Raisins (S07E14)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Life is pain. Life is only pain. We're all taught
to believe in happy fairies, hill endings, but there's only blackness,
dark depressing loneliness that eats at your soul. Who needs
that canon Barbie Love anyway, everyone's just walking around like
a bunch of conformists. Go ahead and wear your business
suits so you can make thirty four thousand dollars a
year and buy your condominium. They're all zombies racing to

(00:22):
their graves. Love didn't work for my mom and dad,
why should it work for me?

Speaker 2 (00:28):
My dad is such an asshole, drunken bastard, doesn't even
know I exist. But then you won't let me go
to the Skinny Puppy concert because my heroin adict.

Speaker 3 (00:34):
And is coming over for dinner.

Speaker 4 (00:36):
Dinner.

Speaker 2 (00:37):
That's a laugh, just an excuse for my mom to
pitch at me for not wearing gurly clothes like all
the other Britney Spears want to bees at this school.
They're all a bunch of naughty conformist cheerleaders.

Speaker 5 (00:48):
Caick Ey, Welcome to going down to South Park the
podcast where I guess we always have ourselves a time.
But what's the point of time of I'm so miserable
and sad. What's the point of living? I'm dander, I
think I'm guy. We'll go to South Parker girls, you're

(01:08):
gotta talk about this. Yeah, you've got you're gonna go
to drop it, drop it an octave or so.

Speaker 4 (01:14):
Yeah, well on to South Park we will regular voices
will resume because yes, when, because we're not conformists. Man, yes,
this is going down to South Park. This was an episode, well,
this is Raisins. We're talking about Raisins hellrais how yes,
Episode fourteen of season seven. I'm gonna say when this

(01:34):
episode started, I was like, Raisins. Oh, okay, it's the
one with It's the one with Raisins, which is the
I guess the junior school version of who is. I
was thinking, oh, this could be a terrible car crash
of an episode. This could be all kinds of wrong,
and then I remembered other aspects about it, and I realized,
wait a minute, this is one of my favorite episodes
of Saturtha ever. Really, it really is. I enjoy it

(01:56):
for multiple reasons. Introil with the Goth kids, mainly because
of the Goth kids, who I adore. I love the.

Speaker 5 (02:02):
God kids, I'm gonna spoil one of my favorite moments.
It's the one that flicks his hair all the time. Yeah,
it's just it's so they absolutely nail the goth kid stereotyped.

Speaker 4 (02:14):
I love the hair flip kid, the other one that
I really like, a curly hair guy, clearly just drawing
influences from everywhere.

Speaker 5 (02:24):
He's the leader, I reckon. I think so he's the eldest.

Speaker 4 (02:28):
He's probably the one who would actually like really commit,
you know, he'd come to the school reunion, you know,
twenty years down the line is like still wearing blackout and.

Speaker 5 (02:38):
I've got a kid when I wa wash it got
there's a kid at my school when my high school.
I know for a fact I look him up on
Facebook now he'll still be the same and he's that
kid he was. He wore the Ramones badges and the
punk rocker goth you know.

Speaker 4 (02:52):
But there's a Yeah, there's so much in this episode
that I found really really funny, so much that really
just cuts the quick when it comes to, you know,
certain issues, whether you're a child or whether you're grown up.
And honestly, one like a real life lesson moment at
the end, thanks to our paler Butters. This is a
great showcase for Butters, and I think that this is

(03:13):
one of the first, not one of the first episodes
to really use them effectively, but certainly one of the
best so far to use Butters and use his particular
sort of combination of naivety, incullible, yeah and yeah, sort
of looking at life through a rose colored glasses, a
bit of optimism and all that kind of stuff. Yeah.
I really really enjoyed this episode.

Speaker 5 (03:33):
Yeah, I thought it was just fantastic. Before we get
into our review, though, I just want to say Happy
Mother's Day to everyone out there who if you're a
mother figure in somebody's life, whether it bere in the
owner of a pet, you could be mother of a cat.
You know, I've got kittens, but every mother out there
or female figure and someone's like everyone's special person as
we'd like to refer to them now in twenty twenty five,
I hope you all had a fantastic Mother's Day. Thank
you to everyone who has joined the Family on Patreon

(03:55):
this week and supporting us on there. You'll get your
shout out at the end of the month on the
month the mail Bag episode. If you're a five dollar
plus supporter, or if you're a cheesey proof, you get
your name out on every episode of the show. Very
good reason to be a cheesy poof exactly.

Speaker 4 (04:09):
Indeed.

Speaker 5 (04:09):
Yeah, but as you were saying, this episode here, don't
even love it. When you're watching the South Park it
happens a lot for me. I don't really know the
episodes by name. I can't remember cause I haven't gone
back and rewatched the show for god knows how long.
And then it starts and I go, oh, it's this
one one of my favorites. In the next week, oh,
this one, it's one of my favorites. How often you
said to yourself it's one of my favorites watching South Park.
It's just so many episodes are so great. I particularly

(04:30):
loved when I adorned to me, oh, that's what the
raisins are.

Speaker 4 (04:36):
Oh yeah, because at the end of it an episode
we usually go the next episode is so, and so
I don't remember, yeah raisins, those raisins. Now, have you
ever been to Hooters?

Speaker 1 (04:52):
No?

Speaker 5 (04:52):
I wanted to touch on this because Hooters has essentially
just gone out of business in Australia. There's one store
left and it's in paramatter a maj a city, and
I've just got me thinking, what why bother is it?
Because they can then say, we've got stores in countries
all over the world, so you've got to keep one
store openess to have that bragging rights. Yeah in Australia.

Speaker 4 (05:13):
Yeah, I mean, well, Paramount is not a city, but
it's like a section of Sydney, right, So.

Speaker 5 (05:18):
Is it okay? I don't really I don't really know.
Why do you need to We've got everything exactly, but
I just think that you think of being like Sydney, right,
but we've got one who has left. Apparently they closed
every other store down last year. It was really recent.
They just went in Australia, yeah, yeah, not making anyone.
They closed ten percent of their stores in America as well.

(05:39):
They just went, we've got a cost cut here. There's
still plenty of stores. But they said a lot of
it came down to just being outdated, not just because
of the vibe of the place, people saying I don't
want to go to a place like this anymore because
it's how offensive. It's more of they just haven't updated
the menu in forever. You go there and it's there's
like the menu there's like three different types of burghers,
and it's not chicken wings. You know, it's that's there's

(05:59):
not a great variety of food. I know, it's targeted
at blokes, and blokes just go burgers and chips.

Speaker 4 (06:05):
Yeah. And the reason McDonald's exceeded in the first place
because they only add like, yeah, three different burgers to
drinks and fries. Yeah. So I don't want to have
to think too much.

Speaker 5 (06:18):
Yeah, so don't complicate shit. I feel like McDonald's in
particular complicates it way too much.

Speaker 4 (06:23):
Now I am seeing so many and look, this just
could be my algorithm just being all screwed up, the
way algorithms are. But you know, you'll watch one video
about a certain topic and then it's all you get, right,
I saw one boy.

Speaker 5 (06:35):
You just talk about it next to your phone.

Speaker 4 (06:36):
Well pretty much. This happened the other day with like
my mum. While we're talking about mothers. They shout out
to Margaret Mary.

Speaker 5 (06:42):
Yeah, shout it to Marsha.

Speaker 4 (06:44):
Indeed the quote running and see she is top at
the leather of that woman. She's back in fighting form.
I mean, I don't know if the listeners of the
Forefinger Discant network. I heard that. You know, Margaret was
a bit up and down, but she's back.

Speaker 5 (06:55):
Baby, shouts to my grandma who passed away and put
herself back to life, and she's now working by herself again.

Speaker 4 (07:02):
He's got to one up me everything. It's like, oh,
you think your mom's up, my grandma died and go
back to luck.

Speaker 5 (07:10):
But she's like Kenny.

Speaker 4 (07:11):
She had this the other day where I think she was, yeah,
talking about something nearer near a phone or near a
iPad or something, and then it's like and then all
of a sudden, my Instagram for people was full of
I said, that's how they do it. What why mostagram
feed full of sex toys like Margaret and Mary enjoy
those enjoy those golden years. Yeah for some reason though,
watch the thing about McDonald's and then everything was about

(07:34):
McDonalds sucks now and yeah for multiple read I think
we've talked about this. It's like, yeah, yeah, they used
to be fun players to go and now they look
like shitty ikeas.

Speaker 5 (07:40):
Yeah, simple as a term for like simplicity, simplistic marketing.
I don't know what it is, but everything's trying. We
talked about it recently about football mascots. I have sports mascots.
We talked about the Charlotte Hornets and whatnot, and how
everything now tries to look all sleek and professional. It's
like we just want cartoons, man make it fun.

Speaker 4 (07:58):
Talking of sleek and professional, May I do a little
bit of a personal sidebar. This is not really South
Park related, but you were talking football mascots. One thing
I was very fortunate to do, very privileged to do
on Saturday night was I may have talked about this
in the past, but my late dad, Bobby Davis, he
was the coach of the Geelong Cats, particularly a premiership
team back in nineteen sixty three. That's right, guys, back

(08:19):
in the nineteen hundred comanship player and coach. Right well,
he was a premiership player in the fifth the premiership
coach in the sixth, back to back fifty one to
fifty two. I think something like that. Yeah, I wasn't
around for that.

Speaker 5 (08:28):
Some would say a superstar. Some might say that many
people there's a genuine gate named after the man at
the stadium.

Speaker 4 (08:34):
There is, indeed, But every year the football club, the
general football club very generously holds a dinner and to
get together.

Speaker 5 (08:41):
For Is that why the lights were on because we're
driving past Ali. He goes, why the lights on us?
At ar goes, oh, whoops? The games on tonight and
Elliott's heartbroake. He says, what do you mean? No, no, no, no, no,
there must be a function on. Meanwhile, it's Guy Davis.

Speaker 4 (08:54):
There was a function on at Kendnia Park and the
stadium for the still living members of this team. There
are still a few around, and two of my sisters
and I were honored enough to be invited and we
got a tour of all the facilities at all the
behind the scenes stuff at kp att in your park.
It is incredible. And I was saying to Steve Hocking,

(09:16):
the CEO of the club, I don't want to I said,
I don't want to sound ridiculous here, but it makes
me incredibly proud of the club, how far ahead they
are of seemingly everyone else. And he said, yeah, look,
we're pretty much ten years ahead of pretty much every
other club in the AFL in terms of facilities, in
terms of facilities and training and all that kind of stuff.

(09:37):
So well, brilliant. Yeah, just had had the best time.
Shout out to the Jelon Cats. Shut out to the
Cats Man maybe win next week though, Well, that's that's true.
We did go down by what like four or five points,
four points.

Speaker 5 (09:48):
But we had like seven more shots at goals. So
it's just a case of.

Speaker 4 (09:50):
Learned how to kick goals going a shit turn of
shanking by the cats this weekend this episode. Yeah, sorry
about that, that's fine. Back to Back to South part.

Speaker 5 (09:58):
Yeah, so you had a tour and whatnot. That's great. Yeah,
I would like to do that one day, hopefully, you know,
we become famous enough. I've become famous enough where they
give me it to it. But when Ali becomes a player,
maybe correct, he's a new Gelong flyer Jeel and fly
by the way is his dad's nickname Copyright. So I
liked the idea here in this episode of them rebranding Stan.
It kind of felt they were rebrand not rebranding him.

(10:21):
I couldn't think of the right word, but it was
tweaking the character because I think the character has become
really annoying lately with the meta references and almost to
the point where he's seeing the town the show from
a viewer's perspective. He keeps saying, I hate this town.
Oh my god, people here are so stupid. He's almost
like he's becoming the Lisa at the show. And I

(10:43):
think him getting away from the relationship with Wendy just
opens up more opportunities for the character as well, so
become more of a kid again, because I honestly had
forgotten he was even with Wendy anymore.

Speaker 4 (10:53):
That's true.

