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April 22, 2025 • 28 mins
Follows a lawyer who returns to his hometown to seek justice for his father's murder, leading him to become a frontier attorney. The series blends legal drama with Western themes.
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Episode Transcript

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Speaker 1 (00:06):
Front, Tiertown, the saga of the Roaring West. What Teertown,
hel Passo, Cheyenne, Powder River, Tombstong, don't tear town. Here's

(00:39):
the adventurous story of the early West, the pains and
the untained, from the Tacos to Powder River, God's Sitting
to Booker Flat. These are the towns they fought to
live in and live to fight for.

Speaker 2 (00:49):
Teaming crucibles of Pioneer of Freedom hot Teartown.

Speaker 3 (01:35):
You folks haven't hear of a town called thus Riels
Like it's not you haven't, But being that I am
a town's lawyer, I'd like to tell you about dose Riel's.
A sprawling, lusty and rawbone front pier town. All kinds
of folks here, Although some of 'em aren't all bad,
they are some of 'em who aren't all good. Take

(01:56):
my last case. Jackie O'Bannon, next medicine man and now
owner of the town, livery Stable, was with me, just
darting along the west bank of Altoto Creek, flapping his
jaws like.

Speaker 2 (02:06):
You want to listen to me, my junior Blackstone. In
courts you're dull and un romanthe But outside of the
court room, your back hump for trubble and your fist flye. Then,
my boy, there isn't a woman of the opposite sex
who doesn't sire our heart out to be crushing those
two mainly.

Speaker 3 (02:26):
Are that's doted on you, Charity. Don't let me hear
you saying anything that even sounds like that. Well, let
me film I can hear you.

Speaker 2 (02:33):
Of course not Chad, I'm just postmouthed a spade famous statue.
You know enough, what if Libby has agreed to become
missus Remington, would you kindly explain just why you're riding
along with your roving eye riveted on that tippo feminine
cluff and talker trus driving at one or see on

(02:55):
the other side of the creek.

Speaker 3 (02:57):
So you noticed it too, and at your age, you
know you're really a good advertisement for your Cherokee Indian
rabble snake oil certainly guarantee to build red blood. And
the young lady Yanda has nothing to do with ke.

Speaker 2 (03:12):
Wa h two dads. If someone shooting at that journey
and those shots have spook the girl's horse, he's running away.

Speaker 3 (03:18):
All right?

Speaker 2 (03:19):
Got that damn For that period he was stressed tarn
he's in trouble.

Speaker 3 (03:24):
Jerokee.

Speaker 2 (03:24):
I'll take care of the dam, so you light it
out after that stick and drag bulls and I'm going
out of that dusk.

Speaker 4 (03:29):
I'm taking out after that runaway rick.

Speaker 5 (03:43):
Boom oo, now stoo down, please come down.

Speaker 4 (03:47):
He han't got a funny straight to the crack.

Speaker 3 (03:50):
What then?

Speaker 5 (03:53):
What did you say?

Speaker 2 (03:54):
Don't don't try and jump.

Speaker 5 (03:56):
I'm get alongside, grab the file.

Speaker 4 (04:00):
He's drom me.

Speaker 2 (04:04):
Stamory.

Speaker 4 (04:07):
Goodness, this is all horse. I don't know what I
should have done if you hadn't come along.

Speaker 3 (04:14):
You go swimming, I guess eh you any idea of
miss who fired those shots?

Speaker 5 (04:20):
Aswers done?

Speaker 4 (04:22):
None at all?

Speaker 3 (04:24):
Have anything with you that a road agent might want,
I mean money and valuables anything like that.

Speaker 5 (04:29):
No, you're telling me that you might be a marshall
ar chefs or something.

Speaker 2 (04:35):
With all those questions, you're pretty close.

Speaker 3 (04:38):
I'm a lawyer, that's real.

Speaker 2 (04:39):
It's only lawyer, lawyer.

Speaker 4 (04:42):
You must be the man I was driving over the sea.

Speaker 5 (04:45):
You're Chad Remen.

Speaker 3 (04:48):
Guess there's nothing to say, but you'll be at his charge,
Johanna Chad Remington, at your service.

Speaker 4 (04:53):
Sir Revington I'm a hockey, miss hy I see it.

Speaker 3 (05:01):
Seems to me you're seeing me right now. Oh, I
don't usually conduct my law business stating in the creek
next to a rig with three bullet holes.

