September 30, 2025 • 58 mins
Join Hollywood, on 99.1 FM KLBP Long Beach, CA Monday nights at 9pm, in his scavenger hunt to unearth GenX Rock Hidden Treasures from Classic Rock and Metal artists, as well as newer bands emulating that hard and heavy 70s and 80s sound. Enjoy 1 hour of deep cuts by KISS, Volbeat, Judas Priest, Killswitch Engage, Krokus, Metal Church, Black Sabbath, Elegant Weapons, and Exodus. Listen LIVE every Monday Night at 9pm (Pacific) on 99.1 FM KLBP Long Beach, CA or check out past episodes on the web at KLBP.ORG or GetTheFluffOutPodcast.com or all other major podcast platforms.
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.
Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim
Website: https://www.getthefluffoutpodcast.com/
Email: GenXRockHiddenTreasures@gmail.com
GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
Fair Use Disclaimer: This show may use some copyrighted materials without specific authorization of the owner, but contents used here falls under the “Fair Use Copyright Disclaimer” under section 107 of the Copyright Act of 1976. Allowance is made for “fair use” for criticism, comment, news reporting, teaching, scholarship, and research. This show is non-profit and for entertainment purposes only and is therefore not monetized. We are simply music fans who are using the vehicle of this show to provide FREE promotion of the music included and we insist on FAIR USE.
Intro and Outro music: “A Bit Of Evil” by our band Forced Entry from 1988; copywritten by Hollywood and Dirty Jim
Website: https://www.getthefluffoutpodcast.com/
Email: GenXRockHiddenTreasures@gmail.com
GenX Rock Hidden Treasures 99.1 FM KLBP playlist on Spotify: Spotify Playlist for GenX Rock Hidden Treasures
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
This is ninety nine point one FM KOBP broadcasting in
the heart of beautiful Long Beach, California, and you're listening
to gen X Rock Hidden Treasures with DJ Hollywood. My
name is Hollywood and I am your host and tour
guide in our rock and scavenger hunt. It's time to
dig in.
Speaker 2 (00:21):
I don't know who you are, but what I do
have are a very particular set of skills.
Speaker 3 (00:28):
Skills I've acquired her for a very long career.
Speaker 4 (00:31):
I'm a musical genius, a rock and roll radio station. Right.
If we hear some tunes, it rocks, man.
Speaker 3 (00:38):
That's right.
Speaker 5 (00:47):
What's up?
Speaker 6 (00:48):
Scavengers.
Speaker 1 (00:49):
My name is Hollywood, and thank you for joining me
in our scavenger hunt to unearth gen X rock hidden
treasures from classic rock and middle artists, as well as
new bands emulating that hard and heavy seventies and eighties sound.
You can hear this show along with listeners in over
one hundred and fourteen countries, live every Monday night at
(01:10):
nine pm on ninety nine point one FM KOBP in
the Long Beach, California area, or streaming on our new
KLBP app that you can find in the app store
for android and iOS. And if you missed the live
radio show, don't worry about It's okay. You can go
and check out all past shows online at KOBP dot
(01:31):
org or www dot get the fluffoutpodcast dot com, or
just do a Google search for gen X Rock Hidden
Treasures and you could find the on demand radio shows
on a podcast platform available in your country. So I
want to talk to all of you about the state
of the hard rock and heavy metal genre in general. Now,
(01:54):
do you guys know when was the last time an
actual hard rock single each number one on the mainstream
Billboard one hundred chart in the US. Now, the Billboard
Top one hundred is the chart that mixes all music
genres together, so it really is the best to use
when figuring out what the general public is listening to.
(02:18):
So the last time an actual hard rock single reached
number one on the mainstream Billboard one hundred chart in
the US was and I'm not talking about alternative rock
or indie rock or anything like that. I'm talking about
a band with crunchy, distorted guitars. Believe it or not,
It was the song how You Remind Me by Nickelback,
(02:41):
which reached number one on the mainstream Billboard one hundred
chart in two thousand and two. That's it, and since
then in the mainstream, rock and especially hard rock and
heavy metal have been totally underground. Well, then I did
a general Google search and asked this question why is
(03:06):
hard rock music not as popular now? And the answer
that the AI generated algorithm spit out was this quote
primarily because of the rise of other genres like hip
hop and pop, which have become more dominant in mainstream culture,
coupled with the changing tastes of younger generations, the shift
(03:27):
in radio programming towards more accessible formats, and the difficulty
for new hard rock bands to gain traction in the
current music landscape. Essentially, the genre has aged out of
the mainstream while newer styles have taken over. End quote.
So with that said, there are a bunch of younger
(03:52):
hard rock metal bands from all over the world that
would love a chance for their band to be played
on the radio. But if traditional commercial radio won't play
these great hard rock and metal deep cuts and rarely
play tracks, then as an audience, all of us we
all have to take a stand and boycott terrestrial radio
(04:15):
and support public and college radio stations. As well as
independent internet radio, because those of us broadcasting on these
type of platforms, we are the ones that have the
freedom to provide a different and more satisfying musical experience
versus terrestrial radio. All right, scavengers, let's find those tracks
(04:38):
from the stacks of wax that gets our gen X
blood pumping. Because after decades of listening to the same
songs over and over and over on commercial radio, I
no longer listen to my local rock radio stations. Essentially,
I've had enough.
Speaker 3 (05:21):
How the top and then it's a willard sat too
longer by saying that about why then then come by change.
Speaker 4 (05:39):
Time got so lost it's gonna get some thinking them
one stamping up back top and look at this time?
(06:01):
How many time to get in a moment, Little gods.
Speaker 3 (06:08):
Tell me, don't take something out, but.
Speaker 6 (06:10):
You'll know it will not.
Speaker 4 (06:14):
Spring. Gona take the chicken and break the joint for
the poor is no longer it's going up, and I
know the bar the bottle thing, don't go ting me
(06:37):
do the bart jumping toping?
Speaker 3 (06:40):
We back, just don't you the bottle nothing?
Speaker 4 (06:46):
And don't the ting and.
Speaker 3 (06:50):
Mans a bottle jumping toping?
Speaker 6 (06:53):
Well back it to It's sen is Home Bad, that's.
Speaker 3 (07:07):
Out of bread rock at the so what dish?
Speaker 1 (08:43):
You're listening to gen X Rock Hidden Treasures with DJ
Hollywood and ninety nine point one FM KLBP, Long Beach, California.
And that was a track called I've Had Enough by Kiss,
taking off of their twelfth album Animalize, released in nineteen
eighty four. Now, when I first heard this leadoff track
back in nineteen eighty four, I nearly crap my pants.
(09:05):
I couldn't believe that this was Kiss because I'm listening
to this super distorted, fast tremolo riff and ripping lead guitar,
and I said, this can't be Kiss until I heard
that signature voice of Paul Stanley. And for me, I
was originally a seventies Kiss fan since nineteen seventy six,
(09:27):
but by nineteen eighty four, I'd become a full on
metal head, listening to Sabbath Priest, Ozzy Dio, Queensrake, Metallica,
anything heavily distorted, and this was not the Kiss that
I grew up with, but I loved it. And this
is the only album to feature lead guitarist Mark Saint John.
