The Battle of Strength and Character | GSMC Classics: Bobby Benson & The B Bar B Riders - The Strong and The Weak

Prepare for an enthralling journey into the heart of the Wild West with GSMC Classics as we present another captivating episode of "Bobby Benson & The B Bar B Riders" by GSMC Podcast Network. In this gripping installment titled "The Strong and The Weak," listeners are invited to witness a showdown of epic proportions as strength, courage, and character collide in the untamed frontier.

Join the indomitable Bobby Benson, portrayed with unmatched charisma by Clive Rice, as he finds himself embroiled in a conflict that tests the very essence of what it means to be strong and weak. Originally airing from 1949 to 1955, "Bobby Benson & The B Bar B Riders" enthralled audiences with its riveting narratives and unforgettable characters.In this captivating episode, Bobby confronts a formidable adversary whose physical strength belies a deeper weakness of character. As tensions escalate and allegiances are tested, Bobby must rely on his wit, courage, and the unwavering support of his companions to navigate the complexities of the Old West.

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Don't miss out on the excitement! Subscribe now and join us on an unforgettable quest to explore the depths of strength and character in "The Strong and The Weak" with "Bobby Benson & The B Bar B Riders" by GSMC Podcast Network. Let the timeless message of resilience and integrity inspire you on your own journey through life's challenges.

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Episode Transcript

(00:04):
Golden State Media Concepts presents the GSMCClassic Series with episodes of some of your
favorites from a Day gone By,a Time gone By. Join us as
we time travel to some of yourclassic favorites from yesteryear. The GSMC Podcast
Network invites you to sit back,relax, and enjoy the GSMC Classic Series

(00:27):
on the Golden State Media Concepts PodcastNetwork. Today is different there but go

(00:49):
and golik. The thing is,Texas City is faster than only Hotel Uh.
At the moment, we find theforeman of the B bar B text
Mason slowly walking down the hall,past moving wallpaper, warp start the same
doors and the finally he stopped beforeone of them spent some of us A

(01:11):
stated kilt lumber of him and thenknocked. Yes, I'm texting, Maitan,
I'm supposed to meet a man namedJeff Atkins here. Oh well,
come right in, Mason, havea seed, won't you? I am
Jeff at k And that I believeyou already know. Berdie Gent Yeah,

(01:37):
I text Glad, say what areyou doing here? Bertie? Well?
I that is I have sent storymister Mason, just as I did for
you. And see just why didyou wanna see it and not let him
explain it? Just said it wasimportant back town, and so it was.
Well, I've better start at thebeginning. You remember Jason walf Or,

(01:59):
you, me and my cry yourminer. He's always brumming dough around
here, which he ate, wasmy uncle. Huh, oh, look
you I didn't mean nothing, honey, all right, I know my uncle
was peculiar. Why he did?Amazon died about two months ago. Oh,
I'm really sorry to hear that.And how the reason that I sent

(02:20):
to you to was that I understandeach will of some money before he died,
and we helped drums take him,and that's what he names passed it,
and in return he gave each ofyou or third in the mine.
He was gonna work another of hispipe dreams. Of course more then the
mind didn't pay off, of coursenot. But the mind has no interest

(02:43):
in me. What I missed itis paying back some money you lost.
Hey, yeah, I was washe that's that's your nast. I sent
the least I can do for it. And just what do you want in
return, mister Atkins? M whatnot a thing? Of course, you
have to give up your sears andthis worseless mine. But you aren't here.