Speaker 5 (05:09):
Through the dashboard, never having talked to a lawyer before, I.

Speaker 4 (05:13):
Really wouldn't know that. It wouldn't mind lifting me out
here carrying.

Speaker 3 (05:21):
Really, he's up on it with your arms are choking me,
pull my neck.

Speaker 4 (05:29):
I'm sun right.

Speaker 3 (05:33):
Thanks. I'll tell you what I sent Cherokee up in
those rosters. Yeah, Cherokee old man, and he owns the
livery stable in town. If you don't mind, you can
take his horse and he can patch his charriagh together
and bring it back to the stable.

Speaker 4 (05:48):
Surely anything you say.

Speaker 3 (05:51):
Good, Since you're soaked from a splash and you've had
when we get back to those threeas, you better get
a hotel room and change your clothes.

Speaker 4 (05:58):
You're most thoughtful man.

Speaker 3 (06:00):
Thanks miss Hotcheie.

Speaker 2 (06:03):
Lloy all the.

Speaker 4 (06:05):
Former my friends called me Marie chat.

Speaker 3 (06:15):
Well, what would you don I lifted the Marie out
of that fattered rig and carried her back up to
the road. Whatever sense she was wearing smelled like man,
I guess It had a French name and cost twenty
five dollars an hours effective, very effective. With Marie wet
and the air cold, I didn't do much talking on

(06:37):
the way to dose Rios. She took a room in
the hotel and said she'd meet me at my office
within an hour. That hour gave me a chance to
do a little friend.

Speaker 2 (06:46):
Right Jupiter's ghost and sun Receptorker's chat. If you refuse
help me your hot see, you're just cutting off your nose.
Despite her face, her pretty little face.

Speaker 3 (06:57):
I don't know, Cherokee. Something about this sounds a little fishy.
Did you notice the dash of that buggy? The holes
of slugs made? Oh?

Speaker 2 (07:05):
I can't say that it did? You call it, barrister?

Speaker 3 (07:07):
Why the splinters are all outside outside?

Speaker 2 (07:12):
Hi boy? Why waste time looking at the outside of
a splinter? But you can be regaling your optics on
me outside of miss Hutseie. What greats?

Speaker 3 (07:21):
What charm?

Speaker 2 (07:22):
What curves? What? What curves?

Speaker 3 (07:25):
And besides, those holes look mighty small? Those aren't holes time.
Those things are.

Speaker 2 (07:31):
Called poor clock.

Speaker 3 (07:34):
You will reprobate. I'm talking about the dashboard of that buggy,
and you're talking about something entirely different.

Speaker 2 (07:39):
Indeed I am, Indeed, I am.

Speaker 3 (07:42):
And something else, almost two hours since she said she'd
be here in one hour. You know, no sirt charity.
You know what I'm gonna do. I'm gonna walk down
to that hotel and tell Marie Houtsie, I'm not interested
in her or her case. I believe me this husband, Maria,

(08:06):
I'm not at all put out about you being a
little late. I I as she came down to the
hotel and see if, well, if there was anything I
could do to help you.

Speaker 2 (08:15):
There's a lot of me do the help.

Speaker 4 (08:18):
It's so tall, I'm so strong.

Speaker 3 (08:21):
Well here, shut out.

Speaker 5 (08:25):
I'm over here because what I have to tell you
is a complete confidence, and I don't want anybody.

Speaker 4 (08:33):
Outside to hear it.

Speaker 3 (08:35):
I'll say, you saw that man shooting at me to day.
I didn't hear the shots.

Speaker 4 (08:41):
Shouldn't believe me.

Speaker 5 (08:42):
I won't be changed until I get back from that
to the Lost Continent.

Speaker 3 (08:47):
Mine map to be ill. Non, Look, Marie, if I'm
gonna be of any help to you at all, you
better start from the beginning.

Speaker 4 (08:54):
You will forgive me that I just seem to be
all loose in.

Speaker 3 (08:59):
Well.

Speaker 5 (08:59):
My father Dan hawks.

Speaker 4 (09:01):
He's a mining engineer.

Speaker 3 (09:03):
I see.

Speaker 5 (09:03):
After three years of looking, he finally relocated the lost
continent mine mapped it, went back to Ludville where I
was waiting for him.

