getting any younger.

Speaker 4 (39:33):
Leslie Nielsen was, yeah, he doesn't look it.

Speaker 1 (39:36):
Though he doesn't look it.

Speaker 4 (39:37):
No, he looks great.

Speaker 3 (39:38):
Yeah, I said don't pull cinema sins out earlier, but
I am going to do one because wouldn't Frank Dreben
Junior be like in his thirties if we're going canonically
with the last film when they have him years old
in that movie Mark.

Speaker 4 (39:53):
If you looked at the IMDb trivia, the Source of
all Knowledge, it says that it must have been another Yes,
another Frank Dreben Junior.

Speaker 3 (40:02):
Of course, yes, from a previous fleeing.

Speaker 1 (40:05):
Did he have to be Frank Dreben Junior. That's a question.
I'm curious. I'm asking y'all because I think he had
to be Frank Dreben in some capacity, either rebooted or
his son. But do you guys agree like, did he
have to be for this to work? Or could he?
Could this have been a reboot?

Speaker 4 (40:21):
I think it could have been a reboot just as easily.
I think the whole thing of him being Frank Drebbin's
son and Paul Walter Hauser being Ed's son, I think
that makes sense.

Speaker 3 (40:31):
Yeah, it doesn't come into play though, except for a
couple of jokes, for the obvious one of them all
kneeling in front of their dad's or mother's pictures in
that one scene where the only one O. J. Simpson
gag is But I was thinking the same thing when
I was watching it, because I had that stuck in
my head that the kid would actually only be thirty

(40:53):
or forty years old, that he could be a relative,
different kind of relative than nephew or or a long
loss sun or something. But they don't put too big
a point on him being They don't get into the
exploits of Frank Dreben in the movie you're doing what
your dad did and blah blah, your dad was a
fucking idiot. I think there might be too much outrage

(41:16):
if he wasn't Frank Dreben Junior. I don't know, I
don't know Chris, that's a good question.

Speaker 4 (41:21):
I'm glad he didn't die is hair. I'm glad he
didn't have the silver thing, because that would have been
way too distracting and just not look good on Liam Neeson.

Speaker 1 (41:32):
I don't think he's already a silver fox about it.
He doesn't. I do love that the movie traffics in
a little bit of meta real world with Liam Neeson's
fat wiener, which is a real thing in real life.
Liam Mason is well known for being well hung, and
I love that the movie traffics in that for no
reason other than because there are a group of people

(41:52):
that know that Liam Neeson has a big wiener. That's
literally it. I don't know why else they'd be making
that joke for like what seems like white an extended
period of time. They have that guy describing his penis
as a loaf of bread with a to pey on
I think or with an afro is what he says with.

Speaker 3 (42:09):
An afro wig. I'm one of the people that was
not aware of this rumor, so I had no idea,
had a big schlong no idea.

Speaker 4 (42:17):
I'm going to say another one of my favorite gags
in the movie is playing on it's mission impossible too.
I think right where they've got Dmitri or whatever his
name is in the hospital bed and they're showing him like,
here's what happened while you were out, And then they
do the same thing with Kevin Durand where it's the
we set this fake news report up and this is

(42:39):
a few days afterwards. And then yeah, I completely agree
with that whole speech that it gives about how Durand
gets out and becomes this Instagram person and he's the
guy who does this. But then there's another guy and
he ends up being sosed. Like I love that whole
rant that he goes on. But then the multiple did
you get that boys kind of thing? Oh and over

(43:00):
again with all the walls falling down. I thought that
was really good.

Speaker 1 (43:05):
Priscilla Presley shows up in the UFCC. Oh she's a
cutaway when they're showing Liam Neeson's blurred penis. Oh wow,
she's the cut one of the she's the cutaway that
they show of her watching the television and watching it.

Speaker 4 (43:19):
Okay, I noticed that they did the cutaway. I didn't
recognize her. I didn't get like the whole UFC thing
very well, Like if there are things in there that
I'm supposed to know about these fighters or whatever.

