Love and Laughter in the Wild West | GSMC Classics: Bobby Benson & The B Bar B Riders - Cyrano Wales

Embark on a whimsical journey through the Old West with GSMC Classics as we present a delightful episode of "Bobby Benson & The B Bar B Riders" titled "Cyrano Wales." Join us as we explore the charming antics and heartwarming tales of love and laughter in the untamed frontier.

Originally airing from 1949 to 1955, "Bobby Benson & The B Bar B Riders" captured the hearts of audiences with its captivating narratives and unforgettable characters. In this episode, listeners are treated to a unique twist on the classic tale of Cyrano de Bergerac as Bobby Benson, portrayed with unmatched charisma by Clive Rice, finds himself playing the role of the lovable but shy Cyrano Wales.

In "Cyrano Wales," listeners will be transported back in time to a world where chivalry, romance, and humor reign supreme. As Bobby navigates the complexities of love and friendship, he discovers that true beauty lies not in appearances, but in the courage to be oneself.

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For YouTube enthusiasts seeking visually captivating content, our meticulously crafted episodes offer a cinematic experience that transports viewers to the heart of the Old West. With stunning visuals complementing the timeless audio, each episode becomes a journey through time and imagination.

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Don't miss out on the laughter and love! Subscribe now and join us on an unforgettable adventure filled with romance and hilarity in "Cyrano Wales" with "Bobby Benson & The B Bar B Riders" by GSMC Podcast Network. Let the timeless charm of the Old West warm your heart and bring a smile to your face.

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Episode Transcript

(00:04):
Golden State Media Concepts presents the gs MC Classic Series with episodes of some
of your favorites from a day goneBy, a time gone By. Join
us as we time travel to someof your classic favorites from yesteryear. The
g s MC Podcast Network invites youto sit back, relax, and enjoy

(00:25):
the g s MC Classic Series onthe Golden State Media Concepts Podcast Network.
Right, Ye invent and the ModernLast with Bobby Inventon and I would about

(00:47):
today? Is that bulger back alone? One thing? Well? But there
is very different adventure, Sir,and old Whale. Throughout the past two

(01:18):
centuries, the earners of mankind havereported with scribe on the character, the
courage, the determination of our menof the West. But of all the
great men who make up the heritageof the West, surely none. And
to pat the man who even nowis slowly confidently riding down the main street
of Pectae City, is mine sixthon the vitally important, demanding fast to

(01:42):
port him seeing did tm me tellme to get two dozen eggs and one
had the letters? Or was ittwo dozen heads and one egg? The
hard Yes, it's that rider ofthe tall corn, windy wale but even
now the sensor. Suddenly he ringsin his horse, he and eyes,
taking him the dramatic scene before him. There, before his eyes he sees

(02:06):
a man and a woman. Thewoman holds a printed sheet of paper against
the building. The man with deliberateintent, it's brandishing a hammer in one
hand as he holds up a nailwith the other and with his unhanned deductive
power. Windy immediately deduces that they'reputting up a sign. Oh what a
phrase? Hey, what you doing? And a sign? How did you

(02:30):
ever get one? Hard? Iguess I'm just cracked that away. Let's
lee how to sayers and I'm readhere ye are citizens of Caxas City.
Let's announce the formation of the Sacasparythematics group. The name is Kicks there.

(02:50):
Surely even you have heard of him? Oh sure, he's the one
they call the part of Avon.Sure, I reckon. Everybody's here to
him? Why he writ more good? You could take a spear at get
that. I said, take aspear at that. There's a joke.
Mark, No, please here him. Oh, Rodney, Rodney, you

(03:15):
must mind, Rodney, mister thatI don't believe I cut the moon boy
in Whales, ma'am. Will they'rewellings in Wales, but most of my
friends call me. Well, I'mvery pleased to meet an Anne Tomlinson.
And this is Rodney Trent. No, the actress is going to put on
this here show that drives me.The Whales. We're hoping to put on

(03:35):
a performance tear with the help oflocal talent, and of course with all
proceeds going to a worthy charity,very worthy one. Well, now that
sounds like a real good cause.And you folks are looking for local talent.
Well I'm available. Oh thank you, mister Whales. Weel appreciate anyone

(03:57):
else you can give us, won'twe Rodney, And if you're interested,
mister Whales, a tryouts or eleventomorrow morning, will be glad to have
me. Your men for acting partare gone. You know, I think
I'll take you up on that.Yeah, sorry, what who knows?
I might be another Shirley Temple.What's this Gwindy Wales actor? Well,

(04:33):
this I'll have to see, butnow don't be too sure. It will
be just fun and merriment. No, sure, there's something about those two
supposed actors that well I just suggestyou complictly when we continue this different adventure
in the West in just a fewmonths. Now that if I canna be
Bobby Riders and more of today's verydifferent adventure, we don't know whales.

