Christian Rock Hard (S07E09)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
You downloaded a lot of songs, says here. You even
downloaded Judas Priest.

Speaker 2 (00:05):
That's hard time.

Speaker 1 (00:06):
You boys are looking at it. You got anything to
say for yourselves.

Speaker 2 (00:10):
We didn't think it was that big a deal.

Speaker 1 (00:13):
Not a big deal.

Speaker 3 (00:16):
You think downloading music for free is not a big deal.

Speaker 1 (00:21):
Put your coats on and I'm gonna show you something.
And I don't think you're gonna like you.

Speaker 3 (00:28):
Kick ash.

Speaker 1 (00:32):
Hey, guys, welcome to going down to south By the
podcast where we always have ourselves the time, and this
week we're gonna be rocking hard Christian style.

Speaker 2 (00:41):
You had a real flow going on this Christian I
forget a word, the word he's there, though, I am God.

Speaker 1 (00:48):
We're gonna be doing this show with my arms right open.
This podcast may take you higher that I'm going down. Guarantee,
guys already higher.

Speaker 2 (01:03):
And so I think we used to do. We used
to do create a fair bit when we were working
in a pop culture.

Speaker 1 (01:07):
I think so yeah, we're oam. I was a huge
fan of When Arms Open when I was a kid, right,
I had no idea that I was singing Jesus songs.
And they got to a point where I was a
teenage because that came out in the Wreck in two thousand,
so I would have been maybe eleven is so I
was still not quite a teenager, just in that little
in between area and I love with Arms World Open,
Can You Take Me Higher? And they had that song

(01:29):
Marsha g fash and then I could. I was like,
wait a minute, singing to Jess.

Speaker 2 (01:36):
They took existing song and they replaced him with jeezus, sorry,
he stepped on one of my favorite baby inside me. Well, look,
it's not cool to like Creed. I don't think it
was ever cool to like Creed despite it was. Well,
you were young, I didn't know any better.

Speaker 1 (01:57):
I'm going to spending eight ninety five of my with
Arms Wide Open single Saturday Gone Oh T three.

Speaker 2 (02:01):
Please you say sanity I think it means sanctity.

Speaker 1 (02:06):
Insanity to purchasing that CD. That's a joke about the
episode of the Being Good. I know it was very no.

Speaker 2 (02:17):
I was about to say, I think Creek sold a
lot of albums. Getting a hundred million people worldwide can't
be wrong. Probably even more than that.

Speaker 1 (02:25):
I think the whole basis of Faith plus one was
based off Creed.

Speaker 2 (02:28):
I reckon so certainly seen the way certainly with the
album cover. I can't remember specifically. I mean I could
probably look it up on Google right now, but that
whole thing of you know, well, as I said, arms
wide open, look into the sky, people sort of looking
off to the sides in various ways, it's that. Yeah,
even if that wasn't specifically created, it felt like just Creed.

(02:49):
Maybe Creed became shorthand for Christian rock.

Speaker 1 (02:50):
I don't know any other Christian actually know. There was
one Live, a Christian band.

Speaker 2 (02:55):
I was huge into Live. I really you're a sucker
as well, that's true. Yeah, and I really liked this song.
I think it's called selling the drama.

Speaker 1 (03:04):
So in Christian rock bands of the nineties, these apparently
the biggest ones, Live is not mentioned. He's six Miner's
none the richer.

Speaker 2 (03:11):
Really because kiss Me is a lovely song.

Speaker 1 (03:13):
See but so they were formed in nineteen ninety two,
but kiss Me came out late nineties. It is a
banger of a cover that they covered There She Goes,
There She Goes, but.

Speaker 2 (03:24):
Fun fact song about heroin.

Speaker 1 (03:27):
Kiss Me what a song.

Speaker 2 (03:28):
It's quite lovely.

Speaker 1 (03:29):
You put it on now, I feel like you a
dance or whatever or just what do you call they
call me face? Yes, and that song comes on and
you go, let's get up and dance. Then let's get up.
It's a slow one. Yeah, we all know this one. Yeah.

Speaker 2 (03:43):
And if you hear at specific times in love, I mean,
of course you associate particular memories with particular songs, but
I will say that, you know, around that time that
kiss Me came out, I think I was deeply in
love with someone. And every time we hear that songs like,
oh yeah, I was riding the honeymoon phase.

Speaker 1 (04:00):
That song just spoke to me. Yeah.

Speaker 2 (04:02):
It's like and even years down, the track is kind of.

Speaker 1 (04:04):
Like, let's know, what's a song for you? Not a
love song, but just a song that always makes you smile.
For me, it's the cover by top Lader of Dancing
in the Moonlight. I love that. I love that cover.
What's what's the song for you? Oh?

Speaker 2 (04:17):
That always makes me sell. That's a good question when.

Speaker 1 (04:19):
You put you put on the radio and it comes
on and you go yes.

Speaker 2 (04:22):
Yes, damn man, that's a really good question.

Speaker 1 (04:26):
We'll get to it later. Then, never asked guy questions
on the spot.

Speaker 2 (04:30):
No, No, I'm certainly not spontaneous. Sorry, was I saying
about Live. Yeah, I really like but yeah, you listen
to one of those songs that I like in particular,
and they're sort of talking about and there's something and no,
it's like and the Christ the Cross, and I'm like.

Speaker 1 (04:45):
What's what's this? It was a song title of theirs.

Speaker 2 (04:47):
The song is called Selling the Drama. Selling the Drama
on the album called Throwing Copper. That sounds like one
of those things where it's like, if I look to
if I look deeply into copper, it's throwing copper. It's
kind of like, is that when Jesus, like, you know,
dre the money lenders out of the temple a bit.

Speaker 1 (05:01):
It is Live, an American rock band formed in your
Pennsylvania in nineteen eighty four. They're that old. Excuse me?
Really wow? I thought they were a Christian man. Apparently not.
There's no mention of them being Christian at all. Maybe's
another band. IM thinking, well, that's I.

Speaker 2 (05:19):
Think you can have artists who are deeply influenced by
religion and spirituality and things to do with God. Martin
Scorsese is a very very Catholic influence filmmaker, but at
the same time, I don't think you necessarily say he's
the guy and makes God movies, even though he made
the Last Temptation of Christ.

Speaker 1 (05:38):
I think you know, the song Dolphins Cry is the
one that I know by live. That was the song
that was popular when I was a kid. It's that
really slow, just even with the times like dolphins crack.

Speaker 2 (05:49):
That sounds like something that cartmen would very cynically put together,
as like the suckers are going to love this way dolphins.

Speaker 1 (05:56):
What's the opening lyrics? Dolphins cry lyrics? It's there? Will
you be? In light.

Speaker 2 (06:06):
Of that?

Speaker 1 (06:08):
It sounds like geez and God laid me down into
your rose garden of trust. I think just because he
says the word God must be a Christian, not bad Jesus.
But what do you think the episode? I thought this
was another one of those you had to live through
it to get it.

Speaker 2 (06:24):
I think, so, yes, yeah, I mean I look, I
enjoyed it. I got a few good laughs out of
at mainstream cartm and just being so cynical.

Speaker 1 (06:30):
Oh, I thought it's hilarious.

Speaker 2 (06:31):
That was very very funny. Um, but it's all you're
very right. It struck me as one of those ones
like we're commenting on an issue that's very important at
the moment.

Speaker 1 (06:40):
All that's in the news at the moment. Remember when
Lime Wire and Napster, and.

Speaker 2 (06:45):
Remember when metallicas sort of yeah, got all bolshy about
it and sued people or threatened to go on striggle whatever. Yeah,
that was very much a specific moment.

Speaker 1 (06:54):
I'm buying what Trey saying here where he says, look,
stop bitching, Just go play your music and keep you
keep making money. You stop bitching about it. Right. But
the thing is too, at the time, we all did it,
and we still do. Like we're pirate of things. Right. Sure,
we never really quite understood the impact it was going
to have because we just we lived through the era
where CDs, videos they were king. They're never going to

(07:16):
go to business. Cinemas they're never going to go out
of business, that kind of thing. Video stores they'll be
here forever. Ah, you keep telling us it's going to
ruin the industry. Wait, ruin the industry.

Speaker 2 (07:24):
Meantime, you should have listened to your grandpa who was
saying when I was young, vaudeville was going to last forever.

Speaker 1 (07:29):
Yeah, and guess what now, So this is the thing
I'm watching this going Why did they take the mickey
out of pirating movies and this as well, And I thought, no,
because this is the start. This was the start of it.
When the Internet wasn't capable of downloading movies just yet,
with downloading songs still took two hours. Absolutely, like you
watually got it's like twelve percent.

Speaker 2 (07:50):
Meanwhile, I could have been I could have caught the
butts into sanity and got home and listened to this
Britney Speeders record twice. Yes, and by the time it's
downloaded anyway.

Speaker 1 (08:01):
Another I'm the spot question though, can you remember the
first song you successfully downloaded for me? It was four
non Blonde? What's Up? I still remember seeing it get
as like it was finished and I was like, let's
see if this works. Put it on and it worked.
I was like, this is a new world. This podcast
is over there.

Speaker 2 (08:16):
I'm sorry, what do you mean?

Speaker 1 (08:17):
I know you don't like that. I've had this discussion.
I know you not like that song. You're a fool.

Speaker 2 (08:21):
No, No, I'm just right. I think it might have
been something by Peter Gabriel.

Speaker 1 (08:26):
Like we can't be friends anymore? No, like like.