(09:49):
But by the time I saw a Kiss live in
concert on November twenty fourth, nineteen eighty four, at the
New Haven Coliseum in Connecticut. Bruce Cullick had taken over
the lead guitar spot from Mark Saint John was fired
up next on Jack's Rock Hidden Treasures. We have a
track by legendary Danish band vole Beat. This is the
(10:10):
new KLBP playing the deep cut that deserve to be heard.
Speaker 6 (10:30):
Try to do away this Metalli.
Speaker 3 (10:40):
The trauma.
Speaker 4 (10:44):
Away They went to fire Tony modified.
Speaker 6 (10:53):
Enough, sad town.
Speaker 4 (11:00):
Up there, up siding funer casser, A dog gone on
the side, always spread you see on the.
Speaker 6 (11:12):
Blood spell, I still be.
Speaker 4 (11:16):
The heart Stehamo was not going over there now, Stiple
do so out the feller sun out the worst walking
out for sale, spelling hemans talking stair first mover did
(11:42):
I see even tell me amos here in my way.
Speaker 6 (11:49):
I've been enough topside down, the.
Speaker 4 (11:52):
Bread, the trolling, the line room, up the upsided funner.
I feel a dog for the side, always play.
Speaker 3 (12:08):
See a spell.
Speaker 7 (12:11):
I still be.
Speaker 6 (12:28):
I'm finding no more being a fall.
Speaker 4 (12:31):
Of free shall showing the time. I ain't a they
to repeating story, so I think not. I find with
(12:53):
nothing to do I'm going away there.
Speaker 6 (12:57):
A fuming metallity cats.
Speaker 4 (13:00):
Right uner time. I'm for stolen, but.
Speaker 6 (13:05):
Buntling all the way.
Speaker 4 (13:08):
I went to fire me to fight her.
Speaker 6 (13:10):
I was a fortified.
Speaker 4 (13:15):
I better not do sid Town Preemie for telling the
lie room fighting under Cassi a dog for the sideways spread.
Speaker 6 (13:33):
See a lib until.
Speaker 1 (13:53):
My name is Hollywood, and thank you for joining me
on my scavenger hunt on Earth. SA next rocking and
treasures from classic rock and metal artists as well as
newer bands emulating that hard and heavy seventies and eighties sound.
That was a track called wild Rover of Hell by
the band Vulbeat, taking off of their third album entitled
(14:13):
Guitar Gangsters and Cadillac Blood, released in two thousand and eight,
and in my opinion, Volbeat is one of the most
unique and coolest metal fusion bands in the last twenty
five years. And I'm sure there are others out there,
but I love how Volbeat can effectively mix heavy metal
with rockabilly and punk and still and still have great
(14:37):
melodic hooks. That's the thing. And in this song, my
favorite line is where he says, driving the highway with
nothing to do, future fading away, the stereo pumping Metallica tunes,
Ride the Lightning, Oh yeah, oh, I love that stuff,
(14:58):
and you can tell that Michael Paulson, who is the
founding member and lead singer and guitarist, he derives his
influence from Metallica to Slayer, Elvis Presley, the Johnny Cash
of the Ramones, to Motorhead, amongst others, and in the
end Volby. They just put out great rock and tunes.
(15:18):
You're listening to ninety nine point one f M K LBP.
Speaker 8 (15:29):
Bounding the world like batting, vaulting, the fantasy of the
final ram slam.
Speaker 5 (15:51):
Shut up, the.
Speaker 4 (15:59):
Draped construction of the seconds of love.
Speaker 9 (16:05):
Samboling handles, streaming muscles, fights, shackfoing, blows, rushing brown beat
and rice.
Speaker 6 (16:27):
I start the skating and as all my sa ingles.
Speaker 10 (16:34):
Lasting in the candons.
Speaker 11 (16:35):
Of tory which man love deserve, the usignystroms.
Speaker 6 (17:15):
The one tming nation that's always some sason to grain
down the trap and a bree.
Speaker 12 (17:28):
That good from the badst the age for the rage
of the stops, which must fall to the just and
be free.
Speaker 6 (17:41):
Now break for the bangles, trample and sampot of this space.
Speaker 13 (17:46):
Tendation, puff of demolition to warring and.
Speaker 12 (17:56):
Sliding, corsive subsiding and with the wings who seem no.
Speaker 10 (18:02):
Dream feels bad, founding the world like a battery round.
Speaker 6 (18:34):
Paulching the furnace of the final.
Speaker 4 (18:37):
Glass swam noting the way up the saw soon the castle,
Mico dreaming the train of destruction in the seconds of.
Speaker 1 (19:21):
This is KLBP, Long Beach, California, where you could tune
into all of our shows at ninety nine point one
on your FM dial in the Long Beach area or
on our new KLBP app or on the web at
KALBP dot org. And if you click on the podcast
link in the upper right of the website, you'll see
all of our radio hosts and each of our shows,
including my own podcast called the Get the Fluff Up Podcast,
(19:44):
co hosted by myself along with Dirty Jim, with over
one hundred and fifty episodes and shows over the last
five years. Now, that was a song called Rapid Fire
by Judas Priest, taking off of their sixth album British Steel,
which was released in nineteen eighty and in my teens
and all throughout high school and after, I was the
(20:07):
heavy metal DJ at all the keg parties in the
woods or someone's backyard or at the parking lot of
the mall wherever, So no one knew what music I
would be playing after whatever album or band was playing.
So then I remember each time that I put this
cassette into my boombox. As soon as everyone heard the
(20:31):
opening crunchy riff and those pounding drums, they knew the
opening lyric pounding the world like a bat to ring ram,
and everyone's fist would just involuntarily clench. What a great
line to kind of visualize the aggression of metal music
and what great memories we had from back in the day.
(20:53):
Here's a brand new track from the upcoming kill Switch
and Gage album. This is called I Believe on the
new KLBP playing the tracks that deserve to be heard,
(21:27):
show about the science.
Speaker 3 (21:32):
To start.
Speaker 4 (21:35):
Stopper, my DearS that run on and R.
Speaker 3 (21:40):
Side most time.
Speaker 4 (21:43):
I'm on just down time Joe to make a.
Speaker 12 (21:50):
Man the south stalls.
Speaker 4 (21:55):
Tell night Stop, said Bist smile, saying this dark times,
keeping the f by, there is a side my face
(22:26):
discover same sins to sails, fun to spire.
Speaker 3 (22:34):
No matter what this will will to you, do not
clim and.
Speaker 6 (22:40):
Face virtue, feel that got you that go of the pace.
Speaker 4 (22:49):
You can't con by side that night. Damn busy rag
by burns their due. Welcome you want we.
Speaker 13 (23:10):
Show the d John.
Speaker 4 (23:17):
Show a shop, say sound bag ing New York stag
(23:49):
stop not bags watches side say.
Speaker 7 (24:13):
JOm Astra nothing lost.
Speaker 4 (24:39):
I work.
