Ghost Rider | GSMC Classics: Bobby Benson & The B Bar B Riders

Welcome to GSMC Classics: Bobby Benson & The B Bar B Riders, your gateway to the thrilling adventures of the old west brought to life through classic radio. Join us as we saddle up for another exhilarating ride with Bobby Benson and his loyal companions in this rebroadcast of the iconic series, Bobby Benson & The B Bar B Riders, proudly presented by the GSMC Podcast Network.

In this episode, titled "Ghost Rider," we find Bobby Benson, portrayed with unwavering courage by Clive Rice, facing one of his most spine-tingling challenges yet. As whispers of a spectral presence haunting the trails of the frontier spread like wildfire, Bobby and The B Bar B Riders embark on a daring quest to unravel the mystery shrouding the Ghost Rider. With danger lurking at every turn and the unknown casting its eerie shadow, our intrepid heroes must summon all their bravery and resourcefulness to confront the supernatural forces that threaten to engulf them.

Set against the backdrop of the untamed wilderness of the old west, Bobby Benson & The B Bar B Riders captivated audiences from 1949 to 1955 with its captivating storytelling and unforgettable characters. With each episode transporting listeners to a world of adventure, excitement, and camaraderie, the series left an indelible mark on the hearts and imaginations of generations.

One of the standout features of the show is the incomparable performance of Don Knotts, whose portrayal of the lovable Windy Wales added a touch of humor and warmth to the proceedings, earning him a special place in the hearts of listeners young and old alike.

Join us as we journey into the unknown alongside Bobby Benson and his companions, where the line between legend and reality blurs, and the spirit of the wild west comes alive in all its glory. With its timeless appeal and captivating narratives, Bobby Benson & The B Bar B Riders continues to captivate audiences, proving that some legends never fade.

Relive the magic of classic radio with GSMC Classics: Bobby Benson & The B Bar B Riders, where every episode is a thrilling testament to the enduring power of storytelling.

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Disclaimer: GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today’s society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate, and give you a glimpse into the past.

Episode Transcript

(00:00):
M. Golden State Media Concepts presentsthe g s MC Classic Series with episodes
of some of your favorites from aDay gone By, a Time gone By.
Join us as we time travel tosome of your classic favorites from yesteryear.

(00:20):
The g s MC Podcast Network invitesyou to sit back, relax,
and enjoy the g s MC ClassicSeries on the Golden State Media Concepts Podcast
Network. Here come the Right,the Right in the modern way with Bobby

(00:42):
Benton and the Cowboy hit him BobbyToday, he's pretty unusual adventure. The

(01:04):
coach writer, I'm here to tellyou about today's adventure is that valuable prefair
of tafecan pinacodes, that prepathy offirst from the one of knowing Manquindy Wale.
Thank you, mister announcer. Bothreasons I'm to tell you about today's

(01:26):
adventure is that I'm the only onethat knows the whole story. Not even
Little Boss or Tanks or any ofthe other fellers know about it. But
I just got to tell somebody.Well. Writers, Eating and Hall started
out one day about a week agowhen a feller by the name of Jay
Parsifal Butterball landed down on the bigBend. And that's where my trouble began.

(01:48):
You see this Butterball is the editoron one of them big Eastern papers.
So right away when he got here, all the local reporters went to
see even to get his opinion.That's right, gentlemen. You ask my
opinion, and I'm giving it toyou. I say the modern West is
nothing but a fraud. All perhapsthe old days of the West had something,

(02:10):
but in my opinion, the menof the modern West are nothing but
a bunch of pole leg at buffoon. Yes, gentlemen, I say the
modern West is nothing but a fraud. And you may quote me. Now
can you imagine that Writers, afowler saying a thing like that about the
West, when there's all us rentblended, two gun put and fighting heat

(02:34):
men out here. Well, naturally, as soon as I read what he
said in the local paper, he'sjust got my dandre from fierce. So
I just took me a while tothink out a good plan, and then
right off I went in to seethe farm of the b barb tax mason.
Yes, furry and Writers was inthis when you can happened to you

(02:59):
extrot me. Look, he's Kimriving Wendy with this idea of George for
us to pretend to be outlawed andattack him so that you can then make
like a hero and rescue him.Heresh, I think it's a good scheme.
Well, U say it's clams downrightfoolish. And what it takes a
Wendy? He said, it wasplain downright fulsness. But Fellers, Windy,

(03:19):
you might just as well forget it. You'll tuck us into a lot
of crazy schemes in the past,but this is one time it just isn't
gonna work. All right, ThenI'll go into town find somebody that will
help me, but all gonna beforeI'm done, I'll teach that Ferment the
lust man of the West. He'sto be fooled with. Well, about

(03:42):
a half hour later, I wasin town looking over the Fellers lounge in
front of General far and trying todecide who God asked to help me.
But then I see, yes,sir ee, I see these two fellas
Ofsted the one side, And beforeI even approached them, I know they
was real sons for whist? Hewould it get to be back in flesh?