Speaker 2 (08:32):
I think he had a song from the mid eighties
called rhythm of the heat that I remember from this
is the most generation next coded shit I've ever said
in my life. I remember watching it was like on
the soundtrack of an episode of Miami Vice, and it
just really worked. And I was like, that's good, that's
just said. That's the kind of amasing I want to
have in the background. Just get me fired up. But
I met Jack had fainted an album. But let's try

(08:55):
this technology thing down. Yeah, as you said, gradually, get
there gradually is like cut out, you lose it all
back to the start, very long ago, long ago, when
it came to a two movies actually because sorry, look,
I'd do a little party occasionally this if something is
very very hard to track down on not available on
physical media, And I was trying to get this shitty

(09:16):
monster movie from like the two thousands or something, and
the download was crapping out like eighty seven percent.

Speaker 1 (09:22):
I don't you hate when it gets to nearly ninety
what what are you doing? Are you fucking with me?
Who's pulling out these at these seas there's seats going
a ninety plug pulled, it's going to bed.

Speaker 2 (09:35):
But yeah, I think it was a Peter gabriel's'n call
Rhythm the heat. Yes, going back to what we were
saying about them taking the piss out of guys like
Metallica and Britney Spears who are all like, no, we
just want to make money. It's like that's an easy
target and it's good for a laugh and all that.
You're taking the piss out of mega artists losing their money.

(09:56):
Oh masterpiece, some can't afford his Tropical Paradise or something.

Speaker 1 (09:59):
Like that, little man.

Speaker 2 (10:00):
But what what you're thinking about, Well, what you're failing
to acknowledge here and a Minially we're early in the
game here, we don't know how it's going to play it,
but you you haven't thought about the flow on effect
to the rest of the industry, to the mid level artist,
to the ones who are coming up. One of my
favorite sayings when it comes to art and commerce is
a line from the fantastic nineteen eighty four movie The

(10:20):
Right Stuff about the Space Race. The line is no bucks,
no buck, Rogers. You've got to make money to then
spend money, you know, I mean the money goes back
into the industry.

Speaker 1 (10:29):
Maybe it allows.

Speaker 2 (10:30):
For R and D or you know, or A and
R and more acronyms. But you know, I mean it's
not just like, oh, a soldonn album has gone directly
into Metallica's pocket, or has gone directly into the pocket
the executives. It has flow on effect as well. It's like, okay,
well we can bankroll, you know, we can be a
bit creative or be a bit curious and scatter out

(10:51):
some new artists. I mean, this is the way it
used to be in the music industry. I don't know
how it operates these days. Isn't it just there's Taylor Swift,
everybody's the industry? Well it's did was?

Speaker 1 (11:00):
It changed the industry in a sense that now the musicians,
the ones who weren't big megastars, had to make their
own money, make their own popularity. They had to go
on a did Monkeys did it very very well just
releasing making their own website and releasing their music on there.
They had to become their own manager, become their own
record label.

Speaker 2 (11:17):
And I think that was the dream as well, or
that was the hope that oh, well, you know, we
can cut out in the middle man and we can
you know, we can say, hey, fans, hi, where the
arcting Monkeys, Would you like to buy our album, It'll
cost you two dollars, and you know, but then it's
all yours and all that kind of stuff, And then
I know, maybe they happened for a while. It probably

(11:38):
did well for the Arcting Monkeys, maybe one or two
other artists. I remember seeing some.

Speaker 1 (11:41):
Movie about sort of about music and.

Speaker 2 (11:45):
Called begin Again with Kian Knightley and at the end,
you know, she's this acoustic singer songwriter who hooks up
with the Mark Ruffalo, who's this record executive going through
a crisis or whatever. He sort of says, make your
own music, you know, your artists, a lot of stuff
that Parker and Stone are saying here. And in the end,
you know, she releases her like EP online. I think

(12:06):
it was Narles Barkley made a cameo and he's like,
who shit, was better to do a really? Yo, this
is dope, he said on like the GRAM and everyone's like, well,
let's check this out. And you know she's I'm selling
so many records and making so much mess.

Speaker 1 (12:22):
Yeah it's so easy.

Speaker 2 (12:24):
Yeah, But of course, anytime anyone is making even a
scaric of money in today's hyper competitive society, it's like
Elon or Big Daddy Jeff or someone or Steve what
the late great Steve Jobs or whoever is going to go.
I'm gonna find a way to take your damn because
I controlled the means of distribution. Yeah, so sorry to

(12:45):
rewind a little bit after my very bolshevik screed. Yeah,
I mean they're sort of saying, oh wow, tough shit
for for Lars or Rick. You can't afford his gold
plated shark bar for his private pool with.

Speaker 1 (12:59):
A couple of months. It's for it now.

Speaker 2 (13:00):
Yeah, But there's a bunch of people out there who
was like, Wow, you know, I really love making music,
and you know what, I'd love to make it my career.
I'd love to sell some records so I can put
that in it. It's like the Brendan dandel experience featuring
Guy in that, you know, the money that comes in
from our friend Katie g and other people.

Speaker 1 (13:19):
It's about the show, guys. It's about the.

Speaker 2 (13:20):
Show, guys. Dan, It's not you know, getting a gold
plate a shark bar. He's buying more mikes. He's you know,
and occasionally paying guys, occasionally feeding my children.

Speaker 1 (13:35):
Let's get a priorities, right, guy, and he kids. You
have your priorities, right, I'm glad.

Speaker 2 (13:43):
Yeah, so you're going to have these other musicians who
sort of got priced out of the industry or and
you see it, you'll hear about it more and more.
I don't think a week goes by and there's not
an article in the Guardian or some other newspaper where
they're talking about you'll have some actors. Oh yeah, she
was established and the same. I was a working class actor.

(14:04):
It wouldn't work today. No, there aren't the resources or
the infrastructure for me to sort of do drama classes
down at the rec center or something like that. Now
it's just going to like every actor as a posh kid. Well,
it was going to afford to go to drama school.
It was the same with movies. When we were download
we'll see we went downloady movies. We were still burning
DVDs VCDs. I think that one movie across two CDs burnt, right,

(14:27):
And at the time, we didn't really think that the
movie industry was going to go to shit, right. We
still we didn't think video stores were actually go.

Speaker 1 (14:34):
Out of business. You try and explain the logic now,
because we all missed the days of going to the
video store and getting a movie, right, what we do? Yeah,
you try to explain the logic to a twenty year
old now that, oh, you had to go to the
shop and pick out two movies and pay like, you know,
ten to fifteen dollars to watch just those two movies,
and you had to watch those two movies for a week,
and then you could take them back and get two
new ones for more money. Try and explain that logic

(14:55):
to it to a fucking modern child.

Speaker 2 (14:57):
Yeah, absolutely, I mean it's funny. You hear people sort
of talking about the film industry when it first started
and when it was in its hey day, and they
were saying, it's the weirdest industry, and it's a real
kind of it's almost like a con in some ways,
because you were asking people to leave the house, come
to this other establishment, hand over money, sit down. What

(15:18):
do they take away from it?

Speaker 1 (15:19):
A memory?

Speaker 2 (15:20):
That's all they take away from it. You know, when
you actually go to the movie, you spent Money's designed
to make memories, so, yeah, to make experiences and things
like that. And certainly, you know there were times when
it's not just wow, I saw that movie, is like
I remember saying back, Yeah, this is me talking now.
It's like I remember Sam back to the Future, and
just everybody just you know, when when Georgian Fly punches

(15:40):
that bit, everyone just like wow.

Speaker 1 (15:42):
Yeah.

Speaker 2 (15:42):
When Martin McFly starts playing Johnny be Good and then
just goes into metal, Everyone's just like, oh my god,
this is the funniest thing I've ever say. It felt
like just a communal experience. We're all together, all enjoying it.
We felt like one person the experience.

Speaker 1 (15:54):
Well, it's funny you say that, because now you go
to the movies and it's just one person in there.

Speaker 2 (16:01):
What you were saying the other day on another one
of their shows, how you took the you took the
kids to see some kids movie.

Speaker 1 (16:07):
Yeah, ever, and not a soul in this, not what,
Not a single person was in there, just us. Yeah.

Speaker 2 (16:12):
So look, sorry, we don't mean to turn this episode
of going down to South Park into just you know,
a millennial and a gen X say you should be better.

Speaker 1 (16:21):
But cinemas need to exist though, because girls, for example,
you know, guys go out of the date. She won't
want to watch a movie with him, She just wants
to go to his house to watch it. She doesn't
trust him yet. I'll go to the movies. Probably to
go to the movies. There's no one how to help it.
You're saying for it his out. Netflix can chill. All

(16:42):
your favorite moments from the episode, I have a few.

Speaker 2 (16:46):
I've already mentioned one of them, yeah up and saying yeah.
Writing Christian rock is easy. You take existing songs and
you just replaced baby with jeezy. Take an existing song,
put a clock the clock in it again one of
my Another one of my favorite plosophies. Uh I mentioned
people are afraid of new things. I mentioned Sanctity that
band before. That's just pure Trey Parker when they're we

(17:11):
teach the audiences that Christy rock can be hard rocking Coop.
But then when they when Carman officely go pray with him,
they're like, yeah, share him down from Heaven, spear down
the Gloria. I can just tell the Trade just had
so much fun doing that.

Speaker 1 (17:28):
Trade was going full like, uh, what was it going
to how the song from the movie You're going to
have field things in that? But like that's that's what
Trade tries to do with.

Speaker 2 (17:39):
Oh yeah, we talked about the title song to their
movie or Gasmo yeah, Rember, it's one of my favorite
Pakistan things, just that voice. But yeah, sard Dawn from
Heaven around the Gloria.

Speaker 1 (17:54):
I love it. When it's not one point they hit
the cr go praise Jesus, Yes, praise him.

Speaker 2 (18:00):
I just wanted to backtrack a little bit. We were
talking about Christian bands and how Creeds seem to be
like the alpha Omega. That life was one that I
remember from growing up in the eighties because you know,
it was the air of hair metal and there was
a Christian hair metal band called Striper with a Y
S t R Y. Yeah, of course, yeah, because they're
because they're metal.