(03:04):
We ain't mine as anyway, orwe kidding now, but we're not
fools either. What do I mean? I mean it seems awfully strange to
you come all the way out hereto pay off a small death like that,
particularly when you didn't do a thingto help your uncle when he was
alive. I'll see here, Mason, what do you get that? Yes?
What do you mean? Just that? I always begin to wonder when
facts don't add up, Summy,mister Atkins. It couldn't be that that

(03:29):
mine is really valuable, couldn't Why? Why? Of course not? It
couldn't be that your old Jake's onlyair, and that you want to mine
all to yourself. You mean hecan trying to keep the set well,
Latkin? You think you're smart,don't you me? Smart enough to smell
of fish, particularly when it's arotten one. I saidn't have it your

(03:53):
own way. I tried to benice to you. I'll have to try
a different tag. But I'm gonnaget that mine, I see, And
I was right. Never mind that. Just name your price, because you
are gonna show me that mine allweight. I don't think so, at

(04:14):
least not until we've had the timeto do some checking on its value.
If I give you the time,meaning figure it up yourself. Yes,
r but gets it. I wantthat mine and I'm gonna get it.
And those corn said car folks aregonna stand in my way. I think
that over, smart guy, Yes, yeh, think that over really well,

(04:42):
before it's too late to wait up? You can't you throw off like
they tell me? You really think? I think you find see it if
you think he's trying to buy it, says in that mind, cause he's
bankable. That's what I'm betting on, Bertie. If I Kim doesn't start
to do anything out of the goodnessof his heart. Yeah, that's what

(05:02):
I thought too. Only well,what are we gonna do now? You
don't have to do anything. I'llcheck on the mind, find out whether
it's worth anything or hunt. Yeah, but what about action? Oh what
about him? Well, he's atough guy. He can think that just
from looking at him. By theway he's talking. You might try to
force us to sell out our share. He might try, but that doesn't

(05:23):
mean he'll succeed. No, Butthere's no telling what he's liable to do.
He's agerous. Text I know heisn't, and I'm afraid. Look
text you started, Disney, It'sup to you to protect me. You
got to see that he don't getto hurt me. Hey, no,
wait a minute, I'll text you. You gotta it's if you don't,
I'll tell him my share in themind. That's what I'll do. But
you can't. Got to give himcontrolling interest. I'll do it. If

(05:45):
you don't protect me. It's betterthan getting killed. Nobody's I'll think.
Yeah, he wasn't say I ain'ttaking no chances not. How about it?
Text it? Are you gonna protectme? Am? I gonna give
him my chair in the mind?All right, Bertie going home? Send
one of the boys over to seeyou. Didn't know one hurt you?

(06:15):
Who? Who is it? Who? Internation? Do you think of?
There? Me? Wendy? Well, now open up? Oh yeah,
yeah, he said it's anything wrong. No, there ain't nothing wrong.
I just wanted to let you knowthat I relieved. Oh, come on
in, want your windy? No, if I think I'll just stay outside.

(06:36):
Oh, I was sort of hopingthat you would come in here with
me. I'm kind of scared inhere all alone figures, and I thought
maybe you wouldn't mind talking to mefor a while. Ah, I'm sorry,
but you want me to talk ifyou wouldn't mind mine dog going.
I can't remember when anybody wanted meto talk for sure, So sure,

(06:58):
ockery is good. Here. Letme lock the door again. Here.
That's that's quite a lock he gotthere. What the heck can you share
that? I'm not scared of anything. I mean, oh, never mind,
if you just sit down, Wendy, Now sit down and oh my
gosh, somebody shooting out to squirt, Berdy. Stop that light. That
But that's when he dismissed me.I set down sat light. Oh that

(07:21):
goes alone of my sail. No, let me get a tat window.
See if I have follow him.Don't gonna get down my way, Berdy.
I can't see a flashing thing outsidewhen we do, Wendy, he's
trying to kill me, now heAin't it really meant to kill you?
He'd have done it. No,I think he's just trying to scare.

(07:42):
Only when I get my hands onhim, I'll do more than just wait.
Wendy, you know you're not gonnaleave me. You're not going out
sign and you think of any otherway to catch him? Now you just
sat down when you can't leave mealone? Please you can't. I can't
set down. That's better say thatwhile I'm gone and try, even if

(08:03):
you ain't, at least try thefirst hand. Wendy, Wendy, is

(08:24):
that you hos my dittember leave mealone to another one to prospecting you no
way to no way the pom operator, operator, operator, quick, get
me to b Bobby Ranch and hurryoperator, hurry, every chumber. You've
got to be Bobby Ranch takes aMaden Gargan. This is Bertie Jensen.