Speaker 1 (24:55):
This is kob p ninety nine point one f M
Long Beach where every Monday night at nine pm you
can hear hard and heavy rock and metal deep cuts
like you've been hearing tonight. And that was a track
called I Believe by kill Switch Engage from their upcoming
ninth studio album entitled This Consequence, to be released on
(25:16):
February twenty first, twenty twenty five. And generally, I do
not like metalcore scream o type bands that use harsh
screaming throughout the entire song with no sense of vocal melody.
It's to me, it's just screaming for the sake of screaming.
And as you guys are ready now, I'm I'm a
(25:37):
fan of traditional, clean heavy metal vocals where I can
understand the lyrics and sing along like with Rob Halford,
Ronnie James Dio, Jeff Tay, Bruce Dickinson, d Snyder, you
know vocalists like that. But with that said, this new
kill Switch engaged song with Jesse Leach on vocals is
(25:57):
really good and most of the song has his raspy vocals,
with only a little bit of scream oh there in
the bridge and towards the end of the song. But
overall this is a melodically heavy track. Time for a
band that early on in their career in the late
seventies and early eighties, they were accused of being an
ac DC ripoff band. So see if you can guess
(26:20):
which band. This is broadcasting from Shannon's Corner at Broadway
and Pine in downtown Long Beach. This is a ninety
nine point one FM KLBP.
Speaker 5 (27:48):
You know about sixteen flos and the legs A time
long sign mean tonight, John Solic, We do we need
(28:20):
a drive, We need a rabbi.
Speaker 6 (28:24):
The nice You're gonna stand up, You're gonna.
Speaker 5 (28:28):
Sat, You're dries to night longstas.
Speaker 3 (28:41):
To night lost does.
Speaker 5 (28:48):
Too nice?
Speaker 14 (28:50):
Long step go to guys, lobstep does the time is
(29:23):
r rd tonight to be with you, I miss the fight,
I stick this time withhing next stay weird. Listen where
(29:52):
Gonna live? Where not gonna take out? Where the gonna play?
Speaker 6 (29:56):
That You're gonna stay?
Speaker 3 (30:01):
Ye yet.
Speaker 5 (30:08):
Lost Bounces, Lost Buns, Lost Bounce, two Days Lost.
Speaker 1 (31:41):
My name is Hollywood and you're listening to ninety nine
point one FM, the new KLBP Long Beach, California, playing
those rarely heard songs that deserve to be heard. And
that was a track called long Stick Goes Boom by
Crocus from their sixth album entitled One Vice at a Time,
released in nineteen and after the ac DC esque intro,
(32:05):
when the band goes into the main guitar riff, it
sounds a little like the chorus for Love Hungry Man
on the album Highway to Hell and this band, Crocus
was like the Swiss version of ac DC. But you
know what, I loved it. I absolutely love the high pitched,
(32:25):
gravelly vocals by Mark Staraci and the rhythm and lead
guitar sound. To me, it's just it's so satisfying. I
don't care that it sounds like ac DC. To me,
this is just great rock and roll.
Speaker 4 (33:26):
John fool King.
Speaker 6 (33:29):
Crowned Out, carry don yat Dafty from Bounding Way, How.
Speaker 4 (33:39):
Say I Burn Jobs?
Speaker 12 (33:43):
Rison go, it's away, got to battery your crowd down
to your day.
Speaker 4 (33:51):
Don't need anything. We're gonna be out nd I don't.
Speaker 6 (33:55):
Even do that's not th yard open three.
Speaker 4 (34:11):
Friends need no man's water. You may god, I'm God
on you.
Speaker 6 (34:23):
Sho not many busy waiting.
Speaker 12 (34:29):
Drove me some drink, right they did me. I will
eat mine trying drawn shoppy anything would showing up beat us.
I don't hear him stop.
Speaker 3 (34:50):
Read open.
Speaker 4 (34:53):
Through fun.
Speaker 7 (34:58):
I mean I s a.
Speaker 4 (35:02):
Human fame.
Speaker 1 (35:07):
Meter.
Speaker 5 (35:07):
Now he's water.
Speaker 1 (35:11):
I have.
Speaker 4 (35:14):
Human, I have five men. Now he's water.
Speaker 6 (35:36):
Throw the po the features hurry in the breath.
Speaker 10 (35:43):
That's a freak of the button.
Speaker 12 (35:45):
Denominated don't need any they were come up beat up.
(36:15):
I don't hear I do that, dying up Halloween woods
three brown, don't need anything?
Speaker 6 (36:25):
Come up beat up. I don't hear him dog that
not dying out all open.
Speaker 12 (36:32):
Woods three hot fine brown.
Speaker 6 (36:57):
Either nomads wander.
Speaker 4 (37:01):
By five at about they're out and the water.
Speaker 1 (38:03):
Bang in your head like it's the nineteen eighties. But
feeling the pain because even bending down to put on
your socks in the morning as a hassle. That was
a track called me the nothing by Metal Church, taking
off of their thirteenth album called Congregation of Annihilation, released
(38:25):
in twenty twenty three. And the first time that I
saw Metal Church and concert was at the Agora Ballroom
in West Hartford, Connecticut, opening up for Metallica on November thirtieth,
nineteen eighty six, which was only two months after the
death of Cliff Burton. And then I saw Metallica Metal
Church only seven months later on June fourth, nineteen eighty seven,
(38:45):
opening up for Anthrax at the same place. And concerts
back then were just so much fun when we were
young and we were just seemingly invincible. Fast forward thirty
seven years. I recently saw Metal Church, which again at
the Whiskey of Go Go on the Sunset Strip on
September twenty fourth, twenty twenty three, on this Congregation of
(39:07):
Annihilation tour, and it was an amazing show with the
new vocalist Mark Lopes, and they played this song Me
the Nothing, which is absolutely a track that I love
for so many reasons. But the melodic structure of the
guitar progression to me is fantastically satisfying, and Mark Lopes
(39:27):
his killer vocals are the closest and raspy tonality to
the original lead singer David Wayne Up Next, I'm playing
some Black Sabbath fronted by Ronnie James Dio. Why because
I'm keeping it metal on gen X Rock Hidden Treasures.
Speaker 4 (39:59):
In the the morning.
Speaker 12 (40:02):
On the act of time, we lost the rising sun
funds at the misty morning, rolls away to time, reaching
for all the storm, were blind the sky?
Speaker 6 (40:32):
Were we sail across the before we learn to side.
Speaker 7 (40:46):
With?
Speaker 12 (40:47):
Not that it to.
Speaker 4 (40:53):
We blind above the ground, before we learned to ride
to rod. Now it seems a world of comander. Who
they say they'll get you tend to be.
Speaker 5 (41:21):
This sen that all.
Speaker 6 (41:27):
We are little children of the scene.
Speaker 4 (41:51):
We made the mountains, we lived the everybody.
Speaker 3 (41:57):
I didn't need a corder out the world.
Speaker 6 (42:04):
Then we be in the demon days and rough children
evermore true man the chief?
Speaker 3 (42:13):
And not then?
