You Got F'd In The A (S08E04)

Oh it's on! That's because this week we review "You Got F'd In The A", which sees the boys get served by the Orange County Crew, forcing Stan to put together his own troupe of misfits. Meanwhile, Butters must come to terms with a tragedy from the past.

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Episode Transcript

Speaker 1 (00:00):
Well, look, I just came down here to tell you
it's not on. Oh it don't No, no, no, it's
not on. Who it don't? Oh right, it isn't on.
Nothing's on. It's off.

Speaker 2 (00:12):
It down kick.

Speaker 1 (00:18):
Welcome to Going Down the South part of the podcast
where we get f in the A. I'm Dando and
I'm guy.

Speaker 3 (00:23):
Yes, oh, trying to get myself comfortable in this chair
because yes, it's not comfortable getting ft in the A.

Speaker 1 (00:29):
I just finish watching this episode. Not gonna lie. I
want to start doing some line dancing to ache You
Break your Heart. It's flashbacks to when I was a kid.
I've mentioned this, maybe not on this podcast, but definitely
a four thing of discount. My first introduction to radio
podcasting was there was a local country radio station called
eighty nine point one Country FM, and my nan big
country music fan. My family, my dad's side, big country

(00:50):
music fans. So I used to listen to it blah
blah blah. And I had these two guys called Melon Michael.
On Saturday nights. I had like, you know, Fitzy Whipper,
but Melon Michael Saturday nights. And I always stay in
Dana's place on the Saturday and listen to them on
the radio. You know when we used to sit by
the radio and listen to the radio. It was a
I a thing.

Speaker 3 (01:04):
I remember the nineteen forties.

Speaker 1 (01:06):
Yeah, I used to sit by ends radio and I
would tape the show and I'd listened back to them,
and I was fascinated by these two guys on the radio.
And then I wrote them a letter and they read
the letter out on the radio the following week, and
then short while they invited me into the studio.

Speaker 3 (01:19):
How old were you at the stage.

Speaker 1 (01:20):
It would have been about ninety five, ninety six. I
would have been seven EIGHTI ish about then.

Speaker 3 (01:25):
Yeah. I bet you would have made Melon Michael's day
sending them a fan letter. Yeah, I reckon.

Speaker 1 (01:30):
They would have just loved that. I reckon, I did, Yeah,
and they I went into the studio, and then I
became like the mascot, the mascot of the of the station. Yeah.
I'd be invited into the radio all the time. And
I look back because I always say that my time.
I started a podcast when I was in year ten
with my mate Michael, and I always thought that's my
introduction to podcasting. But I was like, we know what
I used to be on the radio like every Saturday

(01:50):
night in country fam I completely love forgotten about it
and I'm gone. That's where my love of podcasting radio
started back then.

Speaker 3 (01:56):
I'm just imagining this was like I'm mel I'm Michael.

Speaker 1 (02:01):
But I remember my favorite song when I was a
kid was Achy Break Your Heart, and they hated playing it,
but they always played it for me.

Speaker 3 (02:08):
That's the thing I think a lot of country music
purists like being ripped. Billy Ray Cyrus is the front man,
is the face of country music.

Speaker 1 (02:16):
Caerema said that it must have been earlier because it
was only a new song as well, So that was
like ninety two ish, that was, yeah, ninety one, ninety
five yeh yeah, five or six maybe, but yeah. So
I remember they'd always go and this one's for a year, Brandon,
and it was like the highlight of my Saturday night.
So when I heard Randy playing here, I just took
me back to that moment.

Speaker 3 (02:35):
You really did step up one of my favorite moments,
because that is honestly just a superb comedy moment. That's
so good, isn't it. It's fantastic. Do you remember what
kind of music though used to play? Melon Michael on
their show.

Speaker 1 (02:48):
It was more modern country. Okay, yeah, it wasn't Yeah
Tammy Wenettes and Yeah or Hank William that kind of stuff.
It was more yeah, I know you should I trained
to get a spin and things like that. I mean,
they did play the old songs as well, because Saturday
night was request night, so Mel and Michael would be
taking call ins for requests. You call it and say
can you play this song? And you listen by the
radio this one for Brandan And it was so cool.

(03:11):
It sounds so stupid now, but it was so cool.
You could call for the station and they would play
a song and dedicate it to you. Oh yeah, well
it's much like being a cheesey pool for a stone color. Yeah,
your name on the radio? Yeah, or the podcast the
Mel and Michael sort of did they live it?

Speaker 3 (03:26):
Did they walk it? Like they talked at the country
last time? And then do were they sort of Kubra's and.

Speaker 1 (03:30):
He released he released an album mal Did I remember
because he used to do a cover of What's the
Home among the Gum Trees? Oh yeah, that's it's the
theme song? But was actually the theme song? Was that
song used for so.

Speaker 3 (03:45):
It was a song used the theme song. I can't
remember the actual I mean, we could look.

Speaker 1 (03:48):
It up, but I remember he did a cover of
Love to Have a Drink with Dunkan, right, which was
a slim dusty but he did a cover and caught
it Love to Have a Drink with Brendan, and I
just I still remember hearing it for the first time
he played on the radio, and yeah, it was so.

Speaker 3 (04:02):
You would have been like, what sorcery is this? The
song's actually the songs called dunk It, but he's saying
it's about what you can do that.

Speaker 1 (04:08):
He's fit me in there. Yeah, so it's just hearing
it you break your heart just took me back to
a better time, man, A good time. Not a better time,
just a good time, a good time. Indeed, it's funny.

Speaker 3 (04:16):
We've just devoted a great amount of time talking about
country music and all that kind of stuff. Not really
about country music a little bit, tiny bit, but for
the most part, Yeah, this is about.

Speaker 1 (04:27):
You got served, well get getting served it in various ways.
I was before we get into the whole dance routine stuff.
I thought, when I could not record this episode at all, right,
so when I started talking about it, in such a
dramatic way. I thought they were going to use that
You Got Served as a euphanism for you Got molested. Oh,
I thought they're going to get sharing the boys they
Got served. I thought that was going to be like

(04:48):
that kind of aspect, and they're going to use as
south By Do. They sure and do a parody of
You Got Served, but use it for this reason, not
at all.

Speaker 3 (04:56):
No, no, not about molestation, more about bullying.

Speaker 1 (04:59):
Yeah, but they were just essentially mocking that You Got Served.
The dance films of the early two thousands, which I
lived through it, I was the right age for these films, right.
I was never a fan of You Got Serve, Bring
It On? Still a big fan love Bring it On? Right,
So it's I love if I have ridiculous as this.
There was a line in that movie where she says
they're just a fraid of the unfamiliar. I'm like, what
do you try to? What is this movie? But I

(05:20):
just love Bringing On. It's so silly. But when you
were a teenager in that time, these were the films
that were just always thrown on at parties. You know,
you get us one's house whatever. Bring it On was
just always on in the background, or you got servers
just always on in the background. People just we just
watched it because it was just what everyone did. Well, yeah,
I mean I was never really into Yeah, these dance
movies were much older. Yeah, well yeah, I mean I

(05:41):
enjoyed Bring it On when I saw at the cinema,
mainly because I realized, oh, this is actually like because
they're sexy and they're cute and they're popular to boot.

Speaker 3 (05:47):
Well these as I did feel a bit to dubious
thinking I really knew Kirston Dunst from a few movies
that's been in, particularly Interview with the Vampire with More Soldiers. Yes,
that's right. And Jamungji, what an appealing child actor, What
a delight, And then you see her Bring On, like, oh, wait.

Speaker 1 (06:04):
A minute, you're not supposed to grow up?

Speaker 3 (06:06):
That's correct, Yes, please stay a child. It's a little
peek behind the curtain here, folks. While Dan I was
getting ready to record, I was outside with young Hollies
little bit under the weather. So she's enjoying her recuperation
the way everyone should watching Home Alone three and Front
on the big screen. Who should have seen Home Alone three?
But baby Scarlet jo hands yeah.

Speaker 1 (06:26):
Yeah, I was bad to mention it because I was
guess for the same reason. I'm like, you realize she's
in that movie and she's in the Horse Whisperer. She is.

Speaker 3 (06:32):
Yeah, I was one of the big sort of breakouts.

Speaker 1 (06:34):
Yeah.

Speaker 3 (06:34):
Of course she'd worked a little bit before that, but yeah,
look I was like that looks like Scarlet You're handsome,
but a younger version. How about that? Yeah?