Speaker 3 (09:12):
Oh how did he lose the map? Who was stolen?
And we know who stole it? If you know who's
stolen that, why did you come here to Dosriels to
see me.

Speaker 4 (09:22):
We had the man arrested and he's in jail now,
but we never.

Speaker 5 (09:24):
Did find the map.

Speaker 3 (09:25):
And you want me to go back to Leadville and
play the tective.

Speaker 4 (09:28):
Oh no, Chad, of course not.

Speaker 5 (09:32):
But the man who stole it has a brother living
here in Dos Rios where sure sure can be it.
He sent that map down here to him.

Speaker 3 (09:40):
Uh now who's this brother?

Speaker 4 (09:43):
What we heard is a professional gambler name of.

Speaker 3 (09:46):
Poulson, Pharaoh's Jack.

Speaker 4 (09:49):
Why you look surprised? Don't you believe me?

Speaker 3 (09:53):
Marie? I hate to disappoint you, but as much as
I sympathize with your problem, yours is scarcely a case
for a captain. I'm sorry.

Speaker 4 (10:02):
Don't go yet. Yeah, don't you see? Don't you understand?
You know what I intend to m You think it's
a little difficult, Please, please don't walk out of me.

Speaker 3 (10:17):
Now, you've got to help me.

Speaker 4 (10:19):
You can have everything and anything anymore.

Speaker 3 (10:25):
You bettion about.

Speaker 4 (10:28):
That's what I had.

Speaker 3 (10:30):
Do you have any ideas how I can get that
paper for you?

Speaker 4 (10:34):
It's what it's five thousand dollars to us if you
do well.

Speaker 3 (10:38):
I've got to admit I can't do any thinking at
all that close to your perfume. So you take off
that negli whatever you call it, and put it on
a dress, and by the time you throw I'll be
back here with my answer. No, I'll be seeing him
a leek later. As I asked before, what would you

(11:02):
have done? I headed for the street where Cherokee was
waiting anxiously to get that perfume out of my head
or flood some fresh air into my lungs. We were
walking along, just leaving the hotel, and Cherokee was voicing
his discuss with me loud and volubly.

Speaker 2 (11:19):
I'm starting to believe that you're a fair prospect for
the booby hatch. Would you consider turning her down five
thousand dollars of that? That radiant.

Speaker 4 (11:31):
Chad just missed me.

Speaker 3 (11:33):
You didn't miss me.

Speaker 2 (11:35):
I don't notice any punctures in eu epidermists.

Speaker 3 (11:37):
Oh, I mean that one little shot just made me
decide to try and locate the map of the Lost Continent.

Speaker 2 (11:42):
Mind, well, I never believed in looking to get horse
the teeth. Would you mind explain to me why you've
undergone this change of mind or could it be change
of heart?

Speaker 3 (11:52):
That little lead slug convinced me that there's more to
this than it's exposed to the eye. And now if
you look who just came out of the hole, tell
you'll have the rest of your ass.

Speaker 2 (12:02):
But that's that's parrel, Jack the gambler, say give me
the one you said.

Speaker 3 (12:07):
He's the one, all right, and believe me, mister a
ban And we're finding that map. If we have to
tear those three or support flank by flank and adobe
brick by adobe brick.

Speaker 1 (12:25):
We'll return to the exciting second act of our frontier
town adventure in just about one minute.

Speaker 3 (13:04):
And now frock teartown. Well, we that shot from the
general direction of the hotel, going past my ear a
little too close for company, and then seeing Pharaoh Jack
Fawsrom leaving the hotel, I decided the better part of
valor would be to get off the street before the
sheriff and the crowd collected. So I went back to

(13:25):
the hotel, leaving sheriff he to wait for me down
the corridor a few feet. Once again, I knocked on
the love in rod the door. Oh you, why were
you expecting someone else? I thought you were a stranger
in those leos, Marie, I am, It's.

Speaker 4 (13:43):
Just that I didn't expect your backs to him.

Speaker 3 (13:47):
May I co mean, certainly, young lady. I've decided to
take your case.

Speaker 5 (13:55):
Oh that's wonderful, Chad, wonderful.

Speaker 3 (13:58):
Five thousand dollars. There's a lot of money. So I
also decided i'd take part of that now, I know,
taking it to your own word. You said anything and everything.
I'm asking for some money. Now, he didn't.

Speaker 4 (14:13):
Expect me to have the five thousand dollars with me.