Speaker 4 (42:18):
Who this is?
Speaker 1 (42:20):
There?
Speaker 6 (42:20):
No way? And did you have to be?
Speaker 1 (42:32):
Is this.
Speaker 6 (42:34):
That's all? We're not children of the sea in the
(43:50):
misty money to time we watched the rising sun the
fun side, not the misty money.
Speaker 3 (44:07):
Rolled away to die, reaching for the stuff.
Speaker 6 (44:13):
With the saying the sky.
Speaker 5 (44:18):
All this.
Speaker 4 (44:20):
Even and did you have to be all this?
Speaker 9 (44:32):
See the.
Speaker 6 (44:38):
All those Children of the.
Speaker 4 (44:41):
Sea stuck out. The sky is falling, look out, the
world is speed.
Speaker 1 (45:16):
You're listening to gen X rock. That's hard and heavy
on ninety nine point one FM KLBP. And that was
a song called Children of the Sea by Black Sabbath,
taking off of their ninth album entitled Heaven and Hell,
released in nineteen eighty And after a chance meeting in
nineteen seventy nine between Ronnie James Dio and Tony Iomi
(45:37):
at the Rainbow Bar and Grill on the Sunset Strip,
Ronnie got together with Tony and then Tony played him
the opening arpeggiated intro to this song. Ronnie loved it
and said, give me a few minutes. I have some
ideas for lyrics, and according to Dio, the lyrics just
easily flowed and Children of the Sea was born and
(45:59):
became the first new Black Sabbath song written by Ronnie
James Dio. And this song, to me, it's just breathtaking.
I love it, from the ballad like intro with Ronnie's
floating vocals, to the raspy vocal attack throughout the verses
and the chorus, to the Gregorian monks chanting in harmony
(46:20):
with the guitar melody in the bridge. Children of the
Sea is just one of my favorite songs on this
landmark album. Let's check out a new band with ties
to the legendary Judas Priest. This is a band called
Elegant Weapons with the song do or Die. You're listening
(46:41):
to ninety nine point one f M the new KLBP.
Speaker 6 (47:19):
Careful free intoxication. Now that control fight a fight authority,
our rancum the soul.
Speaker 12 (47:27):
Here's some palputations get from life lon apart and.
Speaker 6 (47:31):
Micue vaccination showing a right of to the hard.
Speaker 3 (47:40):
The separate thinguity.
Speaker 4 (47:44):
A dresningbers dependent scarante to or dime, show no way there.
Speaker 6 (47:54):
So E the lie Bridges.
Speaker 4 (47:57):
Crossed the nine bird to a t B on your unterstick.
Speaker 15 (48:06):
To randoling and concentrations sharmaning till top one browning my
asphyxiation taking is.
Speaker 6 (48:23):
To screaming by with consummation.
Speaker 15 (48:26):
Sonny I sing I was orchestrated for the set up
thing week.
Speaker 3 (48:33):
Acious breast.
Speaker 4 (48:36):
You from your back, seemulation of last descending through the
cracks to or die, show no way there, Sony, the
lie rig just crossed a non bird to a die
(48:57):
on your own turstick.
Speaker 7 (49:12):
To go to.
Speaker 4 (50:24):
The bastards say afraid of hounding.
Speaker 6 (50:49):
Back, it's not twist a bad.
Speaker 12 (50:52):
Resistance to the distal saying sell to that straight.
Speaker 6 (50:56):
You needs the shaw here has got to got you.
But how was mast.
Speaker 4 (51:12):
Nations the front stimulation one last descending through the cracks
to a time show No way, Sony the lie rig
just crossed ten nine to.
Speaker 6 (51:36):
On your Moti.
Speaker 1 (52:04):
My name is Hollywood and I'm here every Monday night
at nine pm on ninety nine point one FM KLBP
Long Beach and you're listening to gen X Rock Hidden Treasures.
And that was a track called do or Die by
Elegant Weapons, taking off of their debut album entitled Horns
for a Halo, released in twenty twenty three. Elegant Weapons
(52:26):
features guitarists Richie Faulkner from Judas Priest and vocalist Ronnie Romero,
who was also the lead singer for Richie Blackmore's Rainbow,
Michael Schenker Group, Vandenberg and other projects in addition to
his own solo band, but Elegant Weapons, they've done a
great job of crafting some really cool metal tracks with
the melodic sensibility and if you haven't done so, go
(52:49):
ahead check out their debut album. It's called Horns for
a Halo. Now it's time to get a little deranged,
because honestly, life's getting kind out of control. Roll and
I like salad, like Kennigant out of control.
Speaker 14 (53:04):
I think, I don't know if you agree? Would you
have me that? As you know, it's like what it is.
Speaker 16 (53:10):
I know you heard the word a thousand times. It's
a rat race.
Speaker 4 (53:13):
You know.
Speaker 16 (53:13):
I went through the contortion to hell, I have alcoholic seizures,
wind up in the hospital and everything else. Now I'm
sick and I'm shaking like a leap. It was like
silly buddy and they threw him in the car and
beat him in the paddy wagon and beat him to death.
I hit one of those and I knocked the front
wheel off into outer space. And I kind of got
angry myself, and I said, have a lot of guns.
(53:37):
I like salad. I just ate a nice salad baked
potato and some cream cheese and chot. You know, I
just I like to eat a salad. When do you
have something in mind?
Speaker 6 (54:13):
When you said someone men alive?
Speaker 5 (54:15):
No, no man, stop back, Let me my mother again.
Speaker 14 (54:19):
Let me go here.
Speaker 4 (54:20):
Why I'm gonna gif you wanna make y got the
body way muster Donne says about day and he did
go the gone to your.
Speaker 6 (54:44):
Said the girl. I'm like, yeah, stuck job like you
you gonna be I din say it back. I stuck up.
Speaker 4 (54:49):
Don go be sexty that from the back, get ye
white racket the don the Dondy way.
Speaker 6 (54:56):
Must done said about Kay then got the goamant to.
Speaker 2 (55:00):
But it wasn't me Wow, men tell about.
Speaker 1 (56:44):
This is ninety nine point one f M and you're
listening to gen X Rock Hidden Treasures And that was
a track called Deranged by Exodus, taking off of their
second album entitled Pleasures of the Flesh, released in nineteen
eighty seven. And Pleasures of the Flesh is the first
Exodus album to feature Steve Sousa on vocals after Paul
(57:06):
Beayloff was fired from the band. When I myself bought
this album back in nineteen eighty seven, I was so
happy how good the production quality was, especially the sound
of the guitars. I simply loved the massive sound of
crunching chainsaw distorted riffs. But you know what, I'm not
(57:27):
sure what our upcoming DJ on KLBP thinks his name
is Declan. He hosts a show called Noise Noise Noise,
and the vocals of Steve Sousa are super gritty, but
you can still understand what he's singing, which is probably
a deal breaker for Declan.
Speaker 14 (57:43):
I don't know.