Speaker 1 (06:42):
But yeah, things like like you got served the step
up movies. I'm going to say step up for another,
which there are many. What's the one that it's not.
It's not a dance root team, but it's a dance
I'll save the last, save the last ye different.

Speaker 3 (06:53):
Yeah, not really my speed, not really my bag. But
all the I won't say cliches, although they got used
so often that they did sort of become closive, but
all the conventions of the genre I find kind of
entertaining and kind of fun. And this is really sort
of this episode of South Park is sort of a
good gateway drug, or at least a nice, sort of
distilled version of that. I think I think it adds

(07:15):
actual affection for those kinds of movies, or at least
the yeah, that's that style.

Speaker 1 (07:21):
Well, I feel like Treyo Matt would be the kind
of guys that would just appreciate the hustle in the
sense of I don't like these movies, but I can
appreciate how much money you've made from this content. Absolutely,
it was like an eight million dollar budget and they
made like fifty or something. Oh sure, yeah, yeah, I
mean it took them like a month to make it
to film it. Well, particularly with You Got So Yeah. Yeah,
I mean I was looking at the the Wikipedia sort

(07:43):
of plots and ops of the plots and opsas goes
on forever. I just go by the Google ones because
I want two sentences. Max, tell me what happens, give
me the gys. Don't tell me that everything to give
me the gys. So you're you're turning into Homer. You're
part of the problem. Just give me a synopsis. But yeah, wow,
there's a lot in You Got Served. But yeah, dance
battles they're kind of interesting in a lot of ways.

(08:05):
I mean they've been around for a while. I think
as soon as you know, with the emergence of the
whole breakdance scene, which, by the way, I think purists
in the scene. Don't actually like it being called breakdancing, Okay, yeah, yeah.
My first introduction to it was and it got a
little something like this, what a film clip that is?
It's like that, and that's the way it is. Is
one of the best clips. For a couple of times,

(08:25):
I put off with the kids and the kids are like,
can you put that on again? Please.

Speaker 3 (08:30):
My first exposure to it was actually in the immortal
titled break in two or Breakdance to Electric Boogoloo, which
has one of those dance offs as well. Yeah, it's
really funny because it's meant to be, you know, sort
of a symbolic interpretation of like a fight. Yeah, but
it just looks like everybody's having a good time. We're
all just enjoying dancing together. We're being a little sort of.

Speaker 1 (08:52):
And when you need face and when you're not dancing,
you're gonna be going doing the hacker.

Speaker 3 (08:55):
Oh yeah, you've got to be very much like I'm
not intimidating this at all. But when just imagine yellow
you're having fun in the in the playground or water,
then all of a sudden, just five people come up
to you and just step to you, just serve you you'd.

Speaker 1 (09:13):
Be very much like the kids. And he happened.

Speaker 3 (09:16):
What the hell just happened?

Speaker 1 (09:17):
Yeah? I did like that they went to Chef. Oh,
we don't know what's going on here. It felt like
we were just violated. We had to go confirm with Chef.
We got served. What does this mean? Yeah, it's so confused.
I think that there's one thing this episode I think
that does really well. Is it rewards viewers longtime viewers
of the show by incorporating a lot of the newer
characters that have been introduced to the show to be

(09:38):
part of the true Oh yeah, I like that. Aspect
of one of the goth kids, we get one of
the races Mercedes I believe, so yeah. Yeah. Plus we
also get yeah, the gaming kid who was voiced by
the basketball.

Speaker 3 (09:49):
Yeah yeah, I mean yeah, and let's not forget.

Speaker 1 (09:53):
The duck and the duck as well. Yeah, and then
but it's backstory, which will get to But you were saying,
I really like that.

Speaker 3 (10:00):
The whole South Park community actually is very conversant and
aware of what it means to be served, and anytime
anything like this happens, they're all crowds instantly formed or
everyone has an opinion on it. Everybody knows what to
do or what not to do, and these the kids
are just sort of ignorant or unworldly about it all.

Speaker 1 (10:19):
Well, the kids could really give two ship stands like
I don't I don't really care. And it's the adults,
like Garrison say, you must be getting revenge, right, Oh yeah,
well that yeah, that whole analog of being served and
getting bullied.

Speaker 3 (10:30):
You know, people have got various takes on us, like well,
you know, you know, it's back away, don't don't engage
or anything like that. If you don't be part of
the problem, then there'll be no don't start. None, won't
be none, as they say, but others are very no. No,
you've got to stand up for yourself. And you know,
not standing up yourself doesn't necessarily mean.

Speaker 1 (10:49):
Looking for a don't go serving people, don't go challenge
you serving. But if someone steps to you, then you know,
hit them with a left right or in.

Speaker 3 (10:54):
This case, hit them with a left foot right foot
to bakey breaking.

Speaker 1 (10:59):
And it's also the way it puts your hand in
these pockets and he's like, don't damn. And what I
think it was the best payer for that was that
stand does it and it works? Oh yeah, expecting to
be mocked. Everyone's like, damn, ship was horrified. You don't
know what you're doing. I was kind of disappointed. I

(11:22):
think the perfect fifth member of this group, if it
wasn't gonna be Butters or the Duck, should have been
Nathan and him suggested they use steroids to just having
Nathan back, we'd have been cool.

Speaker 3 (11:31):
True, true, Look, we all love Nathan.

Speaker 1 (11:35):
Uh.

Speaker 3 (11:36):
I think park romsone are very clever and like, we've
got to be very careful about how we deploy certain
overdose Yeah, certain supporting characters. We don't want to Yeah,
the audience to get tired of these people. We realized
we might have they've got a little something in their
front pocket, by which I mean a little bit of gold.
Now it's like, well, we don't want to draw this
one out too often. You know, we'll just deploy him

(11:57):
very sparingly, and when it happens, boom, you'll love it.

Speaker 1 (12:00):
Yeah, love it.

Speaker 3 (12:01):
So Yeah. I think it was an interesting sort of
combination of people they brought together. I thought each new
member of the of the team was a new joke
and sort of yeah, added a little bit more more
texture to the whole setup. Yeah, I was. I was
really happy with how they played it.

Speaker 1 (12:17):
I like the inclusion of lose yourself as well. Oh yeah,
because it's similar to like the breakdowns, similar to the
wrap off was what they call it wrapoff rap battles,
rap battles. Yeah, just it's a simple kind of vibe,
isn't it.

Speaker 3 (12:30):
It really is. Oh, you've just reminded me of something
that just again, guy shows his age. But back when
I was a teenager and my teenager is my adolescence
kind of corresponded with the rise of hip hop culture
and bee boy culture and break dancing and all that,
and I remember it.

Speaker 1 (12:45):
Kid. I went to school with Tim Austin.

Speaker 3 (12:47):
Tim, if you're listening, how you doing, mate, one of
the coolest kids, yeah, of our era. He was the
one who actually sort of brought the bit of card
or you know, oh you've got a bit of cardboard
in your garage. He would drag it out and start
doing like very rude, dementary break dancing, but we actually
called it rap dancing, yeah, which, yeah, looking back, is

(13:09):
kind of.

Speaker 1 (13:10):
Like the hip and happened that is, if we could
we couldn't be any any more.

Speaker 3 (13:17):
Suburban white kids than we were, but we were called
him doing He's rap dancing.

Speaker 1 (13:24):
Keep going, keep going. I'm glad you said that because
for me, that's one of my last memories of the
No Professor films.

Speaker 3 (13:33):
It's just.

Speaker 1 (13:37):
And for a long time when I was a kid,
I just thought Eddie played the kid as well everyone
else does he do it. He's just done stop in
his favorite moments. Let's because you're touching on earlier the
line dancing with Randy. I also loved the stands, the

(14:01):
dramatics in they've started this.

Speaker 3 (14:05):
They've been doing it for a little while, that thing,
but they're really starting to steer into your Randy just
exaggerating and overreacting.

Speaker 1 (14:11):
And yeah, he's the more on adult now. I think
they go to a lot.

Speaker 3 (14:15):
I think so, yeah, they all are to varying degrees,
but he's becoming a centerpiece for.

Speaker 1 (14:21):
It very much.

Speaker 3 (14:22):
So yeah, So I did. I did enjoy that, not
just yeah you got third, But the follow up to
that is it's on.

Speaker 1 (14:30):
Oh yes, and it's never going to be on. It's off.
Oh no, it is.

Speaker 3 (14:36):
Nothing is off.

Speaker 1 (14:37):
It's off.

Speaker 3 (14:40):
The whole language that people have and the kids are like,
there's a whole lot we've got to learn.

Speaker 1 (14:45):
Really, when Sharon breaks back home, well look what you've done, Randy,
what happened? It's on.