(04:02):
I shut up, Brooklyn. Allyou do is grist. I got
reason that grife. I was ahappy piece for the pig pocket back on,
do you shut up with your bigtalk about the money to be made
in the West. I ain't speakingout a good angle yet, angle shmangled.
What do you expect that? Doyou think sometimes Jackson to walk up
to this north as a plan fora robbery or speaking of gaml huh,

(04:26):
Never mind, my pardner, andtell me you what can I do for
you? Oh, you must havemistook me for somebody else. My name's
Whale, Walter Welling Whales, thirdexecutive acting foreman for the beef army which
you had tossed that my way againsahra, oh never look short light and
grows And what is it you want, well feeders? I want your help

(04:48):
in what in a cruise ads upholdthe fair name of the West? You
see? I could tell just bylooking at you, Feaders, that's your
real son to the west. I'mfrom Brooklyn at Brooklyn, yeah, yeah,
before you text it, it's alittle north of San Antonio. Oh,
oh, fellers, you're you're gonnafind this hard to believe. But
there's a farman in our mints who'shad the nerve to slender the fair name

(05:12):
of the West. You don't understand, and I say it's up to us
to teach him a lesson. Wow, well I got it all figured out.
You see, if you too,will make out like you're a couple
of low down crook and why Iknow you don't look like crooks. But
then he'll never know the difference.He really think we can pass. Sure,
you just leave it to me.I'll teach you how to act tough.
That's but anyhow, what I wantis for you to to pretend to

(05:34):
be a couple of crooks and withthe astrocy and then I'll make like a
hero and rescue it. You're ahero, for sure, I'm a natural
for the part. Don't you think? Or doesn't it make you think?
This? Guys for real? Isn'tyou don't move? What was that?

(05:54):
Look? My friends call me Wendy. I never could figure out why,
Well, indeed, if we werecrooks, which went not, of course,
why should we go after this fellaw? Well? Half this fella his
thing's a butterball. By the way, he's a rich man, got more
money than the flea has dolls.But that he really wandered why hear that
even the rings in his bath suffersat the diamonds. Yeah, heree,

(06:18):
fellas, and I bet he couldjust sit down and write out a check
for a million dollars without even givinghim a pull. That's a good a
pitching we've been looking for. It'sup to us to demonstrate to this fella
that there's plenty of real bad menand heroes in the West. Well you
think, Brooklyn, it's with totry, mister guys as rich as his

(06:38):
character says, he is. Okay, Wendy, Well you mean you pretend
to be crooks. Sure, we'llpretend, and you'll let me be the
hero that saves even stops you.You, Wendy will let you stop it.
We'll let you stop us. He'ssure, he sure, he's We're
from Texas. Uh. They know. It looks as though Windy is really

(07:13):
getting himself into a predicament, thistime hiring two crooks and practically handing them
a chance for the crime. Butthen we've seen Windy thunderous way through before,
so there might be hope. Yes, anyway, you'll want to be
sure to keep listening when we continuethis very unusual adventure in just a moment.
Now, let's get back to today'sadventure. The ghost Rider. Well

(07:42):
riders, like A told you thisyear, Rich Feller Jay Parsifal butter Ball
come out to the Big Bend andright away started making incinerating remarks about the
West, being as Halm, aman of action. I got burned up
for this and the sight of it. Even if none of the Feller's on
the Rans have helped me, Iwas gonna teach that fireman a lessons must
being a man of superior intelligence aswell. I decided not to let on

(08:05):
to the other the riders, butI was up to something, No,
sir, I was careful not tolet them text the thing heavy intake than
you would just stop cackling that you'regonna lay a neck? What are yours
to anyhow? Do me a lotof things, fellers, those things.
You be up to something, allright? When men otherwise, while you