Speaker 1 (57:44):
I mean, he tends to like those songs that he
just can't understand what's being screamed. So anyway, if you
guys wanted to check out all the songs that I've
ever played on gen X Rock Hidden Treasures, just go
ahead and do a Google search and type in gen
x Rock Hidden Treasures Spotify playlist that will take you
(58:07):
to the app or to the website. You can go
ahead and save that playlist to your own library for
future listening. Up next on ninety nine point one FM
KLBP is a show called Noise Noise Noise hosted by Declan,
and he plays a variety of hardcore punk sas core,
scream o, metalcore, death core, and whatever else is noisy
(58:30):
out there. So I want to thank everyone for carving
out some time in your busy schedule to listen to
gen X Rock Hidden Treasures with DJ Hollywood and to
get a little gen X nostalgic with me. Until next time,
treat people the way that you want to be treated,
and always be good humans. This is KOBP ninety nine
point one FM, Long Beach, California.
Speaker 5 (58:51):
Let
This is ninety nine point one FM KOBP broadcasting in
the heart of beautiful Long Beach, California, and you're listening
to gen X Rock Hidden Treasures with DJ Hollywood. My
name is Hollywood and I am your host and tour
guide in our rock and scavenger hunt. It's time to
dig in.
Speaker 2 (00:21):
I don't know who you are, but what I do
have are a very particular set of skills.
Speaker 3 (00:28):
Skills I've acquired her for a very long career.
Speaker 4 (00:31):
I'm a musical genius, a rock and roll radio station. Right.
If we hear some tunes, it rocks, man.
Speaker 3 (00:38):
That's right.
Speaker 5 (00:47):
What's up?
Speaker 6 (00:48):
Scavengers.
Speaker 1 (00:49):
My name is Hollywood, and thank you for joining me
in our scavenger hunt to unearth gen X rock hidden
treasures from classic rock and middle artists, as well as
new bands emulating that hard and heavy seventies and eighties sound.
You can hear this show along with listeners in over
one hundred and fourteen countries, live every Monday night at
(01:10):
nine pm on ninety nine point one FM KOBP in
the Long Beach, California area, or streaming on our new
KLBP app that you can find in the app store
for android and iOS. And if you missed the live
radio show, don't worry about It's okay. You can go
and check out all past shows online at KOBP dot
(01:31):
org or www dot get the fluffoutpodcast dot com, or
just do a Google search for gen X Rock Hidden
Treasures and you could find the on demand radio shows
on a podcast platform available in your country. So I
want to talk to all of you about the state
of the hard rock and heavy metal genre in general. Now,
(01:54):
do you guys know when was the last time an
actual hard rock single each number one on the mainstream
Billboard one hundred chart in the US. Now, the Billboard
Top one hundred is the chart that mixes all music
genres together, so it really is the best to use
when figuring out what the general public is listening to.
(02:18):
So the last time an actual hard rock single reached
number one on the mainstream Billboard one hundred chart in
the US was and I'm not talking about alternative rock
or indie rock or anything like that. I'm talking about
a band with crunchy, distorted guitars. Believe it or not,
It was the song how You Remind Me by Nickelback,
(02:41):
which reached number one on the mainstream Billboard one hundred
chart in two thousand and two. That's it, and since
then in the mainstream, rock and especially hard rock and
heavy metal have been totally underground. Well, then I did
a general Google search and asked this question why is
(03:06):
hard rock music not as popular now? And the answer
that the AI generated algorithm spit out was this quote
primarily because of the rise of other genres like hip
hop and pop, which have become more dominant in mainstream culture,
coupled with the changing tastes of younger generations, the shift
(03:27):
in radio programming towards more accessible formats, and the difficulty
for new hard rock bands to gain traction in the
current music landscape. Essentially, the genre has aged out of
the mainstream while newer styles have taken over. End quote.
So with that said, there are a bunch of younger
(03:52):
hard rock metal bands from all over the world that
would love a chance for their band to be played
on the radio. But if traditional commercial radio won't play
these great hard rock and metal deep cuts and rarely
play tracks, then as an audience, all of us we
all have to take a stand and boycott terrestrial radio
(04:15):
and support public and college radio stations. As well as
independent internet radio, because those of us broadcasting on these
type of platforms, we are the ones that have the
freedom to provide a different and more satisfying musical experience
versus terrestrial radio. All right, scavengers, let's find those tracks
(04:38):
from the stacks of wax that gets our gen X
blood pumping. Because after decades of listening to the same
songs over and over and over on commercial radio, I
no longer listen to my local rock radio stations. Essentially,
I've had enough.
Speaker 3 (05:21):
How the top and then it's a willard sat too
longer by saying that about why then then come by change.
Speaker 4 (05:39):
Time got so lost it's gonna get some thinking them
one stamping up back top and look at this time?
(06:01):
How many time to get in a moment, Little gods.
Speaker 3 (06:08):
Tell me, don't take something out, but.
Speaker 6 (06:10):
You'll know it will not.
Speaker 4 (06:14):
Spring. Gona take the chicken and break the joint for
the poor is no longer it's going up, and I
know the bar the bottle thing, don't go ting me
(06:37):
do the bart jumping toping?
Speaker 3 (06:40):
We back, just don't you the bottle nothing?
Speaker 4 (06:46):
And don't the ting and.
Speaker 3 (06:50):
Mans a bottle jumping toping?
Speaker 6 (06:53):
Well back it to It's sen is Home Bad, that's.
Speaker 3 (07:07):
Out of bread rock at the so what dish?
Speaker 1 (08:43):
You're listening to gen X Rock Hidden Treasures with DJ
Hollywood and ninety nine point one FM KLBP, Long Beach, California.
And that was a track called I've Had Enough by Kiss,
taking off of their twelfth album Animalize, released in nineteen
eighty four. Now, when I first heard this leadoff track
back in nineteen eighty four, I nearly crap my pants.
(09:05):
I couldn't believe that this was Kiss because I'm listening
to this super distorted, fast tremolo riff and ripping lead guitar,
and I said, this can't be Kiss until I heard
that signature voice of Paul Stanley. And for me, I
was originally a seventies Kiss fan since nineteen seventy six,
(09:27):
but by nineteen eighty four, I'd become a full on
metal head, listening to Sabbath Priest, Ozzy Dio, Queensrake, Metallica,
anything heavily distorted, and this was not the Kiss that
I grew up with, but I loved it. And this
is the only album to feature lead guitarist Mark Saint John.
(09:49):
But by the time I saw a Kiss live in
concert on November twenty fourth, nineteen eighty four, at the
New Haven Coliseum in Connecticut. Bruce Cullick had taken over
the lead guitar spot from Mark Saint John was fired
up next on Jack's Rock Hidden Treasures. We have a
track by legendary Danish band vole Beat. This is the
(10:10):
new KLBP playing the deep cut that deserve to be heard.
Speaker 6 (10:30):
Try to do away this Metalli.
Speaker 3 (10:40):
The trauma.
Speaker 4 (10:44):
Away They went to fire Tony modified.
Speaker 6 (10:53):
Enough, sad town.
Speaker 4 (11:00):
Up there, up siding funer casser, A dog gone on
the side, always spread you see on the.