Speaker 3 (14:51):
That's that's it. Of course, I'm Guy Davis. I'm very
happy that the Goth kids are back. Of course, god
kids dance is I love this? Oh yeah, they're all
doing their various.

Speaker 1 (14:59):
Staring at the ground every three seconds, take us drag.

Speaker 3 (15:01):
Your cigarettes to sort of either flip your head to
one side, do a little.

Speaker 1 (15:04):
Bit curate though, it's so accurate, very much is.

Speaker 3 (15:08):
But I love how confident they are. Oh didn't you
guys know how to of course you know how to dance.

Speaker 1 (15:12):
Yeah, And the way they got the goth kid to
actually agree to do it made sense as well. I'm
not going to conform to what you guys are doing,
so I'm going to agree to do it. Yeah, I
just got goth served. We're living in the era of optimization.
Everybody needs to be their best person, the best version themselves.
You've got to be hustling, got to be groaning all

(15:32):
the time, or pretend to be on social media. That
is correct. Yes, look how happy we are, which.

Speaker 3 (15:36):
Is why I very much responded to this line from
stand to the end when I think he's trying to
convince Butters to be part of the dance team.

Speaker 1 (15:44):
Oh yes, I read this.

Speaker 3 (15:45):
Nobody likes having to rise to a challenge, Like, not
enough people are saying this. Of course you should give
a rule, you should do your best. Of course we
all seem to have been indoctrinated in this thing, like
Russ the challenge.

Speaker 1 (16:00):
Take it to the limit, the best version of yourself
was like, could I just be like this version?

Speaker 3 (16:07):
This version is not bad. I think it's doing this
goes home happy. I just love And they don't really
play it for a laugh line either. It's just sort
of it goes in under the radar. But look, nobody
likes having to rise to a challenge.

Speaker 1 (16:19):
I thought you're going to say that. There was a
line where he says something about the part of life
is being better than someone. He's saying, haha, better than your.

Speaker 3 (16:27):
Whatever follow up to that, Yeah, but yeah, nothing beats
you know, getting in someone's face, and yes, haha beat
You enjoyed that very much.

Speaker 1 (16:34):
I'm very much that guy. When it comes to like
I was kick local football clinics and things where they
now the mantra is everyone's the same, everyone gets a medal,
No one's better than others. Don't celebrate when you get
a gold because it makes the other kids feel bad.
And I said to Elliott, you just keep doing what
you want to do. Sure, Yeah, if you're you're not
getting in someone's face and saying, Haha, I'm better than you.
You're allowed to celebrate. If you are better than somebody,

(16:55):
doesn't mean you walk over to them and say I'm
better than you. But if you're better than somebody, you dare,
I'll go out there and you celebrate your You.

Speaker 3 (17:02):
Celebrate yourself as opposed to your decimation or defeat of
someone else. Absolutely, I want to talk about this just
quickly in relation to our friends at NIKI Friend of
the Pod. It seemed for a while there a few
years back, when they were doing vertisans for their shoes
and their gear and all that kind of stuff. A
lot of it was and I don't want to sound
like a Sky or Fox News commentator here, but they

(17:23):
were very inclusive. It's like sports for everybody, you know,
and all that kind of business. But the vibe that
was coming through was like everybody get out there and
have a good time. And these ads apparently did not
do well.

Speaker 1 (17:34):
Michael Jordan would not have appreciated that those personally.

Speaker 3 (17:37):
He would have taken that personally friend Michael does. And
just recently I think they released an ad. It had
fantastic narration by Willem Dafoe and that unmistakable voice of his,
but it had like some of the best athletes in
the world and they were basically just dominating. They weren't
getting it. They had maybe one shot of someone like
getting in someone's face or basically puffing up their chest
or whatever. It might have been Lebron, But the gist

(17:58):
of the ad or the text of the ad was
like I'm insane. I'll do whatever it takes to win,
you know. And it's not like I'm going to kill you,
but it's like.

Speaker 1 (18:06):
I'm driven, I'm so motivated. Jack.

Speaker 3 (18:09):
It's like, well, dint that isn't the reason we watch
sports to see elite people do elite ship?

Speaker 1 (18:15):
Yeah? Yeah, right, So the best versus the best, that's
that's it. Yeah, I'm just thinking, way you can incorporate
both of those mantras with a slow it could be
be the best and then have it fed in of you. Yeah,
there you go. It's like the first thing is be
the best. It's like, so that's we're getting that, you
be the best of you. Yeah.

Speaker 3 (18:33):
Well I think the US Army had that parade, the
be all you can be.

Speaker 1 (18:36):
Yeah, yeah, but yeah, I just took it.

Speaker 3 (18:39):
Yeah, took a little while for for Nike and maybe
other sporting year makers, a sporting year to go. Yeah,
wait a minute, top level stats.

Speaker 1 (18:48):
You can see the world starting to slowly shift back
and going it's okay to be better.

Speaker 3 (18:54):
Two more things that I enjoyed.

Speaker 1 (18:55):
Out of this episode.

Speaker 3 (18:57):
I alluded to it before, but yeah, the song got
a litle soddenly in my front pocket feet love it.

Speaker 1 (19:04):
Apparently it's I've got Apples or something. All I remember
is I've got some apples? Is what the song is called.

Speaker 3 (19:09):
Apparently is it because well Butters has his song Lululu,
I've got some apples. Lu Lulu, You've got some too.
That's kind of his go to song.

Speaker 1 (19:18):
The song is as lu Lulu.

Speaker 3 (19:19):
Oh no, I'm talking about I Got in my front
pocket what he was dancing to.

Speaker 1 (19:23):
But yeah, I've Got some Apples was first heard in
the season et episode You've Got Ya. The song also
known as Lululu, So what was he when he's doing
But when he's actually doing his tap thirteen, it's the
glove of that song too.

Speaker 3 (19:36):
All right, give him a little squeeze and how do
you do?

Speaker 1 (19:40):
And that is such a south Park moment in the
sense of it it's just tap dancing, and you know
there's a tragedy and once this shoe comes off, absolute chaos.

Speaker 3 (19:49):
Suddenly. I had to look up when when when I
was watching this, it is like, hell, is this around
the time of the Final Destination movies?

Speaker 1 (19:56):
Because I's got the same thing.

Speaker 3 (19:57):
Yeah, and the first two come out by the time
this episode of South Park could come out.

Speaker 1 (20:03):
But do they do a Final Detonation parody? It feels
like the perfect one to do.

Speaker 3 (20:06):
Does doesn't This feels like a Final Destination even though
some of the deaths in as a result of Butter's
loose shoe.

Speaker 1 (20:14):
It feels like the sea.

Speaker 3 (20:15):
They feel like later episode or later installments of the
Final Destination franchise. I certainly there's another one that comes
to mind, though. You have you ever heard of a
movie called ghost Ship?

Speaker 1 (20:25):
Oh god, yes, well we think it's slice in half
of this. Yeah, yeah, we talked about it. One of
the best intros of all time. I think. I think
there's definitely no I remember anything after the first five minutes.
It's like you set the bar too high to early Ghostship.
You're messed up.

Speaker 3 (20:38):
But I'm pretty sure there's a tribute or an illusion
to Ghostship in that where there's a wild thing. But
I wouldn't be surprised if the makers of Final Destination
looked at that scene and said, oh, we can draw
a bit of inspiration thing, because I'm pretty sure there's
a bit in there that's borrowed in, like the fourth
one something like that.

Speaker 1 (20:55):
I've been getting through them slowly recently. I'm building my
way at the number six LP and watched it. Yet
I've watched the first three. They're so great.

Speaker 3 (21:02):
Yeah, the fourth one is probably the least good a bunch,
but even then still got a few good kills.

Speaker 1 (21:08):
Problem is with the third one, I'm like, you try,
you're filming at four three D when you're watching what
is this?

Speaker 3 (21:16):
Why is that fist coming towards Yeah? Yeah, And one
last thing that I enjoyed this had Sorry to skip
to the very end, but this has the kind of
ending that I love. They have it in horror movies sometimes,
but where basically someone has lost their mind and the
last thing you see or hear is someone going no
carry carry? Is that the Texas chains Wall Massive? It

(21:37):
definitely had that where Yeah, I think it's poor old
Sally she escapes from the.

Speaker 1 (21:42):
One's kind of comical, ones, kind of terrifying.

Speaker 3 (21:45):
It also happens in one of my favorite horror movies,
Halloween three, season of the Witch.

Speaker 1 (21:50):
Does it? Yes, put the masks on?