(08:26):
sit there all there with smiling likecat, what small a little mouse?
Hell tellers, I'll tell you sawyour imagination. The guides to sell your
business beg It ain't when you startup on one of these hairbrain schemes yours.
It's everybody's business, boy, boy, when text gets out for you,
dog On, Harris, don't don'tyou go tat and tailing this the
text her all or what you want? You don't don't know why. The

(08:48):
folks always asked me that eess me. Well, it happens to text out
of the noise. That's why hesends the Bobby a little while ago.
But that ain't fair, Wendy.You know that these schemes yours always back
fair. And we have to putyou out of trouble. You pulled me
out of trouble. Why saw fiddleand loss at your mind. It's the
truth, and we're gona get somedone. Sick and tirty bring us here,

(09:09):
so help me out, dog bThis is the one time I ain't
gonna let you upset my digging eddy. You're my digging eddy. Besides,
I got more important things that they'regonna stand here gone with you. There's
things like what like any important meetingin town? If you must know,
they just get out them away now, Watody. If somebody boy, I

(09:30):
just know something that happens to ayou gotta make it. You message from
tex something little boss, I ain'tgonna do it. Does he do whatever
job? Texas cooked up to keepme on the ramt tonight. You have
no he sent me to give youa worse ball orlans. Yeah, that's
right. You like to tell youthat he knows that you're mixed up in
some sort of schemes and that you'dbetter forget it. Oh yeah, why

(09:54):
you just tell him that these tickswe're talking about. Yeah, well,
oh well, dog gone, Iain't stopping even if it is. I
ain't giving up my plans for nothing. Well, and you'll leave the rest
of his message. He said totell you that if you're going through us
your plans anyhow, you're on yourhorse. Huh, that's what he said.
Wendy, did you get into anytrouble? It's time we're not getting

(10:16):
out. Okay? Then that suitsme. And he said that whatever happens,
you're not gonna make the b birdyany bag of bliss. And is
that all, little boss? That'sall well? And you can just tell
text. So whether he helps meor not, Wendy Wales has gone up
hold the honor and tradition of theWest. But now I got places to

(10:37):
go, so get up, mamble, and we have forgot my foes.
When he gets crazier by the seasomebing. He looks if it's the same
Bobby. If he gets into trouble, it's me and that end is a
lesson that d maybe sure he'd bemuch of follow him into Yeah, right

(11:01):
where we sat around. Let's justsell them for everybody. When something to
the general store, you sign better, we say here by the boy were

(11:24):
here? Not here? Yes,what's who? Don't many something? I
don't know, buddy, He lookslike he knows him. And look the
three of'em are going into thatbuilding next to the general store. That's
w Yeah, he had a coupleof servants render that house. Oh sorry,
Then that means Wendy is going throughthis planet of teaching lessons. What
do we do? That's what wecan do, buddy, that's what Wait

(11:46):
out here and trust hope the windyisn't getting in any trouble in there.
Okay, make sure the servants sledup like yeah, the wye go like
walsing. Well, okay, coney, I still don't Yes, well,
wine, let this way carriage inwhen you're figuring on crossing the minute.
That the easiest way to keep motof trouble. We'll get stream along so
you don't get your fishes. I'lljust you wait there while I want a

(12:09):
minute. Okay, well that's comeon, name, get everybody put upon
themselves, tied up and still upstairs. Don't want you fellers, sure weren't
fast, and you got tam tedderstied up just like it was real crooks.
Right, you want it to lookreal, don't you. You and
we like to applige, don't wetake you? Fellers? I sure appreciate
that. Oh thinks another nothing that'scalled Now. Now you remember the rest

(12:31):
of the plane, don't you,fellers? Yeah, sure, Well we'll
grew up and give a better fullof scared. And then you come in
and chase yourself. Right, yes, hurry, this is don't call it
you jo got somebody? Oh wait, one other thing. Well, it's
just to be sure that they're inany accidents. You better take the shells

(12:52):
out of your side. Oh heck, fellers, I'd never shoot you.
Yes, it's the same. It'sbetter to the end of states. Guy,
go on, now take your shellsout of you Okay, you say
so, I guess you are right. No, that's take a chance,
and that's that's what I figured,all right, but one you ready already
the feet and let's go get anygirl. Yeah, verry where you gonna