Speaker 6 (11:12):
Blood spell, I still be.
Speaker 4 (11:16):
The heart Stehamo was not going over there now, Stiple
do so out the feller sun out the worst walking
out for sale, spelling hemans talking stair first mover did
(11:42):
I see even tell me amos here in my way.
Speaker 6 (11:49):
I've been enough topside down, the.
Speaker 4 (11:52):
Bread, the trolling, the line room, up the upsided funner.
I feel a dog for the side, always play.
Speaker 3 (12:08):
See a spell.
Speaker 7 (12:11):
I still be.
Speaker 6 (12:28):
I'm finding no more being a fall.
Speaker 4 (12:31):
Of free shall showing the time. I ain't a they
to repeating story, so I think not. I find with
(12:53):
nothing to do I'm going away there.
Speaker 6 (12:57):
A fuming metallity cats.
Speaker 4 (13:00):
Right uner time. I'm for stolen, but.
Speaker 6 (13:05):
Buntling all the way.
Speaker 4 (13:08):
I went to fire me to fight her.
Speaker 6 (13:10):
I was a fortified.
Speaker 4 (13:15):
I better not do sid Town Preemie for telling the
lie room fighting under Cassi a dog for the sideways spread.
Speaker 6 (13:33):
See a lib until.
Speaker 1 (13:53):
My name is Hollywood, and thank you for joining me
on my scavenger hunt on Earth. SA next rocking and
treasures from classic rock and metal artists as well as
newer bands emulating that hard and heavy seventies and eighties sound.
That was a track called wild Rover of Hell by
the band Vulbeat, taking off of their third album entitled
(14:13):
Guitar Gangsters and Cadillac Blood, released in two thousand and eight,
and in my opinion, Volbeat is one of the most
unique and coolest metal fusion bands in the last twenty
five years. And I'm sure there are others out there,
but I love how Volbeat can effectively mix heavy metal
with rockabilly and punk and still and still have great
(14:37):
melodic hooks. That's the thing. And in this song, my
favorite line is where he says, driving the highway with
nothing to do, future fading away, the stereo pumping Metallica tunes,
Ride the Lightning, Oh yeah, oh, I love that stuff,
(14:58):
and you can tell that Michael Paulson, who is the
founding member and lead singer and guitarist, he derives his
influence from Metallica to Slayer, Elvis Presley, the Johnny Cash
of the Ramones, to Motorhead, amongst others, and in the
end Volby. They just put out great rock and tunes.
(15:18):
You're listening to ninety nine point one f M K LBP.
Speaker 8 (15:29):
Bounding the world like batting, vaulting, the fantasy of the
final ram slam.
Speaker 5 (15:51):
Shut up, the.
Speaker 4 (15:59):
Draped construction of the seconds of love.
Speaker 9 (16:05):
Samboling handles, streaming muscles, fights, shackfoing, blows, rushing brown beat
and rice.
Speaker 6 (16:27):
I start the skating and as all my sa ingles.
Speaker 10 (16:34):
Lasting in the candons.
Speaker 11 (16:35):
Of tory which man love deserve, the usignystroms.
Speaker 6 (17:15):
The one tming nation that's always some sason to grain
down the trap and a bree.
Speaker 12 (17:28):
That good from the badst the age for the rage
of the stops, which must fall to the just and
be free.
Speaker 6 (17:41):
Now break for the bangles, trample and sampot of this space.
Speaker 13 (17:46):
Tendation, puff of demolition to warring and.
Speaker 12 (17:56):
Sliding, corsive subsiding and with the wings who seem no.
Speaker 10 (18:02):
Dream feels bad, founding the world like a battery round.
Speaker 6 (18:34):
Paulching the furnace of the final.
Speaker 4 (18:37):
Glass swam noting the way up the saw soon the castle,
Mico dreaming the train of destruction in the seconds of.
Speaker 1 (19:21):
This is KLBP, Long Beach, California, where you could tune
into all of our shows at ninety nine point one
on your FM dial in the Long Beach area or
on our new KLBP app or on the web at
KALBP dot org. And if you click on the podcast
link in the upper right of the website, you'll see
all of our radio hosts and each of our shows,
including my own podcast called the Get the Fluff Up Podcast,
(19:44):
co hosted by myself along with Dirty Jim, with over
one hundred and fifty episodes and shows over the last
five years. Now, that was a song called Rapid Fire
by Judas Priest, taking off of their sixth album British Steel,
which was released in nineteen eighty and in my teens
and all throughout high school and after, I was the
(20:07):
heavy metal DJ at all the keg parties in the
woods or someone's backyard or at the parking lot of
the mall wherever, So no one knew what music I
would be playing after whatever album or band was playing.
So then I remember each time that I put this
cassette into my boombox. As soon as everyone heard the
(20:31):
opening crunchy riff and those pounding drums, they knew the
opening lyric pounding the world like a bat to ring ram,
and everyone's fist would just involuntarily clench. What a great
line to kind of visualize the aggression of metal music
and what great memories we had from back in the day.
(20:53):
Here's a brand new track from the upcoming kill Switch
and Gage album. This is called I Believe on the
new KLBP playing the tracks that deserve to be heard,
(21:27):
show about the science.
Speaker 3 (21:32):
To start.
Speaker 4 (21:35):
Stopper, my DearS that run on and R.
Speaker 3 (21:40):
Side most time.
Speaker 4 (21:43):
I'm on just down time Joe to make a.
Speaker 12 (21:50):
Man the south stalls.
Speaker 4 (21:55):
Tell night Stop, said Bist smile, saying this dark times,
keeping the f by, there is a side my face
(22:26):
discover same sins to sails, fun to spire.
Speaker 3 (22:34):
No matter what this will will to you, do not
clim and.
Speaker 6 (22:40):
Face virtue, feel that got you that go of the pace.
Speaker 4 (22:49):
You can't con by side that night. Damn busy rag
by burns their due. Welcome you want we.
Speaker 13 (23:10):
Show the d John.
Speaker 4 (23:17):
Show a shop, say sound bag ing New York stag
(23:49):
stop not bags watches side say.
Speaker 7 (24:13):
JOm Astra nothing lost.
Speaker 4 (24:39):
I work.
Speaker 1 (24:55):
This is kob p ninety nine point one f M
Long Beach where every Monday night at nine pm you
can hear hard and heavy rock and metal deep cuts
like you've been hearing tonight. And that was a track
called I Believe by kill Switch Engage from their upcoming
ninth studio album entitled This Consequence, to be released on
(25:16):
February twenty first, twenty twenty five. And generally, I do
not like metalcore scream o type bands that use harsh
screaming throughout the entire song with no sense of vocal melody.
It's to me, it's just screaming for the sake of screaming.
