Grateful Dead BioSnap a weekly updated Biography.
The past several days have witnessed a thrilling resurgence of Grateful Dead energy, both onstage and off. In San Francisco, the beating heart of Dead culture, Shakedown Street is making a robust comeback, with veteran Deadhead Molly Henderson, Marin County’s Jay and Liora Soladay, and Love on Haight’s Sunshine Powers organizing the famous, grassroots bazaar to coincide with upcoming Dead & Company shows, according to reports by The San Francisco Standard. This is the same crew that helped run the sprawling, tie-dyed spectacle during the Dead’s Sphere residencies in Las Vegas, and they’re now working with city officials to secure permits and corral vendors—proof that even in 2025, the “organized chaos” of Shakedown Street remains a vital, living tradition. For those seeking a wilder scene, an unofficial auxiliary Shakedown is reportedly planned at Pier 48, near where Grahame Lesh, son of Phil Lesh, is scheduled to play, while Love on Haight plans to extend hours and call the weekend “the tie-dye hippie Olympics,” per The San Francisco Standard.
Meanwhile, the band’s legacy continues to grow in unexpected ways. Filmmaker and author Len Dell’Amico, whose 15-year collaboration with Jerry Garcia and the Dead yielded some of their most memorable concert films and music videos, is set to discuss his new memoir, *Friend of the Devil, My Wild Ride with Jerry Garcia and Grateful Dead*, in conversation with Relix Editor-in-Chief Dean Budnick at the Koret Auditorium in San Francisco Public Library on July 31, reports Relix magazine. The book promises fresh insights into Garcia’s personality and the band’s journey from counterculture icons to mainstream giants, drawing on Dell’Amico’s unique perspective as a collaborator who helped produce the first national pay-per-view broadcast from Radio City Music Hall and directed videos for classics like “Hell in a Bucket” and “Throwing Stones.”
On the live music front, the CT Grateful Dead All Stars, led by Matt Helm and featuring musicians from some of the East Coast’s top Dead tribute acts, are headlining the Concerts on the Hill series in Connecticut this weekend, according to Easton Courier News. While not an official band event, these tribute shows underscore the Dead’s undiminished influence on both musicians and fans. Meanwhile, further south in Pennsylvania, Adams County Winery is hosting a Grateful Day “Days Between” celebration on August 3, featuring live music from Brahman Noodles, local artisans, and community nonprofits—another sign of how Dead culture continues to inspire gatherings far beyond the Bay Area.
Archival releases are keeping the flame alive, too. The Grateful Dead just announced that *Dave’s Picks Vol. 55*, a limited-edition 25,000-copy release, will feature the complete, unreleased show from October 28, 1990, at Le Zénith in Paris, France—a concert notable for the dual keyboard of Vince Welnick and Bruce Hornsby, following the tragic death of Brent Mydland, reports Quality Rock 975 The Lake.
In Los Angeles, the David Kordansky Gallery has launched *An American Beauty: Grateful Dead 1965–1995*, a major new exhibition and photo book curated by longtime Dead photographer Jay Blakesberg and his daughter Ricki, featuring over 150 never-before-printed images along with iconic shots from 32 photographers, per Jambands.com. The show, which opened July 15, is billed as a landmark visual tribute to the band’s 60-year legacy, tracing their evolution from Haight-Ashbury to global jam band royalty.
No major social media campaigns or business ventures from the surviving members or the band’s estate have surfaced in the last week, but the Dead’s presence in pop culture remains undeniable. From documentary projects to grassroots festivals, the band’s spirit is as alive as ever—especially in San Francisco, where Jerry Day, the annual celebration of Garcia’s life, is just around the corner on August 2 at McLaren Park, promising music from Melvin Seals, Mads Tolling, Stu Allen & Mars Hotel, and other special guests, according to Relix magazine.
While the Grateful Dead may no longer tour as a unit, the community, the music, and the lore continue to grow—proving, once again, that in the world of the Dead, the music never stops.
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