Speaker 3 (14:15):
I take what I can get.

Speaker 4 (14:17):
Oh, well, that's the way. It is just the way
last to meet you.

Speaker 3 (14:22):
I suppose, and you suppose correctly. As money, the way
this case may turn out, I need to put a
little aside to assure myself a proper funeral. Now you
better go open that person yours Moore before I changed
my mind again. Although Miss Hotsey's pocketbook was fat and buzzing.

(14:47):
She only managed to produce a hundred dollars. While the
bag was open, I did manage to peek inside, and
what I saw and there satisfied me that this was
my kind of case. As soon as I left Marie's
rolling back to Cherokee, and we took advantage of being
in the hotel by easing ourselves into Fulsom's rule. I
don't mind saying that I was more in a bit

(15:08):
surprised when tuck inside one of his frilly shirts, I
found the map to the Lost Continent Mine careless of him,
wasn't it, But and I guess gamblers always do take chances. Then,
instead of turning the map over to my client and
demanding the rest of the fee, I grabbed Cherokee and
hurried back to my office.

Speaker 2 (15:28):
Mister Runnington, I am, by nature a very patient man.
Was that gorgeous creature waiting to hand you the best
part of five thousand dollars? Why am the name Mcgillahooley's ghost?
Don't you give her the map and collect the long
green folding whebthor I.

Speaker 3 (15:45):
Don't know yet exactly. All I know for sure is
in the bottom of her little pocket book, I spotted
a twenty five caliber handgun. Twenty five caliber, twenty five caliber,
a little gun, a gun which shoots small slugs and
make little holes, holes that I think will match those
in the dashboard of the buggies she was driving.

Speaker 2 (16:04):
You mean to stand there, You're both hanging out trying
to say that he shot at her soul.

Speaker 3 (16:09):
And just meaning to say that. For the time being,
I'm gonna make what seems to be an exact copy
of this map and put it back where we found
the original one before sneaking back upstairs to Folsom's room.
I left Cherokee downstairs in the dinky little lobby under

(16:30):
strict orders to stall Folsom should he return by every
legal means. And then, just as I had the altered
copy of the map safely stowed away in Falshom's shirt,
I heard a commotion starting down on the lobby. I
closed Fulsam's.

Speaker 4 (16:43):
Door and raced down the steps.

Speaker 2 (16:44):
Two it at top. If I get it, Oh, bet, enough,
give you three to get your hands offfull. Maybe you
understand well, I'm positively guaranteeing the two bottles of my
je Cherokee and didn't real snake oil were not only changed, No,
pop absolutely positively a war just a minute for So
why don't you figure on.

Speaker 3 (17:04):
Some of your own size and age?

Speaker 2 (17:05):
You let it keep out of this rent?

Speaker 3 (17:07):
I should why.

Speaker 2 (17:08):
Because if you don't, I'm gonna knock your teeth backed
on your phone?

Speaker 3 (17:13):
What was that again about wanting to perform a little
devil work on me? Who heard me?

Speaker 2 (17:17):
I told you to keep out of this.

Speaker 3 (17:19):
I'm in it. I'm staying it unless you think you
can knock me out of it? Why you allowed more barrow? You?
It rattles my teeth, But that's all what you meant yourselfing.

Speaker 2 (17:33):
More like this? Have my ball around? Is proud of
us a new head of hair. He won't wake up
for a week to say about that.

Speaker 3 (17:49):
Barrow. You're come on, chargy. You let me help me
straighten up his lobby.

Speaker 2 (17:57):
And I'm ty if you got his garden while.

Speaker 3 (17:59):
You've doubled just for that. Also, I'm taking your gun
with me if you ever want it again.

Speaker 2 (18:05):
You know where to find me up at my office.

Speaker 3 (18:13):
If you'll only listening in the Cherokee, I'll explain as
much as I can to you.

Speaker 2 (18:17):
Do you mean if you're able to actually precipitating a
fine right to the public hotel.

Speaker 3 (18:26):
You could use the right word when you said precipitate,
because now I'm sure that Marie Hoxy knows I'm working
on her case. Or didn't you see your watch him
from up at the head of the stairs.

Speaker 2 (18:36):
You mean you did that to impress her?