And as you guys are ready now, I'm I'm a
(25:37):
fan of traditional, clean heavy metal vocals where I can
understand the lyrics and sing along like with Rob Halford,
Ronnie James Dio, Jeff Tay, Bruce Dickinson, d Snyder, you
know vocalists like that. But with that said, this new
kill Switch engaged song with Jesse Leach on vocals is
(25:57):
really good and most of the song has his raspy vocals,
with only a little bit of scream oh there in
the bridge and towards the end of the song. But
overall this is a melodically heavy track. Time for a
band that early on in their career in the late
seventies and early eighties, they were accused of being an
ac DC ripoff band. So see if you can guess
(26:20):
which band. This is broadcasting from Shannon's Corner at Broadway
and Pine in downtown Long Beach. This is a ninety
nine point one FM KLBP.
Speaker 5 (27:48):
You know about sixteen flos and the legs A time
long sign mean tonight, John Solic, We do we need
(28:20):
a drive, We need a rabbi.
Speaker 6 (28:24):
The nice You're gonna stand up, You're gonna.
Speaker 5 (28:28):
Sat, You're dries to night longstas.
Speaker 3 (28:41):
To night lost does.
Speaker 5 (28:48):
Too nice?
Speaker 14 (28:50):
Long step go to guys, lobstep does the time is
(29:23):
r rd tonight to be with you, I miss the fight,
I stick this time withhing next stay weird. Listen where
(29:52):
Gonna live? Where not gonna take out? Where the gonna play?
Speaker 6 (29:56):
That You're gonna stay?
Speaker 3 (30:01):
Ye yet.
Speaker 5 (30:08):
Lost Bounces, Lost Buns, Lost Bounce, two Days Lost.
Speaker 1 (31:41):
My name is Hollywood and you're listening to ninety nine
point one FM, the new KLBP Long Beach, California, playing
those rarely heard songs that deserve to be heard. And
that was a track called long Stick Goes Boom by
Crocus from their sixth album entitled One Vice at a Time,
released in nineteen and after the ac DC esque intro,
(32:05):
when the band goes into the main guitar riff, it
sounds a little like the chorus for Love Hungry Man
on the album Highway to Hell and this band, Crocus
was like the Swiss version of ac DC. But you
know what, I loved it. I absolutely love the high pitched,
(32:25):
gravelly vocals by Mark Staraci and the rhythm and lead
guitar sound. To me, it's just it's so satisfying. I
don't care that it sounds like ac DC. To me,
this is just great rock and roll.
Speaker 4 (33:26):
John fool King.
Speaker 6 (33:29):
Crowned Out, carry don yat Dafty from Bounding Way, How.
Speaker 4 (33:39):
Say I Burn Jobs?
Speaker 12 (33:43):
Rison go, it's away, got to battery your crowd down
to your day.
Speaker 4 (33:51):
Don't need anything. We're gonna be out nd I don't.
Speaker 6 (33:55):
Even do that's not th yard open three.
Speaker 4 (34:11):
Friends need no man's water. You may god, I'm God
on you.
Speaker 6 (34:23):
Sho not many busy waiting.
Speaker 12 (34:29):
Drove me some drink, right they did me. I will
eat mine trying drawn shoppy anything would showing up beat us.
I don't hear him stop.
Speaker 3 (34:50):
Read open.
Speaker 4 (34:53):
Through fun.
Speaker 7 (34:58):
I mean I s a.
Speaker 4 (35:02):
Human fame.
Speaker 1 (35:07):
Meter.
Speaker 5 (35:07):
Now he's water.
Speaker 1 (35:11):
I have.
Speaker 4 (35:14):
Human, I have five men. Now he's water.
Speaker 6 (35:36):
Throw the po the features hurry in the breath.
Speaker 10 (35:43):
That's a freak of the button.
Speaker 12 (35:45):
Denominated don't need any they were come up beat up.
(36:15):
I don't hear I do that, dying up Halloween woods
three brown, don't need anything?
Speaker 6 (36:25):
Come up beat up. I don't hear him dog that
not dying out all open.
Speaker 12 (36:32):
Woods three hot fine brown.
Speaker 6 (36:57):
Either nomads wander.
Speaker 4 (37:01):
By five at about they're out and the water.
Speaker 1 (38:03):
Bang in your head like it's the nineteen eighties. But
feeling the pain because even bending down to put on
your socks in the morning as a hassle. That was
a track called me the nothing by Metal Church, taking
off of their thirteenth album called Congregation of Annihilation, released
(38:25):
in twenty twenty three. And the first time that I
saw Metal Church and concert was at the Agora Ballroom
in West Hartford, Connecticut, opening up for Metallica on November thirtieth,
nineteen eighty six, which was only two months after the
death of Cliff Burton. And then I saw Metallica Metal
Church only seven months later on June fourth, nineteen eighty seven,
(38:45):
opening up for Anthrax at the same place. And concerts
back then were just so much fun when we were
young and we were just seemingly invincible. Fast forward thirty
seven years. I recently saw Metal Church, which again at
the Whiskey of Go Go on the Sunset Strip on
September twenty fourth, twenty twenty three, on this Congregation of
(39:07):
Annihilation tour, and it was an amazing show with the
new vocalist Mark Lopes, and they played this song Me
the Nothing, which is absolutely a track that I love
for so many reasons. But the melodic structure of the
guitar progression to me is fantastically satisfying, and Mark Lopes
(39:27):
his killer vocals are the closest and raspy tonality to
the original lead singer David Wayne Up Next, I'm playing
some Black Sabbath fronted by Ronnie James Dio. Why because
I'm keeping it metal on gen X Rock Hidden Treasures.
Speaker 4 (39:59):
In the the morning.
Speaker 12 (40:02):
On the act of time, we lost the rising sun
funds at the misty morning, rolls away to time, reaching
for all the storm, were blind the sky?
Speaker 6 (40:32):
Were we sail across the before we learn to side.
Speaker 7 (40:46):
With?
Speaker 12 (40:47):
Not that it to.
Speaker 4 (40:53):
We blind above the ground, before we learned to ride
to rod. Now it seems a world of comander. Who
they say they'll get you tend to be.
Speaker 5 (41:21):
This sen that all.
Speaker 6 (41:27):
We are little children of the scene.
Speaker 4 (41:51):
We made the mountains, we lived the everybody.
Speaker 3 (41:57):
I didn't need a corder out the world.
Speaker 6 (42:04):
Then we be in the demon days and rough children
evermore true man the chief?
Speaker 3 (42:13):
And not then?
Speaker 4 (42:18):
Who this is?
Speaker 1 (42:20):
There?
Speaker 6 (42:20):
No way? And did you have to be?
Speaker 1 (42:32):
Is this.
Speaker 6 (42:34):
That's all? We're not children of the sea in the
(43:50):
misty money to time we watched the rising sun the
fun side, not the misty money.
Speaker 3 (44:07):
Rolled away to die, reaching for the stuff.
Speaker 6 (44:13):
With the saying the sky.
Speaker 5 (44:18):
All this.
Speaker 4 (44:20):
Even and did you have to be all this?
Speaker 9 (44:32):
See the.
Speaker 6 (44:38):
All those Children of the.
Speaker 4 (44:41):
Sea stuck out. The sky is falling, look out, the
world is speed.