Speaker 3 (21:53):
Yeah, well yeah, he's thinking he's foiled this terrible plot,
but there's still one TV station that knowing the cursed
TV signal, kids heads are going to explode all over
American what's his name, doctor Dan Challi's got stop it,
stop it stop. I remember seeing that at the cinema.
I been that thirteen or so. Wait a minute, wait

(22:13):
a minute, Yeah, you can end the movie like that.
Good May not Triumph.

Speaker 1 (22:17):
So yeah, find us the nation kind of ends like
that with their yeah yeah anyway, yeah.

Speaker 3 (22:22):
So but yeah poor but no, no, it's happening again.

Speaker 1 (22:26):
I love that.

Speaker 3 (22:28):
Have I I've gone on for a while about my.

Speaker 1 (22:31):
It's type of trivia. Going down to South Park is
brought to you by our incredible supporters on Patreon. With
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(22:52):
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So go ahead and support the show today for as
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four fing a discount. That's okay.

Speaker 3 (23:03):
Remember there are no stupid questions, just stupid people.

Speaker 1 (23:06):
My first question for you is this was the biggest
tragedy tap dads in tragedy since when?

Speaker 3 (23:12):
Since nineteen fifty four?

Speaker 1 (23:13):
Correct? Okay?

Speaker 3 (23:14):
Is one of my questions? Uh? The worst serving that
Randy endured was in which area?

Speaker 1 (23:22):
The palvis? Thevic palvis? Yeah?

Speaker 3 (23:25):
Yes, in the pelvis area.

Speaker 1 (23:26):
What is the address of the dance studio? What's the number? Oh?
When I say the number, you should know the relevance
to pop culture. The number is one one three eight.

Speaker 3 (23:38):
Oh okay, well it's tcha's one one three eight yeah.

Speaker 1 (23:41):
Always used in lucasfilm Star Wars being the big one.

Speaker 3 (23:43):
Well, it was. It was the title of one of
his films. Yeah, there you go, nice one. How much
has YAO spent on Dance Dance Revolution?

Speaker 1 (23:53):
Six thousand, six thousand, thousand dollars? And my final one
for you is Chef has a portrait of who in
his house? Oh?

Speaker 3 (24:01):
Is it one that he's had there before?

Speaker 1 (24:02):
I don't know. Is the first one I've noticed it?
I'm sorry, I can't is Okay's real? Yeah? It's a
color modified version of the CD cover of his nineteen
ninety five single Fragile Way to Go.

Speaker 3 (24:14):
Yeah, Isaaka, it's hot buttered soul. I know, right what
a man.

Speaker 1 (24:18):
Time I get Chef in and I'm just appreciateing because
I know he's going to be leaving eventually.

Speaker 3 (24:21):
Well, yes, enjoy your Isaka's why you've got him? Can
I ask you one more trivia question? May I make
it a multi.

Speaker 1 (24:27):
Level trivia quick? Please?

Speaker 3 (24:28):
Do? Okay, what is the name of the video arcade?
And yeah, and name three other games besides Dance Sense Revolution.

Speaker 1 (24:36):
It's Sinister Sinister k which is a great name.

Speaker 3 (24:38):
Indeed, I don't know whose Sinister arcade is it?

Speaker 1 (24:40):
Though, Ah I did say it too, Ah, that's of
an owl, right.

Speaker 3 (24:45):
No, well, is the l in there allan?

Speaker 1 (24:47):
What is it?

Speaker 3 (24:47):
It's Flyinns Finns and it's a shout out.

Speaker 1 (24:49):
To tron Yesh. Yeah, a lot of shoutouts in South Park.

Speaker 3 (24:54):
Indeed, indeed, and three of the other video games that
they have because it's they say Dance Sense Revolution. The
dancing game is not actually I think it's called Dancing Machine.
But they also have Junkie Hunt, smack Man and smack
Man whether it's a slap fighting guy with smack Man
aka spoon Man, and Fist Fighter Fist Fighter.

Speaker 1 (25:15):
Yeah, all violent games which you do imagine kids in
south will be playing.

Speaker 3 (25:19):
Oh of course I know, definitely be showing my age.
I definitely put my twenty cent poo into Junkie Hunt,
except maybe dog Corn.

Speaker 1 (25:28):
All right, well, before we get into our review of
you got ft in the A, we would be f
in the A without these people. It's the cheesepoops. Absolutely.

Speaker 2 (25:36):
I love cheesypoofs.

Speaker 1 (25:38):
You love cheesypoofs.

Speaker 2 (25:41):
Weed didn't need cheesypoofs.

Speaker 1 (25:43):
Weeed be starting with the incredible Katie G with her
one hundred dollars support. Thank you so much, Katie G.
We are Katie in the g we did indeed, I
didn't mind. I don't mind at all. More more More,
also shout out to the fellow the following cheesey poos.
We have Glenn Gomez, Justin Parker, Zach Pruitt, Shanni Macher,

(26:04):
Elliott j O'Neil, is Abella Murphy, Rah Beasley, Stephen Roberts,
Sewn DV, Pete Anderson, Timothy Burlson, Andrew Davis, Kevin Dental
Planned Flood, bellowin the Bank, Jack McFadden, Heath applebe Adrick McLeod, March,
Eleven Ginger and Pickle Preston Murray, Talia Endriguez, Declan Phoenix,
Brian McCoy, Logan b James Sheppard, Joe Read and Say
Dave Pretzels McNally, Gavin Lang, Damie Miler, Charlie Joe. Think

(26:28):
you've been top te supporters cheesepoops here at going down
to South Park and you what, Dan, I think I
just get served a very tasty bunch of cheesy. Has
this Pelvic region feeling top. But remember if you if
you ever joined the fourthinger discount Patreon family this month
but not on the top tier, you get your name
right out at the end of the month on the

(26:48):
mail bag episode.

Speaker 3 (26:49):
Yes, so no more tears. Avoid tears by becoming a
top tier one.

Speaker 1 (26:52):
So this episode originally aired April seventh, two thousand and four.
The top three films at the US box office when
this came out number three, we had Scooby Dooo months
of Unleash, which has gone from one number two. Number
two is Walking Tall with the Rock and Safield that's right, yes.

Speaker 3 (27:07):
And number one is howboy Ah nice. I actually interviewed
the Rock for Walking Tall. He came out it was
a rock I did to promote it. Here's the thing,
I imagine if I saw the Rock now, he would
probably be looming over me, or at least, you know,
twice as wide at me. When I met him for
Walking Tall, I was kind of astonished because it's like,

(27:27):
this guy's not that much bigger than me.

Speaker 1 (27:29):
He's six foot four? Is he casual?

Speaker 3 (27:32):
Because I'm just I'm just shy of six foot although
I'm probably shrinking all the time.

Speaker 1 (27:37):
But I mean, he'd built up such a he's only
fifty three. I bet it's a lot oer than it.
So he's his height. Go to his wiki page let's
say like seven foot two and six foot five, six five.
What's interesting, he didn't really seem that sort of overwhelming. Now,
whether he was on a bit of a you know,
mister niceguy campaign to be like, hey, I'm just like

(27:57):
you and all this kind of stuff, but yeah, I was.
I was not so of intimidated or anything by that.

Speaker 3 (28:02):
He was sure.

Speaker 1 (28:03):
He does good though, and it does the best.

Speaker 3 (28:04):
He was an incredibly nice guy. So interesting, But yeah,
Walking Doll not a bad film by me. Check it out,
and Hellboy good stuff as well.

Speaker 1 (28:12):
It's the one with short Is it Welcome to the Jungle?

Speaker 3 (28:14):
Yeah, aka the Rundown.

Speaker 1 (28:16):
Change the name, didn't it? Yeah?

Speaker 3 (28:17):
Called the Rundown in the US, and we we in
Australia got it as Welcome to the Jung. Why was that?
I have no idea.

Speaker 1 (28:24):
Okay, it's weird how they change the name like Champions
and Mighty Ducks, that's true.

Speaker 3 (28:28):
Yeah, I'm sure there's reasons for this. I don't care.

Speaker 1 (28:32):
But how Boy was the number one film at the
US box office when this episode originally aired. Written and
directed by Trey Parker. So it kicks off the boys
just being boys, hanging out in the car park playing
remote control cars, control cars. Aliet's birthday was last weekend.
Chout Allie, Happy birthday, Happy seventh birthday.

Speaker 3 (28:48):
Happy Birthday. I saw that there was a table out.

Speaker 1 (28:54):
It is heavily, heavily laden with gifts.