Speaker 3 (18:38):
No, Oh, i'd did it in the hope that now
she'll have to make her next move, which she just
did just then, she just did. You hadn't been so
busy talking, you might have seen her go over into
the Western Union office. And unless I miss my guest, Cherokee,
we'll be having visitors, so mighty interesting visitors before very long.

Speaker 2 (19:03):
N whether you like it or not, I've got to
have a live patience. Practically locked up in this office
with you for six hours just waiting. Its taxed my
nerves beyond the bonds of English quiet.

Speaker 4 (19:13):
Shot.

Speaker 2 (19:14):
So I'm going up the stairs. Come but you early, George,
So there, come in.

Speaker 4 (19:22):
Dad, I do you don't mind my coming the other times?

Speaker 1 (19:25):
Night?

Speaker 2 (19:26):
Hi, dear young lady, you do alone different ki perpecacity,
but you do yourself a great injustice.

Speaker 3 (19:33):
Here.

Speaker 2 (19:33):
Let me get you a chair.

Speaker 3 (19:36):
You were You're right about Fulsam having that map?

Speaker 4 (19:40):
Was that something I thought you'd.

Speaker 2 (19:43):
Be most surprised is that the math I wanted.

Speaker 3 (19:46):
I just told you that Fulsam had it.

Speaker 4 (19:48):
I'm telling you I don't believe it.

Speaker 3 (19:51):
You're smarter than I thought you were. Marie. Do you
happen to notice the map you found in this room
isn't complete?

Speaker 4 (19:58):
I I don't know what you're talking about.

Speaker 3 (20:01):
I know what you were talking about when you said
anything and everything?

Speaker 6 (20:06):
I think have you done too much thinking? Sir Remington,
say pease don't leave so soon. This barren little barratte
office has to smile. Some gods at the open. Let
me sing, you know, oh, I'm not leaving.

Speaker 5 (20:21):
But fortunately maya father arrives in town and perhaps he's
gotta talk to you.

Speaker 2 (20:28):
Father, come on in. I was hoping lou would never
any trouble.

Speaker 3 (20:36):
But no, gentlemen, is better sit down. Uh just arrived
in town, mister Hodson. Never mind, you guys had lost
continent map and we wanted I rather expected you after
I saw your beautiful daughters that've been in the Western
Union office. If you happen to think it's strange that

(20:58):
a lawyer should have his office. Oh, grow very table.
That's the reason, wonderful view of the entire street. If
you're a smart royer, Remington, you'll dig up the map quick.
So many people seem to want this map. It should
be worked a great few more than five thousand dollars.
Oh so that's your play.

Speaker 2 (21:15):
Huh?

Speaker 3 (21:16):
I think you're going to hold us up and gog
a bank all out of us. Since I didn't take
the other things Marie offered me, it seems I'm incited
to a higher fee. After all, this was riskier than
I thought that if someone shot at me, didn't you, Marie?

Speaker 2 (21:30):
And you mean to sit there and say you think
that you're a flannel mouth.

Speaker 3 (21:36):
Lemington. I'm not planning on being here in town very long.
It may be two more minutes. I've got one to
hand over that map. Oh it's too fasculating so soon.
But I can't say I blame you. If your partner,
Pharaoh Jack Parsam happens to see you, industrios, do is
that to be a little shooting affair? Maybe you are
smile foolsome was my pardner. But that map belongs to me,

(22:00):
to me, not to us. You and your enchanting daughter.
It'll pretty smarts yourself, Hoxy, if that is your name, Hiron,
Marie opposes your daughter and come down here to get
that map. Because Polson had never seen her.

Speaker 2 (22:14):
He's not his daughter. Why have all the teacher care bright?

Speaker 3 (22:18):
Now, look, now that you know that I ain't know
where you standing, Since this is just a business deal,
why don't you let your money do there talking for you?
An he talk from now on? This forty five is
gonna do. Oh too bad. Marie didn't have a forty five.
That little handgun you let her carry gave me my
first tip right from the time I saw those holes
she shot through the dashboard, just to make me think

(22:38):
she was in trouble. Then when she threw that shot
at me from my hotel, and I knew it. I'm
gonna kill you to get back that map. You seemly
he'll kill me, just double cross Jack Polson, and I
wouldn't be surprised if he killed you. Are you turning
over that map?

Speaker 2 (22:56):
Yes, I'll have to all nye pharoh, few folks find
folks don't mind this. Horsese is getting so proud to
think I'll.