Speaker 1 (45:16):
You're listening to gen X rock. That's hard and heavy
on ninety nine point one FM KLBP. And that was
a song called Children of the Sea by Black Sabbath,
taking off of their ninth album entitled Heaven and Hell,
released in nineteen eighty And after a chance meeting in
nineteen seventy nine between Ronnie James Dio and Tony Iomi
(45:37):
at the Rainbow Bar and Grill on the Sunset Strip,
Ronnie got together with Tony and then Tony played him
the opening arpeggiated intro to this song. Ronnie loved it
and said, give me a few minutes. I have some
ideas for lyrics, and according to Dio, the lyrics just
easily flowed and Children of the Sea was born and
(45:59):
became the first new Black Sabbath song written by Ronnie
James Dio. And this song, to me, it's just breathtaking.
I love it, from the ballad like intro with Ronnie's
floating vocals, to the raspy vocal attack throughout the verses
and the chorus, to the Gregorian monks chanting in harmony
(46:20):
with the guitar melody in the bridge. Children of the
Sea is just one of my favorite songs on this
landmark album. Let's check out a new band with ties
to the legendary Judas Priest. This is a band called
Elegant Weapons with the song do or Die. You're listening
(46:41):
to ninety nine point one f M the new KLBP.
Speaker 6 (47:19):
Careful free intoxication. Now that control fight a fight authority,
our rancum the soul.
Speaker 12 (47:27):
Here's some palputations get from life lon apart and.
Speaker 6 (47:31):
Micue vaccination showing a right of to the hard.
Speaker 3 (47:40):
The separate thinguity.
Speaker 4 (47:44):
A dresningbers dependent scarante to or dime, show no way there.
Speaker 6 (47:54):
So E the lie Bridges.
Speaker 4 (47:57):
Crossed the nine bird to a t B on your unterstick.
Speaker 15 (48:06):
To randoling and concentrations sharmaning till top one browning my
asphyxiation taking is.
Speaker 6 (48:23):
To screaming by with consummation.
Speaker 15 (48:26):
Sonny I sing I was orchestrated for the set up
thing week.
Speaker 3 (48:33):
Acious breast.
Speaker 4 (48:36):
You from your back, seemulation of last descending through the
cracks to or die, show no way there, Sony, the
lie rig just crossed a non bird to a die
(48:57):
on your own turstick.
Speaker 7 (49:12):
To go to.
Speaker 4 (50:24):
The bastards say afraid of hounding.
Speaker 6 (50:49):
Back, it's not twist a bad.
Speaker 12 (50:52):
Resistance to the distal saying sell to that straight.
Speaker 6 (50:56):
You needs the shaw here has got to got you.
But how was mast.
Speaker 4 (51:12):
Nations the front stimulation one last descending through the cracks
to a time show No way, Sony the lie rig
just crossed ten nine to.
Speaker 6 (51:36):
On your Moti.
Speaker 1 (52:04):
My name is Hollywood and I'm here every Monday night
at nine pm on ninety nine point one FM KLBP
Long Beach and you're listening to gen X Rock Hidden Treasures.
And that was a track called do or Die by
Elegant Weapons, taking off of their debut album entitled Horns
for a Halo, released in twenty twenty three. Elegant Weapons
(52:26):
features guitarists Richie Faulkner from Judas Priest and vocalist Ronnie Romero,
who was also the lead singer for Richie Blackmore's Rainbow,
Michael Schenker Group, Vandenberg and other projects in addition to
his own solo band, but Elegant Weapons, they've done a
great job of crafting some really cool metal tracks with
the melodic sensibility and if you haven't done so, go
(52:49):
ahead check out their debut album. It's called Horns for
a Halo. Now it's time to get a little deranged,
because honestly, life's getting kind out of control. Roll and
I like salad, like Kennigant out of control.
Speaker 14 (53:04):
I think, I don't know if you agree? Would you
have me that? As you know, it's like what it is.
Speaker 16 (53:10):
I know you heard the word a thousand times. It's
a rat race.
Speaker 4 (53:13):
You know.
Speaker 16 (53:13):
I went through the contortion to hell, I have alcoholic seizures,
wind up in the hospital and everything else. Now I'm
sick and I'm shaking like a leap. It was like
silly buddy and they threw him in the car and
beat him in the paddy wagon and beat him to death.
I hit one of those and I knocked the front
wheel off into outer space. And I kind of got
angry myself, and I said, have a lot of guns.
(53:37):
I like salad. I just ate a nice salad baked
potato and some cream cheese and chot. You know, I
just I like to eat a salad. When do you
have something in mind?
Speaker 6 (54:13):
When you said someone men alive?
Speaker 5 (54:15):
No, no man, stop back, Let me my mother again.
Speaker 14 (54:19):
Let me go here.
Speaker 4 (54:20):
Why I'm gonna gif you wanna make y got the
body way muster Donne says about day and he did
go the gone to your.
Speaker 6 (54:44):
Said the girl. I'm like, yeah, stuck job like you
you gonna be I din say it back. I stuck up.
Speaker 4 (54:49):
Don go be sexty that from the back, get ye
white racket the don the Dondy way.
Speaker 6 (54:56):
Must done said about Kay then got the goamant to.
Speaker 2 (55:00):
But it wasn't me Wow, men tell about.
Speaker 1 (56:44):
This is ninety nine point one f M and you're
listening to gen X Rock Hidden Treasures And that was
a track called Deranged by Exodus, taking off of their
second album entitled Pleasures of the Flesh, released in nineteen
eighty seven. And Pleasures of the Flesh is the first
Exodus album to feature Steve Sousa on vocals after Paul
(57:06):
Beayloff was fired from the band. When I myself bought
this album back in nineteen eighty seven, I was so
happy how good the production quality was, especially the sound
of the guitars. I simply loved the massive sound of
crunching chainsaw distorted riffs. But you know what, I'm not
(57:27):
sure what our upcoming DJ on KLBP thinks his name
is Declan. He hosts a show called Noise Noise Noise,
and the vocals of Steve Sousa are super gritty, but
you can still understand what he's singing, which is probably
a deal breaker for Declan.
Speaker 14 (57:43):
I don't know.
Speaker 1 (57:44):
I mean, he tends to like those songs that he
just can't understand what's being screamed. So anyway, if you
guys wanted to check out all the songs that I've
ever played on gen X Rock Hidden Treasures, just go
ahead and do a Google search and type in gen
x Rock Hidden Treasures Spotify playlist that will take you
(58:07):
to the app or to the website. You can go
ahead and save that playlist to your own library for
future listening. Up next on ninety nine point one FM
KLBP is a show called Noise Noise Noise hosted by Declan,
and he plays a variety of hardcore punk sas core,
scream o, metalcore, death core, and whatever else is noisy
(58:30):
out there. So I want to thank everyone for carving
out some time in your busy schedule to listen to
gen X Rock Hidden Treasures with DJ Hollywood and to
get a little gen X nostalgic with me. Until next time,
treat people the way that you want to be treated,
and always be good humans. This is KOBP ninety nine
point one FM, Long Beach, California.
Speaker 5 (58:51):
Let
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