(05:01):
Well, it's not the morning ofthe day when Rodney Trenton and Thomlinson they're
going to hold auditions among those localtalents of Texas City apart from the play
they're going to produce, and onthe b Bobby limbering up for the contest
ahead, we find that promising testions, you'll promise anything to get apart winby
wills or rating like Demosthenes before avery critical life gone gone at all?

(05:24):
Mabel, get your head out ofa pea coross and pay attentions. How
am I ever going to get tolead that play if I don't pack high?
Now, you just listen while Iread this part to be or not
to be? That is the question, I mean, that is the question.
I mean that is set out.God, where did you get off

(05:45):
giving me the boss? Last?Of course, you think you could do
better, we will boldly cood iffor a word or or well that's a
likely story. Gosh, Mabel,did that come out with you gone at
all a few ways you in yourjourned imitation you ought to be ashamed of
your saying, well, what Iwanna know is what's all this or ain't
about? It's what sort of foolishteacher are you up to now? When
you ain't no foolishes at all andit ain't none of your business. Oh

(06:09):
well, I reckon I could askIrish about it. Oh my god,
no, don't gone. Whatever happens, he must know nothing about it.
Well then you better tell me.But oh, dog gone, I'm on
Windy. Well you've heard about theshow we're gonna have here in Touch the
City. Oh you mean the oneyou see Rodney Traders week And I,
oh sure, but I can't sayI'm eyested they're not when they're asked ten

(06:31):
ten dollars a ticket. Wow,heck, it ain't like there's accent for
themselves. All the money's gone tocharity. We will maybe so, but
I can't see any play being worththat kind of money, even if you
can see the greatest new actor ofthe century, and who might have be
me? You, yep, megoing down there? Just a little wild

(06:54):
auditions they blind Oh my see they'redoing a horse eye. Yeah, and
there ain't another horse around it.Now, Wait a minute, I'm gonna
cut that out. Wait a second, still come fish boy, Wait and
he hears about this, an hearabout I'm wanting. He way told you
keep your mouth cut about this oror what. I didn't figure that out

(07:14):
yet, but you just better not. He better not. Well, I
didn't do it? Is that hewent to me. What I'm saying,
where'd you ever get side there?But I was up to something you're to
cure you? Well, cut thatout. You treat me like I was
an infant or something or an infinitelythen rose up. But you'll never learn

(07:41):
Is that so? Well? Now, I ain't never gonna tell you anything.
The heck you will. You ain'tgonna find out nothing because I ain't
gonna tell you one word about myaudition for a part in that play they're
putting off. Here's the kid you'retrying to get a persis He told you?

(08:09):
All right, all right, that'swhat's all knowledge, be right hold
him. If you want to shutme, I mean you'll pull off hurt
on all like. As you know, we're here's to walk to something.
You were part in the play.We're going to put up. At first,
I'd like to tell you you'll getthe bus to play what plass the

(08:31):
play was gonna put on you?I'm so, I'm so, I I
don't think I have heard of thatplay. Really, you gotta let me
explain it, Rodney, Now,mister Ware's well play we chosen to do.
It's still you know the person asby Edmund Rostack. Well, I
wanna play here, ma'am gool wesay shut up, okay, I'll built

(08:54):
it on our text thing some placeset. I know you ideo get food
of yourself. Mister Wales, youmust understand that Khiraho is a very exacting
part. He was a great man, a swordsman, poet, philosopher.
Well suck would be even easier ofthe character part like that. Oh no,

(09:15):
so so do do I get thepart? Uh? Mister Wales,
we can decide who will do whatpart until we've heard you all auditions.
Now you'll all have a chance toread in the moment. But Chirst,
let me explain the play now.As I said, Hirao was a truly
heroic figure. But because it isobserving large nose, Oh I'm not,

(09:43):
miss Whales. Were they to hearyou? Well? About time i'd beginning
to think you forgot me. WeOh not at all, mister Wales.
You just saving the best alive.Oh all right, Rodney. Suppose you
go ahead whatever tint very well,miss the world. Suppose we start with