(08:52):
You gotta come over right away.You just got to pool, all right?
Now take it easy, Bertie.What's wrong? Someone's trying to kill
me. That's where trunk. Someoneshot at me and now I'm here all
alone. It's lost. He wentout to to try to find the man
that shot at me and he hasn'tcome back. And no, wait a
minute, tax I think he's comingback now, Wendy, Wendy, is

(09:16):
that you hanks me? Wendy?Is that no? Berdie, it's not
Wendy. You what's the fall down? Bertie? No? No, I
pull it down. What now wecan talk? Put the gun down that

(09:39):
time so you can't shoot me?Can I ain't? No, No,
you'll you'll be caught. The fellowI thought you was Wendy Wales. He's
right outside. I know he is. He's outside, but he's unconscious.
And uh huh, and I can'tunderstand. Oh I did deaf is with
this gun. But but I getto say, now we won't see interrupted?

(10:03):
Will please? Please? You can'tshoot me. You can't kill me.
Did I say I was gonna killyou? No? I just want
to have a nice quiet talk withyou. And he showed yourself. Show
me something. But this read itover, Bertie. I think you'll find
it interest. I had it drawnup by a lawyer in Towns the afternoon,

(10:28):
but or I said, be thesale. It says, I'm telling
you my sharing the mind for themoney I gave your uncle. Huh.
I told you I was gonna getthat mine. Well, are you ready
to sign it? No? No, if if I do, you'll kill
me once I sign it. Youhave what you want to kill me?
I know you will. What doyou think I'll do if you don't sign
it? It is you having muchof a choice that is no, no,

(10:56):
you'll kill me if you please,please the old hit. I ain't
not see the sailors n't help meout? Yeah, there me, don't
kill me. If he don't killme, I wouldn't waste up for us.
Besides, you won't try to stuffyou would when no, take them

(11:20):
I not. I won't say anything. Just let me do. I won't
see anything. Oh, you won'tbecause you know what will happen if you
do. Don't. Yes, youknow now that you've learned your lesson,
and I just one more off togo that handle? Oh but text?

(11:45):
Oh, oh furdy fridy, whereare you? Can? You? Are
you feet it? Yain? Oh? It was you pertty? What you've
been doing? All right? Sureyour tax time? I'm fine. He

(12:07):
hasn't tried a hurricane as if Ido said a thing. Why Bertie and
I are good friends. We understandeach other now, don't wait, very
don't wait. So yeah, it'sSherman's Jason. In fact, Mason,
we understand each other so well thatwe've been able to come to term.
Bertie has just told me his sharein the mind Uncle left Bertie. You

(12:31):
didn't we'll take time. He didMason, which means that now you're the
only one I have left to dealwith. Tell me you ready to sign
over your share? What do youthink? Still the stuff? You might
call it then, But in anyevent, I'm not selling, not under

(12:52):
any condition. You think so,drays, That's what Freddy thought. But
how I've managed to change his mind? I mean, you're frightened him into
it. Well that might have workedon Bertie, but it won't work on
me. I don't scare easily,I can know. Well maybe not,

(13:13):
but I'll tell you this. Ihave found out that men who don't scare
as easily as others can die.That's busy threat. Call it van illustration,
all right, then, askings.Let me give you an illustration.
See that empty bottle on the windowthere, and I see it all right?
Now? You see it? Nowyou don't get the point. H

(13:45):
So you're a good shot, friends, you're fighting an empty bottle. But
what about when you come up againstthe more? Try me and find out
that party? Boys, Except thatwhen I was leaving, I stumbled across