Speaker 5 (10:54):
Yeah, I felt that relationship only existed in the start
for the vomit gag. Every time he'd see her he'd
throw up. She was like, oh, so it's vomit. It's funny,
and then that is forgot about the relationship and it
just sort of got to the point where you went,
he doesn't need to be in the relationship with her anymore.

Speaker 4 (11:07):
Here's my take on that. I think with the four
main characters, when you've got Stan, Kyle, Cartmen, and Kenny
Cartmen and Kenny have got very distinct personalities and play
very distinct roles in the show. Kenny dies a lot
and he's poor.

Speaker 5 (11:20):
But Kenny doesn't die anymore though well that's well he
used to him. It's actually do much at all anymore.

Speaker 4 (11:25):
But he's sort of got more. It's like, oh Kenny
does this, and Cartman has called Cartman, it's Newman and Kramer, Yeah,
very much. When it comes to Stan and Carle, they're
more sort of blank slates and you can put stuff
onto them depending on what you're doing in any particular episode.
They're a little more flexible, So I don't know. I
don't mind so much that they're not lacking in personality,

(11:49):
but I think they play a very important role. It's like, Okay,
well we're talking about this this time around. Stan is
not so set in stone that it's out of character
for him to do this or do that. I think
he needs to be a good utility player to keep
the footy metaphor going. So, don't get me wrong, I'm
very very happy thought they did here. I think that

(12:09):
was a great move to just there was a lot
of good stuff in this episode because exploring heartbreak. Heartbreak
sucks at any age. Of course. Nailed heartbreak, yeah, childhood,
but certainly first Yeah, first love is fantastic. First heartbreak
is like, oh my god, yeah you're thinking ner, yes,
because he's only loved one person, because you were like

(12:33):
a tenth of the way into your waye. So but yeah,
I loved how the show explored that, and I love
how they explored it through Stan, and I.

Speaker 5 (12:43):
Just think Stan's been a very miserable, negative character. I
wouldn't say he's had no personality, but he just feels
like he's just there.

Speaker 4 (12:51):
Is it just him doing that though, or is it
him and car They seem to be the ones who
were kind of like, Yeah, this town sucks. Oh we're
going to get caught up in another love blah blah. Yeah.

Speaker 5 (13:01):
Stand seems maybe because we've see more of Stan in
the Marshes and whatnot. Possibly, I'm not too sure. It
feels like stand has become the central character of the show.
For me, Cartman's the wackiest one, but when it comes
to storylines, I feel like stands the one.

Speaker 4 (13:13):
Oh, they're the real drivers. Well, and they're the real
sort of advatars. I think for Parker and Stone.

Speaker 5 (13:17):
We referred to the Marshes recently as the Simpsons of
South Park. I feel that the Marshes are the main
family of the show now. But I just like that
by the end of it, his mentality is I'm going
to stop worrying about the negatives of life and just
focus on the positives and be happy to be alive.
And I think him going through this Gough phase was
a good way to do that, to have him realize,
you know what, guys, I'm going to be happy now.

(13:38):
And at the end they actually say they have Kyle
say it's good to have you back, dude. Oh yeah,
it's almost like their way of saying stands back true.

Speaker 4 (13:46):
But at the same time, he is a kid, and
you do say that young is like, I'm going to
change everything about myself, you know, time for me to
be more positive or be more assertive or something like that.
And it lasts usually two weeks. Yeah, that's been generous.

Speaker 5 (14:00):
Surprised they didn't because it felt felt like the easy
layup for South Park standards. Right when it was revealed
that Token was the new boyfriend, the new love in
Wendy's life, I thought that was just the easy layup
for a Cartman racist storyline or racist droke.

Speaker 4 (14:13):
They didn't go there at all.

Speaker 5 (14:14):
Yeah, which is yeah, which is it's great, Well, yeah,
it's I wouldn't bother me. They did go that way.
I was just expecting it too. I was like, oh, okay,
it's the black kid. Here's is the way we're going
to be going. And because I thought the friends would
have because the would say, don't worry about, don't worry about.
When they found out that it was the black kid,
Cartman would have then turned and he would have been
focused on that.

Speaker 4 (14:35):
It would have come across kind of I think so
too far. Maybe I just expected that. Yeah, here's the thing.
I've got to tread carefully. I think they're leaving it
up to the view and it's like, how do you
feel at that? But I love it because race means not.
Then it's just like, Whendy, you're a bitch. I love
But I was runny, buddy, that's the best one. A

(14:57):
great line, right, buddy. I don't have caught that on video,
but we were both doing the finger, just that you're
a bitch. That's right here, buddy. But token though, dirty dog.
It seems like it didn't wait too long.

Speaker 5 (15:14):
Yeah, it seemed like that was already in the works
before she broke up.

Speaker 4 (15:20):
It's interesting how I don't know if it's sort of
anything that's talked about in the playground. It's been a
long time since I was in the playground. I've got
a restraining one.

Speaker 5 (15:29):
You're still look from a distance.

Speaker 4 (15:30):
That's true through the binoculars. Talking about when I was
a kid, but even it seemed like there were unspoken
rules about oh, so and so we're going together or
seeing each other or holding hands, holding hands or whatever.
They're not anymore. I can't just swoop in immediately. There's like,
you know, there's a bit of a lay period where

(15:50):
it's like, yeah, give it a bit of time to
settle down.

Speaker 5 (15:53):
But you make you make her aware though there could
be something here, but just wait.

Speaker 4 (15:57):
Well sure a like actually being interested in someone's sister,
like one of your friend's sisters or something that's the Yeah.
I had a good friend at school and he had
a sister was like a year or two younger, and
I think all of us behind his back, like Jane's
really hot, and we're all like, but no, but imagine

(16:21):
but yeah, all of us thought it, and all of
us are like, but no, Yeah, it's just tommy. When
your adults is different. But when your kids and your teenagers. Yeah,
but it's not something that's really talked about though, is it.
I mean, no one sort of got together. You didn't
have a slightly older kid on the first day of
school saying right, kid, here's the rules. It's the unspoken

(16:44):
law school. Yeah, yeah, your maid's going out with this girl.
Even if they break up, do not snake that.

Speaker 5 (16:48):
Girl for yeah, at least three weeks.

Speaker 4 (16:53):
That's restrained on your like four days. But it's incredibly
how you just know, yeah, how it's just sort of innate.
Just you just don't do it. You just don't do it.

Speaker 5 (17:04):
Don't do it.

Speaker 4 (17:06):
I don't know that. I don't know if you did
that on Berbers or it leads in the Jimmy. There's
so much great Jimmy stuff in there. Yeah, he's not
in it a lot. But and look, it's.

Speaker 5 (17:16):
This is the one episode where I'll lead to drop
the sea bomb.

Speaker 4 (17:18):
Well, it's a you talked about lambs for this is
a terrific allue gag. I think reading about this, I
think Parker loved it. I think I think Matt Stone
thought this is cheap. This is kind of a layup,
kind of.

Speaker 5 (17:33):
Pushing it a bit, Yeah, like a stretch. I think
you referred to it as.

Speaker 4 (17:37):
Yeah, the second stand says something like, tell us she's
this to me, No, No, tell her she's a yeah,
continuing source of inspiration, like here it comes well said
that that seems like an awkward turn of phrase.

Speaker 5 (17:50):
Oh, yeah, but I was sitting as soon as he said,
I went, are they actually going to have this? Are
they going to say this because it drops the sea bomb? Oh?

Speaker 4 (17:56):
Yeah, he absolutely does.

Speaker 5 (17:57):
I wonder if they were allowed to say that on
TV because he's a stuttering kid or not. Is that
an album? Is that an out in original airings of this?
I guess I mean he say this.

Speaker 4 (18:07):
Well, I mean he is literally saying the sea word.

Speaker 5 (18:09):
Yes. Yeah, because now it feels like the seaweg gets
thrown around like it's no big deal on TV shows,
on a lot of streaming shows because you don't have
to follow the rules of fetelevision. But back when it's
originally I think it was two thousand and two or three
than three, you didn't really hear very often on TV,
not at all.

Speaker 4 (18:25):
I mean yeah, and certainly in the last couple of
decades it's really come to the fault in American shows
as what you never heard it on American TV, even
on like the harshest kind of cable TV shows. Maybe
on OZ it was British British, certainly because the British
is it differently and the Austrangers, yeah, use differently. We
tend to use as a term of endearment. Yeah, but

(18:45):
I mean I remember when I was Oh god, I
would have been like like a literal kid about twelve
or thirteen or so, when to the movies to see
the movie an Officer and a Gentleman? Do you know
this one? Yes? Yeah, of course with Richard gearon Debrah what.

Speaker 5 (18:57):
The Simpsons take off? When he says I'm going to
the backseat of my car with the woman, I love
it and went back for ten minutes.

Speaker 4 (19:01):
That's right. Where do you go, Paula? Where do you go? Holme?
What do I tell the boss? There's a bit in that.
I'm not going to spoil Officer and a Gentleman, but
there's a bit where someone has betrayed. It ends tragically,
a woman is involved, and Richard Gear just gets in
the face and calls of the sea word. I was scandalized.

Speaker 5 (19:21):
Of course.

Speaker 4 (19:22):
I dropped it ten to the dozen on the playground
because I was a tough kid hearing it.

Speaker 5 (19:26):
In pop culture.

Speaker 4 (19:26):
Though hearing pop here on the what would you learn
to do that?

Speaker 5 (19:31):
Even these days, even when you hear it, even though
it's more normalized, you hear it and go.

Speaker 4 (19:37):
As I've said, on the show in the past, it
is the nuclear option. Yeah, it's oh you mean business.

Speaker 5 (19:44):
Yes, And some shows I feel I've watched us it
just because they can now oh yeah. And it's almost
like when you you watch pulp fiction you hear tarantine
and drop the N word. You go, you're just throwing
it in there because you think you can get away
with it.

Speaker 4 (19:58):
You're doing that for shag there.

Speaker 5 (19:59):
Yeah, and you watch it twenty f thirty years later,
I think years plus later, and you go, it wasn't needed.

Speaker 4 (20:03):
That was unnecessary. Yeah, it's to quote another podcast like
it's It's What's aged the Worst? And this is yeah
a movie four old bing Rains gets lured into a
sex dungeon and fucked in the ass.

Speaker 5 (20:17):
Yeah, like My White Man.

Speaker 4 (20:19):
Yeah, this we can roll with. Its not about QT
dropping end bombs left and right, however, not great. Yeah,
but but yeah, the use of yes, the sea word
and this dan it actually gave me you can't blanche to.

Speaker 5 (20:33):
In the moment.

Speaker 4 (20:34):
In the moment, I'm not going to do it. It
feels like now that I can, I don't want to
do it anymore.

Speaker 5 (20:39):
That's it's like you can great and do drugs. Kids
like said I can do and do it anymore. Guys like, Okay,
the sweetest is forbidden.

Speaker 4 (20:48):
It is official.

Speaker 5 (20:52):
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(21:13):
patreon dot com slash four finger discount. We touched earlier
about how they managed to really encapsulate the schoolyard relationship vibe,
and I think what it was for me was speaking
to each other through other kids. So it wasn't so
when you're an adult, you know, you go on a
not a date, but you might catch up. When you
break up, somebody to do it via text dirty dogs, but

(21:35):
you know you say, look, I don't want to be
together anymore, blah blah blah. When you're a kid, it's
when do you say, hey, baby, go tell stand on
breaking up? And then he was say will you tell
Wendy this, Hey, Kyle, you go to They can't talk
directly to each other. At no point do they talk
directly to each other for the until the very end
he says, hey, you're a bitch, which I think.

Speaker 4 (21:52):
Was it's very immature of standard. The same time, it's
all side fuck it. It's also coming back to life.

Speaker 5 (21:58):
She could have said I'm in love with somebody else
or whatever.

Speaker 4 (22:01):
She Well, that's the thing. Did she break up with
stand because she wanted to be with token or do
you think she was actually lying when she said, oh,
I just don't want to be Well, that's a lie
because she was with someone the next day. That's straight
man school. We had relationships, man.