Speaker 3 (28:57):
Oh my god, it's like when Jesus was born, all these,
all these presents for.

Speaker 1 (29:04):
He invited thirty kids to his birthday party. Played the
long game. He's like, I'll invite every kid I can.
I'm like, it's actually has a lot of money. He's like,
but I want everyone to be there. His thing was
every kid that's bringing a present.

Speaker 3 (29:14):
Meanwhile, you've got a thing strategically and try to explain
to this kids.

Speaker 1 (29:17):
Like, I'm technically paying for it.

Speaker 3 (29:19):
And also we got to go to thirty birthday baruties now,
which means beginning gift to these kids.

Speaker 1 (29:24):
How's this going to work out? It doesn't get a job. Good.
But he had a great time. Kids had a great time.
It was good. That's good. I'm glad to get that.
But they're playing in the car park. The point of
my story was he got a remote control car. Ah
and I quickly realized that Chase and Kats out of
the house and control cars. It's fun. It's like, see
how it feels. No, But they don't really care. They

(29:47):
sort of like they walk up to it and they're
like they scratch it and they sort of back off
and look at it and a little bit closer to him.
They're like, get the fuck away from me. It's just
all good fun. But the kids, other kids arrived from
Orange County and they bring their beat box and I
was so disappointed I didn't play that. It's like that
it would have made my day. But no, they played
some song and essentially the boys get served.

Speaker 3 (30:07):
They do indeed by well none of the kids really
have names. Although do you remember what was on the beanie?

Speaker 1 (30:12):
So what does it say? Right?

Speaker 3 (30:14):
It said a little sheep?

Speaker 1 (30:15):
Yeah, you know what originally said tell me so In
the original airing of this episode it said no, it
said little she said right, and I had to be
edited out and changed a little sheep before the second
airing of the episode the exact same night. Well, so
somewhere out there, if someone recorded it, you can see
it with saying little shit.

Speaker 3 (30:36):
Well, there is a character in You Got To called
Little Saint that may have something to do with it
as well.

Speaker 1 (30:43):
Maybe the fans of the Wire as well. Clay Davis
just stays.

Speaker 3 (30:49):
With you, man, he never leaves for ever in our heart.

Speaker 1 (30:53):
But yeah, they get served and they don't really know
what's what's going on.

Speaker 2 (30:58):
You've got and look at it.

Speaker 1 (31:00):
They know they can't sifted that. Yeah, we're adding it.
Start smoking. They didn't do nothing, sorry y'all, but try
not to let it sting too bad. I got so
come on, syd. Nothing. So they go to chef to
ask what we just got served? Does that mean music?
Cue invice men for Coco. Just try to relax and breathe. Yeah,

(31:21):
by the way, just what you mentioned earlier about yeah,
the episode is cool. Well everyone knows it as you
got f in the A, but I think, yeah, there
was certainly some media outlets are like, I don't if
we can actually say that even though you're just alluding
to something. So this episode is also known as you
got served? Is it really?

Speaker 3 (31:37):
And also you just you got dot dot.

Speaker 1 (31:40):
Ah okay, and then five they're like, say what you want?

Speaker 3 (31:44):
Come on, man, we're we're all adults here.

Speaker 1 (31:47):
It's amazing when you go back and look at what
used to be censored. I remember when I was a
kid if somebody said shit on the radio, it was like, whoa,
You're going to potentially lose your job now that it's
dropped at seven am in the morning. Oh, absolute, there's
nobody's business. Well it's funny, I mean, and interesting in
terms of like, yeah, the traditional swear words are now
sort of like anything goes bye. By goodness, even the

(32:09):
President of the United States will say it. Back in
the day, yeah, that was certainly not allowed, but certain
slurs or insults they were allowed, because you know, you
couldn't necessarily call someone the F word or nickhead of
bastard or things like that.

Speaker 3 (32:26):
But certainly sort of like stuff that's maybe sort of
racially directed or directed someone sexual orientation or whatever, you
could drop that or we sort of even use it
in context of like well, so yeah, in Huckleberri Finn,
the someone's always referred to as this, and nowadays it
has to be referred to as the such something word
or just bleeped out entirely. So, yeah, it's interesting how
the I know, the cultural barometer has shifted in.

Speaker 1 (32:48):
That regeh exactly. Yeah, but so she basically explains to
him here, like you get you're safetyre now don't worry
call Stands parents. Yeah, that they really let them have it.
We get the dinner now at the mark his house
and Sharon has cooked stands favorite potato dish, and Randy says,
Randy finds out and he's like, your dad's back. Well, no,
it is a dad's back. So he said, I'm going

(33:09):
to teach you what to do, so cute to them
in the basement.

Speaker 3 (33:11):
And what happens, Well, you initially think you're gonna get
all right, put on the gloves, here's the here's the
punching bag, here's a one too, Here's how to defend yourself. Instead,
you defend yourself in well, in a dance battle by
don't tell my heart you.

Speaker 1 (33:27):
Break you.

Speaker 3 (33:29):
Shoulder shrug, shoulder shrug, the hands in the pokes, the
very sort of just not even tentative, but it's like,
I'm not going to go too wild here. I'm not
going to get too free flow with my motions. Just
like very kind of robotic in a lot of way.
A bit of a sidebar, but sort of related. I
watched on Amazon Primate The Accountant Too.

Speaker 1 (33:46):
Yeah, I've never seen the a cap in one, but
I put it to my watch this. I went, I
saw your watching number two and I was like, what
is the cap? I went, this looks like at movie.
I'd probably enjoy it.

Speaker 3 (33:54):
The account is very fun. Okay, the accountant too is Okay,
got one of the most ludicrous premises. Yeah, of all
the time. In that Ben Affleck is.

Speaker 1 (34:04):
A ci assassin. Now in the character, I know.

Speaker 3 (34:06):
He's an autistic math genius who was also trained by
his army officer father to be a legal killing machine.
So what he does is he uses his math skills.
He's employed by like shady people all over the world
to basically.

Speaker 1 (34:21):
It's the Numbers movie.

Speaker 3 (34:22):
Yeah, yeah, to clean up their books. I was like, well,
now all your profits look legit. Oh and by the way,
I can also kill someone from like a kilombra away
with a pencil.

Speaker 1 (34:32):
This sounds like my kind of movie. It's wild, like
Nicholas Cage would have been this act this character.

Speaker 3 (34:37):
Yeah, and afflic feels like really sort of odd countercasting
for it. But he's really good in it. And in
this in this new one, you know, he's kind of
awkward in social situations. He realizes, oh, look, I need
to seem like everybody else. So we go to like
speed dating. But he's like, oh, I figured out your algorithm,
and I know these are the questions that people are
going to ask, and these are the proper answers that
I should give. So he's very sort of like I

(35:00):
like routines and I like structure, and he's out at a.

Speaker 1 (35:03):
Bar to just be careful with spoils. I'm going to
watch this movie. Just how much you tell me. Okay,
I'm not going to blow the end or anything like that.
I won't blow the end of I'll blow everything else.
I'm just joking. Okay, I'll just say that there's a
you do. Some of have a tendency just you say
one thing and then you get on to the next one,
then the next one. I'm like, well, that's seven scenes.
I'm just saying continued.

Speaker 3 (35:23):
Well, first of all, that bit's in the trailer, so
I will just say there's a very entertaining bit that
involves line dancing. Oh cool.

Speaker 1 (35:32):
Line dancing is mocked for good reason, but it always holds,
like I said, a place in my heart because it's
what they did at the Country Family. They used to
have these like monthly get togethers and people would go
there to do line dancing and I'll be sitting there going,
what is this. I just like the idea of them.
Everybody's doing this. My mum now does it on every
Thursday night. She goes line dancing with their phone and
I'm like, you know what, it makes you happy, go
for it.

Speaker 3 (35:52):
Oh yeah, everybody's doing the same thing. Everybody's in Unison,
we're all here for the same purpose.

Speaker 1 (35:57):
It makes it happy.

Speaker 3 (35:59):
Sure, No, I mean it's not necessarily something that I
would do, but I see the appeal.

Speaker 1 (36:03):
Yeah, yeah, exactly. But yeah, just that the way he's
on demeanor change is he gets the serious pose and
it's the dance. It's so good. But I did love
that he prefaced it with now, don't go as we're saying,
don't go challenging people, go serving people. But if someone
serves you, this is what you do. So now the
boys leave the toy store. They got another RC vehicle
and the kids are there again, and Carl says, look,

(36:25):
we're not interested in this, we don't want this at all.
It's too bad. So they start dancing away. A crowded
arrives and they're all just like egging them on as
you would. It's very much to have these movies work.
Isn't it a crowd as appears out of nowhere? Sure? Yeah?
So oh man, they are getting served and stand push
your stop, put a tape it. I think, so.