Speaker 1 (43:35):
There's some UFC like personalities are in the like are
on commentary, like Michael Bisping is one of the people
that's doing commentary, and he's a real fighter. I'm actually,
you know what, because I don't think either one of
y'all have watched it, but I have so I can
mention it. I'm glad that this wasn't a cameo fest,
because Happy Gilmore Too was like a massive cameo fest

(43:58):
to the point where it's like distracting. And I didn't
dislike that movie. I actually enjoyed it more than I
thought I was going to. But the thing I disliked
about it was how much of it was just like
Cameo after cameo to the point where it's like, there's
it almost feels like the movie has nothing else going
for it at times other than just like, look at
all these people that Adam Sandler is friends with. And

(44:19):
I'm glad that this movie doesn't traffic in like cameo
after cameo, because that's not what this franchise was about.
We got the weird al cameo in the first movie,
and then in the second movie, and then in the
third movie. But that was a reoccurring gag because of
the first movie. They had weird al and they had
all these other people. Like the longer the Naked Gun
movies went on, I think by the third one it

(44:41):
feels that way because they're at the Oscars, but it
feels like it's a little bit of a narrative cheat
because they're at the Oscars. But yeah, I was just
glad that there's like only a handful of cameos in
this movie, like Cody Rhodes or Priscilla Presley or Dave Batista.
But it's not just like every two seconds it's someone
famous that just I love Naked Gun and I wanted.

Speaker 3 (45:01):
To be part of it, like nobody cares, Like, oh,
Cody Rhodes passed me by because I have no idea
who that guy is.

Speaker 1 (45:08):
Which is honestly fine, Like that's kind of the way
a cameo should work.

Speaker 3 (45:12):
Just the bartender who got his face smashed in, I
thought at first he was Casper Deen, Asperbandine. I knew
I was saying it wrong, and I wanted more from
that commentator who was When we see him, he's like
my wife got all dressed up tonight. She knew I
was going out. Why was she get so dressed up?
I was really helped.

Speaker 4 (45:32):
Okay, now I see Priscilla Presley, all right, And what
I thought that was actually Catherine O'Hara when I saw
it yesterday, because it's got two seconds that she's on screen.

Speaker 3 (45:45):
Yeah, it's That's why I couldn't even remember. I'm like,
I know she's in there for a flash, but I
don't know the context.

Speaker 1 (45:50):
I also do find it amusing that the movie forces
Liam Neeson at one point to be non lethal, because
I'm not sure he ever kills anybody in this movie.
They hint at him killing people because they do that
whole like you locked up an entire McDonald's because they
wouldn't serve you freedom, Friest, but he didn't kill those people.
In Naked Gun, Frank Dreben kills a couple people, not intentionally,

(46:14):
like the guy who falls into the hot Dog vat,
like he swings at him and he misses. Carda Moldubon
kind of kills himself. But there is that scene in
Naked Gun where they're like, when I see five weirdos
trusted togas in a park stabbing a guy. I shoot
the past. That was Shakespeare in the Park. They were
great actors. Like when they have a scene like that,

(46:36):
like it hints at the fact that this guy is
like really inept, and we never get the sense in
this movie. That's ever the case with Liam Neeson, which
I think is a welcome change, because again they have
to traffic in the fact that this guy in every
other movie he's in is actually an action still and
he's not just pretending to be one, which I think,
again for me, is one of the smartest bits of

(46:57):
casting in the movie is just casting a guy who
does actually do this, not casting against type because nobody
would believe Leslie Nielsen could actually do action oriented scenes.

Speaker 4 (47:08):
Yeah, I love the whole bit at the end with
all of the clips that are coming everywhere and the
one kid who loses his tooth and the tooth goes
into Frank's gun and then he shoots the tooth back
into his mouth. That's where I'm like, this is really
fucking clever, and there are some really good bits to this,
even though I felt like the ending went on for
a little too long, but it's just filled with a

(47:30):
whole bunch of great bits. Fucking owl coming back, that's perfect.

Speaker 1 (47:35):
I love it.

Speaker 4 (47:35):
And to see that visual, to see the visual of
him holding onto an owl being carried through the streets
with the moon behind him, I was like, this reminds
me of Kung Fury, which is to me one of
the best movies ever made period. End of sentence.