Speaker 5 (22:15):
But the thing is, though, when you as a kid,
when you used to do that, the comments would often
be misinterpreted, right oh yeah, And it just gets to
the point. And that's what they use Jimmy here for
here it goes he had something to say, Jimmy can't
say it properly, and then it's like, wait, he said
what you tell him this? And he goes, no, I
meant this. Well, then just talk to each other.

Speaker 4 (22:33):
Yeah, Well, it's a lot like in our modern age.

Speaker 5 (22:37):
Texting.

Speaker 4 (22:38):
Yeah, texting, He's like, there's no room for nuance. You know,
you can put a little smile and you can put
all the emojis you like at the end or I
guess the closest thing we've got to nuance these days
when it comes to text communication is using a full
stop at the end of the sentence. It's like, oh,
they're not happy, or I mean, I suppose there is
a language and a vernacular and a tone to all,
but it means like, you know, you're pouring your heart

(23:00):
out of someone is like I think we really need
to have a conversation, or you know, look, I wasn't
happy with what happened this morning and someone just replies back, okay.

Speaker 5 (23:08):
Yeah, and without naming names. You and I both know that.

Speaker 1 (23:10):
No.

Speaker 5 (23:10):
I've had dealings recently with people where you know, I'll
say something and it gets misconstrued because they're crazy.

Speaker 4 (23:17):
It happens.

Speaker 5 (23:21):
But as you were saying, he raises is their version
of Hooters. So I couldn't work out some are these
kids or not? So are these kids working in is
that what it is? They're children? Right?

Speaker 4 (23:31):
It is?

Speaker 5 (23:31):
Yeah, Look, never actually say their kids, she says. Young
lady but it's like, are they teens or their kids?
It's kids look because teens always look older on South Park.

Speaker 4 (23:39):
It defies credibility. But it's all for the service of
the joke, isn't that. But yeah, this is not something
that would actually happen in any form of reality, but
it's for the service of this storyline and this idea.

Speaker 5 (23:51):
Let's touch on Butter's relationship with Lexus, right, because.

Speaker 4 (23:55):
By the way, I mean, we will talk about this.
It was but I twigged like halfway through. It was like, oh,
they're all named after the luxury cars. Yeah, because I
initially thought Porsche, like Porsche to Rossi. Yeah, yeah, Geelong's
own Porsche to Rossi by the way, okay, Amanda Rogers.
But and then some I'm say, oh her name is
because I thought initially it was Alexises. It's like, oh, no, Lexis.

(24:19):
And then the New Girls Ferrari.

Speaker 5 (24:21):
I was wondering if we're going to get a coyote
the ugly parody this as well, that's true. Yeah, Mercedes
seems like the chip that runs the place, right, who
did Mercedes is the one that was running the New Girl.

Speaker 4 (24:31):
No, that's right. Yeah, sorry, I was just thinking we
did a thing on do we mention coyote ugly recently?

Speaker 6 (24:37):
Was?

Speaker 4 (24:37):
Yeah?

Speaker 5 (24:37):
Because it was it was Bob's pods. Bob's pods.

Speaker 4 (24:39):
Yeah, that's right. They ragged on poor old the girls
are I'm like, hey, hey, then unless you were there,
you can't fight the moonlight baby.

Speaker 5 (24:51):
Go on, please, But what was I going to say?
The relationship with lexis here, So this is for the
most part, right, It could happened the other way around,
But for the most part this is pretty accurate depiction
of old men who go to the pub or go
to a bar and the young woman takes him for
a ride, and he said, all I say this because
you see it all the time on Judge Judy, and

(25:11):
I do feel sympathy for these old guys when they
go I bought her this, and I bought her that,
and then she doesn't talked to me. I want my
money back, And then Judge Judy goes.

Speaker 4 (25:19):
No, you're a big boy. You know. I feel bad
that this has happened to you, But.

Speaker 5 (25:23):
You're old enough to make her long enough, I shouldn't.
The sad thing is that they they're so desperate, Like
I feel sorry for them for the desperation in their lives.
But I can't say that the girl did anything technically
wrong because she didn't break any laws.

Speaker 4 (25:36):
Legally not wrong, morally terrible.

Speaker 5 (25:39):
Yeah, but you see it all and I'm going, I'm
watching this going, butters is that old the old men
who buy the girl's jewelry or.

Speaker 4 (25:45):
The man because it happens at any age. Yeah, we
are incredibly susceptible to flattering. Oh oh, he has some
of us more than others. He hasn't worked out that girls.
We'll light to him now, not just a gendered thing. However,
something that's been in the news, really it was actually
use last night. This poor woman in England. I thought
she was an online relationship with Australogers will know who

(26:08):
I'm talking about. Bond I doctor Chris Brown, possibly the
most handsome man alive. He looks like a Hemsworth. Yeah.
We have a brand of undershirt in Australia called Bonds,
and they had the chesty Bond Man who was like
the their cartoon sort of avatar square. Jeorge.

Speaker 5 (26:26):
Yeah, he sold he Solder to the Jungle Show though
it was this fucking show.

Speaker 4 (26:30):
I'm a celebrity, Get me out of here. Yeah, but
I don't know if he jumped it was pushed and
they replaced him with.

Speaker 5 (26:35):
Like replaced, isn't it? Yeah, the as and I go
in nat.

Speaker 4 (26:41):
No, I think they're working a little hard to voice
to baby Bob on us. He seems like a perfectly
nice kid. But at the same time his name.

Speaker 5 (26:47):
I mean, he seems really lovely. But I see him
and I go, I don't think he's actually this is
actually true, but he comes across so fake.

Speaker 4 (26:55):
Oh yeah, but I'm just so glad to be here, guys.
And I think that's the way that they were raised. Yeah,
because he's been very much noh. Yeah, Look, they're probably
very very nice people. Shouted to Bin to you and
I think, I think you're a Pennix burst, like over
the weekend. She's all right, but I remember interviewing her
when I was writing about TV, and it looks she
was like a kid at this day, not a child,

(27:15):
but you know, young adults, late teens, early early but
Raisin raisins sorry, guys, and I came away was like,
I feel like I was just being to a robot.
I feel like you were programmed, you know. It's like
I have been asked question a here a my like
the terminator, did it fuck you ass?

Speaker 5 (27:35):
Or they were raising a thing park?

Speaker 4 (27:37):
Oh very much so yeah. I think Bob is the
same way, but rolling it back a little bit. Yeah,
this woman in the UK thought that she was in
like a romantic or platonic relationship with doctor Chris, this handsome,
charming VET from Australia and fund like one hundred and
twenty K to him. Turns out it wasn't doctor Chris

(27:57):
at all. So yeah, these kind of I won't say
necessarily parasocial relationships because that's mom with sort of like
public figures, but that the kind of relationship where it's scammers.
It's the joke, it's the old joke that stripper really
liked me.

Speaker 5 (28:12):
Yeah, and I love how they keep they break it down,
but you have around them, make them feel really special.

Speaker 4 (28:17):
They show you the playbook. Yeah yeah, and it's like,
are we still a fall for it? Well, we really do.
And I loved how we're skipping all over the place here.
I'm sorry but it's not really spoilers. But in the
you know, in the episode when Butters takes his parents
to to Branson's and Butter's mum says, why are you
doing it? You could be you should be studying, you
could be a doctor, you could cure cancer. And then

(28:38):
realize I know those girls as dumb as a box
of hair.

Speaker 5 (28:41):
Yeah, And I was like, there's nothing wrong with it.

Speaker 4 (28:45):
You need these kind of do There's a lot of
people out there who aren't going to As I always say,
the world needs ditch diggers well off.

Speaker 5 (28:52):
On the point of that scene was going to be
that what's wrong with strippers? You know what, There's nothing
wrong if that's how I want to be, that's how
I want to make money. I'm not hurting anybody. People
are having a good time. I don't mind showing myself off.
What's the hard or even a job? Oh no, I'm
happy to do. There's more like, well this is the
job that I can do. Ye Not everyone's going to

(29:16):
get the corner office. I could be at home. I
could be a home living off the government.

Speaker 4 (29:20):
That's true.

Speaker 5 (29:21):
Or are we doing this contributing to society?

Speaker 4 (29:24):
Sure? Not, even every job has to contribute to sire.
But yeah, there's nothing wrong with how you're making money
as long as you're not hitting anybody. As long as
you're not robing banks, or you're selling drugs or what
depends on the drugs. Yeah, but I know I loved
all that.

Speaker 5 (29:38):
But Lexus relationship with Butters, I felt sorry for him,
but I went, you know what, mate, you deserve this,
you know, and it's you're going to get a life
lesson here and you're going to be better for it.

Speaker 4 (29:47):
Well that's true, and luckily he takes the right lesson.

Speaker 5 (29:49):
I think that last spier would is probably one of
the best biers we've had on south Park to date.

Speaker 4 (29:53):
It really is talking about unified theory, and this isn't
even unified theory. This is just a wacky coincidence. I
started following like a south Park page on Facebook just
to sort of keep up to speed with south Park
and all that kind of stuff. But really it's just degenerated.
Here's some here are some screenshots. I like this bit. Okay,
that's great. Yesterday that one came up where it's Butter's

(30:16):
sitting in the gutter and like, no, I love life.
And you know, if I felt this bad, I must
have felt really good about something. It makes me feel human,
It makes me feel alive.

Speaker 5 (30:23):
To take the good with the bad. Yeah, take the goo,
good bad.

Speaker 4 (30:25):
I thought, oh, I remember that bit. That was fantastic.
I really enjoyed that. Wonder what episode that's from? Turned out,
I was watching it the next day because we're talking
about Yeah, I love that bit. But you're right in
that Butters learns a very, very valuable lesson.

Speaker 5 (30:40):
He does.

Speaker 4 (30:40):
Yeah, it's a harsh lesson, but he takes the right
education away from it.

Speaker 5 (30:45):
I like that these parents didn't yell at him either.
They realized, oh, yeah, he's been taken for a ride here.
What were your favorite moments of the EPISO? Because I've
essentially run through all of mine in the half flick
and whatnot, But anything that we haven't touched on with you,
I've got.

Speaker 4 (31:05):
Down here here continuing sorts of inspiration. I love Peter Gabriel.
I think he's fantastic. That's scene in saying anything is
probably the worst thing that's happened to a lot of
dudes and a lot of girls.

Speaker 5 (31:17):
It doesn't work. You just have to pretend, oh isn't
that sweet, I'm trying to sleep.

Speaker 4 (31:24):
Turn it down. But it's a great sort of judo
flip play some Peter Gabriel play shock. They want to
Peter Gabriel sort of weird ass prog Rocketursion. Great song,
by the way, I love Shock the Monkey pretty much
everything with the Goth kids. I'm going to be quoting
the Goth Kids a lot throughout this episode. But when

(31:45):
they're sitting in in Benny's their version of Denny's, and
they're just going through their very speeds, yeah, just dizzing
the way, just to have fun living. Just the drag
they put on beerers with like up again agains.

Speaker 5 (32:02):
For me it was you don't know real pain you
he go to a third word country, I'm not going
there for the conform but for me. For me though,
it was the moment where we first met them and
they're just they're all given their little spiels as it ended,
the little kid going they're all but your net conform
and then just pause looking at them blankly. I'm like,
that's the slavy. I'm like, they're just it's just absolute ridiculousness.

Speaker 4 (32:26):
I did think I'm not sure how Parker and Stone
feel about this. I mean, they really they ran the
Conformer's gag in the ground just a little bits still,
it didn't go too bad for me, but yeah, I
think I think by maybe the sixth or seventh time
when it's like, wait a minute, you guys are the
confirmed yea, yeah, I enjoy I think that's pretty much.
Oh yeah, I thought was hilarious. I just love them.

(32:52):
When Cartman goes to races, he's just about the food.

Speaker 5 (32:57):
This place is great. I haven't tried to food yet.
It's great because it's a fat joke at Cartman's expens
but it's also you know, he's a kid. Oh yeah,
ah had chicks.