Speaker 2 (36:47):
Just don't don't understand. No, stop, you're going to do
it right there.

Speaker 4 (37:10):
You just got effed in the e what yeah, you
got served?

Speaker 2 (37:16):
No no, no.

Speaker 4 (37:18):
Okay, all right, we got served. So now I guess
it's own.

Speaker 1 (37:25):
I think it's more bewilderment. There's this kid must be insane.

Speaker 3 (37:32):
It's it's like if someone stepped to you, not in
a dancing way, but as like a school yard bully
or something. Yeah, and they're just doing the traditional going
to hit you with a punch or something like that.
I meanwhile, you've learned capo era and you'll start doing
these free flowing moves that culminate with someone getting kicked
in the face, Like.

Speaker 1 (37:50):
What, yeah, what, no, we were fighting?

Speaker 2 (37:53):
What are you doing?

Speaker 1 (37:55):
I like the idea of standing not only mocking themities,
mocking the concept of what everyone's doing here, but chef notices, no,
don't do it. You don't know what you're doing. You
don't know what's going on gonna happen here. Even this
is where I think Cat says you got f in
the A and the kids have to accept that, and
they go, all right, it's on. What does this mean?
They challenge them to a top five It's like the

(38:17):
top five dances battle off at the OC convention Center,
and as chef says, if you serve back, it's on.
What does that mean?

Speaker 3 (38:26):
Don't you know anything?

Speaker 1 (38:27):
Yeah? So then Sharon takes him home. Randy, is what happened? Oh,
it's on. Then the kids are preparing at the convention center,
the OC kids, and what's the coaching. We don't want
no good, we want pain to the point we didn't
get ay spirit fingers paraly.

Speaker 3 (38:43):
That's true, but I love how cocky this guy is
as well. When Randy shows up and tries to talk
reason or at.

Speaker 1 (38:49):
Least he's actually talking absolute reason here, Oh.

Speaker 3 (38:51):
You defuse the situation. Yeah, we don't want how kids
sort of you know, going up against one another or
anything like that isn't on.

Speaker 1 (38:57):
Nothing's on, it's off.

Speaker 3 (39:01):
Yeah, the way the OC coaches like, oh no, because
this is the line that's always stuck with me, just
the reading of it. But oh so you're the father
of the boy who's gonna get in the e on Saturday's.

Speaker 1 (39:15):
It's so ingrained in it that he thinks he genuinely thinks, oh,
you just try to suck me out here.

Speaker 3 (39:19):
Oh yeah, that's right. Everything is everything's game and everything's brinksmanship. Yeah,
it can't possibly be off, no, no way at all.
But then he serves Randy, and Randy end up in
hospital again, just great cuts this as well. Yeah, the
introduction of making breaking heart is like, ah, yeah, I
should have seen this come. When it happens, it's like
so great, but instantly coming he's being served, and that

(39:40):
was in the hospital. He's just messed up, and it's
a lot.

Speaker 1 (39:42):
That's a lot funnier than him serving Randy and Randy
going you know what he is going to serve your kids?
Cutting him in hospital broken is way funnier.

Speaker 3 (39:51):
Just him all pitiful and beds like his moves was
so inventive, original.

Speaker 1 (39:58):
And they checked the x rays realize that it's the
it's the worst serving they've ever seen, definitely in the
pelvic region. And then garrisoning co all the other graves.
Neds appeared in this one. He didn't speak, but Neds
and swing again and they try to egg stand on
to get revenge, and I don't really care. Like my
dad seems like he's okay, He's just gonna be easy,
gonna be fine. No, no, no, You're gonna get revenge and
stan Stan s done. San Yeah, I'm right here, Dad,

(40:24):
just down, listen to me. I don't want you feeling
like you have to do that competition now to avenge me. Okay,
but I know I can't stop you.

Speaker 3 (40:31):
From doing it, so all I can see is give
him hell son, give him hell.

Speaker 1 (40:44):
I really go heavy on the dramatic, the emotional blackmail.
Oh yes, so then we you the lose Yourself song
as stan Ley's like far right, God damn it. So
then stan goes to get his troop together. This reminded
me very much of The Mighty Ducks. But first of all,
have you have you already watched eight Mile recently? Is
it my that you revisit? Yeah? I watched it for
the first time about a year ago. And what do
you think of it? I never got into the hole

(41:05):
lose Yourself eminem scene. I enjoyed it. It's a really
good movie. I actually really liked it.

Speaker 3 (41:10):
And the thing of it is, Sorry, this may seem
like a bit of a nod tangent. I was reading
a book about the making of Mad Max Fury Road
and how they were talking about, oh, well, look, we
thinking about getting mel Gibson back. No, but we might
actually sort of taken in a different direction and you know,
make Max this Max, this mythical figure who could be
played by anybody.

Speaker 1 (41:27):
Now.

Speaker 3 (41:28):
Were looking at various actors, looking Heath Legend before he
passed away, Jeremy Renner, and one of the people was
Eminem that they were looking at, and people were sort
of talking about the book, going, Eminem, come on it.
You look at him in eight Mile and he's got
real intensity. I don't know if he's the best actor,
but he's got definite screen presence, and he looks like
someone who you could see behind the wheel of the interceptor.

(41:50):
He's got great eyes. He's got a great sort of glare,
a stare if you've pissed him off thousand yees. Yeah,
And you particularly see it at the end and with
the rap battle there and when he's sort of standing
at Ethony Macki, by the way, yeah, which I've forgotten
he was in that.

Speaker 1 (42:08):
I've always I used to see em and m's angry
demeanor as a gimmick. Oh he's still to this date,
maybe it's not a gimmick. Maybe he's just is it
really good at it or is just.

Speaker 3 (42:19):
This angry well that when he's doing the slim shady character,
it's like, oh, you're like an angry jester or a
mad clown or something. And every once in a while
he's sort of break into something a little more serious
and a little more gritty. And particularly see that in
eight Mile. I was like, yeah, something about this.

Speaker 1 (42:35):
Guy actually act as well. Yeah, that's what I was
talking about. I went, Oh, this dude's actually acting here. Yeah.

Speaker 3 (42:41):
Yeah, I mean I think he's still he's still working
out some stuff, but I mean it's like you're working
from a really solid foundation here, man. So yeah, eight Mile,
good movie, check it out. So yeah, but lose yourself exactly.

Speaker 1 (42:53):
But he goes to get the trip together, and I
was saying earlier, it reminds me of the Mighty Ducks
movies where we have to go get the game together,
oh yeah, or bag tag group of misfits.

Speaker 3 (43:02):
Yeah, to go even back in another generation, the Bad
News Bears, yes, yeah, or hard Ball.

Speaker 1 (43:06):
There's a movie called Little Giants is another one, just
without O'Neill. Right, yeah, a good movie that you can't
find any streaming services. But if yeah you got kids
chuck our Little Giants.

Speaker 3 (43:16):
Good movie if you can find it forever.

Speaker 1 (43:19):
Yes, I did buy the blurror of it twelve dollars,
well worth it. The people sit out, they're going, dude, plex,
what are you doing? But the goth kids are hanging
out where they're hanging out, Miss.

Speaker 3 (43:31):
Davis, or they're hanging out at the back, aren't they
and the loading bay as they always.

Speaker 1 (43:35):
Are, having a cigarette if they know how to dance.
Of course, kids dance to express pain suffering, and they
look at the ground and they every few seconds of
us are dragging a cigarette. That's how they dance, and
just the tilts in their head dancing sometimes something you
do alone at three ye any bedroom. And they refuse
to conform. But I call it a leader. I don't

(43:55):
think we actually get his name, do we. I don't
think we ever have not yet, at least the leader
of the group with the curly yeah your favorite design.
He agrees not to conform with the other ghost goth
kids and goth serve, so he's joined the group Wow,
and he suggests they go to the arcade to get
Yao who's an expert at that dance game and Sinister Arcade,
Flint Sinister Arcade, and this kid he spent six thousand dollars.
There was always that one kid that you get there

(44:17):
and like, this kid's always in that dance and it
was always really impressive. I'd go, I wish I could
do that, but you look at down and what a
waste of money. But it's nice to be good at something,
isn't it. Oh? Sure? Yeah? Oh yeah, that kid's really
good at that pinball machine.