Speaker 1 (47:50):
And I agree. I think this movie really shines when
it leans further into the absurd. I think it just
was afraid of alienating the mainstream audience.

Speaker 3 (47:58):
Yeah, I feel that way too, And I.

Speaker 1 (48:00):
Don't think the movie alienated the mainstream audience. Like I
had friends texting me asking me about this movie if,
like if I was going to see it, and then
once I saw it what I thought of it, And
I was like, this is fucking weird, Like I've it's
been a while since that happened, and normally if it
does happen, it's not with something like this, which is
just like again like ostensibly a comedy, but I don't know,

(48:22):
like there there's a level of polish to this movie
that does make it. We've talked a lot about the
comedy of the movie, but moviees rather well shot. There's
a lot of interesting lighting, Like there's a lot of
blue and red, Like it looks like it could be
a John Wick movie.

Speaker 5 (48:37):
Yeah.

Speaker 3 (48:38):
I think that's what they were striving for.

Speaker 1 (48:40):
Yeah, and they nailed it. And I appreciate it because,
like again, in a post John Wick universe where John
Wick is one of the most popular, if not the
most popular action movie out there, you could make a
movie that's a John Wick send up of its own right.
And I Naked Gun didn't have to do it. But
if Naked Gun's gonna exist in twenty twenty five, it's
almost impossible to not address it.

Speaker 3 (49:03):
I appreciated that it wasn't flat TV lighting.

Speaker 4 (49:07):
No, there's some great looking stuff. And the bank robbery
looks like fucking from the dark.

Speaker 3 (49:12):
Knight returns playing with shadows, even in his office when
she first shows up. It's a little nourish, and.

Speaker 4 (49:18):
The silhouette gag for the door or taking the chair
at the end, the whole fight around the fountain when
we've got Dave Bautista that looks like a million bucks.
It really did do a great job shooting this. This
does look like a real movie. It doesn't look so
completely flat. I just keep going back to this fucking
Friedberger and Seltzer's things. You guys mentioned epic movie, and yeah,

(49:40):
those movies looked like they were made for five dollars.

Speaker 1 (49:45):
Well, they were written for five dollars too. That's the thing.
Those movies don't have any production value to them in
any substantive way. I think about epic movie or disaster
movie or the later scary movies. I'm like, who was
seeing these movies the same people that are being expected
to see these movies.

Speaker 4 (50:03):
I was the one seeing those movies, most of those
in the theater, which is I'm really a shoe.

Speaker 1 (50:09):
I saw Smoking Aces and Epic Movie in a double feature. Wow,
yeah at the theater. Yeah, boy, talk about a fate
worse than death.

Speaker 4 (50:18):
I think I saw every scary movie except for two,
which I'm so glad because that one was the worst
one for me in the theater.

Speaker 1 (50:26):
Scary Movie three is a good one, like and I
think that this movie, this movie, like it looks more
like a Scary Movie three than it does a Naked
Gun three. Like this, this movie knows what came before
it and chooses to embrace it but also reject it.
And that's what's important when you make a movie. Like
this is you have to be willing to do your

(50:46):
own thing, but also people are gonna expect certain things
from you if you're making a naked gun movie.

Speaker 4 (50:51):
Against my better judgment, we should probably watch Spyhart sometime
and talk about it, just because that's a tie to
me between the Zac stuff and the Friedberg Seltzer stuff,
because that's I can't remember if it's Friedberg Senior or
Seltzer senior. And that's also got weird l doing the
title song, and it's got Leslie Nielsen as your main character,

(51:12):
and it's like, what is this saying? It feels like
it was, say, Passing of the Torch, because basically they
took the torch and just pissed on it and put
the fire out for all of those Friedberg and Seltzer movies,
but it felt like, oh, yeah, here, I'll set up
my sons for or my son and his asshole friend
for success. One of these days, I'd love to talk
with those guys and just be like, what is your

(51:33):
fucking problem?

Speaker 1 (51:34):
What is your major malfunction? What about wrongfully accused?

Speaker 4 (51:39):
Oh boy, I've never seen that one either.

Speaker 1 (51:41):
More two thousand and one A space whatever the travesty
is that one that?

Speaker 4 (51:46):
Did I see that one?