Speaker 4 (33:09):
So yeah, that was Those were my favorites. There's there's more,
but we'll talk about it as we talk about the episode.
That's okay. Remember there are no stupid questions, just stupid
people trivia time.

Speaker 5 (33:20):
My first question for you is what does Butters buy Lexus.
He buys her a present.

Speaker 4 (33:28):
He buys her a bear dressed as a bunny, red
little stuff bear dressed as a rabbit. Yep. Indeed, while
we're on that topic, what is the name of the
bouncer at raisins Well, he was gonna.

Speaker 5 (33:37):
Be one of my favorite moments as well, but I lessen.
It's Maury.

Speaker 4 (33:39):
It is Maury. I just love the way but he
gets pushed him away as soon as she leaves.

Speaker 5 (33:42):
He just walks off. But you know that a place
like Raisins or Hooters these got.

Speaker 4 (33:48):
Yeah, oh goodness.

Speaker 5 (33:50):
When I think of Maury though it's Maury Popish, you
are not the father.

Speaker 4 (33:52):
That's what I thought. Show?

Speaker 5 (33:53):
What a fucking show.

Speaker 4 (33:57):
You want? Next question?

Speaker 5 (33:58):
Okay, cartman orders a picture of what at Raisins?

Speaker 4 (34:02):
What is that lemonade?

Speaker 5 (34:03):
Correct?

Speaker 1 (34:03):
What?

Speaker 4 (34:04):
According to one of the goth kids, how much do
people in business suits make a year?

Speaker 5 (34:11):
There's a thirty four thousand it is. Yeah, now I've
got one of those deals here. I've written the answer
and not the question. So jeopardy do do do do?

Speaker 4 (34:18):
Do?

Speaker 1 (34:19):
Do?

Speaker 6 (34:19):
Do?

Speaker 1 (34:19):
Do?

Speaker 5 (34:19):
Do?

Speaker 4 (34:20):
Jeopardy?

Speaker 5 (34:21):
What is the five foot rule?

Speaker 4 (34:23):
If you're if a Raisins waitress goes within five feet
of table, you have to acknowledge the people at said table.
Is that what it is?

Speaker 5 (34:29):
Okay? I think so. I thought it was when Mercedes
was given a shpe, but I couldn't work out what
exactly the rule was. You know, she said you had
to sit at the table making feelings.

Speaker 4 (34:37):
I think if you were within five feet of a table,
you have to go, hey, guys, I love the what
was their? Everything is so boring. But you guys, everyone
hears such a loser, But you guys seem really cool.
So glad you guys are here. I would so for
we'd all four for it. I'm still four for it now.
And you even rationalizing brains like I know that they

(34:58):
don't like that's that's just good service. Yeah, I've got
a reward good service. Whereas you know, if you're handling betweeny,
you did great tonight, Thanks so much for that. It's like,
I hope do you thinks I'm a buller?

Speaker 5 (35:09):
And before I want to touch on, I said earlier
how most of the time it's men get swounded by women.
I say this because most of the time women are
too smart to fall for this ship. Men are dumb.

Speaker 4 (35:18):
Men will fall for the flirtation. Women are just like mate.

Speaker 5 (35:21):
When I bro indeed, are you getting more questions for me?

Speaker 1 (35:25):
I do?

Speaker 5 (35:26):
What is Stan's goth name? Stan's go oh right, No, no, sorry,
not Race. It is Raven because he's wearing the never
More shirt. He's I've got no questions.

Speaker 4 (35:41):
Hit me. I'll go one more way, do it? The
goth girl whose real name is Henrietta to go to
a concert by which band.

Speaker 5 (35:49):
Oh I do remember the moment, I can't remember the name.
What is it?

Speaker 4 (35:54):
It's Skinny Puppy, Skinny who I believe are like industrial metal.

Speaker 5 (35:58):
Is it a real band? Oh yeah, Skinny Puppies real
at Skinny Puppy. Oh well, it means it must be time.
Why you look up Skinny Puppy. I'm going to look
up the names of our incredible delicious cheesepoofs, my top
tie supporters here and going down to South Park.

Speaker 4 (36:10):
I'm getting gorze ads because it's like this Skinny Puppy
needs you.

Speaker 5 (36:14):
I had the fact they've been talking about rescuing kittens,
rescued every cat they've got there at the moment.

Speaker 4 (36:19):
Oh, may I just say. Skinny Puppy was a Canadian
electro industrial band formed in Vancouver in nineteen eighty two.
The group was among the founders of the industrial rock
and electro industrial genres.

Speaker 5 (36:30):
Just sounds like made up words. Industrial electro industrial.

Speaker 4 (36:34):
One of my favorite genres of music, and I don't
think I could identify it. I've actually heard it, but
electro clash it was a very two thousand thing.

Speaker 5 (36:42):
What does that mean?

Speaker 4 (36:43):
But that's the thing.

Speaker 5 (36:44):
I don't know, what are the styles clashing.

Speaker 4 (36:46):
Yeah, imagine it's just sort of like it's just it's
electronica but also kind of loud.

Speaker 5 (36:52):
They've gotten songs by the Clashnat synthesizes to it, kind
of word they thing London. Yeah, yeah, that's not good.
Let's get to a cheese posh.

Speaker 3 (37:07):
I love cheesypoofs.

Speaker 4 (37:09):
You love cheesypoofs. Weed didn't need cheesypoofs. Sweet be.

Speaker 5 (37:17):
Starting with the lovely Katy G with her one hundred support.
We do love you Katie for your support here at
going down to South Park. Your top tier one hundred
is amazing.

Speaker 4 (37:24):
That's true, Katy G. Most of these other cheesypoofs seemer
are really boring, but you seem kind of cool.

Speaker 5 (37:28):
Yes, Channey mco, Justin Parker, Elliot, j O'Neill is a
Balla Murphy, Rage Beasley, Stephen Roberts, Shawn dv, Pete Anderson,
Timothy Bells, and Andrew Davis, Kevin Dazzel, Planned Flood, Ballo Winter, Bate,
Jack McFadden, Heath, Apple, be Adia McLeod, March Eleven Ginger
and Pickle, Preston Murray, to Lea and Riquez, Declan Phoenix,
Brian mccoyd, Logan b James Sheppard, Joe Ridden, sec Deve,
Prussells McNally, Gavin named, Damie Miller and Charlie Joe. Thank

(37:51):
you for being Cheesepoops here go down to South Park.
Thanks a lot, everybody. Yeah, it actually does help a lot.
Thank you for it.

Speaker 4 (37:59):
Really does.

Speaker 5 (38:01):
We need you.

Speaker 4 (38:03):
All right?

Speaker 5 (38:03):
The top three films at the US Box Officers looking
up here as we speak. When this episode originally aired,
which was December tenth, two thousand and three, I have
got it up here. The top three films were number one.
Number three was a haunted mansion still hanging about. Number
three okay.

Speaker 4 (38:17):
Number two was Honey I feel I've never seen I
know the cover the Dance movie with Jessica Albert as Honey.

Speaker 5 (38:24):
And the top one is a Tom Cruise film set
in ancient times.

Speaker 4 (38:30):
I'm wagering it is the Last Samurai. Correct, yes, number
one of the US Box Office. Can I take a
moment just to clarify something that a lot of people
who have knee jerk reactions about Tom Cruise is not
the last Samurai. He is in a movie called The
Last Samurai. The Last Samurai is actually played by either
Ken Watanabe or Hiriyuku Sinada, who's on the TV show

(38:51):
Showgun Really good. Check it out. It's pretty racist that
the Colin Tom Cruise last let Me put Goth Kids
was pretty racist. The Colin time cruise less Samara, he's
not in Japanese for me, it's any people doing that
at the time, were they? Oh, yeah, you'd have like
really ignorant fuckers just going. Of course, the white Man's

(39:15):
gonna be the last Samurai.

Speaker 5 (39:17):
Did you watch it?

Speaker 4 (39:18):
Did you even watch? Guy Davis? Fun had parties.

Speaker 5 (39:29):
So the episode was written directed by Trey Parker. Obviously,
I productionally coached seven one four featured music.

Speaker 4 (39:34):
I did like the end of the music here so good.
They did a Simpson style deep dive into the wall
to get rights. But apparently they did this because this
was sort of all.

Speaker 5 (39:42):
The music in this very eighties train in particular, really
wanted the love songs.

Speaker 4 (39:45):
They wanted something that was very reminiscent of times when
they were kids and young adults and yeah, this is
the soundtrack of My heartbreak.

Speaker 5 (39:52):
Yeah, so they don't know what you got till it's
gone by Cinderella was the first time we hear and
it's all out of love, supply. I love at their
fucking who does and you look fast on between twenty
five their dad's are at the presidential fucking party at
my celevation party. Oh my god, like mc has now
become a Republican anthem kid.

Speaker 4 (40:10):
The village people just love that.

Speaker 5 (40:12):
The kids love it. My kids love Yeah. I had
listened to it in so long and I put it
on and I went, you know what, this is an
all time banger, a fucking old timer ymc A.

Speaker 4 (40:23):
Well, it's a fantastic sing along, so I mean, young man,
it's bits that you can easily sing along too. It's
pretty easy to remember the most of it, and it
gets straight into and you can do some really fun
choreography that anyone can do.

Speaker 5 (40:37):
That's the thing. Even Holly she's for she's she's worked
it out straight away. That's it.

Speaker 4 (40:41):
Oh, I put my that's a Why that's how do
you do the M in ymc A? Why?

Speaker 1 (40:48):
M really?

Speaker 5 (40:50):
See, I was always taught, It's why, m c A.
That's how I was always taught and why. I asked
my friends and they all said the same, why m
oh okay, see A I've never seen anyone do. I've
never seen anone. Yeah, but my mom does it a
different way as well. Everyone does the m different everything
else c A y fine, m We all have our

(41:11):
all our own versions.

Speaker 4 (41:11):
If the village people taught us anything, it's okay to
be different.

Speaker 5 (41:14):
Yeah, and then I put them on march O man,
right that film clips something else? Oh yeah, just they
even sure shots gone, hey, hey, hey.

Speaker 4 (41:25):
Times. I told the story that, you know, when my
good made JP and I were kids ten years old,
we went together to go see Can't Stop the Music
at the Yeah and zen of what a time, What
a time to be alive.

Speaker 5 (41:38):
We're absolutely fucking baffled by xanderdy going what is going
on here?

Speaker 4 (41:41):
Oh yeah, that's that movie is just you know, and cocaine,
but cauds of the music. I mean, it wasn't until you.
I think we just thought the milkshakes a bit of
a banger of a song. You look at it later,
it's like, this isn't just like gay sexy, This is
like sexy across the board. This movie is just popular.
People just want to fuck Yeah.

Speaker 5 (42:01):
Well, I'm watching the film for Marcho man, I'm going,
so this is just the lead singer he's made a
band and just got guys standing behind him going sure,
not really doing anything that. They're just there for props.

Speaker 4 (42:13):
People are basically, yeah, a gay East village version of
a boy band. As long as I putting together, he's
a gay Backstree boys pretty much for it, mate. Oh yeah,
watched the music and they're basically that's what the movie
is all about. Oh, I've got an idea for a band.
I've got songs. I'm not quite as charismatic as you know.

(42:34):
I couldn't be a front man or a performer, but
I've got all this stuff.

Speaker 5 (42:37):
I need the ideas.

Speaker 4 (42:38):
Yeah, I've got the ideas, and I need people to
get up on stage and bring those ideas to life.
Oh hey, there's a guy dressed as a as a
Native American. There's gundreds ay, there's a biker.

Speaker 5 (42:49):
A biker guy slays me. The big mustache is shill guy.

Speaker 4 (42:55):
Did you have a favorite village person's biker guy? So
when you say biker guy, do you mean the the
like a guy I think they actually call leather man.

Speaker 5 (43:03):
Yeah. I watch it now and I go he's the best.
It doesn't really do much. He just stares the leather
with his big marshals and I'm like, what a man.