Speaker 3 (44:33):
You should see him play it, that pinball wizard. Yeah,
oh yeah, everyone, yeah, everyone's got there something. Yeah, and
it's good to have that, even if just for yourself.

Speaker 1 (44:40):
Yeah. We had a kid at school. His name was John,
and he was always the best kid at Guitar Hero.
So whenever we'd have a party, Guitar Hero was honest,
like gonna do it together around and sometimes he's like
screw it up, and you're just like you die inside
for him. You're like, oh, I know, right, he's in
pain right now.

Speaker 3 (44:58):
He really his identity is built around Yeah, that's him,
around being the guitar hero.

Speaker 1 (45:02):
Yeah we didn't see it, John, we didn't see it.

Speaker 3 (45:05):
Start again, but yeah, you're talking about John. Now were
in the context of what guitar hero? Yeah, that's what
he was known for, nothing else exactly. And then he says,
I don't think I could dance, is what said? I
think I can dance about machine telling me what to do.
I can't just make it up with myself. And he said,
don't wry. Chef's gonna help you. So he agrees, and
then they say we.

Speaker 1 (45:22):
Need a girl. So they go to races, a great
little way of just getting all the previous characters back here. Sure,
and who they get. They get Mercedes and they're going
to try and talk to about that. What was the
guy's name, Maury the bouncer, So now you have to
buy some wings if you want to talk to the
Raisins girls.

Speaker 3 (45:36):
He looked like a different bouncer from the previous Razors.

Speaker 1 (45:39):
I was assumed it'd be the same one.

Speaker 3 (45:40):
Some reason. It seemed a bit bigger and a little
less kind of do yeah.

Speaker 1 (45:44):
Do y Yeah. She agrees to do it, and then
she suggests they get the tap dancing state champion. I
think his name was Leopold and then Butters. That's also
a little a little callback because we find out his
name in recent episodes, so it's like as a few like, oh, Leopold,
it's Butters.

Speaker 3 (45:59):
As I've always said, I'm terrible with these things. Yeah, yeah,
the fact that his last name is Stotch and his
nickname is Butters. Yes, Oh that's nice.

Speaker 1 (46:07):
Going down to South Park is brought to you by
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(46:27):
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at patreon dot com slash four finger discount. But they
go to his house and he's building a little model car.
They ask him if he wants to join, but immediately
he gets PTSD flashbacks.

Speaker 3 (46:42):
Well, there's no He's the great thing about Butters is interially. Oh,
I'm happy to help anything anything I can do to
help out, and then he realizes, oh, what I'm actually
being asked to do is oh no.

Speaker 1 (46:51):
Oh no, yeah, screams and runs away. So ask you, mum,
like what's going on? She mentions the great tragedy and
they leave the We cut the Butter's he's getting the
shoes out.

Speaker 3 (47:02):
Oh he's got his scrap book and he's realized, oh,
something pretty bad happened here. Yeah articles eight, Dad, what
exactly happened here? And then we find out that is
still a bit of blood on his shoe. That's a
great moment. Just get up throwing it away.

Speaker 1 (47:17):
Then we go to the They go to see the
dancing duck in Como and the guy plays the farmer
plays the music on the violin. He needs some dance.
So you were just heard daddy, I need someone to
play with it. And Nicola going, Doly, get back, get back.
This is a serious business. They're talking about.

Speaker 3 (47:37):
South but you can't interrupt us. I think it's part
of the front of the show now right, Oh, absolutely,
these little commercial breaks when return you you've got in
the a already in progress.

Speaker 1 (47:51):
Yes, but we're talking about in the ally. What do
you god est Butters are now in bad having visions.
He's not dream I think he's having visions. And his
mom says, don't worry, come out, Butters. You've had lots
of therapy about that should be over at byte the
How it's been two years.

Speaker 3 (48:06):
Having this flashback?

Speaker 1 (48:06):
Yeah, we find out what happened. And the song was the.

Speaker 3 (48:09):
Song I got something on my friend Parker.

Speaker 1 (48:12):
There's a funny little.

Speaker 3 (48:14):
This was gonna be one of my tripper quicks gave
who was dancing before?

Speaker 1 (48:17):
But it's no idea.

Speaker 3 (48:18):
Beverly Long from Indianapolis.

Speaker 1 (48:20):
Oh, Beverly Long, there we go. You know the rest
of the story, actual tap dancer. No, I don't believe.
So have you looked it up? No?

Speaker 3 (48:26):
I have not looked it up.

Speaker 1 (48:27):
Why why not? Let's look up this, Beverly Long. See
what it comes up.

Speaker 3 (48:30):
Beverly Long, Google says a character from the South Park
episode you got in the a.

Speaker 1 (48:37):
Beverly Long actress? Really Yeah. Beverly Long was an American
film Intellivision actress. Credits include Rebel Without a Cause, The
Green Eyed Blonde, and Father Knows Best. Wow. She later
worked as a casting director with her own company, Beverly
Long Casting does it say where she's from? She's American? Yeah?
Where was this one from?

Speaker 3 (48:56):
Indianapolis?

Speaker 1 (48:57):
She is from? If she is, That's what a deep
cut that would be. Where's her life? Was born in
the Philippines, but where she grew up her family mother
the US Navy, moved back to the US when she's
a child. Grew up in Le Messa, La Mesa, Mesa, California,
So not Indianapolis. That would have been a hell of

(49:19):
a deep cut.

Speaker 3 (49:20):
You would have We would have had to get on
the phone with Parker and Stone.

Speaker 1 (49:24):
I can look up tap dance. Maybe she tap dance
in their movies? Can you imagine? I can't finally think here,
but that would be awesome.

Speaker 3 (49:32):
That would be wild. Trey, buddy, what's the whole deal
with that?

Speaker 1 (49:38):
Beverly long reference? Big tap dance? What can I say?
Which when Trey Buck says, how did you get this number?

Speaker 3 (49:46):
Who are you?

Speaker 1 (49:48):
Four finger? Just go? But this is where we find
out exactly what the tragedy was. And yeah, it's very
final destination, esqu isn't it?

Speaker 3 (49:56):
Oh?

Speaker 1 (49:57):
Yeah?

Speaker 3 (49:57):
But that that lovely sort of contrast though, of him
coming out everything's going to the and to that little Kroner.
I just love that give him a little squeeze and Harry,
because I mean we've they've already been to get the
duck right, they're going to yeah, yeah, yeah, we didn't

(50:17):
really talk about the fact that, you know, the duck
only really sings to one song. Yes, but there's variations
that the farmer will give it, all of which are kind.

Speaker 1 (50:24):
Of you start K and I'll snort K.

Speaker 3 (50:26):
He's okay, you do a line in our Little Larne
and storching care honey, it's going on with this.

Speaker 1 (50:35):
But as we've said, we've seen what's what's going on,
what the tragedy is. It's very final deceasion, as in
the sense you see the guy trying to put his
stomach back in, guys getting trampled on, getting squash. Yeah,
there's such elaborate and over the top debts, which is what.

Speaker 3 (50:46):
I love about the Final Destination franchise. I mean, we
should really try and sell Leonard Molten on doing a
movie guide on.

Speaker 1 (50:53):
Because because the first one is not that the deaths
are but like the actual first scene with the plane,
it's just the plane explodes.

Speaker 3 (51:00):
That's right.

Speaker 1 (51:00):
Yeah, yeah, I think they realized by the second ones
like people want death scenes.

Speaker 3 (51:04):
They want death scenes. They want them elaborate and over
the top and ridiculous and but not mean spirited. It's
the secretly of the of the franchise's success as far
as I'm concerned. I mean, that's not out, that's not angry,
that's like, I've got a job, that's your turn. Yeah,
And you know, everyone gets a little bored at work.
Sometimes you might not liven up the nine to five

(51:25):
by okay, we'll turn it into this huge, wild contraption.
So yeah, love them, love them so but all these
debts here, like you know, well, that woman's trying to
pull the stage light off our husband and electric kids
and eyeballs explode.

Speaker 1 (51:42):
Oh boy, not good at all. All great. Yeah, we're
at the dance rehearsal. A chef is shocked by the troop.
I can't believe that this is the trip we wants
to see what they can do.

Speaker 5 (51:53):
Children, children, No, no, you got it all wrong, don't
you see? Children, You have the heart, but you don't
have this soul. No no, wait, you have the soul,
but you don't have the heart. No, no, scratch that.
You have the heart and the soul, but you don't
have the talent.

Speaker 3 (52:12):
You don't have the talent.

Speaker 1 (52:14):
You've got to have the talent.