Speaker 1 (18:21):
If it stripes would be a Z. Yeah. But and
they're not their gimmick.

Speaker 2 (18:28):
I mean they look like your typical sort of hair
metal stick yeah yeah, but they it was all sort
of yellow and black outfits.

Speaker 1 (18:34):
They were all in yellow Google in this Yeah, continue,
but a Striper was like, oh, yes, they're very yellow
and black.

Speaker 2 (18:45):
In today's installment of Guy makes promises he won't keep.
We'll put a picture in the show notes.

Speaker 1 (18:50):
They are there. Check them out. Very sexy, man, Holy moly.

Speaker 2 (18:53):
But yeah, Striper O the.

Speaker 1 (18:55):
Clean they're act up.

Speaker 2 (18:56):
Now.

Speaker 1 (18:56):
Look at them now, look at them very thirty five
years later.

Speaker 2 (18:59):
But look one is looking off.

Speaker 1 (19:02):
Yeah, isn't he look in this way? Thirty five years
later and they've done that the fucking Faith plus one
album cover.

Speaker 2 (19:12):
Absolutely save them and put it on the and we'll
put it on that.

Speaker 1 (19:16):
We will, Yes, absolutely, I will say though there's one
little thing. Obviously they could have taken multiple photos. We
didn't see them take multiple photos. But when they originally
take the photo, tokens at the back, but when you
look at the other tokens in butterspot, there's swapped the spots. Yeah,
it happens a photo. Sometimes I'm watching this going I
wonder if not that Trey Park would ever give a
ship because he's racist, because he's just like he hasn't

(19:38):
been to the rules of what would you call it
woke society political correct correctness. Yes, it's seeing that the
black kid was all the way at the back. Maybe
they watched it went maybe we should probably move in
closer to the front. But I think they wouldn't give
a shit because I don't think that's carbon con a
black kid.

Speaker 2 (19:54):
Like I said, yes and all the sort of yeah,
trafficking in racial stereotypes sort of semi benign, like, of
course you kind of a base in your in your basement.

Speaker 1 (20:04):
Of course you know how to play it. It was great,
God damn it. It's what's great is that Token walks off.
Then he goes, you're not going to join your band.
It casts Butter's and Cartman. You're like, ah, I guess
Carton's wrong. Then he walks into the bass and he
says one of my I love swearing. It can make
things funnier, right, I'm not huge on crass comedians where
they just rely on the swearing, but there was a

(20:25):
moment here where Cartman comes to brag about being the
banah blah blah blah, and Kyl just says, can't you're
not rejoin the band? Fuck off? I'm like, I just
love you're not doing funk off. A good funk off
can really pay dividends. Brian Cox made a whole second
career out of it on Succession. Yeah yeah, people just
coming up on the street tell me, yeah, I've never

(20:48):
forget Tom Hanks on Inside the After Studio one of
my favorite shows, and it's not on you can't watch
it anyway any more on YouTube. But they always used
to ask what's your favorite swear word? At the end,
I always remember it's not funk off, but Tom I
going horseshit, just like horseshit. Great word, great sporad, horseshit, horseshit.

Speaker 2 (21:08):
If you like more Tom Honk, Tom Hank, Tom Honks
Honky Honky, it's the German version, Tom Honks.

Speaker 1 (21:14):
Tom Hanks, that honky Honky devil.

Speaker 2 (21:18):
If you would like more Tom Hanks content by tune
into the movie Guard with Morlton Davis, where we discussed
the two thousand Tom Hanks movie cast Away.

Speaker 1 (21:26):
Leonard and Guy both grew their beards out for that
one he.

Speaker 2 (21:28):
Did I lost fifty pounds yea, and then gained it
right back. And then some one other thing that I
did like was just at the very end of the episode,
Cartman has just pushed, well, he pushed away the Christian audience,
but he's also just alienated the other members of Feet
plus one. Togan gets his justifiable sort of payback, but
it's just fats on his heads, Like what that's perfect

(21:51):
Butter's payback?

Speaker 1 (21:51):
Fuck you? Notice ending the ending? But that's what do
you think of the ending? Because the ending usually can't
man gets his come up in But doesn't you just
end with oh, you got what he deserved. Yeah, that's true.

Speaker 2 (22:03):
I mean normally there have been some recent episodes where
it's like, oh, he pulled the scam and everybody fell
for it and there's no karmic payback at all. Yeah,
so actually happens here. So I don't know, we've mentioned
in the past that South Park's producer and I'm gonna
say Garafino. I hope that's how you pronounce it. Actually,

(22:24):
conners of the show's morals compass she I think may
have Christian faith.

Speaker 1 (22:29):
I don't know.

Speaker 2 (22:29):
Maybe they she was like on their shoulder, being the
angel on their shoulders, saying, guys, I can't get away
with this.

Speaker 1 (22:36):
This is why I thinking as well. My logic was
maybe because you know, they don't want to get bombarded
with hate mail from the Christian community. That they just went, look,
he does all these horrible things, exploited your religion, said
all these horrible places, played you for suckers. But he
got his come uppets in the end. Yes, and that's it,
And that's in the open that he got what he deserved.
They literally said he got what he deserved. Yeah, it's funny.

Speaker 2 (22:57):
One of my favorite shows on TV is currently back
on It's called The Righteous Gem Stuff.

Speaker 1 (23:02):
You're going to see the Bear, not yet, although I
thought season three lacks something of the Bear.

Speaker 2 (23:07):
That's because it's it was meant to be season three
and four. But I think the studio and the channel
we're all like people seem to like that bear. Give
us more like, Okay, we'll cut the We'll stretch out
our last season.

Speaker 1 (23:22):
Into two seasons.

Speaker 2 (23:23):
I was going to be the last season, I think, so, Yeah,
better to get four perfect ones or four really really
good ones and just like outstatus welcome Yeah Signfeld principle.

Speaker 1 (23:33):
Going Down to South Park is brought to you by
our incredible supporters on Patreon. With your support, we're able
to hire editors, purchase new equipment, and everything else that
goes into producing top quality shows. Each and every week,
our supporters get early in add free access to every show,
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of the Heel each month, as well as access to

(23:54):
exclusive Facebook and Discord communities. So go ahead and support
the show today for as little as just one dollar
at Patreon dot com slash fourthing a discount. Yeah.

Speaker 2 (24:04):
Righteous Gemstones is back on. It airs on HBO and
Max or whatever it's called in the States, on Foxtel
slash binge here in Australia, and it does a really
good job of taking the piss out of I guess
organized religion, particularly megachurches and all those ones that can
be very sort of gaudian over the top, but at
the same time also shows that, like there are people

(24:25):
who derive real meaning and a sense of community from this,
and does it they never take the piss out of
those people. They're kind of like, I can see what
you're getting from this. It's a shame that, you know,
the people who are doing this are maybe don't have
your bestanswer a to heart, but I can see why
you have a need for community and a need for
faith and a need for belief. And we're not making
fun of that at all.

Speaker 1 (24:45):
I mean the show runers are making fun of that. Now.

Speaker 2 (24:47):
The show's not making fun yeah, yeah, yeah, the show
is more making fun of like people are terrible grifted.

Speaker 1 (24:53):
Well you have, that's the whole point. It's like the
homophobia aspect. Yeah, we're not making fun of John Waters
as John it's no Homer is the bad guy.

Speaker 2 (25:00):
Yeah, absolutely, yeah, Rochard jameson really good check out.

Speaker 1 (25:02):
I have not checked it out yet. I will check
it out's always sitting now and like yeah one day, yeah,
maybe don't watch it with the kids. Okay, my man,
Johnny in it?

Speaker 2 (25:09):
Oh, holy moly, just the unstoppable John Goodman. And how
many years has been working?

Speaker 1 (25:14):
Maybe given?

Speaker 2 (25:15):
I was about to say never given a bad performance,
and then I was reading some old Calummne not long ago,
where it was like a movie with Bruce Willison's like,
how do you make John Goodman give a bad performance?

Speaker 1 (25:25):
But if you want to smile? Speaking of videos of
make a smile, check out John Goodman dance at the
end of kyte Ugly dancing to Inexcess. Yes.

Speaker 2 (25:32):
Correct, But that's all the stuff I've led.

Speaker 1 (25:36):
Do something else, tribute question, Go do it? That's okay.
Remember there are no stupid questions, just stupid people. My
first question for you is what is on the drum set?
But his drum set? Is it snacky snacky cakes? Yeah?
Sacky cake? Yeah yeah.

Speaker 2 (25:52):
The members of moop are talking about their various musical influences.
What is Kenny's musical background as the drummer.

Speaker 1 (26:00):
Damn, I should not. I know he wanted to download
Judas Priest. I'm not sure what was it. He's in
the Latin jazz, Latin jazz. Okay, yeah. My next question
for you is master P. Yeah, he's somewhat in an
island where oh, I want to.

Speaker 2 (26:13):
Say French Polynesia.

Speaker 1 (26:14):
Correct, hey knows me.

Speaker 2 (26:16):
Cartin' is crunch the numbers. He's found out that there
is a Christian rock based audience in the USA. How
many people?

Speaker 1 (26:24):
It's hundreds of millions, right, yeah, yeah, it's one hundred
and thirty million or something undred eighty million. Okay, yeah, quick.
My last question for you is what were the fees
that each parent had to pay to get the kids
out of the FBI.

Speaker 2 (26:40):
HQ I was at four hundred bucks.

Speaker 1 (26:42):
Yeah. That was actually one of hermotes as well. I
love the not the big of a deal and let
me show yourself and you're probably not going to like it.

Speaker 2 (26:51):
What's that coms name?