Speaker 4 (43:12):
But you look at it now, it's like you buys
in a bit of hardcore pointing. I'm basically watching pornography. Yeah,
I'm basically watching game.

Speaker 5 (43:20):
Because the kids put it on and I started making
lunch or whatever, and I looked over and I was like,
I'm not sure. Uncomfortable with Holly and.

Speaker 4 (43:26):
Ellie watching the milkshaked head Milkchack.

Speaker 5 (43:32):
But enough about the village people. We'll get to that
when we get to that shell and living in a Meherica.
They went all out for this one. That's a really
great jet, all out of love their supply. Yeah, so
many great songs. But the episode kicks off though with
We're at the school and it sort of comes full circle.
It begins and ends the same way. So the boys
are playing football and Baby walks up and tells Stan

(43:52):
that Wendy is breaking up with him, and Stan can't
believe it, and she says, she just doesn't want to
be with you anymore. She still wants to be friends, though,
It's like, I don't want to be friends.

Speaker 4 (44:01):
I love how to stand as kind of clue as
I was like, why do you want to break up, Like,
you know, we haven't spoken in like two weeks. Yeah,
there you go.

Speaker 5 (44:09):
Yeah that's the them acknowledging to from a runing perspective,
we never see these two together anymoreing.

Speaker 4 (44:13):
Well, but it's all the same. It's a young relationship
and yeah, he doesn't really know how to conduct himself. Also,
I love all after ten years, but I love just
like the coats, Like, it's not Wendy's breaking when he
breaks up.

Speaker 5 (44:28):
It's so weird.

Speaker 4 (44:29):
It's almost like it's almost like they're playing a game. Yeah,
I was like, you got that, you're ear It doesn't
really make sense she breaks up. That's a weird way
to say.

Speaker 3 (44:37):
Yeah, whatever, baby, like stand really cares. Just get out
of a football game is stupid? Skag fuck you fat ass.
You guys are assholes. Oh yeah, wear least we had
assholes your young girl. Yeah, god, you're so stupid. Yeah,
like Stam gives a crap as when he breaks up.

Speaker 5 (44:56):
Going Down to South Park is brought to you by
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(45:16):
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then we get the song Don't Know What You Got
Till It's Gone by Cinderella, and Stan just walks off
and ponder's life essentially. I particularly love the shot here
and his montage of him being sad of when it's
raining he looks to the sky crying. Other shots include

(45:40):
him looking at her reflection in the river and he
thinks he sees Wendy, but she's not there, just sitting
in the gutter of crime, which is the same gutter
that Butters gets discovered in as well, and looking at
a photo that she signed, love you Forever and obviously
not forever. Now we're back at school and Stan has
asking Kyle to go and ask Wendy why does she
break up with me? There's got to be more to it,
Go go and do it, and being the friend, he's like, fuck,

(46:01):
all right, I'll do it, but grdually he goes over there.
She explains she'd been wanting to do it for a while.
It's nothing against him. And then he goes and tells fine,
he goes and tell standard exact thing. That's not an answer,
tell it to be more direct. I want to know
what's going on here. And I was like, oh man,
he'll be poetic. And this is where Jimmy comes along,
and he says to tell say something poetic to Wendy.

(46:23):
He says she's a continuing source of inspiration to him.
And we get at the moment and I've just got here.
You just know where this is going. Before it even happened.
I was paused. I know where this is going, and
if you're gonna do it, this is probably the best
way to do it right, rather than just drop it.
Because Southfuck I think are above dropping the sea bomb.

Speaker 4 (46:40):
I think they've got enough clout and good will by
now that it's kind of like, we don't need to
do stuff for shock value. If we do something that's
going to be viewed as controversial or confronting, there better
be a very good reason for it. Yes, And it
reminds me got to be in service of a larger point.
It reminded me of have you seen the Kurby enthusiasm gag?
Where are we talking about? Is it a super Dave?

(47:04):
It's it's the it's the obituary in the in the newspaper,
but the aunt but they misspell.

Speaker 1 (47:09):
Oh.

Speaker 4 (47:11):
I was thinking of another thing with the guy's name
is Bob Einstein exactly, actually Albert Brooks's brother. Okay, have
you seen this, Joe when it Seinfeld comes back on? Okay,
I haven't seen that one.

Speaker 5 (47:21):
Now we're going through and watching it.

Speaker 4 (47:24):
Yeah, I want it's I won't spoil because it's very,
very very.

Speaker 5 (47:28):
Okay, but they do say the sea bomb a lot.
But the first one it's I think it's beloved, devoted, sister, beloved.
But but this is where we'll play the court.

Speaker 1 (47:44):
He hey, Rendy, Yeah, Stancas, you're a cur You're a
Curnt Stances, you're.

Speaker 3 (47:54):
Your continuing stories of.

Speaker 5 (47:56):
Inspiration to him. Then we go Jimmy dropping the sea bomb.

Speaker 4 (48:02):
We mentioned before. You know, we tend to use in
Australia a bit. There's the whole ad campaign for the
Northern Territory where they actually have see you in the NT. Yeah,
I see you in the NT. Yeah, as better as
a shine? Do that? Yeah? Can you actually have that
on coffee mugs or kind of? And you do. I'm
bumpasticks and everything like that.

Speaker 5 (48:23):
But of course this doesn't go well and Jimmy, Jimmy says, look,
he's gonna have to face the facts. Mate, it's over.
What do you mean it's over? And we get oh,
I love by supply and it starts playing as we
can't just stand depressed and bad. He's just laying and
his friends come in to see him, like, oh my god,
he's worse than we thought. They come to cheer him up,
but he doesn't. He can't be cheered up. Kyle tells
him to you just go out and live, and he's like,
what's the point of living if you're a girl I

(48:44):
ever loved love anymore? She's gone and stand talks about
how love songs are true and his chest hurts and
his heart is broken, and I've just got that's a
genuine thing. Oh absolutely, When they say your heart, it
feels like your heart is broken. And the last time
I felt that was when I Nan passed away, and
like you just it felt like my chest was collapsing.

Speaker 4 (49:03):
Sure you know again, No, you actually feel like pain
in you.

Speaker 5 (49:06):
And I know this is the joke here because he's
eight and it's like ridiculous. No, but when you get
I'm so sad that your chest hurts, that's where the
time of your heart's broken from. Because it's just like
you don't know, you can't explain it. I mean until
I think I've all experienced at least once. But you're
so sad that, oh yeah, your chest hurts. No, yeah,
and you the worst yea heartbreaker. I mean I'm like, oh, well,

(49:27):
you know, I'm feeling sad. I should be crying. I
started to gry, but instead it wasn't really sort of
like oh, I'm.

Speaker 4 (49:33):
So said, it was ah, I was howling like an animal. Yeah,
and I recognized that in my mind. I was like,
holy shit, there's something wrong here.

Speaker 5 (49:44):
Yeah yeah, yeah, but so it's true. I know it's
meant to be funny because he's a kid, but no,
this is a real thing when you're that sad, your
chest hurts and your heart just feel like it's breaking.

Speaker 4 (49:52):
I don't know if we've skipped this or we were
at that moment now, but this was my other favorite
Jimmy part. Okay, they can see that stand is like
really fantastic. Should tell him a fantastic juke. He's always
trying to help, I know, but he's also just so
clearly with his own ability. Fantastic fantastic.

Speaker 5 (50:17):
Kyle suggests. I thought it was odd that Kyle, of
all people, want to suggest take him to Raisins. I
guess he's the friend that wants to help. And you
know is where bros take their mates when they're going
through heartbreak, go to Raisins or go to Hooters, and
all six of them arrive and.

Speaker 4 (50:28):
I'm so glad you guys came. Everyone hears such a
luis if he guy seem really cool and but it's
like we are cool, and Jimmy and Butter's in particular
takeing like, oh my god, this was paying attention to.
This is lovely, This is great, and you know this
this place is like heaven and comes and how do
you know, we haven't even tried the food yet. As
I said, a fat joke carts expense, but they're a kid.
Of course, that's what he's going to be paying attention to.
The well, the idea of a floating girl isn't necessarily going.

Speaker 5 (50:51):
To be triggering anything at a restaurant, No, no, no.
But Lexus then comes to take their order. She repeats
the same phrase that we heard before, and Butter's is
taken by Lexis like he's smitten. Oh, oh my goodness,
she's so nice to him. Cartman ordered some food and
Butters thinks that she likes him because she was just
being so nice, and she touched his back as that's
the move. You touch them, they feel real personal. Then

(51:12):
Kyle notices a cute work named Porsche, who, as we learn,
is Dumb's dog shit. A little bit later on, and
she fake flirts with him with Stan and I've just
got here, you know when he just no chemistry?

Speaker 4 (51:22):
Oh absolutely, yeah.

Speaker 5 (51:23):
Yeah, it's just it's just not gonna wait any think
Oh I don't have to be polite, Sure, okay whatever,
But yeah she's not. It's not gonna work you with Stan.
He's just he's too depressed. Then a cust to them
all singing y m c A. And Cartman's finished his
food and he's had a great time. Meanwhile, Porsche's still
talking to Stan, just talking absolute rubbish. So Stan asked
to leave Lexi's flirts with Butter's one more time. On
the way out, she says she wants to see him again,

(51:44):
come up, come up to reasons.

Speaker 4 (51:46):
Others she always calls him sweetie as well, Hey.

Speaker 3 (51:47):
Sweetie, Oh sweetie, are you leaving?

Speaker 5 (51:51):
Well?

Speaker 3 (51:51):
I don't want to. They're just then my stupid friends
want to go. Oh well, where am I going to
get to see you again? When do you want to
see me? As soon as possible?

Speaker 5 (52:00):
Ah?

Speaker 3 (52:00):
That guy, Yeah, we left you at tip already, but
here's another five dollars. Oh you are such a sweetie,
can hear you? By guys?

Speaker 4 (52:09):
Thanks for coming to reasons now.

Speaker 5 (52:12):
Stan says, you know this didn't work at all. Guys,
I don't know why he brought me here. I feel
eve I'm worse. So he's now going to be taking
control of the situation. You guys aren't doing any help.
So he goes to Baby and says, Babe, you talked
to it for me. He thinks she's a girl, it's
gonna work, and she says, no, you just going to
be romantic, the most romantic thing you've ever done. As
for some advice, and she says, go to do the
cues ac trick bbox go to her house and playing
Peter Gabriel song with a boombox. So he goes there

(52:34):
and plays which song again?

Speaker 4 (52:35):
Uh he shocked the monkey rather than in say anything,
which is not my favorite kidie eighty nine. Yeah, yeah,
a lot of people love it. I'm like, it's not
quite for me.

Speaker 5 (52:46):
Is it that the other or they just remember it? No, Look,
that's because that's been parodying a lot. It has as
that created false happy memories and false positivity of the
movie because.

Speaker 4 (52:58):
Oh yeah, oh no, look, I understand why people like it. Yeah,
it's not so much. Oh, this is empirically bad. It's
just low quality. It's more like, I get what you're
trying to do here, and I get a lot of
people to respond to this. It's just not doing it
for me. But in the in the context of the movie,
it actually kind of makes sense because I don't know,
they lose their virginity to one another John Cusack and

(53:19):
i Ony Sky's characters, but I think certainly the first
time they're they're intimate in your Eyes by Peter Gabriels fainting,
which is lovely song. And so when they're broken up
and he sort of is desperate to win him back.
That's what he plays. It's kind of like, you remember
we boned to this song smooth move cusack. But you
can understand why he would do it in that regard.

(53:39):
But yeah, I think a lot of people just took
the ball and round was like, if I stand outside
a window and hold up the boom bugs, you'll think
that I'm you know, just this deeply rumantic souls like
he just pissed.

Speaker 5 (53:50):
How many people do you think did this? And the
girl in question had not seen the film, had no
fucking idea what was going on? Oh, because that is
not a romantic thing to do.