(14:07):
Windy lying on the ground outside.I'm conscious as usual, they said,
I tat out irish. I wasI to know that Jeff would sneak up
behind me and slug me. I'mgoing it's bad enough to have him digging
it. He upset this away.It's not you making no cracks down on
up? And how do you arrested? I don't see how it's done with
nothing against him? Do you meannothing again? I got a buff on

(14:30):
my head that looks like I'm wearinga Derby. Yes, but you admit
you didn't see you it you.There's no more evidence to prove he did,
and he have that he forced Bertieinto signing over his share of the
mind. Oh we're not giving up, son, He's fighting until I get
the evidence I need. But oh, hold of the second what I feel?
This is probably more bad news.You don't seem to get nothing else

(14:52):
in this. Oh yes, ohfine, really will you? Uh huh
uh? This is a conversation.All right, thanks very much? Right
right? Which is one part ofthe astree or the text telegraph company.

(15:13):
They had the answer to one ofthe wires I sent off asking about the
mine. No, no, it'sall going, And why all this fuss
about it? If a mine ain'tworth nothing, mine isn't windy, but
the land is. Oh well,would you pitch that up me again?
I say, the mine isn't valuable, but the land is. You see,
according to that telegram, the landon which old Jake started mining is

(15:35):
right in the path of a proposednew highway they're building. That's why Jeff
is anxious to get control of itso he can sell the land of the
government at his own price. Soit's h he has to control the land
completely if he's to sell it,which means that owning Bertie share doesn't do
him a bit of good unless hegets mine too, will he be then
then he can't give up till hegets your share, right Irish? And
it gives us the answer on whatto do. Nothing nothing. Since we

(16:00):
know that we're holding him in checkmate, we don't have to do anything.
But it's tight. The next moveis up to mister Jeff Atkins. Atkins,
I'll tell you I can't do it. I can't, I say you
will, and I'll sit out atthe table and write the note that I

(16:22):
told you. Go on, Butwhy can't you leave me alone? I
did what you wanted. I kindover my share in the mind to your
share, But I still want Mason. You're gonna help me get it.
I'll write that note. I can't. You will. It's the only way
I can get complete control. Mason, isn't a coward like you that I
can frighten me to doing what Iwant? Well, hey, man,

(16:44):
got up? I say, heisn't a coward like you, So I'll
have to use a different me.But to ask me to lead him into
a trap, so you can doit the only way. Once he's dead,
I can forge he's able to builda sailor. Nobody can prove he
didn't sign it. I know ifthe wood fright, he done it.
Well, Bertie, think of this. It isn't a question of whether there'll

(17:08):
be a murder or not. Thequestion is who's the murder? Is oh
your no, No, you can'tkill me. Jf and write the notes
I dictate Jawn the sex Mason.This is to tell you that you were
right. For you guess that Iwas forced. I mean that I was.

(17:32):
But if you will meet me tomorrowmorning, an hour before dawn,
at the Old Shack and Constill Pass, and will give you all the proof
you need against sacsions, come alone. I'll be waiting, and if signed,
Bertie, excurely think that notes onthe level. If any times might
just track, I say, don'tgo, Except it isn't that easy,

(17:53):
son. If this note is onthe level and Bertie has the evidence we
need against sassions, I can't topass it up. No, I have
to go, if only to findout what? Tell you what tack?
Why not go? Like the notesays, but take us with you?
No not? It also says I'mbecome alone. You know how timid Bertie
is. If he sees it's allcoming, he might have run off.

(18:14):
But you can't go alone. Text. If the notes the phone he ackins
is liable to be just for waitingthere to pick you off, that's the
chance I'm going to have to take. Don't know about about it? Boys,
you want to follow about an hourafterwards? All right, But I'm
meeting Bertie at the shack alone,Mason, you wish you scared me coming

(18:48):
in my grands where I can seehim pretty alone? Forward, share him
alone? But what are you actingto screw? You about to put put
them guns away? Well, assoon as I'm sure you're along, I'll
tell you that ain't nobody else here. Oh I see all right? Sam
Perty go ahead? Huh they weregonna tell me something. He said you

(19:11):
had to proof against that, Andwell what is it? Oh? Well,
you see Mason told it. PertyThat's why are you edging towards the
door like that? Uh? WhyI wasn't going towards the door? No,
No, no, of course not. Why should that? That's what
I'd like to know? All right, Bertie, what are you up to?