Speaker 1 (26:51):
Again?

Speaker 2 (26:52):
We were talking about him on our last episode and
how he makes appearances later on.

Speaker 1 (26:55):
Is he the one that was like running the when
he sent them on to do the drug crack? Let's
look at that what was that episode little little crime stuff,
Lieutenant Dawson. Yes, when you're gonna like it, but when the.

Speaker 2 (27:10):
Boys are first brought in after they have been raided
for downloading and the city in the derogation room, they
clearly think this is no big.

Speaker 1 (27:18):
Shut up good All right, but my favorite, we'll get
to do the review and know veteran, but it's tough.
A some cheesepoops, cheesepoops, no staking cakes, cheesepoops.

Speaker 2 (27:33):
I love cheesypoofs.

Speaker 1 (27:35):
You love cheesypoofs. Weed didn't cheesypoofs. Sweet be Starting with
the lovely lady Katy G herself with her one hundred
dollars support as always, Thank you so much, Katie G.
Now the following people are top tier cheesepoop supporters. We
have got Paul Warner, Isabella Murphy, Jonathan Rossi, Rach Beasley,

(27:55):
Stephen Roberts, Sean DV Pete Anderson, Timothy Bells, and Andrew Davis,
Ryan Dunlap, Kevin Dentzel, Planned Flood, Shannon Hofer, Bala Winderbank,
Jack McFadden, Heath Applebee, Adrick McLeod Lewis Cavanagh, March Trelevin
Rhys Roberts, Ginger and Pickle, Preston, Murray, Talah, Enriquez, Jeep Mersado,
Declan Phoenix, Brian McCoy, Josh Hellier, Logan, b James Shephard,

(28:18):
Joe Reading, Sect, Dave Pretzel's McNelly, Gavin Lane, Demi Miller,
and Charlie Joe. We love all those people, do not
to mister Davis. We love each and every one of
them equally equally. Yes, he's each as delicious as the last.
All right, let's get into a review of Christian rock Hard,
which originally aired October twenty nine, two thousand and three.
Written directed by Trey Parker, the episode kicks off with

(28:39):
the boys doing some band practice. Love every episode that
just kicks off with them just doing something like band practice.
All there, they've got a little crime department happening. That's
what it's like when you're a kid hanging out with
your mates on the weekends, like what can we do
this weekend?

Speaker 2 (28:50):
Oh yeah?

Speaker 1 (28:51):
Is that a band? And you always start with the
best of intentions, like we're gonna sell million albums, famous
world wide.

Speaker 2 (29:00):
Remember the lyrics that Cartman is singing, you know, when
we first ender the episode and something like come.

Speaker 1 (29:05):
And touch my destiny. It sounds like Vietnamese man been
having his insides written out or something. Isn't it Vietnamese?
Who knows? But they went pretty racist of this episode.
They doubled down. I thought, this one world, Yes, Cartman
decides they should do a Christian rock band, you know that,
don't worry for all your influences. Just that's the one
that we can exploit the most.

Speaker 2 (29:26):
See, that's the thing.

Speaker 1 (29:27):
I mean.

Speaker 2 (29:27):
The other thing is Cartman from the Jump is very
that I think is one of the lessons the episode.
I mean, he doesn't have any musical integrity at all.
He just wants money from the jump, whereas even guys
like Metallica or Britney or master P or whatever. I'm
pretty sure they started going as you said, well, we're
gonna make a million bucks or it. But it's also like,

(29:49):
I like making music. I like how it makes me feel.
I like performing, I like creating, I like doing all
that kind of stuff.

Speaker 1 (29:54):
And then they started like you're making money.

Speaker 2 (29:55):
Yes, like a bit of money on top of that
will be nice.

Speaker 1 (29:58):
I'd be gravy.

Speaker 2 (29:58):
But yeah, I don't think Cartmen is ever like I've
got something in same. I need to express this, like,
people buy music. I can make money doing music, So
it's just a cynic from the from the.

Speaker 1 (30:11):
Jump, You're gonna play the easiest, crappiest rock. It works
for Creed, so surely it's going to work for them.
They kick me out of the band.

Speaker 2 (30:17):
That's harsh for great.

Speaker 1 (30:18):
I mean see, I was not old enough to truly
remember the hate on Creed, right, but with Creed always
seen as a punching bag, I.

Speaker 2 (30:28):
Think so yeah, okay, which and I don't think it
was because of because of their music. I mean, I'm
pretty secular when it comes down the music taste, and
also kind of a snob. But I mean like, can
you take me.

Speaker 1 (30:45):
Kind of rocking? Yeah? I mean my sacrifice higher and
arms what open? Yeah.

Speaker 2 (30:51):
I think it was like, oh, you guys are just
too sincere. Yeah yeah, so yeah, if you had buried
your Christian inclinations just a little bit more, made a
little bit more subjects, we probably woulought, oh well, that's
something everybody can like, but no, we're Christian. We're right

(31:12):
behind that. It's like that's no cue.

Speaker 1 (31:14):
So I remember people hating on Limp Biscuit, even though
my mates I wasn't laid to buy the arbms because
I swore a lot. But it Chocolate Starffish I think
was the album or something like that, and my mate
had the army brought it over like hot dog water.
Yes that's right. Yeah remember the cover. But that song
My Way is fucking awesome. Man.

Speaker 2 (31:32):
How any times, as I said, I'm an indoor kid,
I'm not someone who rocks out heart. How many times
have I said, you know what's fucking dope is bodies? Yeah,
he's let the bodies at the floor. Yeah, everyone can
enjoy that, except the bodies for bodies and the floor.

Speaker 1 (31:56):
But also yeah, like lim Roland is not for me.

Speaker 2 (32:00):
But at the same time, it's like I can recognize
that this just makes you want to, as he says,
break shit.

Speaker 1 (32:05):
Well. So WWE was so cool at the time. Everyone
loved wrestling, and I remember the Undertaker used because he
came out on a motorbike. For away, wasn't the Undertaker
dead Man under he was an American biking America Undertaker
and he came out to rollin' and it was just
so fucking cool. And then the most iconic when you
watch wrestling, it you don't watch it, but they have
video packages before the match to say, this is what's happened, happening.

(32:27):
This is when you watch any boxing matches, a little
promo video that before the fight. And the Stone Cold
versus the Rock at wrestlming is seventeen, they played them
biscuits my way and everyone's still to this. A consays
that the greatest package ever produced for wrestling US. He
watched you like it's fucking perfect. Of course.

Speaker 2 (32:44):
I think anyone who enjoys music, any type of art,
they've got some degree of snob in them, just a
little bit. I mean, it can be huge or it
can be Yeah, only like their first album and I
only like the Japanese remaster of it.

Speaker 1 (32:56):
That's the only one. Well, we spoke last week about
when South is gay but reality shows, I would just
deliberately go, I'm not watching that. I'm too good for that. Yeah,
and you watch it, but you know, I said the
reason I didn't watchcause I didn't I knew I'd probably
end up liking it. Yeah, I'm not watching that shit. Yeah,
And I think you know, there are some.

Speaker 2 (33:16):
Artists of any sort of genre or type of format
or whatever who just become a bit of a punching bag,
and it's like it's weird. Will get this sort of
herd mentality of like, oh yeah, those guys suck, but
they can't suck because they're selling millions and millions of
records and I don't think everyone is hate buying them.

Speaker 1 (33:32):
It's like and it's like with that with the actors,
and it's like Chris Pratt, that guy sucks. It's like
he makes a lot of money.

Speaker 2 (33:39):
I'm pretty sure a lot of people are going to
see movies that he's in because he's in them, because
he they like watching him.

Speaker 1 (33:46):
I always say I'm done with watching Chris Pratt moves.
I'm sick of seeing Chris Pratt. I'm not saying he's
not good and he's not a draw me personally, I'm
just sick of seeing Sure.

Speaker 2 (33:57):
That's the thing. I mean that he's in a movie
right now on Netflix called The Electric State.

Speaker 1 (34:01):
Of course it's Netflix. Well, of course it's.

Speaker 2 (34:03):
Netflix, and all the reviews I've read of it are
kind of like, oh God, this is a disaster. It's
a terrible movie, but also just says something really bad
about the current state of filmmaking and film distribution and
all that kind of stuff at the same time, number
one movie on Netflix over the last week, and I'm
pretty sure a lot of people were sitting in and
just staying home and.

Speaker 1 (34:22):
Watch that's what happens because all they want is to
be able to put that person's face on the thumbnail.
So it got me for the recent movie set with
Bateman at the Airport, Oh yeah, carry on, carry on.
I saw it. I was like, it's Bateman, I'll watch this,
you know. And I watched it them like this movie
is pretty shit. You know. That's mine carrying like it's
just it was what it was.

Speaker 2 (34:42):
The other thing about that, though, is I mean, I
think you've got a lot of gen X and maybe
eld millennial types who are saying it used to be
a lot better, you know, Oh, we used to have
great movies all the times. Like, I don't know, man,
I was there, there was a lot of shit.

Speaker 1 (34:57):
Well. I again, as I said, as I words came
out of my mouth, I kind of thought, you know what, actually,
if this was like a nineteen ninety seven film that
I watched when I was a kid, I'll probably go,
you know what, was a great movie? Carry on?

Speaker 2 (35:07):
Yeah, it's like it's not Connie or face off, but
pretty good.

Speaker 1 (35:13):
Yeah, anyway, stayed the industry stay of the union coming
to the movie Gride maybe, but the kit cart went
out of the band. And he says, all right, I'm
gonna make a deal with you. Whoever sells the first
platinum album. Well it wins, right, so I'm gonna start
Christian rock band. You keep doing whatever it is you
guys are doing. So he goes to tell Butters I
love when he's running. He's like, no, a ton of bastes. Platinum,

(35:34):
gotta be car.