Speaker 4 (53:57):
I think someone I think I might know someone who
has done that. Yeah they're good, no bueno? Yeah, so
he asked playing shock the monkey. That's never not funny
to Yeah, And.

Speaker 5 (54:10):
He notices Wendy in the window. And as a viewer,
you watched this going, oh, is she going to take
him back?

Speaker 1 (54:14):
Not?

Speaker 5 (54:14):
And no token enters the window frame as well, You're.

Speaker 4 (54:17):
Like, oh, you dirty dog, and then just close the curtain.

Speaker 5 (54:19):
He closed the curtain. Oh damn, yeah, he close the curtain.
That's that's a shock that would kill you right now.
Butter's he goes back to see Lexus after work. You've
got a present for her. So she asked Maury to
come and walk her to her bike. I love it
to her bike so good.

Speaker 4 (54:33):
Well that's the thing though. It must be terrible the
women who work in either this kind of industry or
even like as a cocktail waitress or something like that.
But certainly I think as someone in the adult entertainment industry,
as you know, an exotic dancer or something like that,
you're bound to have guys who You're gonna have harmless

(54:54):
guys like Butters, who get a bit infatuateds like hey,
a bunch of present. You know, I'm just thinking imagine
all the time, but you probably have go guys who
like wouldn't take no for an answer or take you know,
get the wrong and prayers like we are in love. Yeah,
Like you're upstage on stage getting your gear of you
know when you when only get a private shirt. Come on, man,
I gave you fifty bucks. I mean, you would need Maury.

Speaker 5 (55:16):
Girl or boy, regardless of who's in that situation. It's
kind of one of the prices you have to pay
for doing that job. You know that your job is
to create swindles, not the word entertain.

Speaker 4 (55:27):
It create maybe a false reality or a frightened reality.
That's what it is, more distorted reality.

Speaker 5 (55:33):
And unfortunately, not everyone is able to differentiate between reality
and what's false.

Speaker 4 (55:37):
Well that's the thing. I wager there's a fair percentage
of people who would attend, say I don't know acs
or raisins or whatever. AND's kind of like, I think
more people who go than not would not be able
to differentiate. And I'm not talking about people who are
absolutely deluded, but yeah, the handle is not quite as firm.

Speaker 5 (55:58):
Yeah, yeah, And I saying it's just the classic case
of the old guy who's bought all this jewelry for
this lovely waitress at the bar blah blah blah, and
she's just like newt, you have a boyfriend, or he's
brought her a car and he just doesn't talked to
him anymore. He's like, oh, the money back, It's like
you bought her a gift. Sometimes Judge Judy will be like, no,
what fuck you bitch, give me his money back. But

(56:21):
now we're at school, it's before pe class, and Stan
is too sad to do pe class. You can't play dodgeball.
He's just laying there on his towel. He's just shuddered
that she's in love with Token instead. And Kyle says,
just fucking snap out of it, man, don't worry about it.
It's just he's just he goes hang hang the guy kids.

Speaker 4 (56:37):
It's not the best advice from Kyle. I mean, it's
he's just over He's just he's over it. Yeah, I
get where he's coming from. But yeah, he gives up
pretty easily when you're sad or whatever. I mean, having
someone say, just snap out of it. I mean, sometimes
tough love works, but sometimes it's like sometimes he just
got a wallow in it.

Speaker 5 (56:56):
Man, you don't know real pen Well.

Speaker 4 (56:59):
So yeah, and then we the god Kids, Yeah.

Speaker 5 (57:01):
The Goth kids who now become characters, the Goth Kids.

Speaker 4 (57:05):
Yeah. I honestly, I was trying to remember I was
just the first appearance of the Goth Kids, because they
haven't we haven't had like a Battle of the Bands
before where they were the Battle of the Bands we have.
I guess I was thinking of, you know, when we
had the first one with Timmy and all that, and
there was the band that was before Timmy and Lords
of the Underworld.

Speaker 5 (57:22):
They were nothing in fields off night.

Speaker 4 (57:27):
Banger.

Speaker 5 (57:29):
I was like, was that the gold Kids?

Speaker 6 (57:31):
No?

Speaker 5 (57:32):
No, this is full God kids. Yeah, and there and
I am life is peen life, It is only peen.

Speaker 4 (57:39):
Yeah. Again, it's the conformance game being round the grab,
but the fact that they all sort of have that
same that same kind of reflection.

Speaker 5 (57:45):
Yeah, it's also it's almost reminds me of the awesome Yeah.
But they you know, zombies racing to degree a bunch,
they're all a bunch of Nazi conformers. That bit just
fucking got me right. That does character design.

Speaker 4 (57:59):
It's very similar to Hey, Stan, I love the Kid,
where you're like, are you a kid or just a.

Speaker 5 (58:07):
Small teenager?

Speaker 3 (58:08):
What you like?

Speaker 4 (58:10):
Yeah? Repeated that gig from All about Mormons. Great, that
was a great episode of South Pack. I thought it
was a very very good episode of Going down the
South Park. I really enjoyed that one. So which one
is that? All about Mormons?

Speaker 5 (58:20):
I thought we did a good job the first listen
to the show. Wait a minute, that show's not too bad.
We don't we should have more patrins. I like to
hear too that that Stan first of all cours them
out for their bullshit, because he kind of goes, but
if there's no point in living, then what's if it's
everything so sad, the worst miser one, what's the point
of living just to meet life more musical For the Farmers.

Speaker 4 (58:45):
I realized that you're probably not meant to like side
with the goth kids, but I love that they were
a little sort of they're a little clique. They're their
own group and they've got each other's back. I wouldn't
want to be a goth, but at the same time,
I kind of see the appeal.

Speaker 5 (58:58):
I want to spoil the end, right that one of
my favorite bits at the end, I was going to
touch on it. So when Butters tells them the off
fasically at the end, I think the best payout he
does is he calls them a click, because that just
sort of brings down everything that's they're fighting for now.
Stanfords like, you're just a click. You know you're not.

Speaker 4 (59:15):
You're just like the jocks. You're just you're just another
fucking click in nothing special. Yeah, you've got your uniform,
you've got your set of rules, and you've got your
own like just a click. And I'm like, that's it.

Speaker 5 (59:25):
And the fact that you just refector was a click.
That's what it is, and it's just school is just clicks.
Oh yeah, and I preferred to be a whore. I
was a click whole. I never settled in one. I
went from one.

Speaker 4 (59:36):
I most of all sat in the the nerdy the
I wouldn't say the losers either.

Speaker 5 (59:42):
It was just the average Joe's who were just up
for whatever, you know, down ball, play footy, whatever. We
weren't too cool to to not playing magic, the gathering
cars in the library at lunchtime. We were cool enough
to play football, you know. We would fucking go wherever
we wanted to. I wasn't I was a nomad.

Speaker 4 (59:59):
Yeah, I wasn't never. I was never a list, but
I was, you know, a listed Jason.

Speaker 5 (01:00:02):
So this is where they tell Stan that he has
to dress like them, listen to the same music, and
he can be part of their click. And he agrees
to he's going to be now that it never officially
give them the name raven No, you're only here once
at the air Yeah, and I thought I made a mistake.
I was like, wait, he's Ravens. Did I miss something though?
But we're now at raisins again, and Mercedes is running
through all the spiel and the rules to the new girl.
I don't think we get the new girl's name, but

(01:00:23):
she goes through the Ferrari. Is she Ferrari?

Speaker 4 (01:00:26):
Is she?

Speaker 5 (01:00:26):
Akay?

Speaker 2 (01:00:27):
Okay, I know it's your first day, Ferrari, so I
want to go over the basics with you.

Speaker 3 (01:00:30):
Okay. First of all, there's a five foot rule.

Speaker 2 (01:00:33):
If you come within five feet of a customer, you
need to acknowledge them, even if they're not at your table.

Speaker 3 (01:00:37):
Hey, Kutie, when you're not serving food.

Speaker 2 (01:00:39):
Or talking with customers, you need to dance around and
have fun with things like kulhoo, silly strings and water
guns to play with the other girls. Be sure to
give you a lot, and be sure to show off
your raisins. Now, when you take a customer's order, you
need to sit down at the table with them. It
makes them think you're interested, write your name down for
them and make them feel special.

Speaker 3 (01:00:54):
Oh man, I am so bored. Thank god you guys
came in.

Speaker 2 (01:00:58):
If you want good tips, the most important in his
physical contact. Just a simple hold of the arm can
be the difference between five and twenty dollars.

Speaker 3 (01:01:05):
Have you right back with your order. Guys, Well, thank
you so much.

Speaker 2 (01:01:08):
Mercedes, okay, but I guess we're ready to open for business.
Good luck, go ahead and open for business, Porsche, okay.

Speaker 5 (01:01:16):
And this is where Butter's enters first, is the anyone there?
And he finds Lexis and she just does the spiel
to him again and it's just yes, no, it's not
going to end well for Butters. Then we're in Henrietta's
bedroom and they're doing a reading of various poems. Isn't
it well written?

Speaker 4 (01:01:30):
As one of them says to stand, all right, stand
one of your poems about.

Speaker 5 (01:01:36):
And this is the first time we say goth Stan.

Speaker 4 (01:01:38):
Yeah, yeah, oh, as I said, it happens for the
best of us. I'm pretty sure I wrote a bunch
of shitty poetry when I was fourtuning about unrequired love.
It happens.

Speaker 5 (01:01:47):
We've all written songs, haven't we. I've writ out of guitar,
used to write songs all back now and go, oh, yes, right,
you liked that, didn't you. I thought I was going
to marry that girl, and it turns out note but yeah, Henrietta.
Here your thoughts on Henrietta. She seems like a very
angry girl.

Speaker 4 (01:02:03):
Well yeah, yeah, I mean very hard to play one.
One could easily do a deep dive in or play
sort of like Monday Morning psychologist or whatever. She's clearly
got an okay life, and she's just playing playing the role.
And she's got clearly at least a loving mother who
like you know, views the goth live. So I was like, oh,

(01:02:24):
I've got an artistic daughter. You know, she's very creative,
all that kind of quotes Cinderella. She don't know what
she's got till it's gone well correct. And as I
said about the one goth with curly hair, he's living it.

Speaker 5 (01:02:36):
He's the leader.

Speaker 4 (01:02:37):
Yeah, I don't want to sound cruel, a little ugly.
He's kind of, you know, he's got the sort of
the big schnozz and all that kind of stuff, and
you know, sort of look he looks like he's probably
got pimples and all the kinds of I'm sorry to
say this about people who've got big noses and pimmles,
but you know, he's having it rough in his adolescence
and that's probably shaping him a little bit. And it's like,

(01:02:58):
doesn't matter how it looks when I've got this when
I've got my brando Lee as a crow costume.

Speaker 5 (01:03:05):
So my I won't say his name, but my school
had this guy, right, It's one of those I told you.
I looked hm up on Facebook. He's still the same.
He wore like the band badges and he was like
always had his makeup bl blah blah blah, and I
will never forget. It's one of my favorite school moments ever.
I'm gonna give a shout to mister Macklin. He was,
like I said, mister mackiew but you know he was.
He was a teacher who everyone took the piss out of.

Speaker 4 (01:03:26):
Right.

Speaker 5 (01:03:27):
I would say he's a good teacher because I liked
the guy, but he wasn't necessary because he was an
easy pushover.

Speaker 4 (01:03:31):
Right.

Speaker 5 (01:03:32):
But one time this kid said something to along the
lines of I don't care what anyone thinks, and this
teacher had had enough and he said, direct quote, well
if you didn't care what anyone thinks, why the fuck
did you spend two hours putting your fucking makeup on
this morning?

Speaker 4 (01:03:45):
And everyone's like a good point. Jack's got a point
point on it was like fairpointment Macquelin one Goth kids
Zip it was like, first of all, was initial damn
teacher said fuck. It was like, oh no minute, he
beat it up with actual facts and the guy, the
kid was just walked out of the room because like
he had no back. Yeah, you don't.