(13:13):
get him? Man better, don'tforget that real scared when I come up.
Yes, O god, I justcan't wait for this. I just
can't wait. No, you can'tdo this for me. We're doing it

(13:33):
right at that check like we thought. Yo, no, no, no,
no, keep away from me.I think you need some persuasions that
could. Yeah, but not here, not just taking someplace outside of town
where we want to interrupted. Okay, I tie them up and take him
with. You can do it,dag, Yeah right, keep away from
it. Don't kind of put thatthing in my mouth. Yeah, but

(13:56):
you will better give me your handwith the tie in take so we can
get out of it. Thank you. Time, We got plenty of time,
all right, Get your hands upon the cover. Hey, you
gotta leaves a little flack and Ibroke keep a tight enough to hobble him.

(14:20):
But loop enough, sous, wecan walk them out wit alright,
I got the cover. What youmean with your hands? Come? Well,
come on now, put your handsout. You figured out yet where
we're taking power? Please? Well, there's a deserted shack just be on
his cross order. We'll hold theman take shack pretty please with sugar on

(14:41):
it. Yeah, dog teeren right, I got my guns day, that's
yours. Put your hands out andBrooklyn in your hand. Something now,
Feller, Yeah, I see youhere, annoying hands up? You reckon?
We go to do something. Igot the cover. Yeah, I
guess for sure. Uh will youdo the honest? I'm glad to.

(15:07):
But when you'll talk about the cellars, this think the way we I can't
this think the way we like thatthe bride aren't talking, even after he
was not saying hunt no wonder theycall him Windy. We will talk for
a while. It's come on,not friend, you're seeing the looking at
rals. I was just thinking,Becky, this is the way I always

(15:31):
want to remember him, lying onthe floor with his whip behind the dee.
The quiet, the peaceful. Hmm, that's our own little sleeping beauty.

(15:58):
Well, no, i'd be willingway. It says that Windy wouldn't
be sleeping so peacefully if he knewwhat this innocent scheme of is that led
to. But even Windy is foundto wake up some day, and when
he does, well, writers justbe sure to be listening as we returned
for the climaxes. Today is veryunusual adventure in just the moment. But
now let's get back to the bBobby Writers and the climaxis. Today is

(16:21):
very unusual adventure. The ghost Writerand our own Windy Weale. Yes,
that's me, folks, unconscious asusual. You remember what happened, don't
you? How I set out tomake that Butterball critter sorry for all in
masser remarks he made about the rest. Only then before I know what happened

(16:42):
the two fellas I'd got to helpme, Decker and Brooklyn while they crossed
me, knocked me out and setout with Butterball as the captain before in
shadows eneavor to get suspicious. Rightthere, Selly was dissatisfying. That was
Wendy's up today. Alright, alrightup, stay him into the house.

(17:04):
I don't know, buddy, Ihaven't proved about that myself. Add oh,
look he's coming out of the house. Now, see what would it
be good? Seas we see withwindmen before what man? So it looks
like he's sick or something. Justact the way, han't dreads. It's
nothing, boy, He's tiny fightfire. He's sure, so he's stinging

(17:26):
in the morning. Baby, that'sbutter Ball. The fennas that Windy was
so mad. That is part ofwindy s way wind men be Selly Warrivere.
Is he shore lasting for trouble trying? Butterball up that one? So
if we've kind of stop this beforeit goes too far. But Window's libel
to spend the rest of his lifein jail. Was a little wash and

(17:52):
arration hawk. I rode off afterback on Brooklyn and there captain. But
what they didn't know was that Iwas still a lion unconscious in the house.
That's right. I was still outlike a light from where back Becker
clums me And when the finally didn'tcome from Oh we did anyone see which
way that elephant went? Hey?What's up through in front of the face

(18:17):
this man's but how did they getway up here? Where I got myself?
And say, little bit there?That's better all dam The environment's had
me hang it up like a preencil. If that reminds me it's Becker in
Brooklyn. They they've taken mister Butterballwith them. Hold alone gets fair,
No, surre ain't not with twogun whales on their trail. Yeah,

(18:48):
Surrey Riders or Winnie Wales is aboutto take apart in the game. And
since I already knows where they ain'tto take butter ball, all I had
to do was to get that,and that was the sea. First I
tried the border the room and itwas lost, but then it the invested
me a quick production and made forthe winder. Ain't nobody can out think
all in the well? And Iwas right, yes, Surrey. All