Speaker 3 (35:38):
Take it out, got make competent ad for care. Hey,
that is cause you's gonna sent me me in my hat.
We have to make a competin man, and they.

Speaker 1 (35:46):
That is.

Speaker 2 (35:51):
No waste.

Speaker 1 (35:52):
Make me care.

Speaker 3 (35:54):
Tell you get the bass guitar out.

Speaker 2 (35:55):
Of your basement. Met me over it in my hat.
What we don't have a bass guitar.

Speaker 3 (36:00):
Your family's black talking. It is down to be a
base Italian basement somewhere.

Speaker 2 (36:04):
We rag on Cartman a bit, and he does a
lot of things for the wrong reasons. You can't deny
the guy is not.

Speaker 1 (36:09):
Motivated by money, agreed, Oh true, But I mean he's not.

Speaker 2 (36:12):
Like he's not sitting where you go. I want a
million dollars to fall in my lap. Sometimes he thinks that.

Speaker 1 (36:17):
But one time it did happened to member. He inherited it.

Speaker 2 (36:19):
And sure he's driven by Spie, but still he's driven.

Speaker 1 (36:24):
Yeah, he gets ship done. I was where they're practicing
at Cartman's house and they're explaining here that you could
replace words with Jesus and blah blah blah. No, not
with Jesus is Jesus. Actually just before that they'll we
have Kyle asking his parents very kindly for money. I
need to buy one hundred albums to work at my influences.
And I went, well, this is dated. Oh yeah, a
kid asking can I go? Can I have some money

(36:46):
to go buy music? Heuse don't buy music anymore? Well,
not that what child buys? Well what what teenager buys music? Now? Honestly, realistically,
they don't buy him from it to you, No, no,
that what they do is they buy a Spotify subscription
and then listen to music. The kids. Kids don't go
and buy a twenty dollars album anymore. Is Honestly, it
would baffle me if kids did that. Why would you?

(37:08):
What would you when's the last time you spent money
on just buying a specific album?

Speaker 2 (37:13):
That's true, I'm trying to record the last Yeah, actual
physical CD or not in physical even digital? When's last
time you went I bought an album? Doesn't happen anymore, mate,
It does not happen. You buy access to albums, you
don't buy the album.

Speaker 1 (37:30):
Yeah.

Speaker 2 (37:32):
Said anyway, I don't want to think about this anymore.

Speaker 1 (37:40):
But here a very parent relatable moment when he says,
it's my life. You know, it's my dream. It wasn't
your life yesterday. Every week it's something different with these kids.
So he says, don't be such a jew and turns
on his dad here, don't believe your own people. But
then Kenny and Stand arrive and they go, we've got
a new thing. You can download Missy for free. Oh
this is cool. It's a very nostalgic for when downloading

(38:04):
first became a thing, because I was just old enough
to truly appreciate and go so great, Like, I remember
how exciting it was, Oh yeah, to download as a
song that you want, you know, and it's owner, and
it's like you didn't see it as you know, as
a legal but you didn't really see it as damaging,
did you know.

Speaker 2 (38:19):
You're sort of more as like, but I listened to
songs on the radio for free.

Speaker 1 (38:23):
Yeah, they also here, So this is where the FBI
arrived there, wrestled blah blah blah, and they also trying
to take the mickey out of how harsh they tried
to come down on people who were downloading, because there
was a point, I want to say it was about
five six years ago where they basically said in Australia,
if you get caught priating, you're gonna get file like
two hundred and fifty thousands or something like that, and
everyone kind of got scared for a while. Now just
no one gives a shit. It's like, came and get

(38:45):
me a kapa do you think do you think as
an industry and I'll give the government everything. Everyone's just
sort of gone. It's just not worth it anymore unless
you're unless you're burning, not making millions of dollars. It's
just like, we can't stop this shit.

Speaker 2 (38:56):
I really think there's been a concession of defeat, Yeah,
from so many creative industries. And yeah, when I say
creative industries, I mean the sort of production companies that.

Speaker 1 (39:06):
People are going to burn this. Yeah, yeah, yeah, so
that's why they're street things straight to the to Netflix
and things like that now to try and convince you
don't download it. It's coming so yeah, and we're.

Speaker 2 (39:17):
Making it as easy as possible for you to obtain this,
a good copy of it, yeah, withoutout stealing it from us,
pay as a nominal amount.

Speaker 1 (39:28):
It does work, though, and I completely agree. If something
is not available in like HD, in physical media somewhere,
you should be allowed to download it. Old horror movies
like you're talking about this. There's some movies where I go,
I can't find this anywhere to buy. You should be
allowed to download that, right, Oh? Absolutely?

Speaker 2 (39:43):
Yeah, yeah, I mean I think the common argument against
parisy is always if you make it easy for me
to obtain this and not pay through the nose for it,
but pay a reasonable amount, then.

Speaker 1 (39:58):
Yeah, then I won't need to pay it. And south
Park do this, south Park now, south Park Studios dot Com.
You go there and all the episodes are there. Grand,
you gotta watch ads, but you're not paying for it? Sure,
you know what I mean. So you're watching a couple
of ads, so be it. We used to watch ads
all the.

Speaker 2 (40:10):
Time back in our day when you had TV.

Speaker 1 (40:14):
Yeah, see Disney Plus have now launched twenty four to
seven channels on there. I didn't see about that, not Australia,
just in the US. Oh well, I didn't see that,
but I haven't read it yet, but I'm going I
wonder if these motherfuckers are going to sneak ads into
that channels though. It's like pay for a service. Oh
you can watch ads now?

Speaker 2 (40:32):
Oh yeah, probably.

Speaker 1 (40:33):
I mean it's just like it used to be, except
you're paying for it. It's weird that creep that comes in.
I mean, yeah, we've gone full fucking circle mate, here,
we've gone full circle here in Australia.

Speaker 2 (40:44):
I mean in America and maybe in the UK you
call it cable TV. Here we generally call it PayTV.

Speaker 1 (40:49):
It was like we're just callt We just called it
fox stuff. Well yeah, because game in town.

Speaker 2 (40:56):
But it was the thing was, okay, well I'm paying
for this, so therefore, after watching commercials. The price I
pay for watching commercial television is watching commercials. The show
that I'm watching is interrupted as the price so they
can sell me shit. That's the price of admission. Whereas
for Foxdale, the price of admission is I'll hand over

(41:16):
a rather large amount of money. Perm up Fox Tale
Friend of the Pud.

Speaker 1 (41:20):
But there's more commercials on pay TV and.

Speaker 2 (41:22):
There's a ship.

Speaker 1 (41:23):
Yeah.

Speaker 2 (41:24):
It took me a little while to sort of go
because I was so used to watching commercial commercials on TV.
It's like, wait a minute, this is pay TV. I
shouldn't be watching ads already.

Speaker 1 (41:35):
Paid the because even pay TV and Australia foxtail is
fucked because all the stuff that they offer you can
just get on streaming service. They'll just download it very much.
That's what the sports the only thing keeping it alive.

Speaker 2 (41:44):
Yeah, Like, well, the person who owns Foxdale, billionaire tire
Rubert Murdoch, has clearly got friends in high places because
it's like, okay, Saturday night, Yeah, Foxdale is the only
placing can watch Saturday night footing.

Speaker 1 (41:56):
This is the Saturday foot is Saturday footy.

Speaker 2 (41:58):
That's the thing you're telling me about a while back.
But now that's bled over into the streaming service as well,
where it's like I'm already paying you how many dollars
a month to enter your video store to watch movies uninterrupted.
Now it's like I've paid my Amazon Prime thing or
whatever it's like. Now, I've got two commercials before this movie.
I'm gonna watch What the fuck Man?

Speaker 1 (42:20):
All right, guys, this is gonna be so easy.

Speaker 3 (42:22):
All we have to do to make Christian songs is
take regular old songs and add Jesus stuff to them.

Speaker 1 (42:27):
See.

Speaker 3 (42:27):
All we have to do is crash out words like
babies and Darling's and replace.

Speaker 1 (42:31):
Them with Jesus.

Speaker 3 (42:34):
Hi, better give me a beat, Okay, NICs very nice?
All right, token give me a smooth baseline. I don't
know how to play bass. How many times do we
have to go through this? You're black, you can play bass.
I'm getting sickier stereotypes. Be as sick as you want.

Speaker 2 (42:53):
Just give me a goddamn baseland. God damn it.

Speaker 4 (43:03):
Hi, nice Satis nice, do my lad Gus.

Speaker 3 (43:09):
I can't be without you, Gesus.

Speaker 1 (43:13):
And I just want to feel you deep in, said me. Jesus. Wow.
Going Down to South Park is brought to you by
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(43:35):
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we're FBI HQ and the boys are trying to talk
shit it. They don't get what's going on. They're going

(43:56):
because as a kid, I was a kid in this time.
That's why I can really relate to this. You just
down at the song, You're like, why am I in trouble? What?
What's What's the problem here? What have I done? What
have I done wrong? It's not the big of a deal.
I love how that there's now nostalge for those as
that you used.

Speaker 2 (44:09):
To have at the start of a DVD.

Speaker 1 (44:11):
You wouldn't steal a handbag? What do you know? I
wouldn't still the hambag? I still what's inside of that?

Speaker 2 (44:17):
It's like that bagging doesn't go with these shoes. So
I'm just gonna take the ship.

Speaker 1 (44:21):
That's in the best part though, especially obviously if you
live through that era, is if you're watching those ads
on a burnt David. Piracy is crime, Yeah it is.
And I'm watching this movie.

Speaker 2 (44:33):
I love how they really spell it out. I was like, yeah,
downloading stuff is I is piracy? Piracy is against the law. Yeah,
oh wait a minute, I hadn't made that.