Speaker 5 (01:04:06):
You don't care anyone thinks how you look? Then why
did you put so much evident into it. Everyone's like,
holy ship, that's that's the code. That's that's that's how
you stop him. That's how you stop his attitude. That's
the cheat code.

Speaker 4 (01:04:19):
And going on.

Speaker 5 (01:04:20):
That guy never spoke up again. You know, don't fuck
with mister Macklin. There's those those teachers where once they snap,
you know, that's what happens when they snap.

Speaker 4 (01:04:30):
Look, I don't know if that kid was a dick
or not. Oh he was a dick.

Speaker 5 (01:04:34):
Oh he was really pretentious. You know. You try and
be nice to me and he it was. He was Henry.
It was basically the way Henrietta was to her mum.
You try and be nice to him. He'd be like
putting you down to go, I'm being fucking nice just
because I want to be nice to you.

Speaker 4 (01:04:46):
Do them extending and olive Yeah, okay, all right. I
was thinking that maybe Macklin would sort of go to
the guy and say, sorry, gol dad.

Speaker 5 (01:04:52):
But yeah, fucking okay, he is the kid. By the way,
I may have mentioned a story of the podcast I
invited into my birth day because I just went, you
know what, I'm gonna find my breath and he came.
You know what he did?

Speaker 4 (01:05:04):
He came, he ate He turned my family's desktop computer
backdrop into tub girl and then left. Okay, that's not cool.

Speaker 5 (01:05:11):
So my sister, who was so I was six, my
sister would have been twelve at the time, went to
a computer to the school, to the house computer and
tub Girl was there.

Speaker 4 (01:05:20):
All right, well and I take it back. Fuck that guy.

Speaker 5 (01:05:22):
Yeah, fuck that guy. Good good, good way of trolling.
Somebody though, turned the back back back when like, you know,
you can get access in the PIPS computer, but we
didn't have passwords and ship.

Speaker 4 (01:05:33):
It was just you know, hey, the risk of founding homophobe.
At least he didn't do Lemon party.

Speaker 5 (01:05:37):
Yeah that was either that Elemon party, it was tub
Girl theman party. And what was the jar Man? Remember
jar Man? Goatsy did you ever have a video of
the jar Man?

Speaker 4 (01:05:45):
The guy sat on the jar I think I've told
me that heted and side you're like, oh ship, oh
Billy right. Dot com people, what a time to be alive.
Early days of the Internet.

Speaker 5 (01:05:56):
It was we didn't know what we were doing. Talk
about cowboys, mate, it was it was crap. Unless you
live through it, you have no idea.

Speaker 4 (01:06:04):
It's incredible how our history kind of repeats in that regard,
because I mean, yeah, we had the early days of
the Internet, which was the wild West, and now we're
sort of in the Gilded Age and the robber barons
and all that kind of stuff. You read your history, folks,
and we're pretty much gone. We've reset to the early
years of the late part of the nineteenth century and
the early part of the twentieth century.

Speaker 5 (01:06:22):
We always go back to the way it was because,
as I said recently, streaming services are now putting stations
TV stations back on their streaming services. Correct, we're watching
TV again, but now they're charging us for it.

Speaker 4 (01:06:36):
Should we go full like Doomer conspiracy theory? Should we
set a channel like that? Different enough for this shave
it's a different one. Yeah, Oh you're not for this
show just happened. As I reckon, we'd make bank you
fuck south I said, I got lost in that algorithm
loop of like you'll see the thumbnail on YouTube of
like we're cooked, you know, and it's it's some dipshit
porn a face, what's going on in the mud.

Speaker 5 (01:07:00):
Or you see people do reaction videos of south Park
and they're like, well.

Speaker 4 (01:07:03):
Yeah, that's fucked. You won't get that.

Speaker 5 (01:07:05):
You would never see us sync to reaction videos. I apologize.
You do reaction videos on YouTube, go well, power with God,
but I ain't doing it.

Speaker 4 (01:07:13):
Yeah via gone dios, motherfucker. But at the same time,
but then I look, you know, I look at them.
I look at the numbers that you know, these weird
cooked guys I wrack, and I'm just like, oh, there's
a lot of doomers out there who just want that
reinforcement of like, yeah, life's pen the scientists on YouTube,
Yeah pretty much. Okay, we should do maybe like a
side channel just like Shit's fucked. Just got ships fucked,

(01:07:35):
Shit's fucked, and my word, shit's fucked, and then catching
ship shits f.

Speaker 5 (01:07:44):
Shit's fucked. Mate.

Speaker 4 (01:07:46):
If you're listening to this show, Ship's fucked, mate, Ship's
fucked mate. If you're listening to this show.

Speaker 5 (01:07:51):
That's that's merchandise right now.

Speaker 4 (01:07:53):
You're going to go full Alex Jose if you're listening
to my vice people, if you are listening to this
and you think that is something you actually listen to,
Me and Dan are just gonna go in full DOOMA.

Speaker 5 (01:08:03):
Let us know.

Speaker 4 (01:08:04):
I would kind of do it half as a gag
and half is just to get shit off my chips. Yeah,
shit's fucked, mate, shits fuck mate. It's viable.

Speaker 5 (01:08:15):
Going down to South Park is brought to you by
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(01:08:35):
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the show today for as little as just one dollar
at patreon dot com slash fourthing a discount. Yeah, this
is where stand here. He's ready his poem and he
mentions that he wants to hold Wendy in his arms
again referred to as bab bigger. That's not you need
to some of my lines, I miss you so much.
I want to slash.

Speaker 4 (01:08:55):
I'm missing you so much. I'm gonna slash Mysla and
the mum.

Speaker 5 (01:08:59):
Enters and she's just lovely woman. And I you know,
you know, I knew this, this shitty kid. I knew
his mum. She was a fucking legend lovely person. And
I just went, is that just? Is that just how
it is? Because every goth kid I've known has had
amazing parents.

Speaker 4 (01:09:13):
Probably the case. Yeah, look again, I didn't want to
speculate about Henrietta, but you know, she might be carrying
a little extra weight, might be you know, the teenage
yers might be awkward for her. She's got this mum
who looks kind of like the secretary in Ferris Bueller's
Day Off. He's a rageous dude, you know. She looks like, oh,
you're a sweet lady, you know, and utterly, utterly cheerful,

(01:09:36):
and it's just it's not working for Henrietta at this stage.
So she needs to rebell, she needs to kick back.
And that's yeah, probably what Henriette hit twenty twenty one
or something, and she'd be like I'm so. I'm sorry,
I was so. I was such a bitch too.

Speaker 3 (01:09:51):
That's fine.

Speaker 5 (01:09:53):
We're back at Raisins and now they listened to Living
in a Memory. Butter's his column for Lexus on the phone.
He's at home now. He's got no money so he
can't there. And this is where you really feel sad abuts,
because she's just he's such a dork and she's just hey,
sweety and a love that he devites over to watch.

Speaker 4 (01:10:07):
The Exosists on DVD. Yeah, player, I wish he had
have said.

Speaker 5 (01:10:11):
With audio coming carry that would have been. But she says, no,
come to Raisins. Come to Raisins. That's the stash, the spiel.
Get him to Raisins, make more money, but he's got
no money, so he says, don't worry, old fine cycle.
She really wants to see him, so he builds the
carriage to say that he loves her and then hangs up,
not knowing that she's just walked off, And you're like, oh,
poor Butters. Yes, but then he asked for an advance

(01:10:32):
on his allowance by from his parents and they say
no until they.

Speaker 4 (01:10:35):
Realize, oh, you have a girl friend. She's a girl, right,
but not a bad taste gag. But yeah, it's sort
of a very two thousand and three gig. I told
you thought he turned that gag.

Speaker 5 (01:10:47):
Yes, I thought you wouldn't take it. So the dad
blied he wouldn't. She thought I thought he would.

Speaker 4 (01:10:50):
Yeah, I love this. When you were a kid, you're
sort of like playing as a grown up, asking your
parents can I have an advance on like.

Speaker 5 (01:10:58):
It's after paying great first payment now?

Speaker 4 (01:11:02):
But yeah, you're trying to negotiate, like you're like you're
trying to get a pay raisers and he's like, I
need to advance my allowance. I've got a great deal
on a used car.

Speaker 5 (01:11:12):
Or some ship, give me a school saling off you
fucking matchbox cars, but this dealer isn't gonna last NK.

Speaker 4 (01:11:24):
It's like, you need to advance on your allowance and
you're trying to negotiate with your parents, but using that
particular term, it's like advance dance on my We aren't
call it a fucking payday lender.

Speaker 5 (01:11:39):
We don't call allowance here. We call it pocket money,
don't we.

Speaker 4 (01:11:41):
Well, yes, yeah, which is a much better way of
much better.

Speaker 5 (01:11:43):
For a child. Friend. The pocket money allowance, your allowance
like pocket money. I was spent my pocket money, went
and bought some lollies, spent my allowance. It makes me
feel like you're wasting money if you say I spent
my allowance on lollies like you spent your allowance on.

Speaker 4 (01:11:56):
You spent everything you were allowed?

Speaker 5 (01:11:59):
Pocket money and allies. Fair, That's what I do.

Speaker 4 (01:12:01):
But what's your pocket what's the pocket money? For taking
out your pocket?

Speaker 5 (01:12:03):
You spend it?

Speaker 4 (01:12:04):
I love the term strutting money.

Speaker 3 (01:12:05):
You heard that.

Speaker 5 (01:12:06):
I never heard that.

Speaker 4 (01:12:06):
I've got some strutting money.

Speaker 5 (01:12:08):
I've had fuck you money. Oh yeah, money we dream
for those days.

Speaker 4 (01:12:13):
That's true.

Speaker 5 (01:12:16):
We'll get there, We'll get there.

Speaker 4 (01:12:17):
Yeah.

Speaker 5 (01:12:17):
So he invites he invites his parents down, but he
invites his parents how to meet Lexus. They can't wait
to meet her either. So we're now at Benny's with
the goth kids and they're drinking their six dollars worth
of coffee.

Speaker 1 (01:12:27):
Hey, can we get more coffee over here?

Speaker 3 (01:12:30):
Damn it? Are you kids just gonna sit here all
night again and drink six dollars worth of coffee? Why
don't you get a wife? Conformist?

Speaker 1 (01:12:36):
Have fun in your rout race life, living paycheck to
paycheck for corporate jeans.

Speaker 3 (01:12:40):
Yeah, dude, you.

Speaker 1 (01:12:41):
Haven't drink your coffee.

Speaker 3 (01:12:43):
I don't drink coffee.

Speaker 1 (01:12:44):
You can't be a nonconformist if you don't drink coffee.

Speaker 5 (01:12:47):
Clearly, throughout this episode they've shown that Stan isn't a
full blown goth kid because he wrote the poem. He
still misses the stands, still in there. He's putting on
this charade. He doesn't like coffee. Well, you have to
otherwise you're not a real you know, you're not performist.
But then Kyla rise and tells him your parents want
you home. You got to come home so you can
fill my head. It's changed his voice now as well. Oka, Yes,
you can fill my head with Disney lives about how

(01:13:08):
perfect the world is, and avi goth kid says a
card is an over real paint. I fucking love it.
That's no real paint. Go live in the third world country,
You're pussy, live in a third word country with the performersts.

Speaker 4 (01:13:17):
But here's the thing. I mean, when you're when you're
a kid and you're still working out who you are.
Everyone likes cheat cards. Everyone's like, oh if I wear this,
walk like this talk like this, listen to this music
or whatever. It's a it's a shortcut to becoming a
person rather than doing the actual work of like, oh
wait a minute, I like this, but also it's like

(01:13:39):
you like, well, you know, I'd like to go play
video games or play cards at lunch time, but I
also play footy. Human beings. They're weird, contradictory things, full
of full of stuff. Yeah, it's hard to sort of
reconcile all those things. Sometimes it's a lifelong project. And
if if at the teenage years or the early adolesten
to years, or even the child todd years where it's

(01:14:00):
kind of like I don't know who I am. If
you've got someone who's like, wear this, listen to this,
say these catchphrases, that's pretty easy.