(19:11):
I had to do was open thewind the twenty mouth and let myself drop
stressly to the ground lest that rainbarrel there well the house climbed down on

(19:33):
the pail wrong itself out worked around, but I found I still wasn't free,
most because I was in the courtyardbehind the general store without any way
out except through the close store itself. That didn't stop me, No,
Surrey, I guess you've heard howthey're they're fictional detectives can pick a lock.
And I just walked up to theback door of the general store,

(19:53):
and luckily this boy was unlost towalk to the wind Riders right friend the
winter sur le steps and pushed meright in the space yes, Surrey,
I suddenly realized that him two barmitswasn't likely to take me serious, even
if I if I didn't catch upwith him. You see, they don't
know what the reasons tough, Mbrey, I am, so I decided to

(20:14):
not let him know who it was. It's but how why I'd wear a
mask? So I just looked aroundfor a hunky cross he went hanging from
up in the loft and give ita yank. Well, writers, when
I crawled out from the bags offlour and other stuff that has fallen along

(20:37):
me, I was a mess.M he is messed, yes, Surrey.
See I was all ready to beginwith from that burn raise bar.
Then when a sack of flower poppedopen and pour it all over me.
Well, rids that flower stepped tome and lets me as right as a
ghost. But did that dun me? Wit it? Well? It?
But then a sense myself bringey welles, are you a man or a mouse?

(20:59):
That's we debated the question of whileI finally said the head with us
made himself a mask from lawn,then went out through the front of the
General's care to get the horse table. Okay, honey, got me up
to you now, don't you knowme? Mabel? It's me. You're
Wendy Man. Wait wait for me, don't oh me, I must look

(21:22):
so horrible, and I even scaredfor maple off. Oh well, I
guess they too far to walk tothat shack, all right, see give
a dorn. So I started offwith that shacker, Decker and Wikling and
taking mister Butterball. But what Ididn't know was with the little Boston Irish.

(21:47):
And Harker was there too, That'sright. They followed Decker and the
others and was hiding outside the tryingto figure what guys? Something we out
hearing here? But what are wedoing? Good? Will not? Mother?
Will have to go for help inthe ship? Boy, I cannot
think sep be way we curling chaff? Maybe so wind men get in trouble.

(22:10):
What's the sally read the stat ofDo somebody be the sense the server?
Bobby? Look coming up the roadin town. I've got on now
I will look for yourself. Gee, who he there is something someone coming
for the shot that look like aghost this way. It's all right,

(22:33):
boy, if it'd not be good? And would it be? I can
never see anything like it in oldlife. I don't know. I don't
know, but whatever it is,but you're heading into trouble. Look at
so straight for that chat right foot, last foot, right foot, flatfoot?
Come on, yeah that recognize youmight spear him? M hm,

(23:03):
who's the stars? He's mostake?Look damn the what is that? You?
You there Hawaiian? So you behumans land to me? I am
the ghost writer. Oh no,stay where you are a shoe. We
ain't done nothing. And who's thatbetter? Tied up for that chair?

(23:25):
Oh well, but here's a poorhelpless citizen who you have captured, and
I the ghost Rider have come torescue him. He's your repon wlacky gone
and he put hey you ghostrider?Who's like behind me? I don't see
nobody. Nobody's there? You tat? I know my help. You can't.

(23:49):
I don't think. I can't believeit. I can't. Yeah,
yes, sorry that they hit.Give me a chance to slow? Well,
don gone. If that ain't something, I'm nothing. They knocked each
other else? Well, now,mister ball everything that bag out of you
rouse, my good man, yousaved my life. Yes, christer Letherfall,

(24:17):
think not. No, that's allowingday's work for us now as the
heroes. But here I'll just cutthese little sockets. And now do you
think you can handle these farmers tillhis hair gets here? Or just leave
it to me. But you wantto leave, I'll pay to God.
You know how it is. Herose work he's never done. But one

(24:37):
thing first. Are you convinced nowthat there are bad men? And he
rose in the modern winch Suddenly amand I'm going to say so, and
everybody news paper in the country tellme so that I can give you credits.
Who are me? Why ain't youhere to me? I'm not famous.
He rolls the left and a furtherhelpless. I am the ghost writer.