Speaker 4 (23:07):
Leave you take one more step Cherrigan, you.

Speaker 3 (23:10):
Will leave later on. Shut up, that's what he's saying.
I stayed, you know, Pharaoh, I just had a hunch
if his's doubles feeling pots of yourn partners would ever
arrived in dus Leos, you'd pick up his scent faster
than a bird dog and mind him. I want my
map back. Oh, this is getting more confusing than ever.
It's a matter of pure and simple justice. I don't

(23:30):
know who to give the map to.

Speaker 5 (23:32):
Now, Well, maybe this will make your mind up for you. Here,
I've got some money I promised you my dad.

Speaker 3 (23:38):
Nobody's buying that mat you understand me? Why not?

Speaker 4 (23:41):
Chad can use this money just as well.

Speaker 6 (23:43):
It's all right, Folsom.

Speaker 2 (23:45):
Drop that gun? Why the little but he's turned in
him a ferocious firebrand dark gun at Maritos.

Speaker 3 (23:50):
You know that little pop song is gonna get you
into trouble sooner or later.

Speaker 2 (23:52):
Awesome, drop that gun?

Speaker 3 (23:56):
Why sure? I guess I know when I'll sad upsome
giving you a better chance, and you gave her. I
didn't have to, miss Cherick. Can you get his gun
and cover from both? Hi?

Speaker 2 (24:14):
Pleasant hands?

Speaker 3 (24:15):
Had they don't so long? You should always take your
attorney's advice. I told you that gun was gonna get
you into trouble. Y h, I'm gonna take you too.

(24:38):
Remember what I was your What was it?

Speaker 4 (24:43):
It's toy stard What.

Speaker 5 (24:46):
I knew I'd end up with you holding me in
your arms.

Speaker 3 (25:01):
What's wrong with you today? Cherokee? Y's wonderful? A birds
is singing the face, You're all jumping in Altro Creek
and you just haven't opened your mouth for a half hour.

Speaker 2 (25:09):
Ali Cold budd Counselor you grieve me and filled me
with bitter disappointment. But how's that again? Here we are
perched on the backs of these high priced heap crines,
riding along Hilshole Creek Roads in the very same place
where just a week ago your rolling eyes spotted Marie Hawks.
Uh huh, you set there to find me in the saddle,
making casual comments about the climate and the floor on

(25:31):
the corna. Have you no heart, no red blood in
your veins? Never mind, I'll tell you what you probably
need is a double dose of Doctor O'Bannon's famous Cherokee.
It didn't wrap the snake oil.

Speaker 3 (25:43):
At least you don't need it. The memory of miss
Hosey's perfume seems to act on you like a tonic.

Speaker 2 (25:48):
That reminds me Charing Luke. Did you ever find out
a para Jack Poles? Remember, did have a brother in
prison over in Redville?

Speaker 3 (25:54):
Or Judge Dullwall found out for me. He hasn't even
got a brother. Dan Peacock alias Dan High. She gave
that Lost Continent map to Pharaoh Jack after he wanted
in a stud game in Lord Cash. You mean he
didn't realize how valuable it was the pool. He didn't
even know it was the Lost Continent mine until later,
and when he found out, he tried to get it
back from Pharaoh and couldn't ends when he decided to

(26:16):
double cross him and hire Marine opposes his daughter.

Speaker 2 (26:19):
What do you think it's gonna happen with the curvacious
tarmer Marie?

Speaker 3 (26:23):
Well, from what the judge tells me, whenever they released
her from the hospital, she's doing for about five years
at the state's expense.

Speaker 2 (26:29):
Five years.

Speaker 3 (26:30):
Ah.

Speaker 2 (26:32):
By that time, she will have reached the full gloom
of beautiful maturity.

Speaker 3 (26:36):
No doubt. And if you lay off the libations of
that rattle snipper, aren't you may still be around the greets,
the old fake.

Speaker 1 (26:44):
Well, my boy, even in me hope strings he turn
on Frontier town Stein. Text Chandler is a Brussels production

(27:42):
supervision by Joel Murcott, star in direction by.

Speaker 7 (27:45):
Pearl Franklin, music written and played by Ivan Wittmars. Be
sure to be with us again, this time one week
from today for another fine action adventure story with your
favorite young Western star Text Chandler.

Speaker 3 (28:04):
But your town came to you from Hollywood.
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