Speaker 1 (44:43):
Hands Q go back even one generation before that generation,
maybe ten y You ever purchased a video that wasn't
quite right? May have been a pirate copy? Do you
remember that, guy?

Speaker 2 (44:55):
I certainly do.

Speaker 1 (44:58):
Did you get what you paid for?

Speaker 2 (45:01):
It's funny because I think we clearly think that if
it exists in the digital realm, if it's just a
collection of zeros and ones or whatever, any like any
file of a song or a movie or anything like that,
it's not necessarily real. I mean, during my very brief
shoplifting phase as a teenager, when I'd occasionally snatch a

(45:22):
paperback book or something that really oh yeah really a
few partly I was turning on because I was like, oh,
I'm a criminal. But it's also this is pretty that's
pretty wrong. I'm lifting something physical off the shelf, taken out,
you know, sneaking it out of the shop without paying
for it. It doesn't feel that way when you're like

(45:42):
downloading something. It's like, oh this I'm just an exchanging file.
It's yeah, there's no reality to it. If file shifts
in the woods and is no one had to hear
it correct. I'm pretty sure the Statute of Limitations is
up on shoplifting. But you saw me out Dano.

Speaker 1 (46:04):
It's not that big of a deal. Shut up. I
get something showing you're not gonna like it.

Speaker 2 (46:10):
They take me to the la home of British nellis like,
you shoplifted his copy of Lesson zero back in nineteen
eighty five. Now we can't afford you know, I don't
know bottle of champaign for his boyfriend.

Speaker 1 (46:23):
He takes him to the home of Lars Aurec and
he's sad by the pool because you can't get the
gold plated shark tank.

Speaker 2 (46:28):
And Lars Urk was the one who was really outspoken,
and apparently he was the one who sort of yeah,
he was a double taking the money.

Speaker 1 (46:35):
James hef was like, I don't care, and he says
yes to wait a few more months. Now Britney spears
he's got a gulf Stream three instead of four. It
doesn't have a remote control for the sound sound system
and this is the folly of man.

Speaker 2 (46:50):
That was something I enjoyed. Just that's seriousness of it.
I think that I didn't real that. This whole thing
I think is I don't know if I'm not forget
the wiki page up. Yeah, it feels it feels like
a lyft from Christmas Carol, doesn't from from Scrooge. Well
there's no, there's no, there's no ghosts of Christmas past
et cetera. But you know, it doesn't stay on the page,
but it does feel like that. It does feel like that,
you know that one of the ghosts is sort of

(47:10):
sewing Evon's Scrooge, how things could have gone.

Speaker 1 (47:14):
Or it's like change your ways or this one.

Speaker 2 (47:16):
Yeah, the crash, it's I'm enjoying a Christmas turkeys.

Speaker 1 (47:19):
I'm sure that.

Speaker 2 (47:20):
Oh that's too.

Speaker 1 (47:20):
Tiny Tim is dead. It's because they couldn't afford to
keep him alife. That's but the Muppers movie Tiny Tim
dies at the end is like he's Tiny Tim who
didn't die, And you're like, but that's it's in the
Dickens original as well, though really, okay, didn't die, but
Dickens actually puts it in caps up there that's what

(47:41):
did it die?

Speaker 2 (47:42):
And who did not die.

Speaker 1 (47:44):
Did not die?

Speaker 2 (47:45):
Yeah, So yeah, yeah, I get the feeling that's Scrooge
being shown. It's like, well they can afford to Christmas
Turkey or Christmas goose, Yeah, because you don't pay them, motherfucker.

Speaker 1 (47:54):
Yeah. But then we go to the Masterpiece House. His
son just wants it in island, in their French politynesia.
The child will not get his tropical paradise. And then
we get carp and talking about the album cover and
they're taking the photos and you stand here while looking
this way. It's just still to this day you see
some young bands and you think, why do you look sad?

(48:15):
Why do you look angry? You should be happy? Oh god,
why is it that we never seem to outgrow or change?
Think things evolve over time. Punk album covers never never
evolve a.

Speaker 2 (48:28):
Lot of new ways. Especially Yeah, there's a lot of
you know, when like say Devo came out or Gary
Newman or something, and yeah, you look at their album covers,
it's kind of like looking up at weird angles or
something like that. So sing a songwriter I really like
named David Gray. He's just released a new album. He's
going to be touring later. Not ugly Dave Gray. That
is someone entirely different. Dando is a guy like a
lot like, Hey, new album. I didn't know this was

(48:49):
coming out because the marketing apparatus is completely broken.

Speaker 1 (48:54):
It's just because you don't you aren't on the place
of a people market anymore. Well that's true.

Speaker 2 (48:58):
Fuck TikTok man got that out. But listening to it
was like, Okay, this is Yes, yet another David Gray album.
Sounds pretty much exactly the same. It's like a nice
one bath. But looking at the album covers, like, I
guess what black and white photography. He's kind of looking
down a little bit.

Speaker 1 (49:15):
It's like they craft me. I'm already dead.

Speaker 2 (49:17):
He's thinking, he's thinking about stuff. He's maybe got like
a little half smile on his face, like oh, this
is a fond bit of sweet memory. It's like, I
love your dude, but you know you do play the hits.

Speaker 1 (49:29):
It's like he's trying to be serious when they coming
in fast. He's trying to keep it together, smile, but.

Speaker 2 (49:35):
It's very much in keeping with his kind of music.
I was like, oh, this memory of the time once
past Yes didn't work out, but Hey, glad it happened.
I'm ribbing on one of the guys I like the most.
Why am I doing this? This is this is the
mood that we're in today.

Speaker 1 (49:51):
Of just that's what you'd like about him though, Oh yeah, probably.

Speaker 2 (49:53):
I mean I've always said if I was going to
be a singer, somewhere, to be David Gray.

Speaker 1 (49:56):
Yeah. So the parents pick up the boys now to
pay the foun fees and we get the again, Randy
saying it's not big of a deal. Not a big deal.
What I loved about this I mentioned earlier. Takes them
away and I'm thinking, oh, we can see three more
celebrities can be the same thing. No, he's just going
to do the same spiel. You know where they're going,
you know where he's taking them. So the boys just like,
oh man, and he realizes, you know what, we're not

(50:18):
going to make a dime doing any of this because
look at the body's sucking up the industry. We just
stopped downloading. We refuse to play until people refuse to download.

Speaker 2 (50:26):
Oh yeah, And it's funny because so many artists are
still sort of talking about this to varying degrees. The
oscars were on not long ago, hosted by Our Boy
Cunt and O'Brien, but writer director Sean Baker was the
big winner know his movie and Nora I had ran
about not a very impassionate plea when he won his
Best Actor or he's sorry his best picture Oscar. The

(50:48):
cinematic experience is why so many as are here because
your memories that really lit the fire for us, you
know so, and.

Speaker 1 (50:55):
We need to pass that on.

Speaker 2 (50:57):
Parents.

Speaker 1 (50:57):
Take your children to see movies, you know, to see
movies at a movie we do. Our kids love going
to the movie.

Speaker 2 (51:04):
Yeah, yeah, but it also felt like, please, guys, please,
we really need this. Papa's hurting there. Yeah, it didn't
feel like and that's what this feels like here. It's like, well,
we all stop downloading. You know, maybe things will remain
the same as they are. They're not going to they're
not going to think they're going back to that nothing
that we're going to go back to the way nothing
ever does. Now, the best you can do is adapt

(51:25):
and roll with it and enjoy what's existing. But I
speak of himself, I got too many miles on the
media of that shit. I'm just gonna keep watching it
from the nineties and eighties.

Speaker 1 (51:33):
Yeah, because you know how it ends, you know it's good. Yeah.
I tested the kids last week actually because we took
to the Aussie movie because you can get it, you
can download it, right, And I said, daddy's got on
the tv here. You just want to watch it here
like we want to go to the movies. And I
was like, yes, raise those kids, right, I mean, I
know it's cost me money, but they want to go
and watch it at the movies because the movies is better. Yeah.

Speaker 2 (51:52):
Absolutely, Yeah, more kids need to be like that. More
kids need to be like Daniel's kids.

Speaker 1 (51:58):
But he say so they refuse to to play until
they people stop downloading, and the name of their band
is moop.

Speaker 2 (52:04):
Moop is I don't think so. It just sounds like
one of those funny words. Was one of those things
that you named You named your bandad in the nineties
or early two thousands, and for incurious music journalists in
very the first one you called moop? Why is that?

Speaker 1 (52:20):
Yeah?

Speaker 2 (52:20):
What's the story?

Speaker 1 (52:21):
Many meanings, what's the story behind Moop? But the news
report here had refused to play. They're sitting on their doorstep,
but coming here arrives with the faith plus one album
cover and this weekend is christ Fest in South Park,
and I love you. You know nothing about Christianity. I
know enough to exploit it. That's that's says Cartman's way.
I know enough to exploit this thing. I'm going to

(52:42):
exploit it.

Speaker 2 (52:43):
I've got nothing against people who work in the exploitation
spear whether yeah, people, people, as long as as long
as you're open about it.

Speaker 1 (52:53):
Yeah. John Edward's not open about it.

Speaker 2 (52:55):
Yeah, people like P. T. Barnum back in the day,
you know, when he was doing circus and that. I
was like, I'm exploiting who Barnum?

Speaker 1 (53:03):
Never heard of him?

Speaker 2 (53:04):
Barnum and Bailey circuses, circus.

Speaker 1 (53:07):
I have not P. T. Barnum though.

Speaker 2 (53:09):
Have you never heard of P. T.

Speaker 1 (53:11):
Barnum? I've heard of Silver Circus is the only circus
I ever know of.

Speaker 2 (53:16):
I may be completely wrong about this, but I need
to look up. Are you aware of the movie The
Greatest Showman?