(25:08):
And that's what happened writers the butterBall. He turned the environments over
to the sheriff, and then hewrote a whole story for the papers about
what a great place the West is, and particularly about that great hero the
ghost writers. But me, well, I wouldn't dare let nobody know that
I was the ghost after Texas warning, if you folks are the first one

(25:29):
drifting did tell except where well,I good try to tell the other writers
once. But if he irish whowas reading about the ghost Rider and was
God then did the lame in thisnew driver of the worst. No one
has yet been able to learn hisidentity. Reelly Bee, ain't sure that
you know? We just go thunderda tell yes, I wish now that

(25:52):
we had a closer look at himthat night, at Chet whoever he must
be? Good men? And whatdo you set me about? Wouldn't you
let know what? I don't yousee? What's that jumping the old west
Lake to nor Wendy Booby to tellthe pru you Wendy, Oh, no,

(26:19):
how this writer somehow that just don'trealize that I'm a hero. Why
is the y brought to you byDen the gum with taking Saver and demon's

(26:49):
Pepson the gum that's great to youand good for your digestion too. And
this is Cactus Carl Warren along withPoppy Benson. Wendy Wes is wild and
takes Fletcher. The thing is cowboy. But here's Bobby Tilthomyrby found the plains

(27:12):
of all my chances. Then Yellowalong Gallo along received Gallible long Gattle along
Gallible Long God Along We're the ridersofby bar your windy outterday or did you

(27:41):
call me little boss? Oh?Sure, which reminds me of the time
I captured the Greek Potato Smith,the desperate desperator from Desert Coach. Well,
sure, I was going to dothat. I was holding down two
jobs at the time. I wasassistant to the deputy sheriff and I was
a traveling handkerchief salesman. People aroundDesert gulchch had to keep their noses,

(28:03):
Queen, I'll tell you that.Well, one day Sweet Potato Smith escaped
from the county jailhouse and I tookoff after it because he was only onmbrey
in town, which hadn't bought ahandkerchief. Well, I finally trailed him
up in the mountains right near theborder. Did you catch it, oh,
little boss Satin Average was a trickyone. You see. He had
himself two horses, and he sentone horse up one mountain, and he

(28:26):
and the other horse went up theother, and you died. In my
long career of defending justice, thatwas the only mistake I ever made.
When I got to the top ofthe mountain, there on the other side
of the canyon was Sweet Potato.I was the sad colors. I had
to reach into my saddle bag andpull out one of my spatial fifty cent
handkerchiefs. Oh. In fact,I was so sad that fifty seven wasn't

(28:47):
good enough, had to discard it, and usually seventy five. Well,
anyways, that gave me an idea. You see, there was a big
wind blowing right in the direction ofsweet Potato, so I reached him,
pulled out one of my extra spatialdollar and a half ten size handkerchiefs for
ladies or weddings, and opened itup to make a windsail. Sure enough,
the wind just caught hold of thatdollar and a half special and lifted

(29:11):
me clean out of the saddle.Next same sweet potato noe ills of floating
over his head telling him to drophis guns. Sweet potato was cut right
there. I talked to him intobuying one hundred ship me chickney taste the
difference when you choose flavor on theoutside inside too shit chickney time, the

(29:34):
difference by the clock labor lingers tickTikTok chipney chipnys, count the difference count
him cousin every box and even dozensshitney hit shit me. Get the fake
nickels work. You can taste thedifference time, the difference. Count the
difference, and whether you too cometo keep your mouth fresh and clean or

(29:56):
just for the plain fun of chewingit, you'll be better off on every
cock. With ticklets, they're flavoredon the outside, flavored on the inside.
With ticklets, you don't chee theflavor out, you to the flavor
in. That's why the goodness lingerson and on. There can be coated
flavor, coated leisure and more funfor your money. So get the fake

(30:18):
Nichols. Where it chick chick chicklick. I guess I'll take sold guitar and
now maybe fine of these where Ibe pull The fallen heels are green,
fucking those heels I've never seen.So I'll take sold guitar and along.

(30:40):
I'll get along well untill next timehe's the same time a Bobby. You've

(31:14):
been listening to the GSMC Classics series, part of the Golden State Media Concepts
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(31:40):
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(32:01):
history, science fiction, horror,or anything in between, the GSMC Classics
Series has you covered. Thank you, and we hope you have enjoyed today's
program on the Golden State Media ConceptsPodcast Network.