Speaker 3 (52:15):
Well, because they've all got there different they're not cohesive,
and also none of them are really great dances. But
they're all doing their different things. I mean, the duck
is just basically putting one little what do you call
it a flipper? I call it a poor ducks don't
have paws, I'd call it. Yeah, it's foot, not a flipper,
baby foot, duck feet, yeah, I guess so. Yeah, webbed feet, yeah,

(52:37):
webbed feet. But yeah, but the Mercedes are doing a
little bump and grind yeah goodness, and the Goth leader
is just doing his thing.

Speaker 1 (52:46):
Okay, that's one thing when I actually get in this episode,
which I thought we might have was a montager than
learning to dance together.

Speaker 3 (52:51):
Yeah, because Parker and Stone like a montage.

Speaker 1 (52:53):
They do. Indeed. Yeah, so to dig deep and pray.
The other team go down with cancer to Stare, then
goes to see Butters and he's basically just trying to
talk you out of being schedu to join the tables. Yeah,
it wasn't your fault. You took that to the families.

Speaker 4 (53:08):
Look, Butters accidents happened.

Speaker 1 (53:09):
We ought to live with that.

Speaker 4 (53:10):
I let those people down, don't you get it?

Speaker 3 (53:12):
In eight people die.

Speaker 4 (53:14):
Well, it was nine actually one of the women was pregnant.
What and eleven if you count the two family members
that killed themselves afterwards. Ah, but that isn't the point, Butters.
The point is that this is now, it's on, and
there are people who need you to step up. Look,
nobody likes having to rise to a challenge, but competing
against other people and getting in their faces saying haha,
I'm better than you as part of life. And if
you can't face that, you might as well just sit

(53:35):
here and play with legos until you're an old man.
Get out of my room. Stand fine, But some day
you're gonna have to stop running from what happened and
start dealing with it. Otherwise you might as well move
to France.

Speaker 2 (53:47):
With all the other pussies.

Speaker 3 (53:51):
Beckraan's starting at a real height on against the French
of this stuy.

Speaker 1 (53:55):
Yeah I didn't lock him at oh did they?

Speaker 2 (53:56):
Well?

Speaker 1 (53:57):
The heah is the fofing discs out all combined was
from a final destination where were they going to? They're
off the front.

Speaker 3 (54:07):
Coincidence or not?

Speaker 1 (54:09):
What was it called. What's it called the un theory? Yeah,
a discount. So we're now at the convention Center. It's
time for the show. Little Kim is one of the
guest judges.

Speaker 3 (54:19):
Kim is one of the guest judges. And you got
served as well?

Speaker 1 (54:21):
Is she there? We go okay, and Wade Robson I
forgot his own Wade Robson okay, now known for other stuff.
And the winner's gonna go on her next video. We
won't say what she says here.

Speaker 3 (54:32):
Let's not do on Little Kim what she said.

Speaker 1 (54:35):
Yes, great design though, just little Little Kim. They introduced
the O C Crew and the South Pard digities. May
I ask you something just quickly? Okay, let's move on.

Speaker 3 (54:45):
Yes, how would you spell little as in like the
abbreviation of little, which is funny in itself, because I
would making little even.

Speaker 1 (54:54):
Little, I would spell our, I postup L yeah, because
you're removing the t's and on the end.

Speaker 3 (55:00):
But yeah, there are so many different variations of little
ound there.

Speaker 1 (55:03):
Yeah, how does she's pilot? That's a good question. Look
it up, Little Kim.

Speaker 3 (55:07):
I've got the you got she has it after the
L after the second ol. Yeah, little kid. They all work.

Speaker 1 (55:16):
It's a great name though, Little Kim, Little Wayne, little Kid,
little little bow Wow, little.

Speaker 3 (55:23):
Bower just became bow Wow.

Speaker 1 (55:25):
Yeah he did. He was in the Like Mike's movies,
kids have been watching them.

Speaker 3 (55:29):
Is he more than one?

Speaker 1 (55:30):
Yeah? I thought there was just the one. I think
there's like Mike too. I don't think he's in it though,
like like Mike to taking it personally, like Mike, let's
get this up, Like Mike two thousand and two. It's
got the Stewart, it's the it's.

Speaker 3 (55:43):
The stupent little guy, and he's got my man Robert
Forster in it. Wait a minute, way the fucking minute. Okay,
wait I no, no, no, he's not. I was gonna
say the kid from Stuarts that was not Jesse plats Playmans.

Speaker 1 (55:53):
Is he No, he's just bully the Bully and yeah
I read it now just like I remember see him
in Moving and Go. Wait a minute, was the ki
is it? But so like Mike two, let's look up
what it is, Like Mike two, Street Ball, It's good.
It's got yeah, just a bunch of no names. Same.
I think it's the same story. It's just as a
dude from the the white dude from the wire who's

(56:15):
one of the goofball cops, you know, the bald white
guy say okay, yeah, but yeah, the kids enjoyed it,
but going this is the same as the first one.
That's how they do Hollywood.

Speaker 3 (56:27):
Kid, Is it just magic shoes? It's street ball.

Speaker 1 (56:30):
Player. Jerome's life completely changes when he finds a pair
of shoes which has magical powers. I'm wearing the shoes.
He plays like a professional, but soon things get out
of hand. Let's got the description of like Mike one
Calvin and often finds a pair of old shoes with
the letters MJ inscribed on them when he tries to
reach out for them. When he tries to reach for them,
he is stuck struck by lightning that renders him with
superb basketball prowess.

Speaker 3 (56:52):
Wow, I magine those believed he could fly. Imagine those
shoes belonging to Michael Jackson.

Speaker 1 (56:58):
Like Mike, like Mike three.

Speaker 3 (57:01):
Not that much cut the mic.

Speaker 1 (57:04):
So at the center and ever announced with the South part.
Diggity's great name the Duck of Sprain. His ankle on
forces always won't get that goes down before the event
and needs someone to make their big return. Now they
showed Randy in the crowd looking kind of still broken.
I thought maybe Randy was going to be the guy
that says, all right, I'll do it. Maybe you think
I want to be funny. If Ready says I'll do it,
then Butters says no, I'm here, and Stan goes, actually, Dad,

(57:26):
you just stay there. No.

Speaker 3 (57:29):
I think I like the way they did.

Speaker 1 (57:31):
So Butter's coming in to say the day.

Speaker 3 (57:32):
And he's not the hero, lighting on the hero sound.

Speaker 1 (57:34):
Cap, dancing gear on, everything, ready to go. This is
just every sports movie, isn't it. Someone goes down and
then the DJ gives him a hot track and the
OC crew dance. Those are the same song as they've
very It sounds like it, doesn't it.

Speaker 3 (57:47):
Let's see you dance, sucker, you got nothing on me.

Speaker 1 (57:51):
It's a good song. And the diggities then do their routine.
But Butter's shoe comes off and we get the exact
same thing. Kills everybody, or kills the team, kills one
and then kills the other.

Speaker 3 (58:00):
Yeah, one is killed. Then this squash and the coach.
I believe the coach catches it as well.

Speaker 1 (58:05):
Does he? Yeah? Probably? But that Butters, oh no, it's
happened again. Well it's been the digities are the winners
not again? Yes, you did a son, you did it.
That's the end of the episode.

Speaker 3 (58:17):
Well yeah, and hoisted out like a hero's put on
their shoulders. Butters is not enjoying the sweet taste of victory,
but the sour taste of ye horrific flashback.

Speaker 1 (58:29):
I think it's not the funniest episode, but I because
I lived through the bament of that. You've got served movies.
I enjoy the parody.

Speaker 3 (58:36):
Oh yeah, we've talked about episodes that are very Oh
we're plucking something out of the zocas, out of the
cultural weather or the times. Yeah, you had to be
there for step Up, you had to be there for
bringing on, you had to be there. But you got
served to not fully get this, but to really completely
appreciate it. But I think it's done with such energy
and good humor, and they've thrown bits in there that

(59:00):
I've recognize it. We're just about anybody. Yeah, that works
a treat. There was a lot that I remembered from
this episode prior to rewatching it. But rewatching it, it
got so much more out of it. Yeah, I had
a really great time with this one.

Speaker 1 (59:11):
So the next episode of Going Down to South Park
we shall be reviewing awesomorrow. Finally, fine, somorrow will be
the next episode I've Gone down to south Park. We
hope you enjoyed a review of you Got ft in
the A. Remember you can support us on Patreon for
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(59:33):
you do you listen to this show and also subscribe
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next week is awesome. O. This has been You've Got
f in THEA. Any final words for those incredible listeners

(59:54):
out there, You just got pod served