Speaker 1 (51:47):
No?

Speaker 4 (51:47):
I saw the creature wasn't nice. That's I get that one.
Mixed up the credits for this. We already mentioned the
freeze frame gag at the end, but I was paying
attention to the credits. There are gag credits in here,
but it takes a lot to get to them. They're
not peppered throughout as they used to be in some
of these Zaz movies. I didn't notice funny jokes until

(52:11):
they got to the set dressers and they talked about
this dressing, that dressing. Then they said salad dressing, and
they had French vinigrette, Thousand Island and something else, and
I was like, okay, all right, there are a few
things in here. They had at one point Netflix's password,
and they had a password in there, but it was
just very small, very subtle, and if anything, I thought

(52:33):
they should have done it a little bit more, and
especially because I'm expecting it, but I'm also hoping like
that people get to see weird al at the end.

Speaker 3 (52:41):
I had to leave suddenly, so I missed everything after
the very first credit, and I was curious if there
was an end credit scene.

Speaker 4 (52:50):
Yeah, there's just so there's the gag with the freeze frame.
They do something else before the weird al other than
the credits. I don't remember. Do you remember, Chris, I
don't think so. Okay, So it's just occasional funny credits
and then we do the weird albit at the very end.
So yeah, it was me and one other dude stuck
around in the theater.

Speaker 1 (53:11):
To see that. And you know what's really funny to
speak to the Pam Anderson of it all, Pam Anderson
was in Superhero, which is insane because to even speak
to a crazier trend here, naked gun has not been
in our lives since the nineties, since the Third One.
So many movies, so many comedy trends have come and gone,

(53:33):
like like Superhero Movie, which is a movie that came
out in two thousand and eight. That's a parody of
superhero movies in two thousand and eight, before superhero movies
ostensibly even came out in a lot of ways for
a lot of people, it's interesting that naked gun is
still allowed to be what it is in this day
and age, post all these other things. I think it

(53:53):
actually goes to show that naked gun. I think as
a formula still works rather well if you give it
the respect that it deserves and not just try to
force topical gags. Is I think the issue with those
those like later Friedberg Seltzer movies. It's like, oh, here's
Miles Fisher, Like Tom Cruise, Yeah, remember this Tom yeah

(54:17):
member from two weeks ago? Yeah, yeah, we could Tom
Cruise jumping on the couch, like like do we need
to see this in a movie?

Speaker 4 (54:25):
Like I imagine somebody watching those movies today would be like,
what the hell is this referring to?

Speaker 1 (54:31):
Due We might be that way if we watched them,
Like if we were to sit down and watch those
movies in reverse from the most recent one to the
original one with something like scary movie, Like, I guarantee
you there will be references to shit, we're just like why.
Like one of those movies, I don't remember which one.
I think it's Epic movie has a reference to Johnny
Depp playing Willy Wonka.

Speaker 4 (54:53):
Yeah, oh yeah, that's Crispin Glover in that role.

Speaker 1 (54:56):
Who the fuck would remember that in this day and age? Like, oh,
Johnny Ubb played Willie Walker, Like yeah, yeah he did?
Okay to what end.

Speaker 3 (55:04):
Well, And they referenced a lot of commercials that were
popular at the time, and think stuff that you forget
after a little while. Not it doesn't even take years
to forget about.

Speaker 4 (55:14):
The closest you get with that is like an airplane
when the woman's saying, oh, he never asked for a
second cup of my coffee. But that's not bad. That's
not a terrible thing that they had that.

Speaker 3 (55:28):
I think we had to explain that bit to Chris
because he's younger and we grew up seeing those commercials
like nightly they were pretty ubiquitous on TV. But yes,
out totally out of date now or even five or
six years later. But even when the first airplane came out,
they weren't expecting repeat viewings thirty years later on a

(55:51):
thing called VHS or laser disc or DVD or anything
like that. Not thinking of timeliness so much. You are
people not going to get this any more?

Speaker 1 (56:00):
Care?

Speaker 3 (56:00):
When are they going to watch this again?

Speaker 4 (56:03):
Well, come back to the theater.

Speaker 1 (56:05):
Speaking of airplane, we should take this opportunity to mention Mike,
you're on the airplane tool.