(10:05):
your victim. Uh oh yes,I'll just repeat doctor me, mister Wales.
Oh no brown cold. Are youfeeling all right? Mister camp My
name is Prince, not thank andI'm feeling quite all right now. The
people are saying, oh, nobrown cold. But we even got no

(10:26):
brown cats. We got some redand white her person, some black angers,
a car pulling before you finding likea fool of me. Well,
I don't think so, Rodney.I'll be better if I took over.
Now, mister Whales, I thinkwe can get right onto the excell audition.
Now, you're the part of theplay where Krano makes love to rot

(10:48):
Fands. You read Kyrano and I'llread not some All right, now,
it's begins when your Fand says toKirrano, your words tonight has a taste.
Why through the warm summer blooms,they grow in darkness. That's part
of the light of you. That'sa stapement. Mister Whale's not a question.

(11:11):
My let's go on. My wordswell aimed find you more regularly,
shark Peter. My heart is oftenwide and wats pergram my words fly home
heaven with honey white them they're returningif you're umu, they can't stand it.

(11:37):
I still stand who's just all brokeup of emotion? I've been turned
the fire far hour right, goodwife. You're you're superb, mister wrail
firm. And that's is that you'reso good that we couldn't do any part
less than the lead. So wedon't just do that. You'll be mister
tense under shutting. But who's hereunder study character? I don't remember hearing

(12:01):
about it. Oh man, I'mjust said you miss the Whales is a
very important part. It means ifyou have to learn or the leeds part
and be ready is missus trent tobecome sister or anything? Ah? And
do you sit the wrong writ andsach, mister Trank, I shouldn't really
tall surprise. I shall will giveyou a party of the play, mister
Whales, and you just go homeand study it. Thank you. I'm

(12:24):
of mister ware. It's hard thatyou have an important part. Uh,
you will do everything you can tosee if you get a good attendance.
But I'll play will I I'll feelthat that theater is packed if I have
to crawl the town trip and goodpoints. Hi, don't we does,
mister Welles, Yes we do,And my dear, I have to handle

(12:50):
to you that fool will probably doublethe take for us. Thanks should enough
the beautiful language liter I mean ifI know our friend Wales, by the
time they get dragging, he'll havepeople believing that this whole play is his
ideas he might as fast he will. It means that when we skip down
with the proceeds, he'll be leftholding the bag. Why just seeing himself

(13:13):
hearing all well, ah, itlooks as a poor Windy has opened his
mouth too wide again and put hisown foots riot in it. You don't
see two swindlers succeed in their plans. Wendy may have to explaining to do

(13:35):
that will be difficult even for himto find out. All we can do
is keep listening and we continue thisvery different adventure in the West in just
a few minutes. Now, let'sget back to the Bee Bobby Writers and
more of today's very unusual adventure.Don't know. Well, well, it's

(13:56):
now the day of the show.It's Wendy prepares to leave for time.
Don't run it down, behave yourself. Maybe you don't know what a lucky
horse you are. You'll appreciate havinga great action like me writing all right,
then her respect when I get outon that fair stage. If you
get us in this kid, George, I don't wonder if you're gonna start

(14:20):
that stock again. You know you'rejust jealous because you couldn't get a post
as I mean, they could havehad a fight if they've been proving it
to onder one all the heck,you could, aside from the fact that
you can't act in your opinion andthe fact that you gotta face like an
unmade bed just a minute, youcontradiction to the survivor of the cities if
you seek for one little of yourwhat's all he arguing about? Oh it

(14:41):
ain't nothing really away case. Ijust wanted to admit, what a blessing
I'm gonna beat of American theater.Only blessing you'll playing him? Dudes that
you'll never get on that stig?Is that? So that remind just goes
to show how much you know,ain't I'm missed a trance under study.
You may be miss turns under study, but that doesn't mean you get on
this nothing less. He gets sickand let I hope, I hope that

(15:05):
does you seem likely? Oh,don't be too sure. That's huh.
What do you mean when I saidwhat you heard? Joy? Don't tell
me you're going to say the poisonwith some more? Oh? Nothing?
Trus is that I'm handling this problemby using psychologist, using the word psychology
power suggestion. I've already started workingon him real up to light to make

(15:26):
him think it's sick and you're justwaiting to see for the time that curtain's
ready to go up tonight, I'llhave him thinking he's so thick. He'll
beg me to play the pide fortyfive hundred, six hundreds and just look