Speaker 5 (01:14:09):
I considered myself very blessed that I felt like I
almost like cracked the matrix growing up because I genuinely
didn't give a fuck with people thought. You know, so
I never felt like I had to wear a particular
brand of and I think I put it down to
my mum. My mum raised me to go, you don't
have to wear brand clothing, you know, it's all the
fucking same. I never felt like I had to appeal
to a certain demo I had to wear a certain

(01:14:31):
time of clothes on goth kids, or had to play
as I had to play footy. I can just do
what I wanted, and if someone mocked me or made
fun of me, it never bothered me. And I think
people appreciate, like, oh look, he literally just doesn't give it.

Speaker 4 (01:14:43):
Probably like probably quite envy that now I.

Speaker 5 (01:14:46):
Always gives them excuse himself. Like I was very I
was just able to just go whatever you say to me,
I don't fucking care. Yeah, it doesn't bother me.

Speaker 4 (01:14:54):
Now. I'm not dissing the goth kids because I mean,
it's great to find your tribe. That's great to find
like minded people and even ned forums. Yeah, absolutely, and
within that sort of group, even within the sort of
the cheat codes and the uniformity or whatever you may find.
Oh wait a minute, you know they're all doing this.
I'm not sure I like that all that much. And

(01:15:16):
you learn a little bit more about yourself as you go. Yeah,
I'm I'm not slamming groups or clicks or anything like that, unless,
of course, you've had the world works. Yeah, unless you're
really slavish towards it to the point where you're denying
who you are, who you truly are, or what you
truly like. Anyway.

Speaker 5 (01:15:33):
Yeah, I just love though that the jab at the
fact that he won't go to the third work country,
because in reality, not all, but most of these teens
probably have normal lives, right, it's just their hormones, not
the ship. Your life isn't actually that hard. You're just
going through some hormonal shit, that's all it is. Yes,
you just work, You're trying to work yourself out. Oh yeah,

(01:15:53):
life is not hard, like the life is not. Your
life isn't necessarily bad compared to many others. But this
is where stand as I said, voices changed, and Kyle's like,
you know what, He's just you have fun being miserable,
and I'm out of here. We're now at Raisins, And
Butter's parents realize straight away, Oh no, this is not
what Butter sinks.

Speaker 4 (01:16:10):
It is being played for a sucker.

Speaker 5 (01:16:11):
He hasn't worked out that girls will take advantage him
for his money. And it's not always girls, guys do
as well. It's just guys usually dumb enough to fall
for it.

Speaker 4 (01:16:18):
Well, we've all seen the Tinder Swindler on Netflix.

Speaker 5 (01:16:21):
We have indeed, yeah, And then mom tells Porsche. His
mom tells Porsche, you should be justifying yourself. And she's like, oh,
wait a minute, now, you're dumbest dogshit. Now maybe this
is for you, and she's fine, that's fine. I'm making
that's fine. I'm enjoying this. Yeah, well, don't look down
on me. You've gone having a good time.

Speaker 4 (01:16:39):
Not everyone's making bank on only fans. But a few
people are making bank on only fans. Oh no, many
people making banks, but not every I mean, I think
you have some people going everything. Oh well, okay, I've
tried everything else.

Speaker 5 (01:16:50):
I guess I'm I'm paying the mortgage of only fans.
Nicular doesn't. I've taken the photos of it. But still.
But Butter's introduces Lexus to his parents. She gives the
welcome spiel. You're welcome them, he said, who, what's welcome?
The reasons you know, sweety blah blah blah. And dad
explains that these women have turned flirting into into a

(01:17:11):
profession and that's fine, that's just there's another job. Butters thinks, no,
you're just saying it because you don't like you don't
want us to be together. We're going to move in together, honey,
And then she just says, no, no, no, we are
not together.

Speaker 4 (01:17:22):
Your girlfriend, you're not my boyfriend.

Speaker 5 (01:17:23):
And then she takes the curly fries to table twelve
and that's the end of their relationship, and Butters he
still doesn't He still though by the end of it,
I don't think he quite clued in the fact that
they were in a relationship, because he gets all, no,
just over there. He just thinks it's been dumped yet.
So then we cut to him crying in the same
gun that the stand was, with their supply playing again,
and the goth kids arrive. We see their shadows. Another
torch is so and they ask Raven to look at him,

(01:17:44):
and he realized, oh shit, it's Butters and he says
that no, you can, you can join us. You can come,
or they say come. Joints at the graveyard were gonna
write poems about death and how pointless life is, and
Butter says no, because he says he loves life. And
that was not the twist I saw coming. Yeah, with
Butter saying this.

Speaker 4 (01:17:58):
No, you don't expect this level of emotional intellect or
straight up wisdom.

Speaker 3 (01:18:03):
There are no thanks bad of life. Huh, but you
just got dumbed.

Speaker 5 (01:18:08):
Well.

Speaker 6 (01:18:08):
Yeah, and I'm sad, but at the same time, I'm
really happy that something can make me feel that sad.
It's like it makes me feel alied, you know, it
makes me feel human. The only way I could feel
this sad now, he is if I felt something really
good before. So I have to take the bad with
the good. So I guess what I'm feeling is like
a beautiful sad is And I guess that sounds stupid. Yeah, no, no, Butters,

(01:18:32):
that doesn't sound stupid at all. Well, thanks Raving to
let me in your click dash Leo. To be honest,
I'd rather be a crying little pussy than a faggy
glass kid.

Speaker 3 (01:18:40):
We'll see his name.

Speaker 5 (01:18:41):
Butter's getting these little fucking moment.

Speaker 4 (01:18:43):
But it wasn't signing you, he was just it's a
declaration of independence he was.

Speaker 5 (01:18:48):
Also he was he was putting him down though little yeah.

Speaker 4 (01:18:52):
More sort of it's more about himself than about them.
But yeah, but he does throw on a little bit
of a sledge as I said that.

Speaker 5 (01:18:57):
The biggest diss he was calling him the click because
actualizing to people like they've got they've got big egos, right,
and that just destroys their ego and everything they stand
for because they think that they're important in their But
because I found we referred to as the emos back
in when I was in high school, we always saw
them as they the way they behaved and it may
not have thought it, but the way they acted and

(01:19:18):
spoke was if they were looking down on.

Speaker 4 (01:19:20):
You and oh, you know, we're above you. You're just
you're a sheep. You're that kind of thing, right, belittle.

Speaker 5 (01:19:25):
Well, they've cracked the mate. And then this is him
just saying just another click. It's like, you're no different,
You are just the fucking same as everybody else.

Speaker 4 (01:19:32):
Yeah, there's a great bit of stand up. I want
to remember the guy's name. It's Chris Something. I'm sorry,
but yeah, uck not Chris Racking. Fortunately, he's talking about how, oh,
everybody loves a weirdo or everybody loves like a freak
or whatever. It's like, no, no, you love a beautiful freak,
you love Harry starrs in a dress, or you love
Bowie And he's like, yeah, you all think Bowie's weird.

(01:19:55):
Bowie's a jock. Bowie's a beautiful jock. Okay, real freak.
The ones who actually move the needle forward, unpleasant, not
good to be around. Their personalities probably suck.

Speaker 5 (01:20:08):
Bowie doesn't stink.

Speaker 4 (01:20:10):
Well yeah, yeah, But these are the people who are
probably like, you know, doing incredible code or you know,
ten years and I was like, holy shit, you painted
that or something like that. But it means but hanging
out with you.

Speaker 5 (01:20:22):
Now a lot of the time too. When it comes
to things like Bowie and stuff. I mean, love Bowie, absolutely,
love Bowie. It's all pr it's all just image, oh absolutely, but.

Speaker 4 (01:20:32):
There's an art in creating that image. That's the art. Yeah, yeah,
let's not be mistaken. The music's pretty good too.

Speaker 5 (01:20:39):
Bow Yeah.

Speaker 4 (01:20:39):
Yeah. I mean it's not like, hey, guys, I was
going I was trying and do the Flight of the
Conquers bo David Bowie. But it's not like, yeah, oh,
I'm a dude in a dress when when that's not
something that happens, He's like, yeah, but I also did
Rebel Rebel, which is a fucking banger.

Speaker 5 (01:21:02):
So you know the two I can tell you twenty bangers.

Speaker 4 (01:21:04):
Oh yeah, yeah, Jean Genie Ashes to Ashes all good stuff.
Major Tom, Major Tom the Grand Control or is a
grand control? A Major Tom?

Speaker 5 (01:21:12):
Right control to me, Major Tom.

Speaker 4 (01:21:14):
There we go. But anyway, yeah, I'll find that clip
because it's very very good.

Speaker 5 (01:21:17):
But yeah, it's like they didn't bow.

Speaker 4 (01:21:19):
But yeah, freaks, but people, yeah, people who genuinely move
the dial or move art or culture or anything along.
Sometimes they're fucking weird.

Speaker 5 (01:21:33):
But Stan says here that he prefers to be loving
life then hating it, and he leaves and go back
to your sunshine fairy tale. There was a silence here
wait for about two or three seconds where I sort
of watch him walk away, and I'm wondering if there
was a scene here that they edited out. I thought
it might have been one of the other goth kids
sort of say something on the lines of maybe he's right,
and then the leader guy go no, no, no, I

(01:21:54):
don't think they reckon, no, no, no, Okay.

Speaker 4 (01:21:57):
Look, maybe this is probably just me projecting, but the
feeling that Parker and Stone actually have a bit of
affection for the golf kids. Of course they do. They
wouldn't bring him back otherwise as they do.

Speaker 5 (01:22:08):
They're just so funny, That's why they bring him back
with maybe just so fun to voice those them. Yeah,
but we're back at school full circle moment the boys
are playing foot he once again Stand arrives and they say, oh,
I thought you were like hurting you. That still hurts.
It's really bad. But he's realized there's going to be
a lot of painful times in his life. He just
got to learn how to deal with it the right way. Hey, Wendy,
you're a bitch. Token right here, buddy R. That's like awesome, right,

(01:22:29):
love it, love it right here, buddy, and dude, it's
good to have you back. And yeah, and then Stand
is back with being one of the boys. He's longer
with Wendy and he can move on. Yeah, that is
the end of Raisins. Another great episode.

Speaker 4 (01:22:43):
Pretty good. Yeah, so many layers. We talked about it
for a while.

Speaker 5 (01:22:46):
All right, guys, so don't forget. We're gonna be doing
a mail bag episode at the end of the month
in a couple of weeks, So get your questions in
now I via either via Patreon feed, whether it be
in the Patreon Facebook community discord, or just email us.
That was the best way as well, will be a
good way as well. We'll be Southpark Mailbag at gmail
dot com. South Park Mailbag at gmail dot com. Get

(01:23:09):
your questions in and we'll answer them on the monthly mailbag.
What'lls it's been covering some south Park news and just
what's been happening here has Going Down to south Park
Studios four fing a discount studios for the last month
or so. Also, please continue to rate and review us
on Apple Podcasts or Spotify. Whereby do you listen to
the show? Check us A few kind words and five
stars would be much appreciated. Now, the next episode of

(01:23:32):
season seven we shall be reviewing. It's Christmas in Canada.

Speaker 4 (01:23:36):
I think it's the last episode of the season.

Speaker 5 (01:23:37):
It is the season finale of season seven, so next
week will be the finale of season seven for Going
Down to South Park. It is Christmas in Canada. I
like Canada, guys, good Southwik version of Canada, and I
like Christmas. I think we're been for a good time.

Speaker 4 (01:23:51):
Well you are, we always have ourselves of time here
gone down to south Park. Well played you.

Speaker 5 (01:23:57):
All right, guys, Thank you so much for all of
your support here at the show. Next week is It's
Christmas in Canada. But until then, mister Davis. Any final
words for all those incredible listeners out there, Well.

Speaker 4 (01:24:07):
If you're not listening to The four Finger, just got
a network. Well, this is conformist.

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