Speaker 1 (53:21):
Yeah?

Speaker 2 (53:21):
Yeah, I'm pretty sure he's playing Barnum. Okay, I'm pretty
sure Hugh Jackmans. I never watched the movie, but okay,
so he's not. So he's from like a long time ago.
Oh okay, I thought you meant like something that I
should have been to. Okay, oh no, but I don't
know the history of circuses. All I know is they
exploit animals and now they're not. Well, that's the thing
that he was the real exploiter of animals. Okay, yeah,
probably probably not a great guy.

Speaker 1 (53:42):
I think that.

Speaker 2 (53:43):
I'm pretty sure The Greatest Showman was an effort by
Big Barnum to sort of like this guy wasn't so bad.
I'm the greatest showman, not even just a good get
a go that everybody likes to play me. Yeah, but
I like exploitation purveyors. They're like, I'm gonna cater to
your lowest interest or I'm getting here.

Speaker 1 (54:02):
But yeah, you know what, right, yeah, as long as
you know. Yeah. But he crossfest now and they saw
an album to an old lady go little stand. There's
much off the Sunday market here, and Butter's comes clean.
We're never actually we're not actually Christian. She's like, wait
a minute. Then Trinity play and Sanctified arrive and there
real hardcore. He is just the way to the beckstage.

Speaker 3 (54:22):
Who are you?

Speaker 1 (54:23):
We're the band Sanctified. We play metal and punk, but
with lyrics that inspire faith in Christ. Yeah, we proved
that Christian music can be.

Speaker 2 (54:29):
Tough and hardcore.

Speaker 3 (54:31):
Yeah, you guys are real hard core.

Speaker 1 (54:32):
You bet your gush, John rear End. We are all
right sanctified. You guys are up next.

Speaker 3 (54:38):
Yeah, let's do it, Sir, it down from heaven, spear
it and the glor Hey, guys, wait, we want to
pray with you before you.

Speaker 4 (54:46):
Go on stage.

Speaker 1 (54:47):
That's cool. Always good to be praying before you're playing.

Speaker 3 (54:50):
Let's just go up here so we can hear ourselves better.
Lord Father in heaven, We thank you for all your blessings.

Speaker 1 (54:58):
Hey, heck that I think they can get out. They
have a change of set lists now, or change of
or artist artists. Yeah, line up, lineup, that's what I'm
looking for. And it's now Faith plus one and they
play their song and they do really well. They're actually good.

Speaker 2 (55:15):
Well yeah, because they're ripping off existing songs.

Speaker 1 (55:17):
Yeah, in Jesus pretty, in Jesus, moop, are still weaiting
on their doorstep? They said we're going to fight through
the rough times, just like Journey. Now this when there's
air right this head in two thousand and three, when
did Glee start? That's a good question.

Speaker 2 (55:28):
I want to say, like two thousand and nine.

Speaker 1 (55:31):
So two thousand and nine, when Journey became a thing
again thanks to Doto, Don't Stop Believe, it was like
the big that's the Glee song everyone remembers, right, yeah,
And I hadn't heard that song before, so I thought
it was a new song by Glee. And then it
was like, oh, Journey, I'm glad because that song is
a fucking banger. Of course with this and you watch
them sing that song live, unbelievable, right, But yeah, so
Journey obviously tough time is still in two thousand and three,

(55:53):
as it would have been for most bands from the eighties.

Speaker 2 (55:55):
Oh absolutely, yeah, everyone. I think every artist, no matter
what the as I said, the format of the medium whatever,
has a bit of a lull period and sometimes it's
ebb and flow up and down whatever. But some invariably
you'll hit your middle age or whatever. It's kind of
like I'm still trying to be relevant doing whatever. It's like, yeah,
we're not into that. Go away for a little while,
we'll forget about you. We'll probably poke fun at you.

(56:17):
Ten years later, we're like.

Speaker 1 (56:18):
It was really good.

Speaker 2 (56:19):
It was really good with Journey, and you get that
upswing a show like Glee or or you know, eventually
the Sopranos. But I remember a lot of movies were
also using don't Stop Believing it.

Speaker 1 (56:33):
Well, they used to't stop Believing on The Sopranos before
they used to on Glee because Sopranos ended in two
thousand and six. Yeah, okay, then interesting and this was
still before that. Yeah, okay, cool ninety ninety, two thousand
and six. But it just re enters the collective conscious
and everyone's like, yeah, it's really good. And then you

(56:53):
hit the oldie circuit yeah, or the nostalgia circuit. Yeah,
they're back, we come back to her.

Speaker 2 (56:57):
Yeah, and the audience is a bunch of old foks
like and you know, a couple of a couple of
young hipsters are going yeah, journey.

Speaker 1 (57:04):
And the good thing about bands on the eighties and
seventies one is when they do these tours, they don't
try and flog new music. They know, play the fucking hits,
make our music, make the money, and get the fuck out.

Speaker 2 (57:14):
Absolutely Yeah.

Speaker 1 (57:15):
Yeah, they're trying to say, hey, we've got a new album,
No one cares. Just played dostop Believe in twelve times.
We'll go home happy mate, the extended the extended mix,
that's what.

Speaker 2 (57:25):
Is home always when he's seen backman turn around.

Speaker 1 (57:29):
Taking care of business.

Speaker 2 (57:30):
Get to the chorus. That's us, that's us at any
given concept.

Speaker 1 (57:34):
Yeah, they do it so well at the concert, but
this is where the guys are still sitting on the
doorstep and Metallica arrived. Lena morrisset blink when the two
Britney spears, it's a strike a a loser.

Speaker 2 (57:43):
Yeah, and look I can I can have some degree
of sympathy for these mega artists in some way because
eventually it goes beyond art and it becomes well, it
becomes your job.

Speaker 1 (57:58):
Well it's basically you're on such a good thing, you know,
and nothing could possibly stop this. And what happens is
bounce on Metallica or whatever. When you're making that much
money doing what you do right, you never expect it
to end. Oh no, And then's something new technology comes around.
You're like, oh shit, I've established a lifestyle that I
want to maintain forever. Now I won't be able to

(58:18):
do this after wait three months for my goalplayer to
shart take now?

Speaker 2 (58:21):
Oh yeah, and look, I get emails regularly from Shuba's
trade publication variety, and at least once a week or
certainly for a long period, but once a week you
would you would see a headline saying so and so
sells catalog of work to venture capital fund or private

(58:43):
equity fund or whatever or this amount of money. And
it's usually some shit ton of money. You like Springsteen
did it for instance, Like man, okay, I sold my
catalog of tunes to this fund for three hundred million
dollars and now they can do whatever they want with it.
They can license at the movies, to commercials, to video games,
what have you. Bruce has got a nice chunk of change.

(59:06):
Because it's like, shit, I've worked out all my life,
I've got my reputation as Bruce Springsteen. Fuck, I can
cash out. I won the game.

Speaker 1 (59:14):
So yeah, I.

Speaker 2 (59:16):
Imagine that's what it's like for a lot of these
artists who and a lot of them are also overseeing
a huge apparatus as well. I mean, they've got a
lot of people employed. So maybe they think they're being
magnanimous by it's not just you know, I'm not just
buying tropical islands here. I'm actually feeding a lot.

Speaker 1 (59:31):
Of people's fanis I think that is what they goirl
play to shut takes. Maybe maybe they do.

Speaker 2 (59:36):
Maybe I'm just being too genuine, but.

Speaker 1 (59:40):
Yeah, So basically they've they've they've all gone to help, well,
just fight the man with with Moop. Then Faith Records.
They're impressed with Faith plus one and they're a little
bit concerned though about the lyrics of about nibbling having
Jesus nible on his ears. You seem to really loved you,
actually loved Jesus. You're in love with Jesus, and Carmen,
as he always is quick to turn it back on them,

(01:00:00):
is that it's a bad thing.

Speaker 2 (01:00:01):
What's wrong with this?

Speaker 1 (01:00:02):
You don't love you, you don't love you, don't love
Jesus and I love the really Christians? They strap me
down now and Butters is like, oh shit, Butter's music cross.
So they then sign them to a deal and we
get the commercial for the album I Love the I'm
going to feel Your Salvation all over my face Going
down to South Park is brought to you by our
incredible supporters on Patreon. With your support, we're able to

(01:00:25):
hire editors, purchase new equipment, and everything else that goes
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(01:00:46):
at patreon dot com slash four finger discount. K Tael
Records presents the most inspirational Christian rock band in the world,
Faith plus One, featuring the very best and good wholesome
Christian music.

Speaker 4 (01:01:00):
Oh Lord, you want messived?

Speaker 3 (01:01:03):
You know I missed you so much when you.

Speaker 1 (01:01:05):
Up girl, with great inspirational songs like I wasn't born
again yesterday.

Speaker 4 (01:01:10):
Yes I may bee bonn again, but I wasn't born
again yesterday. I want to get down on my knees
and start please and Jesus, I want to feel His
salvation all over my face.

Speaker 1 (01:01:23):
The CD is filled with instant classics.

Speaker 4 (01:01:25):
Who doesn't remember the Body of Christ, cleick swims, body out,
mustard up band tone, Body of Christ?

Speaker 3 (01:01:32):
Oh but nobody. I wish I could cut it my own.

Speaker 4 (01:01:35):
You one ten, two taps, three times massive, Never I
see Jesus up on that christ. I can't help but
think Daddy looks kind of had.

Speaker 3 (01:01:47):
This album is not available in stores and limited qualities
are available, so order now.

Speaker 1 (01:01:52):
That is a great parody, though, of just those best
of the seventies available only here. The prize of forty
nine ninety five public not included that kind of remember
those commercials, Yeah, from your pounds of k Tel catail,
I don't remember k Tale, but over buying, I've got it.
Still got a couple of beer, just tapes in mom
and Dad's place. This in the box somewhere of like Mash.