Speaker 4 (56:09):
Yeah, very excited for that. I love that whole thing
where I was so pissed off when I was talking
to you guys, just like I have one of those
fucking assholes on there doing that commentary. And then I've
reached out to Keno and I was like, I should.

Speaker 1 (56:21):
Be on this.

Speaker 4 (56:22):
I've talked damn Ye exactly.

Speaker 1 (56:25):
Why would you get another fucking asshole if you could get.

Speaker 4 (56:27):
This this asshole right here, baby?

Speaker 3 (56:30):
Yeah.

Speaker 5 (56:31):
Yeah.

Speaker 4 (56:31):
To go back to Pam Anderson, Yeah, I think she's
fantastic in this. I really like that they don't make
her up and just really try to make her. She's
an age appropriate love interest to me. She might actually
be too young for Liam Neeson, but I found that
and found her to be hilarious. Apparently she was up
for the role that and and Nicole Smith played in

(56:52):
the last one, and now I'm like, well, yeah, show
me that. I would like to have seen that version.
And Nicole Smith I thought was fantastic in there because
she could play dumb like nobody's business. But I really
think that Pam Anderson a huge barbed wire fan over here.
I think it says she's great and super happy to
see her doing full fledged comedy.

Speaker 1 (57:13):
The most surprising thing about this movie for me is
how good she is, not because I didn't think she
would be good, but because I haven't seen her in
enough things really to have an opinion about her. But
if she can do this kind of comedy and can
live in this space and doesn't take herself super serious,
which would seem to me she doesn't. I love how
good Pam Anderson is in this movie because I wasn't

(57:34):
concerned about how good Liam Neeson was gonna be. Priscilla
Presley is as good as Liam Neeson is in those movies,
like she is as funny as he is. There are
a lot of moments in those movies that work because
of the chemistry of the two of them, and I
would say the same here, Like Pam Anderson is as
good as Liam Neeson is.

Speaker 4 (57:51):
Now that makes me wonder how much she was in
the whole Borat thing, And I'm just like, she had
to have been completely on board.

Speaker 1 (57:58):
For that, So I think so.

Speaker 4 (58:01):
I think yeah, because I think she's got a good
sense of humor about herself too.

Speaker 1 (58:05):
She's been in the public sphere for so long at
this point.

Speaker 4 (58:08):
Oh yeah, I'm trying to think it back to when
Baywatch first came on, and then she was even a
tool time girl for said she.

Speaker 1 (58:16):
Was on home improvement. Yeah, that was her original gig.

Speaker 4 (58:19):
And that was a long time ago, I know, because
I'm that old.

Speaker 1 (58:23):
Good on her as well for saying I'm not going
to do makeup anymore. Like good on her. That's a
big deal in this industry, and like good on her,
good for her, like fuck them.

Speaker 4 (58:34):
And there's a whole thing about the breast I plants too,
where she's like, yeah, I really shouldn't have gotten these.
I'm like, Okay, it's your fucking body. Do what you
want to do.

Speaker 1 (58:42):
I'm hopeful for the future of naked gun I actually
want there to be more naked gun movies. I want
to be able to buy a popcorn bucket for this
movie that's not eighty dollars because I wasn't able to
get it in the fucking theaters because I didn't get
the big brand beaver. I want the big brown beaver.
I want Winona's big brown beaver.

Speaker 4 (59:00):
Even that has nothing to do with sex. That's just
about a beaver.

Speaker 1 (59:05):
Well, Les Claypool, slap at the base and we're good
as nothing, beautiful beaver, what can you say?

Speaker 4 (59:10):
Overall? I would highly recommend this to people to check out.
Don't expect exactly the same as the Naked Gun series,
but expect something else that's pretty darn funny. All right,
let's go ahead and wrap up, Mark Begley. Where can
people find more of your fun stuff and only the
fun stuff, none of the boring.

Speaker 3 (59:28):
Stuff, only the fun stuff.

Speaker 4 (59:30):
Oh god?

Speaker 3 (59:31):
Now you can find my two shows Wake Up Heavy
and Cambridge and with Sean Ober at Weirdingwaymedia dot com.
How about you, Chris Stashu, And you can.