(19:33):
Come on? What honest Mason?You're you're imagining? Honorfrey. I
know you're too well to be pooled? Now, what's going on here?
All right? All right? Iwill you trapped me from what He's gonna
be killed? So it wasn't trap. Yeah, and you walk right into
it. You think it's a braveand strong and smart always laughing behind my
back because you think I'm from aweakling. For maybe I am Mason,

(19:56):
but at least I'm gonna live,and I'm not. You haven't got a
chance. He's waiting right outside thetack now with a trip to hard rifle,
waiting to put a bullet in youthe instant you stick your nose outside
the door. Still gonna die,Masons with me, I'm gonna lift frightened.
Huh what do you mean? Doyou mean that you let me into
this trap? Gave him to askhim, thinking that they'll let you live.

(20:17):
Of course he will. I helpedhim. You helped him, But
it's not gonna help you. Don'tyou see has to kill you for the
same reason he wants to kill me. I did what he wanted. I
signed my share of the mine overto him. I helped him trap you
and to trap yourself. He can'tkill that you live anymore, and he
can let me. We both know. To him, I no, no,
you're making that up to steer meam I and just try to leave
here. Shoot it down like adon't no. Maybe I'm trapped, Bertie,

(20:41):
but you are too. You're lie. Maybe I'm gonna die, but
you are too, Bertie. No, no, you're wrong, and I
prove it. I'll do out sightand you will see that he wants you.
Don't, Bertie, don't be afool. Don't shoot I can it's
me, Bertie. I'm coming out, but don't don't. All right,

(21:03):
Mason, that takes terrible for me. Oh, come on, you'ren Mason.
Then he didn't tell you it's hurt. You got to get me to
a doctor. Here, let mesee how badly you've been hit. He's
heard something awful. You can't letme tell you. You gotta save me?

(21:26):
Did a doctor? Me? Gita doctor? Oh? Can I
with Atkins covering the shack with arifle. I can't die. I'm scared
of just says you've been scared ofeleven? Please please, all right,
I'll try just one chance that Ican, please take it, take it.
But I don't know if even adoctor can do you any good now,

(21:47):
but I'll try. Now, Listen, Bertie says, what I'm gonna
do. Our only chance is toget Atkins in here. Do you understand
that? So what I'm going totry to do is show myself, get
him to fire at me, andthen attend that I'm hitting. Then still
just come in here to make sure, as I think you will, at
least we'll have some chance to itthanks to it. Only hurry, hurry
before Oh right, alright, justtake it easy, berdies. It's just

(22:12):
like still, let's see what Ican do. I can act. Can
you hear me? What a lotof faces? While you conning off?
Why do I ask? I'll burnyou out of the track. Well,

(22:33):
what's your answer? Here's my answer? Oh stay, here's your basons facos.

(22:57):
Oh you fuck you knew all theanswers. A pretty fight, but
till you laying there, the weaklingand the big great strong guy, the
strong and the weak. Only Ihave killed your boat. You're playing and

(23:21):
it looks like this time the puffingCoper. Not yet you have Heason,
you got it, you killed it. I showed him. He'll lift a
pay in court for what he's done. And me, Mason's wh When you
save me, I'll get a doctorif that's what you mean. But that's
a saving you that depends on whetheryou've got that courage to fight for one.

(23:45):
Tell me where you even fight tolive? Please? Please, I
wonder, Yes, I really want. You've been listening to the GSMC Classics

(24:26):
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(25:08):
in the mood for comedy, romance, adventure, history, science fiction,
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