(01:02:13):
You want to watch Mash? You want to buy two
episodes for the lowly price of nineteen ninety nine, We
spent like ten bucks for one episode of a show
mate Crazy. People used to manufacture home videos must have
shit the bed in early two thousands. Right, it's the
Internet ruined a lot of industries. It really did.

Speaker 2 (01:02:34):
Someone who used to ride for a living.

Speaker 1 (01:02:35):
Yeah tell me about yeah, yeah, I saw you post
that thing recently. Guy got paid one hundred and sixty
grand an article whatever for a year.

Speaker 2 (01:02:40):
Oh yeah, yeah, crazy you wrote three ten thousand articles
ten thousand word articles a year for Vanity Fair magazine.

Speaker 1 (01:02:47):
Million and made like half a million bucks. You wes.

Speaker 2 (01:02:52):
The nineties, What a time to be alive.

Speaker 1 (01:02:54):
Yeah, but yes, we've got the commercial. They've gone really
really well. Faith plus one and musicians they say, we
can't give up. And then they get a certified letter.
It's from MOP and it's from Faith plus one. What's
from Faith Records? So they sold a million records, they've
gone platinum ps No no no, no, no, no no,
and they can't believe it. He actually did it. The
motherfucker did it. You actually sold a million albums And

(01:03:16):
we're all so focused on protecting our music that we've
got to play our music. Yeah. So the musicians now
they turn to mission. We can do this, we can
playing music wed the money. Yeah, Kyle says, we're going
to swallow my pride, and I'm going to tell him
that he won give me ten dollars and hopefully you
won't make a big deal out I admire that from Kyle,
and he'll make a big deal out of it, especially

(01:03:37):
the platinum ceremony. He makes a big deal out of this.
I love the way they spin this. So tokens like,
what's going on here? We have a big ceremony, But
you've used all the money that we made, Yes, but
there'll be more of it. That's how I view this podcast. Yes,
so relax and enjoy it. Your black asshole. And I
was just like, whoo oh, but yeah, Cartman is a

(01:04:00):
horrible person's and he's always calling Jewish assholes. I mean,
we can't be balanced it out, balance out the racism.

Speaker 2 (01:04:08):
If we take Umbridge at one form of bridges, we've
got to take Umbridge at all of them.

Speaker 1 (01:04:11):
Yeah, Michael Collins and in my case, none of them.
Michael Collins then presents the Mirror album and because of
a technicality, Cartman doesn't win the bet because it's a
platinum album, not a mirror. You can go double mud.
Is that actually a thing? I don't think so, oh man,
because surely they wouldn't just for Christian rock bands have
their own thing. It's kind of a crutch out, isn't

(01:04:32):
it It is? It's pretty clever.

Speaker 2 (01:04:35):
I mean, look, I'm saying it doesn't exist.

Speaker 1 (01:04:37):
Let's check the internet. Maybe it does. AMRH what's merh?
Is that a color? It's like a purple color, wasn't it?
Mr is a yellow fragrance? Sat like resident comes out
of cuts in the bark of certain trees, including Okay,
so it's a reddish brown gum resin obtained from trees.

Speaker 2 (01:04:52):
It's like a precious oil. Okay, yeah, so yeah, it's
like an essential oil.

Speaker 1 (01:04:57):
Yeah. But because he's not gonna be going double platinum's
going double murrh, he loses the bet and he absolutely
loses his shit.

Speaker 2 (01:05:03):
God.

Speaker 1 (01:05:04):
Yeah, oh, please don't take the Lord's name in vain.
Who cares?

Speaker 3 (01:05:09):
I can never win my bet because you're stupid. I
don't tell you about platinum.

Speaker 1 (01:05:12):
Albums, but you spread the word of the Lord.

Speaker 3 (01:05:14):
You brought faith in Jesus.

Speaker 4 (01:05:15):
Oh fuck Jesus, Eric, and I'm pretty sure you shouldn't
say that word about Jesus.

Speaker 2 (01:05:23):
Yeah, you're gonna hurt the band.

Speaker 3 (01:05:24):
Fucking cares tugging. I can never be Kyle. Now I
say it again, Fuck Jesus. Good job, Dicken, you ask
the entire audience now sucking tugging it back at Hope.

Speaker 1 (01:05:37):
This is probably the most controversial thing South have just
about said. I reckon when he says fuck Jesus. Oh
that's not Many shows have the balls to do it
and also have the reputation where they can just get
away with it. As well. Oh you have your main
character saying fuck Jesus. Pretty crazy ballsy, but I love
the start screaming running away.

Speaker 2 (01:06:01):
But again it's the it's the all purpose foolproof escape hatch.
Have your worst character say the worst stuff.

Speaker 1 (01:06:09):
Yep. Token beats him up because he realized, oh yeah,
he's looking at making more money now.

Speaker 2 (01:06:13):
That way you can know you if someone comes in
and says, I can't believe that your shows hid show didn't.

Speaker 1 (01:06:19):
Say that the worst character show the bad guy.

Speaker 2 (01:06:23):
You're pulling a Carmen on him. You're pulling Cartman. You
say what you're saying you identify with Carmen. That sounds
like you, well, Unparker.

Speaker 1 (01:06:34):
Yes, and I guess he got what he deserved. The
boys leave and Butter's just thinks about what can I do?
Farts in his head, gives them the funds up. Isn't
that bird? That's it? And it's great that Token is
absolutely Whip's ass beats of shit out of him. Yeah yeah,
And it's great that Butters gets his and I finally
gets some payback at Cartman as well.

Speaker 2 (01:06:51):
Absolutely nice one, Butters.

Speaker 1 (01:06:52):
Yes. So that is our review of Christian rock Hard
Really fun as I said, you have to be there
to really appreciate this story episode. But if you did
lift her era, you had a fun time. That's the thing.

Speaker 2 (01:07:02):
I think it's going to act as a bit of
a time capsule for as you said, yeah, people who
grew up in that area. But yeah, if anyone, if
a gen Z or a gen alphatype is looking at this,
going this downloading for me, oh ya, what are you
talking about here? And you've got to sit in then
saying well, there's the way it used to be.

Speaker 1 (01:07:21):
The next episode, I've gone down the south bike is
Gray Dawn, which is where the old folks dangerous driving
but not safe.

Speaker 2 (01:07:31):
Oh boy, looking forward to it.

Speaker 1 (01:07:34):
So I was taking the kids out yesterday for a
bike ride, right, I was walking out ride and we
it's so bizarre. I don't know where Elliot's hurd. I
must have said this, right, I don't realize I've said it.
So we're back across the road, wedding at the road
and as this elderly lady and she gives us the wave, right,
so I wave to her. We start walking and then

(01:07:54):
she goes and I'm like in my head, I'm thinking
and the two things here She waved and then forgot
that she waved or she tried to run over my
kids right, and Ali just goes, oh, people are bad drivers.

Speaker 2 (01:08:09):
When you say the wave, I mean she just that
she did.

Speaker 1 (01:08:13):
The direction of that crossed the road. Yes, it was
a sideways one where it was like, you know, across
the road, like go, we start going, she starts driving.

Speaker 2 (01:08:23):
Got nothing to say about that.

Speaker 1 (01:08:25):
Yeah, like you've given always My logic is always I
say to the kids, stop, look, look at the driver.
If the driver gives you the wave, you can go.
And she completely unraveled that theory by giving us the
wave and then go it.

Speaker 2 (01:08:36):
That's been all these years teaching my kids.

Speaker 1 (01:08:39):
It was like, but she gave us the wave. I
was like, I know, your son, Oh, people they're bad drivers.

Speaker 2 (01:08:45):
There's a lesson he'll be eli to learn. I mean
he's like, no, never trust a driver, Never trust a driver.
Or yeah, but sometimes you know, you think the world
is going to go one way, be prepared if it doesn't,
you know what I mean.

Speaker 1 (01:08:56):
I always say, triple check for cars, listen for cars.
But like if a car gives you wave, you fucking
you're going.

Speaker 2 (01:09:02):
It would be so, it would be.

Speaker 1 (01:09:04):
So easy to live this life paralyzed by fear. You
think about just driving.

Speaker 2 (01:09:09):
Everything that can go wrong everything, Like you get in
your car, something can go wrong with you, carpeting with
your car, something you go wrong with the road. Then
how many other drivers out there on the road and
exactly the same fucking thing could happen.

Speaker 1 (01:09:21):
Well, I always stress out whenever I am right next
to a big doubled Terrible on the highway, I'm like,
I need to get past this truck now.

Speaker 2 (01:09:28):
Because you've seen Final Destination to.

Speaker 1 (01:09:31):
That movie has struck fear in everybody. No one forgets
that scene.

Speaker 2 (01:09:36):
No, No one's amazing that anyone's out online.

Speaker 1 (01:09:40):
But our review of Great Dawn Shelby next week. Thanks
you guys for you support he Going down the South.
Remember if you can support us on Patreon, we would
appreciate it. We've had Nikolas change your job recently and
Facebook of demonetizer, So if you can't support us help
the show going, we appreciate it.

Speaker 2 (01:09:53):
Yeah, and Hot Cross Banofi Buns at Aldi they're pricing.

Speaker 1 (01:09:56):
But if everyone they're listening to a different sports for
a dollar a month, it would really have because yeah,
tough times, it would really help it could really help. Yes, yes,
all right, guys, I think again. If we support, get
in touch with the South Park Mailbag at gmail dot
comt for NOWS, the davs, and you find words for
those incredible listeners out there.

Speaker 2 (01:10:11):
Nope, I'm out of here. I'm gonna get down on
my knees and stop pleasing Jesus

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