(15:48):
at all this usual money. I'venever believed. This is just too much
from a bunch of cornbread cowboys,even cowboys to set this or a charity
appeals sit outside to be dandled arouck. Yeah, there's always a shameful stoop
for an audience. Betterficition. Youfind yourself a cooked hand the instant that
Christian goes up. We're leaving town, but fast. Let our friend Whales

(16:10):
do all the explaining. Yes,and for one bright spot left. You
don't know what I've been going throughwith that age struck simple And every time
he sees me, he's not tellingme out stick till you want to be
sure of replacing you? What course, But he's so obvious, so he'p
live the next time he pries,you're not going to give him the pace
of his own metal. Well,you just don't do too bet a job.
You don't need him to replace youwhile we may not get away.

(16:33):
Oh yeah, just the second,windy, get that money out of sight
and make respect something that's cool.He's been fool can talk and we can't
take chances. Allos over here,the one little strict over here there,
just as long as it's out ofsight already now yeah, well then,
oh right, miss Wales, comeon in right? What time the clothes?

(16:59):
Why do you take long to letme in? Well to tell the
truth, Whares, we've just committedthe lobbery. We've had to hide the
loop. Ah, yes, you'rejust a joshing me. Hey, But
mister trance. What's wrong with me? Huh? You say it's all pretty
yellow? You look like a sixman. That's things were I was just

(17:22):
about to save the same thing aboutyou. Hey, what what do you
mean? Yes, that's greenish asyour the blue cop your lip, bloodshot
eyes. I hate to say this, Whares, but those look very much
like the symptoms of a disease thatI know. Oh maybe, And what
disease is that, mister Trant?Well, come on tell me I can

(17:44):
take it. Well, it looksvery much to me like as a your
case for what I get. Andafter all the wiseman tills I took,
are you sure I'm telling me?Just think about it a minute. Do
you have a tickling issue feeding aroundyour show? Well? I I I
go, yeah, ye, nowI feel him? And do you have

(18:06):
a dry feeling in your mouth?Say? While I said you talk,
he shir tapers. Oh poor littleleaves. But but what does this disease
do mister Trent? Is it allin the same psalms? The sir?
Those you will have the best funeraltalk. But I can't buy. I'm
too young. And besides, Rogersstart up a five part Magnifine cereal just

(18:30):
them possible, I can't buy.I'm but what do you know? He's
passed out? Well, Wales?Wait up? Did you sit on tride?
Has rather hard to tell with whales, whether these conscious or not,

(18:51):
but his eyes are still gone.I found a way up twelve. Well,
you know when you guys don't forgetit pretendic ling. So it would
have to be taste it here.You know what I want? Well?
Were we going to read an almostChristain time? We still have to get
into this costume whales? Well,wait a minute, I think I have

(19:11):
the answer. You know, Ialways present the first that's putting. That's
great. All of the Americans withuh war for Wellington Wales way remaining consent,
lend me? Hey, what's goingon? You let it? Dos?
Are you all right? Well?I think so except that, Oh

(19:33):
my gosh, I just remember I'mjust wa No, well, you're not
the one who's sick. I am, are you? Shoos? I seem
to remember, But I'm going Imuch to stick the prade of parts and
I let her the place. Man, Now do you think you can do
it? Are you kidding? Why? Heck? I know that part backwards.
That's what I'm afraid and you'll haveto do it. Answer too much,
Harry. It's almost time for theChristain to go up and the show

(19:53):
must go on. Well, hereare balla. I don't look the way
you want first? Put all ofthat on a one. Those are three
sum saying just to be worn exceptthe time. Wow, heck, why

(20:15):
bother? Changing that way out andkeep right on and going when you're looking
on third being to watch him.Now, Wendy, you're sure you know
your line? I know. I'mlike, I know my own name.
What it is? Your name?Okay? Now, don't nobody cos Robert
you any time? Now when wego take your position on the stage right,

(20:37):
Well, here you go, that'swhat comes. You have wrong sort?
But here's a what just want tobe? That's I'm shut up?
All right? You men over there, there's the president's position. I say,
that's Robert's step going. We'll pickup from my and their money.