Speaker 1 (59:40):
Find all the stuff that I work on at weirdingwaymedia
dot com, which is named for Doune David Lynch is
doing more specifically, rest in Peace, David Lynch. It's a
weird thing that happened since the last time we's a
lot of things that happened since the last time we
recorded this show. Yeah, that's where you can find everything
that I work on, including the original run of this show,
which we talked about, the entire original Police Squad TV show.

(01:00:02):
We talked about Airplane as well, did we not? Like
we did?

Speaker 3 (01:00:06):
We did a lot of stun films that yeah, that
prompted us to do. I always forget the title of
the one with Val Kilmer Top Secret. Top Secret did
that as a crossover with the projection both. Yeah, and
then I'd highly recommend that people check out our Airplane
two episode as well, which was a lot of fun.

Speaker 1 (01:00:24):
And technically if you're looking for something that has the
three of us that continues the three of us talking
about comedies or quote unquote comedies. The Chasing Chevy Chase
podcast where we talk about Chevy Chase movies once a
month and we're almost at the end of that show
at this point now, which is crazy in and of itself.
So that's where you can find me and all the

(01:00:45):
things that I work on with these two.

Speaker 4 (01:00:46):
So what about you, Mike, Yeah, same thing, weirdingwaymedia dot
com where you can find everything we do. The last
one of these Police Squad and Color episodes came out
March fifteenth, twenty twenty three.

Speaker 1 (01:00:58):
So I hate that.

Speaker 4 (01:00:59):
I hate that feels like a lot longer, doesn't it.
That's only yes specifically for.

Speaker 1 (01:01:06):
Years.

Speaker 3 (01:01:06):
Yeah, I was thinking, okay, man, No.

Speaker 1 (01:01:10):
I know we didn't record anything in twenty four for
this because we had talked about it like offline, We're like, oh,
we'll do something with naked gun. Finally comes out, But
that was like us just kicking the can in twenty four.

Speaker 3 (01:01:21):
But we knew back then that it was coming, and
it was with Liam Neeson. That was one of the
main rumors.

Speaker 1 (01:01:27):
Towards the end of the show. Yeah, I listened to
a couple of the episodes that we did towards the
end of the show. We talked. We start talking about
the fact that like it had been confirmed, they confirmed
it while we were literally doing the show. It's kind
of like with what's going on with Rankin on Bond,
which you can find at mine and Mike's Patreon. They've
like started announcing things for the next James Bond while

(01:01:47):
we're doing the show, like they were announcing naked gun stuff.
Because we started recording that show in like twenty one,
and it's been even longer since we started that show.
We started that show in like twenty one.

Speaker 4 (01:01:58):
Twenty two. You're talking about raikon on Bond or Police Squad.

Speaker 1 (01:02:02):
Police Squad.

Speaker 3 (01:02:03):
We got through it fast though, because we recorded weekly
on that and we recorded three episodes of the show
each time.

Speaker 1 (01:02:10):
But it came out it ended. Our show ended in
twenty three, is what you said, Mike.

Speaker 4 (01:02:13):
Yeah, and it started December seventeen, twenty twenty two. It
was we only did nine episodes of it. It feels
like we did so much for it. I think it
was because we were reading the scripts, we were listening
to the commentaries, all that stuff. So it was trying
to do a lot of research in a short amount
of time.

Speaker 1 (01:02:29):
So what you're saying is the show needs a reboot.

Speaker 4 (01:02:31):
Yeah, sure, why not. That was a lot of fun
to do, and I'm glad that we're coming back and
doing this. I can't say the final episode because hopefully
we'll come back when the sequel comes out.

Speaker 1 (01:02:41):
There might be sequels, Yeah, hopefully. Fingers Crossed all based.

Speaker 3 (01:02:44):
On money Boys, So it does well, they'll make more.

Speaker 4 (01:03:49):
Everyone put your hands together for the world's Last looking entertainer.

Speaker 1 (01:03:54):
Weird al yank of it. How's everybody doing nights? Hello?
Anybody here? Caine? Evil Billionaires, crabhands guy? Oh, what the

(01:04:19):
heck