(21:00):
Oh my goodness, what where's themoney? You're still in that school when
I hit it, only look huh, let's where else is wearing? I
got forget it? What way latethe person's sewing up? It's too late
road school, and I got Sandylet's forget some money. Let them have

(21:30):
it, but let's get away.I can't take this. We're not leaving
without that money. Not what he'sdoing this sado. Why he's already falling
off the stage three times and he'soff his lect the scenery. He's turned
the most beautiful, playable rich intoa part. You're not leaving without that
money. So there must be someway to get him off stage, so
we can get the money out ofhis boom of the hole as you wear.

(21:51):
Wait on a round now, youcan't shoot him, Still him later
if you want, but not onstaale. I got children. But if
one of those ten bags playing above, see the one uses count away,
the one with a fall on me, he's not just stand what you're waiting
for him. You can come toBad Blue Sand. As soon as he's
knocked out. I'll count him inthe dressing room and we can get the
money we had. Two ways willwork. Oh, I get ready to
drop the thing. I'll be rightbehind the whales in our words. I'm

(22:22):
too proud to be a parenthee thatis, And if I lack the germ
that grows towering to heaven lights themountain pine, or like the old cowering
the muletoos, I stand not high. It's not the many not high it
made, but alone hand it wouldn'tparaxactically finished his line. All right,

(22:48):
man, we did it. Let'sget into the dressing room before the car
gets here. Come on, So, poor Wendy's a knocked out by a
sandbag in his hour of glory.But as you've been seriously hurt, will
the two swindlers get away with themoney? Well to find out? If

(23:11):
you keep listening, let me bringyou the climax to this very unusual adventure
in just a moment. Now let'sget backing to be Bobby Riders and the
climax days very different adventure there andno whale. Sorry to wakel. Let
can't thank you for when you readthe head thirty I mean somebody he didn't

(23:33):
book it. They don't know,but I'm sure it's gonna find out.
Come on work, going back tothe dressing room to tea why yes.
In an effort to get the stolenmoney heading in the boot Wendy was wearing,
the two swindlers and Commonson and RodneyTrent drop the fend bag on Wendy
while he was on stage, andnow that they've gotten into the dressing room,
they're trying desperately to get the bootoff before anyone interrupts. Hold that

(23:56):
food off? Why anybody can't Ican't you to get it off? I
get the money and let's go.You might come through anything, just putting
the stoop again, and maybe it'spermanently. I didn't talk to tell your
thought that were in this month.You weren't to guess, stupid fool,
and then I won't think I gottatalk on any one. Go with me
right he comes to i'd zellas unhandmy fair ny, or you tell me

(24:25):
with peace of my horse. Hedon't go away? Who do you think
you want? I know what answer? Yeah, he's there, And now
I teach you what I win mylaugh yourself, man, brokay, he's
coming in. You can got youman a whole firearm. Man. Well
that's not stop me flick my sword. That's like sadly not like gonnaway.

(24:47):
Now I tell deal with you withmy bare hands for you thing. Tell
hit him with this day that brotherwas I didn't need you our parents all
who's there was tearing? All right? Now, my fair rock Wendy oh
sank, goodness, there are back? Sorry? What happened to him?

(25:15):
He looked for yourself. The poorfool stipped over his own sword and knocked
himself out again, sinking up out. I'm getting right here, lady.
There's something made you fishy going onhere, and nobody's leaving until I find
out what it is. He leftmoney on the blow. Were you turning
to run off with the tickets money? Believe me, that wasn't my idea.

(25:37):
The whole team was Rodney, thewhole say heaping up to a crooked
stead, and Wendy stopped you.Wendy, he didn't know what he was
doing. The fool thought he wascheering. Now he was out of his
head over the second Aria. Ithink Wendy's coming to any You watch you,
sir when I look up to him. Okay, Wenney swing, can
you hear me for what happened?Last guy remembered. I was out on

(26:03):
the stage and man boy hurries,but I messed something up? Met it
up? Why dog gone? Wendy? You're right, hero, No,
Wendy, you didn't mess things uptoo much. Now you just stay that.
I've got to talk two weeks ago, Okay, Hey, what's he
like? You Irish? Don't yougoing to tell Wendy what a hear with

(26:25):
you? Are you sidnt weeting?So we'd never be able to tell living
with him if he you? Oh, we're saying, nothing's dog gone.
You got going there? But whatyou do do? I didn't tell me
over the tariff and then we're talking, cheering the words back to that.
I'm pretaking wretch. This little boy'shad a very busy day. You've been

(27:03):
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(27:30):
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(27:52):
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